Dotty was a beautifully coloured dragonfly with four wings
And a  long slender body,
She was made by Evelyn on the coldest day of the year
When the ground lay under two inches of snow
And a southerly wind blew flurry flakes of whiteness
Into faces and down fronts of coats.

All the way home Evelyn held on to Dotty
Protecting her from the bad weather,
Until she was safely on the kitchen table.
When you make things your heart wants
To share so Evelyn thought of her Grandma
Who she knew would just love to see Dotty.

Now in 2018 there is FaceTime a magical device
Allowing one to speak and see pictures of
One's family and friends,
So Evelyn asked her daddy if she could
Show Dotty to Grandma.

Grandma heard this ringing in her room
Coming from her iPad.
Who can that be she thought and went to see?
And there was Evelyn with Dotty
" I wanted to show you my dragonfly
That I made at playgroup this morning".

Well Dotty was beautiful with her painted wings
And Evelyn flew her round the room for
Grandma to see.
This made Grandma so happy and they both laughed
And talked and then Evelyn showed her Bagpus on her
Own iPad and Grandma and Evelyn both sang
The mice song.

It was only a short call and soon time to say goodbye
Evelyn said "you have made me very happy "
And Grandma smiled in her heart all day.

Love Mary ***

Dotty was a beautifully coloured dragonfly with four wings
And a  long slender body,
She was made by Evelyn on the coldest day of the year
When the ground lay under two inches of snow
And a southerly wind blew flurry flakes of whiteness
Into faces and down fronts of coats.

All the way home Evelyn held on to Dotty
Protecting her from the bad weather,
Until she was safely on the kitchen table.
When you make things your heart wants
To share so Evelyn thought of her Grandma
Who she knew would just love to see Dotty.

Now in 2018 there is FaceTime a magical device
Allowing one to speak and see pictures of
One's family and friends,
So Evelyn asked her daddy if she could
Show Dotty to Grandma.


Grandma heard this ringing in her room
Coming from her iPad.
Who can that be she thought and went to see?
And there was Evelyn with Dotty
" I wanted to show you my dragonfly
That I made at playgroup this morning".

Well Dotty was beautiful with her painted wings
And Evelyn flew her round the room for
Grandma to see.
This made Grandma so happy and they both laughed
And talked and then Evelyn showed her Bagpus on her
Own iPad and Grandma and Evelyn both sang
The mice song.

It was only a short call and soon time to say goodbye
Evelyn said "you have made me very happy "
And Grandma smiled in her heart all day.

Love Mary ***

My mother taught me purple
Although she never wore it.
Wash-grey was her circle,
The tenement her orbit.

My mother taught me golden
And held me up to see it,
Above the broken moldings,
Beyond the filthy street.

My mother reached for beauty
And for its lack she died,
Who knew so much of duty
She could not teach me pride.

I’d walked back home by the clifftop path,
I’d only been gone an hour,
Rounding the point, it came into view
The sight of our Black Stone Tower.
Its ancient mystery suited me then
We’d picked it up for a song,
Nobody else had wanted it,
At the price, we couldn’t go wrong.

They said that a king had built it there
Far back in the mists of time,
And soldiers climbed by the old stone stair,
But now, thank god, it was mine.
A roof to shelter my Evelyn,
Though we supped by candlelight,
And drew our water deep from a well,
Made love when the stars were bright.

But now a breeze blew up from the cliff,
Was chill, and ruffled my hair,
And something about the Black Stone Tower
Was strange, a sense of despair.
For weeds had grown where the weeds were not
When I’d left, an hour before,
And someone had painted a bright red cross
On the Baltic Pine of the door.

It was only when I had got close up
That I saw that the red was blood,
And the door was half off its hinges,where
It was splintering, as I stood,
Then shapes began to appear to me,
Of soldiers, battering in
The Baltic Pine of this ancient door
To slay the soldiers within.

There wasn’t a single sound to hear,
There should have been clash and roar,
A mighty battle was raging in
The Black Stone Tower of war.
I called and I called for Evelyn
But there wasn’t a single trace
Of the love that I’d left alone in there,
That now, most terrible place.

I ran outside to the edge of the cliff
And stared down into the bay,
And there was the foulest, evil ship
Sails set, for sailing away.
And Evelyn strode down on the beach
While a soldier pulled at her hair,
Dragging her into a longboat as
She fought and struggled down there.

But this was a different Evelyn
To the one that I’d left at home,
The ******* the beach was dressed in peach,
My Evelyn dressed in bone,
And not in a full length courtly dress
Like you see from the days of yore,
As her ghostly shadow stepped in the boat
And sailed away from the shore.

I turned again to the Black Stone Tower
And the door was back in its frame,
There wasn’t a sign of the ****** cross
That had been there, just as I came.
And Evelyn staggered from out the door
As I cried out, ‘Where have you been?’
And she said sleepily, ‘Don’t be cross,
I’ve had an incredible dream!’

David Lewis Paget

Evelyn’s first year at school.

Evelyn sits her pony tail *******
She reads the words on the walls
Hold hands, a friend’s small hand
The cuff of her red cardigan soft
Playtime is outside , warm today
Cakes and orange with an apple
She turns her head to a listening
Where a story stretches out time
About rabbits and mice and love
Evelyn loves school, it is a home.

Love Grandma ***

Dear, sweet young Evelyn.
I'm sorry
But God needs you
By his throne in heaven

Your time will be short
But you'll meet your parents
Your stay won't be long
Yet filled with love of all sorts

As I have watched over
Both Mom and Dad
So must I protect you
Even if it makes them sad

I'll save you from a fallen world
From pain and hurt
You'll never know anger and hate
Wickedness, Evil or Malice

Your life
Was not without meaning
You brought back unity
To a divided family

Above you'll be kept safe
From what man will put you through
The devil's hand
Will never lay a finger on you

Once again
Sweet Evelyn
I'm sorry
But it's time to go.

In the middle was Evelyn
Shyly peeping out
In front was James
And behind Rose.

She hang up her coat
On a red metal peg
Put her snoopy box
In the wire basket.

Then Breton cried
For her Mummy
And was comforted
By Miss Petershore.

All the children
Played outside
On the grassy slopes
It was fun.

Evelyn liked her day
Did a picture
Of her family
It was put on the wall.

At three-thirty
Parents collected
She pushed into daddy
With a big smile.


Love Grandma xxxx

Evelyn was all that and a bag of chips.
She worked really hard for her tips.
She would hustle until weak in the knees.
To make sure that all her customers were pleased.
Evelyn was a waitress with a heart of gold.
When God made Evelyn, God broke the mold.

Evelyn wore a porcelain mask with a perpetual, pretty, painted smile until one day the cover-up cracked. She didn’t realize how badly she wanted to cry, and the tears just wouldn’t stop.  After the deluge came to an end, she got on her cell phone and gave Cody a call. She was at home, lying on her bed, staring up at the ceiling with thoughts of Cody, galore. So why not call him? She had been good about not giving into her urge of making contact. She needed to hold off and reassess all her thoughts and desires--not to appear impulsive or desperate. Her mother told her she was too young to worry about serious commitments, but by twenty-one her mother was already married. Evelyn was almost twenty-two.  

“Things haven’t been the same since we were together”, she admitted to Cody, two years her senior. The moment of silence seemed like a lot longer.

Cody was also in his room, strumming on his guitar when she called. He responded, “Yeah, well…I don’t get it. It was you that left me, not the other way around”.

That was typical Cody, she had thought. “It feels like you left much earlier than that—you and your walls that shut me out”.

They were friends since high school. They seemed to be really good at being friends, but really bad at a relationship. They could goof around and have fun, go to concerts and sporting events, hang out with other friends or try new restaurant as they were both foodies. Or they’d catch all the action movies, and Cody would tolerate the chick flicks for her sake—once in a while. But as lovers, he was not what she wanted him to be, he being distant. She was often pushing him away by trying to change him into what she wanted or needed.

“I still love you”, Cody admitted. “That never stopped”.

Evelyn dropped the phone in a funny, sarcastic way, and then she picked it up, again. “Holy cow! Who the hell is this guy, and what happened to my good guy BFF, Cody! Tell me, what did you do to him?” she shouted out playfully. “Really! I almost never heard you say that! And certainly not unless I said it first!”

“Yeah, yeah”, he replied, downplaying things. “Now don’t make me into some **** who has no feelings or doesn’t know how to act. Maybe I wasn’t always the with-it guy, but I tried. I really did try to…”.

Evelyn smiled softly, a genuine smile, and quickly interjected. “I wish I could be there to give you a real one, but I’ll just blow you a kiss over the phone”. She made a kissing sound, touched her lips with her finger, and blew out of her mouth as to send him a kiss”.

Cody smacked his cheek, slightly, and joked, “Got it! Did you hear that? It landed right smack on me!”

They laughed and talked awhile. They just had to be friends, again. Nothing should stand in their way, for there was too much enjoyment of each other’s company, and if that meant the boyfriend/girlfriend thing was off the table, so be it. Maybe it could work, again. It might be worth a try, in time, but the platonic was doable. They just knew they wanted each other back, to be in each other’s life once more.  

.

Evelyn loved her seahorse
Popped it in a bowl to swim
The seahorse liked the water
Made the little girl grin.

After all that playing
She wrapped it in a towel
Put it in a casket
To sleep for a while.

Evelyn watched her seahorse
Until it was time for tea
She gave it fishes on a plate
The seahorse was so pleased.

Now in the land of seahorses
Anything can be
So Evelyn found it a friend
Now there are three.

The seahorses have their own castle
With shells and flowers and beads
There are mermaids to look after them
But they can do as they please.

When Evelyn goes to bed
The seahorses are quite good
And never make a noise
This being understood.

Evelyn came today
Only a short stay
On her way to Stroud
Spent a couple of hours.

Such a joy to see her face
Lighten up the whole place
Fascinated by her toys
Cheeky grin for all to win.

Gentle careful little girl
As she explores the world
Looks at every detailed trace
Of the objects neatly placed.

Filled with sunshine in her smile
The Beauty of a Summer's flower
As I whisper in you ear
You melt like sugar drops
Turn you face and snuggle in
I love  you sweet Evelyn.


Love Grandma ***

During the Depression little Evie
sewed dolls from Granny's quilt scraps.

World War II knew her as Evelyn.
Builder of planes, defender of freedom.

Cousin Bobby called her Auntie,
He moved in with us when he was 12.

44 years of first graders adored Mrs. Bennett,
who read them stories with love and expression.

She was Dad's one and only Sugar.

Now,
one breath later,
she is

the deceased
the body
the cadaver
the remains

Nothing more.

Your party an animal affair
The elephant and kangaroo
A dog in a ruff, upside down
on a tub
And a friendly cockatoo.

We all sat round the ring
The lights were bright
The music a jaggedly song
Then in came Queen Bee
On her trapeze.

Mr clown took a leap
But missed the band
In Queen Bee’s hand
Gliding safely
To earth by his feet.

Love Grandma ***

ENDNOTES:

(1)  ll. 1-9 are preserved by Diodorus Siculus iii. 66. 3; ll.
     10-21 are extant only in M.
(2)  Dionysus, after his untimely birth from Semele, was sewn
     into the thigh of Zeus.
(3)  sc. Semele.  Zeus is here speaking.
(4)  The reference is apparently to something in the body of the
     hymn, now lost.
(5)  The Greeks feared to name Pluto directly and mentioned him
     by one of many descriptive titles, such as 'Host of Many':
     compare the Christian use of O DIABOLOS or our 'Evil One'.
(6)  Demeter chooses the lowlier seat, supposedly as being more
     suitable to her assumed condition, but really because in her
     sorrow she refuses all comforts.
(7)  An act of communion -- the drinking of the potion here
     described -- was one of the most important pieces of ritual
     in the Eleusinian mysteries, as commemorating the sorrows of
     the goddess.
(8)  Undercutter and Woodcutter are probably popular names (after
     the style of Hesiod's 'Boneless One') for the worm thought
     to be the cause of teething and toothache.
(9)  The list of names is taken -- with five additions -- from
     Hesiod, "Theogony" 349 ff.: for their general significance
     see note on that passage.
(10) Inscriptions show that there was a temple of Apollo
     Delphinius (cp. ii. 495-6) at Cnossus and a Cretan month
     bearing the same name.
(11) sc. that the dolphin was really Apollo.
(12) The epithets are transferred from the god to his altar
     'Overlooking' is especially an epithet of Zeus, as in
     Apollonius Rhodius ii. 1124.
(13) Pliny notices the efficacy of the flesh of a tortoise
     against withcraft.  In "Geoponica" i. 14. 8 the living
     tortoise is prescribed as a charm to preserve vineyards from
     hail.
(14) Hermes makes the cattle walk backwards way, so that they
     seem to be going towards the meadow instead of leaving it
     (cp. l. 345); he himself walks in the normal manner, relying
     on his sandals as a disguise.
(15) Such seems to be the meaning indicated by the context,
     though the verb is taken by Allen and Sikes to mean, 'to be
     like oneself', and so 'to be original'.
(16) Kuhn points out that there is a lacuna here.  In l. 109 the
     borer is described, but the friction of this upon the
     fireblock (to which the phrase 'held firmly' clearly
     belongs) must also have been mentioned.
(17) The cows being on their sides on the ground, Hermes bends
     their heads back towards their flanks and so can reach their
     backbones.
(18) O. Muller thinks the 'hides' were a stalactite formation in
     the 'Cave of Nestor' near Messenian Pylos, -- though the
     cave of Hermes is near the Alpheus (l. 139).  Others suggest
     that actual skins were shown as relics before some cave near
     Triphylian Pylos.
(19) Gemoll explains that Hermes, having offered all the meat as
     sacrifice to the Twelve Gods, remembers that he himself as
     one of them must be content with the savour instead of the
     substance of the sacrifice.  Can it be that by eating he
     would have forfeited the position he claimed as one of the
     Twelve Gods?
(20) Lit. 'thorn-plucker'.
(21) Hermes is ambitious (l. 175), but if he is cast into Hades
     he will have to be content with the leadership of mere
     babies like himself, since those in Hades retain the state
     of growth -- whether childhood or manhood -- in which they
     are at the moment of leaving the upper world.
(22) Literally, 'you have made him sit on the floor', i.e. 'you
     have stolen everything down to his last chair.'
(23) The Thriae, who practised divination by means of pebbles
     (also called THRIAE).  In this hymn they are represented as
     aged maidens (ll. 553-4), but are closely associated with
     bees (ll. 559-563) and possibly are here conceived as having
     human heads and ******* with the bodies and wings of bees.
     See the edition of Allen and Sikes, Appendix III.
(24) Cronos swallowed each of his children the moment that they
     were born, but ultimately was forced to disgorge them.
     Hestia, being the first to be swallowed, was the last to be
     disgorged, and so was at once the first and latest born of
     the children of Cronos.  Cp. Hesiod "Theogony", ll. 495-7.
(25) Mr. Evelyn-White prefers a different order for lines #87-90
     than that preserved in the MSS.  This translation is based
     upon the following sequence: ll. 89,90,87,88. -- DBK.
(26) 'Cattle-earning', because an accepted suitor paid for his
     bride in cattle.
(27) The name Aeneas is here connected with the epithet AIEOS
     (awful): similarly the name Odysseus is derived (in
     "Odyssey" i.62) from ODYSSMAI (I grieve).
(28) Aphrodite extenuates her disgrace by claiming that the race
     of Anchises is almost divine, as is shown in the persons of
     Ganymedes and Tithonus.
(29) So Christ connecting the word with OMOS.  L. and S. give =
     OMOIOS, 'common to all'.
(30) Probably not Etruscans, but the non-Hellenic peoples of
     Thrace and (according to Thucydides) of Lemnos and Athens.
     Cp. Herodotus i. 57; Thucydides iv. 109.
(31) This line appears to be an alternative to ll. 10-11.
(32) The name Pan is here derived from PANTES, 'all'.  Cp.
     Hesiod, "Works and Days" ll. 80-82, "Hymn to Aphrodite" (v)
     l. 198. for the significance of personal names.
(33) Mr. Evelyn-White prefers to switch l. 10 and 11, reading 11
     first then 10. -- DBK.
(34) An extra line is inserted in some MSS. after l. 15. -- DBK.
(35) The epithet is a usual one for birds, cp. Hesiod, "Works and
     Days", l. 210; as applied to Selene it may merely indicate
     her passage, like a bird, through the air, or mean 'far
     flying'.
__
The Homeric Hymns in the Hello Poetry collection are provided by:
Online Medieval and Classical Library.
Source site: http://omacl.org/Hesiod/hymns.html

It's Friday evening from life's cares we'll have a brief leave taking
And lets go to the Basy Pub for hour of merry making
In confines of the Settlers Bar the voice of mirth is ringing
And Pete Atkinson from Dublin Town an Irish song is singing.

The Mckelvey men father and son are talking of horse racing
They know the horses inside out from form and race card tracing
Has Vo rogue gone over the hill, can Horlicks race to glory
Can Almaarad come bouncing back and go down in history?

Phil Cronin go back down the years he flick back through life pages
To friends he knew in Millstreet Town he has not seen for ages
Big Jerry Shea and Mister O, James Manley hale and hearty
And Johnny Sing from Millview Lane the life of every party.

Brave Harry the brave English man the one as tough as leather
You'll only see that man in shorts no matter what the weather
A man of elephantine strength yet gentle and kind hearted
And he has taken life's hardest blow since his son this world departed.

Big **** Kissane the Kerry man he doesn't like Maggie Thatcher
And he feels that for Union bashing that few in history could match her
Still he won't go back to Kenmare to weather wet and hazy
He'd much prefer Mt Evelyn it's nearer to the Baysy.

**** Kelleher and Phil Schofield well into greyhound breeding
They talk of how greyhounds should be schooled and for them proper feeding
Two greyhound trainers and of late their reputations growing
And Millstreet Town keep racing on when others dogs are slowing.

Vin Schofield a Manchester Man he does love Man United
And every time United win he feel proud and delighted
But United not doing well of late of late they're not impressing
And this too much for him to take he find it all depressing.

Galway's Matt Duggan and Westmeath's Sean Fay the hurling game debating
On the first sunday of September who will be celebrating
Can Westmeath make the big break through or will Galway flags be waving
Or will Tipperary still be champs their reputation saving?

And Marty Kerins from Mayo a good and happy fellow
I've never met him in bad mood I've always found him mellow
He love the Bayswater Hotel he say there is none better
And to be kept from Settlers Bar he'd have to be in fetter.

And **** O Shea from Dublin his friends are in the many
And he doesn't have one enemy and he doesn't deserve any
He's given homes to Homeless souls and he's easily moved to pity
And good a man as ever came to live in this great City.

The amazing J D Ellis his name and fame keep spreading
And he has bounced back from the floor and for the top he's heading
Still he is easily stirred up and Garry Carter does the stirring
And el tigre he begins to growl the cat's no longer purring.

It's friday evening from life's cares we'll have a brief leave taking
And where better than the Basy Pub for hour of merry making
In Confines of the Settlers Bar the voice of mirth is ringing
And Pete Atkinson from Dublin Town an Irish song is singing.

Dear Brianna Evelyn Heins,

Stop Spanx sitting me, I’m old enough to take shape of my own.

Sincerely,
You’re Hips

P.S.

Stop convincing the lips to call me flab-u-lous!
I have my own name.
Stop knocking the knuckles to bone
To hear that hollow hound sound, now don’t use me in your measurement references, I want to live a day
Without spinning round the bouncy bands of your operation game
I’ve seen tweezers fall out of your eyes, to plummet under my moon shone complexion
Please keep in mind the brain is a liar.
And well, I have no twins; your pessimistic ways don’t acknowledge my individuality
The color of shame is not moving, while your red majestic
beast hair torturously tickles my clear space of face.

Brianna,
The brain is a liar!
I know you are told you’re observant;
The deception is grand
Stop pretending you know me
Let me dance dizzy
with the calves
Like coming out of the closet
I’m showing you I’ll never be straight
but brains whisper “weep, weep, weepweepweep”
at the sight of the salt soaked, taffy stretched skin
the brain sends me signals, but I beg for the heart to seep in

Please listen up
rarely do I talk,
for you think words are merely a sound
but the profoundness hasn’t shaken
I know you must feel my urges like
I’m on tonight and my hips don’t lie
beauty may lay in the fragile way I sway
said I’m below
But to hell with you
because this bridge can be crossed
but embers fly in you eyes
and the brain is a liar
a family member I wholeheartedly despise.

Evelyn
you flew out with the day's wind
and the sparrows
were the only family
to see your mouth dry
in the buoyant moon

The flies
with their translucent wings
flew about your
open lips
catching particles of light
in their flaky, blue, gold, red, violet veins
upon their lovely wings
which graced their delicate black clothed bodies

They
were dressed for this
once-in-a-lifetime occasion
but not I,
in my red itchy face
and cotton gown

I took you by the hands
(my feet numb and covered in inky grass)
telling you things
only mother would care to hear
the unfiltered hiccups
and childish
wake-ups, and a simple
"close your mouth"

My father and uncle
took your sock-covered feet
and we lifted you,
took you to the light
which filled your mouth
we placed you in a stiff wooden chair

Your mouth closed then
and your eyes remained open
your crinkly hands dropped
settling into your lap
and for a moment
you were alive

You troublesome *****, always away,
just when I need you the most,
off to Hawaii on holiday.

You bask in the sun, glorious day!
native *** you sip with a host;
you troublesome *****, always away.

All the pressure! My Life's in a fray.
Your note arrives through the post:
off to Hawaii on holiday.

I search in my mind, words just wont stay.
You're what? They're giving a toast!
You troublesome ***** always away.

Do you think it's a joke, a game we play?
You get to leave; you always boast:
I'm off to Hawaii on holiday!

O muse, it's the end, no more disarray!
Next time the pig won't be the roast.
You troublesome *****, always away,
off to Hawaii on holiday.

Evelyn,
you flew out with the day's wind
and the sparrows
were the only family
to see your mouth dry
in the buoyant moon

The flies
with their translucent wings
flew about your
open lips
catching particles of light
in their flaky, blue, gold, red, violet veins
upon their lovely wings
which graced their delicate black clothed bodies

They
were dressed for this
once-in-a-lifetime occasion
but not I,
in my red itchy face
and cotton gown

I took you by the hands
(my feet numb and covered in inky grass)
telling you things
only mother would care to hear
the unfiltered hiccups
and childish
wake-ups, and a simple
"close your mouth"

My father and uncle
took your sock-covered feet
and we lifted you,
took you to the light
which filled your mouth
we placed you in a stiff wooden chair

Your mouth closed then
and your eyes remained open
your crinkly hands dropped
settling into your lap
and for a moment
you were alive

Letter, letter born to return to sender--
extra-marital, maritime, marine, mercy, mercy mine--
two drinks in; four from home,
letter, letter born to return to sender--
.38 special, sexless, spiteful, spitting, spitting rites--
three drinks in; three from home,
letter, letter born to return to sender--
double-decker, drugged, dangerous, daggers, daggers dried--
four drinks in; two from home,
letter, letter born to return to sender--
clusterfucked, fancy-free, foreign, fine, fine unwind,
five drinks in; one from home,
letter, letter born to return to sender--
ether cloud, Evelyn, earthware, everyday, everyday signs--
six drinks in; on the carpeted floor,
letter, letter born to return to sender,
whitewashed, weakly, wounded, wishing, wishing for home.

She took off her dress. She had long black hair, a pale face, slanted
green eyes, greener than the sea. She was beautifully formed, with high
*******, long legs, a stylized body. She knew how to swim better than any
other woman on the island. She slid into the water and began her long easy
strokes towards Evelyn.*
Anais Nin, Mallorca

Letter from Anais Nin To Sean


Every stroke is like the foundation
of Adam you pound and twist.
Make your **** shift from inner
to outer space. That way when you lift
you are not empty, while the air
above your *** has a crisp outline
--movements down inner thigh
easy to sway, a lilt almost, dark
reservoir where you are satisfied
before it happens, as you wait
anticipating that several blink.


Letter from Sean to Anais

When i kiss, my lips are tender and nibble
and my breath sweet can be heard in
that autumn forest as a river runs
down your spine; you are a mouth that licks
the back of my hand nibbling on my fingers
while I find the crease of your *****
and liberate the edges. You're a lovely,
fertile reef where impossible swans
hold my **** within the fireworks
spoken as light storms remember
the reflected grace of your mouth
and eyes when we stare into that abyss
that never stops so wonderful ***
rides our back to an ancient sea
forgotten when the tide pools break.


2. Anais

She had long black hair and when she spoke
the hair covered her eyes, and you cleared them
by brushing the strands back, slipping your ideal
into her mouth, her long legs drawn against your
anticipation of some deep distress when you finish
later, a great shark of a ship hunting the strokes,
spliting the pearl clam open with your
simple breathing foaming hurricanes,
when they reach half-way suddenly still --
the anchor falls through the splash
raging down our street released
to an undetermined depth.

i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.

If you are four and wait at the door
The sun will rise and bring a surprise
For now its your birthday and school
Everything with be bright and new.




Love Grandma xxxx

Evelyn looked at the path in front
Meandering into the dark woods
And quietly considered the future.

Nettles grew about the side edges
And beetles and caterpillars climb
Hidden from bright hungry beaks.

She heard small animals twitching
And smelt the river’s down flows
Groundcover spreading its beauty.

The world was peaceful in her hand
And dad holding tightly the morning
As they walked slow along the curve.

Love Grandma **

I had a dream last night
It was beautiful
I woke up beside you
Bodies intertwined
Your head on my chest
All was at peace in the world
And it was good

I had a nightmare this morning
When I awoke to an empty house
It was awful
Cold and lonely, I rolled out of bed
A solitary cup of coffee
Such a depressing affair
And it was bad

Dreams can be the best
And the worst things in the world
For as I learned the hard way
There can be two types of dreams about a girl
One where she loves you, one where she won't
The former a fantasy so hard to obtain
The latter a reality, nightmare turned to life

she looked unique and simple all at the same time. From her pale freckles forming constellations dancing across her nose to her honey colored eyes and lopsided smile. plain and breathtaking wrapped into  a little girl.

I know a little girl
Who lives down a lane,
In a house made of brick,
With white window frames.

She is waiting for her sister,
To be born very soon,
Someone to play with,
She'll be over the moon.

Her name is Evelyn,
Mary, Janet Granger- Kearns,
Quite a long name,
To remember and understand.

Evelyn loves her Piggles,
A soft cuddly pig,
She takes him everywhere,
He is ever so good.

A little girl of sunbeams,
With a halo of gold,
Someone oh so special,
She always says 'Hello'.

Love Grandma **

Six seconds
What takes that long?
You can't write yourself a letter
You can't write yourself a song
Evelyn Mc Hale...six seconds
Eighty Six Floors
Jumped from the observation deck
And now she is no more
Six Seconds
Twenty three years old
Now she's dead and buried
And it's time her tale was told
On May Day '47
She thought she'd make a rotten wife
Did she know that when she took hers
She'd make the next cover of LIFE?
It only took six seconds
To land upon the car
86 stories downward
It doesn't sound that far
Most Beautiful they called it
Like they were describing a red rose
But they were talking of a suicide
Where she lost her shoes and ripped her hose
The photo that was taken
One seen all around the world
Makes it look like she was sleeping
And still clutching at  her pearls
Six seconds to the cover
Six seconds...to the ground
when you choose to make a leap like this
Do you care who is around?
She looks calm, cool and collected
Everything was in it's place
One arm was out beside her
There was contentment on her face
The real reason she did it
Is gone forever, yes I reckon
Evelyn McHale made LIFE
And it only took six seconds.

You linger in the long grass
Holding tightly to a tree
Dreaming of a somewhere
That you’d like to be.

Love Grandma

E--Is for ever lasting love
V--Is for victory at the games you loved Bingo, Canasta, Pitch, and Yatzee
E--Is for everything you wanted
L--Is for the love of friends and family
Y--Is for yearning to learn more in life
N--Is for the no-nonsense look you had at life!

chapped lips
sticky and sweet
the popsicle melts
and stains my crisp white dress
a seagull steals the french fry out of a little boy’s hands,
he begins to cry
the busker’s sing songs
of love and loss,
whiskey and wine
the boardwalk creaks
and i dream
of a cold beer on the beach,
the melody of waves reuniting with sand
like long lost friends
the soothing slap of sandals on pavement
freckles and homemade jam
midnight adventures to the park
skinny-dipping in a strangers pool
hopscotch and chalk
freshly painted toenails
the sun gifting us with golden skin and golden hair
adirondack chairs and campfires
fishing in lady evelyn and portaging in temagami
braving the falls at muskegoe
and counting the stars while lying on the bridge
catching frogs in the pond
while drinking coolers in paddle boats
sweaty palms and first kisses,
nervous anticipation
red skies mark the beginning of endless nights
i dip my toes in the fresh water
and the ripples skew my reflection
the man in the moon is happy
and so am i

My love is not lost on her
in twilight's fading light
As darkness slowly blankets
her softly ebbing life
She cries to me quietly
lying in my bed
My body is her pillow
for one final night
I cradle her as a child
and gently call her name
As dawn comes
and darkness
fades to light
night slowly falls...
upon my friend

Goodnight my friend

These are poems for the victims and survivors of the Nashville Covenant School shootings.



Nashville Covenant Call to Love
by Michael R. Burch

Our hearts are broken today
for our children's small bodies lie broken;
let us gather them up, as we may,
that the truth of our Love may be spoken;
then, when we have put them away
to nevermore dream, or be woken,
let us think of the living, and pray
for true Love, not some miserable token,
to command us, for strength to obey.



For a Nashville Covenant Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails, when thunder howls,
when hailstones scream while winter scowls
and nights compound dark frosts with snow?
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live nine artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...


Epitaph for a Nashville Covenant Student
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



As springs’ budding blossoms emerge
the raptors glide mercilessly.
—Michael R. Burch

I wrote this haiku-like poem on 3-27-2023 after the Nashville Covenant school shooting massacre.



This poem is for mothers who lost children at Nashville Covenant and in other similar tragedies...

Childless
by Michael R. Burch

How can she bear her grief?
Mightier than Atlas, she shoulders the weight
Of one fallen star.



I Pray Tonight
by Michael R. Burch

for the Nashville Covenant survivors

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere the morrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Nashville Covenant Call to Action
by Michael R. Burch

We see their small coffins
and our hearts break,
so we ask the NRA—
"Did you make a mistake?"

And we vow to save the next child
for sweet love's sake,
but also to protect ourselves
from such heartache.

The lives, safety and happiness of our children depend on our ability to persuade the NRA and its political lackeys to stop exalting money and political gain above the life, liberty and happiness of innocents. What is the cost of banning assault weapons, compared to the ultimate price innocents pay when they are used by madmen playing Rambo in classrooms and theaters? Ironically, just hours before the Sandy Hook massacre, in a weekly column that I wrote for the Nashville City Paper, I pointed out that right-wing politicians are not just demanding the "right" of citizens to bear loaded handguns into restaurants that serve alcohol and bars — a combustible mix. No, people who call themselves "conservative Christians" in collusion with the NRA and its gun lobby are demanding the right to carry assault weapons everywhere ... which "logically" means into universities, high schools, grade schools, kindergartens, pre-schools, Sunday schools and maternity wards. When I wrote this, I was speaking ironically — I thought — but then a few hours later the NRA and its political minions made me seem like a prophet.



Sandy Hook Shooting Gallery
by Michael R. Burch

If we live by the rule of the gun
what can a child do,
but run?

Sixteen of the students who died at Sandy Hook were six years old; the other four students were seven. I wrote the poem below for another child gunned down by a madman. While we cannot legislate sanity, we can be sane enough to legislate away the "right" of serial killers to purchase assault weapons so easily. We can defend many small victims from such carnage, if "we the people" have the wisdom and the will to defend them.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at age nine,
shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the brutal things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

The Sandy Hook Elementary School shootings left 27 students and educators dead, and question our nation's sanity and resolve to put children's lives above money and politics.



This haiku makes me think of the students and teachers of Sandy Hook, who were trapped in a war zone:

War
stood at the end of the hall
in the long shadows
—Watanabe Hakusen, translation by Michael R. Burch



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.

It seems to me that the NRA has declared a war — an open season — on our children, by insisting that assault weapons must be available to every Tom, **** and ***** Harry. But what will we, the people, say and do?


Whence Now?
by Michael R. Burch

Grown darkly accustomed to grief,
will we ever turn over a new leaf?



Something
by Michael R. Burch

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.

The three students shot and killed in the Nashville Covenant School massacre were all nine-year-olds. They were identified as Evelyn Dieckhaus, Hallie Scruggs and William Kinney. Three adults were also killed in the shooting: Cynthia Peak, Mike Hill and Katherine Koonce. It is no longer good enough to talk about loving our children and praying for them to be safe. We have to protect them from mass murderers armed with assault weapons. The alleged serial killer, Audrey Hale, was reportedly armed with an AR-style rifle and an AR-style pistol. In more civilized nations citizens cannot legally purchase such military-grade weapons. The Nashville Covenant massacre marked the 19th shooting at an American school or university, so far in the first three months of 2023, according to CNN.

Keywords/Tags: Nashville, Nashville Covenant, Nashville Covenant Presbyterian School, school shooting, shootings, massacre, children, kids, students, child abuse, gun control, America, United States, USA, death, deaths, ******, serial ******, massacre, bereavement, class, classes