PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

the british way, not mentioning
yarn, too much, repeating words,
where no longer necessary. wool
in abundance here, piled on wool
lorries, neatly balanced with

premium  acrylic.

it is a fine line we walk,
gently avoiding peptides,
only just a theory, yet used
independantly, alongside
honest work, for mending.

today is hallow e’en

sbm

The willow hangs,
drapes the ground,
dances to a tune
unheard in the hum
of cars and lorries,
in the commotion of
people passing in a
hurry, barely noticing
anything more than the
phones tapped with
fingers & thumbs.
But I notice,
I see it all,
the dance on display,
the symbol of sanity
I need today.

Hunting has a noble heritage, for sure
Bringing us together, it forged a species
Keen-eyed, communicative, feared by the fierce

               So who am I to begrudge you your sport?
I, too, love wide open skies, tramping over bog and fen,
I even quite like dogs!

I imagine nature might reveal herself to you
In signs jealously guarded from the armchair carnivore.
I can almost reconcile your harsh percussion
With the croak of the raven, the sloshing tide
And the chewing and mooing of cattle.

But the pheasant!  For the love of God, the pheasant?
It can hardly be a battle of wits!
I've seen him as he sits, a big, red bullseye
On fences and *****,
Startled by every day he survives.

How stirring can it be,
Picking off the ones the cars and lorries never got?

When you carry him home,
Better off dead,
Hang him in your garage for a week
Feeling like Henry VIII,
Cut him down, slit him open and find the crop
Stuffed not with heather shoots and beetles
But with half a pound of store-bought grain
(Generously laced with antibiotics) -
I hope the realisation creeps up
That you may as well have asserted yourself
In the hen coop,
Blasting away at befuddled poultry
And saving yourself a walk.

Old Deuteronomy’s lived a long time;
He’s a Cat who has lived many lives in succession.
He was famous in proverb and famous in rhyme
A long while before Queen Victoria’s accession.
Old Deuteronomy’s buried nine wives
And more—I am tempted to say, ninety-nine;
And his numerous progeny prospers and thrives
And the village is proud of him in his decline.
At the sight of that placid and bland physiognomy,
When he sits in the sun on the vicarage wall,
The Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My mind may be wandering, but I confess
I believe it is Old Deuteronomy!”

Old Deuteronomy sits in the street,
He sits in the High Street on market day;
The bullocks may bellow, the sheep they may bleat,
But the dogs and the herdsmen will turn them away.
The cars and the lorries run over the kerb,
And the villagers put up a notice: ROAD CLOSED—
So that nothing untoward may chance to distrub
Deuteronomy’s rest when he feels so disposed
Or when he’s engaged in domestic economy:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My sight’s unreliable, but I can guess
That the cause of the trouble is Old Deuteronomy!”

Old Deuteronomy lies on the floor
Of the Fox and French Horn for his afternoon sleep;
And when the men say: “There’s just time for one more,”
Then the landlady from her back parlour will peep
And say: “New then, out you go, by the back door,
For Old Deuteronomy mustn’t be woken—

I’ll have the police if there’s any uproar”—
And out they all shuffle, without a word spoken.
The digestive repose of that feline’s gastronomy
Must never be broken, whatever befall:
And the Oldest Inhabitant croaks: “Well, of all …
Things… Can it be … really! … No!… Yes!…
**! hi!
Oh, my eye!
My legs may be tottery, I must go slow
And be careful of Old Deuteronomy!”

Of the awefull battle of the Pekes and the Pollicles:
together with some account of the participation of the
     Pugs and the Poms, and the intervention of the Great
     Rumpuscat

The Pekes and the Pollicles, everyone knows,
Are proud and implacable passionate foes;
It is always the same, wherever one goes.
And the Pugs and the Poms, although most people say
That they do not like fighting, yet once in a way,
They will now and again join in to the fray
And they
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now on the occasion of which I shall speak
Almost nothing had happened for nearly a week
(And that’s a long time for a Pol or a Peke).
The big Police Dog was away from his beat—
I don’t know the reason, but most people think
He’d slipped into the Wellington Arms for a drink—
And no one at all was about on the street
When a Peke and a Pollicle happened to meet.
They did not advance, or exactly retreat,
But they glared at each other, and scraped their hind
     feet,
And they started to
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now the Peke, although people may say what they please,
Is no British Dog, but a Heathen Chinese.
And so all the Pekes, when they heard the uproar,
Some came to the window, some came to the door;
There were surely a dozen, more likely a score.
And together they started to grumble and wheeze
In their huffery-snuffery Heathen Chinese.
But a terrible din is what Pollicles like,
For your Pollicle Dog is a dour Yorkshire tyke,
And his braw Scottish cousins are snappers and biters,
And every dog-jack of them notable fighters;
And so they stepped out, with their pipers in order,
Playing When the Blue Bonnets Came Over the Border.
Then the Pugs and the Poms held no longer aloof,
But some from the balcony, some from the roof,
Joined in
To the din
With a
Bark bark bark bark
Bark bark BARK BARK
Until you can hear them all over the Park.

Now when these bold heroes together assembled,
That traffic all stopped, and the Underground trembled,
And some of the neighbours were so much afraid
That they started to ring up the Fire Brigade.
When suddenly, up from a small basement flat,
Why who should stalk out but the GREAT RUMPUSCAT.
His eyes were like fireballs fearfully blazing,
He gave a great yawn, and his jaws were amazing;
And when he looked out through the bars of the area,
You never saw anything fiercer or hairier.
And what with the glare of his eyes and his yawning,
The Pekes and the Pollicles quickly took warning.
He looked at the sky and he gave a great leap—
And they every last one of them scattered like sheep.

And when the Police Dog returned to his beat,
There wasn’t a single one left in the street.

-10-
Regular Albert Whisker,
FE Squadron,
born 1939,
joined up at 18.

First time away from home and loving it, sir!

-9-
One day,
I’m just minding my own
at the airbase in Stranraer
when two officers appear
out of nowhere
and they ask
they ask if I’d fancy a long weekend?

Why not? I say.

Why not?

-8-
We’re staying at the Governor Clinton Hotel,
It's in New York.
Everything laid on.
Trip to Broadway and all.
Three whole days of paradise
All on the MOD.

-7-
Oh Gor Blimey!
What a sight when we stepped off the flight
onto Christmas Island for the first time.
Crushed white coral dust.

Like nothing I’d ever seen.

-6-
Our job is mainly to just do our job
which is mainly just military driving.
Land-rovers, lorries, tankers and that.
And avoiding the island ***** -
three times a day, they'd all crawl up the beach -
but they didn’t pay us for that.

-5-
Someone showed me their diary today
and it had a letter ‘H’ under today’s date.
So I’m working on the beach
when the tannoi sounds:

“Sit down and cover your eyes.
Testing will begin in five, four…”

-4-
And there was light.
A flash right through your skin and hands.
The biggest bang I’ve ever heard.
A flash.
Through your skin and bones and hands.
The biggest bang I’ve ever heard in all my life.

-3-
Then it was over.

Nothing much changed.

-2-
Except the mushroom cloud was there for quite a time.
And the Canberra bombers, the white ones, they flew through the cloud like little spores.

-1-
Then one day they just said “You’re done”
and we queued up to fly home to England.

Saw the new ones, the ‘moonies’, getting off the plane.
Sad to leave I was, yeah.
It was a good posting.
And nice weather, never rained,
Not rain at any rate.

Then, not long after, I was sent home for good.
They said I’d caught a cancer off a someone and
for me own good
I had to be discharged.

-0-
Sad really.

It was a good posting.

There were raised voices. Ingrid heard them. Her father's booming voice over her mother's screech. She stirred in her small bed. Pulled the blankets over her shoulder. Sheltered by the thick ex army coat of her father's on top of the blankets she snuggled down trying to shut out the sounds. It was Saturday, no school. She hated school, hated the tormenting kids, the lessons, the teacher bellowing at her. Only Benedict talked kindly to her, only he made her laugh, took her on adventures round and about, the bomb sites, the cinema, the swimming pool in Bedlam Park. The voices got louder, there was a sound of glass smashing. Silence followed, her mother's screeching began again, her father's booming voices trying to drown her out. Ingrid pulled the blankets tighter around her. She daren't go out along the passage until it was over. Even though she needed to ***, she held it in, thought of other things. Her wire framed glasses lay on the bedside cabinet her mother had bought at a junk shop. The thick lens were smeary, the wire frame slightly bent where her father's hand had clipped them when he slapped her about the head for talking out of turn. There was a small cut on her nose where the glasses had caught. A radio began to play, the voices had stopped. A door slammed. Her father had gone out. She poked her head out of the blankets. Music filtered through into her room from the radio. She got out of bed and stood on the wooden floor boards. Her clothes: dress, cardigan, underwear and socks were laid neatly on a chair where she'd folded them the night before. She opened the door of her bedroom and ventured down the passage to the toilet and shut the door and put the bolt across and sat down. The music played on. Her mother began to sing. She had weak voice, kind of like a child's. Ingrid played with her fingers. Pretended to knit, as her mother had unsuccessfully tried to show her, with imagined knitting needles. As she sat she felt the bruise on her left buttock. Her father's beating of a day or so ago. She knitted faster, fingers racing. She stopped dropped a stitch as her mother called it. She left the toilet and went to wash in the kitchen sink. She wished they had a bathroom like her cousin did. Her parent's bath was in the kitchen with a table that was let down when not in use. She washed in the cold water, her hands and face and neck. Dried on the towel behind the door. Her mother came in carrying a cup and saucer. She set it down on the draining board and looked at Ingrid. Get yourself some breakfast and then get dressed, if your father catches you in that state, he won't half have a go, her mother said. Ingrid went into the living room and got a bowl from the glass fronted cupboard and a spoon from the drawer and poured herself some cereals and added milk from a jug on the table and sat to eat. Her mother brought in a mug of tea for her and put it on the table and went off to the bedroom to make the bed. The music from the radio played on from the living room window she could see the streets below, the grass area beneath with the two bomb shelters left over from the War where she and other sat or climbed or played around. Over the street was the coal wharf where coal lorries and horse drawn wagons loaded up with sacks of coal. She ate her cereals. A train went across the railway bridge over the way;puffs of smoke rose in the air. Below boys played on the grass. One of the boys had offered her 6d to see her underwear, but she had refused. He shrugged his shoulders and said your loss and wandered off. 6d would have bought her sweets, a drink of pop, but she had her pride. She finished her breakfast and sipped her tea. Warm and sweet. She let her tongue swim in the tea. Benedict said he would buy her some chips after the morning film matinée at the cinema. Her mother said she would give her 9d for the cinema, but not to tell her father. As if she would, she mused, watching a horse drawn wagon leave the coal wharf. She drank the tea and took mug, spoon and bowl into the kitchen  and washed them up and left them on the draining board. She went to her bedroom and took off her nightdress. The mirror on the old dressing table showed a thin pale looking nine year old girl with short cut brown hair and squinting brown eyes. She only saw a blur. She put on her glasses and peered at herself. No wonder the boys laughed at her and the girls avoided her. Only Benedict was friendly to her. He said she was pretty. She couldn't see it, the prettiness. She turned. Over her thin shoulder she saw the bruises on her buttocks. Fading. Bluey greeny yellowish. She walked to get her clothes off the chair and began to dress. She wished she had a cleaner dress, she'd worn that one for nearly a week. The cardigan had holes and there were buttons missing. She did up what buttons there were and brushed her hair with the hairbrush her gran had given her. It had stiff bristles and a large wooden handle. She stood in front of the mirror and peered at herself. She put the 9d her mother had given her in her pocket. Ready or not Benedict would be there soon. He knocked his own special knock. Once her father answered and glared at Benedict and asked what he wanted. Benedict said, to see the prettiest girl in the world. Her father glared harder, Benedict simply smiled. How did he do that? How did he do that to her father? There was a tensive wait, her father glaring and Benedict looking passive. Then her father called her to the door and said, this here boy asked for the prettiest girl in the world; he must have got the wrong address. Ingrid went red and looked at Benedict. No, right address and girl, Benedict said,looking by her father's brawny arm at her. How she managed not to wet herself she didn't know. Her father just walked back indoors and left them to talk on the balcony without any more words and she never got a beating afterwards, either. Now she waited for that special knock. That rat-rat and rat-rat. She smiled at her reflection. Prettiest girl. Ugliest more like. Rat-rat and rat-rat. He was there. He'd come. She could hear his voice. She took one last look at herself in the mirror, wet fingered she dabbed at her hair. Time to go, time to get out of there. Her knight in jeans and jumper had come on a white horse to take her away; imaginary of course.

Four pigeons sing-song, nine hours the day long
Menial and manual, this warehouse life is annual
Lonely industrial estates on a hazy morning
when the ecstatic eastern winds are horning

Where I count boxes, load lorries and dodge bosses
Listen to the birds coo and a phone playing blues too
I give names to them all, the birds in the rafters
and sing a nine hour song of all their ever afters

Dirt under my nails, from a day of insulation sales
The solace I find of an eve is the fantastic words you weave
You who write to live, you who my soul I will give
The ghost of my future self, a rambling poet
working for money, I'll be you I just know it

Simultaneous afterlife, generational satellite
The energy we possess, is transferred with every breath
You are me and I am you, together, nothing we can't do
Some day I'll run wild, a leader of a literary mob
but right now I just dream of such things on the job

Enid barely hears her mothers farewell not given happily not wanting her daughter to to go out to see the boy Benny whom Enids father doesnt like but none the less she lets Enid go out of the flat calling out half heartedly as she puts the boiler on for washing Enid rushes down the concrete staircase of the flats before her mother changes her mind and calls her back she takes the concrete steps two at a time to get out of the flats faster  then out into the Square out into the fresh morning air rushing past the man with his boxer dog not looking back in case her mother is on the balcony beckoning her back home she runs down the ***** her hair sensing the air going through it where will Benny be? she muses coming to the end wall of the ***** and taking a right turn through a gap in the wall and waits on the kerb of Rockingham Street looking up Meadow Row wondering if Benny is on the bomb site up there behind the green grocer shop she waits her feet on the edge of the kerb rocking back and forth wondering whether he will be there or whether he is still at home in the flats  after a few minutes of indecision she crosses Rockingham Street and walks up Meadow Row slowly hoping Benny is there because she doesnt like going on bomb sites on her own too creepy and there might be tramps hiding there and she doesnt like them they frighten her she passes houses and looks up towards the green grocer shop in case Benny is there waiting like he sometimes does but no he isnt there  she passes the public house on the corner hears a piano playing and the smell of beer and an old man at the bar drinking and smoking she walks to corner and turns into the Arch Street where the back of the coal wharf is and the bomb site opposite she walks up gingerly hands folding inside each other nervously coal wagons and lorries are parked by the coal wharf  and coal men are busy working loading up both lorries and the wagons drawn by horses she looks over the bomb site scanning the ruins and half walls for Benny she screws up her eyes and puts a hand over her eyes to block out the morning sunshine and yes there he is she says to herself over by the wall putting cans on a low wall as targets for his catapult practice she walks over towards him glad she has found him happy for the first time that morning despite her  fathers temper and rages she had not been touched that morning no slaps or hidings just the rows and her mothers screams and cries Benny turns and sees her and waves his hand beckoning her over she walks over the bomb sites uneven ground  until she is next to him he studies her takes in her face and eyes and scans her body for bruises and black eyes none good he muses sticking his catapult into the back pocket of his jeans you all right then? he asks yes she says wondered if you were here or not been here a while now he says you got out all right then? he asks noticing apprehension in her eyes yes just about Mum let me come although I have to be careful Dad doesn't see me with you or therell be hell to pay Mum said Benny nods his head he knows Enids old man knows hes a bully and belts Enid but he befriends Enid despite her old mans dislike of him whered you want to go? Benny asks she shrugs dont mind where he smiles what about Kennington Park? she looks unsure is it far? she asks no about fifteen minute walk he says not been there before she says is it good yes it is good he says we go along Kennington Park Road and when we get there we can get a drink of pop and maybe an ice cream her eyes light up then she frowns havent got money she says he raises his eyebrows so? Ive got a few bob my old man gave me some for doing a few jobs for him and my mum gave me a bob for getting her some shopping the last few days Benny says Enid nods her head and wishes her parents gave her money for doing jobs rather than her fathers hand across her backside or her mothers sharp tongue well? Benny says want to go? ok she says it sounds good and Ive not been before but at the back of her mind she worried about her father what he would say or do if he found out shed been out with Benny come on then Benny says and they walk across the bomb site she walking beside him feeling happy to be with him feeling safe despite them being only nine years old Benny seemed older seemed like her knight in short sleeved jumper and jeans  they walk on to the New Kent Road and she knows Benny knows his way even if she doesnt well how was your morning? Benny asks looking at her side ways on my dad was in a mood and shouting and there was a row so I hid in my room until he went to work and Mum wasnt happy but she said I could go out but to be careful Enid says her voice letting the words flow as much as to inform as to get it out of her mind what set him off? Benny asks looking both ways before they cross the road dont know he was rowing first thing their voices loud and hen Mum screamed and I was afraid hed come in my room and give we a whack or something as he does if hes in a mood but he didnt Enid says they walk on down Kennington Park Road traffic passing them by hes a *** on your old man Benny says I had him in my sights the other evening when I had my toy rifle on the balcony I could have blown his head open with one shot but the cap just went BANG and Enid jumps back and Benny laughs sorry didnt mean to frighten you he says holding out a hand towards her which she takes and holds did he see or hear you? she asks no I hid behind the walls but I reckon he nigh **** himself and they laugh and she feels a **** of happiness run through her and his hand holds hers warm and soft and secure shes happier now than shes been for age thats for sure.

Off lone island bay,
Outlander waves are praying,
Curly in their white caps.

Cars and lorries are creeping
Into a village still sleeping,
Coming in from nowhere.

Stones have things to voice,
There are stars of rock fish
Deep in bays with the moon.

Beyond night dream are lochs,
Darks and colds of longings,
Mountains old as confusion.

Birds chime their mouth musics,
Churlishly sent over moorlands,
All questions ring unanswered.

On broke beaches are notions
Of days strung to faraways
And sands bleached ancestral.

Off lone island bay,
Simple comings, waves, goings,
After sly moon, sun has its say.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

I don't know about the world
I have never believed in anything
anyone

But I believe in her

To the end of the universe
Because when the stars burn

And heaven decides it has had it
Hell wants me
My soul is shattered
And pulled everywhere at once

When I can't stop the shaking
The earth floor is pulled out
From beneath my feet

When my world fades
I look around furiously

But I cannot see what everyone else
Focuses on

And I cannot understand the colourless
World around me
Just blurs and shapes
With white noise surrounding me

Standing in the middle of a crossroads
With lorries bearing down
Without brakes
From all directions




My god,
I believe in her





*she'll be there

You walked back
from the shops
through the Square
having shopped

for your mother
Helen beside you
helping to carry
the heavy bags

her doll Battered Betty
in her free hand
Helen dressed
in her dark blue raincoat

and hood
her thick lens spectacles
smeared by the light rain
her brown shoes

letting in water
you in your black raincoat
buttoned up to the neck
your black shoes

treading through puddles
you climbed the stairs
to your flat
on the fourth floor

and along the balcony
and went in
through the front door
and put the shopping bags

on the kitchen floor
you look like drowned rats
your mother said
best get out

of those wet coats
or you'll catch your deaths
and so you took off
the raincoats

and she gave you
a towel each
to dry off
in front

of the living room fire
Helen took off
her spectacles
and wiped them

on the hem
of her green flowered dress
I must look a mess
she said

the boys at school
call me Dracula's sister
they can say what they like
you said

to me you're my Maid Marian
to my Robin Hood
besides they couldn't
understand beauty

if it crept up
and pinch their bums
she laughed
and wiped

her frizzy
dark brown hair
on the white towel
you dried your hair

and face
and took in
her lost girl look
her spectacles

on the dinning room table
her hair
all over the place
her squinting eyes

I can take you
to the cinema
if you like
this afternoon

you said
there's a Cavalier
and Roundheads film on
with plenty of sword fights

I'll have to ask my mum
Helen said
I expect she'll say yes
especially if I'm going

with you
I think she'd trying
to me marry me off with you
even if we're only 8

she rubbed her hair quickly
then put the towel
on the chair with yours
Battered Betty her doll

was sitting on the floor
by the fire place
looking sorry for herself
Helen picked the doll up

in her arms
and you both looked
out the window
at the coal wharf

across the road
and the lorries
and horse drawn coal carts
coming and going

when we're married
Helen said
we can live in a castle
and look out

from the battlements
over the countryside
and I can have pretty girls
and you can train our sons

to be knights
yes
you said
and ride horses

and have sword fights
with the bad knights
and you showed her
the blue bladed sword

your old man made for you
at his workplace
and you showed her
your sword fighting skills  

afterwards she said
I best get home
or mum will wonder
where I've got to

ok
you said
let me know
if you can go

to the cinema
and tell your mum
I've got the money
for tickets

and an ice cream
ok
she said
and put on her

still damp raincoat
and kissed
your cheek wetly
and went out and off

along the balcony
and down the stairs
(the rain had stopped)
and you watched her go

through the Square
and down the *****
and out of sight
she your Maid Marian

you
her shining knight.

Without God we cannot and without us God will not, Sister Bonaventure, the Italian  said, in R.E  at the school, where Fay sat looking at the nun's plump features and a second chin that lay on the nun's wimple. Cannot what? a girl said from beside Fay, a thin girl whose hand was raised above her head. Others stared in Fay's direction as did the nun. What do you think it means, Gloria? the nun asked, her dark eyes peering at the girl. The girl shrugged her shoulders. Salvezza, the nun said, salvation. Fay took the word and tongued it in her mouth like a boiled sweet. Salvezza. The other girls in the class sat mute; some looked at each and smiled either out of indifference or bewilderment, but Fay sat straight-faced, the words in her mouth, both Italian and English. Salvation? A girl asked, pushing her luck, seeing the nun's features harden like cement on a hot day. To be saved, the nun said, saved from damnation. The girls all Catholic and bought up from the cradle knew this, but it was a hot day and they had lost interest as soon as Sister Bonaventure had entered the class with the ease of a hippo into a muddy swamp. But Fay took the words and packed them away inside her head to **** upon in her nightly hours when she failed to sleep. After school, walking along St George's Road, she saw Benedict standing by the subway waiting for her. He stood with hands in his pockets, his school tie untied, hanging loose, his shirt collar unbuttoned. She smiled when she saw him; her stomach did a somersault; her eyes moved over him like hawks seeking prey. He smiled like Elvis, which he had mastered by studying the photograph in the paper and had cut it out and sellotaped it to his wall. Didn't know you were going to meet me, Fay said, thought you said you were busy. Benedict smiled. Wanted to surprise you, he said. Did you run home from school to get here by this time? No, got the bus, he said. She touched his arm with her thin fingers, felt the cloth of his school blazer. He looked at her; took in her fair hair, straight, but pinned at the sides with hair slides; at her eyes that were as pure as silk; at her features that he wanted to capture in his mind so he could conjure up in bed at night when he found it hard to dream about her. She looked past him, making sure her father-who didn't like Benedict- wasn't around; making sure that her father wasn't amongst the crowd across the way or in a passing bus. They walked back towards the flats together, side by side, hands not touching, but close, near touching. She told him of her day at school, about the Italian nun and the words that she had captured that day in R.E lesson. Salvation? he said, taking the word and moving it around his head and mouth like a puzzle to be solved. Sounds like something you put on if you've got a sore spot, he said. She smiled. It means saving our souls from sin and the consequences of sin, she said. They walked down the subway side by side, the words echoing along the walls. He looked at her as they walked, his hand near touching hers. Sins? What are they when they're at home? he asked, probably knowing the answer, but wanting her to say. Violation of God's will, she said. Violating our relationship with God, she added. He allowed his knuckles to brush against hers gently, letting her words float about his ears. Violate God's will? He said. She nodded. Defy, God's will, she said. Mm-mm, Benedict said, got you. Whether he had or not, Fay had no idea, she sensed his knuckles brush against hers, gentle, soft, skin on skin. They came out into the late afternoon sunlight, on to the New Kent Road, passed the Trocadero cinema, their hands brushing close. Changing the subject, before Fay could venture further into the words, he said, do you anything about periods? She stopped by the entrance to the cinema and gazed at him. Periods of what? History? Geographical times of changes? She said. No idea, a boy at school was talking about it, said his big sister was having her periods and was a dragon when she was, Benedict said, gazing past, Fay, at the photographs in the framed areas inside the cinema walls. She blushed, looked at the photographs, too. How old are you, Benny? She said. Same as you, twelve, he replied, taking in the photo of a cowboy, at how the cowboy had his guns set in his holster. And you don't know? she said, shyly, looking at him, blushing. He tried to copy the cowboy's stance ready to draw his imaginary gun from imaginary holster. No idea, he said, looking at her briefly before gazing at another photo. What do you learn in biology? she asked. O usual ******* about plants and sunlight and butterflies and bees and so on, he said. About butterflies or birds, then? he said, taking in the cowboy's stance again. Yes, she said quickly, not wanting to elaborate further.  They walked on passed the cinema and the used car area and walked over the bomb site towards Meadow Row. So what's the connection between this kid's sister and ****** birds or butterflies and periods? Benedict asked. She shrugged and smiled. Ask your mum, she said, she might know. He smiled, leaned down, picked up a few stones from the bomb site for ammunition for his catapult later, guess so, he added, taking in her blushing features. They paused half way across the bomb site and stared at the the coal wharf where a few stragglers of coal men loaded up the lorries and wagons again for last bit of business. He wanted to kiss her, but didn't want to take the liberty of just plunging his lips on her cheek as he'd seen them do in the cowboy films. She watched the coal men at work. She sensed him beside her, his closeness, his hand brushing against hers, skin on skin, flesh touching flesh, but she didn't want her father to see her touching Benedict's hand, because he'd go mad at her. I  want you to focus on your school work and what the nuns tell you about matters, not gallivanting with the likes of him, he said last time he saw her with Benedict, even though they lived in the same blocks of flats, he downstairs and she upstairs. Likes of him? What did that mean? She mused, looking away from the coal men and taking in Benedict beside her. God knows what her father would say if she kissed Benedict and he saw them. A few years ago he would have spanked her, but nowadays he just threatens her with it. Benedict turned and looked at her. Are you coming to the cinema for Saturday's matinee? Don't know; depends, she said. Depends on what? he asked. My dad and what he's up to and if he'll let me, she said. She paused, looked past Benedict to see if her father might be around. What's wrong with Saturday matinee? Benedict asked. She looked at him. Daddy thinks it's sinful to stare at those kind of films, although he did take us to see the Ten Commandments with Yul Bryner and Charlton Heston  a few years ago, she said. But you've been with me before, Benedict said. I know but only if Daddy's away on business or is away on religious retreat. Benedict raised his eyebrows and pulled a face and pouted his lips. She smiled. See what I can do, she said, looking over at Meadow Row making sure her father wasn't in sight. He wanted to kiss her, but didn't want just to plunge at her as he'd seen them do at the cinema, but what to do? She gazed at him, her body tingling for reasons she couldn't fathom. Best get home I suppose, she said, in case Daddy's there wondering where I've got to. They walked on across the bomb site slowly. Could I? He asked, pausing by the wall of  bombed out house. Could you what? Fay asked. Benedict looked at her. Kiss your cheek? She blushed and looked around her then back at Benedict. Why would you want to kiss my cheek? She asked. I've seen cowboys do it to women in films I just wondered what it was like, he said. Is that all? she said. All what? He said. That reason? She said. No, he said, looking past at the coal wharf, I like you a lot, wanted to show you how by kissing you. She felt out on a limb, beyond her comfort zone, yet something about it seemed satisfying, the gesture, the idea, the reason he wanted to kiss at all. She knew she was blushing, knew that her body was reacting in away unknown to her before. She looked across at Meadow Row, at the people passing over the way. Do I dare? She asked herself. What if Daddy sees? Not here, she said, maybe on the staircase of the flats if no one is around. He nodded, looked at her, touched her right hand, warm, silky soft. He wasn't sure of himself as he usually was; felt as if he were in bandit country and bad cowboys were at large. They walked on down Meadow Row, passed the public house with doors open and the smell of beer and a piano playing out of tune, passed houses and the crossed over by the corner leading into Rockingham Street. Their hands were apart from each other just in case. Her father in her case and other boys seeing, in his case, thinking he was breaking the schoolboy code into cissiness. They walked up the ***** and into the Square and walked towards the block of flats where they lived. She talked about Sister Bonaventure and sin and he talked about the boy's sister's period problem whatever it was. Half way up the second staircase landing they paused. Now? He asked. She looked up the stairs then down. Ok, she said softly. He kissed her cheek, damp, soft. She looked at him, then for reasons she didn't know she drew him to her and kissed his lips, then let him go. What happened to her or him they didn't understand just felt the inner glow.

/
One day I went along this way
to the river
She called me
I had heard, loved
got lost in her

Then,
at that river,
I was swimming,
had a bath
went to the other side,
plucked the red lotus
Tirelessly had seen her maze form,
told her my unspoken words

That time is over
The river is buried,
doesn't call no more
Away,
never hear the songs of downstream
do not write a love poem for her
In fact,
not going the way anymore

Now the way turned the Highway
Cried out to the big Lorries
when I open the old window,
See the rain forms but never reply

Why I still see the dream
In Rain,
A small boat on the river
has lost in the fog-
/
@Musfiq us shaleheen

Enid parts the curtains and peeps out at the sky and the coal wharf over the road where coal men are loading up the coal trucks and lorries she can hear her father's loud voice from another room she blinks at the sound the sky looks blue and a sun is coming over the railway bridge so maybe ok to go out and see if Benny is around and what he's doing today but her father's bark of a voice makes her shudder her mother's screech rides on the air over her father's bark in a kind of operatic duet she closes the curtains and sits on her bed waiting for the row to subside and hopes it will not overrun into her room and bring her into the firing line as it did sometimes she caresses her body in a way no one else does or will her ears on the alert for sounds coming nearer  she gets up and goes to the bedroom door and listens the voices are still in duet but softer now but more bitter then a thump thump sound a scream and cry and Enid moves back from the door and her eyes wide open she stares at the door as if at any moment it will explode inwards and her father come in on her in a spiteful rage she moves to the wall by the window and stands there waiting sensing her stomach rumbling with hunger needing feeding but she daren’t yet go out to the kitchen and the bruises on her arm and body have only just begun to fade from last time she creeps along to her bed and climbs in between the sheets and fakes to sleep maybe then he'll not disturb a roar of words explodes from the passage and a screaming voice counterpoints then silence and door slams and then whimpering then silence then a radio comes on  music replaces whimpering and roaring voices she sits up on the side of the bed and listens intently her stomach rumbles her breathing she notices is heavy her pulse is racing along she can sense it as she holds her wrist between fingers she gets up and walks slowly to her bedroom door and opens it cautiously and peers out along the passageway the radio is playing music her mother is singing along to it in a slightly croaky voice Enid walks down the passage and into the kitchen where a light bulb shows a messiness of plates and cups and saucers and a frying pan on the grimy stove she looks in the larder and takes out a box of cereal and taking a bowl from the shelf she fills the bowl up with cereal and pours in some milk she looks for a spoon and for the sugar tin you've got up then? her mother says standing at the kitchen door a cigarette between lips a bruise on her cheek Enid stares and nods about time at least you were out of his way God he was in a foul mood this morning her mother says moving into the kitchen the smoke from the cigarette following her into the kitchen and making Enid's eyes watery get your breakfast and best be out in case he's home lunch time and still in a mood her mother says Enid puts a spoonful of sugar over the cereal and goes into the sitting room her hand shaking she trying to keep the bowl steady and sits at the dining table listening to the music on the radio behind her she looks out the window through the net curtains at the railway bridge and out onto Rockingham Street and the beginning of Bath Terrace her mother enters the room a cup of tea on a saucer in her hand the smoke about her head and sits opposite Enid deep in thought rubbing the bruise on her cheek Enid wants to ask what was wrong with her father and why was he in such a mood but she doesn't she just eats in silence looking now and then at her mother's face and the bruise spreading there and the music seems too happy for the occasion and she wishes it wasn't on but she listens all the same don't annoy him when he gets home her mother says try and keep out of his way Enid looks at the cereal bowl the pattern of flowers around the outer rim what's up with Dad? she asks her spoon half way to her mouth short of money says I waste it says I don't know how to save her mother says looking out the window her eyes watery red the cigarette shaking between fingers Enid wants to go to hug her mother but doesn't in case her mother has bruises where Enid can't see says I spoil you too much her mother went on looking at her her eyes hollow and deep Enid says nothing but spoons the cereal into her mouth and stares at the tablecloth with its blue pattern her mother's words now drone on and Enid tries to shut them out and think of later and seeing Benny and talking to him he knows what she has to put up with he knows and he'll take her some place and she can forget for a while what has happened at home maybe they'll go to the park and ride the swings and slide or go on a bomb site and Benny collect stones for his catapult can I go out with Benny? she asks her mother breaking into her mother's monologue of woe yes I expect so her mother says tiredly but don't let your father see you with him you know your father doesn't like him or you being with him Enid nods and finishes her cereal and takes her bowl to the kitchen and washes the bowl and spoon under the cold water tap until clean and puts them on the draining board to dry catching sight of her father's shadow out of the corner of her eye.

Nima waits
by the Embankment
of the Thames
she has a few hours

freedom
a few hours to do
as she pleases
(within reason)

the doctors said
OK but no
needle pushing
no pill popping

and so she agreed
and was on her way
although the ward sister
wasn't pleased

she didn't like
her wordiness
her being
too up front

for lying
on her bed at night
******* her ****
thinking of Naaman

but she went anyway
took the train
and sits waiting
having put

on the all
too tight dress
(her father's words
on his rare visits)

and the tight top
with yellow birds
and she watches
the water flowing

the boats and barges
and the occasional
row boat going by
and then he's there

having come out
the tube station
concerned looking
his hair dark

and groomed
the jeans
and open necked shirt
been waiting long?

he asks
yes been almost
picked up twice
as a *****

she says
told them
go **** themselves
he looks at her

and beyond
the river's dullness
buses passing by
cars

motorcycles
lorries
the city alive
sorry about that

he says
train delays
she smiles
no matter

you're here now
how long
have you got?
he asks

a few hours of grace
she says
the doctors were good
said I could come

although the ward sister
the *****
almost put her oar in
but here I am

all yours
well for a while
at least
so where are we going?

how about a coffee
in the park
and a lay down
on the grass to chat

and smooch and relax
no art or cinema
or record shops
or window shopping

he says
or ***
she says
no place

unless you want to
want to have ago
in the bushes
or maybe be daring

and have it away
on  a park bench?
she smiles
no coffee

and a chat will do
he says
besides
I don't perform well

in public
and so they walk up
the road
and cross

by Trafalgar Square
and on down
and into the park
she talking about

dying for a fix
and other things
and he talking about
his boring job

the sitting
and drilling holes
into metal
or the pressing

of two sides
of metal together
and how he'd heard
the new Beatles' LP

something about
a Doctor Pepper
they buy two coffees
and talk on

she gazing at his hair
the eyes staring at her
his mouth opening
and closing

bringing her words
his fingers touching hers
his having dark hairs
along the fingers

hers none
white
thin
good for *******

and he studying
her eyes
seeing himself there
in that darkness

in that faraway place
far from God's kingdom
but near(he thinks)
to His grace.

i was asked a couple of weeks,
ago if i looked out for the lorries,
would i describe.

no, not any more.

yet, the bridge is small and narrow,
seems room for two to pass.

looked up, saw everyone watching
the big blue lorry stuck. still.

time passed, onlookers lost interest,
while gradually the lorry moved.

left the bridge. a coach came next.

a narrow bridge. there is another
in machynlleth.

sbm.

Julie stuffed the cigarette
into her mouth
and hungrily inhaled
Benedict was late

and she standing
by Charing Cross station
was annoyed
the morning

had started bad
the nurse on the ward
questioned whether
she should be allowed out

after not taking
her medication
and who
was she meeting?

after such questioning
and the doctor saying
OK but to be back
by such and such

an hour
she felt like a child again
as if her parents
had been resurrected here

and not at home
traffic whirled by
noise
cars hooting

vans and lorries
passing by
people
O such people

Eliot was right
about death
undoing so many
she exhaled

watching the smoke
sit on the air
before being
whooshed off

by a passing car
last time Benedict said
he'd meet her
by the station

at such and such
a time
and here she was
but not he

she leaned
against the fence
last time they'd gone
to the cinema

but this time
she wanted
more time away
from such places

to be with him
not sit
and watched a film
but where was he?

she felt like a *****
standing there
smoking
one hand supporting

one elbow
one hand holding
the cigarette in such
a sluttish way

she did feel
such a ****
wearing the short skirt
and the red top

her hair drawn severely
into a bun
at the back
of her head

last time
in Trafalgar Square
she'd been almost
picked up twice

dressing as she had
telling them
to *******
getting mad

even the nurse
on the ward
thinks she a ****
especially after

that quick ***
with Benedict
in that side room
she laughed  

and inhaled
her spirits rising
with the sight of him
coming up the hill

from the underground
waving his hand madly
happy to see him
knowing the day

after all won't end
that badly
and the image
in her mind

of the ***
in the cupboard
amidst brooms
and buckets

and mops
in the dark
and the fumbling
and he walking fast

towards her
that bright expression
in his eyes
thinking that is how

worlds are born
while another dies.

We sat on the grass in front of Banks House near the bomb shelters now unused but still there like monuments of a tragic past and the coal wharf across the way where coal lorries and horse drawn wagons waited to be loaded with coal and coke and the railway bridge over Rockingham Street where steam trains passed over noisily and behind us the windows of the flats of Banks House where nosey neighbours spied on the passing world and Fay said her father and mother had rowed that morning rowed loud enough to have the woman below in the flats to knock on her ceiling as if to say they were making too much noise with their voices and her father had stamped down on the floor as if to say mind your business and I asked her what they were arguing about and she said it was about her mothers attitude about church going and her faith being not what it was and her father had said she would end up in Hell and was it fair on her daughter to have a mother who was destined for such a place and I said it was her mothers choice about her faith if she had one still or even if she didnt any more Fay wasnt sure about it after all she said faith was a gift from God and a gift that needed nurturing and looking after not to be neglected or lost or so her father had said and even the nuns at school had said similar things at R.E. a week or so before and I said if faith was a gift from God how comes that some people never seem to have got it never got the gift of faith at all or if they had got the gift it had slipped through their fingers? she wasnt sure I could see it in her eyes and I knew she had a real fear of her father of his violence and his strictness regarding her faith and her knowledge of her faith and he didnt like her going out with me because he said I wasnt Catholic and had a lack of attitude towards faith of any kind and he-her father- didnt like me and had warned her not to go out with me and said dont you go out with that Benedict boy but she had secretly and stood the chance of punishment if she was found out being out with me and  she said she was between two people she loved her mother and her father and hoped to God they would not split up as her mother said at times when they rowed that she would and take me with her if she left that serious? I said and she said it seemed like it to her and after rows like the one today it seemed more likely than before and she said her father said that she could not leave him as they were married in the eyes of God and to leave would be to break her vows before God and be in a state of sin and a sin that could mean she was destined to go to Hell I opened the Tizer bottle I had brought with me from the off license and offered her a swig and she took the bottle in her hand and took a short swig and offered it back to me and I wiped the bottle top with my hand and took a big swig and it made my eyes water as the bubbles exploded up my nose I didnt like the thought of Fay being taken off by her mother and that I might not see her any more I couldnt bear to think of you not being around here any more I said she eyed the windows of the flats behind us  and leaned close to me and kissed my cheek I hope I don't leave here she said my friends are here and my dad and you especially she said I studied her blonde hair the smooth hair brought into a ponytail and the yellow dress she wore and white socks and the black shoes- slightly scuffed- maybe we should run away she said just us but she had said it in a romantic kind of way of thinking us being just twelve years old but it seemed quite fun in a romantic kind of way and I said sure where will we go? France she said Id like to go there and see men in berets and hear that French music and drink coffee at table on streets corners I smiled sounds good I said I offered her the Tizer bottle again and she wiped the top of the bottle with her palm and drank a big mouthful then gave it back to me where would you like to go? she asked me I said America to see Dodge City and see  where cowboys used to gunfight and maybe we could live in a log cabin and have a dog and keep cattle  and she smiled and kissed me and said you and your cowboys and such I drank from the Tizer bottle and put it on the grass beside me what about Rome? she said and see the Pope and the Vatican and the paintings and see other nuns and priests I saw her look at me and I smiled and said we could go to the seaside near by and go bathing and sit on the beach and have drink and sandwiches and just lie on the sand and look up at the sun and relax thatd be good she said looking at me but of course we will have to wait until we are older she said otherwise Daddy will come looking for us and then Id really be for it once he found us I sat looking at her trying to take in what I could of her in case her mother took her away from here and me and left a big hole in my twelve year old life and maybe I thought if we wait long enough we could marry and she could be my blonde haired blue eyed wife.

Coffins float barge-like
Down a flooded street in Louisiana

Horses lie as if dead in grassy fields
Whilst lorries stand motionless at the roadside

The wheels of my train
Screech against the hot tracks

And trees continue to grow silently
Beside curving fields bathed in crisp sunlight

My sandals click against the soles of my feet
As I head home quietly

In the summer
Of 2016

They said Frank was lying in his field,
While the milk cows lowed,
The hungry sows squealed.
The midday sun and absorbent dew
Aroused the bachelor close to noon.

They said Frank was lying in a ditch,
His bike was bent, he'd need a stitch,
But there he lay in the early morning,
The lorries roared by,
Frank moaned and snored..

They said Frank was lying in a bed,
When two p.m. was still too soon.
He has missing teeth and window panes,
Lay on a mattress of mortal stains.
His papered walls like sun-burnt skin,
Peeling away and blistering.
His blankets are like stable covers,
Shared his thunder mug with his mother.
Starlings nest inside his house,
Blow flies light where his mother lies.

Fay met Baruch
by Arch Street
off of Meadow Row
he was by

the bombed out ruins
across the way
firing his catapult
at tin cans

and empty bottles
she stood at his side
hands in the pockets
of her cardigan

fair hair held
in place by a slide
not firing at the birds
are you?

she asked
looking anxious
no just cans
and bottles

he said
she seemed relieved
and stepped closer
hate to see things hurt

or killed
she said
he tucked the catapult
into the belt

of his jeans
and wiped his hands
on the blue cloth
your old man

let you out then?
he said
she looked about her
in case her father

was near at hand
to hear
my father’s off
for the day

she said
some church things
she added
good to have you here

Baruch said
he stared at her
taking in her hair
and eyes

and her mouth ajar
lips and small teeth
the patterned dress
coming to the knees

red on yellow
going to the flicks later
you want to come?
he asked

she frowned in thought
where?
Camberwell Green
he said

the picture house
is a fleapit
but the film’s good
she blinked

wiped her nose
no money
she said
Dad said to read

Mark Chapter 9
all through
before he gets home
and he will

question me
and if I don’t know it
she became silent
and looked away

Baruch caught sight
of a bruise yellowing
on her right brow
he’d not seen

until she moved
her hair by hand
to wipe her nose
when’s he back?

Baruch asked
late tonight
she said
best not go

she looked across
the bomb site
towards the coal wharf
where horse drawn wagons

came and went
or coal lorries  
along the small road
carrying their load

got time to take in
a film
he said
be back and study then

the Bible bit
she bit her lip
still got no money
she said

looking back at him
standing there
in jeans and blue shirt  
and mucked up hair

I’ve got 2/6d
that’ll do for us to go
and ride and see
and ride on back

she hesitated
looked concerned
if I don’t know St Mark 9
there’ll be hell to pay

(strapped backside
more like he thought
but didn’t say)
we can scan the pages

once we’re back
and gulp it down
and swot it up
he said

she stared
at her plimsolls
white ankle socks
the stones

and bricks
of the bomb site ground
tempted she said
ok

wanting to go
and be with him
she weighed
the balance

in her mind
pushing possible
punishment to the back
of her mind

already he was walking
towards the bus stop
across the bombsite
in casual pace

she followed
taking his hand in hers
unaware her father
from the top

of a bus
had seen
and taking note
knowing what to say

and do
she being
with that kid again
the downstairs Jew.

sea monster opens its mouth
wide enough to regurgitate
vans lorries cars and people

sound sounds like this in english. sounds familiar.

in the morning,             heartening                 lorries,

mansel davis, north to south and back again reverse

turn.



garden, sounds fresh so early,                           outdoor

noise.      indoors,

the radio plays.                                             brittle.      news

mumbo jumbo of politics.



birds sing.



tinnitus continues,                                                 softer now





sbm.

Fay managed to get out
while her father worked
and she came

and knocked at your door
and said
You want to go out?

Sure
you replied
and you both went down

the stairs of the apartment block
across the Square
and down the *****

up Meadow Road
crossing over
the bombsite

behind the coal wharf
and on to the main road
where you walked along

side by side
Let’s see what’s on
at the movies

you said
and you stopped outside
the movie house

and peered at the programmes
Fay said
My daddy doesn’t think

movies are right for children
he says they’re sinful
and full of lust

and ***
and greed
and she stopped

and stared along the road
at the people passing
and the cars and lorries

going by
on the main road
and the evening air

choked up with fumes
and the street lights
giving a false perspective

It isn’t all like that
you said
Some movies are about love

and laughter
and people enjoy going
it takes them out

of their dreary lives
Fay said
I’ve never been

inside a movie house
never seen a movie
Well why don’t you come with me

to the matinee on Saturday
I can squeeze some money
from my dad for the two of us

Fay looked at you
and seemed interested
but then said

No I can’t
if my father caught me
there’d be hell to pay

and apart from the lecture
on the immorality
of the arts and such

he’d belt me some
and not let me out again
for some time

and  you said
Ok but some day
you’re going to find out

things aren’t always
as the parents say
then you’re going to

have to find your own road
and walk your own way
and she looked sad

and walked away
from the movie house
along to the subway

and down the steps
into the bright lights
and noise of traffic

over head
and you touched her hand
and she gripped yours

and you walked down
through the subway tunnel
she in her flowered dress

and brown shoes
slightly scuffed
and you

in your tee shirt and jeans
and you pretended
not to notice

the bruise on her thigh
which caught your eye
as she skipped along

her dress rising high
as she went holding tight
your hand

her fingers wrapped
about yours
and up and out

on the other side
of the subway
with its bright lights

and evening sky
and too many questions
and not an answer why.

heavy loads I carried
in my mind
on my shoulder
cement bags rocks and stone
scaffold poles by the hundred
and not the light kind of any
and the weight of centuries
made everything so much harder
through the mud and clay
we had fellowship
breaking of bread and short rest
the drinking of ale on a Friday
we witnessed battered bodies
caught up in drunkard beserkness
and on a Monday the lorries arrived
Hand unload bricks by the ton full

I chanced upon old standing stones
Bedecked in lichen green
Arrayed in banks of marble rows
With walk-ways in-between
Each bore the scars of craftsman’s graft
Recording time and toll
One fading remnant epitaph
For each immortal soul

And earthward bound the sun polite
With mountain cap in hand
Fell silent as the hearse of night
Rode forth across the land
The distant city lights awoke
Like lanterns on a lake
A bubbled haze of smog and smoke
Above the city scape
 
Large crowds of late-night shoppers milled
Around the late-night stores
And roars of drunken laughter spilled
From dingy nightclub doors
The squealing cries of lorries lade
With goods to stock and stack
Were echoed by the cramped stockade
Of dwellings back-to-back

As one by one the lights went out
In windows dark and dim
Arrayed in banks of brick and grout
Old dwellings grey and grim
Stood sentinel to souls entombed
In plots devoid of green
The living mass of those inhumed
With walk-ways in-between