φιλια- -λoγια... when compounding words as necessarily categorised prefix and suffix: the vowels tango arguing which ought to peck the peacock of being protruding... that's not the same as the english quasi-German flirt with hyphenated compounds, e.g.: hard-working.
when phenomenons appear, there are still
anomalies, another way to say it is
with a Kantian lexicon, phenomena are
all-sweeping, placebo feelings of inclusion
and a plateau of comparative entitlements
aided by the simile of the chicken-strut
(obedient head nodding, like fans of head-banging
music, unlike the geese brigade of the *******),
cluck cluck, cluck cluck, clock in clock out,
i.e.: with phenomenon there's a unit,
a self-knowing "parasite" given the plateau of
an occurrence that's deviating from pyramids -
the Platonic idea of geometry applied to
politics and economics - this parasite is
a protesting unit, hardly recognisable by
the phenomenon of prosperity (e.g.),
know to itself, a mongrel of solipsism and
the idea of a noumenon... noumenon invoked
exclusively is a thing-in-itself, the existential
cry for the existence of the *other, something unknown
to us, and / or hardly worth knowing, given
the cinema of phenomena marring the existence
of such creatures with the success rate
of the applicability of phenomena... a noumenon
is an abstracted unitary pivot of solipsism,
it's likely to find its way into psychology's lexicon
as the ego: after all psychology loves to undermine
the affirmative onomatopoeia that are chameleon
(cha cha cha? cha melon? why not ca or ka? anyway,
you see, too many particular protruding extensions,
too many third limbs, too many traffic stoppages
in this language) skin worthy to tattoo onto himself...
noumenon are individuals invited to critique
phenomena from their comfortable status as solipsists,
the de-affirmative units (ego) of not thinking and
thinking that such and such phenomenon is worth
applause / inquiry / critique / negation;
noumenon is a measure of solipsism, a centimetre on
a ruler, given that the ruler is knowledge,
and the centimetre is an instance, recurrence,
the unexpected moment - or eureka
(hyphen, prolong the sentence, don't slip into
what ; and , emphasise, an indication for a change of
subject, or digression) - it's about putting the self
into a noumenon and thought acting as an omni-
surgical instrument to inspect it, a Swiss army knife
if you prefer... opening a can of sardines...
ego always prompts thought to be, a consistent verb,
always disengaging from nouns, retracting a noun
capacity, inverted as the usurper of nouns:
sign... oh sorry, slang language.
it's still bothersome, to practice the logic of possessing
a soul (psychology), yet denying it,
it's a self-defeating logic, to presume the study of soul,
the existence of, to later switch to the existence of
thought, and subsequent behavioural studies
whereby thought (the culprit) is the only justification
for odd behaviour... should i establish the non-existence
of a soul in man i wouldn't continue the study of
a non-existence of, that's firmly established,
but going down the hanging garden of Babylon replacing
the study of a soul (non-existent apparently, including
Nina Simone and Ella Fitzgerald) with the study of
thought and its many prompts seems strange...
why not establish a subject matter about how one
person ***** over another and ask: is there love in this
shanty town that's earth? φιλιαλoγια?
love of logic? or the logic concerning love?
well, it's hardly found on the crux, i was looking at it
with a microscope, a telescope, i got nothing
but a splinter in my eye and my tongue nailed
to an ice cube - true onomatopoeic resemblance,
not of meow or coo coo, bah o' woo L ghh
(but of words) - deep-throat that ****, gagging of
an open mouth. i was prompted by the idea that
we're all getting richer... mm... with the shy economisation
of the arts as suggested by youth? i 'hink we won't
be anywhere worse-off in this society as we might
be better off in Congo... unless of course i write these
poems without youthful energy secure in
retirement, and pretend that gambling doesn't exist...
come to think of it, i'm more of a gambler than an artist.
