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Matt Nov 2014
biblondesubgal: hey miss
queenkendraxx: happy turkey day
queenkendraxx: Is it you and your mistress?
biblondesubgal: yes maam it is
queenkendraxx: what are your names?
biblondesubgal: shes kellie im allan
queenkendraxx: She is 25, you are 20?
biblondesubgal: its reversed
queenkendraxx: Do you always swallow the black stud's ***?
queenkendraxx: Lol tell her she should put it in your food so you can have a daily dose Allan
queenkendraxx: Do you have a ***** name Allan
biblondesubgal: allyssa
queenkendraxx: Ask her what she thinks of Allison
queenkendraxx: Allyssa the bbc *****
queenkendraxx: huh?
biblondesubgal: she said she likes allison too
queenkendraxx: tell her she rocks
queenkendraxx: you are her ******* property, huh?
biblondesubgal: yes miss i am her property
queenkendraxx: I do yoga and pilates to keep my body in tip top shape
queenkendraxx: DO you two have pics?
biblondesubgal: no sry
queenkendraxx: mmkay don't wanna share or just don't have?
biblondesubgal: dont like to share
queenkendraxx: that is cool what does Kellie look like?
queenkendraxx: Well I would delete it
queenkendraxx: but I understand
biblondesubgal: blonde blue eyes 5'4ish 36c
biblondesubgal: your first pic was blurry
queenkendraxx: How did you two meet?
biblondesubgal: mutual friend lol
queenkendraxx: was she ooking for a *****?
queenkendraxx: looking
queenkendraxx: What is her black stud's name?
biblondesubgal: not that i was aware of. she didnt get aggressive until like a month after we were dating
biblondesubgal: daquan
queenkendraxx: hehe I will show you
queenkendraxx: pics of my previous and some of my past blac studs
queenkendraxx: How big is Daquan's ****?
biblondesubgal: 8.5 in pretty thick too
queenkendraxx: big heavy *****?
queenkendraxx: mmm
biblondesubgal: oh yes so heavy and full
queenkendraxx: lol ask her if you have a ***** ****
biblondesubgal: she said yes its so cute his little ***** ******
queenkendraxx: ow big
queenkendraxx: how big 5 in?
biblondesubgal: im 5.5 in
queenkendraxx: aww not bad
queenkendraxx: for a *****
biblondesubgal: thank you miss
queenkendraxx: can I talk to Kellie for a while?
biblondesubgal: sure can i watch yall type?
queenkendraxx: yes *****
biblondesubgal: hey hunny
queenkendraxx: Hey Kellie
queenkendraxx: I love your *****, so obedient-- I have one too
queenkendraxx: His name was Matt but I call him Maddeline
biblondesubgal: yeah? was he hard to break?
queenkendraxx: at first wanna see the black stud that helped me break him?
biblondesubgal: yes please. i have my ***** watching
biblondesubgal: dayum
queenkendraxx: gorgeous huh?
biblondesubgal: yes wow
queenkendraxx: I have a pic of his **** too hehe
queenkendraxx: Is Dayquan really built?
biblondesubgal: not like that lol he has abs but his arms arent that big
biblondesubgal: did your man *** you?
queenkendraxx: yes, that is Darius a different studof mine
queenkendraxx: He makes Maddeline blow him--- gorgeous **** huh?
biblondesubgal: yes so big allyssa thanked me for not giving him that big
queenkendraxx: hehe does Allyssaswallow all Dayquan's *****?
queenkendraxx: I wish I could see your pic Kellie, I bet you are so pretty
biblondesubgal: if it doesnt go in his *** and even then sometimes he does
queenkendraxx: he is learning to take it
queenkendraxx: deep in his ***?
biblondesubgal: yes hes gotten 8 in in so far another half inch and we will be ready for thicker lol
queenkendraxx: hehe ever took pics of that and showed ur gfs?
queenkendraxx: lol good *****
biblondesubgal: no i havent thought to do that
queenkendraxx: hehe good idea?
biblondesubgal: i might do that next time lol
queenkendraxx: lol that way he will be your property for life
queenkendraxx: lol he tries to leave you -- you can send them to his friends haha
biblondesubgal: oh he is lol i have him in chastityafter our sessions he goes back in
queenkendraxx: hehe he in permanent chastity
queenkendraxx: lol there is a space in those to *** right?
biblondesubgal: pretty  much ill let him free when hes being fuked or *******
biblondesubgal: yes there is
queenkendraxx: nice, his *** must be gettting nice and loose
queenkendraxx: does he cry when he is being ******?
biblondesubgal: lol not as loose as maddies. he cries like a baby  because he doesnt get fuked easy
queenkendraxx: lol u know Maddie is such a bbc ****
queenkendraxx: you know all about my Maddie, huh?  hehe
biblondesubgal: lol with the *** you showed me she cant be tight lol
queenkendraxx: Do you tell your gfs all about Allyssa?
queenkendraxx: I stuff my ******* in Maddeline's mouth as he is being pounded in his ***** ***
biblondesubgal: no lol ive been thinking bout having a ******* party
queenkendraxx: taking pics
queenkendraxx: or a video of him
queenkendraxx: So you are toned and fit like me Kellie?
biblondesubgal: your tummy looks better but im not to far off
queenkendraxx: one of ur gf's ******* her mouth while the other has her ***
queenkendraxx: you have a great body too
queenkendraxx: how tall are you?
biblondesubgal: im 5'4 you?
queenkendraxx: guess from my pic
biblondesubgal: hard to tell without comparrison. 5'6?
queenkendraxx: ya
queenkendraxx: 5 '5 and a haf lol
biblondesubgal: i was close lol
queenkendraxx: Did you have your first bbc in college?
biblondesubgal: highschool
queenkendraxx: mmm yay me 2 I was 18
biblondesubgal: i was a cheerleader so i got and *** i wanted really lol
biblondesubgal: i was 16
queenkendraxx: hehe bad loved to see
queenkendraxx: how the black studs plowed over
queenkendraxx: the pathetic white guys?
biblondesubgal: what? sry that was confusing
queenkendraxx: well when I went to football games
queenkendraxx: I like to see how the black men tackled
queenkendraxx: the sorry white guys
biblondesubgal: lol i fuked a basketball player
queenkendraxx: lol one time Darius hit another white guy so hard he sent him to the hospital  
queenkendraxx: nice in college?
biblondesubgal: in highschool lol but he went to college on a scholarship
queenkendraxx: nice
queenkendraxx: you a freshman now?
queenkendraxx: or sophmore?
biblondesubgal: im a freshman
queenkendraxx: nice what you study
queenkendraxx: Does Allyssa do well and spoil you?
biblondesubgal: business i want to own my own store like vic secret
queenkendraxx: lol I make Maddeline shop there
biblondesubgal: she doesnt make a ton of money shes a secretary
queenkendraxx: lol a secretary for a woman?
biblondesubgal: yes lol
queenkendraxx: does she wear her ***** *******
queenkendraxx: to work?
biblondesubgal: and cute dresses heels hose wigs makeup
queenkendraxx: lol what?
biblondesubgal: and a chastity belt
queenkendraxx: they let her wear that?
queenkendraxx: not to work lol
biblondesubgal: yes lol its not like slutty but cute
queenkendraxx: do all the women laugh
queenkendraxx: tease her?
biblondesubgal: they think shes actually a girl
queenkendraxx: heheh yayy
queenkendraxx: Do you make her kiss Jayquan's ***?
queenkendraxx: Is she on estrogen?   Maybe you could research that
queenkendraxx: She will grow soft *******
biblondesubgal: daquan lol and yes. i started crushing up estrogen and making it in his food (i sent him out for a second)
queenkendraxx: My Maddeline has such useless little *****--- Does Allyssa have a little ***** sack too?
biblondesubgal: yes it sags and small *****
queenkendraxx: (hehe is she gone)
biblondesubgal: yes i dont want her to know im turning her into my real life barbie  doll
queenkendraxx: One day do you plan to have it removed and be there to watch Kellie?
biblondesubgal: idk lol ive thought anbout it im not sure i can do that to him though
queenkendraxx: lol so cruel
queenkendraxx: a simple snip hehe
biblondesubgal: simple that costs a lot of money lol
queenkendraxx: lol maybe down the road
queenkendraxx: lol I know its cruel but
queenkendraxx: their ***** sacks are so useless
biblondesubgal: hehe hes said how sensitive his ******* are
queenkendraxx: I hate how their ***** goo is so clear and watery
biblondesubgal: why you think i need a black man lol
queenkendraxx: lol u have one
queenkendraxx: lol like me
queenkendraxx: not like you ever have *** with him right?
biblondesubgal: any way you can resend that first pic? it came up blurry.
queenkendraxx: ya
biblondesubgal: lol very rarely
queenkendraxx: I just really wish I could see you Kellie
queenkendraxx: ?
biblondesubgal: idk still blurry
queenkendraxx: you can post it on pic paste if you wanted and choose to show it for just thirty mins
queenkendraxx: and it will be gone
queenkendraxx: Mmky I trust you to keep them private
biblondesubgal: i will miss
queenkendraxx: I don't usually send my pics to people
queenkendraxx: this is Kellie?
queenkendraxx: you can just call me Kendra Kellie
biblondesubgal: yes it is ok lol sry im kinda submissive too
queenkendraxx: hmm its ok
queenkendraxx: can you please put your pic
queenkendraxx: on picpaste?
queenkendraxx: You are submissive to women and bi?
biblondesubgal: ill put one on display is that ok?
biblondesubgal: yes
queenkendraxx: sure, lovely
queenkendraxx: cool I love women too
queenkendraxx: The first time Maddeline was ****** in his ***---I spread his cheeks open
queenkendraxx: It was so hot to see all 9 inches buried deep inside my ***** ****---- it got me so wet
biblondesubgal: mmm i love to watch it go in slowly until its burried
biblondesubgal: you see a pic?
queenkendraxx: My Maddeline is here with me on the bed
queenkendraxx: not yet?
queenkendraxx: try again
biblondesubgal: on display
queenkendraxx: we could be like sisters lol
biblondesubgal: lol yeah?
queenkendraxx: we look similar I think
queenkendraxx: you coud model if you wanted
queenkendraxx: My Maddeline is 5.5 too
queenkendraxx: lol ***** ****
biblondesubgal: hehe thank you i wish lol
queenkendraxx: have a pic of your alyssa?
biblondesubgal: sry i dont
queenkendraxx: its cool
queenkendraxx: wanna see maddeline on display?
biblondesubgal: hehe love to
queenkendraxx: what do you think?
biblondesubgal: i dont see
queenkendraxx: it is
queenkendraxx: on my avatar
queenkendraxx: on the convo window, see now?
biblondesubgal: no accept my friend request
queenkendraxx: ur on my buddy list already hmm
queenkendraxx: should I just put it on photo share?
queenkendraxx: DOn't save her pic ok?
biblondesubgal: i wont save it
queenkendraxx: She told me she is sensitive about people seeing her, I know you won't
queenkendraxx: she wants to know what words come to mind  when you see her face
queenkendraxx: if you think she looks femme
biblondesubgal: yes maam
queenkendraxx: ol Kellie
queenkendraxx: you can be a lil submissive
queenkendraxx: it is cute
biblondesubgal: im sorry lol kendra
queenkendraxx: you are impressed by my gorgeous body, huh?
biblondesubgal: i love it
queenkendraxx: I am Miss Perfect hehe
biblondesubgal: hehe well i cant argue that
queenkendraxx: what do you think of the midde one?
biblondesubgal: looks cute you dont have him in a wig nd makeup do you?
queenkendraxx: no he wears anties though
queenkendraxx: think he would look cute in a wig?
biblondesubgal: hehe you should fully dress hi
queenkendraxx: think he looks femme
queenkendraxx: and radiant?
biblondesubgal: i think with some make  up a wig hes be a very pretty girl
queenkendraxx: yes
queenkendraxx: think he has a femme smile?
biblondesubgal: yes maam
biblondesubgal: shyt kendra
queenkendraxx: lol I have a pic of his ***** **** too
biblondesubgal:
queenkendraxx: Do you have others lovers besidses Jayquan?
queenkendraxx: so you love to shop at victorias secret?
queenkendraxx: what do you usually get there?
biblondesubgal: its daquan lol
queenkendraxx: where did kellie go?
biblondesubgal: i dont shop there often to expensive lol
biblondesubgal: i am kellie lol the man is dauan not jayquan
queenkendraxx: ooh I see
queenkendraxx: lol my bad Dauan
queenkendraxx: lol my bad
queenkendraxx: lol u will laugh when you see Maddeline's ****
biblondesubgal: its ok your cute enough to kmake up for it
queenkendraxx: u2 love your smile
biblondesubgal: awe thank you
queenkendraxx: want to make him your cuck hubby one day?
biblondesubgal: i think hes basically there
queenkendraxx: lol nice
queenkendraxx: maddeline goes to a 35 yr old female therapist
queenkendraxx: and she tells her all about feeling inferior to alpha males
queenkendraxx: and wanting to be a woman, lol
biblondesubgal: hehe you did that to her huh
queenkendraxx: yes she cries
queenkendraxx: in front of the therapist
queenkendraxx: wonerful, huh?
biblondesubgal: you want to get her clittlky a real ******
queenkendraxx: hehe well
queenkendraxx: she has thought of having her ***** sack removed
queenkendraxx: she even told the therapist she said
biblondesubgal: hehe you ruined her that makes me wanna kiss you lol
queenkendraxx: heheh I totally own her
queenkendraxx: beautiful, huh?
biblondesubgal: it is so beautiful. allyssa wants to know if ill let her back
queenkendraxx: hmm maybe in a bit
queenkendraxx: wanna see Maddeline's ****?
biblondesubgal: please miss
queenkendraxx: lol 5.5
queenkendraxx: she said she took it with her ipad
biblondesubgal: its so cute
queenkendraxx: that is why there is a weird angle
queenkendraxx: so small, huh?
biblondesubgal: yes well my girls the same size i  think yours is thicker
queenkendraxx: isy bitsyteenie tiny
queenkendraxx: hehehe
biblondesubgal: hehe can i finger?
queenkendraxx: do you do that to her alot?
biblondesubgal: i dont have one yet i have one on order
queenkendraxx: hehe I do
queenkendraxx: a bbc *******?
biblondesubgal: its black like 10in pretty thick
queenkendraxx: I got her an 8 in brown one too that vibrates
queenkendraxx: mmm will **** her so deep
queenkendraxx: yuuummmmmm I have been with him!
biblondesubgal: vibrates? shoot use that on me
biblondesubgal: wow are you loose? lol
queenkendraxx: lol it was a whil ago but
queenkendraxx: mmm love him
queenkendraxx: ehe you look up to me
queenkendraxx: huh kellie?
biblondesubgal: i couldnt even get that in my mouth
queenkendraxx: how much can you *******?
biblondesubgal: 7.5 in
queenkendraxx: oh mi gosh
queenkendraxx: 7 4 me hehe
queenkendraxx: I sometimes make maddeline practice
queenkendraxx: on bananas
biblondesubgal: hehe that guy almost made me puke
queenkendraxx: when she is not practicing on BBC
queenkendraxx: cause Maddeline is so ugly?
biblondesubgal: i make alyssa practice on my ****** after i use them
biblondesubgal: no lol the guy i deepthroated
queenkendraxx: oh
queenkendraxx: hehe I know they *** soooo much
queenkendraxx: I love it soaking my face
queenkendraxx: yummmmm
queenkendraxx: lol I am making Maddeline practie
queenkendraxx: practice
on her banana now
biblondesubgal: hehe hot my ***** is peaking at me through the droor crack
queenkendraxx: lol *****
queenkendraxx: you two have your own place
queenkendraxx: are you at a college dorm
queenkendraxx: or apartment?
biblondesubgal: apartment
queenkendraxx: I should make Maddeline
queenkendraxx: ******* her banana
queenkendraxx: on cam for you, haha
biblondesubgal: oh my gosh id get so wet
queenkendraxx: let me get her, and you can speak to her for a few mins and she can put on a show
queenkendraxx: would you enjoy that Kellie?
biblondesubgal: i would love that miss kendra
queenkendraxx: I am so wet too
queenkendraxx: I have my little rabbit vibe
biblondesubgal: hehe im just using my fingers
queenkendraxx: she is getting the banana one sec she is coming
biblondesubgal: hehe she a good girl for you
queenkendraxx: Hi Miss Kellie
queenkendraxx: This is Maddeline
queenkendraxx: Should I keep writing in this pink?
biblondesubgal: hey girl you dont have to call me miss
biblondesubgal: yes its a good color for you
queenkendraxx: just Kellie or what?
queenkendraxx: I feel like I am being disrespecful
queenkendraxx: I saw your pic and you are so gorgeous
biblondesubgal: you can call me kellie its ok. thanks i wanna eat your girl out
queenkendraxx: yes my Mistress
queenkendraxx: you love BBC
queenkendraxx: like my mistress?
biblondesubgal: yes are yougoing to show me what youve been practicing with your bananna?
queenkendraxx: uhh yes
queenkendraxx: may I touch my ****
queenkendraxx: as I do it?
biblondesubgal: well ask your mistress
queenkendraxx: she said for this show you can decide for me
biblondesubgal: lets not do it right now
bi
Wade Redfearn Sep 2018
The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.
Considering this just recently got rejected and I'm free to publish it, and also considering that the town this poem describes is subject once again to a deluge whose damage promises to be worse than before, it seemed like a suitable time to post it. If you've enjoyed it, please think about making a small donation to the North Carolina Disaster Relief Fund at the URL below:
https://governor.nc.gov/donate-florence-recovery
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Mike T Minehan Jan 2013
She is equipped with sensitive *******
and those other secret places
that ladies give out as prizes
to deserving guys as long as
they adopt the right disguises
of gods, gurus, intellectual giants,
goats, children, father figures, macho brutes,
sugar-daddies, supermen, seminal vessels,
house-repairers, jar openers, jocks, hate objects,
handy shoulders to cry on, emotional support systems,
sensitive, intuitive, yet strong silent types
who can also pay the bills,
tall dark and handsome total strangers,
toy boys, clowns, jugglers, jokers, millionaires,
wood choppers, ******* removers,
bottomless reservoirs of reassurance
or just plain spunky studs when the moon is right.
In fact, anything but woffly wimps.
Oh God, no.  Anything but woffly wimps.
Yes, but what about stoic, steadfast SNAGS,
you know, the Sensitive New Age Guys
who won’t face-shift for a ****?
Yes, well, let's try to sum all this up here right now.
I think that the woman is dripping
with a brimming reservoir
of luscious and sensitive resources on tap for  
the man who can figure out her cosmic kaleidoscope  
of swirling dreams and desires,
which is definitely not to say she can’t be totally independent.
Although please don't be confused.
Friendly boy-next-door types who are handsome,
aren't too hairy, who like to laugh, who have a boyish braggadocio,
who are students, who appear to be intellectuals,
who are not nerds,
and who can **** it in the kitchen, who  can be oh, so cool,
who can convince a maiden that she is in distress,
and is in need of rescuing, while he has
a swaggering hard-on will do, too.
Oooh. You devil.
And if you think this poem is misogynist, misanthropic or myopic,
well, I’ve been around and by now, well,
I really should be panoptic
because I’ve seen all the fads,
and really, it’s sadly too bad
about those poor old
earnest SNAGS.
But you know what?
I don't think I understand anything, because
I'm really a victim of worshiping women.
I'm bedazzled and as blind as the next man, and
yes,
I'm just happy whenever I'm with them.
Yes. A complex topic, this one...
Matt Sep 2014
Have you ever been to a sporting event ladies
Perhaps track or football

Where you got to watch powerful men compete
Did you watch the men at track practice

Their shirts off
Bodies glistening in the sun

Rock hard abs
Powerful chests

Strong powerful legs
And tight buttocks

You watch him throw the javelin
The javelin is like a symbol
Of his powerful male member

Do you want to run your hands on his powerful body?
You begin to massage your inner thigh
There is a cool breeze blowing
You spread your legs slightly
As the wind rushes up your skirt
You didn't wear ******* to this practice

It's time to return to your dorm
And fantasize about him
While you explore with your *** toys
Nigel Morgan Nov 2012
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend
I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.


The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.
Zuo Si was the brother of the courtesan and poet Zuo Fen. This short story is based on a chapter from my novel Summoning the Recluse. The opening poem appears in a translation by David Hinton from his collection Mountain Home.
Come live with me, and be my love,
And we will all the pleasures prove,
That hills and valleys, dales and fields,
And all the craggy mountain yields.

There we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses,
With a thousand fragrant posies,
A cap of flowers and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool,
Which from our pretty lambs we pull;
Fair lined slippers for the cold,
With buckles of the purest gold;

A belt of straw and ivy buds,
With coral clasps and amber studs;
And if these pleasures may thee move,
Come live with me, and be my love.

The shepherd swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me, and be my love.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
If all the world and love were young,
And truth in every shepherd’s tongue,
These pretty pleasures might me move
To live with thee and be thy love.

Time drives the flocks from field to fold
When rivers rage and rocks grow cold,
And Philomel becometh dumb;
The rest complains of cares to come.

The flowers do fade, and wanton fields
To wayward winter reckoning yields;
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.

The gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten,—
In folly ripe, in reason rotten.

Thy belt of straw and ivy buds,
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.

But could youth last and love still breed,
Had joys no date nor age no need,
Then these delights my mind might move
To live with thee and be thy love.
jack of spades Feb 2016
you know how the song goes:
a stitch away from making it
and a scar away from falling apart.
holding on gets hard when
the light at the end of the tunnel
goes dark.

my friend told me he doesn’t purposely
befriend actively suicidal people anymore.
so when a 14-year old friend
was hospitalized for an attempt,
he was shocked.
I’m not fourteen
and i don’t go to the hospital for anything,
but when i was fifteen i
asked my mom to start taking me to therapy.
she told me,
sweetie,
you can just talk to me about anything.
so i started writing poetry instead.
but poems can’t diagnose me,
poems can’t prescribe me meds to
fix the chemical catastrophe in my head
poems can’t cure me.
but neither can people.

there was a boy that i used to call sunshine,
but he told me that he would
rather be the moon.

i deleted your number from my contacts
once you stopped using mine.
you don’t keep me up at night.
i’ve stopped losing sleep over you.

i haven’t broken the habit of checking
people’s wrists when they move
because of all the girls i knew in grade school.
i have a friend with the first letter of help
permanently scarred on his stomach.
we’ve never talked about it.
i don’t know if either of us know how to,
or if either of us really want to,
or if either of us really need to.

when my brother was 18, he was convinced
that he wanted to go into psychiatry.
i think the closest we’ve ever been
was when i had a mental break over
orange juice at one thirty in the morning,
watching him play GTA on his Xbox 360.
when my brother was 17, he was convinced
that his future was in professional photography.
i’m 17 and i don’t have a ******* clue.
I’m 17 and i don’t think I’ve ever felt so much
like I’m just constantly drowning.

they say a captain goes down with his ship
and I’ve set myself up for losing all my friends.

she’s got year-round summer skin
and winter has never been my friend.

i sleep seven hours a night
and i wake up exhausted.

my cat has all his claws
and when he crashes through my bedroom
when i’m on the brink of extinction
it leaves me haunted, hearing
breathing and footsteps that aren’t really there.
so i’ll put studs in all my jackets
and wrap myself in blankets.

i wish you were here,
i wish i was there.

the first rated R movie
that i saw when i turned 17
was that one that brought back ryan reynolds,
starring a moody teen with
the best superhero name ever,
a CGI man who acted as her mentor,
a pretty girl like a damsel in distress,
and the bad guy called himself ajax
but his real name was francis.
i cried
a lot.
i’m not sure why, really, but when the credits
started rolling and it was everything that i’d
been waiting for in a movie for the anti-hero
that I’ve been in love with since i was 13,
i sat in those velvet seats and started sobbing.

when i was six, my dad took my
9 year old brother and i
to see ‘revenge of the sith’ when it came out
in 2005.
the scene on mustafar, the volcanic planet,
the downfall of anakin skywalker
stuck with me until i was 12 and rewatched
all six of those old movies,
stuck with me until i was 16 and rewatched
all six of those old movies.
when i was a kid those scenes were scary,
now i see a mimic of Shakespearean tragedy.

i pick things apart until i know that they’ll scar,
but scars have always faded for me.
the first mark that ever lasted for
more than a month was when i
burned myself getting a cake out of the oven.
i remember my brother telling me
that he wouldn’t care about the burn
if i ******* up the cake.
we laughed about it because it was a joke.
i still think about it.

i still check to see if you
watch my Snapchat story.

i rip the hems out of all of my clothing
compulsively. I’m sorry.
i’ll pick up all the balled-up threads from
the carpet eventually.

i keep ticket stubs and scraps of notes
hazardously strewn across my bedroom,
because i’m too sentimental for my own good
but organization has never come naturally.

solar systems are borne from my fingertips.
supernovas power my lungs.
stardust glitters in my veins
(i tell myself these things in order to
keep thinking straight)

hey, look at the moon.
see how she reflects the sun for you?
it’s because she’s got nothing
of her own to give away willingly.
i gave you everything willingly
i spent too many nights
shredding notebook paper into pieces
of white birthday party confetti.

i swallowed six painkillers today.
I’m passive like aggressive,
letting my liver slip into uselessness.

it’s really hard to write poetry about bruises.
i am a constant state of decay
script on screen life is but a dream a b c d e f g gee **** g-chord ******  geezz script on screen row row your boat h i j k ellemenoh *** oh please baby *** for me let me watch you stream merrily merrily merrily script on screen q arrest tee you vee double you x why zee

last night i watched a woman answering questions about ***** size she spoke about the toilet tissue roll test for years i’ve been thinking my ***** is rather undersized (compared to studs on **** sites) this morning i took the test undid the roll from wall and stuck my ******* in the hole at first i had trouble getting it in so i guess my thickness is healthy then i slowly managed to shove the entire head of my **** out the other end by that time clear pre-*** was dripping from my ***** hole pressure from my hand gripping tissue roll felt surprisingly arousing i began ******* the roll squeezing pushing in deeper jerking almost bringing myself to ****** i passed the test the toilet tissue roll appears kind of twisted indented

what will happen next hoping for heartbreaking story with happy ending man masturbates while woman urinates both watch each other intently what is so fascinating

Asheville is small yet monumental by luck or fate he hooks up with Tim Calaprese a gregarious loving soul Tim loves women and wine and dogs particularly Farina he owns a beat up old house on steep hill overlooking downtown Asheville Odysseus rents a room for $200. a month Tim is a wine salesman and gone much of the time Odysseus is critically destitute he goes to Salvation Army they provide bed-sheets towels he sells tent and camping equipment to hippies on Haywood Street for several weeks he and Farina live on convenience store hotdogs he gets job prepping house exterior to be painted his boss tells him he is a good worker after a hard day’s work the boss lays him off he gets hired as a waiter for the dinner shift in the restaurant of a resort hotel he is weary of waiting tables but needs cash in the mornings he takes Farina to ****** Lake to swim then they go back to house paint on the porch many mornings are overcast with fog around noon sun comes out warms afternoon Odysseus loves Blue Ridge Mountains he paints a series of mountain scapes while listening continuously to Palace Brothers Pearl Jam Pavement Sebadoh Steve Earle occasionally he works on story about the clone sometime in 90’s DNA has become a factor and he needs to incorporate detail into story

on stormy afternoon in July as thunder echoes through Blue Ridge Mountains phone rings Odysseus is suffering from severe attack of food poisoning it is difficult to reach receiver phone keeps ringing it is Penelope her voice sounds shaky she says doctors have diagnosed her with leukemia it is startling shock she is only 43 years old his stomach rips he needs to run back to toilet telephone cord is not long enough Penelope says it is urgent Odysseus return to Chicago to see if he can be bone marrow match for her he tells her he will drive up immediately after food poisoning passes Penelope becomes irritable he can feel himself leaking between his legs hangs up immediately runs to toilet spends most of night in bathroom brief naps in bed in the morning he hears someone knocking at door he does not know who it is he cannot leave toilet he hears footsteps enter house call his name Odysseus are you there where are you it is Penelope and Sean he flushes toilet comes out to greet them what a weird surprise why didn’t you think to give me some notice he questions as he lies down on bed Penelope and Sean want to take Odysseus to hospital he tells them they are overreacting food poisoning will soon work its way out of his system Penelope asks if there is anything she can do Odysseus answers Farina hasn’t been out for a good walk in days Please be an angel and take her up the street there’s a field there she likes Penelope calls come here Farina let’s go for a walk Farina follows they depart out door Sean sits down at foot of bed he forcefully speaks Odysseus i know you you like to skew the facts to fit your own purposes then hammer me for whatever make-believe you can cook up when are you going to finally start being a man live up to your responsibilities Odysseus questions what facts are you talking about i’m sick as a dog now is not the time to have this talk Sean challenges yes it is you listen to me your sister is sick and needs your help Odysseus replies i’m heading to Chicago as soon as i’m well enough to travel Sean insists that’s not soon enough we’re taking you to a hospital Odysseus stands from bed Sean stands up facing him they stare each other down Odysseus goes to slip on jeans Sean stands in the way Odysseus tries to step around Sean shoves Odysseus back unto bed Odysseus stands shoves back fistfight ensues mostly Odysseus throws wild punches Sean blocks as they violently jostle out door Sean trips on wet porch falls breaks rib Odysseus grabs his pants car keys flees Penelope and Farina watch puzzled as he drives off day after incident and departure of Penelope and Sean Mom calls insists Odysseus return without delay to Chicago he answers i’m on my way Odysseus packs car with Farina drives north he feels pressure of his family envisions himself as piece of living meat whose sole purpose is to supply Penelope with bone marrow momentarily imagines his family as predators Mom is the real killer she knows how to delegate ****** Dad had been a killer for Mom Penelope has learned from Mom how to contend Odysseus is weak link he taught himself to brave harshest conditions yet is no competitor he is worker bee stupid dreamer all alone in greedy predatory world more than anything he loves and wants to help Penelope he is annoyed by nervous tension of family
So many chiefers and not enough Indians
There Yosef go with that ******* again fools can't comprehend
Cuz them weeds they choppin' put all thoughts to end
So come again like ya repeating the same thang
Ghetto Twain rhymes like boomerang leavin' welts on the back of the membrane
My topics ain't meant for population
So if you don't like change the **** station
So fools keep on puffin' and I'm.keep on stuffin'
My minds with nothing knowledge I learned nothing college
But to party and ******* shut and take a hit
Let the dogia explore your deepest mind terrains
Got ya hooked like a crane invoking much pain
Time is suffering people offering up sacrifices
And claiming they just being nice for the right price
They'll sell out they soul for few ounces of gold
So you see what's happening blasting like rocket
Coming for pockets of fake prophets once I'm set I'm a raging bull so ain't no stopppin' it
Then next thing ya know I stare at the floor and the window
My third eyes enlighten
Thinking to myself I gotta go
but I got buzz contact off that fake indo...
Shaking my head looking at these young studs
Laughing at em smokin'them fake budds
Brandon Conway Aug 2018
Out of the dark forest I stumbled
onto the pebbles of a moonlit lake
my languid eyes bumbled
swallowing down philter mistakes

a pale goddess in the flesh
how my stupefied eyes stared
at the beauty of her nakedness
something in me flared

flared and turned and burned
my flesh no longer mine
stag in form standing taciturn
she calls out for my canines

I run and try to yell
nothing escapes my lungs
pattering of legs hungry to quell
come to rip flesh with teeth and tongues

stumbling and tripping over
stones, limbs, roots and mud
left to a new life a stag rover
I hear the ******* and the studs

faster and faster I try to move
from this typhoon wave of carnivorous hounds
but curse these feeble hooves
the claws and teeth came crashing around

flesh stabbed with a thousand teeth
a pack of mouths tear and pull
a stag corpse I bequeath  
to the hunger of my own wolves
Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost.  But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,
Still will be tempting him who foils him still,
And never cease, though to his shame the more;
Or as a swarm of flies in vintage-time,
About the wine-press where sweet must is poured,
Beat off, returns as oft with humming sound;
Or surging waves against a solid rock,
Though all to shivers dashed, the assault renew,
(Vain battery!) and in froth or bubbles end—
So Satan, whom repulse upon repulse
Met ever, and to shameful silence brought,
Yet gives not o’er, though desperate of success,
And his vain importunity pursues.
He brought our Saviour to the western side
Of that high mountain, whence he might behold
Another plain, long, but in breadth not wide,
Washed by the southern sea, and on the north
To equal length backed with a ridge of hills
That screened the fruits of the earth and seats of men
From cold Septentrion blasts; thence in the midst
Divided by a river, off whose banks
On each side an Imperial City stood,
With towers and temples proudly elevate
On seven small hills, with palaces adorned,
Porches and theatres, baths, aqueducts,
Statues and trophies, and triumphal arcs,
Gardens and groves, presented to his eyes
Above the highth of mountains interposed—
By what strange parallax, or optic skill
Of vision, multiplied through air, or glass
Of telescope, were curious to enquire.
And now the Tempter thus his silence broke:—
  “The city which thou seest no other deem
Than great and glorious Rome, Queen of the Earth
So far renowned, and with the spoils enriched
Of nations.  There the Capitol thou seest,
Above the rest lifting his stately head
On the Tarpeian rock, her citadel
Impregnable; and there Mount Palatine,
The imperial palace, compass huge, and high
The structure, skill of noblest architects,
With gilded battlements, conspicuous far,
Turrets, and terraces, and glittering spires.
Many a fair edifice besides, more like
Houses of gods—so well I have disposed
My aerie microscope—thou may’st behold,
Outside and inside both, pillars and roofs
Carved work, the hand of famed artificers
In cedar, marble, ivory, or gold.
Thence to the gates cast round thine eye, and see
What conflux issuing forth, or entering in:
Praetors, proconsuls to their provinces
Hasting, or on return, in robes of state;
Lictors and rods, the ensigns of their power;
Legions and cohorts, turms of horse and wings;
Or embassies from regions far remote,
In various habits, on the Appian road,
Or on the AEmilian—some from farthest south,
Syene, and where the shadow both way falls,
Meroe, Nilotic isle, and, more to west,
The realm of Bocchus to the Blackmoor sea;
From the Asian kings (and Parthian among these),
From India and the Golden Chersoness,
And utmost Indian isle Taprobane,
Dusk faces with white silken turbants wreathed;
From Gallia, Gades, and the British west;
Germans, and Scythians, and Sarmatians north
Beyond Danubius to the Tauric pool.
All nations now to Rome obedience pay—
To Rome’s great Emperor, whose wide domain,
In ample territory, wealth and power,
Civility of manners, arts and arms,
And long renown, thou justly may’st prefer
Before the Parthian.  These two thrones except,
The rest are barbarous, and scarce worth the sight,
Shared among petty kings too far removed;
These having shewn thee, I have shewn thee all
The kingdoms of the world, and all their glory.
This Emperor hath no son, and now is old,
Old and lascivious, and from Rome retired
To Capreae, an island small but strong
On the Campanian shore, with purpose there
His horrid lusts in private to enjoy;
Committing to a wicked favourite
All public cares, and yet of him suspicious;
Hated of all, and hating.  With what ease,
Endued with regal virtues as thou art,
Appearing, and beginning noble deeds,
Might’st thou expel this monster from his throne,
Now made a sty, and, in his place ascending,
A victor-people free from servile yoke!
And with my help thou may’st; to me the power
Is given, and by that right I give it thee.
Aim, therefore, at no less than all the world;
Aim at the highest; without the highest attained,
Will be for thee no sitting, or not long,
On David’s throne, be prophesied what will.”
  To whom the Son of God, unmoved, replied:—
“Nor doth this grandeur and majestic shew
Of luxury, though called magnificence,
More than of arms before, allure mine eye,
Much less my mind; though thou should’st add to tell
Their sumptuous gluttonies, and gorgeous feasts
On citron tables or Atlantic stone
(For I have also heard, perhaps have read),
Their wines of Setia, Cales, and Falerne,
Chios and Crete, and how they quaff in gold,
Crystal, and myrrhine cups, imbossed with gems
And studs of pearl—to me should’st tell, who thirst
And hunger still.  Then embassies thou shew’st
From nations far and nigh!  What honour that,
But tedious waste of time, to sit and hear
So many hollow compliments and lies,
Outlandish flatteries?  Then proceed’st to talk
Of the Emperor, how easily subdued,
How gloriously.  I shall, thou say’st, expel
A brutish monster: what if I withal
Expel a Devil who first made him such?
Let his tormentor, Conscience, find him out;
For him I was not sent, nor yet to free
That people, victor once, now vile and base,
Deservedly made vassal—who, once just,
Frugal, and mild, and temperate, conquered well,
But govern ill the nations under yoke,
Peeling their provinces, exhausted all
By lust and rapine; first ambitious grown
Of triumph, that insulting vanity;
Then cruel, by their sports to blood inured
Of fighting beasts, and men to beasts exposed;
Luxurious by their wealth, and greedier still,
And from the daily Scene effeminate.
What wise and valiant man would seek to free
These, thus degenerate, by themselves enslaved,
Or could of inward slaves make outward free?
Know, therefore, when my season comes to sit
On David’s throne, it shall be like a tree
Spreading and overshadowing all the earth,
Or as a stone that shall to pieces dash
All monarchies besides throughout the world;
And of my Kingdom there shall be no end.
Means there shall be to this; but what the means
Is not for thee to know, nor me to tell.”
  To whom the Tempter, impudent, replied:—
“I see all offers made by me how slight
Thou valuest, because offered, and reject’st.
Nothing will please the difficult and nice,
Or nothing more than still to contradict.
On the other side know also thou that I
On what I offer set as high esteem,
Nor what I part with mean to give for naught,
All these, which in a moment thou behold’st,
The kingdoms of the world, to thee I give
(For, given to me, I give to whom I please),
No trifle; yet with this reserve, not else—
On this condition, if thou wilt fall down,
And worship me as thy superior Lord
(Easily done), and hold them all of me;
For what can less so great a gift deserve?”
  Whom thus our Saviour answered with disdain:—
“I never liked thy talk, thy offers less;
Now both abhor, since thou hast dared to utter
The abominable terms, impious condition.
But I endure the time, till which expired
Thou hast permission on me.  It is written,
The first of all commandments, ‘Thou shalt worship
The Lord thy God, and only Him shalt serve.’
And dar’st thou to the Son of God propound
To worship thee, accursed? now more accursed
For this attempt, bolder than that on Eve,
And more blasphemous; which expect to rue.
The kingdoms of the world to thee were given!
Permitted rather, and by thee usurped;
Other donation none thou canst produce.
If given, by whom but by the King of kings,
God over all supreme?  If given to thee,
By thee how fairly is the Giver now
Repaid!  But gratitude in thee is lost
Long since.  Wert thou so void of fear or shame
As offer them to me, the Son of God—
To me my own, on such abhorred pact,
That I fall down and worship thee as God?
Get thee behind me!  Plain thou now appear’st
That Evil One, Satan for ever ******.”
  To whom the Fiend, with fear abashed, replied:—
“Be not so sore offended, Son of God—
Though Sons of God both Angels are and Men—
If I, to try whether in higher sort
Than these thou bear’st that title, have proposed
What both from Men and Angels I receive,
Tetrarchs of Fire, Air, Flood, and on the Earth
Nations besides from all the quartered winds—
God of this World invoked, and World beneath.
Who then thou art, whose coming is foretold
To me most fatal, me it most concerns.
The trial hath indamaged thee no way,
Rather more honour left and more esteem;
Me naught advantaged, missing what I aimed.
Therefore let pass, as they are transitory,
The kingdoms of this world; I shall no more
Advise thee; gain them as thou canst, or not.
And thou thyself seem’st otherwise inclined
Than to a worldly crown, addicted more
To contemplation and profound dispute;
As by that early action may be judged,
When, slipping from thy mother’s eye, thou went’st
Alone into the Temple, there wast found
Among the gravest Rabbies, disputant
On points and questions fitting Moses’ chair,
Teaching, not taught.  The childhood shews the man,
As morning shews the day.  Be famous, then,
By wisdom; as thy empire must extend,
So let extend thy mind o’er all the world
In knowledge; all things in it comprehend.
All knowledge is not couched in Moses’ law,
The Pentateuch, or what the Prophets wrote;
The Gentiles also know, and write, and teach
To admiration, led by Nature’s light;
And with the Gentiles much thou must converse,
Ruling them by persuasion, as thou mean’st.
Without their learning, how wilt thou with them,
Or they with thee, hold conversation meet?
How wilt thou reason with them, how refute
Their idolisms, traditions, paradoxes?
Error by his own arms is best evinced.
Look once more, ere we leave this specular mount,
Westward, much nearer by south-west; behold
Where on the AEgean shore a city stands,
Built nobly, pure the air and light the soil—
Athens, the eye of Greece, mother of arts
And Eloquence, native to famous wits
Or hospitable, in her sweet recess,
City or suburban, studious walks and shades.
See there the olive-grove of Academe,
Plato’s retirement, where the Attic bird
Trills her thick-warbled notes the summer long;
There, flowery hill, Hymettus, with the sound
Of bees’ industrious murmur, oft invites
To studious musing; there Ilissus rowls
His whispering stream.  Within the walls then view
The schools of ancient sages—his who bred
Great Alexander to subdue the world,
Lyceum there; and painted Stoa next.
There thou shalt hear and learn the secret power
Of harmony, in tones and numbers hit
By voice or hand, and various-measured verse,
AEolian charms and Dorian lyric odes,
And his who gave them breath, but higher sung,
Blind Melesigenes, thence Homer called,
Whose poem Phoebus challenged for his own.
Thence what the lofty grave Tragedians taught
In chorus or iambic, teachers best
Of moral prudence, with delight received
In brief sententious precepts, while they treat
Of fate, and chance, and change in human life,
High actions and high passions best describing.
Thence to the famous Orators repair,
Those ancient whose resistless eloquence
Wielded at will that fierce democraty,
Shook the Arsenal, and fulmined over Greece
To Macedon and Artaxerxes’ throne.
To sage Philosophy next lend thine ear,
From heaven descended to the low-roofed house
Of Socrates—see there his tenement—
Whom, well inspired, the Oracle pronounced
Wisest of men; from whose mouth issued forth
Mellifluous streams, that watered all the schools
Of Academics old and new, with those
Surnamed Peripatetics, and the sect
Epicurean, and the Stoic severe.
These here revolve, or, as thou likest, at home,
Till time mature thee to a kingdom’s weight;
These rules will render thee a king complete
Within thyself, much more with empire joined.”
  To whom our Saviour sagely thus replied:—
“Think not but that I know these things; or, think
I know them not, not therefore am I short
Of knowing what I ought.  He who receives
Light from above, from the Fountain of Light,
No other doctrine needs, though granted true;
But these are false, or little else but dreams,
Conjectures, fancies, built on nothing firm.
The first and wisest of them all professed
To know this only, that he nothing knew;
The next to fabling fell and smooth conceits;
A third sort doubted all things, though plain sense;
Others in virtue placed felicity,
But virtue joined with riches and long life;
In corporal pleasure he, and careless ease;
The Stoic last in philosophic pride,
By him called virtue, and his virtuous man,
Wise, perfect in himself, and all possessing,
Equal to God, oft shames not to prefer,
As fearing God nor man, contemning all
Wealth, pleasure, pain or torment, death and life—
Which, when he lists, he leaves, or boasts he can;
For all his tedious talk is but vain boast,
Or subtle shifts conviction to evade.
Alas! what can they teach, and not mislead,
Ignorant of themselves, of God much more,
And how the World began, and how Man fell,
Degraded by himself, on grace depending?
Much of the Soul they talk, but all awry;
And in themselves seek virtue; and to themselves
All glory arrogate, to God give none;
Rather accuse him under usual names,
Fortune and Fate, as one regardless quite
Of mortal things.  Who, therefore, seeks in these
True wisdom finds her not, or, by delusion
Far worse, her false resemblance only meets,
An empty cloud.  However, many books,
Wise men have said, are wearisome; who reads
Incessantly, and to his reading brings not
A spirit and judgment equal or superior,
(And what he brings what needs he elsewhere seek?)
Uncertain and unsettled still remains,
Deep-versed in books and shallow in himself,
Crude or intoxicate, collecting toys
And trifles for choice matters, worth a sponge,
As children gathering pebbles on the shore.
Or, if I would delight my private hours
With music or with poem, where so soon
As in our native language can I find
That solace?  All our Law and Story strewed
With hymns, our Psalms with artful terms inscribed,
Our Hebrew songs and harps, in Babylon
That pleased so well our victor’s ear, declare
That rather Greece from us these arts derived—
Ill imitated while they loudest sing
The vices of their deities, and their own,
In fable, hymn, or song, so personating
Their gods ridiculous, and themselves past shame.
Remove their swelling epithetes, thick-laid
As varnish on a harlot’s cheek, the rest,
Thin-sown with aught of profit or delight,
Will far be found unworthy to compare
With Sion’s songs, to all true tastes excelling,
Where God is praised aright and godlike men,
The Holiest of Holies and his Saints
(Such are from God inspired, not such from thee);
Unless where moral virtue is expressed
By light of Nature, not in all quite lost.
Their orators thou then extoll’st as those
The top of eloquence—statists indeed,
And lovers of their country, as may seem;
But herein to our Prophets far beneath,
As men divinely taught, and better teaching
The solid rules of civil government,
In their majestic, unaffected style,
Than all the oratory of Greece and Rome.
In them is plainest taught, and easiest learnt,
What makes a nation happy, and keeps it so,
What ruins kingdoms, and lays cities flat;
These only, with our Law, best form a king.”
  So spake the Son of God; but Satan, now
Quite at a loss (for all his darts were spent),
Thus to our Saviour, with stern brow, replied:—
  “Since neither wealth nor honour, arms nor arts,
Kingdom nor empire, pleases thee, nor aught
By me proposed in life contemplative
Or active, tended on by glory or fame,
What dost thou in this world?  The Wilderness
For thee is fittest place: I found thee there,
And thither will return thee.  Yet remember
What I foretell t
C Davis May 2016
I shot a nail gun the other day
for the first time.
Maybe I wasn’t doing it wrong after all.
Maybe I just
hit some studs.

Feeling a bit
homesick,
or lovesick,
or I-don’t-know-which-kind-of-sick,
but I’m sad,
I split some peas over the stove.
Poured left-over sweet tea
and cuddled up in a bed I made for me;
Mattress pad on hard wood.

I am thankful for these things -
The acceptance and peace
that accompany the melancholy.
Miracles in dim light.
Carefully,
my eyes adjust to worm’s sight.

Maybe, after all, I didn’t fire duds.
Perhaps when I shot the nail gun
the other day
I hit studs.
written in January when the weight of my move down south was heavy in my heart and sharp in my mind.
If all the world and love were young,
And truth in every shepherd’s tongue,
These pretty pleasures might me move
To live with thee and be thy Love.

But Time drives flocks from field to fold;
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complains of cares to come.

The flowers do fade, and wanton fields
To wayward Winter reckoning yields:
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.

Thy gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies,
Soon break, soon wither—soon forgotten,
In folly ripe, in reason rotten.

Thy belt of straw and ivy-buds,
Thy coral clasps and amber studs,—
All these in me no means can move
To come to thee and be thy Love.

But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee and be thy Love.
Matt Jun 2015
Would have been fun
To have been a woman

To ride a powerful black man
To feel his big 9 inch ****
****** deep inside

Ooooh yessss!!!!
Deep inside my womb

Taking his powerful shaft
In different positions

Love to be on top
Love to take it *******

I am a naughty girl, hehe

And I want to have
His child

"Please," I beg
"Put a baby inside me!"
Let the Dealer take to his Gambles spend
Such that his Boots would limit to arcade
Which two-fold bets cast odds on top descend
And his Service strikes without much delay
I meant the Italian you happened to wear
And strip for Happy Golgotha delight
You wanted Admirers in Cheerful bear
Then their Smiles came true for their ****** Sight
After all, Talk Show's a Norm-for-the-Woos
Which indeed supplements the Popular
Which you desired; And asked you turn loose
To be one of those Studs Spectacular.
Happy for you. Since your own Flesh at stake
As you are now Ripe; Your Best Rind you make.
#tomdaleytv #tomdaley1994
berry Nov 2013
'CONDEMNED' screams the offensive yellow tape
wrapped around my door like an angry snake

I'm a crumbling abandoned city apartment
and the letters of your name can be found carved into my scattered bricks.

The memories we shared were sweet,
but you've moved on now. To a newer part of town,
all gaudy gold and glowing neon and soulless silver.

Even though you're hypnotized by its fraudulent shine
I wonder whether you remember
the love and mortar that once held us together.

For these walls still stand tall
through countless stormy nights, scorching days and freezing evenings.
But I don't know how much longer I can last.

Because my very foundations were made with your smile in mind,
and they are sinking into the mire now that we are forced to stand alone.

But what need to you have for such antiquated architecture?
I have been replaced. Your new home is far prettier.
More efficient.

Even still, I hang on by crossbeams and rotting wooden studs
and hope that you will find your way back
to the home I forged for you here in my arms.

I rot and moulder in solitude
the memories that echo in my hallowed halls
the only comforts that keep me from collapse.

Far too proud to admit, though I'm sure
you see the bitterness of your absence
eating away at me like termites.

The lord only knows how I'd like to feel your feet
upon my wooden floors again,
but who am I to even dare to ask?

For now I am just a house
no longer a home
vacant
and alone
patiently waiting to be made whole again.


- r.j. & m.f.
this is a collaborative poem written by myself and my good friend ray (hellopoetry.com/-raymond-johnson)
blankpoems Jun 2013
One day I will look in the mirror and find a stranger

There are studs of silver all over my room from when I was younger
and all I wanted to do was shove unknown metals through my skin
and call it rebellion.

There are black nailpolish bottles, and scissors for cutting my own hair
and face paint for when I wanted nothing else but to look like Bowie
I am not a normal teenage girl, and I think I guess I'm an adult now.

I kissed boys on the mouth when I was wishing they'd kiss my soul
I tried to drown myself in the bathtub until I figured out that I couldn't breathe-
and that I wanted to.

There is nothing poetic about the way that I want so badly on Saturday nights
to cut into my own skin with whatever sharp object I can find
There is nothing poetic about how I haven't left the house in three months except
to go buy hair dye so I don't have to recognize myself anymore.

I don't find poetry in the stars anymore because they remind me too much of you.

I looked in the mirror today and found a stranger
and nothing about this is poetic.
Samual Jan 2016
blue dress- it is soft, it shapes around your chest like it's supposed to be there, and you begin shaking with no end in sight

white feather earrings- your face is softened and you remember you don't want to be soft

blue beaded earrings- they match your dress and your dress makes you want to die

bird earrings- they are small and bright and you curl up on the floor and wonder which parts of you are real

moon and star earrings- they are small and pale and no one but you can ever see

sun earrings- you shiver and don't think anything

blue crystal earrings- they are the strongest form of feminine you have ever had, and you remember buying these from a street vendor, holding them like some strong piece of the world belonged to you

peace symbol earrings- they are small but familiar enough to be recognized and you feel sick in your throat, your face, every part of you that accepted peace is aching, you want to tear it out

blue stones and dangling silver hoops- these make you look like a woman, which is a familiar future you have been told of, and you realize just because you understand it doesn't mean you want it

dangling iridescent gems- these make you look like a girl, she would love them on you, and you decide to give them to her before you remember she's changed, now you don't know what to do with them

warm colored striped dress- it shows all your bones and still makes you look so soft, you are so, so cold

black feather earrings- these feel like how you used to try to be strong femininely, both of those at the same time, and you tore yourself apart for years not understanding why it was so hard, blaming yourself

black beaded earrings- these make you look like femininity comes easily to you, as you wish it didn't, these seem to belong, as you wish they wouldn't, and these are so heavy, just like everything about this, you are still shaking

silver rose studs- these are small, indistinct, you remember being familiar with this small amount of femininity you thought was necessary, and you twitch violently, something itches, you are hunched

black pants, shirt, jacket- you have a body, in the most abstract sense, and now no reasonable person could call it what they wanted

spider stud- it's small, looks metallic, and delicate yet menacing, like you never could be
Julie Grenness Oct 2015
Yes, it's the racing carnival,
Fashionistas so topical,
Significance trivial,
Eye candy,
Drunk and silly,
Studs in suits,
Looking beaut,
Glitterati,
Haves and wannabes,
For the paparazzi,
Doyens of the racing industry,
You all look fabulous,
Gambling magnanimous,
Thoroughbreds' gloss,
Media hype and dross,
Great racing day,
*****, bets and babes,
Stuff the plebs today,
Our city's public holiday,
Melbourne Cup Day!
A tribute to our racing public holiday. Feedback welcome.
a m a n d a Jun 2013
[Sidra of the Stars]

a goddess has awakened
eyes slowly open
penetrating...
light reflects off the irises
(recessive blue alleles on chromosome 15)

my name is Sidra
and I will not be diverted.

-

I stand under sol
I stand under the earth's satellite
I stand in the vale.

-

look upon my feet
the fine lines of support
and strength of design

golden light showers
my long legs
strong and graceful

gaze upon my curves...
silky
ample
hypnotic

look at my golden arms
that comfort babes
dig into the earth
and create abstractions

hands and fingers of elegance
given to me by my grandmother
nails to claw and hands to hold

look at my long neck
draped in silver metal and black glass
falling between my *******

hips compliment the
curve of my spine and
the upward tilt of my chin

my hair is a golden light
shining over hoops of silver
and diamond studs

crystal pierces my nose
lips soft and full
eyes lined in black, never faltering

-

this goddess is aware
conscious
enlightened
eager.

-

I will not abide
silence
undeserved
because you lack the courage
to face me.

I will not abide
deception
manipulation
or syrupy black selfishness.

I will not abide
injustice
mockery
or ultimatums.

I will not abide
misrepresentation
vagueness
or weakness.

-

I am Sidra
of
the stars
of
the sky
of
the night

-

I move swiftly in the night
eyes bright
a creator
a lover
a muse

thoughts align
images swirl
pen to paper
my body moves
sensuous and confident
music booms
lips curve upwards

-

the day descends with
distractions pulling awareness
into waves of concentration
tiny fragments of
thoughts and ideas
begin to build
for later contemplation

-

I know the minds of men.
I will not be diverted.
My power has been revealed.
I will protect the unprotected

And I will stand

Made of stars

And unleash Hell.**

-

I will reign terror on your ego
and bring the sword down
on your garishness.

Naked and ******* on my warhorse
I will strike you down with silver spear
and you will pay for your misdeeds.

In all my thundering beauty
with nothing but logic and art
I will slam you to the wall
and declare you a fool.

-

I am Sidra of the Stars
I stand in the vale
I will not be diverted.
Terry O'Leary Jul 2013
Remember all the Wise Men on their knees upon your yacht?
With orphans on their backs they’d crawled (with others that they’d brought)
Through rubble on the highway sands and residues of Lot.
They came from severed cities selling postcards of your thoughts,
Though offered for a penny piece, not even worth a jot.

They mused
               “How are you feeling? What it is you want, you’ve got.
               The words you scrawl on calling cards: ‘I AM – the others NOT’
               Shun wisdoms of the Seven Seas: ‘Salvation can’t be bought’ –
               Your fathers tried before you and your fathers came to naught.

               “You started out by gelding goats and then by casting lots
               Of bodies to the battlefields, contorted, tight and taut,
               Then wallowed in the wake of trails the dervish devil trots.

               “With marching bands of fatherlands, and drums of Hottentots,
               You lure your legions in harm’s way like giant juggernauts.
               Like Tweedle Dum your minions come (the sober and the sots,
               The troglodytes, barbarians, and mislead patriots,
               The Vandals, Huns and Hannibals and seaport Cypriots,
               The Japanese, the Congolese, Americans and Scots)
               To vanquish bows and arrows, spears and catapulted shots
               Of those who hide in bamboo huts their families, pale, distraught,
               (Their withered wives with dried up *******, their swollen babes in cots)
               Who swoon, engulfed in poison darts and vats of acid hot,
               Consumed by magic mushroom clouds, atomic megawatts.

               “In churches of your deities, your Holy Huguenots,
               Your Imams, Rabbis, Voodoo Dolls and Mitered Lancelots
               Lit wicked kindled candled walls in temples (while we fought)
               (Used pins and needles, magic spells on makeshift mock whatnots)
               And mosques, cathedrals, synagogues have blessed each new onslaught
               With prayers for pipers, puppets, pawns, your rigid armed robots.

               “Upon your knees in golden naves, while peeking through the slots,
               You horded thirty silver pieces, downed a whiskey shot,
               Then crossed yourself and wrapped yourself in furs of ocelots,
               And danced on cleated cloven hoofs in purple polka-dots,
               Then drank His blood from chalice cups with pious afterthoughts.

               “You’ve treated men like mongrels chained, like little flies to swat,
               By doing what you wanted to, instead of what you aught;
               You’ve wiped your nose with dollar bills and paid your serfs with snot,
               But when you’ve paused to preen your pride, you’ve scrubbed a scarlet blot.

               “In ashes of our victories: the diamonds that you sought,
               The crock of gold, the Golden fleece of bogus Argonauts -
               In mirrors of your lifelessness, the evils you begot.
              
               “The haunted winds strew leaves of time across a shallow plot
               Where now, beneath the frozen stones blanched bodies bathe in rot,
               Disintegrate, return to dust to feed Forget-Me-Nots
               Amidst the bane and pits of pain where broken bones lie caught.

               “In fields above the catacombs and tombs of Camelot
               The black and withered tree of Death arises from the spot
               Where oft beneath a bleeding moon you hid your gold in pots
               Embedding doubts neath barren bogs where roots of wormwood squat.

               “While waiting at the river Styx, in twisted time untaught,
               From branches of the gallows tree, in recollections wrought,
               Your soul, a beggar’s blanket, hangs in crazy quilted knots,
               With dangling pearls and diamond studs mid dripping crimson clots
               And gaping wounds with bulging eyes like fouling apricots,
               For wrapped in chains around your throat, the Reaper’s grim garrote.”

Yes, that’s the fate of all your kind, disclosed by Wise Men taught.

But that was, oh, so long ago, by now you have forgot…
Noitareneg
For my Soulmate

I
I saw the best minds of my generation go to waste
I saw the worst minds obsess over awful taste
I walked a steady path and staggered through some mud
I soared through skies so bright, my eyes were useless studs

II
You viewed the same madness that spewed from my pen
You walked the path of enlightenment and gorgeous Zen
You mastered what all the useless fools never could
You comprehended what they never understood

III
We rise, only as one, but the stragglers keep us down
We never worry much, because a king is just a crown
We march to the drum of freedom, with paper on our tongues
We are the 90’s generation, the wise among the young
In my English Counterculture Class, we were assigned to write a prompt according to Allen Ginsberg's poem: HOWL
Tommy Johnson Jul 2014
What have I done?
I've unleashed Quincy Valero into The Big Bad City, upon Greenwich Village for the first time
The 177 express, round trip
To Port Authority
To the A train to Canal

We missed our stop
Had to walk from Soho to Washington Square Park
But along the way we saw artists and galleries
Head shops and street performers
Hobos and junkies

"We made it"
"We in this *****!"
Quincy said as we walked through the arches

We saw a multitude of creatures
An artist drawing floral murals with chalk
Meditating Buddhists
A cello player playing for a meal
A drummer drumming for money to get back home
A jazz band
A clarinet player
Writers scribbling down whatever came to mind

We saw beautiful women everywhere
"Look, my ten, your two"
Quincy said nodding to a **** brunette wearing a sundress walking by

We got coffee at The Third Rail coffee shop
We met lovey dovey couples and a girl poet sipping espresso

Treading down Bleaker to Sullivan to Macdougal to Huston
*** shops, leather and studs, ****** and flavored lubes
"This **** reminds me of Saw"
Quincy said with a laugh
"Too much for your threshold aye?"
I said nudging him

We passed a guy selling vinyl on the street
"How much for the Charlie Parker record?" I asked
He took the record out and inspected it
"Five bucks" he said
"How long you gonna be here, like till what time?" I asked
"Oh I don't live by time or numbers" he answered
"Time ain't your mast huh?" I laughed
"Nope, you cant spell T-I-M-E without M-E" he said
Quincy and I looked at eachother with a grin
"I'll be back, if I'm not here before you leave good luck in your ventures" I said as we walked away
"Thanks brother enjoy the day" he said smiling and waving

We ate to Papaya Hot dogs
Best in the city
Then to the pool hall

Now folks, it is common knowledge where I'm from the Quincy Valero is the local pool shark
He can break and sink three *****
He can jump over your ball and get his in
He can shoot behind his back with one hand

Playing with him is a guaranteed loss
But I never cared, I just like playing
We talked and laughed about all the stupid nonsense back at home
And planned our next move

We went to The Blue Note, the best jazz club in the city
The Dizzy Gillespie All Star Band was playing that night
But it was too expensive for both of us so we went on to St. Mark's place

More head shops
More *** shops
And book stores, clothing stores
Punk things in Search and Destroy, record stores
All that good stuff

It was getting late
Back to Bleaker to start drinking
First stop, a little pub
The bartender was a gorgeous blonde, sweet as could be
We ordered two beers
She seemed to be having trouble with the tap
"Sorry guys it's a little foamy, next rounds on me"
We were amazed by that because back home all the bartenders couldn't care less if we got a whole mug of foam
We clinked glasses and took that first cool icy sip
So nice on such a hot day

"Ya know dude, this is it this is perfect" Quincy said
"What you mean?" I asked
"Well this is a great time, I'm on vacation right now and were here exploring and relaxing and enjoying the moment, this moment" he said with his beer hovering over his mouth

Quincy always talked about "This"
This moment
This time
This feeling
This thing

"This" is that time when you're in the moment
That moment of complete and total encumbrance
When you're wrapped up in what you'r doing because you love it and you're happy
The moment you live for
The moment you want to last forever
This moment
This right here
Not then, not before or after
But right now, this
We lived our lives trying to to make this happen every second of everyday
Living it up

Quincy took me to Artichoke Pizza
And my God, it was immaculate
A nine in wide, nine inch long and half inch thick slice of heaven
It was a mixture of crunchy, gooey, savory goodness
I highly recommend it

Then back to the bars
Wicked *****'s
Triona's
Off The Wagon
The Bitter End
GMT
The Red Lion
Cafe Wha?
1849

Beer
Wine
***
Whiskey
Scotch on the rocks
Bourbon

Smoking electronic cigarettes down cobble stone roads
Passing hipsters, college students and tweakers
Locals and tourists
"Out of my way you tourist *******" I yelled frantically pushing my way passed them with Quincy trudging behind

You can always spot a tourist because they got their cameras, their ***** packs and their head looking up saying "ooo look at the building and that one!" taking snap shots in awe

We walked to The V-club
As we walked up to the entrance a little old lady in a wheel chair called out to us, "Are you two brothers?"
We laughed and said "no, were best friends and next door neighbors"
"Oh, well you too look very similar, very young" she said
"Yeah we're both twenty one" Quincy said
"You live around here?" I asked
"Right over there" she said pointing to the building across the street
She told us about how the building was falling apart and how all the law students got booted out leaving the little old lady and one other person living in the nine floor heap
"Back in the day there were river rats in their the sized of cats, but now we only have mice" she said
"I'm being moved though, whenever the land lords and the officials decided where" she added
She had some sort old senior citizen perk that allowed her to be taken care of
She then started to spit some of her poetry from thirty years ago, perfectly from memory
It was full of truth, insight and hope
We were floored by this wheelchair bound geriatric
She was a a retired barmaid, a poet, and an ex-lounge singer
Her name was Tracy Warren

The three of us walked into the V-club
I ordered a glass of Pinot Noir
And Quincy got a draft Brooklyn Lager
While pulling out a stool a spilled my wine all over the wooden table
"****" I said as everyone in the bar watched me put my face in my palms
I got paper towels and cleaned up my mess while the bartender leaned over to Quincy and said "If you don't tip me that will be your last drink ever in here"
"Okay" Quincy said as he walked over to me laughing at my expense
"If it was Burgundy I'd be in tears" I said with a half serious frown

I went to the bartender and apologized and asked sheepishly if I could possibly get a refill

"You spilled your wine?" he asked with sarcasm
"Yeah" I said
"And you want me to give you another?" he asked
"Well, I mean I don't know if that's okay or not that's why I'm asking" I said
"We don't, it isn't okay, you have to buy another one" he said with the most insulting tone I've ever heard
"Okay" I said with disdain

"**** this guy" Quincy and I both said
I left the remaining wine dripping off the table
Quincy ****** all over the bathroom
He finished his beer and we left without tipping that bearded-high and mighty- *******
We said goodbye to Tracy and she told us to enjoy every moment and to get home safely

We went to one more bar, had one more drink and headed home
But on the way to the train we got stopped by a ***
"Hey you give me money I know you got it" he yelled at Quincy
"Na man, hes broke trust me" I said to end the oncoming confrontation
"No yous lying i know it" he said
"Na, see those shoes? I got him those shoes, fifty five bucks" I told him
"Stop putting me on" he yelled
Then some white knight hipster wearing thick rimmed glasses and a green flannel stepped in and said "What's going on here? You picking on my friend?" While putting his arm around the *** mocking him and making trouble for us
"This ******* won't give me any money for my troubles" he told the hipster
"Come on man, give 'em something" he said to Quincy
"Dude, he has no money he spent all he had today" I said to the hipster and the ***
"He's a trust fund kid, he gets it from mommy and daddy" I said winking to Quincy
"Trust fund kid?!" the hipster said
"Trust fund kid!" said the ***
"TRUST FUND KID, TRUST FUND KID" screamed the hipster, the *** and myself laughing at Quincy making a scene
Then me and Quincy just walked away throwing our heads back howling at the full moon, drunk and exhausted heading for the subway  

The subway to Port Authority
Our legs, our feet and our ***** were killing us
We just wanted to sit

We could not for the life of us find our gate
We got misdirections from officers, other public transportation patrons
Thank God for this one janitor for pointing us in the right direction out of our wild goose chase
And ***** the guy who I asked "Hey man do you know where I can find the gate for the 177 express?"
And all I got was a blank indifferent stare
"WELL **** ME RIGHT?!" I yelled in his face

Finally we got on the line for our bus
We saw some weaselly looking guy cutting the line until he got booted to the back of the line
As he passed us we both looked at his and said "Weet, get meerkatted scumbag"
He had to wait for the next bus, whenever that was

The bus ride home felt like an eternity
But we made it
We had to walk down the unpaved dirt road to our street

We did it
We took on The Village
Sailed through the bars
Walked the streets
Met cool, hip people
Made memories
And now we have stories to tell
T Zanahary Aug 2012
We sit in silence,
backs crooked,
the couches' cushions caving in.
The weight of passing hours
and minuettes alleviating thinking
in a miscellaneous metronome
ticking to bring time to a heaving chest.

Stay calm,
the pain of realignment will pass.
Burdensome they may be,
burgeoning wings will free you of...

Pressure collapsing this cage,
walls torn from studs,
leaving only this skeleton
surrounding us as we find delirium
the backbone of convulsing lungs watched,
earthquake mute laughter marring the faces
with jagged faults.
The cost of cracking,
we must accept the scarring permanent.
Breaks unplanned infirmities,
alone, our time line disrupted itself
and the heavens came,
tumbling down.

In silence,
we lay, arms barring
our escaping words.
Eyes overstep boundaries,
slipping through the gaps,
a second moment of
clarification fractures restraints
whilst beguiling brainstorms
sparked our interest.
Our tongues meet,
shyly.

rubies placed upon your breath
slipping against molded clay.
In sapphires
you and I hold nighttime
reflections of passion
contained in coal, waiting.
Ivory runs my length,
bending to ecstasy, breathing
shallow, asynchronous, failing
to find it's end in persistence.

In night
the danger dropped us, longing
that dusty light beaming down on
the show, Act 2 is
the comedy. Off.

Parallel parabola line diamond reflections,
allow for recall with brushed fingertips,
horse hair undertones realigning smiles,
abstract the paintings of today,
of yesterday, stealing away tomorrow
in a previous reiteration of our variant
indifference.

The wings of the demon opened
in symbolic solace, fell far
across this burning emotional
harbor, aflame
in angels' suicides.
We've fallen, taken knees to grace,
whispering eulogies the waves applaud.
Sands wash away to cupped stone
palms, caressing the troubled banks lost
in time. The blood washes away,
momentary marks, brown,
stained, it passes.

Demons foreshadow.
In their shade we are seen
falling into broken arms, sinew
stitched through hearts, still healing
strength gives way.

Our tongues meet
shyly,
this reunion a mistake,
now locked, staying stilled while
attempting apologetic phrasing.
We sit in silence,
backs crooked,
blank walls and barren recounts
crashing in.
Kurt Philip Behm Dec 2016
Once you’ve hit rock bottom,
—you can never be controlled

(Chicago Illinois: Water Tower with Studs Terkel—July, 1977)
Samantha Aug 2014
Step One: Dress for Success
Dawn yourself in armor each morning
Spikes and studs
Headbands and helmets
Strike fear into every man’s heart
And look good while doing it

Step Two: Be a Lotus Flower
A rose, a lily
Be a venus fly trap
Deadly nightshade
Lady Macbeth said it best
“Look like the innocent flower
But be the serpent under it.”

Step Three: Always Have a Perfect Manicure
Sharpen your nails into knives
Slit your attackers throat
With just one swift movement
Of the wrist
Walk away with the blood working as polish
They won’t be able to tell the difference

Step Four: Smile
Never let them see you crumble
Never let them see you for what you are
Human.
Put up the walls
Man the cannons
You’re no longer a girl
You are a castle
And they want to storm you

Step Five: Be Polite
Swallow the bad words that want so badly
To sting that *******
Who cut in line at 7 Eleven
Suppress the rage that makes the blood
Under your pretty skin
Rise to your cheeks.
Instead, when he’s not looking,
Slash his tires in the parking lot.

Step Six: Stay In Shape
How else are you going to be able to survive
When the apocalypse comes
And its only you left

Step Seven: Focus on Your Education
So when the boys at school
Groan because they have to work with you on the English project
You can spit out verses of Shakespeare
And Frost
And Plath
And make them shake in their
Khaki shorts

Step Eight: Don’t Forget Where You Cme From
Don’t forget the hours
Your mother spent in labor
Pushing you through heaven’s doors
Don’t forget the women who came before you
The women who have tried so hard
To be the perfect girl
To collapse themselves into paper
To roll themselves like dough
Don’t forget those women,
Those girls.
Don’t forget to kiss your wrists each night
And say thank you to the stars.
maxx lopez Aug 2013
here we are
sitting side by side,
like it was meant to be from the start.

little did we know about each other
but that did not matter
and what a great chance of luck
that we both got stuck
in the same hospital
sitting side by side,
together, through it all.

2 years before me
were you able to see
the monsters that sprouted
in our mind, never doubted.

the disorder of
perfect order,
is what you have.
and hurt yourself
by slashing your wrists
and because of the bullies
that always used their fists.

on our hospital trip,
we met the others.
doctors and nurses gave us all tips,
on ways to not **** ourselves.

he met daniel and nate
in the boys ward.
while i slept in the other gate.
adeline, or addy,
has quite another story.

her combined-adhd
gets the best of her, just like me.
her problems are the
same colours as my own.

she doesn't eat
until she can feel ripples
in her stomach, and see her feet.

the voices of her
tormentours
damaged her soul,
leaving a hole.

a hole exactly where
the bullies would tear
and rip and shred
her own self, until she was dead.

daniel, blonde, eyes so blue.
he was so young,
only age two,
when he was taken away.
the string of his life
were beginning to fray.

he told us of how he dialed
3 numbers on the phone,
and thats how he became a foster child.

from home to house to home
the more he regret
picking up that phone
"you know you did the right thing"
says doctor camille.
"your parents were destroying
your childhood."
doctor camille was right.
that didnt mean
he didnt slip further into depression
each night.

moving and moving and moving.
he never found a place
that didnt feel like he was losing.

every family sent him back,
because he would have attacks,
until finally one family
called the doctor and said,
"hes scared, can't you see?"

schizophrenia,
thats its name.
daniel says its
like a tornado of mania.

he's scared, afraid, terrified.
"what if the voices tell me
to not stop till i have died?"

how can you eat
when all you feel
is fear and beat?

"how am i suppose
to eat when i only
think about when i am so lonely?"

"daniel, its not you.
its your disease that makes
you thinner and blue."

nate -nathaniel- from b gate.
age 12, height five foot, eight.
light brown hair,
running his hands on
his head with care.

nate has been here before,
its not his first time.
he began by saying
he was sexually abused by a "manwhore".

in his old home
back in los angeles,
where his uncle used to roam.
and eventually moving in to stay.
that marked when
nate would be afraid to come out and play.

the self hatred hit you hard
those memories that you wear
have been charred.

when you cry,
you always want to die.
when you hurt,
you leave blood on your shirt.
but when you love,
everything else rises above.

but affection-
you could not feel,
wherever you were headed,
is where the sad kids go to deal.
you weren't into everything,
but your choices made sure you had a good time.
believing all your life
that if paid to love you, no one would spare a dime.

i remember telling us all
about your great hope
of climbing onto a ledge, expecting a fall.
but that moment before you jump,
you said you heard your hurt
go, 'thump, thump, thump.'

and that made you cry.
you explaining to everyone here,
that you still want to die.
but inside you, you hold a deeper fear.

lastly,
lux & lucy,
their story is quite ghastly.
so hold onto your loved ones.
unlike these twins,
you must have tons.

lux sees herself
opposite of her name.
she would exclaim
to us all in group.

black, studs, piercings, hate,
everything she is
and all she wants for herself is to sedate.

"why is that" asks dr. camille.
"because the monsters
in my head cant be revealed."

we all wondered
what monsters she had
all of us sitting here are thundered
by our own devil's minions,
so why did she say no
from her opinion?

for the first few days,
neither lux or lucy
said what made them gaze
off into each
of their own reality.

not until lux was shaken awake,
by one of the orderlies,
which was a big mistake.

she was catatonic,
her eyes i'll never forget,
how they looked so demonic.

later when we had group,
she finally spoke
and as she spoke, her head began to droop.

psychotic depression erupted
through her when she and her sister
were physically corrupted
by their father.

hard punches,
stinging slaps,
lethal kicks,
fatal grips.

lux already had
the disorder
of being bipolar
coursing in her DNA
and her father sought to control her.

'"i can't have a daughter so * up like you."
many times, against the wall
is where he threw
my sister and i.'

after nights like these,
lucy would lock herself in her room
and cry till daylight.

but nights like these,
where she would try to hide,
a banging on her door would make her freeze.

when their father
discovered poor little lucy,
he would beat her for hiding.

the more the twins were hit,
the more lucy was deciding
how much she would force up.

this was her secret,
that only she would keep,
to always force up the food that settled deep.

but after one certain meal,
lucy went to her room,
skipping the bathroom,
and broke the seal
on a new bottle.
this was the deal
she made with herself,
"if everything turned to *
**,
take one bottle off the shelf
and let these pills be how you will commit."

'in the hospital i awoke,
which was followed by
meeting all of these folks.'

so this is the true tale
of how we met
of course it lacks a few details,
but to know those secrets
i guess your insanity would have to tip the scales
so you can join us all here,
where we all met.
where we thought we might die,
each of us appeared.
we did not meet
to save each other,
we met before our moments of death
to accompany one another.
Jack Sep 2014
Here is a tale of a dog and a cat
And a *** bellied pig, so pink and so fat
Of days in the garden alongside a farm
A whimsical story of magic and charm

The dog as he was of bushy descent
Yellow in color where ever he went
Digging a hole was his prime source of fun
As a matter of fact he had just finished one

The collar he wore was a leathery find
With studs made of silver so brightly it shined
His tail ever wagging, a happy old guy
He hung with is friends as the hours passed by

The cat on the other hand, sleek and so fine
A coat made of orange with stripes it combined
Cleaning a habit I see in all cats
But this one was special for it wore a hat

A tiny straw chapeau with fine feathered brim
A ribbon of pink that was wrapped round her chin
Though not really sure if a cat finds the style
But more as I looked I would bet that she smiled

And there to her left with a snort and a grunt
Was a portly built fellow the legs of a runt
Fine wispy hair that did cover the skin
With a gather of long ones that hung from his chin

Puffing along an attempt to keep pace
The dog and the cat and the pig they would race
Faster and faster they’d run through the fields
Though what was the secret of friendship revealed

None were the same as they differed and so
Still bound together a’ running they’d go
Never before as I think about that
Has a dog or a pig ever friended a cat

For ever so prissy, no memories jog
A cat who was friends with a pig and a dog
Though still I could see right abreast of my eyes
These three companions did bring the surprise

What is the moral of all that I see?
It sure does not matter of your company
Whether a dog or a pig or a cat
You can make friends with whomever you chat

People are different in color and race
But everyone seems to be wearing a face
A face that can smile, a face that can cry
A face that can hello or even good bye

If only we look at each other the same
Will we find fortune in learning their name
No matter the differences that we might see
It pays for each of us to every time be

Nice to each other and all things like that
Just like the dog and the pig and the cat
Cyrus Gold Jun 2016
The eyes of the luthier are fixated
on the degrading and poorly fitted Dejacques bridge,
a small piece of wood that arches
at the top of the damaged instrument -
a prized 18th century treasure
originating from Brescia, a city in Northern Italy.

With a napkin in hand lightly
soaked in an oily substance,
he unhooks the piece,
then takes a replacement bridge
perfectly fitted for it. He cracks a smile.

This viola d'amore has seen better days,
with usage and prolonged handling
wearing the value of the instrument down.

Only an expert can bring a worn-out bird
seeking its once gracious and hypnotic voice
back to life with care and precision.

This luthier is a* surgeon,
a master at installing a sound-post replacement,
without gouging or harming
the quality of the instrument in the process.

This luthier is a
 listener;
as he retrieves and dusts off a case
filled with a spare set of strings,
he installs and finely tunes them
but never over the desired pitch.

Tense and crucial,
like the rising crescendo of a string quartet,
he strums the new strings for evidence of life,
listening to and directing the cry of each one,
like a composer.

This luthier is a
 healer,
repairing the cracks of the violin
by implementing a tactic he learned
on his many trips to Crawley, England,
where his teacher had once trained him;

by using cubic, wooden studs and small clamps,
he gains better control at closing the cracks just enough
to lace the opening with an adhesive
with little to no force or pressure.

This luthier is an
 artist,
*repairing the instruments
that yearn for the sound of music,
their very raison d'être.

His string and wooden patients
scream in agony for healing and peace
with voices unheard to the people,
but deafening to him.

He leaves his signature on each new patient
as their once damaged and lifeless souls
dance to the tune of his work,
healing them, promising the advent
of a future performance.

Let them rejoice. Let the music soar once again.
I love music. LOVE it.
I could ruin her life.
I won't.
I could though.

When I was explaining how she knew I cut, I could have slipped a
          •Omitted due to some promise I made•
or a
          "Oh, and she has scars all over her body."

But I didn't.

I'll let her learn alone, the punishment for forcing me into health.
**** promises. Why must I have any honor.
judy smith Apr 2017
Presumably the next big thing will be soles — socks with holes. Or maybe zits — pants with zips.

It’s made me wonder what else is ahead for us this season, so I headed to the mall to find out.

Topshop proclaims the return of triple denim (noooo!), the corset and coats worn as dresses. The latter should be worn undone to the waist and half falling off in order to “create a cold-shoulder silhouette”. Doesn’t make such sense during a Melbourne winter, I must say.

Topshop also has a very worrying item called a “monochrome gingham flute tie sleeve top”, which looks to me very much like a chequered table napkin worn backwards with ribbons at the elbows keeping the sleeves on. I’ll pass on that one.

Over at H&M;, winter’s “new mood” is all about “sustainable style” containing recycled materials. That means a simple flannel top is reborn as “conscious fashion” and a blue worker-style singlet becomes a “lyocell vest top”.

What would they call hi-vis? Apparently, the fash pack call it “haute reflecture”. Yes, really.

Most concerning is a shirt with “trumpet sleeves” so wide they’d need a separate seat at a restaurant. Even then they would end up dipping into the dinner of the person sitting at the next table. It may help you work out what to order, but it’s not likely to win you any friends.

At Zara it’s all about a “limited edition ballet dress” that will look perfect under a “moto jacket” Did they forget the r? Or are they too cool for correct spelling?

There is also something very strange called “over-the-knee high-heel sock boots”, which are $100. Give them to someone you loathe this Easter.

Zara also wants us to wear “Mum-fit jeans with side stripes”, which will no doubt just draw more unwelcome attention to the dreaded maternal hips. Who needs that?

They also have a velvet sack-style dress with a drawstring at the mid-thigh. It’s the style that doesn’t discriminate — it’s guaranteed to look unflattering on everyone.

So what other trends should we be running away from this season? Fashion insiders tell me “street-chic utilitarianism” is all the rage. That seems to involve wearing a flak jacket 10 sizes too big in a rotting-flesh colour paired with floral leggings with built-in shoes.

There’s also “new shirting”, which looks to me like the same thing as “old shirting” but has the added disadvantage of being just about to fall off your shoulders at the most inopportune time.

Trust me, you don’t need that and you don’t need an ironic-slogan T-shirt that tells the world “This was not a gift” or “This is a white T-shirt”.

I am also quite interested to know that “bra out” is apparently a trend and I wonder if that means I should stop tucking my daggy mum-bra straps into my tops.

Now, as someone who spent most of Wednesday this week at work with a large shop store label hanging out of the back of my skirt, I’m obviously not a huge fashionista.

But even I can see that never before has there been such a gap between clothes the fashion-conscious labels are promoting and everyday pieces we actually want to wear. You know, clothes that are well priced, well made, last more than a few seasons and aren’t made by five-year-old Bangladeshi orphans.

THERE’S no doubt something very weird is going on when there’s a waiting list for Yves Saint Laurent’s $10,000 jewelled boots and jewellery made of real succulents is being tipped as the next big thing. But really, who wants to have to remember to water their earrings?

Wandering around Zara this week (from where I bought the $89 skirt I forgot to take the label off), I was interested to see sale racks packed with off-the-shoulder tops, summer denim and lots of body suits. When are they going to learn women don’t want press studs up their privates?

I know that in fashion everything new is old anyway and that’s what really concerns me.

I’ve been around long enough to remember all the best worst fashion disasters such as pooh-catcher pants, velour tracksuits, trucker hats and platform sneakers.

Frankly, there are some items that don’t deserve to be wheeled out again. They include leg warmers — because your ankles don’t get cold when you work out, do they? And let’s not revisit male crop tops, because a hairy muffin top is something we don’t need to see.

Back to jindows. Just because Topshop tells us they’re “globally trending in the denim space”, it doesn’t mean you need a pair.

Remember. You didn’t need jeggings, coatigans, skorts or flatforms. And you sure as hell don’t need jindows.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/bridesmaid-dresses

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