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"hob" poems
hist whist little ghostthings tip-toe twinkle-toe little twitchy witches and tingling goblins hob-a-nob hob-a-nob little hoppy happy toad in tweeds tweeds little itchy mousies with scuttling eyes rustle and run and hidehidehide whisk whisk look out for the old woman with the wart on her nose what she’ll do to yer nobody knows for she knows the devil ooch the devil ouch the devil ach the great green dancing devil devil devil devil wheeEEE
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10.3k
Hist Whist
My father worked with a horse-plough, His shoulders globed like a full sail strung Between the shafts and the furrow. The horse strained at his clicking tongue. An expert. He would set the wing And fit the bright steel-pointed sock. The sod rolled over without breaking. At the headrig, with a single pluck Of reins, the sweating team turned round And back into the land. His eye Narrowed and angled at the ground, Mapping the furrow exactly. I stumbled in his hob-nailed wake, Fell sometimes on the polished sod; Sometimes he rode me on his back Dipping and rising to his plod. I wanted to grow up and plough, To close one eye, stiffen my arm. All I ever did was follow In his broad shadow round the farm. I was a nuisance, tripping, falling, Yapping always. But today It is my father who keeps stumbling Behind me, and will not go away.
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Follower
Eyes of fear, Mouth of shock Because I never saw it coming. To the arena I return again, My darkest horror already starting. To my left, I turn to see my mother, Trying not to sob, As I rethink the memories I always had during summers At the Hob. Eyes wet, Arms tired, Barging through the door, While picturing the future And all the madness that's in store. Gale and Prim, My only treasures, Are soon to say goodbye. For this year in the Quarter Quell, No more will there be a tie. I'm deep in thought As I review the words For my last farewell, When I realize a secret for Haymitch That I can't wait to tell. To protect Peeta In this terrifying Quell Is my one and only goal, For I want him to come back to it And live peacefully In this district of coal. To be strong is what I think of While under the stars I lay. To be strong The only solution For I am the Mockingjay.
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Nov 24, 2013
Nov 24, 2013 at 9:14 AM UTC
The Mockingjay
Jane the economy toaster Was cheap as appliances go Her unpolished sides were all greasy And as grey as suburbanite snow The edge of her slot was all melted And her tray was encrusted with crumbs Her lever was missing a handle And would nibble at fingers and thumbs She lived at the back of a cupboard With some rusty old pans and a spider In the gloom she would dream that somebody Would hammer a muffin inside her That some special son-of-a-baker Would fill up her dusty old holes With croissants and baguettes and bagels With waffles and tea cakes and rolls But alas with her family broken The whisk and second-rate kettle Her owners replaced the whole set With something more classy in metal And so in her murky wee crevice She wept and she twiddled her **** She twitched her lever with envy Of the toaster that lives by the hob Jane faded away and she vanished But in silicone heaven she boasts That she's Jane the economy toaster The maker of muffins for ghosts
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Feb 9, 2013
Feb 9, 2013 at 6:14 PM UTC
Jane the Economy Toaster
Drummed their boots on the camion floor, Hob-nailed boots on the camion floor. Sergeants stiff, Corporals sore. Lieutenant thought of a Mestre ***** — Warm and soft and sleepy ***** Cozy, warm and lovely ***** ****** cold, bitter, rotten ride, Winding road up the Grappa side. Arditi on benches stiff and cold, Pride of their country stiff and cold, Bristly faces, ***** hides — Infantry marches, Arditi rides. Grey, cold, bitter, sullen ride — To splintered pines on the Grappa side At Asalone, where the truck-load died.
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Riparto D'Assalto
"- The Greasy spoon -" I wonder if there’s canteens in Heaven; with cottage cheese that’s quite appealing hob *** biscuits n darjeeling -- yeah; Wonder if there's canteens- in heaven; Maybe beans on toast or a Sunday roast is served by God the holy ghost, n his only son is the one- who pours the gravy; yeah; wonder if there’s canteens - in Heaven.
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Jan 27, 2012
Jan 27, 2012 at 12:42 PM UTC
"- The greasy spoon -"
Porage Oats? Porridge simmering slowly on an old gas hob, In a large enamel *** that was kept for this job. We stirred it occasionally with a spoon shaped stick, This stopped it burning or getting too thick. You knew when it was time to do the spoon test, If the spoon stood up strait then it was at its best. Served with golden treacle the way I liked it most, That melted like a glaze Oh yes and a slice of toast. Those cold winter mornings it warmed the heart, We would all walk to school with a healthy start. Just been too busy working all my life, No time to make porridge for me and my wife. I have tried many new cereals in the past 40 years, Some not to bad but containing too much sugar. They call it glaze with bits of chocolate to, But with a threat of diabetes it just will not do. Now that I’m retired I go shopping every day, More time for cooking in the old fashioned way. Last winter a large promotion caught my eye, It was for porridge, I could not pass it bye. Not the instant stuff, cooked in minutes two, It's Proper Porage Oats that sticks like glue. Is this a second childhood where I want to play? No, just a wholesome breakfast for a frosty day.
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Jul 19, 2011
Jul 19, 2011 at 8:32 AM UTC
Porage Oats
I have a little secret It’s about the place I work I’m supposed to be a teacher But a school’s not where I lurk I spend my weekdays cooking Serving people tea I’m not a chef though, in a classroom’s Where I’m meant to be. I think if I fry one more egg Fill one more sugar *** Spend one more minute worrying If the ****** teapot’s hot I might just lose the will to serve At least the will to fry I’m so tired of the ‘thanks so much’ The ‘have a good day’ lie But please do not misunderstand I’m not ungrateful for my job It’s just not what I trained for Being tied up to a hob I expected to be in a class Full of eager faces Whose imaginations I could take To so many different places Instead I’m filling stomachs Watching people eat and drink I cook and serve, a faceless drone So they don’t have to think I know it’s not forever This job I’ve grown to hate One day I’ll take this apron off Leave the café to its fate The café will survive I’m sure In fact I have no doubt That’s why I don’t feel guilty That I can’t wait to get out The café will go on and on Still serving up its tea But next time that I see the place What stranger will serve me? Will I feel that they are in my place? That their eggs are not quite right That their service could be quicker Their smile a bit more bright Will I feel that I should tell them How I once stood in their shoes? How I thought if I fried one more egg My sanity I’d lose I think I’ll save those comments Until she brings my tea I won’t want to discourage her While she’s still serving me Besides she may enjoy her job Who am I to wreck it? Just because I missed the world Of Austen, Keats and Beckett She knows just where her future lays I thought I knew the same So why do I still keep a secret Like it’s a source of shame? I shouldn’t moan about my job The wolf’s not at the door It’s only bad days when I think Just what did I train for?
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Jun 13, 2012
Jun 13, 2012 at 11:06 AM UTC
In someone else’s shoes
I have a little secret It’s about the place I work I’m supposed to be a teacher But a school’s not where I lurk I spend my weekdays cooking Serving people tea I’m not a chef though, in a classroom’s Where I’m meant to be. I think if I fry one more egg Fill one more sugar *** Spend one more minute worrying If the ****** teapot’s hot I might just lose the will to serve At least the will to fry I’m so tired of the ‘thanks so much’ The ‘have a good day’ lie But please do not misunderstand I’m not ungrateful for my job It’s just not what I trained for Being tied up to a hob I expected to be in a class Full of eager faces Whose imaginations I could take To so many different places Instead I’m filling stomachs Watching people eat and drink I cook and serve, a faceless drone So they don’t have to think I know it’s not forever This job I’ve grown to hate One day I’ll take this apron off Leave the café to its fate The café will survive I’m sure In fact I have no doubt That’s why I don’t feel guilty That I can’t wait to get out The café will go on and on Still serving up its tea But next time that I see the place What stranger will serve me? Will I feel that they are in my place? That their eggs are not quite right That their service could be quicker Their smile a bit more bright Will I feel that I should tell them How I once stood in their shoes? How I thought if I fried one more egg My sanity I’d lose I think I’ll save those comments Until she brings my tea I won’t want to discourage her While she’s still serving me Besides she may enjoy her job Who am I to wreck it? Just because I missed the world Of Austen, Keats and Beckett She knows just where her future lays I thought I knew the same So why do I still keep a secret Like it’s a source of shame? I shouldn’t moan about my job The wolf’s not at the door It’s only bad days when I think Just what did I train for?
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64
WHERE dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water-rats; There we've hid our faery vats, Full of berries And of reddest stolen chetries. Come away, O human child! To the waters and the wild With afacry, hand in hand, For the world's morefull of weeping than you can understand. Where the wave of moonlight glosses The dim grey sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's morefully of weeping than you can understand.} Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To to waters and the wild With a faery, hand in hand, For to world's morefully of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest. For be comes, the human child, To the waters and the wild With a faery, hand in hand, from a world more full of weeping than you can understand.
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2.2k
The Stolen Child
WHERE dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water-rats; There we've hid our faery vats, Full of berries And of reddest stolen chetries. Come away, O human child! To the waters and the wild With afacry, hand in hand, For the world's morefull of weeping than you can understand. Where the wave of moonlight glosses The dim grey sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's morefully of weeping than you can understand.} Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To to waters and the wild With a faery, hand in hand, For to world's morefully of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest. For be comes, the human child, To the waters and the wild With a faery, hand in hand, from a world more full of weeping than you can understand.
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57
(1) I am the huckster of love, bibulous in love She is my bijou, she is my billow She is my Hob-goblin.                        2 At dead of night she called me I fell into oblivion She came off with flying colors I was impressed by her green eye She was a pack of lies I sailed, I sailed under her false colors I sailed, I sailed under her false colors                             3 These are the hows and whats of my love Waiting to pay the debt of nature Waiting for the call of my creator Living to write my swan song, living to write my swan song Expecting to write it ere long, expecting to write it ere long                              4 I am the huckster of love, bibulous in love She is my bijou, she is my billow She is a hob-goblin.
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Oct 7, 2013
Oct 7, 2013 at 6:56 PM UTC
The Huckster Of Love
I’m sitting down to write a poem Instead of tidying up Or dusting off the mantelpiece Or washing up my cups Or ironing or vacuuming Or looking for a job Or moving all those papers That have settled on the hob. Its not really a poem It’s a reason and excuse because when it comes to housework I’m just no bleedin’ use!
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Dec 10, 2012
Dec 10, 2012 at 6:27 PM UTC
POEM
I fell in love with a superstition. She kept crystals at her bedside to ward off wraiths and bailiffs, selling friendship bracelets to strangers on the internet whilst keeping family in her prayers. She would wander the fields of **** and sunflower seeds, howling at the moon without another soul to converse with; obsessive-compulsive murmurs of a Hail Mary and incantations. Potions of ayahuasca and sugar brewed on the hob in the kitchen, fridge magnets full of idioms and passages from the Book of Psalms. By the fire sat a pristine tin cauldron with the price-tag still left on it. Broomsticks were mounted on the wall like lazy guitars or executed deer. No photographs, only proud trinkets and yoga mats; a crucifix hung over every doorway, whilst she had learned to cross her legs from all men and pain. She laid me down on the bed with a hungry sleight of hand to show me her favourite trick; I saw the marks on her arms before she came alive in the dark, and by the daylight - she had gone.
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Dec 10, 2014
Dec 10, 2014 at 1:01 PM UTC
In Love With The Witch
Once upon a mealtime When salt had gone away He had left in such a hurry And with no sub to work his day Poor pepper started panicking Mostly missing his dear mate But also with a worry If he alone would taste so great So he soon sent out a message To all the pots upon the shelf 'Partner needed quickly, I can't dust dinner by myself' So suddenly came rescue In fact response was vast The rest of all the condiments Took triumph for him fast First of course came ketchup So used to being shared But pepper didn't quite believe That they would be best paired Then came Mr Mayo With a winning stance he stood But too eager for the winning Pepper didn't think him good In butted boisterous barbecue Believing there was no other Unless there could be any left Of his favourite sweet chilli brother But pepper wanted neither For he cared about this dish And they came in heavy servings Which wouldn't be salts wish Still with plenty choice left He looked upon his friends Mustards, chutneys and pickles Fine flavours they'd all lend But then he heard herbs and spices Who were giving a loud shout 'If you want salt not to be needed Then you'd best not leave us out!' This quickly made him realise That the best friends he could make Would come not squeezed all over But served with a gentle shake So he rounded up the shakers But he wouldn't work them all 'You're right you'll help me nicely But who mostly? It's your call' The chilli taking charge of things Addressed pepper with this test 'Well what is this dish we're warming And we'll tell you what works best?!' When they looked upon the oven hob They saw mix of veg and meat Chopped finely and frying in a pan Slowly taking up the heat So suddenly they knew now Who would win the role to take Cajun and paprika A fine taste they surely make So shaked upon the cooking It was served with a success No one need ever know That peppers day had been a mess So later in the evening When salt stumbled his way home His apologies were heartfelt 'I'll never leave you all alone' But pepper soon forgave him He said 'there, there, it's ok' For now he knew the secret Of how to cook in the best way
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Sep 18, 2015
Sep 18, 2015 at 11:54 PM UTC
Once upon a mealtime
Once upon a mealtime When salt had gone away He had left in such a hurry And with no sub to work his day Poor pepper started panicking Mostly missing his dear mate But also with a worry If he alone would taste so great So he soon sent out a message To all the pots upon the shelf 'Partner needed quickly, I can't dust dinner by myself' So suddenly came rescue In fact response was vast The rest of all the condiments Took triumph for him fast First of course came ketchup So used to being shared But pepper didn't quite believe That they would be best paired Then came Mr Mayo With a winning stance he stood But too eager for the winning Pepper didn't think him good In butted boisterous barbecue Believing there was no other Unless there could be any left Of his favourite sweet chilli brother But pepper wanted neither For he cared about this dish And they came in heavy servings Which wouldn't be salts wish Still with plenty choice left He looked upon his friends Mustards, chutneys and pickles Fine flavours they'd all lend But then he heard herbs and spices Who were giving a loud shout 'If you want salt not to be needed Then you'd best not leave us out!' This quickly made him realise That the best friends he could make Would come not squeezed all over But served with a gentle shake So he rounded up the shakers But he wouldn't work them all 'You're right you'll help me nicely But who mostly? It's your call' The chilli taking charge of things Addressed pepper with this test 'Well what is this dish we're warming And we'll tell you what works best?!' When they looked upon the oven hob They saw mix of veg and meat Chopped finely and frying in a pan Slowly taking up the heat So suddenly they knew now Who would win the role to take Cajun and paprika A fine taste they surely make So shaked upon the cooking It was served with a success No one need ever know That peppers day had been a mess So later in the evening When salt stumbled his way home His apologies were heartfelt 'I'll never leave you all alone' But pepper soon forgave him He said 'there, there, it's ok' For now he knew the secret Of how to cook in the best way
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72
Now when I call it the Village well thats what my mom calls it but really its urban space so today I walked around it the first road I came to has speed bumps according to signs they are twined with towns in France it called Hob Moat and a moat it has known to me as the woods spent many happy hour riding up and down those hills but the way it got built up it's not a village walk through the woods you get shops which have change over time there are two churches one new bit like a carbuncle a blot on the landscape built in the 60s man they where so on drugs what was in there heads the other old I got baptised there so did my brother went to sunday school they gave out stamps each time you attended but within 20 mins you can walk into countryside but now I find that is changing to MAN why do we **** every thing up?
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Apr 5, 2015
Apr 5, 2015 at 4:57 PM UTC
Village.
I once scrungled a tungus, dubbed Binglo Bungus, Whose cungles were trungly, and cuds cumpily cunk. But his drungles did fungle, so sadly he bungled, And without hesitation, he glunked. Four fingles he fangled, when, biggaly bangled, Approached not a crowd, but an army of glimps. And they clinkled his binkle, as he chinkily changled, But The Bungus stopped not for the bimps. He dringled those hob-glimps! Their ****** was drompled! Their pebuses, feeble, buckled under the frung. And he chungled their drungles, with fury he plungled. To this day, not a glimp stands to cung. But his fangling, untrungled, was far from the fringus, And he fangled on forward another five flinks. On the fifth flink, he bebussed, as his fangle was pepis, So he humpled the drumpling **** Sir Bungus fangled homeward, his blumpus was tungled. His drungles rejonked, for the fungling was done. They erected a frangus to plingus The Bungus, And the drumpling **** that he'd won.
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May 2, 2018
May 2, 2018 at 2:51 PM UTC
The Ballad of King Binglo Bungus
Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we’ve hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Away with us he’s going, The solemn-eyed: He’ll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than he can understand.
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Feb 4, 2017
Feb 4, 2017 at 7:09 PM UTC
The Stolen Child W. B. Yeats, 1865 - 1939
Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we’ve hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than you can understand. Away with us he’s going, The solemn-eyed: He’ll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world’s more full of weeping than he can understand.
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53
Austerity emblazoned in silk fallen out of the ranks in the popularity stakes the iced tea on the hob warmingingly out of character Do you recall turning the page of irony yellowed blotter, signature book of those you'll never meet again autographed in old inked scrawl holed up with cobwebbed coats Well, they don't bother you now even though they stared you down head hunted the perfect prefect of popularity seeking you to check out the aged paper trail their current capabilities warranting a slice Settling, the nest felt comfy nurturing, gifts placed at your feet you dislodged the parrot from your shoulder it left its calling card, a neat reminder, chatted  up colourful clowns in the corner Squatting within a lurch of emotion fried eyed, stop tap turned off zero shifting into first place cashing in their deposit too late they paid in full willingly....it seemed Steamrollered, you left the game parked your plastic smile scrubbed clean the mossy mess sat back amongst daisy/buttercup armies felt the hot poker of rejection, water.....devoured it
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Apr 23, 2013
Apr 23, 2013 at 8:45 AM UTC
Letting go
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
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Jan 16, 2016
Jan 16, 2016 at 1:39 AM UTC
. plans change .
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
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17
Logos are really fun on Photoshop, so I make them from lots of sites. They are really enjoyable to crop, at any dear angles or any heights! Editing pictures are amusing too, and so I Photoshop any ***** ones. I do love making any in good view(s), so have actually alter precisely: tons! I've had people compliment my work, and so am indeed very proud of them. Any could have me smiling or smirk, since my precious hobby is like a gem! Analyzing pictures is while such a fun hob, it could also, for me, be like a prized job!
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Sep 11, 2017
Sep 11, 2017 at 1:19 AM UTC
Cherished Photoshop
Paulette had phoned in a frenzy, she Was having a crying fit, I said, ‘I can’t understand you girl, Slow down, slow down a bit!’ And then she told me that John was dead That she’d found him lying there, That somebody must have broken in And crushed his skull with a chair. ‘The place is a perfect shambles, Rob, It looks like a bomb has hit, There’s blood all over the hearth, the hob, And outside, over the grit, He must have left by the patio door There are footprints over the tiles, I’ve never seen so much blood before…’ And then she sobbed for a while. I made the appropriate noises, just To comfort her in her loss, But really, I couldn’t care at all, I just couldn’t give a toss, For John had jumped in my woman’s bed The moment my back was turned, I had to hide that I felt so glad That all of his boats were burned. ‘I need you Rob, will you come on down, I can’t do this on my own,’ Her words, the nectar of ancient gods I felt that my wings had grown. ‘I’ll be there, honey, I won’t be long, We’ll tidy it up just pat, I just have something I have to do, I’ll pop by the Laundromat.’ I tied the washing bag by the neck To drag it out to the car, But only got to the hallway when There came a knock at the door, A neighbour wanted to borrow a tool So I rummaged round in the shed, And when he went, I had to be gone, Drove straight to my girl’s instead. The police were crawling all over the place And said that, ‘You can’t come in!’ ‘I came express at my friend’s request.’ ‘Too bad, but where have you been?’ I said I’d give them a statement, then I shrugged and said, ‘That’s that! Just tell Paulette I’ll come to her when I’ve been to the Laundromat.’ The police were there at the Laundromat When I sauntered in with the bag, The sergeant stared and he pursed his lips As my shoulders began to sag. ‘What’s that on the bag?’ he questioned me, And I said, ‘it looks like mud!’ ‘Now isn’t that strange, it seems to be That your bag is seeping blood!’ David Lewis Paget
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Jul 26, 2013
Jul 26, 2013 at 3:05 AM UTC
The Laundromat
Paulette had phoned in a frenzy, she Was having a crying fit, I said, ‘I can’t understand you girl, Slow down, slow down a bit!’ And then she told me that John was dead That she’d found him lying there, That somebody must have broken in And crushed his skull with a chair. ‘The place is a perfect shambles, Rob, It looks like a bomb has hit, There’s blood all over the hearth, the hob, And outside, over the grit, He must have left by the patio door There are footprints over the tiles, I’ve never seen so much blood before…’ And then she sobbed for a while. I made the appropriate noises, just To comfort her in her loss, But really, I couldn’t care at all, I just couldn’t give a toss, For John had jumped in my woman’s bed The moment my back was turned, I had to hide that I felt so glad That all of his boats were burned. ‘I need you Rob, will you come on down, I can’t do this on my own,’ Her words, the nectar of ancient gods I felt that my wings had grown. ‘I’ll be there, honey, I won’t be long, We’ll tidy it up just pat, I just have something I have to do, I’ll pop by the Laundromat.’ I tied the washing bag by the neck To drag it out to the car, But only got to the hallway when There came a knock at the door, A neighbour wanted to borrow a tool So I rummaged round in the shed, And when he went, I had to be gone, Drove straight to my girl’s instead. The police were crawling all over the place And said that, ‘You can’t come in!’ ‘I came express at my friend’s request.’ ‘Too bad, but where have you been?’ I said I’d give them a statement, then I shrugged and said, ‘That’s that! Just tell Paulette I’ll come to her when I’ve been to the Laundromat.’ The police were there at the Laundromat When I sauntered in with the bag, The sergeant stared and he pursed his lips As my shoulders began to sag. ‘What’s that on the bag?’ he questioned me, And I said, ‘it looks like mud!’ ‘Now isn’t that strange, it seems to be That your bag is seeping blood!’ David Lewis Paget
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Secretly sprinkle my dust over Newt Gingrich's high fiber breakfast cereal . Or placed in the air plenum of a ritzy hotel whereby the elite should get a minuscule whiff of hardscrabble living , thrown on the interstate so as not to feel out of place , run over repeatedly by people  that were forever needy ..By all means please pour me liberally over the Baked Alaska at any tax payer funded high price , 'hob knobbing' government extravaganza ! Usher my remains across a green farm pond  to be eaten by catfish and passed to the bottom , carousing with the snails and the worms forever seeking cover . Perfectly content , hiding in the mud hoping not to be discovered ..
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Feb 19, 2016
Feb 19, 2016 at 10:50 AM UTC
My Ashes
Hob nailed clogs and leather boots are what gives this man his homely roots I puts them under me bed at night and in the morning I choose which pair is right and that depends on my mood. Food is also a big contributor, I'd go a mile for hot *** or a pound of tripe and gripe if they were not up to scratch. No, thee cannot match what we lads have and what we calls our own,born and raised we've grown in God own Land and if not God then someone even greater had a hand in this. Lancashire the golden shire,not that them Yorkshiremen would agree with that sentiment but if God or whoever it was meant for that lot on t'other side o' pennines to be an agreeable sort, he or she would never have invented such a sport as cricket.
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Sep 9, 2013
Sep 9, 2013 at 2:06 PM UTC
Rosies.
A little hob gobby stood by a sign I'm a green goblin Learned and wise Bring me your poems To criticise He smiled and put his glasses on Don't know if he liked it I didn't stay long Pay a farthing, earn a groat You'll be a winner if I like what you wrote He read one line and said go away Unless you want me to spoil your day I carried on, tears in my eyes Tears of laughter, undone were his flies If you can spare a poem or three I would be eternally grateful to thee It's put to good use I am no liar Too old to cut wood I need fuel for the fire Voice of an angel through purified air How can I pay you for beauty so rare? I cannot take payment for what I don't see Take it good sir, to you it is free A little tired, dragging my heels Fed up with bargaining, bartering deals I found a hollow of moss soft and deep Laid down my head, surrendered to sleep
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May 4, 2012
May 4, 2012 at 2:17 PM UTC
Lost in the woods
when I was small to small to see over the tabletop, my aunt taught  me to make God's Food she gave me lessons in baking, in alchemy I stood on stool, so I could mix the ginger powder, flour and eggs in the big old green mixing bowl with a big wooden spoon, half as tall as me I wore an apron and had one of my poppa's hanky's tied over my hair... My Auntie Barb, poured over my dry mix hot melted butter,golden syrup and brown sugar, with careful hands and then briskly mixed it through, a glorious batter was made. together my hands covered by hers, soft comfort and calluses would pour the batter into old rectangle loaf tins, paper and greased, then into an oven to bake and spread the scent of  ginger, cinnamon and caramel, throughout the old weatherboard house.... I would happily lick the spoon and scrape every last bit of gooey batter from the old palmolive green mixing bowl as we waited for the baking alchemy to occur Roughly forty minutes later, the oven door would be opened and loaf of gingered goodness would appear, the kettle would be placed on the hob to boil, tea in the *** cups, plates and cutlery on the table sugar,milk and butter too Then her voice, would call gingerbread is up, and all would come, interrupting footaball, a good book, an afternoon nap, or the tv program nothing stopped one coming for gingerbread The loaf would be sliced still warm and thick almost overwhelming all that warm ginger so very exotic, then it would be lathered with butter, that would melt almost on contact..... and that was a such a feast There was magic in that kitchen even though I make ginger bread the same way, something is missing perhaps the warmth of the old oven or some little pinch of salt or nutmeg or perhaps the ginger has changed Or it might be just nostalgia.... for simpler times..when my biggest responsibility was mixing ginger bread batter
0
Jan 31, 2018
Jan 31, 2018 at 5:45 AM UTC
baking gingerbread alchemy
when I was small to small to see over the tabletop, my aunt taught  me to make God's Food she gave me lessons in baking, in alchemy I stood on stool, so I could mix the ginger powder, flour and eggs in the big old green mixing bowl with a big wooden spoon, half as tall as me I wore an apron and had one of my poppa's hanky's tied over my hair... My Auntie Barb, poured over my dry mix hot melted butter,golden syrup and brown sugar, with careful hands and then briskly mixed it through, a glorious batter was made. together my hands covered by hers, soft comfort and calluses would pour the batter into old rectangle loaf tins, paper and greased, then into an oven to bake and spread the scent of  ginger, cinnamon and caramel, throughout the old weatherboard house.... I would happily lick the spoon and scrape every last bit of gooey batter from the old palmolive green mixing bowl as we waited for the baking alchemy to occur Roughly forty minutes later, the oven door would be opened and loaf of gingered goodness would appear, the kettle would be placed on the hob to boil, tea in the *** cups, plates and cutlery on the table sugar,milk and butter too Then her voice, would call gingerbread is up, and all would come, interrupting footaball, a good book, an afternoon nap, or the tv program nothing stopped one coming for gingerbread The loaf would be sliced still warm and thick almost overwhelming all that warm ginger so very exotic, then it would be lathered with butter, that would melt almost on contact..... and that was a such a feast There was magic in that kitchen even though I make ginger bread the same way, something is missing perhaps the warmth of the old oven or some little pinch of salt or nutmeg or perhaps the ginger has changed Or it might be just nostalgia.... for simpler times..when my biggest responsibility was mixing ginger bread batter
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