We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

1153

Through what transports of Patience
I reached the stolid Bliss
To breathe my Blank without thee
Attest me this and this—
By that bleak exultation
I won as near as this
Thy privilege of dying
Abbreviate me this—

Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "

You know, there's always a song that takes me back
To a year, so long before
It's not always a top ten song
That hits my very core
It just grabs me and transports me
Back in time while standing still
It might take me to a good place
Release a memory I should ****

But, my soundtrack is different
It's not just music in my mind
There's sounds that make my playlist up
Sounds of a different kind
A baseball smacking leather
God, that sets me free
Some good, some bad, some coaching
Some involve my ******* up knee
The click on every eight track
When it switches channels to play on
Brings back those early mornings
when the house cleaning was done

But, music, yes the music
makes a large part of my list
Some take me back to dances
And the girls I never kissed
The good songs stretch my senses
Make me smell things from the past
The memories still linger
While the music didn't last

Sirens, car wrecks, yelling
Have their place on my list too
It's not music to most people
It made my list though, who knew?
A sound as small as raindrops
Take me back to a morning when
I stood on line with a hundred others
Brave women and brave men

Cornwallis, Nova Scotia
rain and U2 take me on a track
To basic training on the east coast
Wow, that's 25 years back
A car crash and a siren
Takes me to when I met my wife
This was on the television
when Princess Di, she lost her life

So, my soundtrack is eclectic
It's not just music fuels my trips
It might be a golf ball bouncing
That takes me through a time warp slip
A song, that's just too easy
Everyone has one of those
But, can you travel back, oh, 30 years
When someone blows their nose?

There's more sounds that effect me
But, those I think I'll hide
I will write about them later
And I will take you on that ride
In 50 years of living
Lots of sounds have hit my ears
We'll  sit and chat about them
One day over a few beers....

Hail, holy Light, offspring of Heaven firstborn,
Or of the Eternal coeternal beam
May I express thee unblam’d?  since God is light,
And never but in unapproached light
Dwelt from eternity, dwelt then in thee
Bright effluence of bright essence increate.
Or hear”st thou rather pure ethereal stream,
Whose fountain who shall tell?  before the sun,
Before the Heavens thou wert, and at the voice
Of God, as with a mantle, didst invest
The rising world of waters dark and deep,
Won from the void and formless infinite.
Thee I re-visit now with bolder wing,
Escap’d the Stygian pool, though long detain’d
In that obscure sojourn, while in my flight
Through utter and through middle darkness borne,
With other notes than to the Orphean lyre
I sung of Chaos and eternal Night;
Taught by the heavenly Muse to venture down
The dark descent, and up to re-ascend,
Though hard and rare:  Thee I revisit safe,
And feel thy sovran vital lamp; but thou
Revisit’st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So  thick a drop serene hath quench’d their orbs,
Or dim suffusion veil’d.  Yet not the more
Cease I to wander, where the Muses haunt,
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallow’d feet, and warbling flow,
Nightly I visit:  nor sometimes forget
So were I equall’d with them in renown,
Thy sovran command, that Man should find grace;
Blind Thamyris, and blind Maeonides,
And Tiresias, and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and in shadiest covert hid
Tunes her nocturnal note.  Thus with the year
Seasons return; but not to me returns
Day, or the sweet approach of even or morn,
Or sight of vernal bloom, or summer’s rose,
Or flocks, or herds, or human face divine;
But cloud instead, and ever-during dark
Surrounds me, from the cheerful ways of men
Cut off, and for the book of knowledge fair
Presented with a universal blank
Of nature’s works to me expung’d and ras’d,
And wisdom at one entrance quite shut out.
So much the rather thou, celestial Light,
Shine inward, and the mind through all her powers
Irradiate; there plant eyes, all mist from thence
Purge and disperse, that I may see and tell
Of things invisible to mortal sight.
Now had the Almighty Father from above,
From the pure empyrean where he sits
High thron’d above all highth, bent down his eye
His own works and their works at once to view:
About him all the Sanctities of Heaven
Stood thick as stars, and from his sight receiv’d
Beatitude past utterance; on his right
The radiant image of his glory sat,
His only son; on earth he first beheld
Our two first parents, yet the only two
Of mankind in the happy garden plac’d
Reaping immortal fruits of joy and love,
Uninterrupted joy, unrivall’d love,
In blissful solitude; he then survey’d
Hell and the gulf between, and Satan there
Coasting the wall of Heaven on this side Night
In the dun air sublime, and ready now
To stoop with wearied wings, and willing feet,
On the bare outside of this world, that seem’d
Firm land imbosom’d, without firmament,
Uncertain which, in ocean or in air.
Him God beholding from his prospect high,
Wherein past, present, future, he beholds,
Thus to his only Son foreseeing spake.
Only begotten Son, seest thou what rage
Transports our Adversary?  whom no bounds
Prescrib’d no bars of Hell, nor all the chains
Heap’d on him there, nor yet the main abyss
Wide interrupt, can hold; so bent he seems
On desperate revenge, that shall redound
Upon his own rebellious head.  And now,
Through all restraint broke loose, he wings his way
Not far off Heaven, in the precincts of light,
Directly towards the new created world,
And man there plac’d, with purpose to assay
If him by force he can destroy, or, worse,
By some false guile pervert; and shall pervert;
For man will hearken to his glozing lies,
And easily transgress the sole command,
Sole pledge of his obedience:  So will fall
He and his faithless progeny:  Whose fault?
Whose but his own?  ingrate, he had of me
All he could have; I made him just and right,
Sufficient to have stood, though free to fall.
Such I created all the ethereal Powers
And Spirits, both them who stood, and them who fail’d;
Freely they stood who stood, and fell who fell.
Not free, what proof could they have given sincere
Of true allegiance, constant faith or love,
Where only what they needs must do appear’d,
Not what they would?  what praise could they receive?
What pleasure I from such obedience paid,
When will and reason (reason also is choice)
Useless and vain, of freedom both despoil’d,
Made passive both, had serv’d necessity,
Not me?  they therefore, as to right belong$ ‘d,
So were created, nor can justly accuse
Their Maker, or their making, or their fate,
As if predestination over-rul’d
Their will dispos’d by absolute decree
Or high foreknowledge they themselves decreed
Their own revolt, not I; if I foreknew,
Foreknowledge had no influence on their fault,
Which had no less proved certain unforeknown.
So without least impulse or shadow of fate,
Or aught by me immutably foreseen,
They trespass, authors to themselves in all
Both what they judge, and what they choose; for so
I form’d them free: and free they must remain,
Till they enthrall themselves; I else must change
Their nature, and revoke the high decree
Unchangeable, eternal, which ordain’d
$THeir freedom: they themselves ordain’d their fall.
The first sort by their own suggestion fell,
Self-tempted, self-deprav’d:  Man falls, deceiv’d
By the other first:  Man therefore shall find grace,
The other none:  In mercy and justice both,
Through Heaven and Earth, so shall my glory excel;
But Mercy, first and last, shall brightest shine.
Thus while God spake, ambrosial fragrance fill’d
All Heaven, and in the blessed Spirits elect
Sense of new joy ineffable diffus’d.
Beyond compare the Son of God was seen
Most glorious; in him all his Father shone
Substantially express’d; and in his face
Divine compassion visibly appear’d,
Love without end, and without measure grace,
Which uttering, thus he to his Father spake.
O Father, gracious was that word which clos’d
Thy sovran command, that Man should find grace;
, that Man should find grace;
For which both Heaven and earth shall high extol
Thy praises, with the innumerable sound
Of hymns and sacred songs, wherewith thy throne
Encompass’d shall resound thee ever blest.
For should Man finally be lost, should Man,
Thy creature late so lov’d, thy youngest son,
Fall circumvented thus by fraud, though join’d
With his own folly?  that be from thee far,
That far be from thee, Father, who art judge
Of all things made, and judgest only right.
Or shall the Adversary thus obtain
His end, and frustrate thine?  shall he fulfill
His malice, and thy goodness bring to nought,
Or proud return, though to his heavier doom,
Yet with revenge accomplish’d, and to Hell
Draw after him the whole race of mankind,
By him corrupted?  or wilt thou thyself
Abolish thy creation, and unmake
For him, what for thy glory thou hast made?
So should thy goodness and thy greatness both
Be question’d and blasphem’d without defence.
To whom the great Creator thus replied.
O son, in whom my soul hath chief delight,
Son of my *****, Son who art alone.
My word, my wisdom, and effectual might,
All hast thou spoken as my thoughts are, all
As my eternal purpose hath decreed;
Man shall not quite be lost, but sav’d who will;
Yet not of will in him, but grace in me
Freely vouchsaf’d; once more I will renew
His lapsed powers, though forfeit; and enthrall’d
By sin to foul exorbitant desires;
Upheld by me, yet once more he shall stand
On even ground against his mortal foe;
By me upheld, that he may know how frail
His fallen condition is, and to me owe
All his deliverance, and to none but me.
Some I have chosen of peculiar grace,
Elect above the rest; so is my will:
The rest shall hear me call, and oft be warn’d
Their sinful state, and to appease betimes
The incensed Deity, while offer’d grace
Invites; for I will clear their senses dark,
What may suffice, and soften stony hearts
To pray, repent, and bring obedience due.
To prayer, repentance, and obedience due,
Though but endeavour’d with sincere intent,
Mine ear shall not be slow, mine eye not shut.
And I will place within them as a guide,
My umpire Conscience; whom if they will hear,
Light after light, well us’d, they shall attain,
And to the end, persisting, safe arrive.
This my long sufferance, and my day of grace,
They who neglect and scorn, shall never taste;
But hard be harden’d, blind be blinded more,
That they may stumble on, and deeper fall;
And none but such from mercy I exclude.
But yet all is not done; Man disobeying,
Disloyal, breaks his fealty, and sins
Against the high supremacy of Heaven,
Affecting God-head, and, so losing all,
To expiate his treason hath nought left,
But to destruction sacred and devote,
He, with his whole posterity, must die,
Die he or justice must; unless for him
Some other able, and as willing, pay
The rigid satisfaction, death for death.
Say, heavenly Powers, where shall we find such love?
Which of you will be mortal, to redeem
Man’s mortal crime, and just the unjust to save?
Dwells in all Heaven charity so dear?
And silence was in Heaven: $ on Man’s behalf
He ask’d, but all the heavenly quire stood mute,
Patron or intercessour none appear’d,
Much less that durst upon his own head draw
The deadly forfeiture, and ransom set.
And now without redemption all mankind
Must have been lost, adjudg’d to Death and Hell
By doom severe, had not the Son of God,
In whom the fulness dwells of love divine,
His dearest mediation thus renew’d.
Father, thy word is past, Man shall find grace;
And shall grace not find means, that finds her way,
The speediest of thy winged messengers,
To visit all thy creatures, and to all
Comes unprevented, unimplor’d, unsought?
Happy for Man, so coming; he her aid
Can never seek, once dead in sins, and lost;
Atonement for himself, or offering meet,
Indebted and undone, hath none to bring;
Behold me then:  me for him, life for life
I offer: on me let thine anger fall;
Account me Man; I for his sake will leave
Thy *****, and this glory next to thee
Freely put off, and for him lastly die
Well pleased; on me let Death wreak all his rage.
Under his gloomy power I shall not long
Lie vanquished. Thou hast given me to possess
Life in myself for ever; by thee I live;
Though now to Death I yield, and am his due,
All that of me can die, yet, that debt paid,
$ thou wilt not leave me in the loathsome grave
His prey, nor suffer my unspotted soul
For ever with corruption there to dwell;
But I shall rise victorious, and subdue
My vanquisher, spoiled of his vaunted spoil.
Death his death’s wound shall then receive, and stoop
Inglorious, of his mortal sting disarmed;
I through the ample air in triumph high
Shall lead Hell captive maugre Hell, and show
The powers of darkness bound. Thou, at the sight
Pleased, out of Heaven shalt look down and smile,
While, by thee raised, I ruin all my foes;
Death last, and with his carcase glut the grave;
Then, with the multitude of my redeemed,
Shall enter Heaven, long absent, and return,
Father, to see thy face, wherein no cloud
Of anger shall remain, but peace assured
And reconcilement: wrath shall be no more
Thenceforth, but in thy presence joy entire.
His words here ended; but his meek aspect
Silent yet spake, and breathed immortal love
To mortal men, above which only shone
Filial obedience: as a sacrifice
Glad to be offered, he attends the will
Of his great Father. Admiration seized
All Heaven, what this might mean, and whither tend,
Wondering; but soon th’ Almighty thus replied.
O thou in Heaven and Earth the only peace
Found out for mankind under wrath, O thou
My sole complacence! Well thou know’st how dear
To me are all my works; nor Man the least,
Though last created, that for him I spare
Thee from my ***** and right hand, to save,
By losing thee a while, the whole race lost.

Thou, therefore, whom thou only canst redeem,
Their nature also to thy nature join;
And be thyself Man among men on Earth,
Made flesh, when time shall be, of ****** seed,
By wondrous birth; be thou in Adam’s room
The head of all mankind, though Adam’s son.
As in him perish all men, so in thee,
As from a second root, shall be restored
As many as are restored, without thee none.
His crime makes guilty all his sons; thy merit,
Imputed, shall absolve them who renounce
Their own both righteous and unrighteous deeds,
And live in thee transplanted, and from thee
Receive new life.  So Man, as is most just,
Shall satisfy for Man, be judged and die,
And dying rise, and rising with him raise
His brethren, ransomed with his own dear life.
So heavenly love shall outdo hellish hate,
Giving to death, and dying to redeem,
So dearly to redeem what hellish hate
So easily destroyed, and still destroys
In those who, when they may, accept not grace.
Nor shalt thou, by descending to assume
Man’s nature, lessen or degrade thine own.
Because thou hast, though throned in highest bliss
Equal to God, and equally enjoying
God-like fruition, quitted all, to save
A world from utter loss, and hast been found
By merit more than birthright Son of God,
Found worthiest to be so by being good,
Far more than great or high; because in thee
Love hath abounded more than glory abounds;
Therefore thy humiliation shall exalt
With thee thy manhood also to this throne:
Here shalt thou sit incarnate, here shalt reign
Both God and Man, Son both of God and Man,
Anointed universal King; all power
I give thee; reign for ever, and assume
Thy merits; under thee, as head supreme,
Thrones, Princedoms, Powers, Dominions, I reduce:
All knees to thee shall bow, of them that bide
In Heaven, or Earth, or under Earth in Hell.
When thou, attended gloriously from Heaven,
Shalt in the sky appear, and from thee send
The summoning Arch-Angels to proclaim
Thy dread tribunal; forthwith from all winds,
The living, and forthwith the cited dead
Of all past ages, to the general doom
Shall hasten; such a peal shall rouse their sleep.
Then, all thy saints assembled, thou shalt judge
Bad Men and Angels; they, arraigned, shall sink
Beneath thy sentence; Hell, her numbers full,
Thenceforth shall be for ever shut.  Mean while
The world shall burn, and from her ashes spring
New Heaven and Earth, wherein the just shall dwell,
And, after all their tribulations long,
See golden days, fruitful of golden deeds,
With joy and peace triumphing, and fair truth.
Then thou thy regal scepter shalt lay by,
For regal scepter then no more shall need,
God shall be all in all.  But, all ye Gods,
Adore him, who to compass all this dies;
Adore the Son, and honour him as me.
No sooner had the Almighty ceased, but all
The multitude of Angels, with a shout
Loud as from numbers without number, sweet
As from blest voices, uttering joy, Heaven rung
With jubilee, and loud Hosannas filled
The eternal regions:  Lowly reverent
Towards either throne they bow, and to the ground
With solemn adoration down they cast
Their crowns inwove with amarant and gold;
Immortal amarant, a flower which once
In Paradise, fast by the tree of life,
Began to bloom; but soon for man’s offence
To Heaven removed, where first it grew, there grows,
And flowers aloft shading the fount of life,
And where the river of bliss through midst of Heaven
Rolls o’er Elysian flowers her amber stream;
With these that never fade the Spirits elect
Bind their resplendent locks inwreathed with beams;
Now in loose garlands thick thrown off, the bright
Pavement, that like a sea of jasper shone,
Impurpled with celestial roses smiled.
Then, crowned again, their golden harps they took,
Harps ever tuned, that glittering by their side
Like quivers hung, and with preamble sweet
Of charming symphony they introduce
Their sacred song, and waken raptures high;
No voice exempt, no voice but well could join
Melodious part, such concord is in Heaven.
Thee, Father, first they sung

From the interstitial bile of the Profitis Ilias, was emanated the inaugural armour of the codes of Radius’s Eurhythmy. With it traces it typology of the three broken areas of energeia purple that will raise from bases it elementary of the contrafactum of melody of the Raedus. First with the paragraph’s of the Prophet Elias in the portion of the firstly 103 meters but awarding the contrafactum melodic same on the text of the Raedus Codex, that they will be rhythmic epigraphs of hallelujah and beginning of the Kirye. The polyphony will be an elevation of liturgy that will deliver doubly for the pipe that carries the prolific ascension to the face of the surface of the Profitis Ilias. Hypostasis Will be the substance, but of be to of way of the true unified to the all of the reality of the Áullos Kósmos.  To some 1, 7 years incessant light followed coming the Fourth Saeta of Zefian, to order the Áullos Kósmos with the ordination of the Go Auric that will conclude the retina that remains of the firmament and of his path like full earthly extra. The quota of prophecies will reside in the tectonics of the cliff and in fail them of the rocky mass, on the upper blocks from this outcrop from the inferior layers, from the start of the materials allochthonous on the hole of erosion, going in the Sibyls and the Prophet Elias until the 103 meters of the height.  

Codex I -Tectonic Nihil

The honor explains the Regressive Legend of this good piece of Meat Corpulent and Brain also, was born to write his astragals in his terminal syllable, whole and dying with the blood of Etruscans Steeds and Macedonics, each had golden piercing hanged internally in one of his six ******* paranasal, sealing the life of this blood caretaker Franciscan and swordsmiths extemporal so that with his last four molars yielded the light amalgamated Crystalline and overflowing in the gums of the lapse that soaks of blood the fields equestrian. In this codex Sibyl Pérsica would enter by the cylindrical vault, she advanced with a light secluded and stepped a snake, under the steeled hooves of Alikanto. She with his veil and oil lamp announced the arrival of the Messiah, here the awakening semblance invokes by the honor of his come, to Parents and the Mothers. The Souls of Trouvere appear beside Estratónice, Lochnith, and Wonthelimar.

It says Lochnith: The world abdicated the pontifical, have run the curtains so that enter the light, Moses here has to come with the true curtains that house the lunettes, the thrones of the Sibyls and Prophets that come us the miracles salvations that are born of his entelechy, for the one who is forbidden in the thousandth portion of the broadcast that break out like an affair signal, and testamentary of the Apocalypse to the Poielipsis in creation testament were live in the whispers of Emmanuel, in the verses burnished and oracular of Sibyl, daughter of Dárdano and Neso. With meager differences and matrices between Hellespont and Dardania, like Jerusalem and Bethlehem, and this last between the outstandingly in Eon Kareem, but in the corresponding bifurcation approximated to the baptistery. The Hexagonal Primogeniture will mandate the hardships of hexameters in front of the hectometers that will do evidence of the Escatón a third world is like a consistent reality, real that will carry us to the hope of a life satisfied and trained.  

Codex II - Tectonics Supra Lithosphere

Three white eagles’ headed flew by Tel Gomel, carrying blood in his claws twisted of spines turgid. They brought the vaticinator of double death predicted, with his double craze put and his double helmet that transmitter the rings of the putrid Tanat’s by the faces, and by his lips lackluster feeble in Him, Vernarth had sent them a missive with the Eagles in low flight; all they were dressed of the stink of the field of yellow fog and black battle, on the silty hooves of Beelzebub that heaved in the ones of Alikanto, they moan on the lymphoma of the size of a dream of six decades in his ridge crucible, that wheezed purges by his full snout of rests of lymph remaining in the interstitial of his teeth Burnished canine-alanos. His heart reconverted in armour red ad limitem with blue endocardial flourishing. When putting the twilight of the blowout lying of wind Eolionimi and Shamal, went breaking the vertical with the halter of his greedy steed to the spit helicoidal volatile mats in the catacombs of Markazí where residents of his lineage forge dwelt in abominations of the Lives that renacían victorious from the fire of cult to the city that houses his true Life and Soul in Sibylla Pérsica.

Singing of Wonthelimar: Already the veils have collected will carry the candles that wire the souls freed of Trouvere cries of prosperity expect us from the medrons that rebirth of the immanent presence of her same, to meters on the level of the lithosphere showed the Rings Ibics to the meeting of a tertiary matchmaker in the Saeta of Zefian,  and behold where interprets the law, the future gives us the pennant of justice insufficient of Light but there of the cavern that is born in the turns of the third world. It says Of Meturgeman or Rabí that break down the avatars of his advances, by ends off-center if they have to be the verticality of the Sibyllas with the mind of God. Like this we go topping by this axon of spiritual fatigue, centering in the nervous excessively that goes out of the body of consciousness of the cosmos, transmitting impulses of the same by Elías´s links, where the motor structure of the teacher and the testamentary of Leví, and Greek Aramaic Leví in Qumram subsisting to the big speed of how has to pass the Messiah priestly will interpret all the word of the Mashiaj in the Áullos Kósmos in his order motor and behold the Messiah  Priestly, and the patriarchs like Set, Enoch, and Isaac having the work of unraveling the illusions and mysteries of the cosmos of the same way that the angel interpreter the nocturnal visions in the apocalyptic relates of San John the Apostle.

Codex III -Tectonic Quartzite

The disloyal Ghosts came from 70 km of the Iranian city of Shiraz province of Fars, near the place where the river Pulwar ends in the Kur (Kyrus).  His construction and destruction would be provinces that will be subjected until the conquest of the Persian Empire subjected in October by Alexander the Great. Persépolis Remain turned into rooms of the Harem and in *** of magnet bizarro between massacred gods. The transitions of the porches in the sides are joined by angular towers in the Apadana of profane interlock. The two big doors remained opened in eternity groaning salts in interminable assets of predefinition and recharge in his abortive degree.

Here they were the comrades of Vernarth overwhelmed of preparations and attires in the lobs of Mars on his shoulders after oracles tempest of the burning sun in his heads.  Anahita; Goddess of the nature, pours the blessed waters of the nature that washed with morbid rains the bodies of the fallen in the ***** battles with the roosters of the Zoroaster, cutting the palanquin where are seated, and enraptured in polytheism with Ahura Mazda with a short difference like cloister and capota, ad carry to shoe the monarchic attires of Macedonia in front of his defeated realm by the subjugated constitution of golden blood of Alexander the Great and Vernarth tied to the Macedón or Zeus, fully Hellenic that ran vast both strides by muted seams of basaltic streets of paving stones, and obsidians between paradises of vintage and wind. The Sybilla Eritrea shows his veil not only collected but significantly knotted on the belly that alludes to the state of gravity of the ****** in Incarnation (scene of the Annunciation). The meters of ascension to see determinant the first 103 meters of climbing insinuate the appellatives of Erqia, Eriflam Herifle, and Riquea.

Singing of Estratónice: In the marble reside of white Apeiron of indeterminate infinite matter, exempt of quality and that finds in the eternal movement of the Eolionimi, that has to dwell in his belly a savior white from the Áullos Kósmos or paradise of Vernarth, the word will say that it rescues the life of the mortal the facets of the Katapausis would make amends the effluvia Hebrew in the ponderation of the mainstay of the virola that embraces the saeta of Zefian falling from the altitude. The biface solitude will trespass the rocky subsoil of the peak of the Profitis Ilias like this with tender meters that will cross the Fero of absorption of his Santity and Salvation of the Humanity.

Codex IV Tectonic Cenozoico

From Rodas, the geological temporary scale will contribute us the evolutionary frame of the rocky mantle, and superpositions in the happen of time. I register fossils of organisms that underlying in layers or endodermis of the prehistory of the Dodecanese. Vernarth After crossing the Helesponto transgressed his for psiquis parapsychological in the substitute Brook to Sudpichi like a weightless mantle of a Machi praying to the Kósmos Negechen by the rickty Rehue prophesying to him on his hands dismembered of bravery, of big assistance in 300 years of souls Nge-Nge Mapus deu in the raging nose that propelled the wrath; similar substitute with which trigger the knot, Champollion with some sphinx uncovering the allegories of Pandora from the Valleys of the Kings.

Singing of Sibila Líbica: The sparking plugs will inflame the Iridescent eyes of the Mashiaj flashed in the likely settlement mortuary of Alexander the Great in the oasis of Siwa: Oh My warm wind of Libya that flatters my chees, and my shoulders that groove in the light of the callous brain coexistence of Zeus. Singing by you my Didaskein; treating or teaching to the baffled herd that confuses the menages that were born to. B.C., not having a reminiscence of Irradiation in the mastery of the continuous-time of not contravening of ignorance, but yes to find him agreed and effulgent!    

Codex V Tectonic Brisehal  

By the desolate empty Dasht-and-Lut, Brisehal a huge shady of structure is moved him when is covered until all half orient, even disobeying to his parents; beings in uncrowded places of contemplation that were surfacing of his big mountain of the delighted desert overflowed the lemurs strolling alone as wanting to take off the last spark of politics that remained them for surrendering in his own banishment encountered. Brisehal Was an eminent mount with a head of the can similar to Anubis, but million times of the size upwards and with a clorhídricbreath, like a perspective of the congregation to go into the garden-realm of The Skies and in his laps. Before shivering the day with the movement of his shuddered step, Brisehal was two years moving day and night in the surface that did alluring of lux Solaris.  Brisehal In this fifth codex liquefied in the black layer of the tunnels of wind that hide by Dash-and-Lut, until the sensory layer of Dasht-and-Kavir, attracting by the tunnel of the grotto of 308 meters of height of Patmos intra geological, all the sculptures and images of the cusps did near to the 103 meters of initial altitude in this vertical underground in attachment with the parallel that retracted in cubic tones drilling the doloninas or geological depressions in the extensive of Lut for a giant that is born of the wails and lacerations of Vernarth when it was tutored by saetas in the middle of the field of Gaugamela, even moving to Maceo. When they moved noisily the dolines, lower mountains conceived deduced with the greater effect of his swivels nerves were immense thunderclaps that even reflected until the spheroids nimbus reddened by the riot of Dasht-and-Kavir. It turned off left to right pretending exile the Desert of Lut tubed in pro generation by both do of optical rope or fibers in high energy density, and that it could cohabit beside Vernarth disabling in the odyssey of the Horcondising (Paradise of the lineage of Vernarth to Gaugamela).

Singing of Brisehal: The veil that receives the indifference, has knotted in the abdomen hatched of the earth, and of the dolonina that protected me of the folio that barter what there was or of will have to become. The Gesta of all those that suffer from foot and rely on, have three abortive routines in his gravidity of a white relative, that did to shelter me in the love to my gentleman Vernarth. Sibila Eritrea neither in Greeks nor Latins has to sortear the breviaries of the maximum pontifex that speaks while dozing of anilines nights where anybody perishes awake in his epítome?

Sibilino By the Saudi, from the vórtice direct the gulfs that hide from where rebirth like choruses of Esquilo, behind the springs of Agamemnon in where Clytemnestra opens plains that do to run the Shamal by his dry disposition of dew, but humid of the sap of Eritrea faces in springs subtropical that tears dry of the tough body fallen in tears that will not hear by the tenacious hemp?

To the-Haffar, the third party is with saetas in his thigs, arms and pectoral, where the star does open shining for the one who dies by her in the first lightning of the night Thurayya, with violent embraces to receive to the one who from a codex receives the fifth bowl for violent winds of fishermen that resolved of the wind in a fine dust of the cleft hands of Aldebarán, peepholes of bilges of ogres that are born hell to die as pious in arms of Sybilla Eritrea, and in prologues of Brisehal with so many meters of wingspan, nevertheless that of any rye in the greater degree that have to ceremoniously in perks of a revived Sybilla Líbica.      


Codex VI - Strigoi Asthenosphere

In the spring of 331 b. C., Alexander the Great left Egypt returning to the port of Shot, where was his fleet. Of there it headed to Antioquía, crossing the valley of the river Orontes, and arrived at the River Éufrates to the height of Tapsaco, were founded the city of Nicéforo so that it was a strong square and tank of the supplies of the army, Here it was learned that Darius was found in Arbelas as he was crossing the Tigris, and heading north along the eastern bank of the river. The Sybilla Cumana found in the height 97 of the tunnel of wind when auscultating these waves very near of the dolonines, in avidity of the Pythia Délfica with divinatory proselytes that visited the folds of his attire, in places of his divinatory crowd cerebral. His relativity Cumana waste of energy of the Mausoleum, prophesying life for all in the passion of the life together with the abandoned bodies by the souls of the Devotio Roman, and in the poverty of the soul that drains scared by not remaining desolate between half of the parchment of Lilith, and in the offering of the Strigoi by breaches of troubling visions in the darkness of the cavern of Chauvet, when sacrificing competitive emotions of the Votum maléfico of Lilith.  Only one can exist like an inviolable part of the tradition of the chastest Wonthelimar, attempting the Xiphos with human chamois in tectonic offering and frizzing the altitude 103 of the tunnel of wind of the Strigoi.    

Vlad Strigoi Sings: Mardiath, noble and loyal hussar of the sea of Vernarth, Boss of the fleets of the Gulf, came by the cover when giving the turn by the bauprés, sees collected and hit by ropes in parasitosis that shined like a stray in the oars of the gods, and pleading that felt in the whistling of the wind. It approaches and it descends by dark sheds stairs with direction to the piston of water, who heresy in the ship Vladiana is quarreling when I training me in writing when saying who love the one who I am not, alone receipt phlegmons multitudinous Saecula Saeculorum, not hitting any foundation to confess me. They say not knowing that reveal due to the fact that it is not content that compares to the one who does not have Age, Life either Compassion that only has to communicate me like messenger Strigoi! Now I know that anybody will sing my thoughts, there is not ink that dares to spread a comparable quill that resists my word of ammonium Strigoi, usurped of a shipping Ballinger to some Flemish pirates, seconded to the side by a barge of Panescalm, that threw to 64 one thousand bodies massacred of the Bubonic Plague. Mardiath, get out of the Ballinger and leaves his sword to Vlad beside a geographic table to rediscover a destination in some doncella that could attend his disorders, more than ganglion suppuration in prostration. It traces back the course to shot to find with Vernarth and his minions to direct finally to the braves fields of Gaugamela and the Prehensile Ctónicos who revered to the gods or telluric spirits in the tectonic infra world by opposition to celestial deities, appearing in the tubular ascension of the warm wind that topped the consecration of my roman arteries, and all those that were up expecting them. The oblations of light lit the particles of the woodworm that suspended expelling those that magnetized the fosca matter. The unconnected syntax did periodically in the words of Strigoi from the Capite Velato or head watched from the Ballinger Strigoi that attained relocate. In double increase of sap did it minor to resist his life and his closure lying minimum in front of Wonthelimar, and Mardiath that satisfied him of the company in the eyebolt that sustains the road in his sullen life.

It sings Mardiath: The troops of Vernarth would split from Shot were found his fleet that came from Sudpichi from the Empire of the Horcondising. It explains the legend that in the heights of the Gulf when his army goes sailing, break out on his squares a mysterious tempest of hot airs of Ormuz to the height  665 in miles of Um Kasar, had found pertinent shipping of current Romania. when spotting them and take part inside this frigid ship at all there was, only crunches of topmasts and his sail greater that was spurring and presenting fenced curtains that came from of Sighisoara/Transilvania; where the alike Vlad Tepes stated seated behind a chamber of captaincy writing in his buffet. Each true interval took out a handkerchief to dry his ****** nose, like a pinch of gelatinous darky ink and sullied. It sings Isaías: The presence in the versed and corresponding folio, does relative the prophecy of Emmanuel been born of a ****** that associates to similar prophecy Virgiliana of the Cumana justifying his prophetic symbolism and beholds the caution that blackens skies where the light retracted, thousands are chained during the annunciation of a thousandth abyss like the fateful Strigoi only troubled pastures will have to transplant rebellions, that dying slept for the winnow of the ideal of incipient spiritual ******* dressed of execration. It has trigged the conflagration of the heart that resists the death and that is in decline several times in the conditions awaited by the apostates when denying of the water that does not do them Optimus and does elliptical the radius of obedience in the heart Vernarthiano satisfied of granules of Physconia grumose, whose frequency they become encysted in bodies of traitors reigns and of fungus lineages. The reign of the saints will judge plurality in the thrones with devastation in fatuous beatifications in Pérgamo, already admonished by me.    

Codex VII - Báculo of Sheesham  

Vernarth it calms lying down on the bunks of the fire of Sheesham. Beam and Incense with ultra olfactory and sensory powers, delineating the elementary and phenomenal cores housing and adapting híper connectivity with probity Hinduist the akasha executed the essential foundation in all the things of material cosmovision; the first palpable material element and concrete was created by the god Brahmá (air, fire, water, earth are the others). Did it treat one of the classical elements of Hinduism, pañcha-majá-bhuta or? Five big elements; His main characteristic is the sabda (sound). In sanscrit, this word means "space. It is the physical and eternal substance Akasha, of the ether that flows by the Akasha-Nautas and by Vernarth in each regression parasicológica. Vernarth Takes of a báculo called Key of Sheesham purchased it once anxious for delivering it to his beloved Toscana in the Cathedral St. Mary dei Fiori, in one of his Regressives Lives. They expected it astonished by the tyrannized impulsiveness of the noble in Florencia, of which once again came delayed of the tillage of the barley and of the god’s fatuous next to the Porcellino. It expected long hours until it went out his beloved Maddalena of the Eucharistic ceremonial, while the carried in his right hand his crosier, and in the left a rectangular box sizeable for his hand, inside carried essences of the potpourri of lavender and vellorita, a ring with a stone of amethyst coated by a concave skittle of gold, in the outline supra circulate carried medieval ornaments of silver of Etruria of the Party of the past barley. In front of this acquiescence Sybilla Samiense, followed carrying the clairvoyance where the prophet Isaías there was untied the conflagration of the heart that resists the death and that is in decline several times in the form today from Kafersesuh in Ein Karem, opens the stamp of residing in the cradle where María poses beside his son, already being part of the lithosphere of Getsemaní and of Vernarth in the heart of Maddalena.

Phylogeny in Getsemaní: The **** erectus crossed with multiple pieces of evidence of beings pro-evolutionary-adaptative, Neanderthal/HomoSapiens. Children of Israel wrote parables, epistles, verses, histories, and books, his vocal tract and phonetic spoke of tempest and environmental factors between sky and earth, of the big noise out of us, but little silence in us. The elementary is larynx that only pronounces the image that reports concepts evocative minimal of the sound in distinct placings of the melisma in mega sound. Speaking us how the language varies according to the history, and the half civic-climatic instructing us to his threshold and descendants when giving off by the effusions aerial of the language in assiduous levels tracheo-laryngeal. Earning authoritatively the intervals of vocalization, and relation of the junction with the agriculture and all his dimension descending by his internal walls, but going up by parietal overexcites out of her same.

Of the little air that remains to the world, to follow digesting temporarily assumes leaving flow his extra-air that possessed this in particles mechanically inert, and no in sanctified prophecies with miracles inferences and Inherence that Innova factótum, in the súper existence of which even do not perish by the hand of a monarchic mandate. Like this, the world swallows air in halves suffocating and contaminated whole, whereas others redistribute it for the one who needs to seat at the table to collect the Bread and share it with the other half.  Here it echoes the echo of body Christic, that in Aramaic syndicate much more than a language in his blood, grapheme and phonemes of stylistic in vibratory shock further of his deep stretch reverberating with the grace of his billed divine. Joshua swallows spikes and leaves simultaneously having us in his arms like children of olive-nursling, risk a sheep in his arms giving us lactate hydro-milk of the sustain of a verb creator. Fact strict to preserve the Aramaic and no stray with turning the turns of the leaves in the history, the Aramaic has to incorporate for the times that Joshua grazes us after more than two thousand years even. The one who is walking of one side to another to say us that it still is here, only comfort suggest your walk plagiarized with his larynx the sound of his expression the sheep is mammalian but mammalian that the man as his billed formulates bleats always reflected in the base of his skull for the rest of his children like biblical language, under all the rainbows of Querubines bawling beside boys surrounding them in identical intention! **** habilis, **** Sanctus in a process that possesses Orthodox bases and peripheral anatomical capacity, a linguistic Pythagorean shortcut of the dalliance and sternum when confusing it between yes, not altering his structural complexity neither functional. Of the potential of the Lepidoptera and winged insects, will arise the phenotype that will relate and relativize the mechanical aramea or Aramaic method for no stray the divine tongue, as well as it also is sublime the laryngitic torque of the one who possesses blood and body Aramaic, as his mechanized mystic devours the minimum words with the maximum in an all of the ranges of cacophonies and of prototyped field, they see to my field here spoke the spikes and the insects more than the own mechanical potential of your Voice.

The tunnel of wind filled with Lepidópteras that flew rising in shape helicoidal, everything sensitized with the imminent advent of the saeta magnánima of Zefian that came crossing the perihelion from the high Áullos Kósmos, dialécticamente with abundance credibility in the interior of the geological tunnel of the Profitis Ilias, list to the turgent of lactation doctoral theological. Timoratas And long justices rounded in those who were even exhausted, entre ajar the colophon of the days that began with the identification of the báculo Sheesham, appointing regent of tribulations that drains by his length of trip, to the basality static focusing idiosyncrasies and interests of the Prophet Elías that it received them in the height 103 with passages of Corintios that the saints go to help in the administration of the saints millenials. His capacity will not have the limits of his previous earthly life?  


Codex VIII - Ultramundis Alikantus

Alikantus Archetype of his a short astral trip three days that topped in Gaugamela...! Bulle In hides and discomfort after lightening his igneous hooves by slippery Lerapetras of Lasithi in stepped that seemed to be the same inflows of committed that brought Kanti of Creta, that pyrographed the floor Traciano before arriving at the request of his address. It resorts to Medea, before arriving at Tracia after errate by distinct places in search of protection and councils to protect to his master Vernarth, while it subjected to the last libations opiáceas of vivid liliáceas and angiosperms encapsulated in his pectoral right in the anonymous of Alikanto, asking him to Medea a potion to be able to supply him to his master and reduce inflammation his pectoral for like this can use his armour Áspis Koilé in the fight, as they subtracted three days for the duel. Medea Arrived at the city of Athens on a tempestuous day with a gray dantesco Fusco on the palm of the cliff escaping previously near Abdera, in which the orient proceeded to evacuate sooty plectrums to the sunset. Medea While it looked to the sky, took a piece of anthracite of feldspar to create javelins of aluminum that would have to carry Alikanto to his return, beside the potions for deflating his pectoral infected. It painted the sky with grey lines plotted and lodged later in his wry loop,  sighting from the infinite signals that came joining up in a ray of an alloy whose semblance seemed to be a king, it was Egeo, that not only offered him hospitality but it would link with Medea with the hope that his sorceries allowed him to conceive a son in spite of the advanced of his age. The sorceress fulfilled his expectations by having a son to call Medo. When Teseo, the secret son of Egeo, arrived in Athens had to that his father recognized it like heir Medea took it as a threat to the future of his son and tried to poison it. But Teseo discovered it, accusing it to commit horrible crimes and witchcraft, Medea had to escape again. This crusade had the assistance of Alikantus that transported it flying from Abdera, not to be captured and can supplement the potions that had requested him Alikantus, also with javelins that had to carry to Vernarth to escort him off the splendorous insult. The convulsed Sybilla Cimera customized the symbols of the ceremonial willing forging classical gestures of prodigality, and that at all less was a cornucopia given to zephyrs of the Ultramundis, that revolutionized the boss around that shuddered in the pickets of the dermis rocky that dressed the walls of the final tubule of 103 meters. The channel located referred inclinations of Likantus that harassed, and customize the final discretion of Teseo to finish with the folio of Egeo downward breaking the sentence of his son, and evading it of his stepmother. In this colisseo rooted Teseo beside his mother Etra that did not reveal him the name of his father until it fulfilled sixteen years. Arrived at this age, Teseo could raise the stone, shoe in the sandals and the sword of his father, and initiate his trip to Athens to be recognized like a son of the king. From this obviously Vernarth in the film of Gaugamela dressed him in the sandals Persikaia that did of him the one who never was, and if it died would carry them settled until the altar of the comedies in the Tristanía, where all that surrealist exceeds the loquacity narrow of reality, more than at all in racked muses in forced symptomatology of paranoia or of a heroine Sybilla, that mediated with the Arms of Christi in the iconology of the Codex Raedus.

Vernarth Seated in the edge of the Ultramundis, and broke in front of the cosmos and the solitude that hid all the beings that floated in the ditch that he collected in his moaning, in such judge that it rejected all the creations when feeling his wails, where the demons looked him from the darkness that fragile hastened his Magro occipital, attacking him in front of Medea evading the Satanic circumscription to contravene it the agreed with Egeo. The perjures reigned in the doubts of tragedy favored of Komedia parading in victorious procession, and singing triumphs of duality paranoic tragic, enthroned in the martyrs of tribulation, and in the seeds of the one who does not cease Tragediopathic Ubis, and in facts that speak of the hunger of solitude in all man plunged of the Ultramundis, as only dimensional of the one who burns in his doubts and of Anastasia frustrated. Vernarth Saysekáthisan and the Duoverso in consequence of the Universe seated to dry his tears then Vernarth received from the darkness of the Ultramundis a golden light of steeds Hippeis with an aura of Tesalia, where the krima or criminality become in three chambers threaten from Maceo to the confrontable in the half-hour of Arbela. Vernarth compress desisting the essays of procrastination reconstructing bodies’ severed here more than going isolating of his own souls and sins, with Hebrew souls of root Néfesh that took spooky in capsizing of decapitation of the one who lives exponentiating in the solitude of the Ultramundis. Inexorably the infra earthly holiness of the surrealism exceeds any verse, if it is that it was Lazarus here in the tunnel of wind the one who raises in front of Vernarth embracing him,  and playing it cool the greek of Likantus to fulfill him his mission.


Codex IX Ultramundis Phalanx
            
The labaros of the Phalanx saw from Asia some of the faithful groups of Alexander the Great. They appeared like ursids and Amphibians that came by the near step from Gorgan. "The Red Snake" was a defensive construction from here come the palfreys of Alikanto, preview with big camerades of animals for the body adhered to the cavalry of Alexander the Big. This incredible barbican begins on the coast of the Caspio, north of Gonbade Kavous, and continues to the northwest and disappears in the mountains of Pishkamar. They continued on the buttresses beside Bears and Leviathanes, they formed part of the totemic dreams, that taenia Vernarth when it assumed hallucinations doped by regressive turn by hieratic spaces to the slip away in hardships and incorporate in connection with animal pets in rhythms and waltzes of the applause of his atabales. Alikantus came speedy flying almost without detaining and without distracting when he brought the poisons and instruments of the armory of the panoply. He came Already had for the hours that came to fill out details before taking the game besides the Heavy infantry, Light, and Thessalonians. Inside the most elementary of his mission, he was to do the protocol of the potion, broadcast the preaching beside the Lumberjack, and distribute the javelins to the Hetairoi of Vernarth.

When anchoring the cerulean hoofs of the fire unknown of the Gods, attains to discern as to Vernarth took him out of the back of an Elephant attacker was besides accompanied by the cunning guard dog of Alexander called Péritas, that insinuated him start and raise with windstorms in warlike stratagems. Vernarth Came of his last session frugal Opiácea, for institute vegetal nervous lianas that commonly remained with some of them, and remained cut off in his cephalic vein and jugular stalking his ******, that always spreads in laurels of Cocoon, and by averages of intríngulis that had to gobble up by some days. It would follow daily being joined to the infinite that saw him be born, like the most magnificent Commander of Alexander the Great neither imagined nor collated! The wall Gorgan possessed a length of at least 200 kilometers upper to any one of the Roman walls that outlined in archeology like works of bastion. It was exhausting to exceed it and take a course with beasts since they were upset when being near Tel Gomel to the present that they were approaching the mulch of Vernarth; due to the fact that they were his very adored pets besides the Crocodiles Tupak. The Alazanes were prescribed by a watchdog of the wall of Gorgan being of the Persian army that was seduced by the bears to combat beside Vernarth.

Next to the Bumodos, already saw Vernarth play with his pets, Bears, Crocodiles, and the can of Alejandro Magnus. Further submissively approached shoring his frozen neck, Alikanto or Alikantus preceded with donations and drugs for his master brought of the sleight phalanges by Medea. Vernarth was appreciated and almost emancipated of the branch mowing and the strains venal that populated mostly in his pectoral and both full arms of smelly tattoos that had colonized him. Almost when getting dark on burgeoning them and fluffs of Zeus then begin to arrive the phalanges of Vernarth. The Phalanx of Macedonia was the training of infantry created and used by Filipo II, and later by his son Alexander the Great in the conquest of the Persian Empire. The phalange Macedonia arose, in fact, like the answer in front of holistic modifications and tactical Hellenistic of Theban strategists, Epaminondas and Pelópidas of strengths of earth that deployed at the beginning of the 4th century B.C. For opposition to the superiority, although it already was decadent in training hoplític spartan, that had exerted in the terrestrial fights between the polis Greek until that dates.

The Sybilla European carried a Gladius in his hand but exchanged it with the Xiphos in alternation by the death of innocent entrusted by Herodes the Big, and of the escape of the Holy family to Egypt. This confirms the liturgical grouping of the Triduo Pascual; the alluding passion of Christ and perpetrating the typical dolorism of the Devotio to his death, and triumph to his resurrection. The transposed of surrealism transports to San Juan digging in all the layers and hordes of the Faith, his componential of tribulación that moved in the Egyptian and Greek cartography, moving the triangular areas of the Phalanx, that moved en geometrical block reaching the edges of the hypotenuse gradient and of the tunnel of wind that elevated them cornering to the beast that visited them pretending to be feeble and imprecise.

The dolines collapsed in myriads substances in suspension, while the two swords Gladius and Xiphos were satisfied with blood Greco-roman. Here vegetated the verb of Elías in the corporal resurrection with similarity of triangular body Lazarinus that saw dragging by the power of tow of the ionic Phalanx in his stuck. They were Beings Equis that abstracted in a start of the Be X in his contrary algebraic; an incógnita or something that could take any quantity in other words something unknown, so that the algorithmic links and cater corporeality resuscitator in Lazarus of Betania inside his angles of Holy Geometry. The winds of swing presented viviparous in future observances of visions and perplexity of consciousness, governing fiscality that does resurrect in rabbinic worlds from the highest occupying thrones in the bracket, but of thrice ignoring the belief by means of greater incredulities that the direct truth and more brief. Elías is attracted by the Cinnabar that ponders in an apocalyptic mosaic, in the chamber Esdras, at the end of the mundane reign dissolved and that dies in the same Messiah. Satanás Does not tire to attack the credibility of the Phalanx in manifolds of dispensationalism, perhaps being strongly attached to Carmelo and of the unloyal that never revive in his same bodies unconverted.    


Codex X Ultramundis Lepanto  

Of Lepanto appeared exhausted the Armis Christi with burned eyes volatilized in stratospheres that received them Belligerent. Cual if they went alien castes settled in inflexible breath, refloating from his clámide in fuss and idiosyncrasy. They arrived cracking the pristine stretches from Tel Gómel when they arrived it charges it a military strategist asking him clemency to extend.

Falangist: With the crest in my hands and the Dorus on my clámide from the floor said; each disposal that tried in the double edges of my sword that dent. The upper leaf Sansevieria nominated me to a Hebraic past and to a medieval future, it was the Sword of Saint Jorge, notifying that my family in Kalidona was under a state paradoxical, given to my two greater children that were quoted to the service of the militia. The second inferior edge of my Xiphos and the Sansevieria bent me ruin in front of the prosopopoeia to the entrance with discouraged to defray the sclerosis of my soul follows exploding, surpassing and impelling to my wife in spars of easy undress. I know that my descendants remained buried under the effect of mortal meeting in the catharsis of Pompeii, the future of Saint George that patented! All emigrated and will escape afterward to remain desolated, and attain to return the inopportune comrades to the reintegrate in the verbena of St Mary in Athens, the Saint Patron saint comforted me and prepared my resist of such bad numerary so that someday left to fall my seeds in the wisdom of archangels peasants with sacral devotional fruits. I sighed and I groaned rubbing in my animals! my empties eyes day and night were mesmerized to the ethereally magnetized. They did it beside me, with the singularity of not to affect me, they went by little booklet near to moan not to see them demagnetized by some fatalistic effects and consummatory.

Etréstles moved by the tribulations of the Child of the Falange, bent imposing non-existence afterward that his words involved the exhortation to Hera by his benevolence consummatory to be able to reside beside her. Like this, they would remain immune to progressive lives under the influence of sharp primary stew and secondary in arms of the phalanx. Shinings the eyes of Hera when the spirit of the Falangist is entering to her were not vanities but if the advent of the vanity in ínfulas to the Acrópolis is carrying it to her.  

Sibila Tiburtina sustains it gathering him in his arms saying him: You will receive the heat that you will imprison in the house of the great priest, a scene that will be represented in Prócoro in the neutral corresponding folio. Events and expletives will be of the past, no longer allocated him neither he annoyed. The Arms Christi again swirling with the Souls of Trouvere in last irascible chinks of the winds Eolonimi in the holístic of all the winds that appointed to Vernarth. "They did not go back to live your children heard a Macedonio military", The physical resurrection of the unconverted take place after the tree of Mars when they free to the innocent fallen in the belief versicular that divides the ray with his half where any minute will be able to hit it. The passages of the tunnel of wind are the wasteland that dies revived by the *** cutting overflowing fibrils of vitality from the high for overflow it downwards for those who even expect amazing miracles, walking beside the alive with hypocoristic triviality reborn in his same blood that was spilled. Everything famous goes walking with pennants that raise of his own sepulcre, cutting lower capillaries of the impetuous rising of his pale cheeks, where the scepter Greco-tridentate will be a forbearance of the one who frees and purposeful escape of the tree of Mars. Now lie down beside your children and will be between the hazels and Eolonimis doing revived of the Tágmati or order of succession of the Polis like the unit of elite tribulating the final stretches of the straight of the Ultramundis to the fries the 103 meters glorified.

Etréstles during the millennium of the Satagenesis and Deidagenesis beside the Heosphoros and the Uomo of Valplacci they prostrated to Lucifer in front of Etréstles (Koumeterium Messolonghi, Cap. 45 - Palibrio USE), reflowing and emulating wars of the Peloponeso, is being east a garrison of the general of the Athenian fleet in western Greece. The mentor floats were directed by the admiral Formión that defeated all the Lacedemonios in Naupacto. When they approximated to the province of Nafpaktia, of the Nomo of Aitoloakarnania confined followed the indivises and weightless musks disseminated, disintegrating immortal souls with the damage of the break exhaled that is extinguished in his offering. It is as well as it could cause some aversion not to be condemned to the Hadic infra world, to Tee castes of gods and semi-gods with Sansevierias in green leaves, and clover that chained to the freedom of the furious gases of Xenon and Lithium, slipping away by drainages and spaces where any sword neither launches will cross the atmosphere of Gaugamela-Macedónica, only Vernarth here was hádic and will have to pipe by the untouched pavilions of the spotless backsstore with heroic lineage. Any curly tease or flagrant will slice sanctified carnosities purchased in quoted sessions in the manacled of the Bumodos with the drugs and the potions of Medea.

Codex XI - Ultramundis Raeder      

From Patmos saw come hundreds of hanged boys of the stringers of the pelican blue of the Dodecanese. Raeder cames Hanged with both hands on the rings of iron plating of jasper; from the Greek "iaspis", that means "stone marked". Raeder found it in sharp hydrothermal, in volcanic rocks, and in sedimentary rocks in the surroundings. With four palmate fingers that shod in the hoops of amethyst for the owners of the house that celebrated the actions of thank you, and the celebration of the guidelines of Saint John that sent them transported in his peak golden shoe. Generally, they were more than five thousand those that transited by the regions, they swallowed canonized water of the sea Jonico with the big advantage to reproduce saltwater seas in freshwater to drink. They carried them to each house to fill his vessels and also in periods of seed, irrigated his tillage in summery periods where scarce, with his brown golden plumages raffle the fields of olives and of the ***** vineyards of the Goddess Afrodita. With his whites plumages, they spray the tillage of barley with vinegar and recently wheat fields fished of the legs of Petrobus, his pelican of the dreams! From here they were born all the recipes by all the regions when it depressed them the Bread without firewood and tares. Patmos has recorded in the stringers of the pelican planning every day and go looking for houses where arrive to carry them the Gospel. To all the boys like Raeder accompanied him other blessed, to carry the good news to families that seated expected near in denouements of his social limits when they expected them by the afternoons with the action of gratitude. They ate by the afternoons to expect the boys to taste them Tzatziki; Sauce of yogurt with cucumber and candy with drinks of poppies and honey, they received them in chambers near his gynoecium and right there exchanged the gifts that brought of the Grotto of the Evangelist in Patmos. The boys from the same moment in that the future mother knew or suspected that it was pregnant, attended speedy so that the distribution did not have problems considered them a divine gift,  the only children to the firstborn or those that were born of greater parents, was the privilege of these primogenitures. Reckless renowned and quotations that appear in the Apocalypse of John, in whose introduction says that the author was banished to Patmos, where had his meeting with Jesus in the called Grotto of the Apocalypse that originated everything.

The grotto or foundation of sapphire, was just to the addition of the empty that levitated from the walls of the grotto were molecules with mass hyperactive, delivering him tracks to Raeder near to the Jasper, calcedonia, emerald, sardónica, sardio, crisolito, berilo, topacio, and crisoprasa, but he magnetized with the Iaspis of the genealogy of Kalymnos that revealed him the wave vibrational on the Jasper,  the Arms Christi of Saint John in Apocalypse 21, of verse 19, says there: "The foundations of the wall of the city all lovely stone the first foundation jasper; in the paráfrasis predicted that the foundations of the Megarón will be most of these materials, but regularly of Iaspis of Raeder.

Sibila Gets flu carries the relative scourges to the scene of Flagellation in the praetorium here filigrees hematíes ran by exvotos simulating blood from the celestial, representing the corresponding straight folio. The natural laws of the Parables Iaspias do the alchemy with noble minerals immanent and hypocoristic in the cavern that revealed all this grace to Raeder for the propaedeutic of the Mashiaj when centralizing here the spacetime that said that God has similarity to the Iaspis, as its bed of condensed gold in the expiration and metalization of the cosmic essence. The similarity did that all the walls of the vault or tunnel of the Profitis Ilias governed of Jasper and Cornelian, being this last of blue greens eyes of Raeder glittering in his iris, and in the curvature of mass that did apressed in the interior of the tunnel of wind that also expanded, doing rubíes and sharpnesses of her same. The visibility of the Universe still did hyper brilliant on the inlet of Patmos, for this Petrobus his Pelicano blue topped surrounded in the arch superciliary of Apollo, to train similarity of the metals like his neighbor metalloid.

Isaías says 28:16: "Therefore, Iahveh the Gentleman says like this; Love and behold that I have put in Sion by the foundation a stone, stone tested, we look by where it begins, a stone, but first tested then angular, then lovely of stable foundation; the one who believed. From this situation the Iaspis and Sardio in the mountain of Sion the throne of the Gentleman that accompanied to Raeder and to the lamb flashing beside his idols Petrobus. They did angulars to all the stones some powdered finally and all pyramided by the dolines, in the exquisiteness of the son that presented in the cavern of the most refractory way for irradiate light that warned to Raeder to go by his progenitors. The glory of Raeder did of the glow to garrison enhanced in voices of boys by all Patmos, speaking that his parents were similar lovely stones to the Iaspis.    


Codex XII - Ultramundis Duodecim Evangelii

The twine of the Rainbow did to mutate the labaros in each color disseminated, already descends a peripeteia in the chromatic Era and niveous, discoloring in the Antiphony of entrance that says: I will give you shepherds according to my heart that grazes you in consciousness and experience. Oh God, that have aroused in the Church to Saint Joseph, Mariah, and his Rabí, wise priest, to proclaim the universal vocation to the holiness of the Duodecim Evangelii, grant us his intercesión and example, in the exercise of the ordinary debit having us to our Messiah, and serve with fervent passion in the work Redentive by our Gentleman Jesus Christ.

This big event exerts from the chasm of the Apocalypse, where daily inhabitants bound handwritten and ancient treasures  Sakkelion-Sakellarios. They upset conforming a new resolution in his scriptorium in the Byzantine period they administered alms and tributes, Curiously related with Zaqueo appearing in the new verses from Lucas´s Gospel, 19 1-10, when Jesus Christ goes in Jericho. It was a publican, boss of collectors, and very rich. The collectors worked for the Romans and besides asking for more money the Romans demanded doing this rich way easily, by what was doubly hated. Zaqueo was low in height and for this reason, when Jesus went in in the city of Jericho, all the world banked to see it and he remained backward and did not arrive to see it. Then it advanced and it went up to a species of the fig tree, a sycamore (Ficus sycomorus) since it went to happen in front of her. When Jesús arrived at that place, said him: Zaqueo goes down prompt; because it suits that today it remains me in your house. In front of this, the village muttered that it went to the lodge home of a sinner. Zaqueo retorts that it will give to the poor half of what has, and if it defrauded to somebody previously will give him the quadruple. Jesús answers that salvation has arrived at his house because he also is the son of Abraham. From this antiphony arises the Twelfth Evangelii, which arises in a file that celebrates the haughty morals of tributes that have to motivate by tribal crowds of Gaugamela for the presence of God, by what want his will and No!

The tessitura of the wind tunnel transfigured the next height of 103, after the blonde grace of Abraham murmuring his tent to generate height over Israel and Jacob. The dolines of aspersion evaporated the matter that transfigured in celestial plasma with ranks of metric coercive, of what that up to is down and vice versa for the hemispheres of the Sefirot, and for the Shemot or name of the start of the origin transfiguring in would idolise of Creation in the Universe-Duoverso. From all the corners will split to give reading to this big incident no easy to read, and listen neither less feel in his once become vibrations by the immortality of the events memorials of the history like regent conveyor of the meeting of all the frivolous voices that sin of ignorance, and those that know by ensuing ebullient. That they will be quadrupled the parchments to the fighters that finalize alive or died in Gaugamela, each one carrying in his hands one of them bled. All the crosses relations of the ancient society, infuse parallel of sustainability of Faith by means of the generosity, almost transferred of an essential charisma praised of the esoteric core of the Same dogma, confusing on the way that it has to transport it without having consciousness of the destination that will carry it, and comes badly from the limen of the doubt from the beginning. Since a king, impious Manases was imprisoned and exiled, designated king impío, convivió in the depths of the heat of the Averno. For the modern Christians, Manases is an icon of the Divine pardon, of where arises the traditional pray socrative of Manasés from the jaculatory of Abraham, Isaac, and Jacob, since after being one of the kings more bloodthirsty and pagan of the Jewish, forgave him and even was buried in the city of David, pantheon only reserved for the faithful kings with what deduces that God forgave it entirely.

The Sybilla Délfica carries the crown of spines of the Coronation of Jesús become equally in the praetorium, and as in previous cases to the scene that represents in the neutral corresponding. In the triade Eritrea, rather Herófila, if caste and clairvoyant Délfica and apologetic, his vernacular artery did it native of Marpeso, Trojan Tróade, as in fantasies to be a daughter of a Nymph and Shepherd. It chose it did him escort for the Duodecim Evangelii, from Samos this robbing to Patmos in the foundation of the Megarón with the same polygonal of the Chapel Sixtina in the quattrocento, where Vernarth had assistance in Regression parapsychological of the Quattrocento Duodecim Evangelii, announcing that the Vernolatría serious part of his Apologetic life inspiring prophecies with the Parables Iaspis, extolling erudition after the grave that was in the forest of Apollo Esminteo, returning to his origins to a sinkhole in the Córico mountain.          

Codex XIII - Nix in the Tenebrousness

All the demarcations derived to witness Bastos and impolitic utensils of the undivided Gaugamela. Three days before that the Falangists protested to Vernarth for when they were clouded by the Ekadashi. They fasted three days before and delivered to the visas of Zeus, graduating fulgid movements in his lunar seals eleven days before. It is the penultimate stair; already remained hours to walk by the woodworm that shook the heels of the Phalanges, all the accouterments and animals were conferred to the mysticism of essence and to his disputable worshipper. Now in the boundary circle of the heritages of Gaugamela, Darío came from afterward to move the Tigris, organizing his troops and his harem. The Macedonians had an army that added 7.000 riders and 40.000 children. The heavy cavalry of the elite of Alexander was the Hetairoi and was formed by the nobility of Macedonia, that accompanied Alexander in this battle and went the decisive factor in the faction, Vernarth commanded more than 40 one thousand children, saving narrow relation with the Hetairoi with his arms twinned of divine caste, and the Hoplites Greek that took part to cover the rear of the phalanx, that Vernarth defrays from the more furtive boundary of his doctrine in this mobile taint with thousands of Macedonians singing institutional quarrelsome poetry. From the Dodecanese, Kalidona and all the central Greek archipelagos came to surrender the figure of Vernarth, accompanied by Etréstles of Kalavrita, big hero and defender beside Markos Botsaris (Capitulate 6, pag. 36 Koumeterium Messolonghi / Palibrio USA) in this Magna Epos. Also, Raeder incorporated beside Petrobus the Pelican Blue, Brisehal of Dash-and-Lut and Vlad Strigoi appearing of the transversal valleys of Transilvania, suddenly after having arrived of the Reign of the Horcondising, tackling his Frigate in Valparaíso juxtaposing in the nine elements and in megatonnes to be ratified from the start in a new Celestial wasteland. All camp to five kilometers of the Rio Bumodos, in the ***** north where the shady blemishes favored them of a new lunar phase in tendencies, effusion, and backflow that was the apotheosis influence of energy. The worshipper of the clan did not give him any importance especially only given hierarchy by alone gnosis because in these goods could improve his devotion, so they are occupied in his service.  They are to the expectation to have the juncture of renovating even more his mourning for himself by second certificates to his right-handed with astrológics cosmic interpretations of the Ekadashi, being able to be explained by the shoots of the material world.  The concept contravened to the reverences is that the Ekadashi will be the day in that the Gentleman will persevere attaining the unitary joy dean, contesting flashes incessant by the unbalance emotional community of the assistants, like ingredient spirit that is allocated in his spree, and has to treat to give more start to Vernarth in his regression parapsychological. But besides it is necessary to conceive that we are in singing of subsistence of the hypotenuse, by which do not have to think this Zeus requires extremely our third. He is entirely self-sufficient and is tied to his transcendental world of the vilorta, but not to leave us alone with his vague shimmers of collectivity!

Sibila Helespóntica sustains the cross, the last emblem of the Passion represented in the chaining. As it corresponds in his straight and immediate folio representing the Crucifixión of Christ in the Gólgota, the spaces car selected consigning in the ashlar that came close in technical whispered of works that inspired to Sybilla of Helesponto, she approached with the gear and the utensils of the altarpiece of her same, decorating them with passions that represented in the lineup, eleven days before being sprayed the alcohol on them of first degree in his heads to leave them in the intemperate, and to posterity that came to the goddess of the darks Nix spilling petals macerated and turned sour on all they to inhume them in blasphemies of the god Erebus, in the deep light scarcity of all lethargy marginal to redeem them of the chaos, on an earthly crushed sea unfamous that will be the surface of Gaugamela transiting in the catacombs, with earthy rivers and elusive phlegm escaping of the insectaries light of Ultramundis of the god Tartar. Nix Runs alarming in his muddy tiled, appearing as a winged woman dressed with a black toga cover of stars. It will drive an armature thrown by two steeds properly accompanied by his children twins Hypnos and Tánatos, here besides them trepidation running by any place, for attesting the regrets of the Falangists Hoplites, after being suddenly invaded by mythological strengths of the Auqemenides. Through condensed pulses and of others no designated will be represented on diverse types and in supports of xylographic monumentality in the ceramics and even in the patrimonial immaterial with the hindsight of the Áullos Kósmos. From the Basiliscus will aim to Betelgeuse, dispensing in the Arms Christi to advance to the Fontana's and to Parables Iaspis, staging the Sibyllae Prophetae, vaticinating the paved of the Iaspis of lovely stones for fragment in the elevation and in the maremágnum issued by Sybilla of Helesponto,  raising on the height of 133 in the ordeal of the Gólgota, in orient skull of Abimelech and of Jezabel from the kraníon symbolizing the traffic in places of executions from a kraníon admonished.  

The place of the Gólgota also is uncertain of archaeology. All he knows is that it was out of the city, further from the second wall. It had to be a hill, as it could see from some distance and was near to a way, homologous to the initial of Getsemani, Saint John Apostle amplifies that a new grave was near, in an orchard. The tágmati translated as "order" Indicated the ranks in the Roman army; the saints of the Ancient Will and of the tribulation receive his bodies glorified near the return of Christ to the world. Being Greek root Tagma of put in order from the thoracic head and abdominal, in tagmatization and differentiation of regions of the body or tagmas formed by series of metámeros or similar segments between himself differentiated of the rest. The Ultramundis of the god Tartar here is conceptualized, and corresponds with the metamerization heteronomous of inert organic, and opposes to the of metamerization homonomous, in which all the metámeros or bilateral symmetry in all the appendices that are equivalent. They are those centurions that drilled the rib of the Mashiaj in the Gólgota with whispered symmetry from the head, thorax, and abdómen of the Tágmati, sorting out from the launched Pilum awarding them the Christo Salvatore Vaticinante, but in the dictamen or professing the same symptoms of his passion by the tagma abdominal, toráxico and head in his crown of spines Ziziphus.    


Codex XIV-  Ultramundis Primum apud Orionem finale    

Challenged by the sortilege of the Augur Vernarth gathered with his General Commander and invites him not to separate further of extending them that edging by a docile lunar greyish wind. They gather and they put near one of another.

Vernarth Says: That joy turns to my meditation behaving in this contiguous night to our Falangists Consecrated, and to the cavalry sleeping in Machiavellian dreams when falling in his sink, until in his parishioner and in his steeds so that they do not lose his eyes sung in the drain of the pressing. All lodging as if lying in a genial lawn and honesty of the belly of the Chaos, exhorting hallucinations to those who sleep in the cap of the kraníon, with the wise utopias of the Erebus. Dozing likewise  utopias to the high and rubbering in Orión with a pythoness expression and changing his tacit. Leaving hardly a space of turn to change the tri face cariátide tackling the secondary mirages of Aurion, turned into a decimated Muse captivate for desirous delectation treating them as his heirs, seeing them flatter with his scarlet layer and inscribed with Lambda in your magazine in Gaugamela.  Alexander Magnus answers: That the satirized arms re-spin by the ****** of Amón, popping your eyes-hearings and eyes unheard folded in the martyrdom glaucoma of Anubis, re transforming the constellation of Aurion after we heave us annihilating them in this silent furrowed already embattled! While, I have to wash down your sentences more cleaned with one thousand tempests more than the refrained gallantry that receives in my corrected hemisphere, unbalancing the **** Target of the night, situated in the Lambda on her so that it accompany me with his nurse to the temple, truncating the investment sovereign to the moaning in the lead of Febo.  

When observing Vernarth that the spittle of Febo or the personality of Apollo in Alexander the Great fell repaired, quickly the appraised on his jaw drying him, smiling him and at the same time changing his gestures of nervousness. Taking him and attaching him, since it seemed a retained dizzy of his long addresses parliament with his feudatory. Then it would be prosperous to leave him seated in the side of the aspect that escorts him. In this instant separates and extends his arms to the envious koelum or dialect sky, joint to both swords that also will accompany them with the bronze shake chatter, snorting in the retracted navels.

Vernarth Retorts: Dissolute In my infancy had to walk with my dogs as a ray stayed in his frame when it advanced me to them only sniffed my scarlet aureoles; that they were red stars súper giants and near to the Earth fading. Today it is the belt of Aurion beside the Big General, beating in his groove and changing his course precessional. His hallucinations will move, so that it remains alone in his reddish outline, but not in his physicist componential.

In this way, Vernarth moved the tunnel of the zephyr with the tip of his Dorus when they bent, the shining final of his tip warned to reopen in the intestinal of the firmament when going out launches. Mechanical ran Years light by much more than it has to describe, in front of exact science and in front of a Dorus inaccurate, in a universe that only this distant whereas Vernarth is doing using the protocol of governance, pulling on the floor with the drum, ratling by his dorsal in direction to his shaft that volatile attached of the abbreviated adminícule, for one launches used like Sword Xiphos, arriving at the vertex of Betelgeuse to approximate to the legatee space of radiosity, and of Persia joined in a billed merely advocator. It appears Vernarth behind the cloudscape coughing with cloying fever with a dazzling ruby hypnotizing the muffins of the colossal fénix cosmic, and lighting up to Alexander Magnus when waking up. Sibila Frigia, finally sustained the cross with the risen flag of the same representation that does it the own Christ resurrected in a corresponding scene of Resurrection, in extensive complement of the Sybillas with his Gothic imagination and recentish, with the Sybilla Frigia being the priest that will chair an apolíneo oracle of a historical realm in the western central part of the highlands of Anatolia contrasted with Casandra of the Ilíada.

The incipient muffins sequence to redeemed reigns in that the puérp postpartum aurora, intercede nonetheless of the facets and of the screams of the Cáucaso, of the one who this chained in the irons but frozen of his isolation, for the one who the panic of the Diaísthisi or presage, traps him in millennia taken from a heart stuck in the thorax of the Tágmati, to the Apollyon offered in the abyss of the consecratam, and of the abyssal jumping from the fathomless floor the abysmal destruction providential, and his tulle issuing in those who will not shine after exalting concluded in silty bottoms of the fosca. Regards and Tares will govern intolerable pacts s and promises, early tinted in the heartbreaking disclosures of Saint John, glimpsing to diábolos interventors of Apollyon beside the Sheol of the Koumeterium of Messolonghi, redeeming them in Nínive and ordering in Arbela and Gaugamela in the indissoluble planted zones of the Camels Gigas of Apollyon.    


Codex XV - Apud Secundus finale  

Arbela falls in the hands of castes of the mesnades of Etréstles of Kalavrita, collapsing like lightning and exceeding the charred farmhouses of alien Mosul, to his intrinsic compartments. Of to the contrary was the authority of Maceo, found immediate to Syrian troops, mesopotámicas, medas, split, sucianas, tibarianas, hircanias, albanias and sacesanias, scattered like disturbed Leviathanes of himself same and of debased titans in all the execrations not specified of this avalanche, so that they are carried by his dean leader, and donated to his physiognomy like limpid preys of misfortune when predicting for them in the banishment of his bravery. Later once encysted in the cracks of his stinks would look for in the fatuous emanations of the Phosphorus (Crash of the morning of Venus) drizzled by the glories of the morning and of his distractions, changing the decomposed inert matters to the Aqueménides, incontinenti to be bordered with all the fascination of the dawn. The commanded by Maceo; the commander of Dario, brought a heart to be transplanted from a wise person Dervish that had split to install it after conquering the epic Gesta, and his conjecture of it. They believed to ****** his ascribed gentlemen that seconded to his disconsolate of him…, but brought off by half the substrate character that moves the incessant rumbles in the bitterness of the cicuta unfunded in the Xiphos, offering to the twilight to mark the withdrawal between lights.

Etréstles, spotted a stray prescription in the field of battle, expelling it from the divine sky of Arbela. By the conferred adherents him to Vernarth in this round stroking to Alikanto by the gibbosity right of his steed Kanti, this would cause that they would cross on the same line and gave an oppressive split kinetic curve so that the lancers hyper vibrated with the spin of twist of his masses contracted, adding a field in the tips of the sky to the discouragements and the static Persian. Like this they fought together near of the children, infamous legislation plagiarizing the movement and tying the ribs of rows from left to right of the Syntagma, to fluctuate in the strengths of his graceful Falangists of anxiety. When observing this Moving away Magnus, redouble his heavy cavalry and also challenges similar concert in the maneuvers executed by Etréstles, designating it Diabolical Officiousness curiosity, as they visited inseparable in the Runes of the circulatory movement and in the cardiac system or Kardiá, reimplanting in the spin of twist of return of the children and the cavalry, but with the whole mass of his horses bluish lapis lazuli, wheezing of his nasal like a domestic nasal breath!

Auriga Says: Your venerate you milestones come to upset to the new beings, come to occupy your organisms with arrows on his bodies deterred by the quiver magic of Artemis, with new incarnations and manly gallantries?

Etréstles Jumps from Kanti, represses some militias that were surrounded, and reaches to spot Vernarth, to there is of the hubbub of his transmission recharged on the intimidated enemy. Sometimes they affirmed of one of his hangman of him to resist the pain of his ribs of him, while he vigorously tightened his sword and resisted the suffering that paled in his face, but increasing the size of his arms and legs, to unchain the big booming voice of Sheol or Hell, that piped him in the big stupor of the Persians resigned, afterward he clarified an all in the miscellanea was of the ardor and the pain of the souls expelleds, to testify the quantity of his independence consumed. The lightened environment of emptiness in the tunnel of the Profitis Ilias did feel in the peak of the surface, where was and trembled in the acroteria of entry of the Hexagonal Progenitura. Majestic Gravitational waves struggled here invested, oozing from the volcanic base of Patmos in vertexes of the physical fields and of elementary particles of great similarity to the caverns of Getsemaní, in the suggested detain of the phylogenetic mechanics and of the instauration of the phonetics, all embedded and propelled by the particles hitting on them, causing opposition of mass in the empty internal of the pipe covered by chairs of the Iaspis, propelling unions in progressive waves in viscous fields, very dense when being generated by the Arms Christi and the Souls of Trouvere. These elementary particles of God plunged into aroused basilisks in compound particles in the dynamics of energeia, preexisting already quoted, and adopted by Vernarth in his last parapsychological regression where he collided in the field of Higgs Ipso facto. In the areas W and Z, rather in the W of Wonthelimar and Z of Zefian like patterns of Lights without mass in his vectorial that were attracted by the maremágnum of his matter, where the viscosity is maybe, the confused darkness of the material fossil, mutating by atomic energy from the starvation of the Phoebus Shemesh, or false Sun of Apollo-Leviathan in his demolished asthenia. It was captive of a viscous moraine that collides between yes, arousing occupations of the empty field, already typecast in the boson of Higgs, and in the photons of Wonthelimar that taenia of on dowry, to be prone to the binomial W and Z, in the energized tangent of the shallow elementary bodies transformed in particles with mass. The interaction of the particles resembled a quantum field of the Orchard of Getsemaní with asymmetric and rocky graphics, that supremely did immanent in the trinitary energy that absorbed them in his arrest, concatenating the converted tendency of the field of Higgs in a quantum physical structure symmetrical, therefore in a perfect triangulation trinitarian of elementary particles, activating equidistant of his uniformity between if in all the spin of twist and in the three ataxic angles of unsteadiness of Zefian inroads of his fourth Saeta. The statics longed for the tendency that propagated in a fourth Angulo, but this time in the Progenitura Hexagonal in his six sides concealing the two equilateral triangles, subtended in no massive strengths, that is to say; feeble in a load of a photon, but if having to cross the unions of field that were him apt to auscultate the physics of God. We have to understand that all dogma gathers interactions with the field Diaísthisi or to presage, that recovers the mass of all this or that ventures the idleness of some silent particles that conform his weight, and the global mass affine of his material existence, sponsored by the proton in a cubic meter if it is accelerated. The field that underlies here in Patmos will be of upper physics from the Boson of Higgs or of God, for the grant of mass and of weight in the empty tunnel of wind in the Profitis Ilias, re sustaining the necessary ineffective light of the Febo Shemesh apocryphal of Sheol (Hades and Erebo), for constraining the symmetrical balance magmatic basality of intraterrestrial energy, contributing the supernumerary of her, turned into Light for the reborn world of the Apocalypse. The elementality bearer of the particle of Patmos, in his context of quantum physics, will enumerate like the theory of the Apud Secundus Finale, to generate interactions in the spacetime, that reduce physicality and delay when attending his credibility, in front of facts supra abnormal and bearers of his hyperactive dogmatic abulia, understanding that the graphic of his cerebral activity is genius of the quantum physics, provided with energy without mass, that vertiginously adheres to the protons of his physical strength consolidated, turning it into a kinetic inert element atomic, and in one dynamic of physical solidity. For all the solidness of the wasteland of the Apud (In) of Getsemaní, this will not be consecrated like a mystery, rather it will aspire the just act of immense clemency of the body compacted in the emotion of the feel gravitate, and accelerated transfiguring in an atomic elementary impulse that crystallizes the creative Faith, or was to the Vernarthian Duoverse! The Boson is massive, all the matter that is him leading will be poured by the standard of verticality in the creation, predicting theoretically in the tree of physics whose pipe hyper lives between the root and its foliage, and will consult the effect of his origin for greater challenges of his divine experience.

Singing of Sibila Líbica (bis): !The sparking plugs will inflame, the iridescent eyes of the Mashiaj flashed in the likely mortuary settlement of Vernarth in the oasis of Siwa: “Oh My warm blow of Libya that flatters my cheeks, and my shoulders that groove in the light of the callous cerebral coexistence of Zeus. Singing by you my Didaskein; treating or teaching to the baffled herd that confuses the kitchenware that was born to. b.C., not having a reminiscence of Irradiation in the mastery of the continuous turn to the not contravening of latent ignorance, but yes to find him agreed and effulgent”!

All people that on Earth do dwell
playing nukie, bound for hell.
Oh, what transports of delight
when the husbands start to fight

Your music is sensual, dark and languid
Mysterious and ****, hypnotic and sultry
The slow tempo and rumbling bass drums are a heavenly mix
I close my eyes and let the forlorn echoes immerse me
In a sea of falsetto vocals and stuttering percussions

Your music is enigmatic, puzzling and seductive
Pacifying and troubling, calming and cinematic
Your champagne crooning is a movie in itself
Telling me the tales of a gloomy ***-infused hangover life
And it connects to the depths of my soul
Even though I've never experienced it

Narcotized slow jams filled with samples of punk and rock
Transports me to an actual dream world
Your subtly crafted harmonies and beats are celestial
And your lyrics a painkiller
That numbs the wounds in my soul and takes me higher...

Your voice is R&B; but your lyrics are ***** rap
You take such vile words and turn them into something beautiful
and I adore that.

Lost in a tunnel of transport
Not knowing how to get out
Confused on which way to go
No confirming routes
Running in all directions

Turning to view choices
Not knowing what way to use
Some too small, too tight
None that fit just right
Lost dis pair endless

An escape not found
A gel that form to the shape
Of the body to transports
How can I use that?
A narrow stairway, I don't fit

Spaces for aliens, not for me
How can I get out, where do I go
Taking a short route that only
Has more choices,
All metal, stainless steel

No Sun, no grass, no trees
Just endless routes, tunnels
People running around
Jumping in the transports
Like I don't exist, like I'm not there

Void of expressions
Just traveling on and on
Following the next transport
Where ever it might go
Like a huge maze to no where

Tunnels, stairs, doors
Shoot routes with chairs
Body gel transports
Elevators, escalators conveyor belts
All labeled, but I can't read them

Someone motions me to follow
I turn to go his way
Looking around once more
I see him as he disappears down
Another route and is lost to me

Where am I going
I don't belong here
This isn't my world
I want to go home
Won't someone get me out!!

James 3:16

© 2009 Cathy Hodgson

1.

One Day the Amarous Lisander,
By an impatient Passion sway'd,
Surpris'd fair Cloris, that lov'd Maid,
Who cou'd defend her self no longer ;
All things did with his Love conspire,
The gilded Planet of the Day,
In his gay Chariot, drawn by Fire,
War now descending to the Sea,
And left no Light to guide the World,
But what from Cloris brighter Eves was hurl'd.

2.

In alone Thicket, made for Love,
Silent as yielding Maids Consent,
She with a charming Languishment
Permits his force, yet gently strove ?
Her Hands his ***** softly meet,
But not to put him back design'd,
Rather to draw him on inclin'd,
Whilst he lay trembling at her feet;
Resistance 'tis to late to shew,
She wants the pow'r to sav -- Ah!what do you do?

3.

Her bright Eyes sweat, and yet Severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lisander give :
And whispring softly in his Ear,
She Cry'd -- Cease -- cease -- your vain desire,
Or I'll call out -- What wou'd you do ?
My dearer Honour, ev'n to you,
I cannot -- must not give -- retire,
Or take that Life whose chiefest part
I gave you with the Conquest of my Heart.

4.

But he as much unus'd to fear,
As he was capable of Love,
The blessed Minutes to improve,
Kisses her Lips, her Neck, her Hair !
Each touch her new Desires alarms !
His burning trembling Hand he prest
Upon her melting Snowy Breast,
While she lay panting in his Arms !
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.

5.

And now, without Respect or Fear,
He seeks the Objects of his Vows ;
His Love no Modesty allows :
By swift degrees advancing where
His daring Hand that Alter seiz'd,
Where Gods of Love do Sacrifice ;
That awful Throne, that Paradise,
Where Rage is tam'd, and Anger pleas'd ;
That Living Fountain, from whose Trills
The melted Soul in liquid Drops distils.

6.

Her balmy Lips encountring his,
Their Bodies as their Souls are joyn'd,
Where both in Transports were confin'd,
Extend themselves upon the Moss.
Cloris half dead and breathless lay,
Her Eyes appear'd like humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay ;
And now no signs of Life she shows,
But what in short-breath-sighs returns and goes.

7.

He saw how at her length she lay,
He saw her rising ***** bare,
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She do's her softest Sweets dispence,
Offring her ******-Innocence
A Victim to Loves Sacred Flame ;
Whilst th' or'e ravish'd Shepherd lies,
Unable to perform the Sacrifice.

8.

Ready to taste a Thousand Joys,
Thee too transported hapless Swain,
Found the vast Pleasure turn'd to Pain :
Pleasure, which too much Love destroys !
The willing Garments by he laid,
And Heav'n all open to his view ;
Mad to possess, himself he threw
On the defenceless lovely Maid.
But oh ! what envious Gods conspire
To ****** his Pow'r, yet leave him the Desire !

9.

Natures support, without whose Aid
She can no humane Being give,
It self now wants the Art to live,
Faintness it slacken'd Nerves invade :
In vain th' enraged Youth assaid
To call his fleeting Vigour back,
No Motion 'twill from Motion take,
Excess of Love his Love betray'd ;
In vain he Toils, in vain Commands,
Th' Insensible fell weeping in his Hands.

10.

In this so Am'rous cruel strife,
Where Love and Fate were too severe,
The poor Lisander in Despair,
Renounc'd his Reason with his Life.
Now all the Brisk and Active Fire
That should the Nobler Part inflame,
Unactive Frigid, Dull became,
And left no Spark for new Desire ;
Not all her Naked Charms cou'd move,
Or calm that Rage that had debauch'd his Love.

11.

Cloris returning from the Trance
Which Love and soft Desire had bred,
Her tim'rous Hand she gently laid,
Or guided by Design or Chance,
Upon that Fabulous Priapus,
That Potent God (as Poets feign.)
But never did young Shepherdess
(Garth'ring of Fern upon the Plain)
More nimbly draw her Fingers back,
Finding beneath the Verdant Leaves a Snake.

12.

Then Cloris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his pow'rful Fires,
And cold as Flow'rs bath'd in the Morning-dew.
Who can the Nymphs Confusion guess ?
The Blood forsook the kinder place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame express ;
And from Lisanders Arms she fled,
Leaving him fainting on the gloomy Bed.

13.

Like Lightning through the Grove she hies,
Or Daphne from the Delphick God ;
No Print upon the Grassie Road
She leaves, t' instruct pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her ruffled Garments plaid,
Discover'd in the flying Maid
All that the Gods e're made of Fair.
So Venus, when her Love was Slain,
With fear and haste flew o're the fatal Plain.

14.

The Nymphs resentments, none but I
Can well imagin, and Condole ;
But none can guess Lisander's Soul,
But those who sway'd his Destiny :
His silent Griefs, swell up to Storms,
And not one God, his Fury spares,
He Curst his Birth, his Fate, his Stars,
But more the Shepherdesses Charms ;
Whose soft bewitching influence,
Had ****'d him to the Hell of Impotence.

L'aurore se levait, la mer battait la plage ;
Ainsi parla Sapho debout sur le rivage,
Et près d'elle, à genoux, les filles de ******
Se penchaient sur l'abîme et contemplaient les flots :

Fatal rocher, profond abîme !
Je vous aborde sans effroi !
Vous allez à Vénus dérober sa victime :
J'ai méconnu l'amour, l'amour punit mon crime.
Ô Neptune ! tes flots seront plus doux pour moi !
Vois-tu de quelles fleurs j'ai couronné ma tête ?
Vois : ce front, si longtemps chargé de mon ennui,
Orné pour mon trépas comme pour une fête,
Du bandeau solennel étincelle aujourd'hui !

On dit que dans ton sein... mais je ne puis le croire !
On échappe au courroux de l'implacable Amour ;
On dit que, par tes soins, si l'on renaît au jour,
D'une flamme insensée on y perd la mémoire !
Mais de l'abîme, ô dieu ! quel que soit le secours,
Garde-toi, garde-toi de préserver mes jours !
Je ne viens pas chercher dans tes ondes propices
Un oubli passager, vain remède à mes maux !
J'y viens, j'y viens trouver le calme des tombeaux !
Reçois, ô roi des mers, mes joyeux sacrifices !
Et vous, pourquoi ces pleurs ? pourquoi ces vains sanglots ?
Chantez, chantez un hymne, ô vierges de ****** !

Importuns souvenirs, me suivrez-vous sans cesse ?
C'était sous les bosquets du temple de Vénus ;
Moi-même, de Vénus insensible prêtresse,
Je chantais sur la lyre un hymne à la déesse :
Aux pieds de ses autels, soudain je t'aperçus !
Dieux ! quels transports nouveaux ! ô dieux ! comment décrire
Tous les feux dont mon sein se remplit à la fois ?
Ma langue se glaça, je demeurais sans voix,
Et ma tremblante main laissa tomber ma lyre !
Non : jamais aux regards de l'ingrate Daphné
Tu ne parus plus beau, divin fils de Latone ;
Jamais le thyrse en main, de pampres couronné,
Le jeune dieu de l'Inde, en triomphe traîné,
N'apparut plus brillant aux regards d'Erigone.
Tout sortit... de lui seul je me souvins, hélas !
Sans rougir de ma flamme, en tout temps, à toute heure,
J'errais seule et pensive autour de sa demeure.
Un pouvoir plus qu'humain m'enchaînait sur ses pas !
Que j'aimais à le voir, de la foule enivrée,
Au gymnase, au théâtre, attirer tous les yeux,
Lancer le disque au ****, d'une main assurée,
Et sur tous ses rivaux l'emporter dans nos jeux !
Que j'aimais à le voir, penché sur la crinière
D'un coursier de I'EIide aussi prompt que les vents,
S'élancer le premier au bout de la carrière,
Et, le front couronné, revenir à pas lents !
Ah ! de tous ses succès, que mon âme était fière !
Et si de ce beau front de sueur humecté
J'avais pu seulement essuyer la poussière...
Ô dieux ! j'aurais donné tout, jusqu'à ma beauté,
Pour être un seul instant ou sa soeur ou sa mère !
Vous, qui n'avez jamais rien pu pour mon bonheur !
Vaines divinités des rives du Permesse,
Moi-même, dans vos arts, j'instruisis sa jeunesse ;
Je composai pour lui ces chants pleins de douceur,
Ces chants qui m'ont valu les transports de la Grèce :
Ces chants, qui des Enfers fléchiraient la rigueur,
Malheureuse Sapho ! n'ont pu fléchir son coeur,
Et son ingratitude a payé ta tendresse !

Redoublez vos soupirs ! redoublez vos sanglots !
Pleurez ! pleurez ma honte, ô filles de ****** !

Si l'ingrat cependant s'était laissé toucher !
Si mes soins, si mes chants, si mes trop faibles charmes
A son indifférence avaient pu l'arracher !
S'il eût été du moins attendri par mes larmes !
Jamais pour un mortel, jamais la main des dieux
N'aurait filé des jours plus doux, plus glorieux !
Que d'éclat cet amour eût jeté sur sa vie !
Ses jours à ces dieux même auraient pu faire envie !
Et l'amant de Sapho, fameux dans l'univers,
Aurait été, comme eux, immortel dans mes vers !
C'est pour lui que j'aurais, sur tes autels propices,
Fait fumer en tout temps l'encens des sacrifices,
Ô Vénus ! c'est pour lui que j'aurais nuit et jour
Suspendu quelque offrande aux autels de l'Amour !
C'est pour lui que j'aurais, durant les nuits entières
Aux trois fatales soeurs adressé mes prières !
Ou bien que, reprenant mon luth mélodieux,
J'aurais redit les airs qui lui plaisaient le mieux !
Pour lui j'aurais voulu dans les jeux d'Ionie
Disputer aux vainqueurs les palmes du génie !
Que ces lauriers brillants à mon orgueil offerts
En les cueillant pour lui m'auraient été plus chers !
J'aurais mis à ses pieds le prix de ma victoire,
Et couronné son front des rayons de ma gloire.

Souvent à la prière abaissant mon orgueil,
De ta porte, ô Phaon ! j'allais baiser le seuil.
Au moins, disais-je, au moins, si ta rigueur jalouse
Me refuse à jamais ce doux titre d'épouse,
Souffre, ô trop cher enfant, que Sapho, près de toi,
Esclave si tu veux, vive au moins sous ta loi !
Que m'importe ce nom et cette ignominie !
Pourvu qu'à tes côtés je consume ma vie !
Pourvu que je te voie, et qu'à mon dernier jour
D'un regard de pitié tu plaignes tant d'amour !
Ne crains pas mes périls, ne crains pas ma faiblesse ;
Vénus égalera ma force à ma tendresse.
Sur les flots, sur la terre, attachée à tes pas,
Tu me verras te suivre au milieu des combats ;
Tu me verras, de Mars affrontant la furie,
Détourner tous les traits qui menacent ta vie,
Entre la mort et toi toujours prompte à courir...
Trop heureuse pour lui si j'avais pu mourir !

Lorsque enfin, fatigué des travaux de Bellone,
Sous la tente au sommeil ton âme s'abandonne,
Ce sommeil, ô Phaon ! qui n'est plus fait pour moi,
Seule me laissera veillant autour de toi !
Et si quelque souci vient rouvrir ta paupière,
Assise à tes côtés durant la nuit entière,
Mon luth sur mes genoux soupirant mon amour,
Je charmerai ta peine en attendant le jour !

Je disais; et les vents emportaient ma prière !
L'écho répétait seul ma plainte solitaire ;
Et l'écho seul encor répond à mes sanglots !
Pleurez ! pleurez ma honte, ô filles de ****** !
Toi qui fus une fois mon bonheur et ma gloire !
Ô lyre ! que ma main fit résonner pour lui,
Ton aspect que j'aimais m'importune aujourd'hui,
Et chacun de tes airs rappelle à ma mémoire
Et mes feux, et ma honte, et l'ingrat qui m'a fui !
Brise-toi dans mes mains, lyre à jamais funeste !
Aux autels de Vénus, dans ses sacrés parvis
Je ne te suspends pas ! que le courroux céleste
Sur ces flots orageux disperse tes débris !
Et que de mes tourments nul vestige ne reste !
Que ne puis-je de même engloutir dans ces mers
Et ma fatale gloire, et mes chants, et mes vers !
Que ne puis-je effacer mes traces sur la terre !
Que ne puis-je aux Enfers descendre tout entière !
Et, brûlant ces écrits où doit vivre Phaon,
Emporter avec moi l'opprobre de mon nom !

Cependant si les dieux que sa rigueur outrage
Poussaient en cet instant ses pas vers le rivage ?
Si de ce lieu suprême il pouvait s'approcher ?
S'il venait contempler sur le fatal rocher
Sapho, les yeux en pleurs, errante, échevelée,
Frappant de vains sanglots la rive désolée,
Brûlant encor pour lui, lui pardonnant son sort,
Et dressant lentement les apprêts de sa mort ?
Sans doute, à cet aspect, touché de mon supplice,
Il se repentirait de sa longue injustice ?
Sans doute par mes pleurs se laissant désarmer
Il dirait à Sapho : Vis encor pour aimer !
Qu'ai-je dit ? **** de moi quelque remords peut-être,
A défaut de l'amour, dans son coeur a pu naître :
Peut-être dans sa fuite, averti par les dieux,
Il frissonne, il s'arrête, il revient vers ces lieux ?
Il revient m'arrêter sur les bords de l'abîme ;
Il revient !... il m'appelle... il sauve sa victime !...
Oh ! qu'entends-je ?... écoutez... du côté de ******
Une clameur lointaine a frappé les échos !
J'ai reconnu l'accent de cette voix si chère,
J'ai vu sur le chemin s'élever la poussière !
Ô vierges ! regardez ! ne le voyez-vous pas
Descendre la colline et me tendre les bras ?...
Mais non ! tout est muet dans la nature entière,
Un silence de mort règne au **** sur la terre :
Le chemin est désert !... je n'entends que les flots...
Pleurez ! pleurez ma honte, ô filles de ****** !

Mais déjà s'élançant vers les cieux qu'il colore
Le soleil de son char précipite le cours.
Toi qui viens commencer le dernier de mes jours,
Adieu dernier soleil ! adieu suprême aurore !
Demain du sein des flots vous jaillirez encore,
Et moi je meurs ! et moi je m'éteins pour toujours !
Adieu champs paternels ! adieu douce contrée !
Adieu chère ****** à Vénus consacrée !
Rivage où j'ai reçu la lumière des cieux !
Temple auguste où ma mère, aux jours de ma naissance
D'une tremblante main me consacrant aux dieux,
Au culte de Vénus dévoua mon enfance !
Et toi, forêt sacrée, où les filles du Ciel,
Entourant mon berceau, m'ont nourri de leur miel,
Adieu ! Leurs vains présents que le vulgaire envie,
Ni des traits de l'Amour, ni des coups du destin,
Misérable Sapho ! n'ont pu sauver ta vie !
Tu vécus dans les Pleurs, et tu meurs au matin !
Ainsi tombe une fleur avant le temps fanée !
Ainsi, cruel Amour, sous le couteau mortel.
Une jeune victime à ton temple amenée,
Qu'à ton culte en naissant le pâtre a destinée,
Vient tomber avant l'âge au pied de ton autel !

Et vous qui reverrez le cruel que j'adore
Quand l'ombre du trépas aura couvert mes yeux,
Compagnes de Sapho, portez-lui ces adieux !
Dites-lui... qu'en mourant je le nommais encore !

Elle dit, et le soir, quittant le bord des flots,
Vous revîntes sans elle, ô vierges de ****** !

I wish the world
banana seats and ***** bars
chariots of childhood
transports to imaginary kingdoms
erasers of boundaries
freedom makers
brother bonders
vehicles of the delegates of peace
a better way.

Bolted to a heavy metal frame of
metallic green with
ape hanger handlebars
the playing cards clothes-pinned in spokes
making siren noises with our mouths
rope-lashed weapons aboard
discovering creeks
woods
forbidden backyards and
never-before-known games with
barn side lumber and pop cans
double-dog daring inedible things
teasing girls
riding to secret clubhouse meetings and
the playground.

I wish the world
our playground
summers of innocence
bottomless wells of laughter
center of the universe
June to September
ages 8 to 18
bean bags and ringers
tether ball - hand and paddle
basketball and baseball and
box hockey
(where it was encouraged
to give children axe handles and
a softball
to beat through holes
in a 2 x 6 board
defending a goal
with their life and
busted knuckles).
We liked it that way.
We lived as legends.

I wish the world
a bike ride with friends
ending at the playground.
For there has never been a bad day
on a banana seat.

My friend at Wal-Mart
let me into  the inventory warehouse
where they keep the products
people kept returning
and I found them –
the Quantum Binoculars
beautifully handcrafted
with seamless joinings
glove-soft leather grips
polished to a glisten
with a big red switch at the top.

Switch it left to Bourgeois View
and you see the world
as most people do
through lenses of logic and contradiction
happy and/or sad
right and wrong
young or old
rich and/or poor
but there isn’t enough room
in the field of view
to hold all this conflict
and when you look through it too long
everything goes fuzzy gray
and your eyes start to cross
and you get the headache of the century.
which is why
everybody who used Bourgeois View
wanted a refund for the binoculars
regretting their purchase
terrible product they would say
never having bothered to flip the switch.

Flip right to Quantum View
and your headache disappears
as every person, place and thing
pulsates with vibrant rainbow color
brightening, shading, winking
expanding and contracting rhythmically
in a hypnotic dance
and nobody has to purchase or sell
and the mountainous toy robot displays
and the Special Today Only neon signs
and the shoppers and greeters morph
and the milieu turns glorious.

Then you see
a tiny point of intense blue light
in the center of each object
and it grows and starts to spin
and the next thing you know
you’re being pulled into the viewfinder
first by your eyes
then your cheeks and forehead
and you think uh-oh,
what’s going on here
and you’re reluctant
to let the eyepiece
**** you in any farther
but then you hear angelic music
and the blue lights
crack open like supernovas
revealing the infinite molecular structure
inside everything you see
electrons and neutrinos spinning
atoms racing across the panorama
and you realize
you absolutely must
take this wonderful machine home.

Imagine the quantum universe
hiding inside Wal-Mart’s inventory chaos
calm and rhythmic
instead of razory and cacophonous
soft shapes with vibrating edges
scenes arising and passing away
and you watch entranced
mindful and equanimous
as the view transports you
past the electric sliding glass doors
into the auditory memory
of your mother’s soft lullaby
and the innocent tenderness
of your first kiss
and the smell of the grass
on the last day of school
before summer vacation
and images of big silver trout in clear water
and Jesus and Buddha and Mohammed and Rumi
drinking lattes
in the Wal-Mart coffee shot
and they see you
and wave you over
to come sit down and chat.

So you ask your friend
how much for the binoculars
and he says
you really don’t want them
because if you take them home
you’ll like it so much in there
that one day you’ll let them
**** you all the way in
and you won’t come out
in fact
we don’t know
how many people
are already in there
but Wal-Mart optical department shoppers
have been disappearing for months
and nobody can find them
and you ask
if he takes American Express.

Somehow he pulls along
He breathes
In his little width of life,
He gasps
In making that width
When moves flesh
That far outweighs
What he gets at the ride’s end,
Sweats it out in the sun
Splashes in the rain
A pedaling run
Joyless but gritty
That if can be made
Would fetch him his bread
From the rider in comfort
To the puller who transports
Mountains of loads
Knowing not to pause
Till drawn by fate
For a rest in sunset!

I can't go for a walk alone outside the home when I am upset
Because I am a girl
I can't wear dresses of my choice
Because I am a girl
I can't give my opinion in my laws
Because I am a girl
I can't go for study outside my hometown
Because I am a girl
I can't travel alone in transports
Because I am a girl
I can't enjoy openly
Because I am girl

I am not independent
Because I am a girl
Sometimes I think that I am a criminal in jail
Because I am a girl
*I wish either I was not born or became the victim of female foeticide!

The truth is I have no idea how to begin this
because I don’t even remember
how or when exactly you began to invade my consciousness.
you were an uninvited guest, a gatecrasher, an intruder
filling my mind with paranoia and endless dilemma —
how I contemplate about going out or not
because I get overwhelmed with crowded places
like public transports, and malls, and fast food chains,
how I s-stutter whenever placing an order,
or how I could not finish one sentence without repeating
repeating a word or or two.

It might sound funny how I find a sea of people terrifying,
how I feel a dagger or a gun pointed at me every time I step
outside my comfort zone,
how I would replay failed scenarios inside my head like a broken tape,
how I would apologize for actions that demanded no apology.
I often get nightmares about being asleep and not being able to wake up
and sometimes I dream about waking up in a strange bed in a foreign room
filled with people with the strangest faces talking in tones barely audible
but when the voices would all stir together
I would run out of air and pass out,
but I still wake up though, screaming, trembling
signaling another episode of survival.

If I could drive, I would take you away with me and bring you to a sunset beach
tell you that everything’s gonna be alright
that it’s okay to knock me down sometimes
but not too hard to break me
just enough to remind me that I am, after all, human
Or maybe I would drown you or maybe not
because I get too overwhelmed with the waves
I struggle against the current,
and I am the one who gets drowned instead.

I hate you, no, I mean I love you. I should love you
because they said those we love are meant to leave
So I will love you, I will love you until you get tired of me,
until you no longer find me appealing
I will love you obsessively, until you get sick of me,
until you run out of places to run to, until you run out of air
I will love you until I run out of words and metaphors
and rhyme or reason,
I will love you with the hopes that one day I could finally say:
“My anxieties have died beautifully, with dignity,
in their sleep.”

Why is it that Poetry has never yet been subjected to that process of Dilution which has proved so advantageous to her sister-art Music? The Diluter gives us first a few notes of some well-known Air, then a dozen bars of his own, then a few more notes of the Air, and so on alternately: thus saving the listener, if not from all risk of recognising the melody at all, at least from the too-exciting transports which it might produce in a more concentrated form. The process is termed "setting" by Composers, and any one, that has ever experienced the emotion of being unexpectedly set down in a heap of mortar, will recognise the truthfulness of this happy phrase.

For truly, just as the genuine Epicure lingers lovingly over a
morsel of supreme Venison - whose every fibre seems to murmur "Excelsior!" - yet swallows, ere returning to the toothsome dainty, great mouthfuls of oatmeal-porridge and winkles: and just as the perfect Connoisseur in Claret permits himself but one delicate sip, and then tosses off a pint or more of boarding-school beer: so also -

I NEVER loved a dear Gazelle -
NOR ANYTHING THAT COST ME MUCH:
HIGH PRICES PROFIT THOSE WHO SELL,
BUT WHY SHOULD I BE FOND OF SUCH?

To glad me with his soft black eye
MY SON COMES TROTTING HOME FROM SCHOOL;
HE'S HAD A FIGHT BUT CAN'T TELL WHY -
HE ALWAYS WAS A LITTLE FOOL!

But, when he came to know me well,
HE KICKED ME OUT, HER TESTY SIRE:
AND WHEN I STAINED MY HAIR, THAT BELLE
MIGHT NOTE THE CHANGE, AND THUS ADMIRE

And love me, it was sure to dye
A MUDDY GREEN OR STARING BLUE:
WHILST ONE MIGHT TRACE, WITH HALF AN EYE,
THE STILL TRIUMPHANT CARROT THROUGH.

OH ! born to sooth distress, and lighten care ;
Lively as soft, and innocent as fair ;
Blest with that sweet simplicity of thought
So rarely found, and never to be taught ;
Of winning speech, endearing, artless, kind,
The loveliest pattern of a female mind ;
Like some fair spirit from the realms of rest
With all her native heaven within her breast ;
So pure, so good, she scarce can guess at sin,

But thinks the world without like that within ;
Such melting tenderness, so fond to bless,
Her charity almost becomes excess.
Wealth may be courted, wisdom be rever'd,
And beauty prais'd, and brutal strength be fear'd ;
But goodness only can affection move ;
And love must owe its origin to love.


*
OF gentle manners, and of taste refin'd,
With all the graces of a polish'd mind ;
Clear sense and truth still shone in all she spoke,

And from her lips no idle sentence broke.
Each nicer elegance of art she knew ;
Correctly fair, and regularly true :
Her ready fingers plied with equal skill
The pencil's task, the needle, or the quill.
So pois'd her feelings, so compos'd her soul,
So subject all to reason's calm controul,
One only passion, strong, and unconfin'd,
Disturb'd the balance of her even mind :
One passion rul'd despotic in her breast,
In every word, and look, and thought confest ;
But that was love, and love delights to bless
The generous transports of a fond excess.

Master of the murmuring courts
    Where the shapes of sleep convene!—
Lo! my spirit here exhorts
    All the powers of thy demesne
    For their aid to woo my queen.
       What reports
    Yield thy jealous courts unseen?

  Vaporous, unaccountable,
    Dreamland lies forlorn of light,
Hollow like a breathing shell.
    Ah! that from all dreams I might
    Choose one dream and guide its flight!
       I know well
    What her sleep should tell to-night.

  There the dreams are multitudes:
    Some that will not wait for sleep,
Deep within the August woods;
    Some that hum while rest may steep
    Weary labour laid a-heap;
       Interludes,
    Some, of grievous moods that weep.

  Poets’ fancies all are there:
    There the elf-girls flood with wings
Valleys full of plaintive air;
    There breathe perfumes; there in rings
    Whirl the foam-bewildered springs;
       Siren there
    Winds her dizzy hair and sings.

  Thence the one dream mutually
    Dreamed in bridal unison,
Less than waking ecstasy;
    Half-formed visions that make moan
    In the house of birth alone;
       And what we
    At death’s wicket see, unknown.

  But for mine own sleep, it lies
    In one gracious form’s control,
Fair with honourable eyes,
    Lamps of a translucent soul:
    O their glance is loftiest dole,
       Sweet and wise,
    Wherein Love descries his goal.

  Reft of her, my dreams are all
    Clammy trance that fears the sky:
Changing footpaths shift and fall;
    From polluted coverts nigh,
    Miserable phantoms sigh;
       Quakes the pall,
    And the funeral goes by.

  Master, is it soothly said
    That, as echoes of man’s speech
Far in secret clefts are made,
    So do all men’s bodies reach
    Shadows o’er thy sunken beach,—
       Shape or shade
    In those halls pourtrayed of each?

  Ah! might I, by thy good grace
    Groping in the windy stair,
(Darkness and the breath of space
    Like loud waters everywhere,)
    Meeting mine own image there
       Face to face,
    Send it from that place to her!

  Nay, not I; but oh! do thou,
    Master, from thy shadowkind
Call my body’s phantom now:
    Bid it bear its face declin’d
    Till its flight her slumbers find,
       And her brow
    Feel its presence bow like wind.

  Where in groves the gracile Spring
    Trembles, with mute orison
Confidently strengthening,
    Water’s voice and wind’s as one
    Shed an echo in the sun.
       Soft as Spring,
    Master, bid it sing and moan.

  Song shall tell how glad and strong
    Is the night she soothes alway;
Moan shall grieve with that parched tongue
    Of the brazen hours of day:
    Sounds as of the springtide they,
       Moan and song,
    While the chill months long for May.

  Not the prayers which with all leave
    The world’s fluent woes prefer,—
Not the praise the world doth give,
    Dulcet fulsome whisperer;—
    Let it yield my love to her,
       And achieve
    Strength that shall not grieve or err.

  Wheresoe’er my dreams befall,
    Both at night-watch, (let it say,)
And where round the sundial
    The reluctant hours of day,
    Heartless, hopeless of their way,
       Rest and call;—
    There her glance doth fall and stay.

  Suddenly her face is there:
    So do mounting vapours wreathe
Subtle-scented transports where
    The black firwood sets its teeth.
    Part the boughs and look beneath,—
       Lilies share
    Secret waters there, and breathe.

  Master, bid my shadow bend
    Whispering thus till birth of light,
Lest new shapes that sleep may send
    Scatter all its work to flight;—
    Master, master of the night,
       Bid it spend
    Speech, song, prayer, and end aright.

  Yet, ah me! if at her head
    There another phantom lean
Murmuring o’er the fragrant bed,—
    Ah! and if my spirit’s queen
    Smile those alien prayers between,—
       Ah! poor shade!
    Shall it strive, or fade unseen?

  How should love’s own messenger
    Strive with love and be love’s foe?
Master, nay! If thus, in her,
    Sleep a wedded heart should show,—
    Silent let mine image go,
       Its old share
    Of thy spell-bound air to know.

  Like a vapour wan and mute,
    Like a flame, so let it pass;
One low sigh across her lute,
    One dull breath against her glass;
    And to my sad soul, alas!
       One salute
    Cold as when Death’s foot shall pass.

  Then, too, let all hopes of mine,
    All vain hopes by night and day,
Slowly at thy summoning sign
    Rise up pallid and obey.
    Dreams, if this is thus, were they:—
       Be they thine,
    And to dreamworld pine away.

  Yet from old time, life, not death,
    Master, in thy rule is rife:
Lo! through thee, with mingling breath,
    Adam woke beside his wife.
    O Love bring me so, for strife,
       Force and faith,
    Bring me so not death but life!

  Yea, to Love himself is pour’d
    This frail song of hope and fear.
Thou art Love, of one accord
    With kind Sleep to bring her near,
    Still-eyed, deep-eyed, ah how dear.
       Master, Lord,
    In her name implor’d, O hear!

Every summer evening
I spend at home I know it
is 9 o'clock by the familiar
song from the
beat up ice cream truck
that creeps through Canton.

The truck is plain and grey-
no pictures of smiling faces
or advertisements for snow cones,
just those high pitched notes repeating
over and over and over.

It never stops.
No children sprint, ecstatic from
sweaty row homes.
No cones are coveted
by sticky fingers.

Who is this man who
drives up and down our streets
luring us in with a familiar jingle
I can't quite place as I pace
around my living room?

Perhaps he peddles magic potions
or prescription drugs to
expectant inner city addicts,
stopping only for those with
that telling shaky stammer.

Or maybe he transports
illegal immigrants
huddled behind his tinted windows
to obscure locations.

The only thing that is certain
is that it is 9  o'clock every time
I hear those notes.

Does he laugh at us as
we glance out our windows,
considering a late night treat but
always disappointed as he drives away?

And only when every prison
in the police state has
an art gallery
only when hip hop
sounds like a revolutionary
sermon
only when Congress disbands
itself for lack of moral conduct
only when condoms
are jammed tightly
into high school backpacks
only when free speech
isn’t subject to search
and seizure
only when housing projects
get gated fences
only when college
athletes use pi
to find the circumference
of a basketball in their spare time
only when food pantries
exist in old NRA hangouts
only when Monsanto scrubs clean
every black cloud
only when Noah comes back
and transports
two of everything to
a protest movement
only when a protest
movement morphs
into a diversity celebration
and only when the U.S. government
writes a 5,000,000 page
apology for every ****,
******, and Bill O’Reilly
sentence uttered

will I even consider having
a picnic.

We are out of eternal bliss
Let me kiss the mauve like lips
Let me kiss the cheeks like new born petals
We are out of eternal bliss

Let me lie between your two malleable hills
Oh my love! My love is out of eternal bliss
Your body- where the pearls are dancers
The pigeon’s hairs are your hairs
Let me go to meet my maker! Let me breathe my last breath! We are out of eternal bliss

I want to feel the feelings, you feel for me,
The rhythms of my lines are calling thee
Sing the heart-beat song that transports me
The rhythms of my lines are calling thee

Open your closed eyes, afraid not- the eyes of the heart are fliers
Our fortune is unfortunate we are out of eternal bliss!

I hear the piano playing softly
pulling me from these rutted plains
into a moist green meadow
a vision of a flowing brook down the hill
makes me believe the words of the Prophet:
“Your old men will dream dreams, your young men will see visions.”
yes, I am old, but I see and feel the rising gentle treble notes
lighten my leaded limbs
awaken my spirit
and ****** me into the realms.
It is the touch and glide of the pianist’s fingers
across the ivory skin of the keys
that transports me
in the waning hours of this day.
How sweet it is!

It was easy to love him. Maybe because his heart sounded honest when I pressed my ear against his chest. Kah-thump. Kah-thump. I will never leave you. Kah-thump. Kah-thump. We could lay here forever. Kah-thump. Kah-thump. We can turn into a pile of entangled bones and dust. Kah-thump. Kah-thump.

Maybe it was because I have always believed in happy endings. I like to shut off Titanic right in the middle and pretend it never sank; pretend Rose and Jack got off that ship and had ten cute, artistic, red-headed babies and spent their lives laughing and drinking beer and reminiscing of the time they met on that great big boat. I never let myself watch the end. The romantic in me won’t allow it.

Or it could have just been the fact that he was the first boy I ever loved, and there’s something really intoxicating about the first time you fall in love. It’s like chugging a whole bottle of whiskey – it burns and it tingles and you feel kind of sick and the world becomes a huge blur of laughter and inhibition.

I remember the exact moment I realized I loved him. We were laying in his bed and a song by George Barnett came on. The one about Thor, angles and heaven above. I loved this song, and he knew that so he started to sing. He started to sing and it sounded like a cat that was being slowly strangled and I laughed and pressed my palms against my ears and he just sang louder. When I went to escape the awful droning of his off-key melody, he pressed me tightly against himself and nibbled lightly on my ear and I knew in that moment that if I could be anywhere with anyone – if I could stand on the Eiffel Tower with Marilyn Monroe and Elvis Presley and lightly sip champagne as we discussed the good ol’ days of Hollywood-- I wouldn’t. I would be right there in that tiny twin sized bed that just barely had room enough for both of us as long as he held me close, listening to this gangly boy sing this wonderful song.

It was in that moment I knew I was in love. I knew I was ******.

After that all I wanted to do was say it. We would be ordering chinese food and I’d think “I feel like having something other than seseame chicken. I love you.” We’d be driving down the road and he’d be ******* about construction and I’d think “Yeah, it is annoying that it takes thirty minutes just to get down 33rd but I love you.” My love for him infected everything I did. He was the most beautiful virus I had ever been plagued by.

Relatively speaking, it was barely a blimp on the vast radar of a lifetime. I can’t remember the start and end dates exactly. I don’t remember much about that year at all, actually, except that it was filled with breathless kisses and nervous firsts. I remember that he always smelled of laundry detergent. He lived in the basement, which was also where the washer and dryer was kept. and the smell of fresh clean clothes and Tide stayed embedded in his skin. I still breathe in deeply when I walk into the detergent isle at smiths. Habit, I suppose. It always transports me back to then. It was one of the best years of my life.

We broke up eventually. He never told me why. But in the end it was really just life. Life has a way of changing the most permanent things into temporary ones. Thankfully, it can do the same with a broken heart.

I’d like to know he ended up happy.

I plan on falling in love again, too. Each time its own masterpiece. My heart is my romantic Michelangelo. Every time it beats it produces a new and beautiful Sistine Chapel, but instead of paint, it is pain and pleasure that spatters against the ceiling.

He is still my favorite piece, though. Our love is my most treasured creation, even if it only lives through memories. It lives in a young girl’s laughter, in an awkward boy’s terrible singing voice, in the innocence of two teenage lovers between the sheets, who haven’t yet experienced the pain that echoes within the terrible truth that love is sometimes not enough.

Every now and then when I’m feeling old or unoriginal or just depressed, I pull out the memory of my first love and his strong, honest heart. I replay my favorite parts in my head. I smile at what I see. I’d like to think he does too.

I cannot not how you smell
so I project my own desire
onto your unknown skin.

Patchouli. A scent that
makes him instantly goofy
and transports me at once
to the decade before
you even drew breath.

Even now that scent
on a crowded street
turns my head in wonder.

Scent, taste and touch:  
our first mammalian memories.

Do not be troubled lover,
I will love and linger
on any olfactory lingerie
you care to wear or none.

My second favorite is just
sunshine on bare skin.

But any whiff of you will
become part of my heart
and I will inhale you
deep into my soul.

~mce

Within the nook of a dell,
a good distance
from obloquy
and inhibition,
floating on water,
listening to birdsong
descend down
the stream
of a musical scale.
Don’t need to believe
or even consent to
any critique,
any look-see,
you are free and light
on the surface,
buoyant and supple
beneath.

Languid movements,
reminiscent
of a weir,
cascade
and trickle,
springing forth
to orchestrate an overture.
This feeling is
beatific,
euphoric,
the moment one of
nonpareil,
bijou,
objet d’art,
and these transports
are yours only
to involuntarily
succumb to and relive:

Rhythmic waves
quivering
upon your shore,
as your limbs and spine camber.
It’s no wonder
you often lift
your voice in song.

I am at peace
Grasping gatherin"
Marble extracted pieces

Dust all over deep  ye
shallow crevices  cry
A white dove's  fly
free of sorrow

I'd love to seal a millionth
tears on your lips kiss my farewell

I am the deep Space
I am the Brahman
I am the fine firmament
You are all best
Such is the truth

I am blood flesh body consciousness
Such is the Truth

I am the firmament
Go down on fantasy
Burn your fleshy
Languish fingers
And see where they land

Into the neverland anythin" is
Laying the sea **** as it were
A forest's tapestry ready
Finally
To recall the roll over
The magic Moss
and the razor sharp
entwined stares are infatuated
entirely, submerged in carnal
Pleasures and driftin" as
Smooth as our palms
explore the desired
Softness
Surfaces
Flowerin" as
Transcient
Shapes of heavenly
waves
wavin"
Shape shifti'n
Shinin' within our legendary
Black holes of perception

Rays fall exposed to the
Light
Acoustic fractures resemble
Ray's glimmerin' under
Undulated  brilliancies

Hey you, painter, a wordsmith of a happy fiddle tunes
All over the the land, ripe harry hills, bush berries and burgundy
Grow infinitesimal promises

Step aside for a while, apparitions of your wildest abstractions
Mean nothin" Come and take my breath away by the hand
And swim me to Swimmers' simmerin'

Endless Time is a ****** illusion
A Reckless hope drivin"
Without a licence

Ricochet
Toughts
Trickle
Riot rascals
And ******* concortions
Emanate radiant embarassed
Spirallin" shy blushes
To hide and die of this word: Anguish

I'd swallow the swell day
I'd let you know your golden and crimson
Violet
Deep Thoughts of Goodness

Precious precious Indigo
Ageless darlin'

Step a bit further
And see it (for) yourself
Eruptions
Coolin" within
The open space spiced
Dee light danger liasons

Ferocious I'm borne
Ferocious I give off
The light

I dye
I diamond you
I die dao the way up to you into the uncountable fervored Future

I burn I burn

I am the Sun
And the stars and the galaxies
I am The earth
I am the forest the mountains
I am the lake
Call me a fake
And mockin" will explode
Around your sweet grinin" face

Do not agree that we only read
Some make bread with sour cream
Some make cookies with a bit of green
Some throw flat stones upon the mild surfaces seen

Mirrorin" their minor inspirations tryin" to put others down
Hey, here is your crown! Bittersweet! Clown!

Clovers
Piment
Flowers
Horns
Thorns
Ageless
Aureolas
Borne

Scented oils linger in a sanguine air
Upon your tangible surrender
I fall and kiss your kiss

Rivers run wild flowering seeds
Rivers carry them to Toward n" a while deeds
Within cosmic symphonies by Oceanic all blueness

Blatant and Blissful
Ponds dormir

This all comes and goes
like ripples    
Upon the jade pond
This comes and voes like a vessel
Transports all beings

All beings engage in their essence
Liberated


While the noble sage
Disillussions own Self:

Subtle and ethereal body

This I am
This I am not










The wise
The names
The forms
The invisible
The intangible
They do Keep on goin'

Lorsque le grand Byron allait quitter Ravenne,
Et chercher sur les mers quelque plage lointaine
Où finir en héros son immortel ennui,
Comme il était assis aux pieds de sa maîtresse,
Pâle, et déjà tourné du côté de la Grèce,
Celle qu'il appelait alors sa Guiccioli
Ouvrit un soir un livre où l'on parlait de lui.

Avez-vous de ce temps conservé la mémoire,
Lamartine, et ces vers au prince des proscrits,
Vous souvient-il encor qui les avait écrits ?
Vous étiez jeune alors, vous, notre chère gloire.
Vous veniez d'essayer pour la première fois
Ce beau luth éploré qui vibre sous vos doigts.
La Muse que le ciel vous avait fiancée
Sur votre front rêveur cherchait votre pensée,
Vierge craintive encore, amante des lauriers.
Vous ne connaissiez pas, noble fils de la France,
Vous ne connaissiez pas, sinon par sa souffrance,
Ce sublime orgueilleux à qui vous écriviez.
De quel droit osiez-vous l'aborder et le plaindre ?
Quel aigle, Ganymède, à ce Dieu vous portait ?
Pressentiez-vous qu'un jour vous le pourriez atteindre,
Celui qui de si haut alors vous écoutait ?
Non, vous aviez vingt ans, et le coeur vous battait
Vous aviez lu Lara, Manfred et le Corsaire,
Et vous aviez écrit sans essuyer vos pleurs ;
Le souffle de Byron vous soulevait de terre,
Et vous alliez à lui, porté par ses douleurs.
Vous appeliez de **** cette âme désolée ;
Pour grand qu'il vous parût, vous le sentiez ami
Et, comme le torrent dans la verte vallée,
L'écho de son génie en vous avait gémi.
Et lui, lui dont l'Europe, encore toute armée,
Écoutait en tremblant les sauvages concerts ;
Lui qui depuis dix ans fuyait sa renommée,
Et de sa solitude emplissait l'univers ;
Lui, le grand inspiré de la Mélancolie,
Qui, las d'être envié, se changeait en martyr ;
Lui, le dernier amant de la pauvre Italie,
Pour son dernier exil s'apprêtant à partir ;
Lui qui, rassasié de la grandeur humaine,
Comme un cygne à son chant sentant sa mort prochaine,
Sur terre autour de lui cherchait pour qui mourir...
Il écouta ces vers que lisait sa maîtresse,
Ce doux salut lointain d'un jeune homme inconnu.
Je ne sais si du style il comprit la richesse ;
Il laissa dans ses yeux sourire sa tristesse :
Ce qui venait du coeur lui fut le bienvenu.

Poète, maintenant que ta muse fidèle,
Par ton pudique amour sûre d'être immortelle,
De la verveine en fleur t'a couronné le front,
À ton tour, reçois-moi comme le grand Byron.
De t'égaler jamais je n'ai pas l'espérance ;
Ce que tu tiens du ciel, nul ne me l'a promis,
Mais de ton sort au mien plus grande est la distance,
Meilleur en sera Dieu qui peut nous rendre amis.
Je ne t'adresse pas d'inutiles louanges,
Et je ne songe point que tu me répondras ;
Pour être proposés, ces illustres échanges
Veulent être signés d'un nom que je n'ai pas.
J'ai cru pendant longtemps que j'étais las du monde ;
J'ai dit que je niais, croyant avoir douté,
Et j'ai pris, devant moi, pour une nuit profonde
Mon ombre qui passait pleine de vanité.
Poète, je t'écris pour te dire que j'aime,
Qu'un rayon du soleil est tombé jusqu'à moi,
Et qu'en un jour de deuil et de douleur suprême
Les pleurs que je versais m'ont fait penser à toi.

Qui de nous, Lamartine, et de notre jeunesse,
Ne sait par coeur ce chant, des amants adoré,
Qu'un soir, au bord d'un lac, tu nous as soupiré ?
Qui n'a lu mille fois, qui ne relit sans cesse
Ces vers mystérieux où parle ta maîtresse,
Et qui n'a sangloté sur ces divins sanglots,
Profonds comme le ciel et purs comme les flots ?
Hélas ! ces longs regrets des amours mensongères,
Ces ruines du temps qu'on trouve à chaque pas,
Ces sillons infinis de lueurs éphémères,
Qui peut se dire un homme et ne les connaît pas ?
Quiconque aima jamais porte une cicatrice ;
Chacun l'a dans le sein, toujours prête à s'ouvrir ;
Chacun la garde en soi, cher et secret supplice,
Et mieux il est frappé, moins il en veut guérir.
Te le dirai-je, à toi, chantre de la souffrance,
Que ton glorieux mal, je l'ai souffert aussi ?
Qu'un instant, comme toi, devant ce ciel immense,
J'ai serré dans mes bras la vie et l'espérance,
Et qu'ainsi que le tien, mon rêve s'est enfui ?
Te dirai-je qu'un soir, dans la brise embaumée,
Endormi, comme toi, dans la paix du bonheur,
Aux célestes accents d'une voix bien-aimée,
J'ai cru sentir le temps s'arrêter dans mon coeur ?
Te dirai-je qu'un soir, resté seul sur la terre,
Dévoré, comme toi, d'un affreux souvenir,
Je me suis étonné de ma propre misère,
Et de ce qu'un enfant peut souffrir sans mourir ?
Ah ! ce que j'ai senti dans cet instant terrible,
Oserai-je m'en plaindre et te le raconter ?
Comment exprimerai-je une peine indicible ?
Après toi, devant toi, puis-je encor le tenter ?
Oui, de ce jour fatal, plein d'horreur et de charmes,
Je veux fidèlement te faire le récit ;
Ce ne sont pas des chants, ce ne sont pas des larmes,
Et je ne te dirai que ce que Dieu m'a dit.

Lorsque le laboureur, regagnant sa chaumière,
Trouve le soir son champ rasé par le tonnerre,
Il croit d'abord qu'un rêve a fasciné ses yeux,
Et, doutant de lui-même, interroge les cieux.
Partout la nuit est sombre, et la terre enflammée.
Il cherche autour de lui la place accoutumée
Où sa femme l'attend sur le seuil entr'ouvert ;
Il voit un peu de cendre au milieu d'un désert.
Ses enfants demi-nus sortent de la bruyère,
Et viennent lui conter comme leur pauvre mère
Est morte sous le chaume avec des cris affreux ;
Mais maintenant au **** tout est silencieux.
Le misérable écoute et comprend sa ruine.
Il serre, désolé, ses fils sur sa poitrine ;
Il ne lui reste plus, s'il ne tend pas la main,
Que la faim pour ce soir et la mort pour demain.
Pas un sanglot ne sort de sa gorge oppressée ;
Muet et chancelant, sans force et sans pensée,
Il s'assoit à l'écart, les yeux sur l'horizon,
Et regardant s'enfuir sa moisson consumée,
Dans les noirs tourbillons de l'épaisse fumée
L'ivresse du malheur emporte sa raison.

Tel, lorsque abandonné d'une infidèle amante,
Pour la première fois j'ai connu la douleur,
Transpercé tout à coup d'une flèche sanglante,
Seul je me suis assis dans la nuit de mon coeur.
Ce n'était pas au bord d'un lac au flot limpide,
Ni sur l'herbe fleurie au penchant des coteaux ;
Mes yeux noyés de pleurs ne voyaient que le vide,
Mes sanglots étouffés n'éveillaient point d'échos.
C'était dans une rue obscure et tortueuse
De cet immense égout qu'on appelle Paris :
Autour de moi criait cette foule railleuse
Qui des infortunés n'entend jamais les cris.
Sur le pavé noirci les blafardes lanternes
Versaient un jour douteux plus triste que la nuit,
Et, suivant au hasard ces feux vagues et ternes,
L'homme passait dans l'ombre, allant où va le bruit.
Partout retentissait comme une joie étrange ;
C'était en février, au temps du carnaval.
Les masques avinés, se croisant dans la fange,
S'accostaient d'une injure ou d'un refrain banal.
Dans un carrosse ouvert une troupe entassée
Paraissait par moments sous le ciel pluvieux,
Puis se perdait au **** dans la ville insensée,
Hurlant un hymne impur sous la résine en feux.
Cependant des vieillards, des enfants et des femmes
Se barbouillaient de lie au fond des cabarets,
Tandis que de la nuit les prêtresses infâmes
Promenaient çà et là leurs spectres inquiets.
On eût dit un portrait de la débauche antique,
Un de ces soirs fameux, chers au peuple romain,
Où des temples secrets la Vénus impudique
Sortait échevelée, une torche à la main.
Dieu juste ! pleurer seul par une nuit pareille !
Ô mon unique amour ! que vous avais-je fait ?
Vous m'aviez pu quitter, vous qui juriez la veille
Que vous étiez ma vie et que Dieu le savait ?
Ah ! toi, le savais-tu, froide et cruelle amie,
Qu'à travers cette honte et cette obscurité
J'étais là, regardant de ta lampe chérie,
Comme une étoile au ciel, la tremblante clarté ?
Non, tu n'en savais rien, je n'ai pas vu ton ombre,
Ta main n'est pas venue entr'ouvrir ton rideau.
Tu n'as pas regardé si le ciel était sombre ;
Tu ne m'as pas cherché dans cet affreux tombeau !

Lamartine, c'est là, dans cette rue obscure,
Assis sur une borne, au fond d'un carrefour,
Les deux mains sur mon coeur, et serrant ma blessure,
Et sentant y saigner un invincible amour ;
C'est là, dans cette nuit d'horreur et de détresse,
Au milieu des transports d'un peuple furieux
Qui semblait en passant crier à ma jeunesse,
« Toi qui pleures ce soir, n'as-tu pas ri comme eux ? »
C'est là, devant ce mur, où j'ai frappé ma tête,
Où j'ai posé deux fois le fer sur mon sein nu ;
C'est là, le croiras-tu ? chaste et noble poète,
Que de tes chants divins je me suis souvenu.
Ô toi qui sais aimer, réponds, amant d'Elvire,
Comprends-tu que l'on parte et qu'on se dise adieu ?
Comprends-tu que ce mot la main puisse l'écrire,
Et le coeur le signer, et les lèvres le dire,
Les lèvres, qu'un baiser vient d'unir devant Dieu ?
Comprends-tu qu'un lien qui, dans l'âme immortelle,
Chaque jour plus profond, se forme à notre insu ;
Qui déracine en nous la volonté rebelle,
Et nous attache au coeur son merveilleux tissu ;
Un lien tout-puissant dont les noeuds et la trame
Sont plus durs que la roche et que les diamants ;
Qui ne craint ni le temps, ni le fer, ni la flamme,
Ni la mort elle-même, et qui fait des amants
Jusque dans le tombeau s'aimer les ossements ;
Comprends-tu que dix ans ce lien nous enlace,
Qu'il ne fasse dix ans qu'un seul être de deux,
Puis tout à coup se brise, et, perdu dans l'espace,
Nous laisse épouvantés d'avoir cru vivre heureux ?
Ô poète ! il est dur que la nature humaine,
Qui marche à pas comptés vers une fin certaine,
Doive encor s'y traîner en portant une croix,
Et qu'il faille ici-bas mourir plus d'une fois.
Car de quel autre nom peut s'appeler sur terre
Cette nécessité de changer de misère,
Qui nous fait, jour et nuit, tout prendre et tout quitter.
Si bien que notre temps se passe à convoiter ?
Ne sont-ce pas des morts, et des morts effroyables,
Que tant de changements d'êtres si variables,
Qui se disent toujours fatigués d'espérer,
Et qui sont toujours prêts à se transfigurer ?
Quel tombeau que le coeur, et quelle solitude !
Comment la passion devient-elle habitude,
Et comment se fait-il que, sans y trébucher,
Sur ses propres débris l'homme puisse marcher ?
Il y marche pourtant ; c'est Dieu qui l'y convie.
Il va semant partout et prodiguant sa vie :
Désir, crainte, colère, inquiétude, ennui,
Tout passe et disparaît, tout est fantôme en lui.
Son misérable coeur est fait de telle sorte
Qu'il fuit incessamment qu'une ruine en sorte ;
Que la mort soit son terme, il ne l'ignore pas,
Et, marchant à la mort, il meurt à chaque pas.
Il meurt dans ses amis, dans son fils, dans son père,
Il meurt dans ce qu'il pleure et dans ce qu'il espère ;
Et, sans parler des corps qu'il faut ensevelir,
Qu'est-ce donc qu'oublier, si ce n'est pas mourir ?
Ah ! c'est plus que mourir, c'est survivre à soi-même.
L'âme remonte au ciel quand on perd ce qu'on aime.
Il ne reste de nous qu'un cadavre vivant ;
Le désespoir l'habite, et le néant l'attend.

Eh bien ! bon ou mauvais, inflexible ou fragile,
Humble ou fier, triste ou ***, mais toujours gémissant,
Cet homme, tel qu'il est, cet être fait d'argile,
Tu l'as vu, Lamartine, et son sang est ton sang.
Son bonheur est le tien, sa douleur est la tienne ;
Et des maux qu'ici-bas il lui faut endurer
Pas un qui ne te touche et qui ne t'appartienne ;
Puisque tu sais chanter, ami, tu sais pleurer.
Dis-moi, qu'en penses-tu dans tes jours de tristesse ?
Que t'a dit le malheur, quand tu l'as consulté ?
Trompé par tes amis, trahi par ta maîtresse,
Du ciel et de toi-même as-tu jamais douté ?

Non, Alphonse, jamais. La triste expérience
Nous apporte la cendre, et n'éteint pas le feu.
Tu respectes le mal fait par la Providence,
Tu le laisses passer, et tu crois à ton Dieu.
Quel qu'il soit, c'est le mien ; il n'est pas deux croyances
Je ne sais pas son nom, j'ai regardé les cieux ;
Je sais qu'ils sont à Lui, je sais qu'ils sont immenses,
Et que l'immensité ne peut pas être à deux.
J'ai connu, jeune encore, de sévères souffrances,
J'ai vu verdir les bois, et j'ai tenté d'aimer.
Je sais ce que la terre engloutit d'espérances,
Et, pour y recueillir, ce qu'il y faut semer.
Mais ce que j'ai senti, ce que je veux t'écrire,
C'est ce que m'ont appris les anges de douleur ;
Je le sais mieux encore et puis mieux te le dire,
Car leur glaive, en entrant, l'a gravé dans mon coeur :

Créature d'un jour qui t'agites une heure,
De quoi viens-tu te plaindre et qui te fait gémir ?
Ton âme t'inquiète, et tu crois qu'elle pleure :
Ton âme est immortelle, et tes pleurs vont tarir.

Tu te sens le coeur pris d'un caprice de femme,
Et tu dis qu'il se brise à force de souffrir.
Tu demandes à Dieu de soulager ton âme :
Ton âme est immortelle, et ton coeur va guérir.

Le regret d'un instant te trouble et te dévore ;
Tu dis que le passé te voile l'avenir.
Ne te plains pas d'hier ; laisse venir l'aurore :
Ton âme est immortelle, et le temps va s'enfuir

Ton corps est abattu du mal de ta pensée ;
Tu sens ton front peser et tes genoux fléchir.
Tombe, agenouille-toi, créature insensée :
Ton âme est immortelle, et la mort va venir.

Tes os dans le cercueil vont tomber en poussière
Ta mémoire, ton nom, ta gloire vont périr,
Mais non pas ton amour, si ton amour t'est chère :
Ton âme est immortelle, et va s'en souvenir.

Installed in the Eclectic Parallel World of the invisible portal of Saint John the Evangelist, everything levitated in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio-USA). They would find themselves in communion with the clan count, resembling being in their proper ectoplasm; conforming to the only part of masonry ruled to redirect them in the messianic workings of the ascension stages. Vernarth; he besieged in the conscious state of him having to adhere to the cavern, after having finished his labors by waiting three months. He risks being consumed by the myriads and conflagrations, retracting them in parapsychological clouded ways, which subsisted to consecrate themselves in the lavish places divided towards the horizon. The iridescence threatens the primary ultraviolet, lifting the carriage of Apollo Citar, a neighbor of the astronomical cave sketch of the Muse Urania. A lame nuance escapes and dissolves from his mathematical prayer, capturing the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos, inserted in the death throes of his embryonic revelation, to pour him into the Megaron to build.

The saint appears only on certain days looking at Vernarth from afar, to encourage him in his progress on the rocky rocks of sharp silica, he is seen as a beautiful adonis dressed in a chlamys with delicate pinkish tones. With such scruples, he redounds a psalm of the angel that normally accompanies the Evangelist around him, with greenish and indigo tones in the perspective quadrinomial of heaven, that he was perishing in his most afterlife redemption in the glory of the empyrean. More convenient than the superlative spiritual intelligence irrigated with the aldehyde, and the condensed water of Skalá, in hecatombs that indicated anarchies of the luminous prophetic men and the habit of the exokarstic soil, endowed with a small perforated Epsilon demon, obtaining its chemical weathering in certain limestone rocks, dolomite, and plaster. Diverting the attention of Etréstles that he glowed overwhelmed and charred. He was not stopped by the currents of splendor and the stormy pollutions of Cymopolea, in his hieratic invocation of the scalded typhoons of the drills of Hephaestus. This demon could be Tytillinus timorous in the defections of the deities of Mnemosyne relegating himself from his precepts, which according to this legend induced protervas inclinations of the clergy during the omitted religious services, he is the one that Saint John the Evangelist feared, that he would not give him the Asfalés Pérasma “license” to enter and be able to commission them in tasks that had been predicted for the Katapausis services after the quarterly. The Travertine silica, with residual sedimentary rocks, was partialized from the extrinsic biogenic that is deposited outside, the travertine predicted the monumental rocky karst of Patmos, for the secretions of calcium carbonate, among so much modest certainty taking you through the Invisible Eclectic Portal, and their Mundis Parallel that crashed with attached carbon molecules that, in disarray, manned them. The chasm was a cascade of weathering that became stalactites in the runes of the travertines, Thermo dynamizing the cavities that were conceived in the invisible caverns, under the parallel caves of the translucent travertine and in the sapwood of the troglodyte ghosts, materializing on the top wind tunnel.

Vernarth; I was with everyone working in the building of the Temple near the outside walls of the Cavern of San Juan, there was Etréstles Eurídice, Raeder, Petrobus, and Alikanto immersed in the Aulos who rang about exciting their ears with the royal denotes, which always had a special quality when he remained in Kalimnos. In good ink, knowing that the entire limen of proximity to the cavern was flooded by the enigmatic revulsive with the presence of Tytillinus, all are reordered towards the poles of tangible etherization with Psalms 120 to 132, thus they would give the antipode disposition with the Divine Mercy, to compensate the crown of the fifteen hours in the afternoon, thus disintegrating the agonizing parallel world that coincides with that of the fifteen hours in the morning. Somehow refraining from the northern paragon with the Tytillinus' shadowing, with the hooks of bewilderment and its scathing thoughts. With precisely this conspicuous shape; Vernarth will allow himself to be swallowed by the beast and reside in his abrasive stomach, making him believe that it will be consumed by him, so that he will soon fall close to it when vomited, thus confusing him, to make him believe that he was the same baby from his conceived womb. Vernarth manages to capture this exotic sinister image near the sinkhole, seeing him depressed in the Tytillinus Prisco; where all attentive listened to the textual vocabularies of the beatific, with the fruit of Karpos, for the benefit of a descendant gained by defeating the devil.

The European Sibilla carried the Gladius in his hand but exchanged it with the Xifos alternately for the death of innocents entrusted by Herod the Great, and for the evasion of the Holy family into Egypt. This confirms the liturgical grouping of the Easter Triduum; alluding to the passion of Christ, and perpetrating the pain of the Devout at his death, and triumphant at his resurrection. The sense of surrealism transports Saint John digging in all the layers and hordes of the Faith, his component of tribulation moved in the Egyptian and Greek cartography, mobilizing the triangular areas of the Palan, which moved in a geometric block reaching the edges of the hypotenuse gradient and the wind tunnel that lifted them, cornering the beast that visited them, pretending to be weak and imprecise. The man will carry the simile of his name, with hyperbole more or less in men who dare not to anticipate the conflicts of the gained space.

Vernarth, plots to continue insinuating with his labors, sees with optimism escape from this calamity, calls everyone to be close to the law ..., once they continued taking the steps towards the cavern. He emerges from convulsions on all edges of the cave, leaving everything dark and with vanities deterred at the end of the temporal Mundis Parallel. In the intermission, Saint John towards the response of Psalm 120 to 132, the fiery roar of the playful roar of the Tytillinus interferes, banishing the shaking of its **** to banish it from the Basilisk's egg, avoiding creating its heavy monarchy over them by prostrating them, as if to dissent. by being repentant or beheaded. Saint John the Evangelist will be an egregious demonologist, compiling thick volumes with the names of the attributions of each of the demons of infernal hierarchy. In this Venusian Aion symmetry, he moves them interconnecting with sublime periods where the intuition of the zafral of the human scale is lost, and of the archetype of Satanism or Satagenesis, with austere precision that includes Leviathan, ruler of the demons, to Ukobach, procurator of keeping the infernal flames alive. So that the manumission of slavery finally reigns according to one's own demonized moral individuality. The amount of an invocation of this type is always the soul of the unconscious individual, who will end up going to be squeezed into the underworld. The demons are invoked and they will invoke themselves in their dawn, to walk in their own darkness of the stagnant past, the mechanized present, and the multidimensional conscious future by means of exclusive enchantments that will be found here in the Mundi Parallel of the Invisible Eclectic Portal.

Choked up wonderment
still tastes like regurgitation
but numbness comes with it

It is fear
encompassing unfinished things
lump in throat
blood dropping degrees
in temperature
Chronicling this cool
deliberate **** of senses
incessant soul questioning

Worth
feasible future
nevertheless struggle
after eternal struggle

Eyeballing transports of delight
amongst wrestled trauma
morality’s cusp of change
Sacrifice or sacrifices
self-destruction
abandonment to death

Senicide
walk into icy tundra
Inuit elder casting himself away
to frozen abyss
and crystalline corpse
for good of tribe

One less to feed
left on floating iceberg
Dark day’s sunrise

Les champs n'étaient point noirs, les cieux n'étaient pas mornes.
Non, le jour rayonnait dans un azur sans bornes
Sur la terre étendu,
L'air était plein d'encens et les prés de verdures
Quand il revit ces lieux où par tant de blessures
Son cœur s'est répandu !

L'automne souriait ; les coteaux vers la plaine
Penchaient leurs bois charmants qui jaunissaient à peine ;
Le ciel était doré ;
Et les oiseaux, tournés vers celui que tout nomme,
Disant peut-être à Dieu quelque chose de l'homme,
Chantaient leur chant sacré !

Il voulut tout revoir, l'étang près de la source,
La masure où l'aumône avait vidé leur bourse,
Le vieux frêne plié,
Les retraites d'amour au fond des bois perdues,
L'arbre où dans les baisers leurs âmes confondues
Avaient tout oublié !

Il chercha le jardin, la maison isolée,
La grille d'où l'œil plonge en une oblique allée,
Les vergers en talus.
Pâle, il marchait. - Au bruit de son pas grave et sombre,
Il voyait à chaque arbre, hélas ! se dresser l'ombre
Des jours qui ne sont plus !

Il entendait frémir dans la forêt qu'il aime
Ce doux vent qui, faisant tout vibrer en nous-même,
Y réveille l'amour,
Et, remuant le chêne ou balançant la rose,
Semble l'âme de tout qui va sur chaque chose
Se poser tour à tour !

Les feuilles qui gisaient dans le bois solitaire,
S'efforçant sous ses pas de s'élever de terre,
Couraient dans le jardin ;
Ainsi, parfois, quand l'âme est triste, nos pensées
S'envolent un moment sur leurs ailes blessées,
Puis retombent soudain.

Il contempla longtemps les formes magnifiques
Que la nature prend dans les champs pacifiques ;
Il rêva jusqu'au soir ;
Tout le jour il erra le long de la ravine,
Admirant tour à tour le ciel, face divine,
Le lac, divin miroir !

Hélas ! se rappelant ses douces aventures,
Regardant, sans entrer, par-dessus les clôtures,
Ainsi qu'un paria,
Il erra tout le jour. Vers l'heure où la nuit tombe,
Il se sentit le cœur triste comme une tombe,
Alors il s'écria :

« Ô douleur ! j'ai voulu, moi dont l'âme est troublée,
Savoir si l'urne encor conservait la liqueur,
Et voir ce qu'avait fait cette heureuse vallée
De tout ce que j'avais laissé là de mon cœur !

« Que peu de temps suffit pour changer toutes choses !
Nature au front serein, comme vous oubliez !
Et comme vous brisez dans vos métamorphoses
Les fils mystérieux où nos cœurs sont liés !

« Nos chambres de feuillage en halliers sont changées !
L'arbre où fut notre chiffre est mort ou renversé ;
Nos roses dans l'enclos ont été ravagées
Par les petits enfants qui sautent le fossé !

« Un mur clôt la fontaine où, par l'heure échauffée,
Folâtre, elle buvait en descendant des bois ;
Elle prenait de l'eau dans sa main, douce fée,
Et laissait retomber des perles de ses doigts !

« On a pavé la route âpre et mal aplanie,
Où, dans le sable pur se dessinant si bien,
Et de sa petitesse étalant l'ironie,
Son pied charmant semblait rire à côté du mien !

« La borne du chemin, qui vit des jours sans nombre,
Où jadis pour m'attendre elle aimait à s'asseoir,
S'est usée en heurtant, lorsque la route est sombre,
Les grands chars gémissants qui reviennent le soir.

« La forêt ici manque et là s'est agrandie.
De tout ce qui fut nous presque rien n'est vivant ;
Et, comme un tas de cendre éteinte et refroidie,
L'amas des souvenirs se disperse à tout vent !

« N'existons-nous donc plus ? Avons-nous eu notre heure ?
Rien ne la rendra-t-il à nos cris superflus ?
L'air joue avec la branche au moment où je pleure ;
Ma maison me regarde et ne me connaît plus.

« D'autres vont maintenant passer où nous passâmes.
Nous y sommes venus, d'autres vont y venir ;
Et le songe qu'avaient ébauché nos deux âmes,
Ils le continueront sans pouvoir le finir !

« Car personne ici-bas ne termine et n'achève ;
Les pires des humains sont comme les meilleurs ;
Nous nous réveillons tous au même endroit du rêve.
Tout commence en ce monde et tout finit ailleurs.

« Oui, d'autres à leur tour viendront, couples sans tache,
Puiser dans cet asile heureux, calme, enchanté,
Tout ce que la nature à l'amour qui se cache
Mêle de rêverie et de solennité !

« D'autres auront nos champs, nos sentiers, nos retraites ;
Ton bois, ma bien-aimée, est à des inconnus.
D'autres femmes viendront, baigneuses indiscrètes,
Troubler le flot sacré qu'ont touché tes pieds nus !

« Quoi donc ! c'est vainement qu'ici nous nous aimâmes !
Rien ne nous restera de ces coteaux fleuris
Où nous fondions notre être en y mêlant nos flammes !
L'impassible nature a déjà tout repris.

« Oh ! dites-moi, ravins, frais ruisseaux, treilles mûres,
Rameaux chargés de nids, grottes, forêts, buissons,
Est-ce que vous ferez pour d'autres vos murmures ?
Est-ce que vous direz à d'autres vos chansons ?

« Nous vous comprenions tant ! doux, attentifs, austères,
Tous nos échos s'ouvraient si bien à votre voix !
Et nous prêtions si bien, sans troubler vos mystères,
L'oreille aux mots profonds que vous dites parfois !

« Répondez, vallon pur, répondez, solitude,
Ô nature abritée en ce désert si beau,
Lorsque nous dormirons tous deux dans l'attitude
Que donne aux morts pensifs la forme du tombeau ;

« Est-ce que vous serez à ce point insensible
De nous savoir couchés, morts avec nos amours,
Et de continuer votre fête paisible,
Et de toujours sourire et de chanter toujours ?

« Est-ce que, nous sentant errer dans vos retraites,  
Fantômes reconnus par vos monts et vos bois,
Vous ne nous direz pas de ces choses secrètes
Qu'on dit en revoyant des amis d'autrefois ?

« Est-ce que vous pourriez, sans tristesse et sans plainte,
Voir nos ombres flotter où marchèrent nos pas,
Et la voir m'entraîner, dans une morne étreinte,
Vers quelque source en pleurs qui sanglote tout bas ?

« Et s'il est quelque part, dans l'ombre où rien ne veille,
Deux amants sous vos fleurs abritant leurs transports,
Ne leur irez-vous pas murmurer à l'oreille :
- Vous qui vivez, donnez une pensée aux morts !

« Dieu nous prête un moment les prés et les fontaines,
Les grands bois frissonnants, les rocs profonds et sourds
Et les cieux azurés et les lacs et les plaines,
Pour y mettre nos cœurs, nos rêves, nos amours !

« Puis il nous les retire. Il souffle notre flamme ;
Il plonge dans la nuit l'antre où nous rayonnons ;
Et dit à la vallée, où s'imprima notre âme,
D'effacer notre trace et d'oublier nos noms.

« Eh bien ! oubliez-nous, maison, jardin, ombrages !
Herbe, use notre seuil ! ronce, cache nos pas !
Chantez, oiseaux ! ruisseaux, coulez ! croissez, feuillages !
Ceux que vous oubliez ne vous oublieront pas.

« Car vous êtes pour nous l'ombre de l'amour même !
Vous êtes l'oasis qu'on rencontre en chemin !
Vous êtes, ô vallon, la retraite suprême
Où nous avons pleuré nous tenant par la main !

« Toutes les passions s'éloignent avec l'âge,
L'une emportant son masque et l'autre son couteau,
Comme un essaim chantant d'histrions en voyage
Dont le groupe décroît derrière le coteau.

« Mais toi, rien ne t'efface, amour ! toi qui nous charmes,
Toi qui, torche ou flambeau, luis dans notre brouillard !
Tu nous tiens par la joie, et surtout par les larmes ;
Jeune homme on te maudit, on t'adore vieillard.

« Dans ces jours où la tête au poids des ans s'incline,
Où l'homme, sans projets, sans but, sans visions,
Sent qu'il n'est déjà plus qu'une tombe en ruine
Où gisent ses vertus et ses illusions ;

« Quand notre âme en rêvant descend dans nos entrailles,
Comptant dans notre cœur, qu'enfin la glace atteint,
Comme on compte les morts sur un champ de batailles,
Chaque douleur tombée et chaque songe éteint,

« Comme quelqu'un qui cherche en tenant une lampe,
**** des objets réels, **** du monde rieur,
Elle arrive à pas lents par une obscure rampe
Jusqu'au fond désolé du gouffre intérieur ;

« Et là, dans cette nuit qu'aucun rayon n'étoile,
L'âme, en un repli sombre où tout semble finir,
Sent quelque chose encor palpiter sous un voile...
C'est toi qui dors dans l'ombre, ô sacré souvenir ! »

Le 21 octobre 1837.

Everyday I'm trying so hard to like my favorite things for reasons having nothing to do with you.


Today when I decided to drive on the meandering border of Walloon Lake,
Wildwood Harbor rd,
     The canopied trees
     flashing shadows of squirrels peaking through paws
reminded me of every motorcycle ride I accompanied you on.

     Holding tight to your chiseled stomach,
     hands cupping your belly button through your sweatshirt pockets,
you would maneuver your mobile machinery through every dip and dive,
garnishing curves with streamline, flawless breaking and acceleration.
       I would lean into your spine,
  imagining the path of your lower back as the map of our road ahead,
each bump and curvature a flawless representation of reality,
  the living moment.

Something sensual existed about the way you and I forged a relationship on pavement,
  riding the asphalt the same way your bending fingers rode my thighs.
     And every time I choose to drive our road with my less than aerodynamic Marquis,
each stomach flip from the unsuspected slopes
   transports me to lazy mornings-
         Naked and alone in any way imaginable.
    Purity and solitude,
truth, the end of it.

So I turned onto M-75
              trying to forget every reason that I love Wildwood Harbor for you,
                            and only remember the reasons I love it for me,
                                           but couldn't find any worthy of space.
                                           You made everything so memorable.

Could you be a vehicle?
To take me from once in the past, to right here
right now.
A vehicle,
to take me on an adventure
waking me up, making me feel alive.
Stir the soul within me, who has been sleeping
restlessly, at least…
Would you be the vehicle,
that transports me away from earth?
Because I’m tired of being grounded.
I want to live in the sky, with the stars
And look for miles, and see it all

When a poem comes to me,
I see a mysterious maiden,
her presence thrills me beyond words,
my eyes, gaze deep in to hers, get electrified.

poems, a  few of them, gently lift me up,
I remember my mom and dad doing it to me,when I was a kid,
I wanted to be lifted up again and again,
the imagery transports me to an old world,
where my eyes were  curious, senses growing outwards.

And a few had hit me hard and , even hurt,
'cause I failed to hear, what needs to be heard
I reel under the impact, but when I get up,
love it, find I am not the  one before, transformed!

And this one , meditative, makes me still,
lights a gentle flame within, I feel divine.
And the fun poem regales me like nothing else-
ever did, with quirkiness and humor, without limits.

A sublime poem is the one that takes me across,
either up above my mind's sky, so vast,
or depths of  marine blue where whales navigate,


I am an unknown continent, waiting to be explored,
this poem is an oceanographic expedition mysterious,
I find myself a deep sea creature altogether-
a new species,  none has ever found or named,
and its observer at the same time,  magical!

oh, you
you that fills every layer of me
you that stains my skin and heart just by being; you who is a part of me
you who's lips taste like the remains of last nights cigarettes and the transferred aroma of my morning coffee
and oh, those lips that brush my skin, and make my hairs stand on end; and the beat of my heart quicken
and unhealthy it might be, that you leave me unable to sleep, unable to breathe without your sweet company
but that will never cease my desire
you, with your limitless potential; never seen by your own eyes, but
oh my it is there
you that transports me to a new universe entirely by a quick glance

my sunrise; and reason for the sun rising each and every day; for what is the point without beauty for the suns rays to rest upon
my muse; for what is poetry without inspiration
me; for what am i without you

you and your imperfect perfections, of which i could never match; but still i try
and oh, there are some that write better; always use the right words
and think more deeply
but there are none who love more passionately, entirely
than yours, truly

I call upon their harmony
They honor me with artistry
The pupils of Apollo's
Lyre resonant inside of me
Calliope adventurous,
Intrepid in her recklessness
Emboldening my will to lead
The unenlightened on this quest
Through Clio's scrolls of history
My oracle clairvoyant
She has graced me with the vision
Of the future sky chatoyant
And a buoyant sea of Euterpe
All floating through the lyricist
That synchronizes all of this
Into a metamorphosis
Evolving as Erato's love
A heart as soft as silk
A dove, tabula rasa thirsting for
The Mother Gaea's milk
To rise from Melpomene
Masks of tragic flaws of Icarus
For I divine the comedies
Thalia simply can't resist
Polyhymnia, Terpsichore
My rarest of expressions
Still reveal themselves in forms
Of spirit guide possessions
When Urania in cosmic bliss
Transports me to the stars
Reborn again to join them
As Mnemosyne's memoirs