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"utilised" poems
Aggression, is a session Is a desire, blazing fire Is a fest, at its best Aggression, becomes a passion Aggression, in your blood In your vision, a mission In your mind, a fight Aggression, now your mood Aggression, can be utilised Can be channelized, it should be Can be unleashed, it needs be Aggression, must be utilised
0
May 3, 2015
May 3, 2015 at 9:14 PM UTC
Aggression
i sometimes watch a cooking show and feed myself, finding old italians very funny with everything simple being a milanese delicacy, ambrosia of a doubly baked bread, sprinkled with water, a juicy tomato and some olive oil... mmm, yeah, am bro sia... where’s the salt? if this is ambrosia please give me a haggis in a bagpipe. by the way... the best sarcasm is found in a hangover. i still don’t know how a cat managed to knock on my bedroom door while slayer’s seasons in the abyss stopped me munching on violins and cellos: i got paranoid being the only person in the house with that eerie sound of knock knock... but i guess greeting him in the morning with a head-butt utilised his head for the ‘being human’ initiation... only yesterday he managed to open the door to the kitchen using the handle - and like any man with his middle finger outstretched in defiance... he did the same, but with a thumb. p.s. poetry and collage have a lot in common, as does poetry and music, i still don't know why philosophy started the fight, poetry has nothing in common with philosophy to be even remotely related for a boxing match, it's poetry as music and collage, the classical stances of philosophy are becoming more and more obsolete; i guess someone had to point that out and side with plato rather than socrates, but i have to add one blatant innovation i'm working on, no not the plagiarism of tristan tzara by william burroughs of the famed 'cut up' method of writing poetry, i'm talking Bach, yes, BACH, polyphony, multilayering, spontaneity, and everything that tzara attempted picking out bingo ball snippets of newspaper articles from a bag like some ****** doing the same, writing a abduction-ransom letter to a rich girl's family enigmatically... also enclosing a portrait of the girl done with crude pointillism in cartoon shock colours with a signature that ræd: antoinette warhol - yep, and some people will be famous for 15minutes in a repetitive loop.
0
Oct 17, 2015
Oct 17, 2015 at 7:06 AM UTC
haggis in a bagpipe and p.s.
i sometimes watch a cooking show and feed myself, finding old italians very funny with everything simple being a milanese delicacy, ambrosia of a doubly baked bread, sprinkled with water, a juicy tomato and some olive oil... mmm, yeah, am bro sia... where’s the salt? if this is ambrosia please give me a haggis in a bagpipe. by the way... the best sarcasm is found in a hangover. i still don’t know how a cat managed to knock on my bedroom door while slayer’s seasons in the abyss stopped me munching on violins and cellos: i got paranoid being the only person in the house with that eerie sound of knock knock... but i guess greeting him in the morning with a head-butt utilised his head for the ‘being human’ initiation... only yesterday he managed to open the door to the kitchen using the handle - and like any man with his middle finger outstretched in defiance... he did the same, but with a thumb. p.s. poetry and collage have a lot in common, as does poetry and music, i still don't know why philosophy started the fight, poetry has nothing in common with philosophy to be even remotely related for a boxing match, it's poetry as music and collage, the classical stances of philosophy are becoming more and more obsolete; i guess someone had to point that out and side with plato rather than socrates, but i have to add one blatant innovation i'm working on, no not the plagiarism of tristan tzara by william burroughs of the famed 'cut up' method of writing poetry, i'm talking Bach, yes, BACH, polyphony, multilayering, spontaneity, and everything that tzara attempted picking out bingo ball snippets of newspaper articles from a bag like some ****** doing the same, writing a abduction-ransom letter to a rich girl's family enigmatically... also enclosing a portrait of the girl done with crude pointillism in cartoon shock colours with a signature that ræd: antoinette warhol - yep, and some people will be famous for 15minutes in a repetitive loop.
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35
*i went straight down the hyphenated route, along the winding clay paths of papa simius sapiens **** esse, to see both the western mountains and the eastern seas, yes, straight into the hyphen, watching both the northern infinity (8) and the southern infinity (∞), bypassing scientific equations of the equator by digging to fiji through china.* i had, and still have two defence mechanism, a pseudo-impotence within the framework of the freudian madonna-whore complex with the everyday girls, which quickly disappears with prostitutes, and the fact that, when i was impotent with her after three attempts and on the fourth wasn’t, she still didn’t bother to take off the t-shirt i was wearing when i made love to her, so all the brass muscle shadow contrasts i was moulding went to the scrap heap and i returned to the chubby old me drinking excessively and utilising my lessons in spelling words using chemical compound complications of my favoured utilised prospects in the realm of the intellect - yes, these two defence mechanisms, because upon engaging with prostitutes in a mirror of pure functioning objectivity of the ***** and fox i known a word or two about anti-feminism, so the t-shirt part during *********** is a shield to prove the objectivity of the act can progress into the subjectivity of the person, and because she didn’t take it off, proves my point that she was nothing more than a ********** or a pole dancer, which she later became, even though she was reasonably sane enough to do otherwise.
0
Oct 18, 2015
Oct 18, 2015 at 7:19 AM UTC
the t-shirt debacle during ***********
*i went straight down the hyphenated route, along the winding clay paths of papa simius sapiens **** esse, to see both the western mountains and the eastern seas, yes, straight into the hyphen, watching both the northern infinity (8) and the southern infinity (∞), bypassing scientific equations of the equator by digging to fiji through china.* i had, and still have two defence mechanism, a pseudo-impotence within the framework of the freudian madonna-whore complex with the everyday girls, which quickly disappears with prostitutes, and the fact that, when i was impotent with her after three attempts and on the fourth wasn’t, she still didn’t bother to take off the t-shirt i was wearing when i made love to her, so all the brass muscle shadow contrasts i was moulding went to the scrap heap and i returned to the chubby old me drinking excessively and utilising my lessons in spelling words using chemical compound complications of my favoured utilised prospects in the realm of the intellect - yes, these two defence mechanisms, because upon engaging with prostitutes in a mirror of pure functioning objectivity of the ***** and fox i known a word or two about anti-feminism, so the t-shirt part during *********** is a shield to prove the objectivity of the act can progress into the subjectivity of the person, and because she didn’t take it off, proves my point that she was nothing more than a ********** or a pole dancer, which she later became, even though she was reasonably sane enough to do otherwise.
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25
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
0
Sep 16, 2015
Sep 16, 2015 at 7:56 PM UTC
ecce echo
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
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42
What I have passed on to my son is often unclear to me. I just know that I had the grace to ensure the package I passed on is not the one I received and that the extent to which it will be unpacked and utilised is not mine to determine. That choice was part of the package.
0
Jan 21, 2023
Jan 21, 2023 at 12:05 PM UTC
Passed on
*my interests in / with philosophy are grammatical, "         "        "  /    "    theology      "   linguistic.* as philosophy did not entice grammatical words to express it, as philosophy did not entice grammatical words to be utilised, so thus the study of language became distinct from philosophy, with only english or german or italian teachers using these words as a forgivable badge of honour, but what if a philosopher decided to "steal" these words and use them, what then? it would be secondary, to have learned a language in order to progress to the second tier of language and erase colloquial truths, idiosyncratic truths, etc., those maxims that never really matter, but find me one philosophy book that deals with words rather than ideas by submerging itself in ideas and theories not of the world, not political, metaphysical, theological... but simply grammatical... as to why the pronouns clash when used as the universal stipend of question: who, how, when, what if, etc. it's a minefield of considerations, categorisation of words to only craft learned plagiarisms of the pulpit, that such rigidity in grammatical classification of words is so aged ashen leaky and rickety and sir sneeringly sneaky as to be disregarded by philosophy is a gaping black gravity vortex of travesties. how do i write you ask, with what ease and with what machinery of split second bullet fire (sometimes)? i simply declassified certain words, rearranged their grammatical classification, some permanently, some impermanently; such is this curse of the orthodox theory of language, this ungrammatical denotative classification, before the sun or the moon can be a subject for a poem or some other form of inspiration, it's firstly a subject for nouns; oh i believe in grammar, but not how it's organised for the sole purpose of schooling, the odd jack-in-the-box popup lightning slosh of um um ah when the teacher labours momentarily to utilise grammatical words to explain a bewilderment without actually explaining anything other than the classification coupling obvious(ness) in a poem... esp. one beginning with a conjunction such as and.
0
Sep 12, 2015
Sep 12, 2015 at 8:42 PM UTC
ungrammatical denotative classification
*my interests in / with philosophy are grammatical, "         "        "  /    "    theology      "   linguistic.* as philosophy did not entice grammatical words to express it, as philosophy did not entice grammatical words to be utilised, so thus the study of language became distinct from philosophy, with only english or german or italian teachers using these words as a forgivable badge of honour, but what if a philosopher decided to "steal" these words and use them, what then? it would be secondary, to have learned a language in order to progress to the second tier of language and erase colloquial truths, idiosyncratic truths, etc., those maxims that never really matter, but find me one philosophy book that deals with words rather than ideas by submerging itself in ideas and theories not of the world, not political, metaphysical, theological... but simply grammatical... as to why the pronouns clash when used as the universal stipend of question: who, how, when, what if, etc. it's a minefield of considerations, categorisation of words to only craft learned plagiarisms of the pulpit, that such rigidity in grammatical classification of words is so aged ashen leaky and rickety and sir sneeringly sneaky as to be disregarded by philosophy is a gaping black gravity vortex of travesties. how do i write you ask, with what ease and with what machinery of split second bullet fire (sometimes)? i simply declassified certain words, rearranged their grammatical classification, some permanently, some impermanently; such is this curse of the orthodox theory of language, this ungrammatical denotative classification, before the sun or the moon can be a subject for a poem or some other form of inspiration, it's firstly a subject for nouns; oh i believe in grammar, but not how it's organised for the sole purpose of schooling, the odd jack-in-the-box popup lightning slosh of um um ah when the teacher labours momentarily to utilise grammatical words to explain a bewilderment without actually explaining anything other than the classification coupling obvious(ness) in a poem... esp. one beginning with a conjunction such as and.
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35
you stop fearing death once you stop dreaming, and treat sleep like a cruise-ship holiday of complete darkness - i mean, who'd drag imagination down into the unconscious to create dreams, rather than keep it boiling conscious of limbs and skeleton in being awake, and write a poem or two? i know, when restrictions come, cashier no. two thousand and five hundred, when people are shoved into pits and black holes they recreate their imaginative spirit in sleep, they dream... imagination not utilised in the waking hour is worth a bundle of entertaining patterns, as in: how does light enter utter darkness? the most vivid dreamers are the most unimaginative people, esp. with conversation starters, let alone main meals (relationships), and desserts (commuter silences and lost eye-contact). i write                                                 because                    i don't    like                                     talking.
0
Jun 5, 2016
Jun 5, 2016 at 8:05 PM UTC
the most vivid dreamers are unimaginative
maxim utilisation does not necessarily create a symbiosis between the unitary appropriation of universals and particulars, old Socrates knew this, he knew the problem well recorded by Plato: a rich man can have all the needles and camels he wants... maxim utilisation works miracles for the rich, handy truth being: i have life insurance and a pension, but i'm still stuck in a trench with high-school memories and a house with 20 bathrooms but only 3 bedrooms, hence i'm the Chieftain of Microsoft... the rich know the best maxims, the poor know the best narrative... i'd rather hear the narratives than the maxims... maxims are utilised by the rich in a way that does not allow success, they speak fluently in terms of success stories, but they sell them, meaning there's a limited success rate; meaning their narrative sounds are a bit like: if i ****** this guy over, and this one, i cup-caked this one into a half-baked scene; yep, ****** this one, and this one, and this one, and this one over twice... but hey! i'm rich!
0
Apr 23, 2016
Apr 23, 2016 at 10:20 PM UTC
Ökonomie
they always, always! they always throw this ******* debate into a juggling act between joseph merrick and stephen hawking... always! **** gets boring... choose another pair of cripples! maybe they had ulterior motives of sadism to prove someone wrong... **** ain't working... choose some other excuse for you little tabloid philosophy to have page 3 **** dangling over your pressurisation of that famous english unmovable utilitarianism movement - apparently the hammer was utilised without nails hammered in in mind, it was also used for crunchy skull floating oats!
0
Apr 16, 2016
Apr 16, 2016 at 9:45 PM UTC
debate on suicide in england
i wait for death as i might, with the same sordid apathetic splendour: waiting for a bus: to commute me a mile closer to the designated spot of the favour scattered, with the travel lessened minding effort utilised, and travel spoken of, no more, i too wait for death like a laziness of fathomed living, re- (i.e. repeat, sundial eclipse mormon nuns gorgon fleece): on the hearth pride of my dead body rests, on the hearth honour of my dead body rests, on the haystack, my life, a needle, and here comes the camel, the fourth magi, of the three designated, given pyramidal superiority, given relevance to mistake the gifts as gilded artefacts of a bow-tie, where once a treasure lay for magic to be readied on public eye entertained.
0
Jan 24, 2016
Jan 24, 2016 at 8:09 PM UTC
i wait for death
Way up on high where God has Facebook and Sky, have you ever wondered why he never tweets. It beats the hell out of me, that all of that potency isn't being utilised fully.
0
Sep 9, 2014
Sep 9, 2014 at 4:33 AM UTC
The primitive