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Aila Natasha Aug 2012
Everyday I saw them flying
Heard them screaming
Cursed their noisy presence
Resented the danger they presented to my wards
The baby fish that I was charged with
One tourist commented that
"Kingfishers sure are beautiful birds"
I agreed solemnly (out loud) but privately I didn't agree at all
Didn't see any beauty in their white and grey feathers
Didn't hear it in their coarse shrieks
Then today
I was taken aback by a strange shape flapping and struggling above the water
It was one of them, one of the kingfishers
Somehow he had snagged his wing on a fish hook and was dangling helplessly
I saw blood and torn flesh, my approach simply made him more frantic
I tried to pull the hook out but it was viciously intertwined with the creature
My hand brushed incredibly soft and downy feathers
His eyes were wide with panic, his thin, powerful beak open in bleak desperation
I put my hand out to lift him
His black claws put pressure on my hand, relieved pressure from the fishing line
and allowed me to extract the lethal hook from his ruffled, ravaged wing
He flew, he was scared of me,
he fell back to the water
I was ready to save him but he was swept out of sight
I stood there thinking
How terrible for a creature of the sky to die in the water
How scared he must be to be surrounded by the wrong kind of blue
Sinking instead of soaring
Then I saw a kingfisher suddenly fly up behind me
It might have been the same one but I'm not sure
Logic tells me that it must have been him
But my heart remains sad
and tells me no
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
Nigel Morgan Mar 2013
January Colours

In the winter garden
of the Villa del Parma
by the artist’s studio
green
grass turns vert de terre
and the stone walls
a wet mouse’s back
grounding neutral – but calm,
soothing like calamine
in today’s mizzle,
a permanent dimpsey,
fine drenching drizzle,
almost invisible, yet
saturating skylights
with evidence of rain.

February Colours

In the kitchen’s borrowed light,
dear Grace makes bread  
on the mahogany table,
her palma gray dress
bringing the outside in.

Whilst next door, inside
Vanessa’s garden room
the French windows
firmly shut out this
season’s bitter weather.

There, in the stone jar
beside her desk,
branches of heather;
Erica for winter’s retreat,
Calluna for spring’s expectation.

Tea awaits in Duncan’s domain.
Set amongst the books and murals,
Spode’s best bone china  
turning a porcelain pink
as the hearth’s fire burns bright..

Today
in this house
a very Bloomsbury tone,
a truly Charleston Gray.

March Colours

Not quite daffodil
Not yet spring
Lancaster Yellow
Was Nancy’s shade

For the drawing room
Walls of Kelmarsh Hall
And its high plastered ceiling
Of blue ground blue.

Playing cat’s paw
Like the monkey she was
Two drab husbands paid
For the gardens she made,
For haphazard luxuriance.

Society decorator, partner
In paper and paint,
She’d walk the grounds
Of her Palladian gem
Conjuring for the catalogue
Such ingenious labels:

Brassica and Cooking Apple
Green
to be seen
In gardens and orchards
Grown to be greens.

April Colours

It would be churlish
to expect, a folly to believe,
that green leaves would  
cover the trees just yet.

But blossom will:
clusters of flowers,
Damson white,
Cherry red,
Middleton pink,

And at the fields’ edge
Primroses dayroom yellow,
a convalescent colour
healing the hedgerows
of winter’s afflictions.

Clouds storm Salisbury Plain,
and as a skimming stone
on water, touch, rise, touch
and fall behind horizon’s rim.
Where it goes - no one knows.

Far (far) from the Madding Crowd
Hardy’s concordant cove at Lulworth
blue
by the cold sea, clear in the crystal air,
still taut with spring.

May Colours

A spring day
In Suffield Green,
The sky is cook’s blue,
The clouds pointing white.

In this village near Norwich
Lives Marcel Manouna
Thawbed and babouched
With lemurs and llamas,
Leopards and duck,
And more . . .

This small menagerie
Is Marcel’s only luxury
A curious curiosity
In a Norfolk village
Near to Norwich.

So, on this
Blossoming
Spring day
Marcel’s blue grey
Parrot James
Perched on a gate
Squawks the refrain

Sumer is icumen in
Lhude sing cuccu!
Groweþ sed and bloweþ med
And springþ þe wde nu,
Sing cuccu!

June

Thrownware
earth red
thrown off the ****
the Japanese way.
Inside hand does the work,
keeps it alive.
Outside hand holds the clay
and critically tweaks.
Touch, press, hold, release
Scooting, patting, spin!
Centering: the act
precedes all others
on the potter’s wheel.
Centering: the day
the sun climbs highest
in our hemisphere.
And then affix the glaze
in colours of summer:
Stone blue
Cabbage white
Print-room yellow
Saxon green
Rectory red

And fire!

July Colours

I see you
by the dix blue
asters in the Grey Walk
via the Pear Pond,
a circuit of surprises
past the Witches House,
the Radicchio View,
to the beautifully manicured
Orangery lawns, then the
East and West Rills of
Gertrude’s Great Plat.

And under that pea green hat
you wear, my mistress dear,
though your face may be April
there’s July in your eyes of such grace.

I see you wander at will
down the cinder rose path
‘neath the drawing-room blue sky.

August Colours

Out on the wet sand
Mark and Sarah
take their morning stroll.
He, barefoot in a blazer,
She, linen-light in a wide-brimmed straw,
Together they survey
their (very) elegant home,
Colonial British,
Classic traditional,
a retreat in Olive County, Florida:
white sandy beaches,
playful porpoises,
gentle manatees.

It’s an everfine August day
humid and hot
in the hurricane season.
But later they’ll picnic on
Brinjal Baigan Bharta
in the Chinese Blue sea-view
dining room fashioned
by doyen designer
Leta Austin Foster
who ‘loves to bring the ocean inside.
I adore the colour blue,’ she says,
‘though gray is my favourite.’

September

A perfect day
at the Castle of Mey
beckons.
Watching the rising sun
disperse the morning mists,
the Duchess sits
by the window
in the Breakfast Room.
Green
leaves have yet to give way
to autumn colours but the air
is seasonably cool, September fresh.

William is fishing the Warriner’s Pool,
curling casts with a Highlander fly.
She waits; dressed in Power Blue
silk, Citron tights,
a shawl of India Yellow
draped over her shoulders.
But there he is, crossing the home beat,
Lucy, her pale hound at his heels,
a dead salmon in his bag.

October Colours

At Berrington
blue
, clear skies,
chill mornings
before the first frosts
and the apples ripe for picking
(place a cupped hand under the fruit
and gently ‘clunch’).

Henry Holland’s hall -
just ‘the perfect place to live’.
From the Picture Gallery
red
olent in portraits
and naval scenes,
the view looks beyond
Capability’s parkland
to Brecon’s Beacons.

At the fourteen-acre pool
trees, cane and reed
mirror in the still water
where Common Kingfishers,
blue green with fowler pink feet
vie with Grey Herons,
funereal grey,
to ruffle this autumn scene.

November Colours

In pigeon light
this damp day
settles itself
into lamp-room grey.

The trees intone
farewell farewell:
An autumnal valedictory
to reluctant leaves.

Yet a few remain
bold coloured

Porphry Pink
Fox Red
Fowler
Sudbury Yellow


hanging by a thread
they turn in the stillest air.

Then fall
Then fall

December Colours*

Green smoke* from damp leaves
float from gardens’ bonfires,
rise in the silver Blackened sky.

Close by the tall railings,
fast to lichened walls
we walk cold winter streets

to the warm world of home, where
shadows thrown by the parlour fire
dance on the wainscot, flicker from the hearth.

Hanging from our welcome door
see how incarnadine the berries are
on this hollyed wreath of polished leaves.
Christine Ueri Aug 2012
(a conversational collaboration with Chris D Aechtner)


"remember the dream I had when we were 10?
(waves and waves of cornflowers everywhere)
about the boy and the closet?
(sunflowers, circle, glass house?....closet, yes)
cornflower blue
(the closet was cornflower blue?)
the light in that dream was cornflower blue
(the air, the atmospheric light?)
yes, especially in the closet

I had that dream for so long
I'll never forget
little boy blue and the kingfishers --
the blue and white china plates
with the bridge and the lovers; the two doves in the willow tree,
that made me look for japanese letters....horse.

the funny things we do as children

(you are writing a poem....)
catch the words, my love
(you already wrote a poem up there; bridge it together --
I dried cornflowers with dandelions in a blue and white book; but it wasn't a dream.
Well, in a way it was, because at the time, I was floating in the clouds)

he wore a blue and white striped top in my dream

and I remember him
when I look at the sky,
the clouds and the golden sun --

I caught the words!
(yes! did you string them all together?)*

not yet!"
29.08.2012
Zach Gomes Feb 2010
A tattered bird had a made a tomb
in tepid water, it was a puddle
near the framework of a half-built room—
but the soul’s a swerving tunnel

and the dead are waiting at the end:
all sorts of animals huddled at the fringe
where littered pine needles stand
and creep inside the sandy construction site,

pale in the morning light,
the tractors dug aesthetic swirls in the sand—
a culvert keeps the brook alive,
it flows into the forest, which learns to mend

its scars with the festering of its things:
kingfishers’ **** on the berries and branches,
if the plants could undo their own stink
the heart wouldn’t die on its haunches—

the morning’s dew resolves to hoary ice,
its killing the greenery,
but the sandblasters lean, arranged by the outhouse, like
a dream, the first worker arrives early

he rests against a smooth-planed board—
flood the mind, but be sure to drain it out,
its his breakfast cup of tea that stores
his knowledge of beauty

past the place where the bushes are thin
there is an apple orchard, plucked to pieces at the end of fall—
trees arranged in ranks, held up with wires and strings:
a dementia arboreal—

the smells from the orchard meet
the smells from the machines and hover
above the building-zone, mixing with the bite
of cold humidity—a cruel kind of vapor
In the height of summer
The pond shrunk to a hyacinth heart.

The kingfishers left for crystal streams
Village belles no more washed their hidden shames
Kids broke their frolics on her kissing splashes
And men dipped not in her to whisper secrets.

She prayed to hold through all the pains.

The sky heard her and sent her rains.
Inspiration: my cover photo
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.
Dave Robertson May 2020
The path ahead is unclear
the first few steps seem fine
(as fine is redefined by times)
beyond is cowled in green gloom
with definition hidden
but enticing

We pause and breathe
ask feet to tentatively tread possibilities
for surer surface

The line ascribed
by timeless river run
seems safe
and the possibility of kingfishers
is a draw indeed

But we have seen these river banks
lost to inundation
and irresistible weight

To realise this too late
would be fatal

so we collaborate in waiting
and make the call
I saw a kingfisher again! That’s three times in 44 years...
Kuzhur Wilson Apr 2014
No, it wasn’t happening for the first time

I don’t know whether anyone wrote ‘Tattered sky’ in a poem before. Maybe it was me. I haven’t met a poet in whose life memory and forgetting are so mixed up. Even if I wrote, maybe I had forgotten it..

Still, I am sure I am the first poet to write ‘tattered sky in the lake’ for the first time in the world. Otherwise, ask those crows pecking it to tatters. Or ask the kingfishers who fly in that tattered sky.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

Two nuns who went to Aluva river sands to pay annual obeisance to the dead to Jesus

One day, while going via Aluva, i saw two nuns. They were two poor women going to Aluva river sands to pay to Jesus the annual obeisance to the dead.  One among them had the looks of my mother, and the other, that of my girl friend at the church compound. Even when i recited aloud VG Thampi’s lines ‘I am Jesus, unfinished’ they didn’t listen to it. They were not in any way related to me. Then, i was a handicapped Jesus.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

My name was Shemeer then

In the hospital at NAD, my job was to sleep in the place of that fat insomniac doctor. My name then was Shemeer. I can’t prove through my writing how well I performed my job snoring loudly all the way.  I don’t think anyone would have worked like this so totally oblivious of oneself. My sleep was not in the least affected by the rounded ******* of doctor’s jasmine vine of a wife, or by the odour (i wanted to say smell) which was capable of bringing the dead back to life. Moreover, his two candle-like daughters used to play hopscotch on my bed sheet, which was my work place.  But what to say? They dismissed me from my job for opening my eyes a wee bit on a day at dusk. I heard a shriek. That too, a familiar one. They had brought Madhavi Chothi to the hospital when her asthma got worse. True, i did open my eyes. I am Shemeer, the one who was dismissed from his job for the first time in history, for having startled awake from sleep.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

One could have adjusted at least a day..**

Something that smelt of breast milk. I think my name was Shinto or so at that time. I was an altar boy who had lost his belief in names after having cognac from a bar in Chicago. There was a little bird too. From that day, i developed the habit of calling even a crow a little bird. Whatever it maybe, there was a little bird. And that bird was building a nest. The bird brings the twigs, strands of hay, a bit of a flex sheet broken at the edge of a word. The bird brings a red wire, the bird brings. It was beginning to take life in the address ‘The Little Bird, Nest, Tree PO ‘. A day. A week. An year. Yes, it took a long, long time. Bird, nest, tree.. tree, nest, bird.. The moment i asked ‘Hey little bird, don’t you have kids?’,  it flew away. Here it comes with its little ones to occupy its home. Yes, that very day. On that day, just after those who won the tender contract, had cut that tree down. This was too much. They could have adjusted at least a day..

It is not the first time it is happening..
Translated by C.S Venkiteswaran
Macstoire Mar 2014
Atop an Orange van driving through the jungle
Journeying toward Ugandan Safari
Heads skimming branches and hanging leaves
And above us super sized spiders held between the trees

Up-tailed Pumbas dash into the unknown
where branches are tangled within themselves
and cacti are dressed with vines like a curtain
giving lives some security from the hunters hidden within

Nearing the fall the redness of soil shines shards of diamond
like the confetti of angels
Whilst the deathly currents are gushing a fierce calming
the spray saturates us in a welcome cooling
as we view the hanging rainbow of bliss

The journey continues with our legs dusted in glitter of the earth
and wind blowing the wet from our skin
A knock delivers generous giving’s of green
And we listen to an orchestra of nature
welcome us to the scene of Africa as it should be

Within the park we’re stunned by stretching scenery
Raw Africa as far as eye can see
Afront us a distance of still Savannah
Yet life roams within in abundancy

Of which life we’re left wondering
As we reach the camp of the red chilli
our favourite taste of beer greets us
So sitting back we see the sun sinking
Whilst man builds for us shelter to sleep in

Next morn rises early setting out for sightings
And we watch the red-hot sunrise upon the Nile
The light catching glistening ripples of water
and the painted sky reflecting onto the hippos habitat

Our first taste of the wildlife we wish to see
Their faces skim the wet shallows
and occasionally rise to gather gasps of air
Father and child fight for hierarchy
And we’re excited to witness the creatures’ honesty

Across the water atop Betty life feels complete
Without doubt there’s no better place to be
Chapati and egg breakfast with wind in our hair
whilst we look for movement of life amongst the trees
Our faces stretched with permanent grins of glee

It’s so quiet we can hear the grasses rustling
The tempo set by the crickets chirruping
Interrupted only by spontaneous sound of birds singing
And whistles of romance as the winged ones are wooing
Peace is so perfectly performed it’s mesmerising

Of animals and birds we encounter many
The signatory Kob prance elegantly upon the heath
and dodge road collision at the last minute
Reminding us that this land is theirs
Pace needn’t pander to our presence

We catch glimpses of mongoose scarpering into bushes
And guinea fowl following the leader as they dot along the roadside
Kingfishers fluttering flirts in the skies above us
then make a sudden swift dive for feed in the ground beneath

The giraffe stand still like statues
all pointed toward the sun like proving a point of endurance
Determined not to let us see them run
While the birdlife exceeds expectations
as we score sight of spoonbill feeding breakfast in the lily littered lake

We meet herds of buffalo grazing
whilst birds peck the pests from their backs
proving every part of nature has its’ purpose
And making their bulky weight appear as no threat

The queens of the food chain are found chilling modestly in the shade
ignorant of our privilege for close proximity
Unfazed by vehicles gathering in view of her public rarity
she relaxes comfortably at roadside so calm she’s almost cuddly

Upon the Nile we witness wildlife washing
Flumps are cooling in the muddy waters
Ears flapping whilst feeding on the grasses of the riverbank
oblivious to the still and sinister crocs waiting within for prey to pass
their jaws held open ready to strike a snack

The blazing heat and gentle motion leaves passengers falling into sleep
But they willingly wake to view the gushing falls of Murchison
cascade down the rock front separating the hills of pure luscious green
and creating current for driver to fight so to journey back safely
Not become another story of tragedy

Then as we wait to board the boat back
Baboons come hither to hunt our rucksacks
To spite their unwanted paparazzi
They help themselves to our belongings greedily
Mother carrying child throughout the robbery

In two days atop Betty and water we’ve been enriched with excitement
and opportunity to see so many new beings
Route home passes Ziwa meeting the endangered rhino species
And we share time with Obama and his protected family

Our last portion of pleasure is hopeful
as we watch the bulky beasts live life naturally
in a sanctuary maintained by committed rangers
who help us follow their motion so closely
we see them soak and scratch their skin

Then back in Betty we have one last long journey
that takes us back to our dreaded reality
of a working week back in capital city
We’re sad but glad to hold a memory
of what was a fantastic fateful opportunity
Merchison Falls, Uganda. 13-15th January 2013
loisa fenichell Sep 2014
there is rain and there is lightning and there are trees
and in one corner of the field there are
two women
in long skirts, white like your boy's face. they are picking
flowers just for you (for your hair): hydrangeas and lupines. in this dream you do not have a name, just a mouth, to swallow the rain, and the clouds that hang
overhead like dead kingfishers are heavy and black and swole
with more water. your clothes are not wet in this dream. 
your skin is, your skin is pink and wet, looking the way it did
the day of your birth, but your clothes -- mother's old blue dress curled 
carefully around your knees (the dress is too small -- mother
has always been so tiny, so much tinier than you are) -- are dry as your lips. 
your stomach is churning, you are standing in this field you don't know,
and your stomach is churning as though you love a boy. you do
love a boy, but not like this. your boy is pale, your boy is quiet
as your childhood house, and so your love for him
is quiet as well, it never churns, but now your stomach is churning,
with rain, maybe, with this dream. you think about the boy,
but he is the wrong boy. you are ready to wake up.
loisa fenichell Dec 2014
there is rain and there is lightning and there are trees
and in one corner of the field there are two women
with wrinkled faces and long white skirts, making
their presences known the way you wish your grandmothers,
both dead, would. they are picking flowers just for you
(for your hair); hydrangeas and lupines.

in this dream you do not have a name – in this dream nobody has a name –
just a mouth, to swallow the rain, and the clouds that hang overhead
like dead kingfishers are heavy and black and swole with more water.
your clothes are not wet in this dream; your skin is – your skin is pink and wet,
looking the way it did the day of your birth, but your clothes –
old blue dress curled carefully around your knees – are dry
as your lips. you notice your stomach churning. you are standing
in this field and you notice your stomach churning as though
you love a boy. you do love a boy, but not like this: your boy is quiet
as your childhood house, and so your love for him
is quiet as well (it never churns). you dream about the boy,
but he is the wrong boy: a boy suddenly in the corner
of the field, a boy with a face too loud, like the flickering
of a dying light bulb in a darkening closet. this boy has replaced
the women with wrinkled faces and long white skirts;
they have disappeared the way grandmothers so often do.

now you are ready to wake up.
in bed next to you is a boy
and he is sleeping
with a body soft as the entrails of a mother.
TheDenouement Aug 2014
Lucent gold halations that seer in sight,
flesh akin to plush saline gelatin,
kingfishers song, mellifluent as streams,
drones that palpitate in the heart and nag the mind,
hiding your enmity and silent screams.
Lora Lee May 2016
The influx of emotions
        and their ebb
                      and flow
swirl like a cyclone within me
I stand upon the cliffs,
                      hair blowing
                                mind rolling
into nuances
and languages
existing beyond words
 as each feeling whirls
                         and melts
into the other
     until they rise like birds
Around me,                      
each one takes the stance
                     of a miniature kite
attached to my limbs
pulling me this way
                                 and that
Yes, I know that our emotions
 are as rivers,    
                        rushing through
our banks
           soaking the essence
                                of our beings
              with fresh coolness
and alternately,
where it meets sea,
brine in searing tears                  
I know the stillness of my
               own soul, placid as a
                             rock in a typoon    
     yet sometimes
          unable to shake off
the heaviness of algae
it can almost suffocate
and to get through its
            dank seaweed density
          I shall just envision lightness
in the aviary form
              of hummingbirds
or kingfishers…yes, even soaring eagles
tugging on my heartstrings
lifting me up and away
into the proverbial clouds
so I can just
                curl up
         into fetal position
and let myself be
                      gently rocked
                             until the storm
                       blows over
Olly Jul 2015
In the morning chalk dusted light you wake
Draw back the curtain on your lidded eyes
Blink in a dawning day, and, for all this, make
Man gaze at the universe that so readily twinkles back
A soft celestial song, sounded though the tack
They pause, allowing you to be heard
Baby and blue and bird

For every constellation that pulls men through oceans
For every compass, and map and chart
For every head, for every beating heart
The baby blue will sing, oh and will he sing!
A quiet aria, but let him glide and glide
Up past the paper sails, and round the mast’s old tale
To perch on the sweetest of symphonies
But then! Oh then, by hour by hour
Filling with music, that long leaden tower
He will stop, and catch their heavy lids
Children of the docks, dreaming of the stars
Of life beyond tack and sail and sea
As they whisper in etchings their plans
To blue, on the boards of the berth deck
You listen, to every scattering word
Baby and blue and bird

I swear by the wood stork, the albatross, the kite
The dip of kingfishers in the water
I would adore you all my sorry life
And adore you every one thereafter.
for my mystery
Death-throws Mar 2015
sometimes my pen sings across the page
sweet summer tunes flung out by Kingfishers diving for Carp,
sometimes my pen floats as softly as the clouds in my pale blue sky
or sometimes as bashful and rough as the dragons we see in them
sometimes my pen is dragged across the page
with the anger of a thousand innocents
caged for loving there other
sometime my pen screams like a mother loosing her son
and sometimes my pen isn't actually...
a pen
sometimes the pencil lines i scrawl get rubbed out
some of them disappear completely
the only thing constant about my pen
my pencil
my writing
the only thing that's ever constant
is my medium
is you
                           *LG
only sometimes
Mateuš Conrad Jan 2020
re.: a mini-psychotic detour -
it's off the stream! it's off the stream!
it's been catalogued in: latest!
it's off the stream! i'm aiming to reach
1million words and...
it's off the stream... so the word
count will not be incorporated...

oddly enough i still know how
to use a toaster - and a kettle -
i am also fabled with having to perform
week long chemistry experiments...
why i didn't look into the basics
of

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funny that... how ever many of years
in school, then at university...
i was teased with this language...
for half a semester at university...
the rest of the time school was...
a bit like being in prison...
making sure the prison guards had
a job, were paid...
same with school...
the teachers were paid...

did they teach us basic computer language?
no... i'm pretty sure they didn't...
were we all expected to go to the coalmine
first... before being told to...

which isn't so much lazy as...
i can still remember chalk and chalkboard
at school...
and the holy trinity of (
                                    {      [
how many crescent moons - and altering
a piece of: would be paper?

oh my god... e. e. cummings wasn't even
born...
can you imagine if e. e. cummings
was born 20 years ago...
and started smashing out his:

stand-
;still)

i was honestly being technologicaly
paranoid...
about to cite archive numbers
of "missing" / "shadow-banned"
poo'ems...

e.g. 3479319, 3482972, 3485309,
3484258, 3483083, 3480751,
3480555, 3478158 etc.

but how is that even an over-hyped
reaction - when you're only scratching
the bare minimum -
of what's nonetheless, to me:
a 2 dimensional canvas...

and the point of school was to ensure
that we could fathom our naiveness even more so...
nothing of importance...
just passing the time...
it's not like they could have taught
us to code -
school is not some preface for:
all the subsequent self-taught mechanisms
you will ever encounter:
further on life...

why did i go to school?
why is the cult of school and the nostalgia
culture associated with: popular kids,
nerdy kids, bowling for columbine...
the everyday leftover kids -
i don't even remember being
taught grammar: proper...
we were told... as long as you sound
coherent...
nature came - nurture ****** off somewhere...
but nature didn't come
with <basic> or not so </end of>
with this sort of <bracket>
and this sort of (bracket)
and this sort of {bracket}
and this sort of [bracket] -

"back in the day" you'd read some heidegger
and not "bother" to code -
" " implies /misnomer
/metaphor - solo....

as: burgundy < red
     red being the base marker...
     given that rose < red (is also)...
     since burgundy > red
     since: burgundy ≈ purple...

<approx>
     cardinal < crimson
                                           </approx>

a "debate", and another debate -
in a thesaurus entry...
red - cardinal, crimson, burgundy appear
<sim>
           cardinal < burgundy
                                             </sim>

that is... cardinal ~ burgundy
   ergo cardinal > crimson...
or do we call these the prefixes: quasi~
and pseudo≈?

cerise and all that's suddenly expected to turn
into fluorescence of some underwater Florence...
from carmine and maroon -
brown starts to creep in...

     bobby vinton - blue on blue and...
spaghetti westerns -
somehow i wish to be held in the hands
of a coroner -
i should really think about
donating my body to a medical school -
and bobby has another great track:
velvet blue...
sure... he's no sam cook...
all the way riddled with h'american
suburbia psychopathy:
a smile can hide a thousand
little lies...
a smile is something anti-stoic...
because... the shine of the ivory sheen...

and all i can think of...
not even beginning sentences -
esp. not ending them -
the narrative went with the baby
and the bathwater -
the canary had a coalmine -
the budgerigar had a cage...
the sparrow were tattooed
along with swallows onto convicts
bodies in some jean-genet
minor *****-porky-teen-flick...

tender-bits from some Olaf or Oleg...
or better still an Olga...
recitations would also require:
bumblebees and petula clark!

and that one song that surfed right
above my head and started towing
a hoarding of kippahs
and a... my my... all those
abrahamic beards turned into sabbath
bound brooms for the fwench
brides of boredom...

some might say it's:
strawberry alarm clock -
incense and peppermints...

      as Herman's Hermits aged much worse
than a Donovan...
no milk today and the three kingfishers...

welcome citations...
what's more apparent? someone is clogging
up the arteries of time...
the veins are... the veins that stretch as far
back as jazz from the 1920s...
through to the wock and woll of the 50s...
don't get me started on what's the leftover
of the 90s of the 20th century...

new beginnings they will cite...
here's one... if e. e. cummings was to be born...

swing low
sweet ca

rr
y on

(pass the freedoms pappy
or uncle shylock not interested

- notes on finland the elsewhere estonia,
latvia and li... i will not give lithuania up
that easily... the once grand duchy...
married to the crown -
and all my hitorical adventures -
the sensible today...
the modern sensibility the current man!
me and my historical... what did i call them?

no... they're not idiosyncracies...
they're... detours in infantalism...
but if e. e. cummings was born circa...
and he - he would mosty certainly
succumb to code logic poetics...

bracket (a) "bracket" <b> bracket {c} bracket [d]...
!red is blue -
outright negation...
!red isn't red - the "is" is therefore questionable...
for some reason: no, it doesn't have to be:
but it's blue... blue is !red

should a mr. buckling bucktooth still
be introduced?
well: we do need to indroduce a next to nothing
worth nothing new: cipher unit...

a faux pas needs to have an addressee -
namely me - and i need to wallow in infuriated
agony of a petty detail that no life will
require to cherish!

- and that i am to be fond of tomorrow in that
the only promise that awaits me there is:
me baking a four tier cake - literally...

how terrible a faux pas becomes -
a bull so enraged by red that he becomes blinded
and no longer is able to hone onto
the originating crux -

even somehow "somewhere" with a dasein in
tow... intermitten years...
no... not without a T attached...
and even by now as by then:
that's a misnomer...

- apparently tautology is not a logical
fallacy... but something worth
a thesaurus rex and peacock's: "age of discovery"...
how we can all speak a language
of aphorisms and verb conjectures -
as ever: nouns retain their form as being
the most complete category of everyday
toils - a hammer will never become
an iron shrapnel hanging by a hook chin
off the clide edge of a nail's head...

set with time in mind - temporal thinking...
otherwise set with space in mind -
spatial thinking -
otherwise: when thinking was simply
thinking - exploring the moral architecture...
with that moral-theta of 'ought... and i:
probably not...

save me from linguo-savvy h'american
media pundits and their acronyms!
the boss, the bot the bot, the boss...
the bottom liner - the beatnik and the bolshevik
and... some other b- prefixed outlier...

- otherwise: it's pretty **** evil...
for movies to showcase the hygienic act of
washing ones teeth...
washing the teeth...
spitting out the remaining toothpaste
(oh jeez louis! why don't they simply,
swallow it?)...
and then... not rinsing their mouths?
at this point... rinsing the mouth...
after having just washed the teeth using
toothpaste... is probably as much good
as using mouthwash to begin with...
no one; no one rinses their mouths
after brushing their teeth on film?!

i've too many dreams about teeth
to know - i am actually the sole proprietor of
a memory of my great-grandfather...
and how... he would eat 20 sugar cubes
a day... smoke 40...
and have his first tooth pulled out...
aged 62...
myth, history... journalism?
i dream about teeth...
i would have clearly asked for:
and he dreamed about moths...
but then... oh Eden is still in my grasp...
i can see the next forbidden fruit
hanging...
her name is Layla... and she's...
borderline 16 years old...
i see my Eden already...
i see the forbidden fruit...
apparently i never left...
as i was never apparently Adam...

problem is: you already know what
the forbidden fruit is...
and it's bothering you that i know
what the forbidden fruit is, for me...
now comes the juggling act
of me entertaining not making my will
into a resolve... which is to not:
act upon it...
maybe the apple was too complicated...
maybe a Layla circa 16 is...
a more obvious deterrent...

i think it's also called:
the prosecutor's *****...
but... enough gob and enougn dosh...
you can be the new st. andrew of windsor...
even in the taxi driver the ****
is 0... negated...

my my... what sort of language could
even become so casual...
the burning bridges of informality...
strapped to the formal tool of
orientating one's spatial creed of:
for the exchange of goods and services...
long gone the per se
of a school and a playground...

or some do... want to find and rekindle
the brotherhood of childhood...
they'll join the army...
they'll commit themselves to crime...
some men... it's hardly the adventure riddle
first lady's history society of
rhode island's desperate housewife club...
but...
it's hardly a deviation from imagining
how fudge is packed,
or for that matter: sausages...

a major faux pas...
some e. e. cummings... and what would never
become a code(d) poo'em...
but... for what today had to offer:
and what i had to offer today;
it's enough... it's peaches and cream...
a well balanced butterfly of reciprocation...
it's a death... but a death with a promise
of returning: in situ...
although in situ is always a flexible
requirement when reincarnation is fiddled
with.
Martin Bailes Apr 2017
George Best had it,
Wily Coyote tries so hard
that we have to
give it to him,

Gandhi for some reason
doesn't have it
special
though he is,

Geronimo has it,
as does Cochise,
Back Elk
& Sitting Bull,
actually Custer has
a little too,
despite all
his failings,

& the dude who jumped
from space,
has it,
oh yes he does,

& Woodpeckers have it
as do Kingfishers,
& Tigers have it,
for **** sure,
but then
so do
Lemurs,

Great Whites
just ooze it,
cannot argue
with that one,

San Francisco has it
L.A. doesn't,
Detroit did have it,
& deserves to
win it back,

***** has it,
though who can
know that
these days,
English food
definitely doesn't,
oh but Thai,
oh Thai
really does,

my son has it,
when he's
all done up
for a
school concert,
or actually
any old time
really,
cos I just
see to
in him.
Tuesday pouts like a stubborn child
Gale fervor and weather wild
Staccato cellos and violins , oboes blaring in the wicked wind
Mischievous elves rattle the hickory branches
Bullfrogs shout with glee as the rain advances
Old man Sunshine takes a nap
Picklenose Pappy has a cat in his lap
Kingfishers tap dance in the shallows
till black becomes blue with evening day-glo and
puffy marshmallow* ...
Copyright December 27 , 2016 by Randolph L Wilson * All Rights Reserved
Anji Feb 2018
You deserve to shine -
That's why
My heart is hammering, handing you roses,
Obliterated by the joy radiating from your smile in surprise
My hands shaking, heart racing, mouth so dry
As you reach out and embrace me, I’ve never felt so certain that
Everything is gonna be fine.

Lets talk. Get out of the drive-
Way, go inside, lean against the counter
You’re looking at me now with brand new eyes,
I’m probably blushing, you wanna hang out?
Yeah - now we go walking outside.

Under tall, dark pines, you and I
Sneakers slide on the overcast hues in the sky
Whatever you want to tell me, I’ll just keep listening,
Math class and kingfishers, eels and anime,
Weekends and hiking, improv and rock climbing,
Your childhood memories, skipping stones
You didn’t even laugh when I made a horrible throw,
But said it was stylish and when I had to go,
Held out my jacket for me.

Sitting next to you by the lake today, was everything.
There were no words necessary. So.
This poem is for you, and let me get this off of my chest:
I think that you deserve happiness.
This one goes out to my Valentine, who is super ******* rad and loves American Jackson Jihad and inspires me like crazy and always makes me laugh.
Qualyxian Quest Jul 2023
Gerard Manley Hopkins
I was in Oxford twice
South Side of Chicago
Oooo dat girl looked nice!

Dead Poets Society
Kennedys and Kings
Lonely little walks
Lost wedding rings

London. Dublin. Stockholm.
Back to the USA
Vegetarian tacos
For her daughters I do pray

There is no God
And Mary is his mother
Sacramento, California
Me, my mom, my brothers

               Summer
           Before the Fall
Jamie Richardson Mar 2017
What if I uttered your true name
Would you shrivel and die like a god?
Or would life remain the same,
As you turn to the wall to sob

Before reproaching yourself with tears,
“What's wrong with me” the cry
To which I don't reply
So repeats the chorus of our years

What if we forgot our shame
Would you ascend to be with the gods?
Don't call them by their true name,
Or you'd be sure to find yourself lost

You'd return to me with a shriek
That’d make leaves wither on trees
And as you reproach me from your knees,
So we would repeat another week

Sitting by the sea, reassuring
Grey on gold. Rain spattering
Down. I am the only soul.
And I am the only soul.

What if we both forgot?
As we'd drink the Lethe deep
The past would matter not,
I would again sweep you from your feet

But as we wake the next day,
With heads fragile and sore
All things would be as before
With reproaching holding sway

What if we both called time?
Two Kingfishers flying free
Soaring further to the sublime,
Our paths divergently

A weight would halt our course
Unseen yet wholly real
We have to face our remorse
If we are ever again to feel

Sitting by the sea, happily
Golden blue, sun shimmering
On, me our child and you,
Remember, me our child and you.

What if we accept our fate
And treasure the memories we hold,
Perhaps it's not too late,
For you and I to grow old
Flowing by the wetlands of Arundel
Overlooked by a castle up on high
Ptolemy first called it the Trisantonis
Is the River Arun running by

Also known as the Trespasser
A Southern Celtic Brythonic interpretation of the word
An indication of its tendency to flood
For centuries, this has been observed

Part of the Arun, was rumoured to be called the Arnus
Brythonic for run, go, or flow
And that Arundel may mean Arno-Dell
Or where the Dell of the flowing river did go

Remains of Iron-Age forts
To Roman ruins, signs of its' long history
Along with Arundel Castle founded in 1067
Chalk downs rise on either side, but no mystery

At Amberley Church, by Arundels' castle walls
Ghostly sitings of a girl, with golden ringlets in her hair
Hungry Seals sometimes ventured up river
In times long past, mistakenly thinking Mermaids were there!

In the Middle-Ages, the river was known as
River of Arundel, The Arundel River, or The High Stream of Arundel, to confuse
By 1577, the first use of it's modern name was recorded
Although the other names were still often in use

The Rother, The Chilt, and Upper Arun
Tri in Roman, the three tributaries
Although Trisanto, when roughly translated
Could also mean 'one who goes across', perhaps the rivers three

Arundel for many years, served as a port
Ships docking at the Town Quay, formerly Mayors Quay
From the 13th century, coastal and cross channel trading vessels
Also passengers, Catholic priests, and soldiers, were carried across the sea

Yet by the 1840's, use of the river declined
Due to changes in coastal shipping, and the use of railway lines
By the mid 1850's, barges were replaced by coasters
And by 1886, most river traffic, was on the decline

The River Arun has seen much history
all 37 miles of it, from source to the sea
As it rises from a series of Ghylis, or Gills
All part of it'' profound majesty

It's Spring Tides, twice every Lunar month
Allowed larger vessels to venture along her waters
Some built at the Nineveh Shipyard
Such as Hoys, and Sailing Barges, becoming the Aruns' daughters

The River Arun, feeds ancient woodlands
And reedbeds, where dwell Water Voles, Kingfishers, the rare Nene Goose
Along with Bewick Swans, in the cold winter months
Where the yellow, and black, Common Club-Tailed Dragonflies, fly loose

The fast flowing Arun, second fastest in the United Kingdom
The Trespassers waters, has aided humans, and nature throughout
The Arun never crossed borders out of Sussex
And is one of the countries finest rivers, without a doubt
by Jemia
Hakikur Rahman Jan 2021
How many rivers flow
The estuarine estuary of this delta of the Bengal.
Looking at the bewildered beauty
It's not too late to fall in love.

There are gold paddy in the field
On the side of the field, filled with the peasant’s song
The garden is filled with sweet mango
Southern air flows over the mild river.

I heard the shepherd's flute
Joy and smile while playing with the children
Jasmine, belly in flourish
Pankouri and kingfishers are playing in the water.

The bird's are singing on the branches
The dusk dumped in the galaxy in the distance.
I am fascinated by the beauty of Bengal
The water of pleasantness comes down to the cheek.
cheryl love May 2017
The stream was transparent
like a sky without a cloud
Reflections were apparent
as fresh as a field just ploughed.
The water trickled, it just fell
as if nothing mattered at all
sweeping across where otters dwell
up to the crashing waters in the fall.
It was delightful, refreshing to hear
crystal clear waters along the verge
creeping gingerly to the weir
where fish peep then submerge.
Bullrushes like brooms stand guard
like soldiers in a regimented row
each having such a high regard
where each plant should grow.
Trees shade the dappled splashes
of the odd little leak
up to where the foamy spray crashes
along the stone lined creek.
Kingfishers, as blue as the sea
cradle their catch for grim death
snuggling up in their nests in the tree
living the moment to catch their breath.
The call of the blackbird with a golden beak
singing for its star in the show
oh if only this gorgeous bird could speak
it would tell you things you know.
cheryl love May 2017
The stream was transparent
like a sky without a cloud
Reflections were apparent
as fresh as a field just ploughed.
The water trickled, it just fell
as if nothing mattered at all
sweeping across where otters dwell
up to the crashing waters in the fall.
It was delightful, refreshing to hear
crystal clear waters along the verge
creeping gingerly to the weir
where fish peep then submerge.
Bullrushes like brooms stand guard
like soldiers in a regimented row
each having such a high regard
where each plant should grow.
Trees shade the dappled splashes
of the odd little leak
up to where the foamy spray crashes
along the stone lined creek.
Kingfishers, as blue as the sea
cradle their catch for grim death
snuggling up in their nests in the tree
living the moment to catch their breath.
The call of the blackbird with a golden beak
singing for its star in the show
oh if only this gorgeous bird could speak
it would tell you things you know.
cheryl love May 2017
The stream was transparent
like a sky without a cloud
Reflections were apparent
as fresh as a field just ploughed.
The water trickled, it just fell
as if nothing mattered at all
sweeping across where otters dwell
up to the crashing waters in the fall.
It was delightful, refreshing to hear
crystal clear waters along the verge
creeping gingerly to the weir
where fish peep then submerge.
Bullrushes like brooms stand guard
like soldiers in a regimented row
each having such a high regard
where each plant should grow.
Trees shade the dappled splashes
of the odd little leak
up to where the foamy spray crashes
along the stone lined creek.
Kingfishers, as blue as the sea
cradle their catch for grim death
snuggling up in their nests in the tree
living the moment to catch their breath.
The call of the blackbird with a golden beak
singing for its star in the show
oh if only this gorgeous bird could speak
it would tell you things you know.
cheryl love May 2017
The stream was transparent
like a sky without a cloud
Reflections were apparent
as fresh as a field just ploughed.
The water trickled, it just fell
as if nothing mattered at all
sweeping across where otters dwell
up to the crashing waters in the fall.
It was delightful, refreshing to hear
crystal clear waters along the verge
creeping gingerly to the weir
where fish peep then submerge.
Bullrushes like brooms stand guard
like soldiers in a regimented row
each having such a high regard
where each plant should grow.
Trees shade the dappled splashes
of the odd little leak
up to where the foamy spray crashes
along the stone lined creek.
Kingfishers, as blue as the sea
cradle their catch for grim death
snuggling up in their nests in the tree
living the moment to catch their breath.
The call of the blackbird with a golden beak
singing for its star in the show
oh if only this gorgeous bird could speak
it would tell you things you know.
cheryl love May 2017
The stream was transparent
like a sky without a cloud
Reflections were apparent
as fresh as a field just ploughed.
The water trickled, it just fell
as if nothing mattered at all
sweeping across where otters dwell
up to the crashing waters in the fall.
It was delightful, refreshing to hear
crystal clear waters along the verge
creeping gingerly to the weir
where fish peep then submerge.
Bullrushes like brooms stand guard
like soldiers in a regimented row
each having such a high regard
where each plant should grow.
Trees shade the dappled splashes
of the odd little leak
up to where the foamy spray crashes
along the stone lined creek.
Kingfishers, as blue as the sea
cradle their catch for grim death
snuggling up in their nests in the tree
living the moment to catch their breath.
The call of the blackbird with a golden beak
singing for its star in the show
oh if only this gorgeous bird could speak
it would tell you things you know.

— The End —