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I was thinking of a son.
The womb is not a clock
nor a bell tolling,
but in the eleventh month of its life
I feel the November
of the body as well as of the calendar.
In two days it will be my birthday
and as always the earth is done with its harvest.
This time I hunt for death,
the night I lean toward,
the night I want.
Well then--
It was in the womb all along.

I was thinking of a son ...
You! The never acquired,
the never seeded or unfastened,
you of the genitals I feared,
the stalk and the puppy's breath.
Will I give you my eyes or his?
Will you be the David or the Susan?
(Those two names I picked and listened for.)
Can you be the man your fathers are--
the leg muscles from Michelangelo,
hands from Yugoslavia
somewhere the peasant, Slavic and determined,
somewhere the survivor bulging with life--
and could it still be possible,
all this with Susan's eyes?

All this without you--
two days gone in blood.
I myself will die without baptism,
a third daughter they didn't bother.
My death will come on my name day.
What's wrong with the name day?
It's only an angel of the sun.
Woman,
weaving a web over your own,
a thin and tangled poison.
Scorpio,
bad spider--
die!

My death from the wrists,
two name tags,
blood worn like a corsage
to bloom
one on the left and one on the right--
It's a warm room,
the place of the blood.
Leave the door open on its hinges!

Two days for your death
and two days until mine.

Love! That red disease--
year after year, David, you would make me wild!
David! Susan! David! David!
full and disheveled, hissing into the night,
never growing old,
waiting always for you on the porch ...
year after year,
my carrot, my cabbage,
I would have possessed you before all women,
calling your name,
calling you mine.
Carsyn Smith Jan 2015
They say I'm off my hinges,
That I'm spiraling into nothing
And welcoming insanity with open arms.
The voices sing me songs
About love and loss,
Of great battles
Fought at the birth of dawn
And others in back alley ways.
They whisper dark things
Along side the melody of light...
They tell me I'm off my hinges
But who's gonna believe a voice under the bed...?
Grab a book, any book, and open to page 49.
6th line.
5th word.
Make a poem, and use that word as its title.
Be sure to make sense, and relate the topic to title!

Tag your poems as bookpoemchallenge
I reached up into the top of the closet
and took out a pair of blue *******
and showed them to her and
asked "are these yours?"
and she looked and said,
"no, those belong to a dog."
she left after that and I haven't seen
her since. she's not at her place.
I keep going there, leaving notes stuck
into the door. I go back and the notes
are still there. I take the Maltese cross
cut it down from my car mirror, tie it
to her doorknob with a shoelace, leave
a book of poems.
when I go back the next night everything
is still there.
I keep searching the streets for that
blood-wine battleship she drives
with a weak battery, and the doors
hanging from broken hinges.
I drive around the streets
an inch away from weeping,
ashamed of my sentimentality and
possible love.
a confused old man driving in the rain
wondering where the good luck
went.
Dyanova Sep 2014
When clocks strike twelve and trainings end
— lurk not, they say, in school at night.
Age-old stories tell of how there’re
things that throng in fluorescent light.

In toilets silence screeches loud,
for when school’s empty, they arise:
Ghosts of pregnant girls lie wailing,
with cleaner-uncle poltergeists.

For now I sit on chilling white,
resounding prayers in my mind;
my heart racing with dire wish
a friend of Casper’s I won’t find —

Then eeeeeeek!
Is that a door creaking?
Perhaps it stemmed from my own mind,
Hinges sing as they fly open!
Thou who entered, oh be my kind!

A thud thud thud as shoes traverse
across the glinting marble floor;
and louder,
louder as they get
much nearer to my sacred door!

THEN SILENCE

or so I wish!

But a loud knock takes my breath away.
The unlatched bolt lies there lazing
HOW’D I FORGET TO LOCK TODAY?

A hand thrusts in so hard and swift,
door’s open ‘fore I can react!
I’m facing now a girl my age,
She bawls at me with little tact —

Eyes bloodshot and tummy bloated,
“YOU DISGUSTING PIG! HOW DARE YE?!”
I dash out of the girls’ toilet
before she tries to castrate me.
Hahaha wrote this for the fun/pun of it.
howard brace Oct 2012
Stood rigidly to attention either side of the hearth, the two bronze fire-dogs had been struggling to maintain that British stiff upper lipidness, which up until earlier that evening had best befitted their station in life... indeed, for the last half hour at least had become brothers in arms to the dying embers filtering through the bars of the cast-iron grate, passing from the present here and now, having lost every thermal attribute necessary to sustain any further vestige of life... to the shortly forthcoming and being at oneness with the Universe... only to fall foul of the overflowing ash-pan below.  This premature cashing in of the coal fire's chips could only be attributed to the recent and prolonged thrashing from the Baronial poker... and a distinct lack of enthusiasm from the family retainer, whom it appeared, required spurring along in a like manner... and while unseen mechanisms were heard to be engaging, then resonating deep within the Hall... that unless summoned... and quickly, the housekeeper had little intention of making an appearance of her own choosing and re-stoke the Study fire while the BBC Home Service were airing 'Your 100 Best Tunes' on the wireless, leaving the heavily tarnished pendulum to continue measuring the hour.

     An indistinct mutter and snap of a closing door latch sounded in the immediate distance as the unhurried shuffle of domestic footsteps... not too dissimilar from those of Jacob Marley's spectral visitation to Scrooge... echoed ever closer along the ancient, oak panelled hallway without.  Their sudden cessation, allowing the housekeeper ingress to  the book lined Study, was by way of sporadic groans from unoiled hinges, door furniture that voiced the same overwhelming lack of attention as that of the fire-grate set in the wall opposite and presumably, from the same overwhelming lack of domestic servitude.
                                        
     "Had his Lordship rang...?" the Housekeeper wailed dolefully, giving her employer what might casually pass for a courteous bob... and in lieu no doubt, of Marley's rattling chains, padlocks and dusty ledgers... "and would there be anything further his Lordship required..." before she took her leave for the evening.  The notion of a sticky mint humbug warming the cockles of his ancient, aristocratic heart gave her pause for thought as she rummaged through her pinafore pockets, then thought better of it, after all, confectionary didn't grow on trees...  In bobbing a second time she noticed the malnourished, yet strangely twinkling coal-scuttle lounging over by the hearth, whose insubstantial contents had taken on an ethereal quality earlier that evening and had now transferred its undivided attention to the recently summoned Housekeeper, who was quite prepared to offer up a candle in supplication come next Evensong were she mistaken, but the coal-scuttle's twinkle bore every intimation of giving what appeared to be a very suggestive 'come-on' in return... and had been doing so since she first entered the room... 'and did she have any plans of her own that particular evening', the coal-scuttle twinkled suavely, 'perchance a leisurely stroll down by the old coal cellar steps...'  Now perhaps it was the lateness of the hour which had caused the Housekeeper's confusion that evening, or perhaps an over stretched imagination, brought on through domestic inactivity, but it wouldn't take a great deal to hazard that a lingering fondness for Gin and tonic played no small part towards her next curtsey, which she did, albeit unwittingly, in the unerring direction of the winking coal-scuttle.

     With the household keys as her badge-of-office, jangling defiantly from the chain around her waist, the housekeeper began inching back the same way she came, back towards the study door and freedom... and back into the welcoming arms of her 1/4 lb. bag of peppermint humbugs and the pint of best London Gin she'd had to relinquish prior to 'Songs of Praise...' and which was now to be found... should you happen to be an inquisitive fly on a particular piece of floral wallpaper... half-cut, locked arm in arm with the bottle of Indian tonic water and in the final, intoxicating throws of William Blake's, 'Jerusalem...' hic.

     "Ha-arrumph..." the elderly gentleman cleared his throat... "ah Gabby" he said, lowering his book and placing it face down upon the occasional table set beside him.  The flatulent groan of tired leather upholstery made itself heard above the steady monotony of the mantle-piece clock as he stood and chaffed his hands in the direction of the bereft fire, "Oh! I'm sorry your Lordship, then there was something...?" as she maintained her steady but relentless backwards retreat unabated, the double-barrelled bunch of keys taking up a strong rear-guard action and away from the well disposed coal scuttle... "and was his Lordship quite certain that he required the fire stoking at such a late hour..." she dared, "perhaps a nice warming glass of port and brandy instead" gesturing towards the salver, long since tarnished by the half hearted attentions of a proprietary metal polish... "and would he care for..." then thought better of offering to plump the chair cushions herself, having discovered Mort, the household mouser in the final stages of claiming them as his own, deftly rearranging the Victorian Plush with far more than any noble airs or graces.

     "Poor Mrs Alabaster, you will recall Sir, I'm sure..." a pained expression crossed the Housekeepers face as she collided with a corner of the Georgian writing bureau and bringing her to an abrupt halt... "her late Ladyships lady" she continued, indiscreetly rubbing her derriere, "whose services your Lordship dispensed with at the onset of last Winter, shortly after the funeral, God rest her late Ladyship... when you made her redundant... and how she's been unable to find a new situation ever since on account of her lumbago flaring up again, seeing as how it's been the coldest January in living memory", which in all likelihood meant since records began... "and SHE didn't have any coal either... or a roof over her head for all anyone cared... begging yer' pardon, yer' Lordship", letting her tongue slip as she attempted yet one more curtsey... "and it's wicked-cruel outside this time of year Sir, you wouldn't turn a dog out in it..." and how ordering the coal used to be Mrs Alabaster's responsibility...

     "Oh no, Sir", as she unsuccessfully stifled a hiccup...she would be only too delighted to rouse the Cook, especially after that dodgy piece of scrag-end they'd all had to suffer during Epiphany, but it was only last week that the Doctor had confined Cookie to bed with the croup... "as I'm sure your Lordship will recall..." as she attempted a double curtsey for effect, the despondent coal-scuttle now all but forgotten, "that below-stairs had been dining on pottage since a week Friday gone... and it tends to get a little moribund after almost a fortnight your Honour... and that Mrs Cotswold's rheumatism was still showing no signs of improvement either by the looks of things... and was having to visit the Chiropodist every fortnight for her bunions scraping... and how she's been advised to keep taking the embrocation as required".

     As a young woman, any disposition her grandmother may have had towards sobriety or moral virtue had quickly been prevailed upon by the former Master's son taking intimacy to the next level with the saucy Parlour Maid's good nature.   Shortly thereafter, having been obliged to marry the first available Gardener that came along, she was often heard to say "a bun in the oven's worth two in the bush" for it was with stories 'of such goings-on'  that made it abundantly clear to the Housekeeper, that it was far more than old age creeping up... and that if she didn't keep her wits wrapped tightly about her, as she threw a sideways glance at the winking philanderer... then who would.

     As for the Gardener, "well... he couldn't possibly manage the cellar steps at this late hour, yer' Lordship, wot' with the weather being the way it is right now Sir, seasonal... and him with his broken caliper... and bronchitis playing him up at every turn, even though his own ailing missus swore by a freshly grown rhubarb poultice first thing each morning", but oddly enough, "how it always seemed to work better if the young barmaid down in the village rubbed it on, especially around opening time..." even his brother, Mr Potts Senior, ever since their Dad passed away... "God rest his eternal soul", as she whirled, twice in as many seconds, a mystical finger in the air... had said how surprised he'd been to discover that it could be used as a ground mulch for seed-cucumbers... it was truly amazing how The Good Lord provided for the righteous... and even as she spoke, was working in mysterious ways, His Wonders to Behold... "Praised-Be-The-Lord".

     And how the entire household, with the possible exception of Mrs Alabaster, her late Ladyships lady, who doggedly refused to be evicted from her 'Grace n' Favour cottage...' the one with pretty red roses growing around the door, that despite a string of eviction notices from the apoplectic Estate manager... had noticed what a fine upstanding Gentleman his Lordship had steadfastly remained since her late Ladyships sudden demise... "God-rest-her-immortal-soul..." and may she allow herself to say, "how refreshing it was to have such a progressively minded and discerning employer such as his Lordship at the helm, one filled with patient understanding and commitment towards the entire household..." much like herself...

     Fearing an uncontrollable attack of the ague, which invariably took the form of a selfless and unstinting dereliction to duty and always flared up at the slightest suggestion of having to roll her sleeves up and do something... which incidentally, was the first mutual attraction by common consent to which her parents, some forty years earlier had discovered they both held in tandem... and "would his Lordship take exception..." feigning a sudden relapse as she gestured towards the nearest chair, were she to take the weight off her feet... she plonked herself solidly upon the Chippendale before his Lordship could decline... "perhaps a recuperative drop of brandy" she volunteered, "just for medicinal purposes", she swept her feet onto the footstool, then crossed them with a flourish that would have caused Cyrano de Bergerac to hang up his sword... "the good stuff, if his Lordship would be so kind, in the lead-crystal decanter... over in the corner by the potted plant", she caught sight of the adjacent cigarette box, also tarnished... "just to keep body and soul together, may it please 'Him upon High'..." and just long enough to brave the coal cellar steps and refill the amorous scuttle... "if only it were a little less chilly", she gave an affected cough... on account of her diphtheria acting up again, she felt sure that his Lordship understood...  Moving over to one of the book lined alcoves, the elderly Gentleman lifted several tomes from the shelves... 'My Life in Anthracite', an illustrated compendium' "to begin with, I think... followed by... hmm!" 'The History of Fossil-Fuels, a comprehensive study in twelve breath taking volumes' "and we'll take it from there" as he threw the first on the barely smouldering embers...

                                                      ­     ...   ...   ...**

a work in progress.                                                        ­                                                         1859
Eleanor Rigby Dec 2016
Circumstances are hinges
Where poetry swings.
They can open a door
To a million linguistic expressions
Or they can shut them off
**** them in the sore of your throat
But never mute the meaning of.
Meaning lays in the very state
Of furtiveness and nakedness
From which words, inner or external
Emerge.
When mine merge with yours
It's beautiful
But when feelings do
As ore as they can get
There is not a word
Left to say.


-- Eleanor
ryn Aug 2014
Street lamps play
As they have before
Dim walkway
Leading to a door

Careful steps
Strewn leaves
Breathe between gaps
Skulking like thieves

Rustling trees
Otherwise nothing
Mind at ease
Heart rapidly beating

Usually stops here
Usually I'd stir
But still in slumber
I drew closer

Eyes on door
Familiar scene
Stood here before
This dream I've been

Up the patio
Door was ajar
Accompanied by my shadow
Stretched far

Tunnel vision
Dripping eave
Door handle beckons
Hand raised to receive

Usually stops here
Usually I'd rouse
Allowed to enter
This time... This house

Handle I seize
Door seemed light
It did not freeze
Hinges did not fight

Revealed the insides
Scanned surroundings
Unlit lights
Stairs climbing

Footsteps I heard
Coming my way
Sounds absurd
But yet I stay

Usually stops here
Usually dream is done
But still was clear
It only had begun

Darkened figure
Descending on bare feet
Beauty light as feather
Ever did I meet

She did not see me
Planted at the doorway
Impossible it may be
Nothing did she say

Walked right by
My eyes followed
Seconds fly
In eternity they burrowed

Usually stops here
Usually I'd wake
Yet still I'm here
Chance I'd take

Stood at the fridge
Back towards me
Under siege
My mind set a flurry

Fridge was opened
Light casted her silhouette
Her back darkened
Curiosity grew fat

Illuminating beams
Accentuated her hair
Like golden streams
Flowing with flair

Usually stops here
Usually I'd startle
Connection did not sever
Continue I was able

Spellbound I gawked
Rooted like a tree
Wide-eyed I stalked
This siren before me

She drank
Not knowing I was there
Stiff as a plank
I was locked in a stare

Finally broke free
Shifted my weight
She turned to me
And then said...

Then it ceased
Then I awaken
Surprisingly pleased
Slice of heaven

Who was she?
Silhouetted face
Perpetually...
Mysterious grace

Foreign albeit familiar
Strange but true
Now rings clear...


It is you...
Based on a dream I had.
Wade Redfearn Sep 2018
The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.
Considering this just recently got rejected and I'm free to publish it, and also considering that the town this poem describes is subject once again to a deluge whose damage promises to be worse than before, it seemed like a suitable time to post it. If you've enjoyed it, please think about making a small donation to the North Carolina Disaster Relief Fund at the URL below:
https://governor.nc.gov/donate-florence-recovery
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Hal Loyd Denton Oct 2012
Rusty Hinges

The wood showed its age and its time of neglect it creaked open slowly onto the courtyard the
Individual standing there was you or me the time varies from hours days and years our circumstances
Are different but they do flow with a commonality as one being human so many life experiences happen
To us all but controversial identifiable problems make them Taylor made for us as individual and at there
End they are retold with tread that has a universal constant that can mean many things to a lot of
People that in one degree or another applies to us but in the arena of life and its lustful expositions we
Turn and are in tough straits loss slights disappointments fall across our paths as shadows and in them
Are portents of more unknown difficulty no one gives much thought to the quick and vanishing problem
Unless it holds after the fact considerations that will be a continued problematic ongoing occurrence
These are the ones that we will fight a running battle with they tax our resources emotional or financial
Possibly both are effected nerves and stress makes for quiet an ordeal never to treat something in a
Light manner but that is the very success and exit that all desire the quote its darkest just before the
Dawn is in fact infallible truth but take it a step further with purposeful pause call to a halt all the anxiety
The voices silent or audible picture clearly the situation as best as you can see it and as hard and
Unanswerable as it surly is at that moment your need is to garrison your mind behind high walls
Making any thoughts that would enter at least they will be high unattainable thoughts not just
The little thoughts that have no power they only undermine and play to your fears in this haven begin
To undergird and reinforce stress points that are easily identified make the grandest leap of all deface
The diabolical disjointed confusion that has arrested your mind so terribly and scoffs you with the
Central means of attack confusion scatters your will your God given abilities to combat the war like
Ways that are found in life decisions need to made in clear eyed settings that are not similar to a
Volcanic upheaval but the scene should be a table and chair the floor smooth with sensibility the walls
Hung with diplomas and other unquestioned achievements that vouch of steady prolonged success
No matter the undertaking the chair the place and focal point of a fount that bares on and in it a grand
Ancient hall lined with shelves and shelves of books the gathered power of many minds implements and
Symbols that show in deep detail by their very appearance those that have entered here were men of
Gifts and striking abilities that they now gladly share they set around the table awaiting your questions
With answers that disarmed all foes not one loss was found and all this rest on one hinge and that is
Faith rusty of truth but by humble supplication and expectation you polish it to its formidable formable
Brilliance and Excellence burning away all shadows leaving in brightest detail the answers you seek
Nothing comes to your life without attending gifts attached the greater the struggle means in accurate
Measurement of how much growth you can expect
The smile of iceboxes annihilates me.
Such blue currents in the veins of my loved one!
I hear her great heart purr.

From her lips ampersands and percent signs
Exit like kisses.
It is Monday in her mind: morals

Launder and present themselves.
What am I to make of these contradictions?
I wear white cuffs, I bow.

Is this love then, this red material
Issuing from the steele needle that flies so blindingly?
It will make little dresses and coats,

It will cover a dynasty.
How her body opens and shuts --
A Swiss watch, jeweled in the hinges!

O heart, such disorganization!
The stars are flashing like terrible numerals.
ABC, her eyelids say.
Tom Leveille Mar 2014
2002:
today i kicked the door
to history off it's hinges
my jealous frame:
still too proud to say a word
it seems my folks forgot
to pencil in growth marks
cause they thought their boy
would never grow out of small breath
******* dead, years now buried
and i bare his name
too many syllables
for my father to go back
fish & play football
to stand in the yard and play catch

1994:
my mom, the bombshell in retrospect
broke her back in her sleep
a thousand times
since the stairwell in 87'
she still sits for spills
post nuclear about settling
now from the couch
she's a weather report
spouting nonsense
that makes my father
grow grey, crack remotes
& slam doors to dark rooms
abandoning ship
for "cheers" & "scienfeld"
while my mother
sometimes forgets
and sets his place at the table
and my appetite is abducted
by family photos
my mother says things like
"go see your brother today"
-- Johnny's long gone
don't you remember?
we buried him
the day your smile died

2014:
you are inches from me
******* a stray hair
caught in the fabric of your coat
the last remnants of a dog
we laid to rest last week
and here we are
in the hospital again
people don't shake like dogs
finality is found
in the eyes of humans
passing archways
into shallow rooms
where plague and prayer
are the only songs sung
round the stagnant clocks
it makes me wonder
if the clipboards cry
over being the last thing
someone ever writes on
take a number, have a seat
stay a while
i am back, 7 years old
& there are different doors now
they buried the ones
you kicked in that night in '92
when my lungs
were filled with holy water
you never stopped smoking
*i never grew out of asthma
ottaross Dec 2013
Time passing -
Is not the tick, tick, tick, of the movies.
It is a barely audible, high-pitched ringing in your ears.
It is the low thrum of a distant compressor somewhere.
It is the sound of the long shadows brushing against the wall.

Time passing -
It is the fabric rustle of changing your position in a chair.
A cat padding along the oak floorboards of the hallway.
An electric cube powering a computer.
The sizzle of speakers turned on with nothing playing.

Time passing -
I hear it from a silent telephone,
From the idle doorknob and hinges.
From wooden steps leading to my front door.

Time passing -
It is all of this,
And nothing.
So much nothing.
Hal Loyd Denton Apr 2012
Rusty Hinges

The wood showed its age and its time of neglect it creaked open slowly onto the courtyard the
Individual standing there was you or me the time varies from hours days and years our circumstances
Are different but they do flow with a commonality as one being human so many life experiences happen
To us all but controversial identifiable problems make them Taylor made for us as individual and at there
End they are retold with tread that has a universal constant that can mean many things to a lot of
People that in one degree or another applies to us but in the arena of life and its lustful expositions we
Turn and are in tough straits loss slights disappointments fall across our paths as shadows and in them
Are portents of more unknown difficulty no one gives much thought to the quick and vanishing problem
Unless it holds after the fact considerations that will be a continued problematic ongoing occurrence
These are the ones that we will fight a running battle with they tax our resources emotional or financial
Possibly both are effected nerves and stress makes for quiet an ordeal never to treat something in a
Light manner but that is the very success and exit that all desire the quote its darkest just before the
Dawn is in fact infallible truth but take it a step further with purposeful pause call to a halt all the anxiety
The voices silent or audible picture clearly the situation as best as you can see it and as hard and
Unanswerable as it surly is at that moment your need is to garrison your mind behind high walls
Making any thoughts that would enter at least they will be high unattainable thoughts not just
The little thoughts that have no power they only undermine and play to your fears in this haven begin
To undergird and reinforce stress points that are easily identified make the grandest leap of all deface
The diabolical disjointed confusion that has arrested your mind so terribly and scoffs you with the
Central means of attack confusion scatters your will your God given abilities to combat the war like
Ways that are found in life decisions need to made in clear eyed settings that are not similar to a
Volcanic upheaval but the scene should be a table and chair the floor smooth with sensibility the walls
Hung with diplomas and other unquestioned achievements that vouch of steady prolonged success
No matter the undertaking the chair the place and focal point of a fount that bares on and in it a grand
Ancient hall lined with shelves and shelves of books the gathered power of many minds implements and
Symbols that show in deep detail by their very appearance those that have entered here were men of
Gifts and striking abilities that they now gladly share they set around the table awaiting your questions
With answers that disarmed all foes not one loss was found and all this rest on one hinge and that is
Faith rusty of truth but by humble supplication and expectation you polish it to its formidable formable
Brilliance and Excellence burning away all shadows leaving in brightest detail the answers you seek
Nothing comes to your life without attending gifts attached the greater the struggle means in accurate
Measurement of how much growth you can expect
Frostley Oct 2015
She is the vindictive snow
Beautiful, cold causing her chilling touch to leave me numb
She creates an overload of dopamine for me
But like I said she left me numb
She compressed limerence upon me
The concentric feelings I have for her  linger
This contours her opaque heart
Leaving her pliable words lay rendering in my mind
She applies this solvent to it leaving me broken
Forlorn she left me
Yet, the tactile, numbing sensation keeps me going
For she is the one I love
Causing our hearts to be diptych artwork off our hinges.
zebra May 2017
i breathe
one breath at a time
each inhalation linked to the exhalation before it
yet every breath stands alone
there's something tenuous about it
this soft machine is on thin ice
devoured by time in innocent increments
like a moth nibbles away wool

my heart
little gorilla
wearing itself out
rubber glove with a hole in it
weird luck

my eyes are bright
solar blue ball lanterns

if you saw me
you would say
good bones
river of envy

yet all hinges
on a muscular rhythmic pulsating machine
like a determined jaw chewing
jumpy mouth

yet on the verge of betrayal
a glitch
karmic indecision  
in destinies wheel house
a red fist locus banging

ones immense sense of self
a vainglorious elaboration
built over a small pulsating muscle
innocuous

dumb blood flesh knot drumming
scarlet tribe
throne of my very soul
great sovereign
old man in a crib
splitting open of its own accord  
a sudden rip from life
to a dead sea eternity
the final frontier

starless night
Maddie Cribbs Dec 2017
Am I a door, who's lock is broken,
who's hinges are loose?
I'm being swung open and closed,
Swung open and closed again and again.

My hinges are rusted,
I have scratches and kicked-in holes,
My **** is about to be broken off.
Next I know, I'll be ripped off of my beautiful loosely rusted hinges and thrown into the roach-filled dumpster.

But I was put there for a purpose.
To open myself up and let those in who were in need of help.
And those people have ******* me over multiple times.
But that was my purpose.

My loose, rusted hinges
held on
no matter how many times I was slammed or kicked
because that’s what I was made for.
To help others,
no matter how broken they made me
I held on ,
and I kept my purpose.
Akemi Oct 2013
Chapter 1

There was a woman. The cost to love her was your life. No other payment but a sending off, a revolver cocked to your temple’s side.
There was no spite in your death, just business.
Hell of a business to run.

I was protecting someone. Never been one to stick around, but this drag had carried for the past year. That gang-owned joint lay but two doors and a cold alley away. Popular place, maybe not the classiest but it had its patrons. Packed with your essentials: pool tables, dirt-licked walls and chairs, mean folk mixed in with the nice. Old fashioned joint with a history. You could almost feel it when you walked in. That small pressure when it’s about to rain? Felt like that had been building up for a decade there.
Some Madonna owned it. Names elude me, but she was just another front; as was the barkeep, the hired bouncers and those mean-eyed slingers that spoke loud in company, silent alone. Heh, almost like an old-fashioned saloon. Who the hell am I in this tale of cowboys and crooks?
I was holed up in that apartment block for the winter. Stiff drapes covering a stiff cold that seeped through the cracks anyway. Cold chills to wake to, and the whiskey don’t warm a **** thing. Maybe it was the ache of a past flame that led me to her. That old touch had languished and misted away in the night of some long dead memory, leaving an old kiss from a young lover on my shivering body. It grew faint with every year’s passing. I struggle to remember this keepsake.
Every night.
I was a no name protector protecting a no name ghost of a man. Yeah we knew each other. I’m no stranger to keep past talking terms . . . but, hell if I remember his name, how we got into this **** situation and why. Mind’s a little off. Been like that for years.

It was a stumble through the wrong door at the wrong time. Some spiteful voices in the back of the joint or the back of my mind telling me I’m headed for hell and ain’t coming back. See, every day is a crossroad, and I happened upon the worst one yet.
I remember that flaking paint; grime-covered white on a moulding door **** near off its hinges. That suited me, and I hated it. Maybe I grew sick of wandering the same way and turned my life on its spinning head. Spun me all the ways I couldn’t face. Saw a glimmer that fate had readied for me. Don’t think I’ve looked at anything with such eyes since; nor have they looked back at me.
The room was a cramped, dilapidated hellhole like every other room, but with her laying on that bed of hers . . . she was the only clean thing in the whole of this cursed city. Save, she wasn’t clean. No such thing exists; no such thing as clean since your adolescent innocence, and even that went up in flames. Hell, in a city like this I wouldn’t be surprised if the skeletons we kept so tightly locked in our closets outnumbered us ten to one.
Should have remembered that when I saw her, but my mind lay a blank canvas and I couldn’t help but fill it with all the details of this pretty bird. Even those that weren’t there.
No Name yanked me out quick. Never seen him so pale, ghosting further and further from a human being. He’d been running so long I don’t think he even knew what he was running from anymore. His past? Some cop chase from years back, ending with blood stains and shaky hands? A dead kid in the arms of a suicidal wife? Maybe he’s running from himself. Fear in the capacity we contain, and fear in the ways we unleash it around loved ones. I don’t blame him for running. If I was a worse man I’d run from him as well.
Now No Name has it all figured out, even if he won’t let on; and that bird in there ain’t part of the plan. Cash cash, first train out to some no name city for this no name man. In this together, he keeps repeating, like some broke down record player that only plays one song. Well I guess we share more similarities than I’d like to think so.

One night, about a month after settling in that old apartment, I hear raised voices. Not uncommon, but something about this still night woke some fear inside me. A fear I needed to meet with my eyes, a score to settle with myself. Sounded like some ******* outside was hoping to bring down the sky with volume alone. No type of gentleman, just a no ***** kid who doesn’t know the difference between command and screaming like a babe.
One gets you respect. Now, the other. . . .
I open those stiff drapes with stiffer fingers. Brush that layer of frozen breath and mist to find some mid-twenty good for nothing punk holding a struggling figure. The apartment ain’t exactly ground floor but even up here I can spot the difference between a gent and a sally. Some broad was in trouble.
Grab that six shooter, old man. The holster smooth from years of wear, small frays on the weathered jacket rubbing against goose-pricked skin. Comfort clothing that never really brings comfort. Not anymore. Guess I’m as bad as No Name. I’m just repeating routine.
Out the hall, no doors left in this apartment block. Stolen, broken, ain’t exactly your family fun lifestyle we’re living. No Name’s holed up in this fortress of upturned furniture and dresser-barred doorways. Lights flicker from between the cracks. The devil ain’t gonna bother with the door, I tell him. He doesn’t reply. Maybe he’s a religious man with one too many sins above his head.
There’s another yell and I feel my blood rise, hairs picking up static, a storm brewing inside that clenched stomach of mine. Take a tumble down the stairs in my haste. **** crooked balsa wood. Those stairs are gonna end me one day, I swear.
Ground floor. I slam that kitchen door and it cracks against the brick wall outside. ****. No Name’s gonna burst an artery. Call out for that ******* punk but he’s already eyeing me up. Only a few steps away and I can see the white in his eyes. No . . . those are his pupils. Wide, all cloud-like, he’s ******* dusted up. . . . Almost like looking into the past. Thrice-cursed ****. I’m in trouble.
This ain’t some lover’s quarrel, some twisted ****’s thought of a good way to end the night. This is a dusthead addict and I’m out of my league. His mid-snarl distorts and stretches past his cheeks and that devil grin sends an electric jolt from the wires of my brain to my heart.
This six shooter is as good as a pea gun against a Smiley.
He’s spouting some glossolalia drifts, layering it like an abominable duet. The coked-up boy in me yearns to understand again, but stiff joints and washed-out dreams have made me a cynic. Ain’t no beauty when you’re tearing things apart to see it. ******* Smiley’s on the edge and he’s ready to pounce right off. If that broad’s sobbing didn’t **** at those heart strings of mine I’d be running for my ******* life.
I lift that pea shooter and aim it straight at that devil smile.
He howls. Glass shatters from above. Some black monstrous thing comes speeding at me. I leap through that apartment doorway in time to see ******* Smiley consumed by it. All sharp, all solid that beast slams into Smiley, screaming loud enough to wake this dead city twice over. Smiley thrashes, he splays out to the ground, the beast’s seared flesh erupting in front of me. A piece slices past my cheek and I’m on the ground in tears. I hear No Name scream an incomprehensible curse above. I’m bawling now. Through my tears I spot that chunk of flesh. ******* balsa wood. Thrice-cursed balsa wood.
No Name had thrown a piano out that barricaded window of his. Tears of pure comedy, that’s what left my face. A Smiley taken out by No Name, I’ll never live this down. His mangled body lies under polished wood. Someone’s yearly worth gone in a second of frantic panic, reduced to twisted wires and cracked ivory. To see something so beautiful destroyed in seconds makes me wonder if the Smiley had gotten the better of us after all.
That broad’s in shock. Splinters covered every inch of ground save that around her; looked like a comet, trailing emptiness behind.  Should have noticed it then that something wasn’t right with that scene. Perfectly unscathed beauty sitting there with not a single scratch nor splinter on her, but I was too **** amazed I was alive. Knelt close to her and caught a whiff of some exotic scent on her skin. Some flower. Saw her face and it added another colour to that filling canvas of mine. This pretty bird from the joint. The one men died for. At least No Name had saved one life worth saving, funny it happened to be the one who could take yours in a night.
Names elude me, but the way I remember her . . . the way I remember her is Blossom, for when she came into my life she gave colours to my black and white memory, colours I didn’t know existed, and my black and white morals took a turn down some dawning grey-blurred alley.
So I’m a ******* gentleman and I walk Blossom home while No Name shifts furniture above us. Scrapes of hard wood against wood, filling that void in his once impenetrable bastion. I told you No Name’s got it all planned out already. Guess I’m just here for the ride.
Welcome to the paranormal neo-noir gangster world of Devil Smiles.
Devon Webb Oct 2014
You've ripped
me off my
hinges:
Please
build me
a new frame and
paint it
pretty colours
or I'll have no
doors left to
open
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.'

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.

Nor in this was he mistaken,
As the picture failed completely.

So in turn the other sisters.

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.

Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.

Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.

But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
The oxygen secreted from the walnut tree,
the snap-pole green beans growing
up the side of the rusty garden fence, and
bags of aluminum cans stored  in the shed
with the old cash registers from the antique store.
These are the golden frames caught and
edited onto organic film, etched into grey matter,
projected from a foggy lens onto reflective marble.

We abandoned the clubhouse because of spiders;
they took the place for themselves after a storm.
Our new abode was the patch of grass between the
walnut tree and the fence in the back corner of the yard;
shady, rough terrain from fallen walnuts, and
the grass always had a slight dew in places.
"The place where the snakes live" is what we called it
when we were sprouts; now we could catch them in both hands.

One night, the wind blew over the shed doors;
flimsy, sliding rail, aluminum thing.
We slinked in and got to play with the old adding machines,
foreign tools, jars full of door hinges, and
rusty hand-crank egg beaters.
Eventually, the roof of the shed collected so many years
of twigs, walnut husks, and foliage fallen that
tiny trees began to pop their heads up from the clutter.

Crickets underneath the gutter guards-
two types; the black singers and the
ones you have to dig for that will draw blood
if they get a hold of one of your fingers.
Sometimes, if bravery was roused and boiling,
we would drift closer to the railroad tracks
in attempts to catch yellow jackets, or even hornets.
One popped their stinger into the back of my neck.
tlp
it was on the 2nd floor on Coronado Street
I used to get drunk
and throw the radio through the window
while it was playing, and, of course,
it would break the glass in the window
and the radio would sit there on the roof
still playing
and I'd tell my woman,
"Ah, what a marvelous radio!"
the next morning I'd take the window
off the hinges
and carry it down the street
to the glass man
who would put in another pane.
I kept throwing that radio through the window
each time I got drunk
and it would sit there on the roof
still playing-
a magic radio
a radio with guts,
and each morning I'd take the window
back to the glass man.
I don't remember how it ended exactly
though I do remember
we finally moved out.
there was a woman downstairs who worked in
the garden in her bathing suit,
she really dug with that trowel
and she put her behind up in the air
and I used to sit in the window
and watch the sun shine all over that thing
while the music played.
Ignatius Hosiana Apr 2015
I didn't ask for a broken heart
Neither did I want the hurt
All I wanted was a ride to forever
Whether a smooth or a bumpy ride
Even if few have reached that place
I just needed a little favor
To be the only one in your embrace
Prayed that you lend me some of your trust
To oil the hinges of our love and keep them free of rust
I needed a bit of your faith, I needed you to believe
I hoped you'd stick around and never leave
All I wanted was some room to be a real man
Besides an opportunity to call you mine
A Romeo and Juliet story,at worst a Bonnie and Clyde
Coming by
To what seemed to you
that the other wanted to chat
It was opposite to an expectation
automated is such pessimism
Why not give it a second thought
falling through to such idealism
Either way all that was left
was their own discretion
Piled for me to discard
along with this repulsive ashtray
I feel what you need
that isn’t what was said exactly
Twinge was the sting
seemingly numb to them
Maybe a simple postcard would suffice
Little what words could do right?
What little could words have done to excavate
your attention from the deep water
Your without seeing your day melt away
There is a healer
somewhere
paving way to vulnerability
The hinges welded together
your bureau has no way of breathing
Ancient could these ways be
coily haven risen from your depths
Untouched by an intimate hand
Gone missing from
what is floating
toward your sound
les image has you going there
Don’t leave me behind
I’m without your liberation
Grace me with your discreet thoughts
over and over
Glimmers found in your darkness
See me lie inside your eyes
greatly absorbing
Show me what has not been already given
Shower me sensibly
Give what was given to you
Take me lightly
Don’t dispose me
lower us beyond these
Warm hide
Structure–disheveled— to your liking
stays open for disarrayed stares
A requiem for slightly
held memory
Gone on to mystery
‘nevermore’
washing up from your shores.

leftover.

It is hard to see those swaying around you to the tune of your madness that actually care, right?

Dedicated to: his resounding lilt
Our heart burns broken at the ends, they fail us, keep building
my lungs are wax inside my ribs, you’re burning, well I’m breathing
this back breaks walked on from carrying friends, can’t stop now, still working
your life’s like rain drops on my tongue, I believe you, keep raining
and it’s alright, it’s alright, we are not right now complete
and I’m alright, you’re gonna be alright, we might never be complete
but the water keeps rising, it’s rising, everybody get into the water
and hold each others hands and lives, let’s all push our hearts together....
we’re gonna leave these shores right now, be everything we’ve never been
but you gotta swear to promise that we’ll never go back again, ever again
and we’re not just islands lying beside each others shorelines
we’re all bound with veins and hopes, we are not each others ghosts
our hearts are abridged, let's build bridges to each other
so this river won’t take us under
filled with monsters and goblins, they keep dragging the bottom
our life is a bridge, let’s build bridges to each other
and pray we don’t go under, oh these careless waters

I’m trying not to confuse: being used, with giving all I am
by: being used, and giving everything I have, all I am
so I’ll build a bridge with hollow bones filled with hollow teeth
inside a hollow heart, with the insides carved
and let the blood in these veins freeze
let the water in these veins freeze and break and flood the dam
we are all we have, this is all we need, hold on it may never end
and I might have to drink my teeth again if I wash up on the coast
so I’ll build a bridge with all that’s left, & not make any more new ghosts
show me your life, wide and bright, I hope that patience fills the seams
keep what’s inside, dry and right, you arch the frame I’ll span the beams
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
cause one day we’re gonna close our eyes for death or rest
and abandon ourself, this weak mind and breath
and the columns we made, and roots we grew down deep
will be pulled and gathered in to firewood, and burnt for heat
but when the tension shifts, and these braces turn
I’ll try and build a better bridge
and when all our piers burn, and the hinges miss
I’m gonna build a better bridge
our hearts are abridged, let’s build bridges to each other
so we don’t take ourselves under

Our heart burns broken at the ends, they fail us, keep building
my lungs are wax inside my ribs, you’re burning, I’m still breathing
this back breaks walked on carry friends, can’t stop now, still working
your life’s like rain drops on my tongue, I believe you, keep raining
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our hearts are abridged, let’s build bridges to each other
so this river won’t take us under, so we don’t take ourselves under
our lives are a bridge, let’s build bridges to each other
and pray we don’t go under, oh these careless waters
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our lives are a bridge for us to give, I want to build a better bridge
from every wrong we’ve done to each other, if I forgive will you forgive?
our hearts are abridged, let’s build bridges to each other
so this river won’t take us under, so we don’t take ourselves under
Daughter May 2013
I breath you in like a drag on an old cigarette
One I've kept in the pocket of my favorite jean jacket
Always there in case of emergency
You fill my lungs with thick smoke, clouding my judgment of what's good for me
And what's not.

I drink you down like golden tequila
Quick and stinging as you glide down my throat with that numbing burn
You taste so warm in my empty stomach
Where you sit and wait
Until you seep up to my brain  
After a bad night's sleep

I swallow you whole
You're my little white pill.
You lay me down to bed
Only to find I feel nothing but everything I wanted to forget

I regret your touch and the grasp you hold inside
Let go of these weary veins
Let these eyes fall to sleep without your heavy shadows
I kiss you goodnight one last time
And tell myself I am good and fine
DblNickel May 2017
Let's take a second
Recalibrate this conversation
You do know, right
That I am the hinge on this life
I don't want praise
Or a pat on the back
But even hinges need WD-40
From time to time.
**** it,
I need to be greased constantly
I'm needy in that way
(Therapy helps)
But look into my day-to-day:
On my left is the Wall,
My root and my reason
My family (my girls).
The Wall is permanent, important
(Those words don't do it justice)
On me it relies on necessities of life.
For that Wall, I hold the Door.
The Door on the right,
Replaceable, not solid,
It's a means (to an end)
That Door is temporary, minute
(Compared to the house)
And on me it rests, day in and day out.
On ME it rests
I  am the only hinge
The other?
We won't talk about him
But hinges only have two hands, you see
One on the wall, one on the door
I have no hands that are free
Hinges are fierce little *******
That are good at their jobs
But they age all the same

So *******.
kB 2 Sep 2018
Feet hang lazily
As I finish my stitching
Canvas skin limp limbs

Burnt leaves for a brain
A heavy hinged hollow box
Becomes a fresh heart

I’ve sewn me a boy
One that cannot run away
One that wants to stay

I program his mind
To connect only with mine
Lock love in the box

Run hands down the threads
Awaken him from his sleep
Eyes open in fear

Graze hands down soft throat
Stir his chords let him speak free
Fill lungs with a kiss

It’s my ragdoll boy
My best friend and my lover
And I have his key

He just looks at me
“Don’t be scared you are my love”
I tell him gently

“What am I doing?
I’m not supposed to be here
I don’t even know you”

Desperate staring
He looks scared and so confused
I don’t understand

“I stitched you gently
You are my perfect man now
Together in love

You will be happy
I can show you everything
I will be your muse”

I filled up his mind
Put all my love in his heart
What did I do wrong?

“My love cannot be
Forced by you or your stitches
Or locked in a box

My mind is my own
I don’t want you to change it
I want to be me

You cannot just make
The perfect boy to love you
Life doesn’t work that way”

I shuddered with chill
My own stitched up heart races swells
Tingles to the tips

I split the seams open
Rip out the tattered heart box
Watch him hit the floor

My hands are tremors
Shaking over the keyhole
I open the box

Nothingness and hollow
Dirt hinges and fine cracks
Have emptied my love

I had filled the box
With all of my own soul’s love
So now I’m empty too

I will lay down now
Next to my tattered doll boy
Together in heartlessness

Within my soul’s death
A black truth that I cannot
Make someone love me

Mind scurries with thoughts
That I cannot love myself
And that’s the worst part.

~kb
Cat Fiske Jan 2016
I am the Box Turtle,
I shut you out,
and sleep away in my shell,

I am the Box Turtle,
the only turtle who is safe from the world,
the only turtle who can shut away the world,

I am the Box Turtle,
I'll hid for life,
behind the hinges that cover me,

I am the Box Turtle,
Who will slam my door,
on you and the world,

I am the Box Turtle,
I can live my life in my shell,
while you continue creating this hell,

I am the Box Turtle,
I will not fight,
I will live in peace not war,

I am the Box Turtle,
I'll  lock the ones who try and hurt me out,
to try and survive these battles alone,

I am the Box Turtle,
inside my hinge like doors,
I'll be safe from the world,

I am the Box Turtle,
I must be safe from you,
and any other fools.
Box turtles  are cool,
only turtle that can fully close its shell bc it has mini doors,
I love em, they're cute.
Adellebee Aug 2012
My eyes are black holes
Dead, deceased
An ecosystem of decay
a habitat for shattered souls

My eyes are lifeless
Lack luster
Sparkled out
Behind the wall, we are falling
Banging out our heads and hearts against doors off hinges
Against some mad buggers intuitions
Edward Laine Sep 2011
The old green door creaked when it opened. The same way it always did. The same old pitiful, sad sound it had made for years.
Sad because, like the rest of Jimmy's Bar it wouldn't be broken the way it was if someone would only take the time to fix it, in this case to grease the hinges, and then maybe the joint wouldn't be such a dive.
But that was the way it was, and the old green door pretty much summed up the whole place before you had even stepped in.

It was an everyday scene, this dreary November afternoon like any other: the glasses from the night(or nights) before were still stacked up on the far end of the bar, waiting to be washed, or just used again. The regulars, as they were known really didn't care if they were drinking out of a ***** glass or having a shot or a short out of a pint glass or beer or a stout or a bitter or an ale or a cider or even a water or milk(to wash down or soak up the days drinking) out of the same old ***** glass they had been drinking out of all week long.
Anyway, when the door creaked this time, it was old Tom Ashley that made it creak.
He shuffled in like the broken down bindle-stiff he was. Yawning like a lion and rubbing his unwashed hands on his four day beard. His grey hair as bed-headed and dishevelled as ever.  He was wearing the same crinkled-up blazer he always wore, tailor made some time in his youth but now in his advancing years was ill-fitting and torn at the shoulder, but still he wore a white flower in the lapel, and it didn't much matter that he had picked it from the side of the road, it helped to mask the smell of his unwashed body and whatever filth he had been stewing in his little down town room above the second hand book store. It wasn't much, but it suited him fine: the rent was cheap, and Chuck, the owner would let him borrow books two at a time, so long as he returned them in week, and he always did. He loved to read, and rumour had it, that a long time ago when he was in his twenties he had written a novel which had sold innumerable copies and made him a very wealthy man. The twist in the tale, went that he had written said novel under a pen name and no soul knew what it was, and when questioned he would neither confirm nor deny ever writing a book at all. It was some great secret, but after time people had ceased asking questions and stopped caring all together on the subject. All that anybody knew for sure was; he did not work and always had money to drink. It was his only great mystery.  T.S Eliot and Thomas Hardy were among his favourite writers. He had a great stack of unread books he had been saving in shoe box on his window sill. He called these his 'raining season'.

But for now, the arrangement with Chuck would suit him just fine.
He dragged his drunkards feet across the floor and over to the bar. All dark wood with four green velour upholstered bar stools, that of course, had seen better days too.
He put his hands flat on the bar, leaned back on his heels and ordered
a double Talisker in his most polite manner. He was a drunk, indeed but 'manners cost nothing'' he had said in the past. Grum, the bartender(his name was Graham, but in the long years of him working in the bar and
all the drunks slurring his name it gradually became Grum)smiled false heartedly, turned his back and whilst pouring old Toms whiskey into a brandy glass looked over his shoulder and said, ''so Mr. Ashley, how's
life treatin' ya'?'' Tom was looking at the floor or the window or the at the back of his eyelids and paid no attention to the barkeep. He was always
a little despondent before his first drink of the day. When Grum placed the drink on the bar he asked the same question again, and Tom, fumbling with his glass, simply murmured a monosyllabic reply that couldn't be understood with his mouth full of that first glug of sweet,
sweet whiskey he had been aching for. Then he looked up at tom with
big his shiney/glazed eyes, ''hey grum,
now that it is a fine whiskey, Robert Lewis Stevenson
used to drink this you know?'' Grum did know, Tom had told him this nearly every day for as long as he had been coming in the place, but
he nodded towards Tom and smiled acceptingly all the same. ''The king of drinks, as I conceive it, Talisker, he said'' Grum mouthed the words along with him,  caustically and half smiled at him again. Tom drained his glass and ordered another one of the same.

A few more drinks, a few hours and a few more drinks again
passed, Tom put them all on his tab like he always did. Grum,
nor the owner of the bar minded, he always paid his tab before
he stumbled home good and drunk and he didn’t cause too
much trouble apart from the odd argument with other customers
or staff but he never used his fists and he always knew when
he was beat In which case he would become very apologetic
and more often than not veer out of the bar back stepping
like a scared dog with his tail between his tattered trousers.
Drinking can make a cowardly man brave but not a smart
man dumb and Tom was indeed a smart man. Regardless
of what others might say. He was very articulate, well read
with a good head (jauntily perched) on his (crooked) shoulders.
By now it was getting late, Tom didn't know what time it was,
or couldn't figure out what time it was by simply looking at
the clock, the bar had one of those backwards clocks, I
don't know if you have ever seen one, the numbers run
anti-clockwise, which may not seem like much of task to
decipher I know, but believe me, if you are as drunk as tom
was by this point you really can not make head nor tails of
them. He knew it was getting late though as it was dark
outside and the  lamp posts were glowing their orange glow
through the window and the crack in the door. It was around
ten o’clock now and Tom had moved on to wine, he would
order a glass of Shiraz and say ''hey Grum, you know Hafez
used to drink this stuff, used to let it sit for forty days to achieve
a greater ''clarity of wine'' he called it, forty days!'' ''Mr Ashley''
said Grum looking up from wiping down the grimy bar and
now growing quite tired of the old man’s presence and what seemed
to be constant theories and facts of the various drinks he
was devouring, ''what are you rabbiting on about now, old
man?'' ''Hafez'' said old Tom ''he was a Persian poet from the
1300's as I recall... really quite good'', ''Well, Tom that is
truly fascinating, I must be sure to look in to him next time
I'm looking for fourteenth century poetry!'' said the barkeep,
mockingly. ''Good, good, be sure that you do'' Tom said,
taking a long ****-eyed slurp of his drink and not noticing
the sarcasm from the worn out bartender. He didn't mean
to poke fun at Tom he was anxious to get home to his wife
who he missed and longed to join, all alone in their warm
marital bed in the room upstairs. But Tom did not understand
this concept, he had never been married but had left a long
line of women behind him, loved and left in the tracks of his
vagabond youth, he had once been a good looking man a
''handsome devil'' confident and charming in all his wit and
literary references to poets of old he had memorised passages from ,Thoreau,Tennyson ,Byron, Frost etc. And more times
than not passed these passages of love and beauty off as
his own for the simple purpose of getting various now wooed
and wanting women up to his room. But now after  many
years of late nights, cigarettes and empty bottles cast aside
had taken their toll on him he spent his nights alone in his
cold single bed drunk and lonely with his only company being
once in a while a sad eyed dead eyed lady of the night, but
only very rarely would he give in to this temptation and it
always left him feeling hollow and more sober than he had
cared to be in many long years.
The bell rang last orders.
He ordered another drink, a Gin this time and as he took
the first sip, pleasingly, Grum stared at him with great open
eyes and his hand resting on his chin to animate how he
was waiting for the old man to state some worthless fact
about his new drink but the old man just sat there swaying
gently looking very glazed and just when the barkeep was
just about to blurt out his astonishment that Tom had noting
to say, old Tom Ashley, old drunk Tom took a deep breath
with his mouth wide, leaned back on his stool and said...
''hey, you know who used to drink gin? F. Scott Fitzgerald''
''really?'' said the barkeep snidely ''Oh yes'' said Tom
''The funny thing is Hemingway and all those old gents
used to tease Fitzgerald about his low tolerance, a real
light weight! He paused and took a sip ''but err, yes
he did like the odd glass of gin'' he said, mumbling
into the bottom of his glass.
Now, reaching the end of the night, the bartender
yawning, rubbing his eyes and the old man with
close to sixty pounds on his tab, sprawled across the
bar, spinning the last drop of his drink on the glasses
edge and seeming quite mesmerised by it and all its
holy splendour, he stopped and sat up right like a shot,
and looking quite sober now he shouted ''Grum,
Graham, hey, come here!'' the sleepy bartender was
sitting on a chair with his feet up on the bar, half asleep,
''Hey Graham, come here'' ''eh-ugh, what? What do you
want?'' said the barkeep sounding bemused and
befuddled
in his waking state, ''just come over here will you,
please''
the barkeep rolled off his chair sluggishly and slid
his feet across the floor towards the old man ''what is
it?'' he said scratching his head with his eyes still half
closed. The old man drowned what was left of his
drink and said ''I think I've had an epiphany, well err
well, more of a theory really w-well..'' he was stuttering
. ''oh yeah? And what would that be, Mr Ashley?'' said
the bartender, folding his arms in anticipation. ''pour
me another whiskey and I'll tell you''
''one mor... you must be kidding me, get the hell
out of here you old drunk we're closed!'' the old man
put his hands together as if in prayer and said in his
most sincere voice, '' oh please, Grum, just one more
for the road, I'll tell you my theory and then I'll be on
my way, OK?'' ''FINE, fine'' said Grum ''ONE more and
then you're GONE'' he walked over to the other side
of the bar poured a whiskey and another for himself.
''OK, here’s your drink old man, and I don't wanna
hear another of your ******* facts about writers
or poets or whoever OK?'' Tom snatched the drink of
the bar, ''OK, OK, I promise!'' he said. Tom took a slow
slurp at his drink and relaxed back in his seat and
sat quite, looking calm again.
The bartender sat staring at him, expecting the old
man to say something but he didn’t, he just sat there
on his stool, sipping his whiskey, Grum leaned forward
on the bar and with his nose nearly touching the old
mans, said ''SO? Out with it, what was this ****
theory I just HAD to hear?'' ''AH'' said the old man,
waving his index finger in the air, he looked down
into his breast pocket, pulled out a pack of cigarettes,
calmly took two out, handed one to the barkeep,
struck a match from his ***** finger nail, lit his own
the proceeded to light the barkeeps too.
Taking a long draw and now speaking with the blue
smoke pouring out his mouth said '' let me ask you a question''
... he paused, …  ''would agree that everybody
makes mistakes?'' the barkeep looked puzzled as to
where this was going but nodded and grunted a
''uh-hum'' ''well'' said the old man would you also
agree that everybody also learns... and continues
learning from their mistakes?'' again looking puzzled
but this time more  intrigued grunted the same ''uh-hum'' noise,
though this time a little more drawn out and
higher pitched and said ''where exactly are you going
with this?'' curiously.
''well..'' let me explain fully said Tom. He took another
pull on his cigarette and a sip on his drink, ''right,
my theory is: everybody keeps making mistakes, as
you agreed, this meaning that the whole world keeps
making mistakes too, and so the world keeps learning
from is mistakes, as you also agreed, with me so far?''
the barkeep nodded ''right'' Tom continued ''the world
keeps makiing and learning from its mistakes, my
theory is that one day, the world will have made so
many mistakes and learned from them all, so many
that there are no more mistakes to make, right? And
thus, with no mistakes left to learn from the word will
be all knowing and thus... PERFECT! Am I right? The
barkeep, now looking quite in awe and staring at his
cigarette smoke in the orange street light coming t
hrough the window, raised his glass and said quite
excitedly ''and when the world is then a perfect place
Jesus will return! Right?'' ''well Graham...'' said the old
man doubtingly ''I am in no way a religious man, but I
guess if that’s your thing then yes I guess you could be
right, yes''
He then drowned the rest of his whiskey in one giant
gulp, stubbed out his cigarette in the empty glass
and said ''now, I really must get going ,it really is getting quite
late'' and begun to walk towards the door. The
bartender hurried around the bar and grabbed Tom
by the arm,
'' you cant just leave now! We need to discuss this!
Please stay, we'll have another drink, on the house!''
''Now, now,Graham'' said the old man, ''we can discuss
this another night, I really must get to bed now'' he
walked over to the door, and just as his hand touched
the handle the barkeep stopped him again and said
quite hurriedly,'' but I need answers, how will I know
everything is going to be alight? You know PERFECT,
just like you said!'' the old man opened the door
slightly, turned around coolly and said ''now, don’t
worry yourself, I’m sure everything will turn out fine
and we’ll talk about it more tomorrow, OK?'' the
barkeep nodded acceptingly and held the door open
for the
old man, ''sure sure, OK'' he said ''tomorrow it is,
Mr Ashley''
Just as Tom was walking out the door he stopped
looked at the   barkeep with large grin on his face
and said very fast, as fast as he could ''you-know-an-interesting
-fact-about-whiskey-it-was -Dylan-Thomas'
-favourite-drink-in-fact-his-last-words-were -"I've-had-18
-straight-whiskeys......I-think-that's-the-record."­!! HAHA '' he
laughed almost uncontrollably. Graham the barkeep looked
at him with a smile of new found admiration and began to
close the door on him.
Just as the door was nearly shut, the old man stopped
once
more, pulled out a roll of money, looked in to the
bartenders
eyes and put the money into his shirt pocket, then putting
his left hand on the bartenders shoulder said ''oh and
Grum, one of those great ol' women I let get away, once told ,me:
''if you are looking at the moon then,everything is alight'' and slapped
him lightly on the cheek.
. Then finally, pointing at the barkeeps shirt pocket said ''
for the bar tab'' then went spinning out the door way with
the grace of a ballroom dancer(rather than the old drunk
he had the reputation for being) and standing in the
orange glow of the street and seeing the look of sheer
wonderment on the bartenders face still standing in the
old green door way and shouted ''LOOK UP, THE MOON,
THE MOON!'' The barkeep, shaking his head and laughing,
peered his head out of the door and took a glance at the
moon and grinned widely then closed the old green door
for the night. It made the same old loud creak when he shut it.

                                       FIN
Molly Oct 2012
Singing birds are often better off caged, and maybe I’m no different. Maybe it’s safer, biting my tongue and shoving my hands deep in my pockets when the urge to delineate my woes shivers its way up my spine, shaking the rust from the back of my teeth and loosening the hinges on my jaw. I’m constantly reminded that the world outside my mind is far too dangerous, too brutal for my fragile thoughts, for my feeble words. But every now and then those words get the better of me. They convince me that their songs are worth hearing, that they’ll survive the hell that awaits them. Then, eager and  hopeful, they jump off my teeth like a diving board, spreading their wings and gliding out into the world of the unknown, the world of wars waged to divide and battles fought to conquer. I watch as they hang suspended in the air, wings spread, small and beautiful against the ominous background, innocent if only for a fleeting moment. But, of course, beauty has no place here.
I cringe as the shots ring out from all directions, as everyone around me opens fire upon my winged thoughts. I shut my eyes tightly against the firing of guns, arrows, cannons: delivering the message loud and clear that the airspace between me and the world is better left unclouded by my superfluous banter. I try not to watch as they drop from the sky, my unsuspecting words, but my eyes force themselves open. Wings broken, hearts still, they crash to the ground, silenced.
I want to gather them one by one, my feathered thoughts, gently in my hands; I would take them somewhere safe and give them a proper burial, for they were once so near and dear to me. But I’m afraid of what lies in the battlefield. I’m afraid of the landmines and the barbed wire and the trenches. So I bow my head, refasten the locks on my sore, stiffened jaw, and turn my back on the carnage, on the dirt and grass and the haze and smoke. I turn from my defeated birds, form the bodies of my barely spoken words, and I leave them.
This is old as well.
Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwellest; but, heavenly-born,
Before the hills appeared, or fountain flowed,
Thou with eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song.  Up led by thee
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down
Return me to my native element:
Lest from this flying steed unreined, (as once
Bellerophon, though from a lower clime,)
Dismounted, on the Aleian field I fall,
Erroneous there to wander, and forlorn.
Half yet remains unsung, but narrower bound
Within the visible diurnal sphere;
Standing on earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues;
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visitest my slumbers nightly, or when morn
Purples the east: still govern thou my song,
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son.  So fail not thou, who thee implores:
For thou art heavenly, she an empty dream.
Say, Goddess, what ensued when Raphael,
The affable Arch-Angel, had forewarned
Adam, by dire example, to beware
Apostasy, by what befel in Heaven
To those apostates; lest the like befall
In Paradise to Adam or his race,
Charged not to touch the interdicted tree,
If they transgress, and slight that sole command,
So easily obeyed amid the choice
Of all tastes else to please their appetite,
Though wandering.  He, with his consorted Eve,
The story heard attentive, and was filled
With admiration and deep muse, to hear
Of things so high and strange; things, to their thought
So unimaginable, as hate in Heaven,
And war so near the peace of God in bliss,
With such confusion: but the evil, soon
Driven back, redounded as a flood on those
From whom it sprung; impossible to mix
With blessedness.  Whence Adam soon repealed
The doubts that in his heart arose: and now
Led on, yet sinless, with desire to know
What nearer might concern him, how this world
Of Heaven and Earth conspicuous first began;
When, and whereof created; for what cause;
What within Eden, or without, was done
Before his memory; as one whose drouth
Yet scarce allayed still eyes the current stream,
Whose liquid murmur heard new thirst excites,
Proceeded thus to ask his heavenly guest.
Great things, and full of wonder in our ears,
Far differing from this world, thou hast revealed,
Divine interpreter! by favour sent
Down from the empyrean, to forewarn
Us timely of what might else have been our loss,
Unknown, which human knowledge could not reach;
For which to the infinitely Good we owe
Immortal thanks, and his admonishment
Receive, with solemn purpose to observe
Immutably his sovran will, the end
Of what we are.  But since thou hast vouchsafed
Gently, for our instruction, to impart
Things above earthly thought, which yet concerned
Our knowing, as to highest wisdom seemed,
Deign to descend now lower, and relate
What may no less perhaps avail us known,
How first began this Heaven which we behold
Distant so high, with moving fires adorned
Innumerable; and this which yields or fills
All space, the ambient air wide interfused
Embracing round this floried Earth; what cause
Moved the Creator, in his holy rest
Through all eternity, so late to build
In Chaos; and the work begun, how soon
Absolved; if unforbid thou mayest unfold
What we, not to explore the secrets ask
Of his eternal empire, but the more
To magnify his works, the more we know.
And the great light of day yet wants to run
Much of his race though steep; suspense in Heaven,
Held by thy voice, thy potent voice, he hears,
And longer will delay to hear thee tell
His generation, and the rising birth
Of Nature from the unapparent Deep:
Or if the star of evening and the moon
Haste to thy audience, Night with her will bring,
Silence; and Sleep, listening to thee, will watch;
Or we can bid his absence, till thy song
End, and dismiss thee ere the morning shine.
Thus Adam his illustrious guest besought:
And thus the Godlike Angel answered mild.
This also thy request, with caution asked,
Obtain; though to recount almighty works
What words or tongue of Seraph can suffice,
Or heart of man suffice to comprehend?
Yet what thou canst attain, which best may serve
To glorify the Maker, and infer
Thee also happier, shall not be withheld
Thy hearing; such commission from above
I have received, to answer thy desire
Of knowledge within bounds; beyond, abstain
To ask; nor let thine own inventions hope
Things not revealed, which the invisible King,
Only Omniscient, hath suppressed in night;
To none communicable in Earth or Heaven:
Enough is left besides to search and know.
But knowledge is as food, and needs no less
Her temperance over appetite, to know
In measure what the mind may well contain;
Oppresses else with surfeit, and soon turns
Wisdom to folly, as nourishment to wind.
Know then, that, after Lucifer from Heaven
(So call him, brighter once amidst the host
Of Angels, than that star the stars among,)
Fell with his flaming legions through the deep
Into his place, and the great Son returned
Victorious with his Saints, the Omnipotent
Eternal Father from his throne beheld
Their multitude, and to his Son thus spake.
At least our envious Foe hath failed, who thought
All like himself rebellious, by whose aid
This inaccessible high strength, the seat
Of Deity supreme, us dispossessed,
He trusted to have seised, and into fraud
Drew many, whom their place knows here no more:
Yet far the greater part have kept, I see,
Their station; Heaven, yet populous, retains
Number sufficient to possess her realms
Though wide, and this high temple to frequent
With ministeries due, and solemn rites:
But, lest his heart exalt him in the harm
Already done, to have dispeopled Heaven,
My damage fondly deemed, I can repair
That detriment, if such it be to lose
Self-lost; and in a moment will create
Another world, out of one man a race
Of men innumerable, there to dwell,
Not here; till, by degrees of merit raised,
They open to themselves at length the way
Up hither, under long obedience tried;
And Earth be changed to Heaven, and Heaven to Earth,
One kingdom, joy and union without end.
Mean while inhabit lax, ye Powers of Heaven;
And thou my Word, begotten Son, by thee
This I perform; speak thou, and be it done!
My overshadowing Spirit and Might with thee
I send along; ride forth, and bid the Deep
Within appointed bounds be Heaven and Earth;
Boundless the Deep, because I Am who fill
Infinitude, nor vacuous the space.
Though I, uncircumscribed myself, retire,
And put not forth my goodness, which is free
To act or not, Necessity and Chance
Approach not me, and what I will is Fate.
So spake the Almighty, and to what he spake
His Word, the Filial Godhead, gave effect.
Immediate are the acts of God, more swift
Than time or motion, but to human ears
Cannot without process of speech be told,
So told as earthly notion can receive.
Great triumph and rejoicing was in Heaven,
When such was heard declared the Almighty’s will;
Glory they sung to the Most High, good will
To future men, and in their dwellings peace;
Glory to Him, whose just avenging ire
Had driven out the ungodly from his sight
And the habitations of the just; to Him
Glory and praise, whose wisdom had ordained
Good out of evil to create; instead
Of Spirits malign, a better race to bring
Into their vacant room, and thence diffuse
His good to worlds and ages infinite.
So sang the Hierarchies:  Mean while the Son
On his great expedition now appeared,
Girt with Omnipotence, with radiance crowned
Of Majesty Divine; sapience and love
Immense, and all his Father in him shone.
About his chariot numberless were poured
Cherub, and Seraph, Potentates, and Thrones,
And Virtues, winged Spirits, and chariots winged
From the armoury of God; where stand of old
Myriads, between two brazen mountains lodged
Against a solemn day, harnessed at hand,
Celestial equipage; and now came forth
Spontaneous, for within them Spirit lived,
Attendant on their Lord:  Heaven opened wide
Her ever-during gates, harmonious sound
On golden hinges moving, to let forth
The King of Glory, in his powerful Word
And Spirit, coming to create new worlds.
On heavenly ground they stood; and from the shore
They viewed the vast immeasurable abyss
Outrageous as a sea, dark, wasteful, wild,
Up from the bottom turned by furious winds
And surging waves, as mountains, to assault
Heaven’s highth, and with the center mix the pole.
Silence, ye troubled Waves, and thou Deep, peace,
Said then the Omnifick Word; your discord end!
Nor staid; but, on the wings of Cherubim
Uplifted, in paternal glory rode
Far into Chaos, and the world unborn;
For Chaos heard his voice:  Him all his train
Followed in bright procession, to behold
Creation, and the wonders of his might.
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God’s eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure;
And said, Thus far extend, thus far thy bounds,
This be thy just circumference, O World!
Thus God the Heaven created, thus the Earth,
Matter unformed and void:  Darkness profound
Covered the abyss: but on the watery calm
His brooding wings the Spirit of God outspread,
And vital virtue infused, and vital warmth
Throughout the fluid mass; but downward purged
The black tartareous cold infernal dregs,
Adverse to life: then founded, then conglobed
Like things to like; the rest to several place
Disparted, and between spun out the air;
And Earth self-balanced on her center hung.
Let there be light, said God; and forthwith Light
Ethereal, first of things, quintessence pure,
Sprung from the deep; and from her native east
To journey through the aery gloom began,
Sphered in a radiant cloud, for yet the sun
Was not; she in a cloudy tabernacle
Sojourned the while.  God saw the light was good;
And light from darkness by the hemisphere
Divided: light the Day, and darkness Night,
He named.  Thus was the first day even and morn:
Nor past uncelebrated, nor unsung
By the celestial quires, when orient light
Exhaling first from darkness they beheld;
Birth-day of Heaven and Earth; with joy and shout
The hollow universal orb they filled,
And touched their golden harps, and hymning praised
God and his works; Creator him they sung,
Both when first evening was, and when first morn.
Again, God said,  Let there be firmament
Amid the waters, and let it divide
The waters from the waters; and God made
The firmament, expanse of liquid, pure,
Transparent, elemental air, diffused
In circuit to the uttermost convex
Of this great round; partition firm and sure,
The waters underneath from those above
Dividing: for as earth, so he the world
Built on circumfluous waters calm, in wide
Crystalline ocean, and the loud misrule
Of Chaos far removed; lest fierce extremes
Contiguous might distemper the whole frame:
And Heaven he named the Firmament:  So even
And morning chorus sung the second day.
The Earth was formed, but in the womb as yet
Of waters, embryon immature involved,
Appeared not: over all the face of Earth
Main ocean flowed, not idle; but, with warm
Prolifick humour softening all her globe,
Fermented the great mother to conceive,
Satiate with genial moisture; when God said,
Be gathered now ye waters under Heaven
Into one place, and let dry land appear.
Immediately the mountains huge appear
Emergent, and their broad bare backs upheave
Into the clouds; their tops ascend the sky:
So high as heaved the tumid hills, so low
Down sunk a hollow bottom broad and deep,
Capacious bed of waters:  Thither they
Hasted with glad precipitance, uprolled,
As drops on dust conglobing from the dry:
Part rise in crystal wall, or ridge direct,
For haste; such flight the great command impressed
On the swift floods:  As armies at the call
Of trumpet (for of armies thou hast heard)
Troop to their standard; so the watery throng,
Wave rolling after wave, where way they found,
If steep, with torrent rapture, if through plain,
Soft-ebbing; nor withstood them rock or hill;
But they, or under ground, or circuit wide
With serpent errour wandering, found their way,
And on the washy oose deep channels wore;
Easy, ere God had bid the ground be dry,
All but within those banks, where rivers now
Stream, and perpetual draw their humid train.
The dry land, Earth; and the great receptacle
Of congregated waters, he called Seas:
And saw that it was good; and said, Let the Earth
Put forth the verdant grass, herb yielding seed,
And fruit-tree yielding fruit after her kind,
Whose seed is in herself upon the Earth.
He scarce had said, when the bare Earth, till then
Desart and bare, unsightly, unadorned,
Brought forth the tender grass, whose verdure clad
Her universal face with pleasant green;
Then herbs of every leaf, that sudden flowered
Opening their various colours, and made gay
Her *****, smelling sweet: and, these scarce blown,
Forth flourished thick the clustering vine, forth crept
The swelling gourd, up stood the corny reed
Embattled in her field, and the humble shrub,
And bush with frizzled hair implicit:  Last
Rose, as in dance, the stately trees, and spread
Their branches hung with copious fruit, or gemmed
Their blossoms:  With high woods the hills were crowned;
With tufts the valleys, and each fountain side;
With borders long the rivers: that Earth now
Seemed like to Heaven, a seat where Gods might dwell,
Or wander with delight, and love to haunt
Her sacred shades: though God had yet not rained
Upon the Earth, and man to till the ground
None was; but from the Earth a dewy mist
Went up, and watered all the ground, and each
Plant of the field; which, ere it was in the Earth,
God made, and every herb, before it grew
On the green stem:  God saw that it was good:
So even and morn recorded the third day.
Again the Almighty spake, Let there be lights
High in the expanse of Heaven, to divide
The day from night; and let them be for signs,
For seasons, and for days, and circling years;
And let them be for lights, as I ordain
Their office in the firmament of Heaven,
To give light on the Earth; and it was so.
And God made two great lights, great for their use
To Man, the greater to have rule by day,
The less by night, altern; and made the stars,
And set them in the firmament of Heaven
To illuminate the Earth, and rule the day
In their vicissitude, and rule the night,
And light from darkness to divide.  God saw,
Surveying his great work, that it was good:
For of celestial bodies first the sun
A mighty sphere he framed, unlightsome first,
Though of ethereal mould: then formed the moon
Globose, and every magnitude of stars,
And sowed with stars the Heaven, thick as a field:
Of light by far the greater part he took,
Transplanted from her cloudy shrine, and placed
In the sun’s orb, made porous to receive
And drink the liquid light; firm to retain
Her gathered beams, great palace now of light.
Hither, as to their fountain, other stars
Repairing, in their golden urns draw light,
And hence the morning-planet gilds her horns;
By tincture or reflection they augment
Their small peculiar, though from human sight
So far rem
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aery-light, from pure digestion bred,
And temperate vapours bland, which the only sound
Of leaves and fuming rills, Aurora’s fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest:  He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamoured, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus.  Awake,
My fairest, my espoused, my latest found,
Heaven’s last best gift, my ever new delight!
Awake:  The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colours, how the bee
Sits on the bloom extracting liquid sweet.
Such whispering waked her, but with startled eye
On Adam, whom embracing, thus she spake.
O sole in whom my thoughts find all repose,
My glory, my perfection! glad I see
Thy face, and morn returned; for I this night
(Such night till this I never passed) have dreamed,
If dreamed, not, as I oft am wont, of thee,
Works of day past, or morrow’s next design,
But of offence and trouble, which my mind
Knew never till this irksome night:  Methought,
Close at mine ear one called me forth to walk
With gentle voice;  I thought it thine: It said,
‘Why sleepest thou, Eve? now is the pleasant time,
‘The cool, the silent, save where silence yields
‘To the night-warbling bird, that now awake
‘Tunes sweetest his love-laboured song; now reigns
‘Full-orbed the moon, and with more pleasing light
‘Shadowy sets off the face of things; in vain,
‘If none regard; Heaven wakes with all his eyes,
‘Whom to behold but thee, Nature’s desire?
‘In whose sight all things joy, with ravishment
‘Attracted by thy beauty still to gaze.’
I rose as at thy call, but found thee not;
To find thee I directed then my walk;
And on, methought, alone I passed through ways
That brought me on a sudden to the tree
Of interdicted knowledge: fair it seemed,
Much fairer to my fancy than by day:
And, as I wondering looked, beside it stood
One shaped and winged like one of those from Heaven
By us oft seen; his dewy locks distilled
Ambrosia; on that tree he also gazed;
And ‘O fair plant,’ said he, ‘with fruit surcharged,
‘Deigns none to ease thy load, and taste thy sweet,
‘Nor God, nor Man?  Is knowledge so despised?
‘Or envy, or what reserve forbids to taste?
‘Forbid who will, none shall from me withhold
‘Longer thy offered good; why else set here?
This said, he paused not, but with venturous arm
He plucked, he tasted; me damp horrour chilled
At such bold words vouched with a deed so bold:
But he thus, overjoyed; ‘O fruit divine,
‘Sweet of thyself, but much more sweet thus cropt,
‘Forbidden here, it seems, as only fit
‘For Gods, yet able to make Gods of Men:
‘And why not Gods of Men; since good, the more
‘Communicated, more abundant grows,
‘The author not impaired, but honoured more?
‘Here, happy creature, fair angelick Eve!
‘Partake thou also; happy though thou art,
‘Happier thou mayest be, worthier canst not be:
‘Taste this, and be henceforth among the Gods
‘Thyself a Goddess, not to earth confined,
‘But sometimes in the air, as we, sometimes
‘Ascend to Heaven, by merit thine, and see
‘What life the Gods live there, and such live thou!’
So saying, he drew nigh, and to me held,
Even to my mouth of that same fruit held part
Which he had plucked; the pleasant savoury smell
So quickened appetite, that I, methought,
Could not but taste.  Forthwith up to the clouds
With him I flew, and underneath beheld
The earth outstretched immense, a prospect wide
And various:  Wondering at my flight and change
To this high exaltation; suddenly
My guide was gone, and I, methought, sunk down,
And fell asleep; but O, how glad I waked
To find this but a dream!  Thus Eve her night
Related, and thus Adam answered sad.
Best image of myself, and dearer half,
The trouble of thy thoughts this night in sleep
Affects me equally; nor can I like
This uncouth dream, of evil sprung, I fear;
Yet evil whence? in thee can harbour none,
Created pure.  But know that in the soul
Are many lesser faculties, that serve
Reason as chief; among these Fancy next
Her office holds; of all external things
Which the five watchful senses represent,
She forms imaginations, aery shapes,
Which Reason, joining or disjoining, frames
All what we affirm or what deny, and call
Our knowledge or opinion; then retires
Into her private cell, when nature rests.
Oft in her absence mimick Fancy wakes
To imitate her; but, misjoining shapes,
Wild work produces oft, and most in dreams;
Ill matching words and deeds long past or late.
Some such resemblances, methinks, I find
Of our last evening’s talk, in this thy dream,
But with addition strange; yet be not sad.
Evil into the mind of God or Man
May come and go, so unreproved, and leave
No spot or blame behind:  Which gives me hope
That what in sleep thou didst abhor to dream,
Waking thou never will consent to do.
Be not disheartened then, nor cloud those looks,
That wont to be more cheerful and serene,
Than when fair morning first smiles on the world;
And let us to our fresh employments rise
Among the groves, the fountains, and the flowers
That open now their choisest bosomed smells,
Reserved from night, and kept for thee in store.
So cheered he his fair spouse, and she was cheered;
But silently a gentle tear let fall
From either eye, and wiped them with her hair;
Two other precious drops that ready stood,
Each in their crystal sluice, he ere they fell
Kissed, as the gracious signs of sweet remorse
And pious awe, that feared to have offended.
So all was cleared, and to the field they haste.
But first, from under shady arborous roof
Soon as they forth were come to open sight
Of day-spring, and the sun, who, scarce up-risen,
With wheels yet hovering o’er the ocean-brim,
Shot parallel to the earth his dewy ray,
Discovering in wide landskip all the east
Of Paradise and Eden’s happy plains,
Lowly they bowed adoring, and began
Their orisons, each morning duly paid
In various style; for neither various style
Nor holy rapture wanted they to praise
Their Maker, in fit strains pronounced, or sung
Unmeditated; such prompt eloquence
Flowed from their lips, in prose or numerous verse,
More tuneable than needed lute or harp
To add more sweetness; and they thus began.
These are thy glorious works, Parent of good,
Almighty!  Thine this universal frame,
Thus wonderous fair;  Thyself how wonderous then!
Unspeakable, who sitst above these heavens
To us invisible, or dimly seen
In these thy lowest works; yet these declare
Thy goodness beyond thought, and power divine.
Speak, ye who best can tell, ye sons of light,
Angels; for ye behold him, and with songs
And choral symphonies, day without night,
Circle his throne rejoicing; ye in Heaven
On Earth join all ye Creatures to extol
Him first, him last, him midst, and without end.
Fairest of stars, last in the train of night,
If better thou belong not to the dawn,
Sure pledge of day, that crownest the smiling morn
With thy bright circlet, praise him in thy sphere,
While day arises, that sweet hour of prime.
Thou Sun, of this great world both eye and soul,
Acknowledge him thy greater; sound his praise
In thy eternal course, both when thou climbest,
And when high noon hast gained, and when thou fallest.
Moon, that now meetest the orient sun, now flyest,
With the fixed Stars, fixed in their orb that flies;
And ye five other wandering Fires, that move
In mystick dance not without song, resound
His praise, who out of darkness called up light.
Air, and ye Elements, the eldest birth
Of Nature’s womb, that in quaternion run
Perpetual circle, multiform; and mix
And nourish all things; let your ceaseless change
Vary to our great Maker still new praise.
Ye Mists and Exhalations, that now rise
From hill or steaming lake, dusky or gray,
Till the sun paint your fleecy skirts with gold,
In honour to the world’s great Author rise;
Whether to deck with clouds the uncoloured sky,
Or wet the thirsty earth with falling showers,
Rising or falling still advance his praise.
His praise, ye Winds, that from four quarters blow,
Breathe soft or loud; and, wave your tops, ye Pines,
With every plant, in sign of worship wave.
Fountains, and ye that warble, as ye flow,
Melodious murmurs, warbling tune his praise.
Join voices, all ye living Souls:  Ye Birds,
That singing up to Heaven-gate ascend,
Bear on your wings and in your notes his praise.
Ye that in waters glide, and ye that walk
The earth, and stately tread, or lowly creep;
Witness if I be silent, morn or even,
To hill, or valley, fountain, or fresh shade,
Made vocal by my song, and taught his praise.
Hail, universal Lord, be bounteous still
To give us only good; and if the night
Have gathered aught of evil, or concealed,
Disperse it, as now light dispels the dark!
So prayed they innocent, and to their thoughts
Firm peace recovered soon, and wonted calm.
On to their morning’s rural work they haste,
Among sweet dews and flowers; where any row
Of fruit-trees over-woody reached too far
Their pampered boughs, and needed hands to check
Fruitless embraces: or they led the vine
To wed her elm; she, spoused, about him twines
Her marriageable arms, and with him brings
Her dower, the adopted clusters, to adorn
His barren leaves.  Them thus employed beheld
With pity Heaven’s high King, and to him called
Raphael, the sociable Spirit, that deigned
To travel with Tobias, and secured
His marriage with the seventimes-wedded maid.
Raphael, said he, thou hearest what stir on Earth
Satan, from Hell ’scaped through the darksome gulf,
Hath raised in Paradise; and how disturbed
This night the human pair; how he designs
In them at once to ruin all mankind.
Go therefore, half this day as friend with friend
Converse with Adam, in what bower or shade
Thou findest him from the heat of noon retired,
To respite his day-labour with repast,
Or with repose; and such discourse bring on,
As may advise him of his happy state,
Happiness in his power left free to will,
Left to his own free will, his will though free,
Yet mutable; whence warn him to beware
He swerve not, too secure:  Tell him withal
His danger, and from whom; what enemy,
Late fallen himself from Heaven, is plotting now
The fall of others from like state of bliss;
By violence? no, for that shall be withstood;
But by deceit and lies:  This let him know,
Lest, wilfully transgressing, he pretend
Surprisal, unadmonished, unforewarned.
So spake the Eternal Father, and fulfilled
All justice:  Nor delayed the winged Saint
After his charge received; but from among
Thousand celestial Ardours, where he stood
Veiled with his gorgeous wings, up springing light,
Flew through the midst of Heaven; the angelick quires,
On each hand parting, to his speed gave way
Through all the empyreal road; till, at the gate
Of Heaven arrived, the gate self-opened wide
On golden hinges turning, as by work
Divine the sovran Architect had framed.
From hence no cloud, or, to obstruct his sight,
Star interposed, however small he sees,
Not unconformed to other shining globes,
Earth, and the garden of God, with cedars crowned
Above all hills.  As when by night the glass
Of Galileo, less assured, observes
Imagined lands and regions in the moon:
Or pilot, from amidst the Cyclades
Delos or Samos first appearing, kens
A cloudy spot.  Down thither prone in flight
He speeds, and through the vast ethereal sky
Sails between worlds and worlds, with steady wing
Now on the polar winds, then with quick fan
Winnows the buxom air; till, within soar
Of towering eagles, to all the fowls he seems
A phoenix, gazed by all as that sole bird,
When, to enshrine his reliques in the Sun’s
Bright temple, to Egyptian Thebes he flies.
At once on the eastern cliff of Paradise
He lights, and to his proper shape returns
A Seraph winged:  Six wings he wore, to shade
His lineaments divine; the pair that clad
Each shoulder broad, came mantling o’er his breast
With regal ornament; the middle pair
Girt like a starry zone his waist, and round
Skirted his ***** and thighs with downy gold
And colours dipt in Heaven; the third his feet
Shadowed from either heel with feathered mail,
Sky-tinctured grain.  Like Maia’s son he stood,
And shook his plumes, that heavenly fragrance filled
The circuit wide.  Straight knew him all the bands
Of Angels under watch; and to his state,
And to his message high, in honour rise;
For on some message high they guessed him bound.
Their glittering tents he passed, and now is come
Into the blissful field, through groves of myrrh,
And flowering odours, cassia, nard, and balm;
A wilderness of sweets; for Nature here
Wantoned as in her prime, and played at will
Her ****** fancies pouring forth more sweet,
Wild above rule or art, enormous bliss.
Him through the spicy forest onward come
Adam discerned, as in the door he sat
Of his cool bower, while now the mounted sun
Shot down direct his fervid rays to warm
Earth’s inmost womb, more warmth than Adam needs:
And Eve within, due at her hour prepared
For dinner savoury fruits, of taste to please
True appetite, and not disrelish thirst
Of nectarous draughts between, from milky stream,
Berry or grape:  To whom thus Adam called.
Haste hither, Eve, and worth thy sight behold
Eastward among those trees, what glorious shape
Comes this way moving; seems another morn
Risen on mid-noon; some great behest from Heaven
To us perhaps he brings, and will vouchsafe
This day to be our guest.  But go with speed,
And, what thy stores contain, bring forth, and pour
Abundance, fit to honour and receive
Our heavenly stranger:  Well we may afford
Our givers their own gifts, and large bestow
From large bestowed, where Nature multiplies
Her fertile growth, and by disburthening grows
More fruitful, which instructs us not to spare.
To whom thus Eve.  Adam, earth’s hallowed mould,
Of God inspired! small store will serve, where store,
All seasons, ripe for use hangs on the stalk;
Save what by frugal storing firmness gains
To nourish, and superfluous moist consumes:
But I will haste, and from each bough and brake,
Each plant and juciest gourd, will pluck such choice
To entertain our Angel-guest, as he
Beholding shall confess, that here on Earth
God hath dispensed his bounties as in Heaven.
So saying, with dispatchful looks in haste
She turns, on hospitable thoughts intent
What choice to choose for delicacy best,
What order, so contrived as not to mix
Tastes, not well joined, inelegant, but bring
Taste after taste upheld with kindliest change;
Bestirs her then, and from each tender stalk
Whatever Earth, all-bearing mother, yields
In India East or West, or middle shore
In Pontus or the Punick coast, or where
Alcinous reigned, fruit of all kinds, in coat
Rough, or smooth rind, or bearded husk, or shell,
She gathers, tribute large, and on the board
Heaps with unsparing hand; for drink the grape
She crushes, inoffensive must, and meaths
From many a berry, and from sweet kernels pressed
She tempers dulcet creams; nor these to hold
Wants her fit vessels pure; then strows the ground
With rose and odours from the shrub unfumed.
Mean while our primitive great sire, to meet
His God-like guest, walks forth, without more train
Accompanied than with his own complete
Perfections; in himself was all his state,
More solemn than the tedious pomp that waits
On princes, when their rich retinue long
Of horses led, and gro
Sydney Victoria Nov 2012
Don't You Dare Speak,
Your Words Trying To Make Blue Streaks,
On The Monalisa Of My Soul,
Black Graffiti Stains My Wishes,
And Teeth Bare At My Well Being,
Am I Daft?
Or Sane?
My Head Pounding With Lyrics,
About How Cruel Life Can Utterly Be,
Sharpie Crossing Out My Faith,
Paint Vandalizing My Mended Heart,
Rust Dressing The Hinges Of My Heartbeat Itself,
And Golden Irises Reset,
Back To Seaweed Green,
Resting On A Bloodshot Background,
Crayons Scribbling On The Coloring Book,
Of My Dreams,
Making It A Midnight Sky Mask,
Flecked With Miserable Maroon Tears,
Slang Covers My Intellect,
Making It Foggy And Usless,
You Can Thank Society,
For Sculpting My Strength,
From A Slab Of Clay,
Burning It In A Kiln,
To The Foundation Of Life,
I Am Art,
Sculpted From The Earth's Face,
Yet I Sit On A Shelf,
Collecting Dust,
And All Of The Arrogent People,
Doodle On My Shell,
Colors Make An Ugly Mix,
On My Bodies Skeleton,
And What Is Making Me Special,
Is Slowly Drowning,
Underneath A Sea Of Graffiti
What joy calls Silent Noise plagues me too

As the new love in young hides behind the sun
The House of Monaco burns
it is a simple matter
and  joy pretends in two and three

She accuses that it is all in the eyes
Loosely veiling self doubt  in the idealism of love
Complexity contradicts and she gives up
Preferring to live inside

It wants what it wants and Joy succumbs
drinking water she knows is poison

You are not  a hopeless romantic Joy
You are a Romantic

You are all Woman
And twice as amazing

-The Zone
Your **** has torn my hinges off..... obliterated my door
Shea Golden Jul 2010
Little lamb become a lion,

So you can conquer all,

Little lamb, it's time to roar,

ROAR the hinges off that door!


Roar until you feel alive,

And your soul becomes a burning light,

Shake out your mane, throw back your head,

Emit what you're keeping locked inside.


Your soul is playing hunger artist,

Except without his audience,

Replace it with a vibrant tiger,

Break free from cages that you've built.

— The End —