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"nellie" poems
smelly the elephant came to town in a circus show but from poor nellie the smell it used to flow she just couldnt help it her feet were really bad she was so unhappy and very very sad people held there nose as she was passing bye this it made her worse and she began to cry then she asked the vet to see what he could do he said i have a potion that i can give to you he rubbed in the lotion and the smell it went away they never smelt again to this very day
0
Mar 29, 2010
Mar 29, 2010 at 8:05 AM UTC
smelly the elephant
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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Feb 12, 2016
Feb 12, 2016 at 5:09 PM UTC
Her Many Names
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. Little's known of Nellie's early years; Da died before she knew grieving tears, They'd turn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her look is distant, Her face is blurred, But recognizable In an instant. She was schooled six years To last a life, Some math, the Irish, To read and write. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God and Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie, Relieved their worry. War flared, men were few, There was work in Coventry. Ireland's thistles were left to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin followed, When war floundered to its end, They shipped back to Monaghan, And brought the mill to life again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself A generator, Providing power To lights and wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Daddy's angel. Is this what turns A father strange? Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no borders For brothers and sisters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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84
Under the moonlight the creatures all glare At a beautiful Fairy with rich Autumn hair She crunches the leaves under foot where she treads As she dances and giggles at the stars overhead! This beautiful creature in a dress olive green Comes out to play when the humans do dream With mind like a child and a voice like a harp She skips and she sings for the creatures of dark! The mesmerised Hedgehogs, a line dance do they Kicking their heels in the cold yellow hay Most creatures around all decide to join in Laughing and wearing their best Autumn grins! Sweet Nellie Owl gives a “Twittery twoo!” And she opens her wings to applaud all they do Then all of the moths with formation of wings Glide past with valour making circles of wind! Then gusts stir the leaves in the chill of the night And the beautiful Fairy just smiles with delight She knows the display we’ll wake up to at morn Golden leaves at our feet as the Autumn's now born! © By LynnKaren
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Oct 7, 2016
Oct 7, 2016 at 6:22 PM UTC
The Autumn Fairy
There was an old man, I once knew Peaches was the name he used He was the drunk, set on our trunk his body old and abused Sharing his beer with an old horse who caroused in the end stall Each day by three, they'd walk by me and stumble but never fall His liver was a lace doily alcohol pickled him thin He'd been turned down, all over town no one ever took him in He drank his beer with ole Nellie she could tip a bottle too Swig and sway, like Don Quixote as they staggered, swirling, brew We were headed for the races this blustery afternoon Each planned the trip, we had to ship I knew we'd be leaving soon From where we trained at the fairground we carted them to the track Where all would race, and take what place each earned in front or in back Peaches rode in back of the truck so he could drink the whole way My uncle said, he'd soon be dead drinking had seen his decay We sat apart from others there he and I were best of pals He'd tell me tales, of life’s travails while I ogled all the gals That day he shared a sordid tale of pain he caused his own son He had shouldered blame, bore the shame for this thing that he had done Back when he was just a young man a pillar of support He took his boy, his life’s great joy to play their favorite sport They went to a picnic that day he had drank one too many On the way, to watch his son play of fears he hadn't any His boy was riding in the back not thinking they skipped the seat belt He'd rolled his car, the door ajar surprise was all he had felt His boy was tossed out in a field sweet clover of timothy The child's light hair, seen lying there remembered so vividly "I was a Veterinarian" said Peaches to my surprise "I went insane, called out in vain but God never heard my cries" "So now I ride where I belong In back of my self-made bar Hoping he, will come to take me by tossing me from the car" Just then a tear fell from his cheek the pain enveloped me too Here cried a man, much deeper than any of us ever knew Tate
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May 29, 2014
May 29, 2014 at 2:12 PM UTC
Peaches
There was an old man, I once knew Peaches was the name he used He was the drunk, set on our trunk his body old and abused Sharing his beer with an old horse who caroused in the end stall Each day by three, they'd walk by me and stumble but never fall His liver was a lace doily alcohol pickled him thin He'd been turned down, all over town no one ever took him in He drank his beer with ole Nellie she could tip a bottle too Swig and sway, like Don Quixote as they staggered, swirling, brew We were headed for the races this blustery afternoon Each planned the trip, we had to ship I knew we'd be leaving soon From where we trained at the fairground we carted them to the track Where all would race, and take what place each earned in front or in back Peaches rode in back of the truck so he could drink the whole way My uncle said, he'd soon be dead drinking had seen his decay We sat apart from others there he and I were best of pals He'd tell me tales, of life’s travails while I ogled all the gals That day he shared a sordid tale of pain he caused his own son He had shouldered blame, bore the shame for this thing that he had done Back when he was just a young man a pillar of support He took his boy, his life’s great joy to play their favorite sport They went to a picnic that day he had drank one too many On the way, to watch his son play of fears he hadn't any His boy was riding in the back not thinking they skipped the seat belt He'd rolled his car, the door ajar surprise was all he had felt His boy was tossed out in a field sweet clover of timothy The child's light hair, seen lying there remembered so vividly "I was a Veterinarian" said Peaches to my surprise "I went insane, called out in vain but God never heard my cries" "So now I ride where I belong In back of my self-made bar Hoping he, will come to take me by tossing me from the car" Just then a tear fell from his cheek the pain enveloped me too Here cried a man, much deeper than any of us ever knew Tate
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65
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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May 7, 2016
May 7, 2016 at 2:49 PM UTC
Her Many Names
Bridget was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice still runs near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before her grieving tears, But burn her eyes in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, And a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. There were no vows for Nellie then. At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, So the work in Coventry Left Ireland's thistles to bloom. Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons and daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy was waiting for family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; Jimmy and Marlene left us too, Death is sure, Death is cruel. Grandchildren came, she was Granny, Bridget, Nellie, but still our Mammy. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I'll sometimes whisper her one name, Mammy.
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81
GRANDFATHER CLOCK "When granda died he turned into a clock!" I was 7 or so, so this seemed an acceptable fact. "Oh we still kept him in the corner wound him up every night." I glanced at the nothing in the corner. There was only a slab of sunlight dozing. "Oh we had to pawn him a long time ago!" I gasped: "Noooo!" "Oh he had to go he had only one hand and his pendulum was broken." Sam the dog barks asks if I am coming out to play. I of course am coming out to play. Auntie Nellie scolds Uncle Michael. "For God's sake Mikey will ya ****** well stop!" Mikey sticks his tongue in cheek a characteristic tic. "Can't ya see the poor child is ejeet enough to believe ya!" Whenever later I chance to meet a clock that could be my granda I touch its face tenderly stroke the mottled glass "Ahhh Granda!" I smile giving him a great big hug. "TickTock!" says granda **** ****
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Mar 3, 2019
Mar 3, 2019 at 5:04 PM UTC
GRANDFATHER CLOCK
SAD VALENTINES FOR BREAKFAST Oh my how red **** struts(thinks he's a sultan)     striding in and out among his harem-scarum hens talking to themselves like some lost senile sentimental souls. Foolish fowl! They lay eggs for gentlemen and kids on long hot summer holidays they hide their eggs like broken hearts like old love letter secrets safe in unseen places. But see Auntie Nellie willy-nilly as a fox stalk the chickens and expose them cruel as the NEWS OF THE WORLD. See her raid the haystacks (backseat of the old car)     rain rusting machinery her apron pregnant and precious with the warm and brown gift of eggs. Red **** crows loud against the morning marigolds while children's voices babble sleepily into wide awakefulness love letter secrets staining their lips sad valentines for breakfast.
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May 21, 2019
May 21, 2019 at 3:37 PM UTC
SAD VALENTINES FOR BREAKFAST
Jumping, bouncing and swinging from tree to tree In a sparse forest just outside a village on the outskirts of Antananarivo They adapt to the changes flung at them and strive to survive On the ground a troop leaps sideways side by side in a straight line What a comical spectacle However solemn their purpose, they must find a home The little one abaft of the line Takes one last glimpse at the home he leaves behind Oh it’s up in flames now and bulldozers knock down his trees Beyond, just yonder Over a hill further down south, the prospect is in sight A new forest with new opportunities It’s denser; it hasn't caught the eye of encroaching villagers They forge on towards it in that spectacular procession High up in the trees they mark their territory Males call out to females and they howl in response The young ones frolic in the underbrush They mate, they eat, they thrive Another forced migration There they go again in that sideways march More deforestation for infrastructure There must be leeway for civilization one way or the other One must wonder now What future lies in store for these that have no place in government? Their trails fade away from the Malagasy ecosystem Their lives hang in a balance at the brink of extinction Will our grandchildren ever get to appreciate The extraordinary feats of agility they display The gymnastics they perform from day to day On the trees and on the ground in the jungle everyday Ostentations of dramatic optical presentations In their furry coats of monochromatic patterns Perhaps they will disappear and my son’s sons may only get to Read about them in the has been list of the annals of history At this rate since erecting urban jungles Of tar roads and skyscrapers is the order of the day They might even be able to catch an obscure image of the lemur In the form of a costumed trapezist mimicking one Or a twisting contortionist in The Cirque Du Soleil Nellie Nkosi
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Apr 13, 2015
Apr 13, 2015 at 9:21 AM UTC
THE LEMUR
Jumping, bouncing and swinging from tree to tree In a sparse forest just outside a village on the outskirts of Antananarivo They adapt to the changes flung at them and strive to survive On the ground a troop leaps sideways side by side in a straight line What a comical spectacle However solemn their purpose, they must find a home The little one abaft of the line Takes one last glimpse at the home he leaves behind Oh it’s up in flames now and bulldozers knock down his trees Beyond, just yonder Over a hill further down south, the prospect is in sight A new forest with new opportunities It’s denser; it hasn't caught the eye of encroaching villagers They forge on towards it in that spectacular procession High up in the trees they mark their territory Males call out to females and they howl in response The young ones frolic in the underbrush They mate, they eat, they thrive Another forced migration There they go again in that sideways march More deforestation for infrastructure There must be leeway for civilization one way or the other One must wonder now What future lies in store for these that have no place in government? Their trails fade away from the Malagasy ecosystem Their lives hang in a balance at the brink of extinction Will our grandchildren ever get to appreciate The extraordinary feats of agility they display The gymnastics they perform from day to day On the trees and on the ground in the jungle everyday Ostentations of dramatic optical presentations In their furry coats of monochromatic patterns Perhaps they will disappear and my son’s sons may only get to Read about them in the has been list of the annals of history At this rate since erecting urban jungles Of tar roads and skyscrapers is the order of the day They might even be able to catch an obscure image of the lemur In the form of a costumed trapezist mimicking one Or a twisting contortionist in The Cirque Du Soleil Nellie Nkosi
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40
jack casual was a hard workin' man, put bread on the table, kept the roof over our heads, and kept that dog, nellie, from gettin' 'er sorry be-hind run over. yep, ol' jack was worth his salt. he used to play his acoustic for us when we were tikes, back when we had an air conditioner. when it broke down, ol' gran-pappy, jack's dad, had him run out to the store to buy a window unit and a slurpie. then pappy would stagnate all day in the back room while we sweltered, and he'd send me on errands on my bike, and read week-old newspapers, and yell at jack to "pay the god **** bills" at four in the morning. jack wanted to send him to a "home", but mama never did like them. she said they were "unsafe", "unsanitareh", and "unhospitible". so gran-pappy stayed. yes sir-ee, gran-pappy stayed for three long years with his banjo and the growin' pile of slurpie cups in the corner of that back room where it was cool. until that one night when gran-pappy called mama a name the dog had done learned to respond to, and mama said, "jack, just put him in the home! a lady shouldn't be treated upon in this mannuh." that was the last i ever did see of ol' gran-pappy, but i still remember the last words he said to us: "...and bring me back a slurpie, it's one hot son of a ***** up in here and i need somethin' to cool me off a spell!"
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Dec 30, 2010
Dec 30, 2010 at 3:29 PM UTC
gran-pappy
watched three grey geese in a field fulled with wheat grazing while Peter Piper pecked some Petunias while Bitter Butter bit her lip gazing on the scene of strangeness like writers on paper wrapping alliterations softer than sleep louder than firecrackers I had a dream.
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Dec 20, 2014
Dec 20, 2014 at 11:42 PM UTC
Aunt Nellie and Uncle Bernard
GOODBYE TO THE CIRCUS ( 'Oh! Nellie the elephant packed her trunks and said goodbye to the circus... off she went with a clumpity clump ...clump....clump... clump! The head of the herd was calling... far far away.' ) Auntie Nellie died of: drink, loneliness: & whatever... (not necessarily in that order) . And the farm that was our young days summer holidays cast her youth like so much pig slop to the squelching grunt of cow dung days moo cow lowing years until the dust collected and settled in the corners no one could reach.... Time left her like a Holy Picture high above the mantle piece. See the children take the coloured cards in their hands go play 'Fish in the Pool! ' Scream: 'Snap! ' Laugh at who is left to be: 'Old Maid! ' 'Not me! ' 'Not me! ' Time never took her hand like a lover's...touch... ... Time... ...only... ...waited... . . . for her. In her loneliness she read and re-read and lived on: Aldous Huxley's - ISLAND. She said...this said: 'Everything! ' Years, later...when she reads like a fictional character in someone's story when time no more ...mattered. I travelled to her ISLAND and touched her LONELINESS. felt her LONGING. Auntie Nellie died of: drink, loneliness: and whatever (not necessarily in that order) . ...said goodbye to the circus......calling far far away...
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May 24, 2019
May 24, 2019 at 4:46 PM UTC
GOODBYE TO THE CIRCUS
The Dogwoods bloom in the name of Nellie .. Anointed with Spring flowers .. Gardenia , Sunflower and Crape Myrtle .. Whispering hymns , tolling the farm bell , calling her children home ...
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Dec 16, 2015
Dec 16, 2015 at 9:20 AM UTC
Nellie
We talked about the dance, she said. Is that all? Yes, well she did mention that her man was late home from work sometimes and she misses him before she has to leave for the dance show, but that's all. I see, Fred said. Nellie looked at him, brushed her hair. Her dancing is faltering, Nellie said. As if she had other things on her mind. What other things? he asked. How do I know? She didn't say. Unless she thinks her man is cheating on her? Do you think he is? Fred said. He's the type who would, Nellie said. What's the type who would? I don't know, but you can tell, there's something about him gives me the creeps. Women's intuition? he said. You could say that, she said. How comes she doesn't have that intuition, too? Fred said. She's in love with him, love blinds, she said. What are you dancing, tonight? he asked. Swam Lake, she said. She finished brushing her hair and poured him a scotch and ice and prepared to leave. He watched her as she put on her coat, her fingers buttoning up, her eyes watching her hands in action, her tongue poking over her lower lip.  He lifted his glass of scotch, studied her ankles, and had a long slow sip.
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Apr 4, 2014
Apr 4, 2014 at 2:48 AM UTC
WOMEN'S INTUITION.
it didn't used to be this way leaving hours in decay armadas sailing chalks of line rotten days drop from the vine princess killer hides her hole from burning as the starlight stalks the skyline the rain pounds the nails in yearning we pollute our love with time
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Aug 30, 2013
Aug 30, 2013 at 1:35 AM UTC
crepuscule with nellie
Grandad never spoke. Never spoke of war; his war; 1914 -18 war. Trenches, barb wire, mud, blood. Never spoke of it. Drive the horses and guns. 5'4" tall, fine framed. Tattoo for love of Nellie on his right arm. Never spoke of what he saw. Saw blood, mud, bodies, horses and guns. Granddad was quiet. Soft spoken. Nightmares haunted until he was woken. Granddad never spoke. War is no talking matter -no joke.
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Aug 31, 2017
Aug 31, 2017 at 2:40 PM UTC
Grandad Never Spoke.
Cordon off the tombstone Nellie Hide your spleen from sight, Render clean the history Nellie Make it all seem right. Remember well your anger Nellie How you stabbed so hard, And buried deep your nemesis Beneath the dunghill yard. Wash your hands of blood my Darling Rinse your eyes of bile, Knowing that forgetfulness Will help you for a while. Tally up the score my Nellie For bleak as it may seem, Much lesser men have won at court With margins half as keen. Saddened eyes are weeping Nellie They called you to account, Rough rope at dawn around your throat At yonder wooded mount Call the baying hounds in Nellie Tether them up tight, For misery’s afoot with gallows Trudging into sight. Watch the darkness fade so softly Bask in rising sun, Savour these, your last sensation, Now your time is done. It’s tantamount to crying Nellie Prone there as you lie, Grey locks awry in meadow green As brilliant blue eyes die. Marshalg Victoria Park Tunnel 12 June 2010
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Jun 11, 2010
Jun 11, 2010 at 1:10 PM UTC
Nells' Demise
you’ve lost that twinkle in your eye your hair has dulled to gray your hands are gnarled and cracked and dry your memory slowly fades. you’ll never get to hold her hand you’ll never see her smile her life on earth has just began while yours has just a sweet short while how I wish there was a way that you could somehow feel the love inside this little girl whose name you’ll never know
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Jan 31, 2015
Jan 31, 2015 at 5:27 AM UTC
Nellie
One hundred years ago My Mammy was just three, The exact same age as me, When she sailed us across the sea, All those years ago. Just lately,  just now, I said Mammy's Mammy's name out loud. What was that, I asked. For sure her name's not been said For many, many years. Margaret Duffy A dog barked. So I said my mother's: Mammy A breeze furled the window sheers. The dog continued to yelp, So I said her other names louder: Brigid...........Nellie I will keep the wind inside me, And allow the dogs their day; Your names will still be called upon, In stress or tranquility.
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Jun 3, 2023
Jun 3, 2023 at 6:06 PM UTC
Let Me Just Answer, "What's in a Name?"
Father Joe died that year. The Benedictine monk who’d got you through the worst of things. Cancer got him in the end. Your youngest daughter was born that year but nearly lost some heart **** up the docs fixed with their box of tricks and the hand from God you guessed. A year you’d listened to Nellie Melba from old opera recordings on your Walkman sitting on trains to the hospital and back having visited the sick wife and babe both on different wards. Before the babe was born you and your wife had visited the abbey grounds where Father Joe had been laid to rest with a simple cross.
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Aug 10, 2012
Aug 10, 2012 at 2:36 AM UTC
THAT YEAR 1998.
In the wake of Poseidon we live our lives Tossed to and fro as ships on stormy seas Where the stability of land is nowhere in sight ****** into an invisible vortex We hover about in a Bermuda triangle And suffer our delirium Ha ha! One way or the other we align to the moon Her pale face resembles our own as we wallow in the throes of her curse An incongruent blend of sanguine and melancholy disposition And the crux of it all is how we cordially board The vessel that sets us sail into the treacherous waters Where sirens sing us to gloomy depths of emotional turmoil Nellie Nkosi
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May 6, 2015
May 6, 2015 at 5:33 AM UTC
EMOTIONAL TURMOIL
On the backs of the women before us Stands legacy and triumph, Women like Anna Komnene   Who saved her father’s reputation, knew the classics, And supervised hospitals, Proving you can be royalty and brilliant, Empress Wu, The only known empress in early Chinese history, Who challenged the norms for women liberation, On the backs of the women before us, Are the Roasies, The strong women who joined industry and steel during World War 2, Doing a man’s job, Showing women have muscle, A group known as the night witches Women who bombed Nazi’s in the darkest hours, Showing women can fight, On the backs of the women before us, Sacajawea, Who at 16 trekked the mid-west with Lewis and Clark with a baby on her back, Proving women can endure,   Kathrine Johnson, Who proved to the world gender and color doesn’t matter, Anyone can use mathematics for the growth of humanity, Rosa Parks, who looked into the eyes of a white man, And refused to give up her seat, Proving that women can revolt, Nellie Bly, Who mothered investigative journalism, Florence nightingale, Who without her nursing wouldn’t have its roots, On the backs of the women today, Is Malala who at 15 was shot for standing up for a girl’s right for education, Or Gretta Thunberg who at 17 is fighting for a greener earth, On the backs of the women before us, And on the backs of the women today, Are women showing girls that tomorrow and the day after, They can look into the eye of a man and say Try me.. I’ll go far
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Mar 25, 2020
Mar 25, 2020 at 3:20 PM UTC
On the backs of the women before us
On the backs of the women before us Stands legacy and triumph, Women like Anna Komnene   Who saved her father’s reputation, knew the classics, And supervised hospitals, Proving you can be royalty and brilliant, Empress Wu, The only known empress in early Chinese history, Who challenged the norms for women liberation, On the backs of the women before us, Are the Roasies, The strong women who joined industry and steel during World War 2, Doing a man’s job, Showing women have muscle, A group known as the night witches Women who bombed Nazi’s in the darkest hours, Showing women can fight, On the backs of the women before us, Sacajawea, Who at 16 trekked the mid-west with Lewis and Clark with a baby on her back, Proving women can endure,   Kathrine Johnson, Who proved to the world gender and color doesn’t matter, Anyone can use mathematics for the growth of humanity, Rosa Parks, who looked into the eyes of a white man, And refused to give up her seat, Proving that women can revolt, Nellie Bly, Who mothered investigative journalism, Florence nightingale, Who without her nursing wouldn’t have its roots, On the backs of the women today, Is Malala who at 15 was shot for standing up for a girl’s right for education, Or Gretta Thunberg who at 17 is fighting for a greener earth, On the backs of the women before us, And on the backs of the women today, Are women showing girls that tomorrow and the day after, They can look into the eye of a man and say Try me.. I’ll go far
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Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice runs still near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before she knew grieving tears, But her eyes will burn in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, With a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. (There were no vows for Nellie then.) At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, A Coventry move would surely do. (and thistles bloomed as they grew.) Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons or daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy waited for our family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; But Jimmy and Marlene left us too. Death is sure, Death is cruel. Grandchildren came for Little Granny, Brigid, Nellie, her names are many. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I may invoke her one true name:                             "Mammy."
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May 10, 2025
May 10, 2025 at 9:55 AM UTC
Her Many Names
Brigid was born on a flax mill farm, Near the Cavan border, in Monaghan, At Lough Egish on the Carrick Road, The last child of the Sheridans. The sluice runs still near the water wheel, With thistles thriving on rusted steel. What's known of Nellie's early years? Da died before she knew grieving tears, But her eyes will burn in later years. She's eleven posing with her class, This photo shows an Irish lass. Her visage blurred, Her eyes look distant, Yet recognizable In an instant. She attended school for six short years, The three R's, some Irish, With a Doctorate in tears. Her Mammy grew ill, She lost a leg, And bit by bit, By age sixteen, Nellie buried her first dead. Too young to be alone, Sisters and brother had left the home. The cloistered convent took her in, She taught urchins and orphans About God, Grace and sin. (There were no vows for Nellie then.) At nineteen she met a Creamery man, Jim Lynch of the Cavan clan; He delivered dairy from his lorry, Married Nellie To relieve their worry. War flared up, and men were few, A Coventry move would surely do. (and thistles bloomed as they grew.) Nellie soon was Michael's Mammy, Then Maura, Sheila and Kevin were carried. When war floundered to its end, They shipped back to Monaghan, To work the flax mill again. The thistles and weeds That surrounded the mill, Were scythed and scattered By Daddy's zeal. He built himself a generator. And powered the lights and the wheel. Sean was born, Gerald soon followed; Then Michael died. A nine year old, His Father's angel. (Is this what turns A father strange?) Francie arrived, Then Eucheria, But ten months later Bold death took her. Grief knows no family borders For brothers and sisters, sons or daughters. We left for Canada. Mammy brought six kids along, Leaving her dead behind, Buried with Ireland in familiar songs. Daddy waited for our family, Six months before Mammy got free From death's inhumanity. Her tears and griefs weren't yet over, She birthed another son and daughter; But Jimmy and Marlene left us too. Death is sure, Death is cruel. Grandchildren came for Little Granny, Brigid, Nellie, her names are many. She lived this life eduring pain That mothers bear, Mothers sustain. And yet, in times of personal strain, I may invoke her one true name:                             "Mammy."
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81
The day you slept I cried I wonder why My heart sat in my throat trying to choke me so I could sleep along with you And yet while you lived I would have kept my distance Kept far from your disdaining reach Now I would have given anything to wrap my arms around your warm waist To touch your smooth camel skin, trace my fingers on your cinnamon freckles Or just stare into your hot brown eyes And yet while you lived I would have kept mine lowered Kept my gaze averted from your frightening glare While you existed I cried I think I know why My brains boggled in my head wildly so I could be unhinged like you It seemed uncanny how the powerful, fierce woman I once feared Had now become just a frail, helpless shadow of herself Still spewing malignant insults at me from her chaffed mouth Cursing fervently with force that would bend me again to her will In your weakness your words still crushed me Orders barked from your sick bed jolted me As if the strength would return and position you to punish me if I didn’t obey When you lived I cried I know why My body stayed in a constant state of swelling, bruising and wounding So I could be scarred like you It didn’t matter that I was innocent and needed your love Only fist punches, metal rod lashes, finger nail pinches Sometimes hair pulls, palm slaps, boot kicks and back hands On better days the odd berating in public would do the trick Yes, this was the only kind of love you had for me The kind to pound me into the ground Well now you’ve long been gone All that you broke down in me, I’ve rebuilt With tears and hunger and shrinking The scars have healed and I’m whole The love you withheld, I have found in myself Nellie Nkosi
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Apr 13, 2015
Apr 13, 2015 at 9:19 AM UTC
MY MOTHERS LOVE
The day you slept I cried I wonder why My heart sat in my throat trying to choke me so I could sleep along with you And yet while you lived I would have kept my distance Kept far from your disdaining reach Now I would have given anything to wrap my arms around your warm waist To touch your smooth camel skin, trace my fingers on your cinnamon freckles Or just stare into your hot brown eyes And yet while you lived I would have kept mine lowered Kept my gaze averted from your frightening glare While you existed I cried I think I know why My brains boggled in my head wildly so I could be unhinged like you It seemed uncanny how the powerful, fierce woman I once feared Had now become just a frail, helpless shadow of herself Still spewing malignant insults at me from her chaffed mouth Cursing fervently with force that would bend me again to her will In your weakness your words still crushed me Orders barked from your sick bed jolted me As if the strength would return and position you to punish me if I didn’t obey When you lived I cried I know why My body stayed in a constant state of swelling, bruising and wounding So I could be scarred like you It didn’t matter that I was innocent and needed your love Only fist punches, metal rod lashes, finger nail pinches Sometimes hair pulls, palm slaps, boot kicks and back hands On better days the odd berating in public would do the trick Yes, this was the only kind of love you had for me The kind to pound me into the ground Well now you’ve long been gone All that you broke down in me, I’ve rebuilt With tears and hunger and shrinking The scars have healed and I’m whole The love you withheld, I have found in myself Nellie Nkosi
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Edna drew the curtains on the night sky; Nellie was already in bed, watching. Did you undress without drawing the curtains? Edna said. It was in the dark; I didn't light the candle until after. The candle flickered in the candle holder. Shame about the old dear; do think she'll cope now the old buzzard is dead? Edna said. Her daughter said she will, Nellie said, watching as the maid began to undress. **** wasn't so sure; she reckons she'll peg out next, Edna said. What does old **** know; she's just the cook, Nellie replied. She studied Edna wash quickly in her underclothes. ****** cold, Edna said. Come to bed then, said Nellie, and I'll warm you. Edna dried herself quickly; then put on her old nightgown. Poor old dear, Edna said quietly. She climbed into the old bed and pulled the blankets over them. Nellie blew out the candle and the room in the attic was swollwed by darkness, except for a slither of moonlight which pushed through the parting where the curtains didn't meet. Edna giggled. Quiet, Nellie whispered. Well don't touch me there, Edna replied. Where? Nellie said. Edna giggled again: There, she muttered. Outside it began to rain.
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Nov 15, 2018
Nov 15, 2018 at 4:01 PM UTC
Maids at Bedtime 1924.
DIRECTIONS I’m heading West (where ever that is) . I march off into the distance of field & sky. West is where my uncle is. I cut through the heat haze. My uncle’s dinner wrapped up in a scarf on the end of a stick as if I am running away into forever. Tea slops in an old milk bottle with a piece of cloth as a stopper. I stare into the empty air as if suddenly I will discover there a sign saying: “West – this way! ” My Auntie Nellie’s instructions still stamped on the inside of my stupid skull. “Go west into the field with your Uncle Michael’s dinner. “Tell him. . .” Me too terrified to tell her I don’t know where West is? Typical townie! I search the farm field by field ‘till I finally find him sprouting out of a field with a cloud attached to his head beside the broken rickety gate where the tiniest ever wild strawberries grow. So this is where West is! Why didn’t she say so in the first place! This I know! Why send me like a fool on a child’s errand! My uncle devours everything ‘cept the scarf & the stick. Tells me (“Oh no! ”) to go South to where Uncle Seanie is and. . .
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Jun 4, 2019
Jun 4, 2019 at 6:58 AM UTC
DIRECTIONS