Submit your work, meet writers and drop the ads. Become a member
Mateuš Conrad Nov 2015
what terrible news, the marx in me said it true, article heading: mental health gets only 1% of council tax...£664 million a year on ****** health... £111 million on tackling obesity. here’s a simpler explanation... c.d. is part of hardware... mp3 is soft-ware... get a scratched c.d. and turn the hardware into software... then put the virus mp3 onto an iPod, which is hardware... then watch the technological virology take over... the host hardware will break, given that the parasitic software is implanted from a sick hardware it was copied from.*

i was redecorating my mother’s living room,
for a handshake and the prize:
don’t interrupt my drinking pattern, woman please!
so i found to ancient scribbles of paint,
but then hid them like a treasure chest...
i also found the vol. no. 2 of kant’s critique of pure reason
under one of the pieces of furniture...
over a year i lost it... blamed everyone i knew...
but in reality the realisation came when i rekindled
the bookmark coordinate:
it took me two conscious years to read heidegger’s opus,
consciously defined by reading poetry on the sly...
with kant i ended my reading with the introduction of hegel:
antonyms of a pure mind - the third conflict between transcendental ideas -
i got the antithesis straight away... mainly because it spoke of freedom...
while the thesis spoke of the laws of nature and 1, 2, 3, 4, 5...
0 central...
it spoke of sequencing of events... it spoke of 1, 2, 3, 4, 5
as paradoxical of 2, 3, 4, 5... and 3, 4, 5 and 4, 5, and 5.
i think i better translate this passage to exemplify the point...
i lost kant for over a year and the **** sizzled...
i kept heidgegger for a year and i came out wondering
why it should take someone 15 years to study aristotle by the man’s suggestion,
so i had myself the alternative:
philosophy begins with awe... well... so does tourism.
let's just say there are corridors at the junction...
we say i almost pickled a cat's paw with wet cinnamon
or ketchup to imprint a paw-print with the gaff quote:
i was here, i found the sound meow inexplicable,
incomprehensible... given the human complications,
i decided to utilise meow with randomisation away
from my superior intuition... whereby the phoneticism
of meow was less than my eyesight and hearing...
so i announced the whiskers and fur and snake-eye in mammal
with a meow... i used meow to communicate with the complex
vowel-consonant reason, but i found my intuition
in rachmaninoff's vocalise wordless song... with my ear against
the radio dreaming away... so said man un-attentive of me...
that i managed to mingle my instinct without the meow
asking for butter... and instead for the daydream...
diva lute diva tangled... diva es lute es flos...
there i was... the cat of abashed baptisms at the fountains of
the baptist with my head wetted...
careless for the dung bag walking partner, or the plaything
i was forced to take interest in... my casual...
fat for keratin, as if fat translated from man unto animal
to ask the boar for the daydream of the conveyor belt
with lost fur and gained fat...
off with my shirt i too graded the follow-up...
as a loss in the tightened woods of winter with the losing shadow
of the shadows of beckoned crowns not adorned in vogue.
but this was only 1912... five years before the revulsion...
before the revolution... five years! spent in the abode of harmonics
by the piano i tried to mistune to write a deathly haunt of presence...
operatic alphabets twisted me into recovering from
the foremost attraction of failure... the neglige of virginity lost
to the public's applause missing...
i too could have vouched a coming back: of spirals away from
the champagne starlight in bouquet crescendos,
for the simple minded aura of perfection - but i vouched
hypnosis as the adequate precursor of staging fright
as the lost composition rekindled into revisionary composition
regained - there too i found the picturesque familiarity
of unsung hilltops regaining strength in the longshanks' heels
as if by deed of achilles in strength regained...
to frighten the lowlands with that glorious fame of
being poisoned by the gratifications of excess in the untrodden path
thus trodden by ear and echo rather than foot,
into the zephyrs of the larynx-ballerinas upon mountain-tops...
thus there, among the content misanthropes -
i too searched orpheus' mirror and prometheus' stone
to be bound to an eternal moment that denied all
other eternal moments and furthered the denial
by not allowing a bullish billion of china
its existential prowess among nations so frequented
by scandinavian description.
Mateuš Conrad Oct 2016
civilisation abhors thought that it cannot vocalise,
and therefore monitise - it abhors it! it vilifies such
thinking as a form of mental  illness, or something akin
to such a statement; talk to any psychiatrist
and he'll tell you that psychiatry is, quiete frankly:
a variation of demonology - shadow people -
the "retards" everyone is quickly to defend
but easily strap into death-rollercoster rides
and the famous bon voyage adieu salute!
civilisation stamps it down, as i already said, abhors it,
whenever cancer is involved is a hellraising
fundraiser moment... come the sickness of the mind?
or the abstracted brain: we have parasite,
tapeworm people.
     and all because of our own cause in having created
the skivvy like residuals to brush under the
carpet of what's otherwise glitter:
   people who are without narrative:
                    without the marathon fundraiser public:
a macho personification of how to abuse
state authority but never wishing to do so:
but nonetheless being punished for it.

the central figure? fiction isn't written these days,
take a break, come back later.
        if you can't be honest now: you will never
be honest in a hundred years: forget it!
but you know what i find? sniffer dog that i am:
i find people like *Faustino Barrientos

a.k.a. not Pablo Neruda - and god i'm jealous,
there's this pristine exemplified variant of Adam
and i'm petrified with jealousy at
his 45 years of solitude in Chile -
               i'm mad by it,
why? because the so-called civilised world has
literally cut off all my limbs to embody such
a life: my grandfather and my father lived
under the laws of conscription auto-suggested
by the rubric of social preliminary bulletpoints:
i'm jealous of them too!
              i'm an Auschwitz shaven bearded
"thinker", no good to society that needs rigour
of appearing nice and selling bull's *******:
i wish i was (most of the time),
       i got a chemistry degree and was told to
work in a supermarket... there goes my love for
learning:
                i am, evidently, a pseudo-hermit,
self-imposed isolation but still seeing people:
or as i like to call them: ghosts - in close
proximity; now, if ever anti-social behaviour went
on unpunished, i'd be a gladdened example
of such feralness.
                    oddly enough, atheists are cultured
creatures,
                 but, not oddly enough: they have
nothing enabling them with self-preservation;
the argument goes along the lines of self- (hyphen
opening necessary)... as a prescribed form of
automation... in a variety of guises:
         this hermit from Chile has nothing of this
sort, he simply has a godly competence of
the environment, someone like Christopher Hitchens
can walk into a crowded space and give you
theological nausea -
              because could you find enough whiskey
metabolism while shearing sheep and
milking cows? no! atheism is a placebo of what
is otherwise an individualistic stance of
being an individual within a herd -
and what an almighty cold turkey experience we've
been given after Nietzsche killed god:
we're going cold turkey -
               we're theologically cold turkey -
we are still living in rehab, bad move to do it
so quickly: history on amphetamines sort of speak...
             a dichotomy of priestly attire
and politicians all suited tied and booted as
the grey matter: where are the ******* rainbows?
hence the persistence to relapse into hippy,
while adolescence succumbs to nothing more than
a medical circus frenzy: of nature's own:
                          getting rid of the weakest like
one might throw out an out-of-date yoghurt.
  all good and well with that montage of atheism
being the zeitgeist fashion statement -
    but there is no atheism outside of the civilised world:
there's the purity of the self-        automation:
or adaptability to the environment -
only once congregated there was the imposed:
the non-existence of.
                      because it was trendy to speak like that,
we established a cohabitating necessity as
a species and then tried to fake that necessity by
differentiating with enough intellectual sweat to
distance ourselves with a counter-argument:
i.e. not self-   as in automation because of the ever
changing weather and organic octopus auxiliary attachments
for the worth of grit:
                     but a self-    (unit of automation)
   to fill the world with an almost inaccessible
perpetuation of the narrative - but this civilised self-
                 as variant of automation
toward self-sufficiency and independence is completely
lacking in the civilised world!
     we treat people like ****! waiter! cashiers!
                     bus drivers!
         i endear you to think that in the collective of
what's known as the civilised world: the hermit does not,
exist! there is no self- to speak of,
               try milking a cow or lumbering along with Jack:
it ain't there! we're a bankruptcy in terms of limbs!
        well sure: i write, and immediately i'm
in a mess because i like to study -
     which means poetry or poetry aspiring to
philosophy is inherently useless... so is civilisation!
   tribalism has no need for money: because it
has community: cannibalistic or not... is still has
a collective need to survive - unless of course you
remember the civilised world and all those
experimental fetishes to get you starcast with a moovie.
so this Chilean guy, 40 years a hermit,
     and then this article in the Sunday Times
news review section: driven to distraction -
             and my notes as graffiti after reading it:
we are a second behind goldfish online (8 seconds
with cat videos) - goldfish are 9 seconds into
watching bubbles, and then creative dementia
     doing the plateau incremental snap: re re re.
the god does not exist argument is founded on
a banking system: it's the most viable way to make
an argument that provides wages -
          no other reason for it,
or: as according to the Chilean nomad Faustino
Barrientos
, begin with the self- unit
                of self-determination and sustenance:
otherwise don't bother arguing that sort of argument
without undermining the collective Disney index
of the people: who are incompetent at ruling themselves
then they congregate to give birth to a Picasso,
end of!
              so just because i studied the sciences i can't
be persuaded to an ulterior version of humanism:
i swear, Kant said that there was nothing nobler than
to concern yourself with god... or an argument for
such a being... maybe i'm misreading things:
after all... it's not all that fashionable to say such things:
because never was sane sensibility akin to Jane Austen
for ******* despicable as to read Jane Eyre.
              well sure, i have my "furthering" notes,
from the trenches of the devil's sulphuring *******...
         again: that statement "god is dead"?
is effectively going cold turkey... shutting off all
the superstitious metabolism of the past: oh, 20 centuries.
   sure, the Anglo Renaissance came, Elvis too,
       but the repercussions of what we "experienced"
at the height of the latter part of the 20th century?
unreplicable, gone, dust, sniff the actual grey dust
death of ash... it's not coming back: here my pessimism
and valour in the name of comedy - realism
and the very mortal hand of the extinguished flame:
it's gone! done!
                and it ain't, coming back with a backlash of
infuriated rigour to keep afloat: or return to / replenish.
  it's gone!  mind you, Heath could also be
included in this ode that celebrates necessary
obscurity of the Chilean to my jealous fancy as having
perfected survival skills.
             but this cold turkey debacle over the death
of god penetrates former colonial, hence post-colonial
societies: it affects the youth.
                  it suggests a quickened pretense of
diminished responsibility within a framework of
the lack of all things "karmic":
sure, so history is without a continuum to ensure
there's transgression for every transcendence
and we all live in an Utopian scenario of
immovable mountains: maybe that's why we're
no longer writing history but historiography:
and there is a distinction:
the former is actually angling and fishing -
the other is counting the number of skiving salmon
dreaming of wings rather than gills out
of the river.
                     among the other observations?
or apathy without origin in blissful thinking,
statement A.
     can you imagine anything more apprehensively
digested that reaching the conclusion:
a- + -pathos (without pathology)
                                 can be interpreted negatively?
negative thinking prior to reaching the consolidation
that apathy is, well: most people treat that as
an abnormality.
                     (if i ever wrote a self-help book,
i'd write one like this).
              you go past bulimia, past self-harm,
past all the negative bull and reach a state of apathy,
a non-disconcerted attunement toward feeling:
but you have been chiseling with your thought
at all the unpardonable negativism of your
identifiable physiognomy from genealogical nuance:
you seem to want to replicate an ancestry -
your heart will not tell you to **** yourself:
but find enough automaton curriculum in your
thinking: and your own mind will slothfully entice
you with a thinking sidewinder that aims at the
guillotine, or the gallows.
                   and after all that negative thinking,
you reach apathy, or being without a pathology?
and you feel an emptiness?
             don't expect to be Nepalese -
your ancestry forbids it...
                        you didn't reach a Buddhist apathy,
you didn't start from a zenith: but from a nadir,
tattooed with so many pathologies:
to reach apathy you had to transcend them:
       this is the bit were i say, concerning your heart:
it's a bit like a Cartesian cogito ergo sum moment.
talking about going beyond:
ever think that foundation of ontology is grammatically
based, if not biased?
        i limit this question toward grammatical
categorisation of words...
      primarily? the usual questions:
why are we here?
                       how? (well, that's outdated
'cos we have all the answers and that leverages our
greatest dissatisfaction, even in terms of writing
a new version of Don Quixote, which we can't).
                i devalue grammatical categorisation
altogether, i don't believe in it,
            for example why is categorised as
both adverb and conjunction... to me synonyms
don't exist in grammar, why is therefore only
an adverb...
              how? also an adverb... (ad- + -verb
         toward an action) - thus toward the municipality
of professions: but that's not a moral question.
       why is also an int. (interjection) and n. (noun) -
all it takes is a missing h to completely it as a noun
(unless of course the Oxford dictionary is wrong,
and i'm not Shylock Holmes)...
             what i am focusing on is the word
is, which is grammatically categorised as a conjunction,
and so it is, and so that is, and so this is:
       that's a canvas for me: mirror mirror, on the wall:
who will the the fairest of them all once i stop
asking the question with rose petals in mind being
plucked in that fateful lottery?
                         i don't care why, i already have
a good enough estimate as to how...
                          i base my ontology (nature of being)
upon the is...
                        where there was jungle, there too is
another jungle made of concrete -
and i don't trust the Quran: it makes grammar too
inaccessible, too holy even,
             you tell me the naked truth of the grammar,
i'll put on a ******* Hijab and prance to the tune
of le trio joubran's song masar down a street:
the weeping man of Amsterdam, two German chefs
tripping out on mushrooms while watching
American Dad in a darkened hostel room,
   and an Egyptian architectural student i spent
the afternoon with; otherwise? don't bother.
      and it really is great how is can't be an adverb
and merely a conjunction (well, "merely"),
      there is nothing that requires is to be a limitation,
or a necessary morphing into: toward doing / being
something... everything just, is;
and if it wasn't for Shia Islam you'd get **** all Sufi...
maybe a Falafel kebab, but **** all apart from that.
                    of course i'd side with the ****** Iranians
on this matter...
                                i can't live without music,
for fare game to Faustino Barrientos, but i can't live
without music, and Wahabbism doesn't recognise
music:      never was hearing a camel hart or a
merchant burp or a woman ****** seem so appealing,
and worthy to fight for!
(italics for the sarcasm).
do you think that if i clap my hands for a year
i'll hear a minute's worth of Wagner?
                                         (snigger): probably not.
Mateuš Conrad Mar 2016
anyone see the brain i put into the washing machine? i think they took it and hang it out to dry, although i still think it's in a pickle jar of jealous ***** juices, going round and round, getting a brainwashing treatment rather than the joke about the thief who didn't wear leather gloves and a tight ****** hat, who didn't pull out his nails or scrape off his fingerprints, or shave his eyebrows... i mean, hell, i'm not into brainwashing that much - the k.g.b. did the same sloppy job on litvinenko - **** me! all the neurologists in poland are mad, and an m.r.i. machine does not exist in that country! i must have been inside a rocky horror theme-park ride!

there's that famous connotation to pomp, ego tripping,
my my, what a grand psychoactive
drug this is, ever danced smacking your knees
as representation of drumming
with your eyes closed in
a club on the embankment of the river
thames? giggling away at
the chance of momentary blindness?
i'm not here to give a macho representation
of me, far from it,
later ******* in the alley:
every club or bar i went to always
played terrible music, and too loud,
so i stopped going,
too much lip-reading you see,
like with this nurse going to do a job
on the housing project at north harrow
tube station, breakfast stop-over
at the mcdonald's at tottenham court road,
dragging my father out from
the depths of depression after
a man who married my cousin undermined
his team and got kicked out of a
company that later went bankrupt:
indeed that cloud of flies entering my
ear like a rain of syringes, painful like hell,
no respect for the underprivileged in terms of
health, you look like you just had a brain
haemorrhage you get pampering like a panda,
you look strong enough in order to **** someone
they think you're a chizophrenic... nicely done...
nicely done n.h.s., i think i'll take my compensation
in pride and emotions rather than winning
the jackpot of the godforsaken thing that
alienates people: can't cook for themselves,
need restaurants, can't clean for themselves,
need cleaners... civilisation and the death of
intricate tribalism... foremost family...
mano a mano con mammon...
hey, i only asked for an m.r.i. scan, now
i'm split bilingually making one story force
and the other story true...
anyway, back to ego tripping,
ego tripping is indeed a drug, but it's a drug
where you can't coordinate thinking,
it's like a primeval expression of the cartesian maxim,
you just sit there, self-aware (being self-conscious
has negative connotations via sartre's keyhole /
voyeurism), you turn into an object,
for example a tree, you ego trip as the tree
and thoughts are replaced by seasons,
the wind, rain, insects, birds...
you can't identify with anything,
even if you're ego tripping and a theory of relativity
comes along, you can't attach yourself to it,
you're tripping after all...
it's just you and the chaos of thought, there's no
ordered linear method of thinking,
you're strapped to a unit that doesn't move
but is a spectator of other things moving,
attaching themselves, or detaching,
and it's not necessarily egotism, far from it,
it just mean an elevation of *cogito ergo sum
,
how to make a blunt knife after it has been sharpened?
i guess ram it into bones or stones a thousand times,
or at least make dinner 360 times during a year
cutting soft flesh of tomatoes and cucumbers...
in terms of elevation i mean you're drunk
and you're tripping on the lack of thought,
a lack of a thinking cohesion / spider-web (
indeed the tarantula is a beggar among smaller
spiders, it has no idea of architecture, it hasn't
evolved technically speaking, tarantula the
anti architect)... so you're still tripping, because you
have no vector in sight, you're a pinpoint now,
a volatile coordinate, whatever thought comes into
range you can't narrate it... let alone vocalise it...
you're entering a void (jeez, this almost sounds
like making a waistcoat clock dangle and perform
a pendulum before opening the gates into
the subconscious and inducing hypnosis...
the gates into the unconscious are done by falling
asleep)... and then you sit down and decipher
all those thoughts buzzing around you that you
can't proceed from... ego tripping is best served
with alcohol - and it's hardly related to pomp,
esp. if you can't vocalise it and attribute the dropped jaw
of a ****** addict to be a symbiotic reflection...
or at least a carousel; in summary, ego tripping
is the cartesian ego sum, and no ergo and certainly
no ego cogito... well the ergo is there,
if you start to write something, but only then
when you step off the carousel.
Mateuš Conrad Sep 2016
i like reading about urban living, primarily by accounts of Frank O'Hara -
no one else, to be honest - where i'm placed i can vocalise
both the vulgarity and the serenity of a Wordsworth -
better had i an art gallery to run,
but my heart is too stony to accept the
chanced frivolous - it's anything beside that,
chanced, basked in, celebration of life -
perhaps i am outdated, and i know i am,
succumb to Kantian idealism, and no strand
of realism - after going to a brothel and learning
a few things, i was told i was a good man -
never did ****, too eager to watch the ******* -
****** tied - and then silencing my ****** -
i guess that's how quasi-country-folk live
these days... i simply prefer the solitude,
not from self-love: but as a way of assurance -
and later assembling - but i learn of the lives
in urban areas, of their little pests and phobias,
of places where people congregate -
and i feel no inclination to do likewise -
i don't even know why i'm travelling to
say something at the Cheltenham festival -
i've got nothing to say...
                               i can create usurpers of older
men, and blind-spot the youth,
        and be incriminated for both actions...
because i can...
                              but there's still O'Hara to mind...
and "all that love he could give in **** pursuit" -
apologies if i don't share that,
  my mentor Spinoza learned as much
in other circumstances -
                         hence the twilight of the man
of contempt and great love -
   as said, paradoxically, frankincense is
a scent appropriated as possessing anti-depressant
properties... yet we speak of: the man of sorrows.
but about my pet peeve, linguistic, obviously:
    the french for hotel - hôtel -
mind you, not trilling the r with mutually respective
   examples of English and French, but nonetheless
harking the r and amputee h in French,
     hôtel - or h'ôtel or h)ôtel - the diacritic mark
above the o is like a bracket, or < (less than) what's
expected in tongue kitted to say:
                                               h'otel - or simply o(h) tel -
        so too garçon - with ç extending into s
   and said: garçon / garson -
                           or with grave markings on a vowel:
that eats all other letters after it: cut-off grave e (è) -
    thus too the circumflex abuses invisible in
Cockney slang, and the eaten up h - via 'appening -
   'n 'appens only ounce -
                                            indeed the fighting took
places above as well as below the 26 symbols -
  in the diacritical realm of stresses and other punctuation
deficiencies - colon over the u for the umlaut,
there the fighting took place -
                      in an urban environment, would i ever
have spotted this? among fast food outlets, neon
and art galleries? probably not -
so akin said: lawlessness above and below the alphabet,
the warring fusion - but so they should have said,
in Mandarin - beyond vowels and consonants,
there are Surd variations of both -
              for aesthetic reasons -
our natural borders -                          and there are also
                    diacritical / exemplified stresses of
both sexes of letters -   some are silenced, some are
pronounced... they never told us that...
               they simply bragged about how naked
English was, and how certain people picked up
all the major eccentric intricacies -
                       to create a bourgeoisie levelling of
what's content with being a noun: intelligence.
there are rules beyond the five vowels and 21 consonants,
in that there's a trans-linguistic appropriation -
some become surds, some become pronounced -
   third limbs, six fingers, or Siamese twins -
                     given the book of revelation, and the phrase:
given power over all tongues - apart from ideogram
languages - and Arabic sidewinders on sand dunes -
you could, technically, incorporate all the particular stresses
onto the English language from all the Latin alphabet
languages... you could, in effect, paint onto all the
English particulars, all the brimful expressions of
diacritical marks being missing: English eccentricities -
you could, in effect, paint, once you have mastered
all the punctuation of pronunciation above the letters,
and below, not unlike (that that) what's already
deemed appropriate between words: i mean actual
letters - attach one diacritical mark to Finnegans' Wake,
and the whole work crumbles... you could effectively paint...
once you mastered the many particular instances of
atypical English deviation - making English, a language
less offensive in a sense that it already is:
for English is offensive in that its universal,
a franca lingua of commerce - and since that is the case:
there must be a status quo lingua - in this case:
English with diacritical marks - expressing all the
obvious deviations - this process, i am gleeful in stating:
will take as much effort as mapping out man's d.n.a.,
that's not pompous, that's actually hopeful,
hopeful in the sense that i spotted this, and someone
will take over in 50 years time, to incorporate
all the public uses of diacritical marks in other Latinißed
languages a pompous: congregation -
nesting on the bare rocks - after all that 16th and 17th century
******* in England and tongue and Empire: doth do, etc.
modernity says? Irvine Welsh's trainspotting Scootish
dialect excess - aye wee and e -
only when all the diacritical propositions are congregated
in the English Eden will we sing hallelujah -
this is a challenge, after all, English with its
Welsh and Scottish, Berkshire and Cornish, Cockney
and Richmond fluffy accents can be feed
this invasion of nuances already expressed:
thus in abstract:                      ABSTRACT

(originally herioglyphs)
        heliographic                     (v. the ideogram -
                                                      or no pyramid to ditto)
        and thus the heliocentric theory -
countered with this, or these the 26 fractions
      of the geocentric notion, England: bellybutton
of the world - as such... helioglyphic - glitches
  or graphics or glyph-on-glyph in that x = y combined with
   x squared and the parabolic curvature and foundation |)
                geographic - geoglyphic -
when then the Greenwich meridian turn into
the Greenwich universal accenting?      English
is fertile ground to apply the many stresses,
                                   sure, make it the universal tongue,
the globalisation vehicle, but dress yourself for that purpose,
accept all the invaders to your schemes invoking the 24/7 global
community... **** up! don't tartan up! **** up!
            with the wigs and the perfumes, and the bowler hats
and the neckties - you did it once... do it again!
                English is fertile ground for incorporating all
the linguistic "anomalies" - sure, little would look ugly if
written litle - soon to the invocation of lyre - or saccharolytic -
    dog's tongue lapping and a thousand slurs later:
                     cha cha cha and kappa and cholesterol
     and cheap and chasing foxes with bloodhounds -
                         and cappuccino - and chisel - chromosome:
                                          cistern (alter. çistern) -
    if something akin to this doesn't happen...
          we're all be playing the Mongolian harmonica,
by default of the 24 hours that are stressed to
be as important as an entire year of patience in waiting
for autumnal grapes and the wine pressed.
Steele Oct 2015
Armchairs and whiskey.
Bottle on the side table.
Eyes open wide, unable
to sleep. Thoughts creep
into his shaking skull.
Hands shake and grip the bow.
He pulls his scream across a string,
because his throat won't voice his wearied woe.

The sound's more than just pain,
and it tells more of his aching bones
than it should.
He plays the tears he can't show,
and it's understood
as the instrument moans.
That's all he needs to show a world
that doesn't know what his pain sounds like.
He'd talk about it if he could. Rachmaninov understood.
Stoicism is an awful habit of mine. I don't cry; I play.
I know it's cliche and corny and troped to death, but I do. It's how I cope, and sometimes it's good to just tell someone that. So I'm telling the internet, because if we're making confessions go hard or go home, right? Goodnight, HP.
Mateuš Conrad Dec 2016
allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon
-
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.
Janek Kentigern Oct 2014
You walk a lonely path old man but now and then you show us
you're alive
And maybe when you've had a few you'll shed a sorry tear or two.
That's fine.

But if you really must insist on dredging up this ****
Each and every time.
As each new fact's learned don't mistake horror for concern.
Cos it's a lie.

I'm happy. My eyes are dry.
I can't feel pity looking in your killer's eyes.
So chin up son, don't you cry.
The things you did were unforgivable and I'll never sympathise.

Lying just beneath the skin there hides a multitude of sins
That wait
For a ear that doesn't sneer or recoil sickened
Cos they can't relate.

Seize any opportunity; for you've so many agonies
to share,
To unload your woes but that cross you built
is yours alone to bear.

Each sacred tet-a-tet where you might vocalise regrets
makes you renewed,
But don't forget that as they peer at you it's one-way glass
their peering through.

You look through misty eyes - your little heart is opened wide,
but their's are shut.
They can't return your gaze of hopelessness and shame,
They've heard enough.

If I thought there was an afterlife
I'd be concerned for what's coming your way
And whilst I don't believe in evil
You and him came pretty close I'd say

You can repent until your spent or
Flagellate your sorry self to death.
But if your just trying ro tell the world your sorry
Well, you can save your breath.

Leave flowers on his grave and promise that you'll never
misbehave again
Curse the wicked heart god gave you -
If you had the chance you do it all the same.

Mount another charm offensive
Show them all the side they think you lack
But know that no amount of
Humility will ever bring him back.
These are the lyrics to a song. It's about a dead friend whose death I was indirectly responsibleresponsible for.

On reflection the metre roughly fits that of the verse sections of Radiohead's High and Dry.
Mateuš Conrad Oct 2016
and with the high street long gone, they keep nagging that
only lunatics use the internet,
me? i treat the internet as a serious medium,
it's almost despotic to treat it otherwise,
after all... internet banking, amazon,
why should Beelzebub's pixel vision
in that new medium be lesser?
it isn't, here's the big ******* F
                                                                U
to the establishment - and i too thought
that the mystery if lawlessness
                  was with Philippe Petit -
you got to admit, that's more spectacular
than that thing at Golgotha...
you even have an accent of stigmata riddling
the mystery - oh sure, i'm into esoteric
*******, because i'm about to become
a shopper -
                        people don't seem to go
into merchandise streets to buy things,
all it is is: clothes, shoes and mobile phone
outlets -
                     anyway, they walk the promenades
to be seen...
                            not to necessarily buy
and keep the economy well oiled...
            they go and do the catwalk pretence...
so that's me: a Heidegger book worth £30...
mad, ain't it? spending £30 on a book...
                  and an album by cage the elephant,
i should really buy another copy of
tool's aenima or steve wynn's album with
cindy it was always you -
                                      maybe a pair of socks
to match...                  next thing you know
they'll call it shamanism - well, any literature
coming from Eastern Europe can almost be
deemed as such...
                               and the next best thing
to fame is enforced anonymity -
                                        because fame just
= interviews.... and mostly moths / journalists.
                     nagging aunties and uncles
of the scene.
                                   oh sure, take all you can,
i don't mind... if it gives you rubies and
diamonds i don't mind... a conker
signature of mahogany print is worth more
than a table to sit about with your
******* / orthodox disciples -
                fame?          i've seen what it does...
i rather have the chance to do small talk
at the supermarket and say: well, yeah,
i write poetry, no biggie,
                                           does it rhyme?
does it have to / would it help?
                             i left Cheltenham earlier
than planned because of my left hand -
that's the deal with the industrialisation of
writing, with that quill you get to be one-sided,
i know for a fact that my hand can grip
the quill better, i left the festival early because
i felt sick with my left hand not being
encouraged, lame, not using the keyboard -
i hate leaving body parts about the place
not being used,
                            and, obviously,
when someone starts reading philosophy and
utilises the medium of poetry: he's not one
to entertain...
                           at least i learnt a valuable lesson
after seeing spoken word event -
              i couldn't entertain -
my life might be ****-up, but it's not ****-up enough
to vocalise it with some sort of
                                redemptive analogue -
i couldn't entertain people even if i wanted to:
i read philosophy, without tutoring by established
lecturers -              it's enough i studied chemistry
and thought that dabbling in philosophy would
make me seem more "human": that famous
abhorrence of scientific studies and what humanities
shun in terms of adequate perspective -
               i simply cannot entertain -
                                     maybe because i'm
entertaining myself more,
                               the shadow and glad to be one...
but they keep nagging internet opinions...
     narratives...
                          yes, i'm gullible enough to believe
all of them...
                         if the internet managed to desecrate
the high street shopping experience, and people
bank using the internet...
                         i believe every word...
      lies have short legs anyway,
        and assuredly a Samson moment comes
somewhere on the timeline with the blind hulk
pulling the temple down...
                       i just never used the internet to
use comment forums...
                                 my experience of trolls is minimal...
                  the terrible has already happened,
   i just filter any agony and transform
certain one-liners into an antibiotic:
       your writing is ****!
i.e.      pronoun noun verb noun
                                              problem solved -
and too many young people took their own lives
because no one taught them to use this barrier,
these white cliffs of Dover, this natural barricade
and the ultimate defence -
                              put the hate into a grammar
filter - apply the anaesthetic - desensitise -
                                             that's practically what
your subconscious does anyway,
                               some part of you if wholly grammatical,
meaning that you're understood,
                                 point being:
journalists have become annoying -
                         the printed press is a bit scared,
          primarily because they're offended by
our expression of democracy, they think that whatever
is written on the internet is bogus...
                      so i guess internet shopping is bogus
as if internet banking... bogus too...
                        if the internet wasn't all-encompassing
i'd agree...
                                but as usual, people have to
******* something silly rather than make love to it...
sure, i have my wild opinions,
                                       but i have them because
they are actually dialectical cul de sacs -
                                     yep, dialectical dead-ends -
           i write them but do not actually adhere to
them -
                                pretty much conversation
killers -
                          post-Nietzsche? more than
killing god... we killed dialectics -
                                     since Socrates we've been
putting god and dialectics back into the box
to prescribe civilisation innovations of how to
construct "polite" societies -
                                              the sort of "politeness"
that masquerades and is the dung-heap
                    where mushrooms like Isis sprouts from.
but sure enough: read philosophy
                              and stop pretending to be
an entertainer -
                                 i couldn't entertain people
for the love of anything worth mentioning -
                     entertaining would mean disrupting
the continuum -
                                  the very accurate biographic
sketches -
                                  well... what would you expect,
we're living in a parallel society,
                                a society where a gardener on
television becomes a chat-show host
                                  and gets a publishing deal...
               we're bypassing that...
                                            if we're living in a democracy
we're living in a badly represented formatting of the idea...
              and that great ponce of the idea of books:
more than bricks...
             i open a book, enter it, and i'm already
walking into a building of some sort...
                     few books i enter are actually left
undisturbed - i make my own feng shui alterations -
            but i wonder:
                   is eternity the place where you actually
live inside your own head?
                              &nbsp
Big Virge Sep 2021
I've Had This Said...
A Couple of Times...

My Cadence Is TIGHT...
When Reciting Rhymes... !!!

The Movement of Sound...
When I... Vocalise...

Which Is Also Known...
As... INTONATION...

If You're Reading This... ?
That's.... Education.... !!!
Cos' Words Like These...
Have Close Relations... !!!

NO NOT Like THAT... !!!
But That's A... FACT... !!!

Intonation And Cadence...
Make For Good Entertainment... !!!
When Done With STYLE... !!!

But You NEED A Good Voice...
That Is... TOP Choice... !!!

And Keeps The Ladies....
Slightly... " MOIST "...

Pay Attention Now Boys... !!!
Cos' A Voice That's SWEET...
Can Help You Get...
Girls In Your Sheets... !!!

YES For... RELATIONS... !!!!!
So We're Back Again...
To... INTONATION...

If You Use It WELL...
You Make Pulses RISE...
Just Like... INFLATION...
Or Just Like England's Taxation... !!!

But KEEP Your Cadence Moving On...
Keep It Slick And NOT TOO Blatant...
Cos' This Can Make Some ...
LOSE Their...................... Patience... !!!

Then Your Message Is LOST...
Like Beds For Patients... !!!

Intonation Is A Wonderful Gift...
So I'm Using Mine For Poetic Scripts...
Cos' When The Two Get Together...

It's A... PERFECT FIT... !!!!!

Like Guns And Clips... !!!
Or Cues And Tips...
Or A Great Pair of Lips...
Around A STIFF... DRINK... !!!!!

Did You Get The Link... ?
See Words I Write...
Make People THINK... !!!

And Leave Some Resting....
On The... BRINK... !!!

Or On The... VIRGE... !!!
Cos' Some of My Words...
Make People... SINK...
Into Leather Chairs...
Talking To... Shrinks... !!!

But Cadence Linked To Intonation...
Makes My Message Seem Less Blatant...

My Message Is Honed...
To... UNIFY Nations...
Through Usage of Prose...
And... INTONATION... !!!

Are You With Me Folks... ?
Can You See The... " Relation "... ?
Or BETTER Still The Slick Connection... !!!

My Message Is STRONG...
And Has... Direction... !!!

But Does Inflection...
DIVERT............ Attention... ?!?

Well THAT's A Subject...
WORTH... Inspection... !!!

Does My Voice Attract... ?
Or Is It Because I'm BIG and Black... ?!?
And Do NOT Run From PAINFUL Facts...
When Using Words To WOUND Infections... !!!
And EXPOSE THOSE Who Have DEFECTIONS... !!!

Sometimes I Laugh...
When I Read This Stuff... !!!

Cos' CLEARLY Some Get In A HUFF... !!!
And Wish That I Would Just SHUT UP... !!!

That's Cool With Me...
But PAY ATTENTION PLEASE... !!!!!

My Poetry Will NEVER Freeze... !!!
And NOBODY Will Stop My Speech...
From Reaching Those It NEEDS To REACH... !!!

Well Someone CAN...
Guess Who... Yes ME... !!!

But That I'm Afraid Is UNLIKELY... !!!
Cos Yoda Has Instilled In Me...

THESE Three words...

… ”It's Your Destiny !" …

I'm FEELING That...
Are You Feeling ME... ?

Feel Free To Applaud...
If You Like My Style of Poetry... !!!

I'll Continue To Read...
While My Mind Runs FREE...
And Want My Words...
To OUTLAST me... !!!

Through Publishing And OTHER Things...
Like TEACHING The Dumb To STOP KILLING... !!!

But THAT Will Be WITHOUT My Voice...
Soothing Mics' With Baritone Noise...

Well That's The FUTURE...
But While i'm Here...
I'll KEEP ON Speaking And Relating...

By Using STRONG...

... " Cadence and Intonation " ...
LISTEN HERE :

https://soundcloud.com/user-16569179/cadence-intonation/s-3p70o
The little thing's I do not share,
the little things I keep inside.

To hear you sing to your car radio,
to hear your passion,
to watch you drive.
As the lights of the rode caress your face,
I see your eyes flicker to me,
and you make a sidewise smile as you notice my gaze.

I study you,
like I do the **** models I draw for hours on end.
Memorizing every curve,
every dip,
every line.

When you tell me you love me you don't just with your lips,
but with your eyes,
with your body,
with your sole.

I feel as we are intertwined under the covers our sole are somehow combined.
Like hydrogen and oxygen we create life,
like potassium permanganate and glycerol we ignite
like Potassium Chlorate and Sulfur we explode into a show so stunning it lights up the faces of everyone around us.

Your kiss,
when the world is swirling around us and I make myself sick with worry,
you can make it stop.
You hold my face in my hands and keep everything else out,
if just for a second,
we're alone.

When you look at me with the saddest eye to ever grace this Earth,
I do not wonder why you worry,
but I wonder what would ever make you think I would leave,
I could leave.
Yet sometimes I worry the same.

You,
with all of your love.

You,
with all of your flaws.

You sometimes forget how to "relationship,"
but you never forget me.

You,
you hit walls when your angry,
but I will always be here to bandage your wounds.

You,
sometimes can't vocalise everything you mean properly,
but you don't need to,
because I know,
and I feel it too.

You,
run off and get yourself in so much trouble,
but I keep you in line,
and you teach me how to step outside them sometimes.

These little thing I take note of and never share,
I wonder what little things you keep of me.
Just another cheesy love poem written in the odd hours of the morning.
VS Sep 2014
Raiva. ****. Dança. Um bipe, susto, esquecimento, raiva, dois bipes, três, soneca. Cinco minutos.

- - - - ------------ - - – - – - – - – - – - – - – - – - – – ----------- - – - – - - - - - - – --_ - _ - _ - _

Bipe. Resmungo. Piscar. Interruptor, luz, ardência, explosão. Porta, cozinha. Frigideira, ovos, omelete, engasgue, tosse, água. Maçã.

Quarto, vestimentas, capacete. Mochila: 15kg.
Rua, bicicleta. Firmeza, foco, parábola, impulso. Curvas, carro, fechada. Porra! Esquece. Vocalise. Caminho: metade → Calor, suor. Vestimentas, despir, mochila, guardar, impulso. Partir.

Subida: força, constância, relaxamento, foco. Acidente. Morte? Não. *****, olhos, claridade. Gelo. Suspiro. Rua, asfalto. Inferno? Subterrâneo, ainda...
Chegada, contra-mão.

Bom-dia. Raiva.
I recognised you as you stood with your back to me
I tried to verbalise a word for you to hear
Yet I was too hypnotised to vocalise a single sound

To call to you would send lullabies your way
It would have solemnised the moment
Pantomime like I stood stock still, not ready to eulogise.

I wanted to maximise the moment
To sacrifice the past, to address this big occasion
To strive and entice this surprise, but

I didn't call, too many butterflies interceded
My desire to shout out to the me that I
For a brief moment recognised.
© JLB
Mateuš Conrad Nov 2015
the section in question is as mentioned in rachmaninoff’s
vocalise (op. 34 no. 14), first some symbology of numbers
in relation to kant’s thesis:

in a sequence
                                 (end)                                             (beginning)
                                           1, 2, 3, 4, 5, 6, 7, 8, 9, 10

   upon reaching 1 and
subsequently              0,

i find this to be unsatisfactory in terms of the kantian
equation 0 = negation,
unless there be an affirmation of non-negation, the use
of zero would have to take the form of coordinates,
thus the sequence would be as above but it would end
thus: (0, 0, 0) - given that the above sequence can be
seen a linear, given that it might reflect the essence time,
ending the sequence with 0 would only provide
“the end of time,” hence the need to change the whole
sequence ending with the other essence, space - and thus
the loss of negation, given from the beginning (0, 0, 0)
the following sequences are provide:
(1, 1, 1), (2, 2, 2), (3, 3, 3) (x, y, z), etc., which is the affirmation
i was looking for - movement in a three dimensional space,
the only other affirmative possibility is by ending the
sequence with ∞, which is transcendental positivism
aligned with ending the sequence with (0, 0, 0),
and not transcendental negativism of merely using 0;
nonetheless, this is my introductory fascination
as on offshoot of what is about to be translated
(i can't read philosophy in english, hence this translation
comes from a translation of german translated
into polish and now translated into english) -

antonyms of pure reason
the third conflict between transcendental ideas

                     thesis                                                  antithes­is
causality in agreement with the          freedom does not exist, yet
laws of nature isn't the only                 everything in the world happens
causality, from which all                      only according to the laws of
phenomena can be explained               nature.
in the world. for explaining them
it is also necessary to accept the
(self-accomplishing) causality
through freedom.

                    proof                              ­                                 proof
let us accept, that there is no other     accept, that freedom exists in a
causality other than the one in            transcendental understanding of
agreement with the laws of nature;    the word as a particular type of
thus everything, that is happening     causality, according to which
appropriates a preceding state, after  events in the world could take
which its next successive state is         place, namely the ability to begin
not sheltered from a certain rule.        in a way that's absolute of a
                                                              ­    certain state, and also in the
                                                                ­ same way, its series of successive
                                                     ­            *implications.
Natt Rozanska Jun 2010
I don't want to sleep with you,
Let me explain what I mean when I say that.
Perhaps I should say I don't want to dream with you,
Although actually I would rather dream with you,
But sleep doesn't allow for it.
So what I mean to say is,
I want to dream with you.
I want the room to dissolve around us,
Drift and tumble and throw us into an adventure,
Pull us into hypnotic lull,
Leave us defenceless, cowering at the gates of what has never been,
Braving the streets of what could be.
Confusing us with the vicious wiles of those we know and love,
Rolling every word passed between us into nonsensical compelling narrative,
Composing a suffocating atmosphere from mist and memory.
Leave us to wake with the lingering taste of humming cadence.
In actuality, we're pushed through opposing doors, as night draws on.
It becomes a solo endeavour, non-sequential and estranging.
I'd rather forgo our separate adventures, and vocalise our own,
Painted on the drab walls in our words.
Or wait in silence,
The breaths between us conducting the simplest composition of being.
This is close to what I'm trying to say.
It is simply this;
If I can't dream with you,
I don't want to sleep with you,
As much as I don't want to sleep without you.
Marya123 Sep 2016
He did not want it.
So he tells me.
He simply did what he could
A simple gift by Lady Fate
So he says, sheepishly.
He shrugs in nonchalance
Graceless in his apathy
Yet he is given the reward.
Why is that so, Destiny?
Why do you keep me searching for you?
Why do you smirk
As I am blinded and deafened in my pursuit for the light
Some clarity, an opportunity?
And you throw it in my face?
I could so easily be mad at you
I could so easily wail in agony
I could so easily grit my teeth and curse your existence
I could so easily abandon any pretence of control
Yet I do not.
I dare not vocalise these petty thoughts
I dare not challenge you, for I am at your every whim
But you cannot stop me from asking
You cannot prevent me from questioning
Why him, why not me?
What did he do so much better than I?
As he fakes illness and emotion
As he swaggers around in brilliant obnoxiousness
What is that one talent that I am without?
Must I lay my hands at your feet?
Must I praise your questionable presence?
Must I abuse and disregard you for some show of mercy?
They say one must wait
They say ‘Be patient, every dog has its day’
Then what am I?
A miserable dead unworthy hybrid
A perverse creation that ought not to exist
That it is not given a part in even one proverb in innumerable?
You desire that I let it get to me
You desire that I grow more impatient than usual
You ****** things away from reach so I sigh in resignation, as you laugh
Cruelly, in mockery of my fumbling limbs.
But I smile
I keep the thoughts in a little box sealed away
I gather every ounce of sincerity and joy
I collect my courage, I move my muscles
Enough to speak, to type, to send, to wish
To the blessed child of good fortune
‘Congratulations’.
Otherwise known as 'Karma, thou art a heartless *****.'
DieingEmbers Feb 2013
Oh angst thou hast thy claws in me
and Mark my flesh with misery
the words you pen in reddened ink
are not my thoughts but what YOU think
you steal my hope my dreams my sleep
your claws dig in and dig in deep
my muscles ache my minds a mess
as you seep in to each recess
each corner found and alley breach
no where to hide beyond your reach
all colour drained just black and black
you rake your claws across my back
my will is gone all hope is shot
you know too well the things I'm not
you call me names and make me weak
but worse it's with my voice you speak
my lips don't move nor vocalise
but still I hear your poisoned lies
up my dosage up it more
as you claws tear and tears now pour
**** you **** you for damning me
you fiend born of my misery
Just down/ tired / a combination of the two
Mateuš Conrad Nov 2016
they say that 2000 years without Israel
will necessarily bleach your skin,
that ancient fable of the Mediterranean
olives, turning into haram pigmentation
that god forbade to eat:
     ask them: why so pale, so like us?
why are you so pale, brother?
                  too few of us have seen ghosts,
unless they be ghosts of our former selves.
everyday, people disappear with their
selfless acts - everyday: puff! gone.
i never write to entertain or distract,
i'm a non-oratory sort of guy,
i imagine myself like a larynx punching
bag that people speak into -
a persona non grata, but otherwise a
persona esse: that necessarily is.
grata... grata... grata... gratis means
free - i really don't have that vindictive
american woman, stay away from me
sort of attitude: one peg, two peg, three;
but i do like that ancient seemingly
under-used word - frajer -
whereas said in anglo: frayer -
or *******.       the whole bejesus
and           yacht debate asking for saintly
interludes in the general grime of ****
said, **** done - and of that inherent vice
in us? the part where the ants took to
the tarantula and impregnated themselves
with the venom: and turned on each other -
as any civilised thing ever could be.
          what's the difference between
blues and punk?
     an extra chord?      see me blink?
           white boy blues: punk -
three chords -            and so the Mongolian
horde hoarding skulls in Baghdad -
and that's me, sitting ever so lightly,
pretty orange like a peach: apathetic tongue
in the ivory bull terrier grip of a handshake -
a girl might have once said: with
the pulverising stare, he could sit on the pavement
and across the street a fox took to
goosebump nibbles, while a girl walked
past the fox and the fox didn't stir from the spot.
wet snare *****: that's what they called him -
but on top of all that: everyday, the world
crashes in: newspapers? i call them avalanches.
they have non-filter: condoms with a slit in
them - and every time she's gagging
for legislation into birth control,
the Chinese dicta has been revised,
     and she's thinking of honey honey feed
me homely snug and cuddle: scented lavender
candles on your way out, including
the autographs.
   i once claimed that the television is akin
to the Platonian anecdote of the cave -
       now i'm starting to realise it's the outdated
variation of a campfire:
               vatra: and soon our hushed
capacity to tell familiar stories -
once it was talk of whole bodies: now
dismemberment and disembodiment -
                         soon enough a *** or a Juan
in Spanish - soon too łen or when -
łej           or way - those are not: chiral twins.
from what i can remember i found it hard
forgetting my northern Swahili -
         ****** hard, i couldn't have that post-colonial
tattoo done on me -
            but it still haunts me,
how one man took apart the Pharisee Israel apart
and where people had coppery visage: dimmed
gold of the skin, and one has to compensate that
taking apart with his own ethnicity in a biographic
similitude - been there, done that,
off the Unesco map for a century or two,
a Napoleonic haven sort of bollocking,
       **** 'ed over 'ere: old MacDoogle e ah e ah oh,
ha ha. Catholic shortening Mc
         Protestant on a wild surf of St. Thomas' Gospel
and all things trans...
as it should be known: transphysics -
god is dead, poetry is dead, metaphysics, is dead:
nou vogue: TRANS! ***** slap that ****
across the knees: say gnostic (surd g), then say
diagnostic... seem: or properly understood.
******* wankers and cowboys and other
ulterior gunslingers; but the prima ballerina aesthetic
found when excavating the ęglish?
                never talk ***** in public:
really, really vocalise that Cockney bulldozer
vs. culture when vocalising more tongue and less
**** when ******* - appearances are everything
after all - talk pretty, talk lily -
talk rose: and when it comes to the knitty gritty:
slosh!        i mean diarrhoea slosh -
            i mean: not unbuttoning a shirt but
ripping it open: fanciful that: equating courtesy
and otherwise doing the Frankenstein to a limp
**** with words of encouragement...
        (oh the sarcasm i enjoy hiding in symbols)
but i never understand why we talk pretty
and play ***** - why not talk ***** and play pretty?
       this revised "aversion" / ~aversion toward
fascism is really taking hold of people:
        the only difference is that there are so many
charismatic sprechen pseudo Deutsche -
                   i'm starting to feel left out;
still though, concerning the first point:
they really are pale -
                 2000 years without Israel:
it will definitely take them 500 years to get that
Mediterranean hue back of palms olives and dates -
        understandably the siding with
balaclava Palestine:        'cos you're white and
you said ku klux sneezing - or from what i heard
of recent history, my fellow colonial thingy-ma-jigs
     are internalising inherent violence of
the past and shoveling it all at the young -
   many o' man's woes as nothing more than
an evasive self: kindred of the lunatic.
me too: i too wish to have been able to stage
a confrontational and subsequently condescending
conversation with my great-great-great-grandfather,
       but i ain't got the **** or the V, and
                                  not much about the Welsh-middle
of the longbowmen and Churchill's cigars;
funny thing... smoking cigarettes, you get this
taste flashbacks... just now i recounted the taste
of my first love's ****** juices mixing in with my
phlegm cough-up... surely memory is not cognitively
abstract, like tattoos aren't really abstract:
to prove a point i coughed up a memory
of wild strawberries yesterday: well... fair enough:
today it's a memory of eating out (as they crudely say):
Poseidon's pearl.
does **** have to be constantly floral or aquatic?
    oh the cascade into faux pas and cliche: endless!
Fay Slimm Oct 2010
Your sweet golden notes penetrate my soul.

They strike life's
tone-deaf
bowl of plaintive
tunes,
and replay inaudible
sounds
by injecting a warm
dose
of chords
as an amorous goal.

Let who will condemn, we sing life our way.

Yet bittersweet, but
one day
this chorus of repeated
yearning will
vocalise
loudly and relay
unfinished
music
for love to play.

When fleshed, ardent desire will be sated.

Destiny's fire will have
abated
off-beat keys, complete
and bonded
forever,
we will harmonise
then,
created the better for
having waited.
Mateuš Conrad May 2016
added to the fact that guns 'n' roses cite the Texan twang that can't be New Orleans in their song civil war from the album use your illusion pt. 2 from this film.

i play tricks with my father, rather i insinuate a strategy,
he's a worker of manual tedium,
we watch movies together and play the game:
what year, what actor, what other film was he in.
it paid off today... i sat watching *gentlemen prefer
blondes
, oh god the American Renaissance
between the 50s and 60s and all that poetry...
where normal women would be considered fat
by today's standards of beauty-torture -
those thighs! those legs! then i started watching
cool hand luke... the man spotted Dennis Hopper!
playing Babalugats... the madman, sing-along...
a truly broken man, with such a defence membrane
that he escaped reality altogether, not the sort
of reality that cool Luke tried escaping from by
stealing one truck and taking the keys from the other
vehicles of the chain-gang in the deep south...
Babalugats did the real escape, he went mad, he said:
**** it, give me the extinguisher of ego, i'm
in a burning building, scortch my insides but
leave me immune to the fire of labour and iron bars
and that ******* routine of prison life!
he truly did escape, his threshold for enduring pain
increased to the point that he purred, clocked a chicken
strut and fellow prisoners took a pity on him to
the point of protecting him... the thing is...
i didn't spot Dennis Hopper... my father did... finally
the game i was invoking when watching movies:
the odd reference here and there paid off, i turned
my father into looking for cinematic patterns,
face recognitions, because of his manual profession
and his abhorrence of reading anything but the newspaper:
visual tactic... i'm seriously about to cry, and to not
vocalise it i pinch my nose as if snorkelling and then
no sound is made but the tears flow...
the game paid off, he became better than me at the game
of face-to-face association... i'm guessing this was
Dennis Hopper's debut... well after Blue Velvet he made
a name for himself... but like my grandfather said:
it takes great skill to play a Dostoyevsky idiot...
imagine Rowan Atkinson playing Mr. Bean or
the Antichrist playing Jesus of Nazareth - antimatter
and quantum physics and all to boot as
the rational cinematography allowance for people to
stomach such an eventuality.
Lynn Hamilton Nov 2016
An extra
Layer
Under
Your soul

The
Layer
That keeps
Out
The
Cold

Like
An
Holed
Old
Sponge

Which
Has
Washed
You
Before

Soaking
In
The
Thoughts

That
Can't
Be
Wrung
Out

Vocalise...
Listen...

The
Layer
Is
Worn
Holed
Yet

Protects
From
The
Cold
Elouise Roux Dec 2012
What I want is not apparent to me.
Is it to others written on my face?
They seem to know better than I
Or is that I know but refuse to vocalise?
Of course, life is only as complicated as we make it.
So why don't we act change what is needed?
Simple, lazy cowardice.
S Mar 2016
the very first thought i have each morning when i wake up is "i'd rather be dead"
but i am still so very glad i did not **** myself at the age of fifteen.
in five years, i have known. i have known triviality
heartbreak
physical scars that shine white and straight on my skin, and
emotional scars so deep i am still recovering from them.
but most importantly, i have known love. i have known
love for myself, and love for the people who have sewn me back together
piece by piece
tear by tear
and smile by smile.
i have known these people inside and out
dreams and thoughts and ambitions and fears and most of all,
hope.
we hold each other together at the seams. every time we split
we glue ourselves back together with memories and heartache and drunken heartfelt confessions.

this is me, baring my birthday suit to you. my insecurities
are my nakedness. my heart
is on my sleeve.
i am scarred. i have
rolls and snags and marks where there should be none, i
am coming apart at the seams, i am spilling over
with feeling, with the idea that there is a beyond. what do you think people think of
when they think of a beyond? do they mean the one that comes to them after they die or
the one that happens to the world after they do?
sometimes i hold on to these ideas of almost-existentialism and try not to cry when we read about them in class.
i used to say i was broken.
when i said i was broken, i imagined a sea of smashed lightbulbs, filaments
flickering feebly in an attempt at survival. what i was, was broken mirror
shattered vase
and an unsaveable phone screen. in my head,
i was poetry. but this is me, in my birthday suit. not hiding behind my purple
prose, not hiding behind my blurry concept of broken. i
am not broken. i was never
broken.
i like to think about the fact
that iron flows through my veins. i think about it a lot, the way i used to think
that letting the blood out of them would help me vocalise my broken.
today, i went for a walk and i thought of ways to not go home and make it look like an accident.
(i am fat, i am worthless, i am redundant, i don't deserve to live i don't deserve to live i)
today, i came back home. i ate dinner. i wrote this poem. i talked to my friends. and i thought about whether anyone really deserves to live.
the way i see it, i've been holding on for so long for the promise of bright lights and soft smiles and long car rides into the unknown and someone to fix me, to put me back together
i forgot what i already had.
i have glue, i have drunken confessions and smiles and long drives and longer hugs from people who love me.
twenty-five is just five years away, and it feels like forever.
i know how fast it's going to go. i know. i know i'm going to look back, and i'm going to say
"i'm so glad i didn't **** myself at the age of twenty."

what i'm trying to say is chin up, sunshine.
this feeling will never go away.
you will always feel the pull of steel and you will always look at very tall buildings with just one guilty thought, and write bad poetry, and **** up your metaphors, and
hold on to your hearts of glass and your constellations and your big city dreams, and
that one person you can't stop writing about.
you're going to find your birthday suit. you're going to find your naked
your unprepared
your "i'm barely holding on"
your swan song. you're going to stand in front of someone with a full heart
and an unburdened soul
even if it is for five minutes, you're going to hold your best friend's hand and say
"i'm so glad i didn't **** myself five years ago,"
and
"i love you."

chin up, sunshine.
it's never going to get better
and that's more than okay.
Donall Dempsey Jun 2015
The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.;

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.
Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Stephanie Grace Jul 2019
We cried out that our feet were sore
walking into eternity you and I
you said you would carry me
but I didn't want to get carried away

and I didn't want to weigh you down
even further
because I knew what you had taken on your shoulders
and I would never add to that

I didn't need to vocalise
you knew
and we smiled
as we walked into our fate.
Rohit Mane Mar 2020
I can hear the whispers
That echo from the
Crevices of your broken heart
And I hope you hear mine too.

I can see you're crippled
From the bludgeon of treachery
So am I
Only my crippledness engenders from
The emptiness of my soul
That has relinquished its everything
To someone who didn't return it.

I can sense your breath
That still reeks
With the smell of the abyss you've seen
But can you discern
The wrinkles on my skin too
Which conceal the tales of the depths
That I also had drowned in once.

I can decipher the fear
That emanates from the tremble in your touch
Somehow I can overhear the cacophony of your thoughts
That run wild inside your mind,
And I can also discern the silence
That lingers on your lips.
But do you see the swellings
Beneath my eyes
Which bulge from the accumulation of unpoured tears.

No need to vocalise your grief
Or substantiate your pain.
For I too have had the misfortune
To know these maligns
And I know how much they can deprive us
Of happiness and joy.

When we stumbled into each other
On the same path
That we both were trudging
In this forest of lost souls.
It seemed like I finally
Felt the warmth of the fire
When your eyes clashed with mine.

It seemed like a tempest
Had pierced
The layers of loneliness and desolation
That were bedaubed over my skin
With time.

I wondered at the sorcery of your smile
That occupies such a little space
On your countenance
But still outshines the elegance of the moon.

Let's be the hands that eternally hold each other
Let's be the legs that walk all the miles together
Let yourself be the shelter of a boat
And let me be the lighthouse that exudes a ray of hope.

Let's adjoin our firmaments that is filled with myriad of stars,
Let's sit beneath it and deduce constellations out of our erratic thoughts.
Let's help each other in gathering the pieces of our shattered hearts
Let's build a heart filled with love and care and begin from the start.

---------------------------------------------------------­--------------------------------
I wrote this poem about someone whom I cared deeply about and loved truly but unfortunately my feelings were not reciprocated and all of my efforts went in vain. That person pushed me out of their life without even realising how their actions are going to affect me. Now that person is not a part of my life anymore but what I cherish the most about that phase of my life is how much it has nurtured me as a writer, as a poet. I did not find love but I did find the poet within me.
P.S: I'd like to dedicate this poem to all of those folks out there who've been through unrequited love. Stay strong, stay blessed and stay healthy; our void will be filled by someone better. :)
Creepstar Mar 2016
:(
Parental unit requests that I vocalise what I have a black eye for.

"I walked into a door"

Parental unit then requests where the red scratches with dried claret appeared.

"Cats claws" as if the last lot hadn't just cleared.

Parental unit knows something's going on and pressed for information.

I can't bring myself to tell her of the true situation.

I'm a terrible person and a terrible son,
I broke the rule and lied to my mum.
Donall Dempsey Jun 2018
ANY ONE VOWEL OF THE SINGER'S CHOOSING

The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.
***

Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.

Ha ha...I just like the phrase...it is the instruction to the singer and I had only heard it sung on an O so my friend was doing A...I...E...U...and Y versions for me! All this singing floating about as the camera goes click in the middle of a kiss and we are trapped in a b&w forever. It was going to be called WHAT THE PHOTO LEAVES OUT but I'm much more pleased with its present title! Singers tend to do "O" versions mostly! Although there is a theremin version!
Donall Dempsey Jun 2022
ANY ONE VOWEL OF THE SINGER'S CHOOSING

The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.

*

Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.

Ha ha...I just like the phrase...it is the instruction to the singer and I had only heard it sung on an O so my friend was doing A...I...E...U...and Y versions for me! All this singing floating about as the camera goes click in the middle of a kiss and we are trapped in a b&w forever. It was going to be called WHAT THE PHOTO LEAVES OUT but I'm much more pleased with its present title! Singers tend to do "O" versions mostly! Although there is a theremin version!
Megan Sherman Feb 2017
I am enraptured in blisses too divine to vocalise
When I am there, I feel the spark of the world
Which far outweighs any material prize
In my heart, adoration and affection swirls

Let me dwell in the imperceptible, beyond the well worn track
In thickets wild, unkempt and overgrown
And for communing with bliss, let me get the knack
Revealing multitudes of visions unknown

World is waking to go wild upon the call of Love
Love is magnificent, manifest and plural as galaxies
Those miracles written on the sky above
That envelop us in the Universal majesty
Donall Dempsey Jun 2017
ANY ONE VOWEL OF THE SINGER'S CHOOSING

The photo freezes
us into

this exact
instant.

Yet leaves out
the intense heat.

We locked into this
kiss forever

happening in colour
frozen in B&W.

Curiously there are no
insects in this

photographic world.

Yet so many
on that "then."

We are at once badly
smitten & bitten.

Our friend's song
also is not

captured
as the world stops

for just that
instant.

Her naked voice
stripped of words

her vocalise
tangled amongst

sunlight and leaves.

A fingerprint in purple
paint( added years later )

is not visible
on this

day of days
a thing tangible

as a soul
made visible

in deep purple.

The photo also fails
to convey

your lip's softness

the kiss's smell
of Chardonnay & menthol ciggies.

Sweet sweat
trickling into eyes wide open

our breaths
mingling.

I take in all
the photo elects

to leave
out.

The kiss
hidden now

by death...
...the death of days

and that infamous
famous purple fingerprint.
***
Vocalise, Op. 34, No. 14, is a song by Sergei Rachmaninoff, composed and published in 1915 as the last of his "Fourteen Songs", Op. 34. Written for high voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Ha ha...I just like the phrase...it is the instruction to the singer and I had only heard it sung on an O so my friend was doing A...I...E...U...and Y versions for me! All this singing floating about as the camera goes click in the middle of a kiss and we are trapped in a b&w forever. It was going to be called WHAT THE PHOTO LEAVES OUT but I'm much more pleased with its present title! Singers tend to do "O" versions mostly! Although there is a theremin version!
Louisa Coller May 2020
Is hurts to see the past,
Being so ugly bitter in the present.
I panic about the future,
Left in a stagnant worry.

I find it hard to vocalise jealousy,
As I feel guilty it being part of me.
But can you really blame me,
Seeing you be loved before me.

I don't look like any of these women,
I appear differently in every way.
I internally panic and worry,
That you want something I'm not.

Why do you keep ahold of the past,
The memories, notes and valentine's.
By holding onto your used-to-bes,
I feel weak to my knees.

I saw it, but I wish I didn't,
Because now my insecurity thrives.
Like a venomous snake poisoning,
These thoughts come back to haunt again.

— The End —