Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...

Wittled stuck One
to Coyote Dingus
wind talks money all day and night
from all directions
but am allowed only to listen

Emotional cocooning
addictive sweet synth sup
as ready as can be
Reshaping wounded amazons
Is no easy task.

Thank you.
Now please pull your head out
before we all starve to death
from this confusing lack of true love

a swan, perhaps?
no, a turtle, one of nine
*i see

My whiskey habit is complimented then insulted by the ever temperamental voice of Jim Morrison,
I listen to Alabama Song by The Doors
I throw my pen and page
In an anger induced rage
As my mind recites the wrong words
To his poems and songs
His voice plays on repeat
All i can do is blame myself as the primitive synth dances it's oscillating tunes through one of my depleted senses.
My hearing
Mojo Rising's face crudely made into pop art painting by a fan, an idoliser's image
Suddenly the fender telecaster takes over the smokey airways
Hypnotising, mesmerising
as it fills the space between the barely conscious being and the walls that surround
The tempo of the snare, tom and high hat slows
I now have time to gather my ever harsh and bitter thoughts
Harsh like the whiskey, bitter like me

I meekly rummage through my purse
Looking for my tangled earpHones
The sweet sounds of guitar and synth fill my ear
As we pass Eglinton West
I wait for the last minute of the song
Where I maximize the volume
Just to hear the faint bass in the ocean of noise
Like my pastel jelly fish amongst navy blue
Stinging my tearducts with poison
Is your bass
That romantic tune forever ringing in my ears
Like your breathe down my back
Like your eyelash on my cheek
Like your fingers in my hair
The same that pluck that bass
Cascading ******* sound waves through my tired mind, romantic heart
I put your bass away, back in my purse
And walk the streets of my city
Where I see you everywhere
You can't be put away neatly in my subconscious
You're their bassist,
But most of all,
You're my front man.

Two
Bodies caressing each other,
Complimenting the skin tones,
As they touch one another.

Perfectly synchronised,
The same but different.
A song so perfect,
It stays on repeat.
A melody so divine,
The dance is locked in your feet.
Their voice adds a sultry bass to your ear,
The rhythm of your heart,
Skips a beat.

The highs meet the lows,
And the ears begin to ***** up,
A love making duet you suppose.
To taste the sound of sweetness
to hear the emotion of love,
To see the chords of heat
To feel the harmonies of passion.

Mixes and blends
of the tongue-twisted music.
The emotions profound,
felt from tap and synth.
An audience of two
Hear the touch of rhythmic blues,
As the piano keys play,
And a guitar riff ensues.

Bein' out in lake
Catchin'  bass
A piece of cake
Don't take eyes
Off the candy
Randy
Catchin' sucker'd
Be dandy

Sweet-tooth'd scaring night
Rollin' hard
High kite
Lounging in floaty ecstatic
Roll still
Admire the galactic

Traverse through waters
I heard mutters
Hashish-bier thoughts unclear
In hand
A welcome of dry land

Pulsation of bass I hear
Naked timid music
Synth-like rave
Mystical Acoustic

Land so dry had drag'd me in
With cold sweating fear
She whisper'd
'trek 'r treat mm' dear'

echoing in my head
i am compelled
my knee begins
to pulse up and down
my head
weaves back and forth
my shoulders
they slide
side to side

the synth is the hot sand
warming my feet
compelling me
to rest my face upon it
like warm paper
hot from the printer
i lay my whole body
in the sand

the bass
is an amtrak train
from washington
to new york
flashing the swampy green
and beautiful lakes
across your eyes
faster than a movie
it is real

the drums are a tiny room
and i am a small red ball
elated, uncontrollable
i ricochet off every wall
faster and faster
the walls appear hard
but are soft
to the touch

i close my eyes

my hands are stretched
out close to my sides,
i see the world in
four quadrants

one is the beach...
the sun now sets
and an orange glow
blinds me for a moment,
through squinting eyes
the majesty of the
waves, rolling in orange,
shocks me
in a single orange beam
straight through my heart
and out into the other quadrants

i turn my hips
to reveal the second quadrant
and i am suddenly on a train
shooting through the air in front
from metal tracks on the ground
around me are trees
climbing and sliding upwards
their trunks rotating in slow circles

the green grows
and grows
in moments it fills the world
consuming my sight
all is green for a moment

and then the green shrinks
forming corners as it disappears
becoming a cube
then the cube grows
and in front of me
grows a red door
and it opens
and again
i am a bouncing
red ball
and for a moment
i am fully present
in bouncing

then i fall, gravity ceasing
and i am back standing
with my hands to my sides
and i see the fourth quadrant
i see myself
grinning and shaking
swinging my whole body
in random patterns
in my chair, at my desk
typing a poem on my computer

Create me.
With your synth-organic rhythms
and beats from the heart,
make the body electronic.

Sustain me.
Keep the pace,
pumping the force of life
like a peacemaker in my chest.

Enlighten me.
Loops of cascading beats
synthesizing blood music
circulate through the passages of my soul,

Filling every corner
of what I am:
Organic matter in symbiosis
with undulating cadence.