Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

In love they wore themselves in a green embrace.
A silken rain fell through the spring upon them.
In the park she fed the swans and he
whittled nervously with his strange hands.
And white was mixed with all their colours
as if they drew it from the flowering trees.

At night his two finger whistle brought her down
the waterfall stairs to his shy smile
which like an eddy, turned her round and round
lazily and slowly so her will
was nowhere—as in dreams things are and aren't.

Walking along avenues in the dark
street lamps sang like sopranos in their heads
with a voilence they never understood
and all their movements when they were together
had no conclusion.

Only leaning into the question had they motion;
after they parted were savage and swift as gulls.
asking and asking the hostile emptiness
they were as sharp as partly sculptured stone
and all who watched, forgetting, were amazed
to see them form and fade before their eyes.

This singing
is a kind of dying,
a kind of birth,
a votive candle.
I have a dream-mother
who sings with her guitar,
nursing the bedroom
with a moonlight and beautiful olives.
A flute came too,
joining the five strings,
a God finger over the holes.
I knew a beautiful woman once
who sang with her fingertips
and her eyes were brown
like small birds.
At the cup of her *******
I drew wine.
At the mound of her legs
I drew figs.
She sang for my thirst,
mysterious songs of God
that would have laid an army down.
It was as if a morning-glory
had bloomed in her throat
and all that blue
and small pollen
ate into my heart
violent and religious.

i thought it was ****** obvious what i was doing there,
i walked in with my Slayer band t-shirt off
wiping off the sweat from my face...
ah... a cheap bottle of wine... £3.50... a Chilean Merlot...
nothing like cheap wine for some kalimotxo...
and if that wine doesn't do the trick for a nightcap...
the cheapest whiskey available... no more than
35cl: but i promised myself not to drink both completely...
obviously the wine doesn't have an electronic tag
that needs to be taken off at the cashiers'...
but the whiskey does...
come midnight it's this long centipede winding through
the self-checkout aisles...
two... of the finest quality Hijab mystique organising
the flow of people...
oh... the finest...
                     first you scan the items...
then you're asked to wait for the confirmation of your
age... so someone has to some with
a ticket (so little about all of this is about
self-checking-out)... and then... you have to walk
to the end of the aisle to get the electronic tag off...
with your receipt...
so i went to the end... where the bit that takes
the electronic tags off is placed in a drawer...
along with... this night in particular...
a raw white onion... and some baby clothes that
were returned all piled up in a shopping trolley...
apparently i was blocking something important...
that's when i was asked this profound
existential question:
                           what are you doing here?
oh **** me... it hit me like a rock...
i sometimes wish for three things... a slightly bigger
phallus... a much more bushier beard...
and... a talent for wit... for waspish wit...
for playful wit...
   some whiplash wit...
                 something that i might: snap out of something
instead of... what just came out?
a what... sorry... didn't hear that...
'what are you doing here?!'
     exactly those exclamation marks with purpose
of interrogation...
- am i... just growing from the roots up?
- am i... is Goodmayes a no-go zone for white
boys after a 10pm curfew or something?
i grew up around these parts...
i went to school around these parts...
a predominantly Irish neighbourhood...
is this a no-go zone?

i mean... i don't expect pleasantries from
cashiers at... midnight... but it's not like i was
the only person there...
was i holding a cloud of balloons and
wearing a clown suit with full-make up?
did i have an pink elephants on a string
or a golden fly on a chain?

'what are you doing here?!'
what a snap of juicy vindictiveness in that
tiny Hijab specimen of beauty...
i somehow must have invaded her space
or some *******...
but... i was there to get the electronic
tag off the neck of my whiskey bottle...
i don't think i was there to later come
home and write this nonsense:
if she asked me that same question:
on the top of Arthur's Seat in Edinburgh
at 5am...
but then again: no one asks those questions
at 5am on the longest day in the year
on Arthur's Seat... a good morning:
chirpy one... isn't it? suffices...

    being asked a profound existential question
in a supermarket: at midnight of
a Monday is...

   aha... now it's sort of obvious...
            if i decided to go elsewhere with my wine...
say... to the brothel...
and i came across Khadaya... Khadija...
            Khada... all aspects of nakedness...
so this is what my face looks like
to women... after i lost... 20kg in mass?
  i'm attractive once more...
              honest anchoring... she's about to receive
£2.00 per minute for an hour...
and she likes my face... and i like her face...
eh... *** like a Lamborghini and a body that looks
but more importantly feels as comfortable
to touch as... one might hope to find oneself
sitting in a well worn leather armchair...

always objectification within the need for metaphor...
allusions to...
but a bit different when it can't be so obvious...
she's this Hijab donning princess Jasmine
working in the supermarket
and i'm just a cyclist wearing a Slayer t-shirt
who dropped in for a nightcap of cheap
wine and cheap whiskey...
or perhaps to her... i'm...
   some myth of a northern barbarian who...
arrived in Jerusalem with Barbarossa pickled
in a barrel... hmm?
         well... i'm not exactly a werewolf...
   not just yet...

again: was i there to solve a Su Doku puzzle or change
a light-bulb via mime?!
flow of people... i was placing myself
in the least obstructive way possible:
now... i'm overthinking the punch line...
it's coming off as if i'm somehow autistic or something...
who wouldn't...

in the most un-spec-ta-cu-lar of circumstance
you get such an open question...
before having my wisdom teeth pulled out
i asked the anaesthetic man:
quo vadis?

               seems more correct to ask:
such a generality... but not in such a defensive...
almost scolding manner...
i did mention she was a Hijab gem...
a petite little thing who forgot to objectify me
as human traffic of buyer...
with a purse's worth of whiskey
that had an electronic tag attached to the neck
that needed to be "dismantled"...

after skim-watching a few episodes
of the Sopranos... Tony Soprano is deemed an
attractive man by his psychiatrist...
so... what am i? a ******* ageing Adonis
or something?
now it feels bothersome to have lost
those 20kg in mass...
100 push ups a day... 100 stomach crunches...
cycling...
i knew this would land me in a spot of
bother... no more prostitutes joking
(kindly) that i have bigger **** than they have...

thank god the omission of a sudden limp
**** because: she shouldn't be in the profession
and i'm in no mood to ****
a tender, shy, deer...
               because it works when it's required
to work and i'll go through 5 before
it becomes resolute: that lilac / blue pill
will not make me prove a point on just 1...

dinner? cinema?
if she offers up the full platter of ******* oysters
and her body becomes the whole
complexity of cinema...
but not being corned by two Hijab beauties
at the self-checkout aisle
coordinating human traffic...

again: forever in the reiteration pause...
'what are you doing here?!'
am i supposed to be somewhere else?
the question asks itself:
why would a girl of your "sort" ask a whitey
that sort of question?
is this a no-go zone area akin to Malmo
in Sweden... am i expected to don
a ******* Pakistani pyjama to walk safe...
don a bushier beard than the one
i adorn trimmed by an Ottoman?

clearly i'm fuckable and clearly i also ****...
if she was allowed a different scenario
where she wasn't a self-checkout coordinator
and i wasn't speedily trying to get out
from the concept of a queue she might:
ask a less abrupt a question...

**** anything that moves...
       one motto worth keeping in mind when
reading Kant's labyrinth...
i promise this to anyone who undertakes
the "mission"... the part of the critique of pure reason
that comes last in the second volume
that's: a consolidation piece...
that's title: the transcendental methodology...
oh god... it's like this (almost) revelation:
but it's most certainly a joy a cascade to read...
that's when Kant relaxes and doesn't bother
to stress his... systematic approach to...
not language: to the idea...
what the idea is? that's my own to digest...
even these years later...

if she was older than me...
if she wasn't sizing me up... seeing how...
my shadow is probably larger than her body
come noon...
how she might just be...
constipated / claustrophobic through all her...
restrictions in attire...
how she was paired up with another girl
and there was no forbidding authority
of same-faith colleagues looking over them...
she asked me the most profound
question no one is expected to hear
in a supermarket...

           hence these words as spiral...
it's not the first time i've seen these two Hijab beauties...
i can't imagine...
having the audacity to write an autobiography
post... in vivo mortem!
i can't imagine writing... succumbing to write...
after... having lived... a most...
exploitative life...
i shudder at the prospect of reading...
Seven Years in Tibet...
i have the original copy...
it's enough that i read:
Harold Norse's: Memoirs of a ******* Angel...
that's enough for me...

             in writing there's only the fiction:
the fantasy... or the absolutely terrible mundane:
grit...
lives loved by the gods so that they might
be shared with as many as possible
do not belong in the realm of words...
however terrible it might sound...
all the ancient Roman poets wrote prosaic:
if not maxims then anecdotal evidence of...
taking leave: taking leisure in scrutiny..
too much of what's supposedly life
and how language is employed in "said" life
is limited to... bureaucratic fudge-packaging...
try escape that cycle of: abuse of informal language...
when you're expected to begin with:
dear sir /  madam...
   and end with: kind regards /
the distinction between yours faithfully vs. yours
sincerely...

she took a fancy after i already took her fancy...
perhaps it's a shame...
of the hierarchies of man...
and the stresses brought on by time...
all this... graveyard of space.

it’s not about you at all
you get swept up in people’s definitions
hung on the wall in someone’s frame
you’re artifact on the edge of their radar
to your family, you’re a son daughter sister brother
and technically yes, your mom bore you
(and still does)
but must you accept all that goes with it?
you were born in new jersey
must that make the sopranos and bruce springsteen
your problem?
artists paint you as lame and superficial
the boss works you like a crossword puzzle
to the government, you’re a fraction
to the rich, you’re money to be spent
to the cops, an obstacle
to the bartender, a lousy tipper
they convince you, they’re persuasive
but must this be your face?
it takes a lot of energy to break free
you escape once to find yourself in another cage
it’s a russian doll of captivity
maybe it's not worth it
how many times can you wake up
and say **** it?

"Ezekiel saw de wheel; way up in de air
And de littl' wheel run by faith, oh yes, an' de big wheel run by de grace of God
'Tis a wheel in de wheel in de middle of de wheel way Lawd in de middle."

Choir songs are fun and catchy and I have to sing them every ******* day.
They are all written by some funny looking black guy named James in the earl 1900's.

"John said the city was just four square, walk in Jerusalem just like John
and he declared he'd meet me there, walk in Jerusalem just like John,
Oh John oh John what do you say, walk in Jerusalem just like John."

Most of them are about God and faith but sometimes you actually feel them.
It's weird, they make you feel spiritual. A whole class full of students singing can do that to you.

"All this night shrill Shaunteclear, days proclaiming trumpeter,
claps his wings and loudly cries, "Mortals! Mortals! Wake and rise!
See the wonder days are under, and through his will good be done!""

Sometimes you don't even know what they're about, no kidding, but they still feel nice to sing.
The ringing of the Sopranos and the roar of the Baritones is awing, it really is.

"And the bells, bells, bells, bells, bells, bells, bells, bells,
how the twinkle, twinkle, twinkle, twinkle, twinkle,
in the crystal lime-de light."

It's cool when you sing poetry, like Poe or something like that. It doesn't give you the same
feeling but it's still cool, if you can get into that kind of stuff.

Still hexed, unemployed, another daylong bout between too much silence and too much noise, I turn on the TV and watch our show. Season 4, Episode 13, "Whitecaps."

And it's the scene after the Russian mistress has called, and Carmella—played to long suffering perfection by Edie Falco—kicks Tony out of the house. The scene sticks with me, the way Carmella's body shakes, the deep grooves of her wrinkled face when she says she can't stand to be embarrassed anymore. And I'm caught off guard by two things, one simple, the other not so much. I think about how you must of related to Edie Falco out of the gate, on a surface level. You both share a prominent nose, one you were always self conscious about, but a nose you found beautiful on her face. I always wanted to ask you about it, but I never found a gentle enough phrasing. And the other thing, the complex thing, is how the whole scene runs parallel to our second break up, the bad one, the early morning fight. I remember you striking my chest over and over. I remember grabbing your wrists, trying to restrain you, and you wriggled out of my grasp only to strike your head on a cabinet. I tried to comfort you, and you wouldn't let me drive you home.

You walked. I couldn't find you. By the time I got dressed, you'd found some path unknown to me.

Gentle enough phrasing. That's why it ended one, two, three times, isn't it? My inability to be straight with you, to say how I truly felt without massaging the words to safeguard against any conflict.

I wish I could watch the show with you again. I wish it was 9:00 p.m. I wish we both had work in the morning. I wish we'd watch one episode too many with the dogs snuggling in our laps. I wish we could listen to them paw at the bedroom door as we undressed.

But we've jettisoned ourselves, haven't we? It's irreparable. I think of something you said about depression. You told me that when it was bad, really bad, you could never feel clean. I don't feel clean, no matter how much I wash. I don't feel clean, no matter the quality of deed, the grace of the statement, the preciousness of a future good memory unfolding in real time.

I have decided now
I will stay alone
in a one bed room apartment
I won't buy any new furniture
except a wooden table
to place my new television set
where I would watch
2 episodes of "The Sopranos"
everyday.

I don't need friends
I knew that long ago
Back when I was a little boy
yet
Boys of my age had forgotten even to bully me
my insipid silence mistaken for my invisibility
girls hardly noticed me
because I pretended to hardly notice them
from my 3 foot by 3 foot wooden bench & chair

Back then, I had my own world
Rather worlds,
worlds where a fictional Mr. Tom Mathews
was a savior of the planet Earth
from numerous planet Earths
floating in the ephemeral universe
all essentially evil
so that Tom had to visit them
& plant nukes within their very cores
as
"the only way out was in"

Now,
I have Megan
or Should I say had.
She lives in this beautiful efficiency
with a giant sized teddy
her idea of someone better than me.
She has a nice flat screen TV
a wonderful bookshelf
a cosy kitchen
and a talking walk in closet
where I could easily live with
her wardrobe , accessories, perfumes.

Her wonderfully brown hair is now tied
in a nice little bun
and she smells of creams and fresh oranges
and she wears formal shirts and coffee colored skirts
when she leaves for work every morning.
I could have lived with Megan
but our worlds never collided
the way they should have
although I distinctly remember
of having brushed in her kitchen
and making chocolate brownies in her oven
or watching her perfect TV
and stealing a book or two from her shelves.

My friend Chris, who will also be my ex roommate
tells me he will move in the same apartment complex
as Megan.
He says he will sign the lease come Monday
and start living in a efficiency just like hers
He says we will keep meeting on Fridays
and come un-announced to each other's apartments
our way of maintaining our beautiful friendship
yet not living under the same roof.
I gather he plans to get married early next year.

As of me,
I am excited to move into this one bedroom apartment
they say I will have a coffee table where I will read all day
and write whenever I want.
I could impoverish as well
because I won't cook food for myself.
I will stay sober
Because I won't buy beer.

I was hoping Megan would visit me
now that I will have a coffee table
so that I can read her my poems
while she sips coffee
and I get inspired by her cream odor
and the teddy bear who looks smiling back at me
with large giant ears
from her t-shirt.

© Nothing Personal. April 21, 2012.

singing high
getting higher

missing notes
and their boys

flipping hair
and their fingers

pretty girls
always posing

Is there life after death?
What will happen in the end?
What's the difference in thinking
between women and men?
What's the meaning of life?
How'd it all begin?
If there's a battle for our lives
will good or evil win?
Do ghosts exist,
or the monsters 'neath my bed?
Is this all a dream
that I've made in my head?
Is the world what's moving,
and I'm always still?
Are we guided by fate
or our own free will?
What came first,
the calf or the bull?
Is my glass half empty
or is it half full?
What is love?
How long will I live?
In order to take
must one also give?
Did the Sopranos all die?
Is karma legit?
Ask yourself this:

Should I even give a ****?

Hard to know the number of "friends" that live out past where lawn meets wet
Their dusk song speaks of a throng that participates post sunset
Slick wet sopranos sing a stream with sudden baritone splashes

paths are crossed while others are being blocked with road signs
neon lights on parkways blinding eyes
how easily people come and go these days
like sickness
patterns and get learned and forgotten
daily routines lost while olds ones are picked up like broken dishes
gestures and words are re-gifted to the next birthday boy
small fractions of memories stick like band-aids
originality was lost three years ago
love has become re-runs in syndication
eventually the VHS of romance will deteriorate to fuzz and static
running fast from the sopranos to baywatch
not knowing where taste escaped
lips on lips
chewing and spitting
double whiskeys all night and still feeling sober as the world around you falls into a drunken stupor
like silk falling off a soft shoulder
thoughts still present
paranoia growing
cigarettes are starting to be manifestations of thoughts
this one's for my broken heart
this one's because i'm drunk
this one's because it's hot out and i'm bored
when worse comes to worse
sleep is always there
until then
no harness
let's fall
who cares if there's anything to catch us

And the forest was silent again…

Splintering shadows creep slowly
across the overgrown footpath
frantic fingers slivering in sinister shapes

Slumbering moon beams cloaked,
abaft of a stately oaken veil,
a canopied thorn and branch woven tapestry

Wallowed whispers cling to cavernous winds
pushing chinaberry stalkers deep
under the cover of moss coated roots

When suddenly…

          Underbrush fantasies flourish
          behind vine wreathed curtains,
          on fallen leaf stages of assorted colors

          Foot light fireflies trim the edges
          in panoramic illuminations,
          flickering to tickle every fancy

          Fairies perform pirouettes on tippy toes
          Glistening wings flutter, shimmering to the
          melodic sounds of hedgehog harmonies

          As bullfrog baritones and spider web sopranos,
          sing the sweetest songs in the key of autumn
          bringing smiles to all of the creatures in attendance

When suddenly…

Far away on the eastern horizon
the faintest specklings of amber appear
slipping through the densest drapes

A great horned owl yawns and blinks,
gazing eyes follow the turning head
as he surveys another day in his life

Sounds of scurrying, bristled brush
echo through now glowing limbs
signaling the end of the evening

And the forest is silent again…

Peter, Charles and I were jetting our way to Paris. I’d just woken up. I had to *** so badly it woke me up. It was a medical emergency. I stretched and everything hurt, I felt like I was 30.

Peter was sitting next to me, on the aisle, reading. When he saw me stretch, he said, “Hey sleepyhead.” Ok, I didn’t actually hear him say it, we were all wearing noise canceling AirPods. I read his lips. I motioned that I needed to get up and he probably said “sure,” marking his place with his index finger and standing up in the aisle. I saw Charles watching us and I gave him a sleepy smile.

I’d made the Paris trip 20 times, at least, and I carry an indispensable little travel ****** bag. I removed my AirPods and put them in their case to recharge and used Neutrogena cleansing wipes before I splashed water on my face. Then I spritzed my face with Biologique L' Eauxygénante moisturizing mist. Finally, I applied Clinique lip balm. When I was done, I felt human. My watch said I’d slept for 2 hours.

On my way back to my seat I dropped by Charles, one row back from us and across the aisle.
“How you DOin?” I said.
For some reason Charles and I always greet each other like we’re the Sopranos. “I’m DOin’ ok,” he replied, giving me a little toast with his coffee cup, “You slept?”
“2 hours,” I said. I nodded at his coffee cup, and he handed it to me for a sip.
“Mmm” I said, handing it back. “It feels odd not sitting with you,” I told him, because, well, it did.
“Go on,” he said, giving me a little shoo-away gesture. “We’ll catch up in Paris.”
I gave him a gentle, backhanded tap on the shoulder as I left.

When I got back and Peter and I finished the whole seat-hopping bit, I tilted the book he was reading to see what it was. The title read ‘Thermodynamics and Control of Open Quantum Systems.’ I pantomimed a yawn and he smiled condescendingly.

I put my AirPods back in and the annoying, but necessary, jet noise vanished. The little jet on my seat display indicated we had about 5 hours to go, but I had my Kindle (500 books), my iPad (games, apps, the slow Internet), my Nintendo Switch (Animal Crossing and Zelda), my phone and, of course, the movies and series offered on the seat panel in front of me.

Then, I remembered the two Cinnabons and Honeydew melon Boba Teas in my backpack. The flight attendant passed and asked if we needed anything.
“Can I get a large cup of ice, please?” I enquired. She nodded, making a ‘be right back’ finger motion.

It’s not like we have to row this jet. Why do people complain about air travel?

It begins
With one breath
And ends
With one hundred
One hundred hearts
Beating as one
Thunder in our blood
Lightning in our lungs
Notes fell like rain
Down
    Down
        Down
Onto our parched and thirsty tongues

Feast your ears
Close your eyes
And let bass notes hum through you
As the sopranos soar above
Let the altos
Catch your heart and squeeze
Just a little
Just a little
As the tenors serenade you

Come and join us, friend,
Come and dance with us!
Drink with us
Of Melody
And be quenched
By Harmony
Let your heart be freed
Fly high, oh soul!
Soak up our joy, friend,
Let us lift you up and then
Gently
So gently
Set you down
With a whisper
With a prayer

With one breath
One hundred souls
S i g h
And, so, they sleep
To wait for the rain
To come again

Now I know why they invented music
For dead uncles
And bombed biology tests
To work out your abs in lessons while constantly being pushed
Till the sound you hear is something unimaginable
Something great
That is was music is

Greatness entirely packaged in sound waves
Listening in the music building to hymn
The sopranos dance with flourish
The bass fills the room with their echoing roar
The tenors create those chords that yank at your soul

On those days when all you can do is cry there is music waiting for you
Your iPod will keep you together as you wander the sidewalks
Your instrument will allow you to funnel the emotions right out for all of the world to see
Here I am world, times may get so tough but you cannot get rid of me yet

Talks of cancer and death lead to those of rebirth
Of hearing “get your affairs in order”
And having it mean, “ Get out there! Live your life!”
To forgetting regrets and finally just being free

Music is there when all is wonderful
Celebrating a new love, a good day, a little less wind outside
To blast it in your room and to dance
But that is a different kind of dancing all together,
No one can really hear you or see you
So just move
The chords carry your legs about the room and you spin and you jump and you sing
Most important is to sing
Let nobody and everybody hear your voice tangle into the lyrics
Sing till you are hoarse
Sing till you have sung it all out

**

Now I know why they invented music
To lead you through that maze that is life
To help you understand it and to understand yourself
Music is that life vest
This is your first jump off that diving board
Hang on so tight and bend your knees
Let go and rocket into the real world
Don’t worry; you most likely will not drown.

Some fingers have this tendency
to crack, snag, and rip themselves
to shreds.  A flurry of something like daisy
petals cling, infinite single cell threads
waiting for the right he loves me
not to fall apart.

Some fingers shed their tired
ridges in fluttering crescent smiles
peeling from the edges of soft pink nails.
They pull away like feathers ruffled
out of place in a sudden updraft,
bent at too-sharp angles.

Finger skin was always the strongest,
never flaking just because, but for the effort
of work and teeth.  Those hangnails bleed
strength.  They drip patience, hours
of work in restaurant sinks,
needlepoint and dresses.

They bleed music, lullabies.
A chorus of little sopranos sing
to tiny babies in cribs built
by driftwood scratched bone-smooth
and tough as chainmail.

The oriel breaks the spell of night to read me fairytales in languages only the stars understand.

I count my fingers every day like I count the trees in my backyard, checking to make sure nothing changed because change means growing up and my body tells me that growing up is nothing more than learning to give up on seeing with your eyes.

I let the beach be hell, sand like tiny reminders of growing smaller every day, growing less visible.

I let the lake be heaven, no waves and no war, no machine guns, no fascists, no animal testing, no mothers with knives, no fathers with voices.

I feel the cardinal ripen and rot off the branches of the poplar tree, begging to see the final season of the Sopranos, just like my friend did when his legs and mouth stopped running.

I see the tattoos of everywhere you said you hated, Paris, Michigan, Dakota, and England appear on the soles of my feet. I crush them every time I walk to your house.

The albatross speaks only three words, let it be. Let it be.

Perhaps there is a dragon palace somewhere
flowing with emerald scales, where ice-colored
sunlight rings in the wind, where soundless
mountains hide their bare faces in purple shadows.

This world, a transparent garment ,
blushes with the seagull’s shriek,
pales with the dove’s soft coo,
brightens with seasons singing
newness, clouds with the heart’s
sorrows.

The music of colors invades
the senses, scarlet sopranos,
jade’s deep base, distant ringing
of silver planets. rainbow banners
that gossip in the wind.

An arpeggio of colored sounds,
each unique in its own tone,
from the lullaby
of sunset to the ****** of
dawn’s glacier blue.

Seeing, hearing, naming,
assembling, each sensation
to its own order of allure.

i never understood why people misunderstood writing with needing company, writing requires blanks - the internet bypassed the whole escapade of writing, automatic publishing, inevitable "company", writing was always and only always aware of blanks - but with the omni-literate populace writing was a homeless man's painting at the end of it - no blanks were filled, the man writing was a blank awaiting the daily tabloid to wipe his *** with... because isn't poetry associated with tabloid journalism these days? sure, we can keep Dante Shakespeare and the peddle-stool... modern poetry is a bit like tabloid journalism, hand-in-hand, the classic piece of journalism surrounding Titanic... Gabriel Rossetti... the classic bit of journalism when Versailles' intrigues were the rave and needed hush hush correspondence tactics... i'm not suggesting that the modern aristocrat can write code... but as Louis XIV said... power in appearances... and so it is.*

if a king could become a pauper like
in a fairy tale, then i'd choose to be pauper twice-over,
**** the king and his entourage -
i thought i lived in democracy - apparently
i live in placebo democracy -
to prove god at these times is to ***** **** a king
who thought that a mediocre son
of a doctor would churn the ambitions of
some courtesan for worth of being replaced -
if indeed an attack from aristocracy came -
if only from such heights i'd submit to the
crucifix ****** - such that from such resolve given
i cannot resign to penitent odd-job as a bank's cashier
for mere acknowledgement of a crow
as proof of authority, or a slick tongue -
as said unto Nigel - me, you, duel, Hyde Park -
but i guess the polo match of a son of a murdered mother
mattered morer - you could play that bit out
with Mary Antoinette - to mind the matter further,
i made cats my Hapsburg Monarchy,
i cleaned their **** more often than keeping
the words of a £10 banknote true -
i guess once you expand social class populations you
can stretch Armstrong your influence in them...
polite society and a few buttons of gold to keep them
hushing and jesting at being short of breath - ah -
it's no more elocution than it's elocution -
allies in Ireland - the wait for the hangman -
as long as the church stands and isn't filled with
lesser vipers than the carrier pigeon sellers of the synagogue
i guess we can sentence a few more operas with
castratos beyond the sopranos - but what use from
a dead lute player or a living one constantly antagonised
without commune? cheap labour? cheap joke?
crown in the gutter on a quasi-copper penny - no more than
a king's head in the gutter akin - and they thought
democracy worked - they really believed it -
but kept a few kings on the spare should democracy
become too chaotic and unbelievable -
what is it a few ***** here, a few ***** there and no
taste in ****** - wasn't that akin to Martin Luther tempt?
what of the great Hydras of history?
you already cut one head off, two have spawned,
cut the two and we will enter an exponential phase of
tactic - is my language so ridiculous because it's
not taught at school - how long will Shakespeare
talk to us with his ancient yarn ball of a tongue?
is my tongue so complicated as to be easily misunderstood?
of course, unless someone paid you to misunderstand it
for no worth either understanding it or misunderstanding it...
the damning essence in me is Hindu,
that i rather cherish an animal over a human -
for sustenance or company.

~
In the late 1960’s
when my mother was in high school choir
a ghost sang with them sometimes in the rehearsal room
if all the basses, tenors, and sopranos joined on que
and their tone and pitch were perfect
a mysterious songbird arrived
to harmonize with them near the ceiling
octaves above their own voices.
Mr. Dougherty, the instructor, would whoop and holler
inviting their songbird, Alice, to sing louder…
and without flaw when a tone
reverberates in each of us
a ghostly phenomenon of the normal variety rises to the ceiling
to sing inside and with us all and as a species.
In those moments our collective voices join in harmonious chorus
we become one with each other and invite the natural world
to come, and sing along.   /

These are words I threw to pavement
Many Mays ago
Not for you, but about you
Not dead, but dormant

My shoulders quake in your memory
And I keep dreaming that you shaved your head
There were sopranos hidden in the bed frames
And altos renting out the bathroom window

You rest your head on state park driveways
In the backseat of your best friend's car

When you walked across that stage
I thought you'd shudder at my ghost
But you didn't
You staggered behind classmates in robes and
Forgot about the shirts I stole from you

Forgot about the first night by the river
Forgot about my brand new chipped tooth
Forgot about the night in the shed, a shirt pulled over your head
Forgot about the night I sang about fire water in the walk-in closet

I'm still lying numb on the gymnasium floor
You found your way to the big city's door