if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah

This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.

Compliments to the baker
and so too my Barista
Smoothest crema on the tongue
juxtapose to lemon vapour.

Intense acute sensations
insist I close my eyes
Submit in rare humility
in awe of nature's true franchise.

Clarion note of citron zest
resounds on mellow creamy seas
Mediterranean sun distilled
now is witnessed here in me.

Tempered, rounded bitter hues
from Amazonian dark recess
waited aeons to infuse
and bring about this wanton bliss.

Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

While the bud butterflies melt their wings
Within the light red poppy chain,
The pink-gray clouded, sad sunset rings.
In this lost sky, the sun's light vein
Is almost thrown in a ****** rain.


The leaving sun abandons the sky
For the moon, and in the cricket crawl
The leaves of the oaks whisper 'good bye',
While the coming night has a dark shawl.
She looks at the stars with a black eye.


The sun and the stars find synergy,
In the regolith on the moon,
But with helium fusing energy,
This moon looks like a big balloon,
Or like a fragile, silky cocoon.


And like those thoughts enveloped in words,
Or like angels carrying their pure love,
Are the Feathers of the Holy Birds
In that rain dropping the divine globes
On the strong souls needing love rewards.


Any epistemological sphere
Is pouring up to the Holy Book,
Or is falling down to disappear.
The reverse arch gets a killer look.
Tries to provide fragrance of fear.

The fluid, wicked waves draining in sight
On Earth to meet at infinity
Are like the dark rays in the pure light.
Light rays are arches of Trinity,
While dressed in wind seems to be the night.

Stars are candles and night lights them all,
The colors withdraw in the last light.
In the black darkness, they look so small.
The dream seeds germinate for a fight,
Becoming real while breaking their wall.

© copyright Marieta Maglas

sometimes it seems as though the cars
passing my street won't drive quickly enough,
and that the strands of christmas lights
aren't strong enough to support my weight.
                   
so for now i'll settle for forgetting to look both ways,
and perhaps later, i will invest in some sturdier rope,
all the better to scale my own cliffs of despair,
and face off with the spanish swordsman
reclining on the tip of my tongue,
matching rapier in (left)hand.

if victory finds its way to me, i'll continue to confound
in meeting the brute within, he who pounds boulders,
whose heart is like tourmaline in a granite casing,
and who claws at pristine arms in convulsion.

if i am once again triumphant, i shall travel further,
and face the shards of wit cutting through my irises,
except i am not as the dread pirate, the man in black,
i am vulnerable, i have no resistance, i am broken down
as easily as i am built up, and it is truly a gamble.

if, by some miraculous stroke of good fortune, i continue further,
i shall be disappointed, for at the end of the trials lies tribulation,
no flower princess for me, no blindfolded beauty,
only that **** noose of christmas lights again,
suspended from a macabre and rickety structure
seemingly crafted from the same material as the road to hell,
destination identical.

PARNELL'S FUNERAL

UNDER the Great Comedian's tomb the crowd.
A bundle of tempestuous cloud is blown
About the sky; where that is clear of cloud
Brightness remains; a brighter star shoots down;
What shudders run through all that animal blood?
What is this sacrifice? Can someone there
Recall the Cretan barb that pierced a star?
Rich foliage that the starlight glittered through,
A frenzied crowd, and where the branches sprang
A beautiful seated boy; a sacred bow;
A woman, and an arrow on a string;
A pierced boy, image of a star laid low.
That woman, the Great Mother imaging,
Cut out his heart.  Some master of design
Stamped boy and tree upon Sicilian coin.
An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives.  But popular rage,
Hysterica passio dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.
Come, fix upon me that accusing eye.
I thirst for accusation.  All that was sung.
All that was said in Ireland is a lie
Bred out of the c-ontagion of the throng,
Saving the rhyme rats hear before they die.
Leave nothing but the nothingS that belong
To this bare soul, let all men judge that can
Whether it be an animal or a man.
The rest I pass, one sentence I unsay.
Had de Valera eaten parnell's heart
No loose-lipped demagogue had won the day.
No civil rancour torn the land apart.
Had Cosgrave eaten parnell's heart, the land's
Imagination had been satisfied,
Or lacking that, government in such hands.
O'Higgins its sole statesman had not died.
Had even O'Duffy -- but I name no more --
Their school a crowd, his master solitude;
Through Jonathan Swift's clark grove he passed, and there
plucked bitter wisdom that enriched his blood.

A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not **** him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would **** him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how ******, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

Taormina, 1923

Odysseus is angry without knowing what reason scared hopeless longing not a good student teachers raise suspicions Mom claims he is mentally not right in third grade parents send him to well-known psychiatrist conducts many tests finds Odysseus’s i.q. scores quite high doctor’s diagnosis is learning disabilities emotional anxiety recommends weekly appointments Odysseus continues to see various psychiatrists all the way through college in late 1950’s early '60’s psychiatric field is somewhat unreliable one downtown child’s psychiatrist chats about other patients then gives Odysseus baby ruth candy bar another psychiatrist with office in Wilmette tells him parents need therapy advises he will someday live independent of parents free of their influences

Odysseus Penelope Ryan Siciliano play in undeveloped land across from Schwartzpilgrim’s apartment building there is big tree they often climb near corner of commonwealth and surf streets Ryan is going on about his favorite actor errol flynn and movie “they died with their boots on” suddenly two bigger older boys approach bully them down from tree Odysseus does not recognize older boys from neighborhood bigger older boys push Penelope to ground then elbow trip Odysseus punch Ryan in stomach panic shoots through all three of them bigger older boys glare down with taunting eyes after terrifying moment Ryan then Odysseus jump up flee across street they hide beneath parked cars in underground garage of Odysseus’s building hearts pound in terror hearing footsteps on concrete grow louder they hold their breaths voice speaks out "they’re not here they’ve gone Odys where are you?" Odysseus and Ryan crawl out from under cars feel ashamed of their cowardice in front of Penelope and putting own self-preservation before her protection Ryan is particularly disturbed explains his family are sicilian code of conduct Ryan insists Odysseus swear never to divulge their weakness Odysseus promises later Penelope tells Mom

harper is broad-minded exceptional school housed in old english tudor building on second floor along hall is long glass cabinet displaying among other things 9 large jars each containing developing stages of fetus girls wear uniforms of navy blue skirts with knee socks white blouses blue sweaters which are school colors boys are allowed to wear blue jeans and shirts in good taste Miss Moss teaches fourth grade classroom is duplex with stairs leading up to balcony directly under stairs is secret meeting place and beneath balcony are classmate cubbyholes there is sunroom facing south overlooking entrance stairs to school where older students hang out Odysseus thinks Miss Moss is pretty wonders why she is not married she has deep blue eyes dark thick eyebrows premature graying hair she wears in bun he has crush on Miss Moss thinks she is best teacher he has ever known she teaches greek mythology assigns each member of class character in ancient greek mythology Odysseus is appointed Hermes son and messenger of Zeus Hermes has affair with Aphrodite resulting in child Hermaphroditus Hermes also fathers Pan rescues Dionysus saves Apollo’s son there is voice speaks inside Odysseus’s head no one can hear voice except Odysseus it is voice of smart-*** disobedient twisted child when Miss Moss says “where shall we begin today?” Odysseus automatically answers in his thoughts “how about up your sweet ***?” it is uncontrollable voice for his amusement only often he tries to ignore voice but sometimes it speaks out when voice speaks out Odysseus gets in trouble his friends think voice is funny adults get offended when he reflects on classmates at Harper and distinction of their privilege he wonders what went wrong they are troubled class in fifth grade they cause miss penteck to have nervous breakdown and retire other classes produce famous actors playwrights renowned restaurateurs prosperous investment bankers leading doctors Odysseus’s class produces delinquents gangsters social dropouts drug addicts suicides they take their privilege and run it straight to hell

creature inside Odysseus can be little monster teaches Penelope how to go berserk going berserk involves entering strange residential building in neighborhood elevator up getting off about middle floor pushing all elevator buttons scrambling down stairs knocking over umbrella stands spilling ashtrays ringing doorbells pounding doors running out lobby doors escaping uncaught Penelope is good warrior princess brother and sister can be little terrors

Ryan Siciliano and Odysseus go to see “the magnificent seven” at century theater they head south along broadway street college-age girl with large bouncing ******* appears walking north Ryan and Odysseus glance at approaching girl then nod to each other no plans uttered as college girl passes both Odysseus and Ryan reach up grab her ******* pet squeeze then run do not look back keep running laughing all the way to theater they watch movie with jaws hanging open mcqueen is brilliant all seven are so groovy movie inspires both Odysseus and Ryan.

in 1960 Mom and Dad send Odysseus and Penelope to sunday school at temple shalom teacher calls him aside "Schwartzpilgrim what do you want to be when you grow up?" Odysseus answers "architect or maybe an indian warrior" teacher says "do you know story of judas maccabi? he was a great warrior leader learn about the festival of lights and wield your sword wisely Odys Schwartzpilgrim" Odysseus replies "yes sir" two weeks later he gets kicked out of sunday school for pulling seat out from under girl during solemn religious service he never learns hebrew nor is he bar mitzvahed

Odysseus is hyper-sensitive about race and religion knows he comes from race of people who once were born into slavery nazis systematically exterminated millions of them at aushwitz-birkenaub belzek chelmno majdanek sobibor stutthof treblinka black and white photographs of faces emaciated children adults flicker before his thoughts knows jews are hated not considered caucasian in europe and russia not allowed to own land for many centuries what does it mean to be member of race of people who are despised and blamed? he sympathizes with all minorities particularly negroes who were forced from homeland collared into slavery and native americans who were cheated out of land and slaughtered by white people

Detective stories have been making a splash on European screens for the past decade. Some attract top-notch directors, actors and script writers. They are far superior to anything that appears over here -- whether on TV or from Hollywood. Part of the impetus has come from the remarkable Italian series Montelbano, the name of a Sicilian commissario in Ragusa (Vigata)who was first featured in the skillfully crafted novellas of Andrea Camilleri.

Italians remain in the forefront of the genre as Montelbano was followed by similar high class productions set in Bologna, Ferrara, Turino, Milano, Palermo and Roma. A few are placed in evocative historical context. The French follow close behind with a rich variety of series ranging from a revived Maigret circa 2004(Bruno Cremer) and Frank Riva (Alain Delon) to the gritty Blood On The Docks (Le Havre) and the refined dramatizations of other Simenon tales. Others have jumped in: Austria, Germany (several) and all the Scandinavians. The former, Anatomy of Evil, offers us a dark yet riveting set of mysteries featuring a taciturn middle-aged police psychiatrist. Germany'sgem, Homicide Unit -- Istanbul, has a cast of talented Turkish Germans who speak German in a vividly portrayed contemporary Istanbul. Shows from the last mentioned region tend to be dreary and the characters uni-dimensional, so will receive short shrift in these comments.

Most striking to an American viewer are the strange mores and customs of the local protagonists compared to their counterparts over here. So are the physical traits as well as the social contexts. Here are a few immediately noteworthy examples. Tattoos and ****** hardware are strangely absent -- even among the bad guys. Green or orange hair is equally out of sight. The former, I guess, are disfiguring. The latter types are too crude for the sophisticated plots. European salons also seem unable to produce that commonplace style of artificial blond hair parted by a conspicuous streak of dark brown roots so favored by news anchors, talk show howlers and other female luminaries. Jeans, of course, are universal -- and usually filled in comely fashion. It's what people do in them (or out of them) that stands out.

First, almost no workout routines -- or animated talk about them. Nautilus? Nordic Track? Yoga pants? From roughly 50 programs, I can recall only one, in fact -- a rather humorous scene in an Istanbul health club that doubles as a drug depot. There is a bit of jogging, just a bit -- none in Italy. The Italians do do some swimming (Montalbano) and are pictured hauling cases of wine up steep cellar stairs with uncanny frequency. Kale appears nowhere on the menu; and vegan or gluten are words unspoken. Speaking of food, almost all of these characters actually sit down to eat lunch, albeit the main protagonist tends to lose an appetite when on the heels of a particularly elusive villain. Oblique references to cholesterol levels occur on but two occasions. Those omnipresent little containers of yoghurt are considered unworthy of camera time.

A few other features of contemporary American life are missing from the dialogue. I cannot recall the word "consultant' being uttered once. In the face of this amazing reality, one can only wonder how ****-kid 21 year old graduates from elite European universities manage to get that first critical foothold on the ladder of financial excess. Something else is lacking in the organizational culture of police departments, high-powered real estate operations, environmental NGOs or law firms: formal evaluations. In those retro environments, it all turns on long-standing personal ties, budgetary appropriations and actual accomplishment -- not graded memo writing skills. Moreover, the abrupt firing of professionals is a surprising rarity. No wonder Europe is lagging so far behind in the league table of billionaires produced annually and on-the-job suicides

Then, there is that staple of all American conversation -- real estate prices. They crop up very rarely -- and then only when retirement is the subject. Admittedly, that is a pretty boring subject for a tense crime drama -- however compelling it is for academics, investors, lawyers and doctors over here. Still, it fits a pattern.

None of the main characters devotes time to soliciting offers from other institutions -- be they universities, elite police units in a different city, insurance companies, banks, or architectural firms. They are peculiarly rooted where they are. In the U.S., professionals are constantly on the look-out for some prospective employer who will make them an attractive offer. That offer is then taken to their current institution along with the demand that it be matched or they'll be packing their bags. Most of the time, it makes little difference if that "offer" is from College Station, Texas or La Jolla, California. That doesn't occur in the programs that I've viewed. No one is driven to abandon colleagues, friends, a comfortable home and favorite restaurants for the hope of upward mobility. What a touching, if archaic way of viewing life.

The pedigree of actors help make all this credible. For example, the classiest female leads are a "Turk" (Idil Uner) who in real life studied voice in Berlin for 17 years and a transplanted Russo-Italian (Natasha Stephanenko) whose father was a nuclear physicist at a secret facility in the Urals. Each has a parallel non-acting career in the arts. It shows.

After viewing the first dozen or so mysteries of diverse nationality, an American viewer begins to feel an unease creeping up on him. Something is amiss; something awry; something missing. Where are those little bottles of natural water that are ubiquitous in the U.S? The ones with the ****** tip. Meetings of all sorts are held without their comforting presence. Receptionists -- glamorous or unglamorous alike -- make do without them. Heat tormented Sicilians seem immune to the temptation. Cyclists don't stick them in handlebar holders. Even stray teenagers and university students are lacking their company. Uneasiness gives way to a sensation of dread. For European civilization looks to be on the brink of extinction due to mass dehydration.

That's a pity. Any society where cityscapes are not cluttered with SUVs deserves to survive as a reserve of sanity on that score at least. It also allows for car chases through the crooked, cobbled streets of old towns unobstructed by herds of Yukons and Outbacks on the prowl for a double parking space. Bonus: Montelbano's unwashed Fiat has been missing a right front hubcap for 4 years (just like my car). To meet Hollywood standards for car chases he'd have to borrow Ingrid's red Maserati.

Social ******* reveals a number of even more bizarre phenomena. In conversation, above all. Volume is several decibels below what it is on American TV shows and in our society. It is not necessary to grab the remote to drop sound levels down into the 20s in order to avoid irreparable hearing damage. Nor is one afflicted by those piercing, high-pitched voices that can cut through 3 inches of solid steel. All manner of intelligible conversations are held in restaurants, cafes and other public places. Most incomprehensible are the moments of silence. Some last for up to a minute while the mind contemplates an intellectual puzzle or complex emotions. Such extreme behavior does crop up occasionally in shows or films over here -- but invariably followed by a diagnosis of concealed autism which provides the dramatic theme for the rest of the episode.

Tragedy is more common, and takes more subtle forms in these European dramatizations. Certainly, America has long since departed from the standard formula of happy endings. Over there, tragic endings are not only varied -- they include forms of tragedy that do not end in death or violence. The Sicilian series stands out in this respect.

As to violence, there is a fair amount as only could be expected in detective series. Not everyone can be killed decorously by slow arsenic poisoning. So there is some blood and gore. But there is no visual lingering on either the acts themselves or their grisly aftermaths. People bleed -- but without geysers of blood or minutes fixed on its portentous dripping. Violence is part of life -- not to be denied, not to be magnified as an object of occult fascination. The same with ****** abuse and *******.

Finally, it surprises an American to see how little the Europeans portrayed in these stories care about us. We tend to assume that the entire world is obsessed by the United States. True, our pop culture is everywhere. Relatives from 'over there' do make an occasional appearance -- especially in Italian shows. However, unlike their leaders who give the impression that they can't take an unscheduled leak without first checking with the White House or National Security Council in Washington, these characters manage quite nicely to handle their lives in their own way on their own terms.

Anyone who lives on the Continent or spends a lot of time there off the tourist circuit knows all this. The image presented by TV dramas may have the effect of exaggerating the differences with the U.S. That is not their intention, though. Moreover, isn't the purpose of art to force us to see things that otherwise may not be obvious?Read more at:http://www.marieaustralia.com | www.marieaustralia.com/short-formal-dresses

The earth-dark octaves of her singing hair,
Sung-circles of campagna, the citadel,
And campanile bells in the Segestano air.
The pail sits like an expectant kiss on the lip of the well.

You make me feel so stupid
When we play chess
The way you en passant all nonchalant
You chase me into castle
From there I watch you intently
The way the Russians watched Bobby Fischer
In his hotel room
But while I wait for a move to develop
I become the Boredest Spazsky
My mind in a stalemate
As I try to crush your Sicilian defenses
As much as I harangue
You leave me in zugzwang
Which confuses my feeble mind
For I may be a pawn
But I'm the king pawn
Which means the board usually revolves around me
But your queen takes that instantly
And I'm left in a fool's checkmate

I wish you could see things from my side of the board
You'd see how desperately I wanted the king
All the complex and unique obstacles in the way
But instead you just sit there
And laugh at me losing all my pieces trying to reach you

City lights cascade down the hill, like a luminous waterfall
Dark watery horizon flirts with the skyline
Stars accent the heavens - grammar of the universe
Sand melts into my feet
Waves bathe my ears
The soft wind shares her secrets
The sea is the wine of shore-side lovers

I wish your taste danced on my tongue
I wish your voice kissed my ears
I wish your touch lingered on my skin
I wish your aroma embraced me
I wish your eyes loved me

Only tonight, my empty arms sigh

In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.

Straight backed, expressionless and completely serene,
Somewhat wooden and as black as her queen,
He knew she was trouble, he'd met her type before,
She moved to c5 after he'd moved pawn to e4.

To another day
passing like the parched foliage
dangling from the roofs in
the ***** Bronx

left of the ferry,
right is the skyline
doubled three times,
cloaked in solar panel
glass and shimmering
against the smoggy array of light
that
will
quit—
in due time.

Daddy, sweet
East River father,
where is the little
meatball you had grounded
up for eyes.
For a Roman nose
and Mafian stubble
when your Sicilian tongue
was clipped at age five.

For English-Only stamped on the roof
of your waste factory
of a mouth.

For the neo-tongue that
was bred liked
strong As
and
young ****;
And copious liquor upon
the grounds of your hiking
trips.

Mutation
       of
vile majesty.
Cannibalism of the **—

Buttons budding
for *******.

I saw your phantasm
figure, soiled in
dark tan, curve in
my lens.
Swallow the hazel
like a viscous sauce,
sweet, fresh.
A fuckable baby—
of five. You clipped
my tongue with now
cloying giggles and in the bunk bed,
red and ***,
like a locket, limbs

dangling out the sides, fleeing in
a fountainhead of
DO NOT.
Effaced by an amnesia.

The old man in my skull speaks,
— I was thirty two days ago.

Now the IVs DRIPDRIP,
Chorus with the TICKTICKTICK.
You are the hour,
I am the minute
Hand.
You are slow, I must
go-go-go in compulsive haste.
Run for sixty,
start anew,
encore, solo, imbrued
with the days that twine the middle, framed in
white.
Forget.

The doctor parses the old man like an
obsolete phrase with theatric hands,
-touch-touch-
push,  press.
Then comes the Shakespearean
soliloquy:
—He hasn’t the coverage.

The trigger as a glove of flesh
hits its target, quiets the machine,
puts me to sleep.

What is it that
I must do?
-become the platoon,
an infantry of sun-empired men.
Fight the shrapnel,
the blitzing of
scar tissue.
Become the fireman
with an axe wielded—
Scale the towers like cracks in a mountain.
Die from the smoke or
the spherical flames of the
planes that rode like the hooves
of a horse with bubonic pallor.
Fall like a worker
for stories down until
God, or some sadistic keeper
of this earth, slacks a noose
and reels me in like
a bluefin tuna, prized,

as you
salute. You ‘Nam
prevailer heralding
the lacy harlequins of corporeal
God’s pardon
on
you.

I am in
eternity from
the waist down,
object of the tight, frictiony
satisfaction you
almost indulged in.

To be a daughter, so sonly,
revoked of all features.
Stripped of the places
you liked to touch.

sugared fingers, the smell of Chanel
and I am flushed on red berry wine

and the charms of someone, dear,
who I would like to call "Valentine"

la vie en la rose
this red stains lips pink and
I see in pink, everything around me

as I dip my nose to my wrists, inhaling

Sicilian oranges, Calabrian bergamo
Indonesian patchouli, Haitian vetiver
Bourbon vanilla andd white musk

I giggle coquettishly and I am blushing,

For these sweet nothings
mean very much to me

Dear Poet Friends, I hope you like this slice of Early History presented
below in simple verse. Please do read the short notes at the end, before giving your comments.  Thanks, - Raj

ARCHIMEDES : THE PIONEERING
       STREAKER OF HISTORY!

There lived in the Third Century BC, in the Sicilian
town of Syracuse, then a Greek colony,
A Greek mathematician named Archimedes.
He was tasked by King Hiero of his town,
To find the purity of gold in his crown;
Suspicious of the goldsmith having mixed
some material of inferior kind,
Which the King wanted Archimedes to find!

So, Archimedes lost in thought one day,
Entered the public bath on his way!
And as his body began to get submerged,
He happened to notice perchance,
Water spilling over from the tub!
The answer suddenly flashed across his
mind,
And he jumped up leaving everything
behind,
Wearing only his birthday suit,
Running through the street of Syracuse,
Exclaiming -  “Eureka! Eureka!”
(I have found it! I have found it!)
Perhaps to become the first known streaker  
of History!
While establishing the Principles of Buoyancy!
@ (see notes)

Archimedes, son of the astronomer Pheidias,
studied at the great Alexandrian city,
Remembered even to this day for his many
pioneering works, -
In Hydrostatics, Mechanics, and Geometry.
With his ingenious mechanical discoveries,
He held the great Roman galleys of Marcellus
at bay,
For more than three years, as Plutarch the
Roman Historian says!    + (see notes)
Later one day, while lost in deep thought,
When some intricate problem of geometry
he was trying to resolve,
Refused to hear Marcellus' bidding,
To be slain by the Roman soldiers who had
come to fetch him!
O those Romans, with lesser brains and more
brawn!

And some hundred and thirty years after
his death in 75 BC,
Cicero, then the Roman Governor of Sicily,
Found the tomb of great Archimedes, near the
Agrigentine Gate, over grown with bushes and
thorns;
Where he lay buried in the scented dust of History!
                                                   - Raj Nandy, New Delhi.

NOTES:
@ Principle of Buoyancy = any floating object displaces its own
weight of fluid. So weight displaced by a crown of pure gold and
the one already made could be compared to find the truth!
+ Archimedes designed large stone throwers, & crossbows, and
also grappling hooks using large cranes to grab Roman ships and
capsize them!

I.
The people look like flowers at last - sick thoughts of dead men strike the clock winding backwards and ignite to illuminate my approach,
The people look like,
Cigarette burns,
Bullet wounds,
Casualties of Rollins' war with himself,
Of Ellis' numb utopia,
Of the Bukowski cynic suicide,
Of the thoughtless progeny of deadbeat generations desperate to push back,
Every street corner is holy, baptized in the blood of those who died believing,
A thousand fists moved to release a thousand frustrations, and a celebrity endorsement for each overdose death,
Angel mine, abate your gutter wars and mob mentalities,
The tattoo ink has dried and the clubs are closed for the night,
Where are the revolutionaries to go now?

II.
The revenge of the skinhead minority,
The born again soul of a fallen brother,
The madman defiant in publicized rage, the faces of the enemy painted with crosshairs on TV screens,
And the damaged finally able to stand on their own,
Damaged and unrepentant,
Damaged and brilliant,
Damaged with criminal record eyes,
with paranoia brain, with X's tattooed into calloused knuckles,
with track marked arms,
Damaged, the unstoppable tide of the righteous youth - caricatured in the spray painted stencils of their testaments

III.
The spoiled children of an undefinable zeitgeist with nothing to lose,
In ecstasy binges these angels hallucinated manifest destiny through non prescription lenses,
Studying traffic patterns I remember how people are afraid to merge and everybody is looking for just the right amount of trouble,
A fire dies and another is born almost immediately,
Careless ramblings in careless county - a land I'm sure was promised to someone, somewhere, sometime
But after the gold rush nobody could cash out fast enough,
I can't cash out fast enough -
Every girl has got the guilty smile of a teenage runaway living out a Janis Joplin fantasy, and all the boys line up like addicts itching to cop,
The air is so heavy nobody can hold a thought - and when I speak, It's the accent, they say, they can always tell,

IV.
Taxi rides in laser show utopia,
Sicilian saint newly minted tells me about the ******* machine and it's ravenous posturing -
be present & be seen,
Fake it till you make it,
Cop killers singing confessions for beer on the street corner,
While the socialist manifests itself in mispronounced beverages and faux-marked Russian volumes,
avant-garde hyperrealism & ritualistic sacrifice,
There was something about *** and dying on the radio I couldn't be bothered to hear,
A drunken brawl over a bad bet made, disappointing street race, police sirens distant growing moreso,
In ****** bars where ladies always drink free, I rewatch the fall of a ***** old man from the penthouse to the street all over again,
If you haven't figured it out by now,
Don't try

V.
In dreams I walk the Pacific Coast Highway dead of night, barefooted soul alive and naked in the Western night like a Jim Morrison poem, the traveler that never arrives, watching the sunrise form halos over the Sierra Nevada, like a girl I know back East who talks a great deal about plans, the best of which never even have an aftertaste of freedom
There is the same sublime anthems playing on every radio and palm trees forming crosses for any messiah who is willing to claim them,
Last train out of Anaheim as the tessellating California skies swell and give, catch and release,
I see the roofs of tenements lit up by Disneyland,
ocean reflecting the glare from Heaven,
faces of the impoverished reflecting the glare from Heaven,
everybody getting sunburned from the glare from Heaven,
I watch the lovers depart for Santa Ana,
Elderly Asian tourists for Irvine,
Hipsters for San Juan,
and the rest of the destitute ******* for Oceanside en route to San Diego,
There but by the grace of God go the drunk kids spilling out of greyhound buses, sitting till dawn contemplating skylines reflected on the bay, finding romance in every moan of living Earth,
wide eyed at possibility of removing themselves from the equation and finding the answer,
Neil Young harmonicas drift listless above Spanish villas,
Everybody talking like something bad was gonna happen but I couldn't see much thru the windows past the tourist burly shouldered slumbering beast,
I think it was somewhere between Yuma and Dallas, with Mexico stretched out like an invitation to an anarchist rally where I was haunted first,
I'm haunted by El Campo Santo, paved over restless Indian graves in the shadow of the hanging tree,
By La Calavera Catrina blessing the sinners as they pass, hollow faced and sunken on the ***** Spanish streets of their ancestral Apartheid home,
I'm haunted by Calvary, 3000 spirits hanging around unsure of what comes next,
I'm haunted by the faces of the beggars I couldn't spare a cigarette for,
In dreams the Western night releases me and I leave California a shade lighter,
And the handful of stars that manage to burn through the haze seem to promise me:
"You may be gone, but your shadow lives on without you"

A satisfied appetite is a simply joy

Overlooked and simplified

Like a growing urge, a salivating need

That is entrancing and glorified.



Everlasting for moments we call meals

Forgotten in time, lingering above

But the taste, the lonesome lover pushed aside

Gazes afar and near wanting to be enjoyed again



The young lady with a tongue of raspberry delight

And the matured widow with darkened cacao lips

Ripening nectar of a sliced peach center

Halved and topped with mascarpone crème



The man with a skin of caramel glaze

Caressing and savoring

With a fragrance and scent

Of hazelnut coffee indulgence and sin



In the pursuit of a brief love affair

What oral sensation did my taste buds want?

My odyssey of gustatory endeavors await

Through the seas of lined people and waiting staff



Generous portions and humble pies

Decadent desserts so rich you’ll die


Vine cherry tomatoes sliced and sauté

Over al dente rigatoni in a roasted cashew sauce

A robust aroma and savory appeal

Basil leaves with garlic strips

Olive oil to top the surreal


Hubristic meatball aborigine  

Elysian cuisine or many dreams


Teasing the senses, warming the pit

Of flowing pleasures

And tingling fingertips

Without moral measures

And succulent wines

Rotisserie lamb falling of the bone

Seasoned with Sicilian herbs

And paired with broiled asparagus

Drizzled with lemon juice


And a glass of Merlot

Spices I hardly know



Lachrymose apologies beside a bottle of faded sorrows

With love there is pain, passion endured through the names

Thin soups, flavorless and dull, feeding street-thrown bums

Breathing hard against the delicatessen glass


Hickory smoked hams, pepper-seasoned pastrami

Vinegar cultured pickles and hard dried salami


Unpleasured, without measure, at one's leisure.
Forever my endeavor

Blackcurrant tea laced with slivers of gooping honey
Layers of cinnamon hair atop olive skin

red-painted doors with cedar trim
crushed almonds mixed with hazelnut butter cream spread

devilish rounds of crumbling ***-swirl bread

Smells and wonders, tastes so ...

oh god

Divine and sublime.

When you paint houses
bring your little brother
Hoffa couldn't keep his mouth shut
Mannlicher Carcano carbines
cleave off
the tops of skulls
Cosa Nostra prove
The idiocy of convertibles
Pretty boy politicians
sprayed across Jackie's face
Kennedy never should have rocked the boat
Bufalino brotherhood born for bloodshed
Irishman knows that
.32 goes in but doesn't come back out
Turning grey matter into brain sauce pudding
Hoffa couldn't keep his mouth shut
Got what he wanted
kept demanding more
Stupid Sicilian stooges get sliced up in pork store backrooms
limbs spread to the four corners of Michigan
Irishman painted his house
Hoffa couldn't keep his mouth shut

O! nothing earthly save the ray
(Thrown back from flowers) of Beauty’s eye,
As in those gardens where the day
Springs from the gems of Circassy—
O! nothing earthly save the thrill
Of melody in woodland rill—
Or (music of the passion-hearted)
Joy’s voice so peacefully departed
That like the murmur in the shell,
Its echo dwelleth and will dwell—
O! nothing of the dross of ours—
Yet all the beauty—all the flowers
That list our Love, and deck our bowers—
Adorn yon world afar, afar—
The wandering star.

’Twas a sweet time for Nesace—for there
Her world lay lolling on the golden air,
Near four bright suns—a temporary rest—
An oasis in desert of the blest.
Away away—’mid seas of rays that roll
Empyrean splendor o’er th’ unchained soul—
The soul that scarce (the billows are so dense)
Can struggle to its destin’d eminence—
To distant spheres, from time to time, she rode,
And late to ours, the favour’d one of God—
But, now, the ruler of an anchor’d realm,
She throws aside the sceptre—leaves the helm,
And, amid incense and high spiritual hymns,
Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,
Whence sprang the “Idea of Beauty” into birth,
(Falling in wreaths thro’ many a startled star,
Like woman’s hair ’mid pearls, until, afar,
It lit on hills Achaian, and there dwelt),
She look’d into Infinity—and knelt.
Rich clouds, for canopies, about her curled—
Fit emblems of the model of her world—
Seen but in beauty—not impeding sight—
Of other beauty glittering thro’ the light—
A wreath that twined each starry form around,
And all the opal’d air in color bound.

All hurriedly she knelt upon a bed
Of flowers: of lilies such as rear’d the head
On the fair Capo Deucato, and sprang
So eagerly around about to hang
Upon the flying footsteps of—deep pride—
Of her who lov’d a mortal—and so died.
The Sephalica, budding with young bees,
Uprear’d its purple stem around her knees:
And gemmy flower, of Trebizond misnam’d—
Inmate of highest stars, where erst it sham’d
All other loveliness: its honied dew
(The fabled nectar that the heathen knew)
Deliriously sweet, was dropp’d from Heaven,
And fell on gardens of the unforgiven
In Trebizond—and on a sunny flower
So like its own above that, to this hour,
It still remaineth, torturing the bee
With madness, and unwonted reverie:
In Heaven, and all its environs, the leaf
And blossom of the fairy plant, in grief
Disconsolate linger—grief that hangs her head,
Repenting follies that full long have fled,
Heaving her white breast to the balmy air,
Like guilty beauty, chasten’d, and more fair:
Nyctanthes too, as sacred as the light
She fears to perfume, perfuming the night:
And Clytia pondering between many a sun,
While pettish tears adown her petals run:
And that aspiring flower that sprang on Earth—
And died, ere scarce exalted into birth,
Bursting its odorous heart in spirit to wing
Its way to Heaven, from garden of a king:
And Valisnerian lotus thither flown
From struggling with the waters of the Rhone:
And thy most lovely purple perfume, Zante!
Isola d’oro!—Fior di Levante!
And the Nelumbo bud that floats for ever
With Indian Cupid down the holy river—
Fair flowers, and fairy! to whose care is given
To bear the Goddess’ song, in odors, up to Heaven:

  “Spirit! that dwellest where,
    In the deep sky,
  The terrible and fair,
    In beauty vie!
  Beyond the line of blue—
    The boundary of the star
  Which turneth at the view
    Of thy barrier and thy bar—
  Of the barrier overgone
    By the comets who were cast
  From their pride, and from their throne
    To be drudges till the last—
  To be carriers of fire
    (The red fire of their heart)
  With speed that may not tire
    And with pain that shall not part—
  Who livest—that we know—
    In Eternity—we feel—
  But the shadow of whose brow
    What spirit shall reveal?
  Tho’ the beings whom thy Nesace,
    Thy messenger hath known
  Have dream’d for thy Infinity
    A model of their own—
  Thy will is done, O God!
    The star hath ridden high
  Thro’ many a tempest, but she rode
    Beneath thy burning eye;
  And here, in thought, to thee—
    In thought that can alone
  Ascend thy empire and so be
    A partner of thy throne—
  By winged Fantasy,
     My embassy is given,
  Till secrecy shall knowledge be
    In the environs of Heaven.”

She ceas’d—and buried then her burning cheek
Abash’d, amid the lilies there, to seek
A shelter from the fervor of His eye;
For the stars trembled at the Deity.
She stirr’d not—breath’d not—for a voice was there
How solemnly pervading the calm air!
A sound of silence on the startled ear
Which dreamy poets name “the music of the sphere.”
Ours is a world of words: Quiet we call
“Silence”—which is the merest word of all.

All Nature speaks, and ev’n ideal things
Flap shadowy sounds from the visionary wings—
But ah! not so when, thus, in realms on high
The eternal voice of God is passing by,
And the red winds are withering in the sky!
“What tho’ in worlds which sightless cycles run,
Link’d to a little system, and one sun—
Where all my love is folly, and the crowd
Still think my terrors but the thunder cloud,
The storm, the earthquake, and the ocean-wrath
(Ah! will they cross me in my angrier path?)
What tho’ in worlds which own a single sun
The sands of time grow dimmer as they run,
Yet thine is my resplendency, so given
To bear my secrets thro’ the upper Heaven.
Leave tenantless thy crystal home, and fly,
With all thy train, athwart the moony sky—
Apart—like fire-flies in Sicilian night,
And wing to other worlds another light!
Divulge the secrets of thy embassy
To the proud orbs that twinkle—and so be
To ev’ry heart a barrier and a ban
Lest the stars totter in the guilt of man!”

Up rose the maiden in the yellow night,
The single-mooned eve!-on earth we plight
Our faith to one love—and one moon adore—
The birth-place of young Beauty had no more.
As sprang that yellow star from downy hours,
Up rose the maiden from her shrine of flowers,
And bent o’er sheeny mountain and dim plain
Her way—but left not yet her Therasaean reign.

Clouds parting, dark, the world begins to take shape.
Puffed up, longing to show their fluffy side, we lament.

The web of stars shine, disconnected patterns fading.
The background, a foreground for curiosity.
A horizon sits quietly, gently caressing the coastline.
It takes centre stage.

A coast hugging the archways, ominous, renewed.
Now filled with life we walk, invited.
A hum of scooters guides us down a winding corridor of road.
We gain momentum, marching towards the sea.

Cars break, beep, whizz; a melody for our route.
Disassociated with emotion, only impulse moves us now.
Reactions slow, we salute the passersby.
Don't accelerate, ignore if you must.

He enters looking bedraggled, tired and worn out, his skin like vellum, blank and pale.
Lifting his eyes to catch their gaze he gives a slight nod to acknowledge their presence.
He scans the room as he would a poem seeking an indent that leads to a quiet corner.
A half-lit light casts a shadow on the flock wallpaper, ink stained.
He sits hidden from view, away from plagiaristic eyes. Head In hand
Scribbling while listening for a new word, a muse sings, emanating an un-heard
Beat that guides his rhythm while searching for that elusive vowel. On the floor
Is a scattering of pencil shavings and broken lead, frustration at the loss of an adjective.
The half rhyme squeezes like a tourniquet on the brain…
Frustration runs high as enjambment slips off the page and gathers in reflective pools.

The Lay Pastoral reads an Elegy to the passing of Sir Rondeau Redouble, he lead a very lonely life ascending and then diminishing becoming less Didactic, the Footle holds a Lanterne for the loss, while the Limerick found it quite humorous.

At the bar a Stanza of poets gather, disciples of Villanelle, and regale of their latest triumphs in Women’s Quarterly. Then silence falls as Suzette Prime performs her latest Burlesque she is in good Shape. The Epulaeryu’s compare their Diamante while eating their babba ghanoosh. At the pool table the movers and shakers decant opinions on the latest ‘form’ something to do with A,E,I,O,U…Acrostic looks it up and down looking puzzled, Blank verse remains silent,

They dissect, analyse the entrails, the faint hearted feel a little Grook. The atmosphere is tense. Verbs drift like dust in the light, causing confusion, they mop their brows with a tired senryu. The haiku’s have little to say on the matter…

A Quintain of intellectuals quietly sit, the Sicilian sipping slim line Monoku’s (no ice) hoping for a Couplet before the end of the night. On a stool sit’s the barfly spilling his Bio over the counter top exposing an Ode-ious life, metaphorically speaking. On stage the hottest group in town… Chant Royal and the Syllables… singing their latest Sestina it reached 39 in the hit parade, the notes drift across the room resting on the floor congealing into a poet-tree fountain…they feel at home as the last act MC McWhirtle enthrals with his latest Ballad…the barman Ric Tameter calls time, the evening is a Rap. The club is Epic…


© 27/3/2013

Italia! thou art fallen, though with sheen
Of battle-spears thy clamorous armies stride
From the north Alps to the Sicilian tide!
Ay! fallen, though the nations hail thee Queen
Because rich gold in every town is seen,
And on thy sapphire-lake in tossing pride
Of wind-filled vans thy myriad galleys ride
Beneath one flag of red and white and green.
O Fair and Strong!  O Strong and Fair in vain!
Look southward where Rome’s desecrated town
Lies mourning for her God-anointed King!
Look heaven-ward! shall God allow this thing?
Nay! but some flame-girt Raphael shall come down,
And smite the Spoiler with the sword of pain.

I lay atop the grass with Cecily,
taking in the sun anew.
He calls down,
Come see what I've done now,
come see this new tattoo!
   Eh.
I'm rather proud!  
   Not now cuz, I'm busy.
Oh come now, it's profound!
A portrait of Edgar Allen Poe!
   Speaking of poets,
   I'm quite in the middle
   of an epic something...
   DO YOU MIND?!  
It's realllllly good though!  
   Oh, fine.
I plod my *** up the stairs
in the heat and reach the balcony.
I'm blown out of the water.
He's right, it's a masterpiece!
Edgar's soul ringing out
through skin to me!  
   Oh, wow.
   You know,
   he owns my favorite poem.
Which is that?  
   A dream within a dream.
Ah yes,
the canvas muses,
reciting a verse,
just like music.
Well isn't this canvas kindred!  
The length of his cigarette
the duration of time we quip.
Back and forth, our own prose.
He says not to kiss your ***,
but you are quite moving my soul.  
You are inspiring me,
the way you tie emotions to paper,
in utter splendor.  
Smoke break over,
to return to mechanical buzzing.
His eyes sincere,
I'd like to share,
hear more your words.
   And I yours! I descend stairs,
with Godson in towe.
Are you of this town?
   Yes, for now.
As am I, you should take my digits.
   OK!  
I'm still descending.
   Oh, right..
pulling out my phone.
    I'm a stickler for full names,
   what are you called?
   Oh, I'm Italian too!  
Well, I'm Sicilian, it's quite a difference.
   Oh is it now?
******* elitist.
Handsome though.
We'll see where this goes...

MOTHER of Hermes! and still youthful Maia!
   May I sing to thee
As thou wast hymned on the shores of Baiae?
   Or may I woo thee
In earlier Sicilian? or thy smiles
Seek as they once were sought, in Grecian isles,
By bards who died content on pleasant sward,
   Leaving great verse unto a little clan?
O give me their old vigour! and unheard
   Save of the quiet primrose, and the span
   Of heaven, and few ears,
Rounded by thee, my song should die away
   Content as theirs,
Rich in the simple worship of a day.

I

Under the Great Comedian's tomb the crowd.
A bundle of tempestuous cloud is blown
About the sky; where that is clear of cloud
Brightness remains; a brighter star shoots down;
What shudders run through all that animal blood?
What is this sacrifice? Can someone there
Recall the Cretan barb that pierced a star?

Rich foliage that the starlight glittered through,
A frenzied crowd, and where the branches sprang
A beautiful seated boy; a sacred bow;
A woman, and an arrow on a string;
A pierced boy, image of a star laid low.
That woman, the Great Mother imaging,
Cut out his heart.  Some master of design
Stamped boy and tree upon Sicilian coin.

An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives.  But popular rage,
Hysterica passio dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.

Come, fix upon me that accusing eye.
I thirst for accusation.  All that was sung.
All that was said in Ireland is a lie
Bred out of the c-ontagion of the throng,
Saving the rhyme rats hear before they die.
Leave nothing but the nothingS that belong
To this bare soul, let all men judge that can
Whether it be an animal or a man.

                II

The rest I pass, one sentence I unsay.
Had de Valera eaten parnell's heart
No loose-lipped demagogue had won the day.
No civil rancour torn the land apart.

Had Cosgrave eaten parnell's heart, the land's
Imagination had been satisfied,
Or lacking that, government in such hands.
O'Higgins its sole statesman had not died.

Had even O'Duffy--but I name no more--
Their school a crowd, his master solitude;
Through Jonathan Swift's clark grove he passed, and there
plucked bitter wisdom that enriched his blood.

Wallace Shawn

Three hours of thy ******, mastubatory,
Fantasies with women and cats,
Too much for a working man.

Can we not freeze you in time,
Please be a Sicilian boss named Vizzini,
Obstacle to the savior of
The Princess Bride.

I know that you know that i know that you know
That 1987 was a crash year, but your raspy
Glare, minutiae of a face expressive made it easier.

At the Public, not in the private,
Tales of ****** escapism make me
Drift to sleep, and I know
That you know that I know that you know
I am asleep in in row B center,
And see you weep.

But the play must go on...
Which is why I will rent a memory
Tonite, you, Vizzini, and me,
Will drink a cup of poison wine,
In celebration of the trajectory of our
Mastubatory writings.

Wander from Argyle Street towards the pyramid shaped monolith
past the oddly named Benny Hamish - Sicilian Couture Tailors -
through the automatic glass doors of persuasion
up the revolving stairs of many stairs
sail by the portly security guard
(who looks like he'd be out of breath after a 10 yard dash)
along the imitation marble airstrip
passed neon facades and signs for proactive self indulgence
toward the carousel of smoked-mirror lifts
that take the well heeled to their desired destinations
without having to worry about their Chanel leather clutch bag
and newly purchased Christian Louboutin shoes

and I sit people watching,
writing this poem on a borrowed napkin
with a discarded betting shop pen

amid a horde of timid stomachs and twitching wallets
faced with a thousand fast food offerings
and gaudy coloured tables and chairs
littered in the remnants of repugnant non-ecological eateries
and Styrofoam cups and re-composite cutlery
under Noah's grotesquely beautiful steel ark
lined in industrial tubing and chrysalis shaped netting
and giant Art Deco toothbrushes
and 30 foot wiggly mirrors
and stretched rhombus sails
acting as a blanket barrier
to the blue skies and arched sun of the outside world
somewhere between
KFC and Burger King.

He is Sicilian, skin tawny the color of
toasted garlic
knobby knuckles but strong palms
steady and smooth and graceful
never wavering as he slowly depresses the plunger with his thumb
pushing two clear drops from the syringe
he ran out of dope so he soaked his old cottons
to **** out the residue
and deposit it in his vein
fist clenches twice and holds
and he dips the needle in
so light
so little
then his fingers shimmer away from his palm
and drop to his side

When I was 13 I took a trip to Alaska
my aunt brought me there and we rode on a boat
along the southern coast and through the fjords
One day we saw a glacier calving across the water
so ***** it looked like a cliff, but when a piece fell away
the ice that it revealed was deeply blue

He'd only traveled in the desert
from Austin to Iraq
but one night here
in Duluth, Minnesota
we lay on the roof and watched the Northern Lights
I told him that they were the color of glaciers

even wording an intellectual debate
focusing on the word: warrior,
is, to me, something of a ****-in-your-underwear
and then swing it around like a missile
and hope that the other monkey is dead...

what do i find in terms of persistent Darwinism?
media akin to Groundhog day replication,
a distrust of media and politics
doesn't go anywhere akin to El Dorado,
it goes to areas of grey and thistles, and weeds,
and trying to defend a political system
that monopolises on the media? e.g. Iraq.

what's the modern trait of the **** sapiens?
he's not intimidated by the advertisement
industry to spend, he saves his buck...
modern **** sapiens feels no regret at not
having the chance to procreate with neanderthal
women who shout rather than moan,
modern **** sapiens isn't wooed by the ooh's and
the ah's of a modern public audience,
modern **** sapiens man isn't ready to turn
women into butchers in Afghanistan,
or what Sappho called: butch, butch, butchy, butch-butch,
      target practice for the *****:
   now your chance to shoot a machinegun.

the **** sapiens doesn't get the Coliseum,
in whatever shape or form as the modern solution
to what would otherwise be: watching paint dry,
    there's no football Sunday over brunch to
holler and cheer and get things done.

the **** sapiens man will not mate with a neanderthal
woman of these times... he has no need to lose
his integrity to mate with these over-sexualised creatures...
modern **** sapiens lives in a time when
science has lost its mojo,
and became arrogant like a chef cooking up
Sicilian pasta in Chuckle Street...
   modern **** sapiens man does not grace procreating
with the mannequins of neanderthal women...
oversexualised and almost Somali in caricature,
which is hardly 5 brats running around for the stately
                 feeding...

modern **** sapiens isn't interested in how offensive you
sound, or how uninteresting you actually are,
the 26 digits on your tongue will never quill a
woodpecker readied for carpentry...
you have physicists for that and that ancient gauge
of sclera iris and pupil: which kinda looks
like clouds, green, brown, blue, grey,
              pupil and to whatever necessary telescope
for the constellations / twinkle in the eye...

     the modern **** sapiens doesn't want to procreate
with modern neanderthal women because
he thinks his feces will smell of mustard...
          he's ashamed about the way sport has
replaced national identity,
              and that watching ***** do the exodus from
a ******* and assimilate into a genesis of an ****
has become magnified into 22 wankers kicking
a ball between two fishnet stocking pair of legs...
              neanderthal women get it,
**** sapiens man doesn't... he's wondering why
there haven't been many drunk intellectuals...
                to state this case.

**** sapiens man is wondering why this isn't even
an insult... by a version of a continuum
best addressed when worded, rather than
    chess-chanced on a board of fixations and
cheap-labour and psychiatrically guised excuses
that are in concerto: lethargy etiam propus.

   **** sapiens is wondering why history froze,
and this be the new ice age...
and why only one day gets a mention,
he's wondering why there's no media sabbath...
         i.e.: when no news happens.

**** sapiens is bewildered by this fresh zeitgeist
of having a need to speak...
  **** sapiens is wondering: why Ned the Destroyer?
**** sapiens is asking: what about the think?
       **** sapiens says of neanderthals:
i guess they really need to talk
because they cannot accept the monotheistic concept
of thought, and stress the democratic: blah blah brechen
to protest, stitch placards and walk a lot and do
cathedral bells a justice of repeating chants: kneel
to pray! tramps aren't trump! etc.

**** sapiens says: they once imagined telepathic
with telekinetic and then they said no to Marxism...
now there don't seem to be that many individuals around
apart from those in suicidal succor.

all in all, **** sapiens simply says:
i will not fornicate with these neanderthal women!
i don't care what my genetic prenup would look like,
    it might look ugly, it might look pretty...
            if we're going down this route...
there's me: exit,
                and then these women:
            lamenting what queen Sheeba said to
king Solomon:
                          the copper skinned will rule the world.

well, here's me and my automated reliance on
extinction...
                           i'm taking a bow...
i'm bowing out...
                                i find only one sensual solace in
this world...
                    music...
                           ­         i'm bowing out of the rest
that comes like a Mongolian revival of a horde...
          and even if there was a love for a woman worth
defending... i already declassified it as
neanderthal... so much for Darwinism when uncoupled
from theology and coupled to history;
evidently my mind is a bit blank when i try to go beyond
the written records... nice gallery by the way...
sure, the shrunken coccyx gave it away...
and i wish i was... doing acrobatics on trees, still;

**** sapiens said of neanderthals:
if only you had an immune system built to
                                        not succumb to advertisement!

but **** sapiens man said: poach the ivory,
but the elephant will play you a trumpet underwater,
      and you'll ask: why?
              because if the elephant farted you'd
get a methane jacuzzi, and not a quasi-jazz concert...
that wasn't even meant to be funny.

It's a disease
Manipulative and painful
Traveling through the veins of innocent people
Wandering through the genes of many
Its cancer.

I look at the shelf where I keep your pictures, figurines, and such
I think of the red wine made with your soft Sicilian touch
Sitting under the grape vines, reminiscing great times,I read the poem that you left for us to read and it tells me not to weep