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"concision" poems
~for L3igh~ the briefness of brevity, the quality of giving and indeed, it is a-quality, a luxury item so affordable, yet, so totally, rarely purchased, When giving up the requisite, only the lonely, but always the critical, relevant or necessary exquisite in a few words Let us practice: I love you, but only the very first time, in a memory bronzed and burnished, putting to shame the way too short modesty of forever… uttering a precious precision of a soulful thank you to a passing stranger, who runs into your home afire, saving all of your family's lives could go on, and on, But that would not be, A Concision, instead, a concession, to the very few times in a day, in the world's entirety, when those are the words, are only the only, a sufficient holy, a devout summary spectacular, akin, but only a just, derivative of, a sincerely uttered: Thank You God^ nml
0
Oct 5, 2025
Oct 5, 2025 at 8:02 AM UTC
The Concision
Subdued and seduced by sounds so sultry floating with fantastic phonetic finesse vibrant voices vehicled via visages the magical message making me a mess each seconds surrenders me speechless praying for the process of progress kissing, caressing, conspire in concision affection and adoration an admirable ambition Subdued and seduced by sounds so sultry floating with fantastic phonetic finesse vibrant voices vehicled via visages the magical message making me a mess beautiful belles becoming begrime rendered ready by my written rhyme won with wonderfully whispered wit foment flattery in a fanatic fit Subdued and seduced by sounds so sultry floating with fantastic phonetic finesse vibrant voices vehicled via visages the magical message making me a mess
0
Sep 11, 2010
Sep 11, 2010 at 5:39 PM UTC
Subdued and Seduced
I’m a Barbie girl in a Barbie world. Life’s fantastic! I feel like plastic, aiming for an 18-inch waist because I can afford to throw my internal organs away. I feel like plastic, a neck so slender I have to choose between eating and breathing; there’s not enough space for two tubes. I feel like plastic, a 38-inch bust and 3-times the average amount of forehead. I feel like plastic, a size nine shoe squeezed to a three, spending three to nine avoiding meal time because my weight-loss book says, “Don’t eat.” I’m a Barbie girl, in a Barbie world. Life’s fantastic, but I’m not plastic. Bile tastes all too organic, its taste chasing after me if I exceed my daily nutritional limit of 2,000 calories. I’m skinny enough that people think I’m healthy. I’m not skinny enough for people to think I’m unhealthy. Anorexia is as familiar as the back of my hand, poised like a gun to the back of my throat, waiting and ready to blow. I’m a sixteen-year-old suicide case, product of the war of production, wearing battle wounds in the form of uniform lines across the tops of my thighs. I’ve been rewriting this poem since its conception. I feel like the rough draft: concision is key. (Be smaller.) I’m trying rewriting, trying to leave out things that aren’t important enough, like: four of my ribs and my esophagus and my stomach and my small intestine. I’m testing the limits of realism. But here’s the thing: I’m a real girl in a real world. Life’s not always fantastic, but I am not plastic. I am not plastic. I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, eating and breathing like both are vital aspects to living. I refuse to be plastic, an actual hip-to-bust ratio for not a thirty-year-old but a teenager. I refuse to be plastic, shoe size nine in size nine shoes, trying to start enjoying mealtimes because my “weight-loss book” has been chucked down the chute. I’m a living girl in a terrifying world, trying to remind myself that “Life in Plastic!” is not fantastic.
0
Sep 13, 2017
Sep 13, 2017 at 8:00 PM UTC
revisiting Barbie Girl
I’m a Barbie girl in a Barbie world. Life’s fantastic! I feel like plastic, aiming for an 18-inch waist because I can afford to throw my internal organs away. I feel like plastic, a neck so slender I have to choose between eating and breathing; there’s not enough space for two tubes. I feel like plastic, a 38-inch bust and 3-times the average amount of forehead. I feel like plastic, a size nine shoe squeezed to a three, spending three to nine avoiding meal time because my weight-loss book says, “Don’t eat.” I’m a Barbie girl, in a Barbie world. Life’s fantastic, but I’m not plastic. Bile tastes all too organic, its taste chasing after me if I exceed my daily nutritional limit of 2,000 calories. I’m skinny enough that people think I’m healthy. I’m not skinny enough for people to think I’m unhealthy. Anorexia is as familiar as the back of my hand, poised like a gun to the back of my throat, waiting and ready to blow. I’m a sixteen-year-old suicide case, product of the war of production, wearing battle wounds in the form of uniform lines across the tops of my thighs. I’ve been rewriting this poem since its conception. I feel like the rough draft: concision is key. (Be smaller.) I’m trying rewriting, trying to leave out things that aren’t important enough, like: four of my ribs and my esophagus and my stomach and my small intestine. I’m testing the limits of realism. But here’s the thing: I’m a real girl in a real world. Life’s not always fantastic, but I am not plastic. I am not plastic. I refuse to be plastic, aiming for generic weight range based on content, not scale number. I refuse to be plastic, eating and breathing like both are vital aspects to living. I refuse to be plastic, an actual hip-to-bust ratio for not a thirty-year-old but a teenager. I refuse to be plastic, shoe size nine in size nine shoes, trying to start enjoying mealtimes because my “weight-loss book” has been chucked down the chute. I’m a living girl in a terrifying world, trying to remind myself that “Life in Plastic!” is not fantastic.
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70
take some time to count, to verb some syllables for some wrecked page. a Lostman's book in **** tered thought; nature, and death, and sole body. then, when she talked about her better years as those of drug-induced past-life. younger than yesterday kinda years. that which finds metronome slowing, the Universe energy vibrating weaker while growth found in apathy, and solid death of purposeful movement.                          then a shot, that moment to break from wretched self- criticism -- that post-idyllic criticism -- that which hinders forward movement.            the shot, which finds contentedness thru some repetitious mentality . .                                                  [lost it]          . . repetitious fallacy?               [got it] let's leave some break for transmigration in thought to prelude of forward movement. understanding now is not enough; but agreement in hast. but dissolution to that self- efface hit rapid. brought back, her thought of the younger than yesterday years; now, now is the greatest point of any a count- less past-life. from them, no matter a sweating season, the Long Dark, or the cycle-seasons,              all is now. and never did she or i talk of the past again.                    our foci,         [one second] drawn to point of second and next second upon following and on for another. now, shivery wine-drunk, reminiscent of tiny furnace and woolen blanket apartment. that now, that was true striving of second successful ***** Den.         a great thought downfall; she's been long gone.             [next second now] she complained of the wind. her eyes were freezing, she said; her life has begun to bore her, she said. we moved to playground and climbed in the slide; a nice dampening. cold plastic barely felt for her. this Long Dark, and in it, an always fleeting warmth.                  [break                         to **** for concision in thought] now then, a diner, of course this face is known. they also know a companion vacant. asked of, pleasant enough; responded, well enough.        [disheartened, well enough] and then, wholly intrinsic with a blasphemous self- Oralee while passing time trying to think. unable, if only for sole point of trying. and epochs worth, thought and gone; now compulsive, now unres- ponsive, now chewing lips because they're part gum.
0
Feb 18, 2016
Feb 18, 2016 at 5:58 AM UTC
******* disgusting.
take some time to count, to verb some syllables for some wrecked page. a Lostman's book in **** tered thought; nature, and death, and sole body. then, when she talked about her better years as those of drug-induced past-life. younger than yesterday kinda years. that which finds metronome slowing, the Universe energy vibrating weaker while growth found in apathy, and solid death of purposeful movement.                          then a shot, that moment to break from wretched self- criticism -- that post-idyllic criticism -- that which hinders forward movement.            the shot, which finds contentedness thru some repetitious mentality . .                                                  [lost it]          . . repetitious fallacy?               [got it] let's leave some break for transmigration in thought to prelude of forward movement. understanding now is not enough; but agreement in hast. but dissolution to that self- efface hit rapid. brought back, her thought of the younger than yesterday years; now, now is the greatest point of any a count- less past-life. from them, no matter a sweating season, the Long Dark, or the cycle-seasons,              all is now. and never did she or i talk of the past again.                    our foci,         [one second] drawn to point of second and next second upon following and on for another. now, shivery wine-drunk, reminiscent of tiny furnace and woolen blanket apartment. that now, that was true striving of second successful ***** Den.         a great thought downfall; she's been long gone.             [next second now] she complained of the wind. her eyes were freezing, she said; her life has begun to bore her, she said. we moved to playground and climbed in the slide; a nice dampening. cold plastic barely felt for her. this Long Dark, and in it, an always fleeting warmth.                  [break                         to **** for concision in thought] now then, a diner, of course this face is known. they also know a companion vacant. asked of, pleasant enough; responded, well enough.        [disheartened, well enough] and then, wholly intrinsic with a blasphemous self- Oralee while passing time trying to think. unable, if only for sole point of trying. and epochs worth, thought and gone; now compulsive, now unres- ponsive, now chewing lips because they're part gum.
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57
You - Fulgurite Embalmed fusion Amorphous plasma promenade Molten concision Peregrinate branches groping ambient orbs Sabulous composition smoothed by bolt of lightning Ubiquitous – infinitesimal – sublime Atmospheric timbre brandished in your wake
0
Jan 26, 2014
Jan 26, 2014 at 8:57 PM UTC
Fulmination
“but you are too old for apprehension.” her voice had sounded so, and of this one’s voice, ‘you are never too old for wariness of an unknown.’ responded astute, drunk on logic. returned was breathless thought to the void, filling emptiness with irony. (oxymoron) and weened the way thru, concision turned derision with repetitious definitions that found no actual meaning. all thought without justification and no thought with classification. words, actions, wailing: empty, empty, empty then existed less and less from want of purpose. less and less from interest of the known; this once forged fear of life. and with impressive derangement, grabbing at the only sober keychain. they, with twitching vesper eyes, their hands jit’ for a false-meeting fix. to nix the nihilism. and: ‘People can go **** themselves.’ words of this one’s voice. of her’s, “thank god you’re alive.” from those days, when rains ranted down, and the trains tripped us out. those days of our wood’s reclaimed trailer. and each syllable was never thought to be anything until aged eyes ached for review those epochs of breath. but: ‘People can go **** themselves.’ voiced in response to a romanticized thought. and all epochs lingered upon are no more than a journal of the winds that blew while we were present. some diary of listless lust left undated. of the woods, of a reiterate span in once anonymized transience. and falling back, thumbing pages for proof of experiences passed into skewered memory. left are three lines, ill-verbed, to represent an entirety of past lives. of time once present in yellow-lit motel room, of apocalyphic musings, and veering prophets of doom. they, turned sincere apocalyphites. their prayers writ boldfaced, platitudinous, in concern of endless words restating – in constant rephrasing: ‘People can go **** themselves.’ but they just kept goin’ on without concern for the dawn.
0
Feb 1, 2014
Feb 1, 2014 at 5:26 AM UTC
3 word, 3 thought
“but you are too old for apprehension.” her voice had sounded so, and of this one’s voice, ‘you are never too old for wariness of an unknown.’ responded astute, drunk on logic. returned was breathless thought to the void, filling emptiness with irony. (oxymoron) and weened the way thru, concision turned derision with repetitious definitions that found no actual meaning. all thought without justification and no thought with classification. words, actions, wailing: empty, empty, empty then existed less and less from want of purpose. less and less from interest of the known; this once forged fear of life. and with impressive derangement, grabbing at the only sober keychain. they, with twitching vesper eyes, their hands jit’ for a false-meeting fix. to nix the nihilism. and: ‘People can go **** themselves.’ words of this one’s voice. of her’s, “thank god you’re alive.” from those days, when rains ranted down, and the trains tripped us out. those days of our wood’s reclaimed trailer. and each syllable was never thought to be anything until aged eyes ached for review those epochs of breath. but: ‘People can go **** themselves.’ voiced in response to a romanticized thought. and all epochs lingered upon are no more than a journal of the winds that blew while we were present. some diary of listless lust left undated. of the woods, of a reiterate span in once anonymized transience. and falling back, thumbing pages for proof of experiences passed into skewered memory. left are three lines, ill-verbed, to represent an entirety of past lives. of time once present in yellow-lit motel room, of apocalyphic musings, and veering prophets of doom. they, turned sincere apocalyphites. their prayers writ boldfaced, platitudinous, in concern of endless words restating – in constant rephrasing: ‘People can go **** themselves.’ but they just kept goin’ on without concern for the dawn.
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43
I use short words to show how smart small is. It is not more that is less. But less that can say more than most. Large words are nice at times. But we all need some chop and stop to spice up Our lives. Change is all there is. Move, Shake, Run, Jump. All short. All fast. All key. Stay strong, bare it all. Do not be scared to leap for fear of death. Be scared to leap for fear of how high you will soar.
0
Jun 21, 2013
Jun 21, 2013 at 10:54 PM UTC
Concision and Flight
*To hold a scalpel Above the gossamer ribbon That is the equator And create two halves Of a mottled looking orange*
0
Apr 28, 2016
Apr 28, 2016 at 11:18 PM UTC
Concision(Definition)
this is the verb that we declare must stand for place and season taken out of time by our decision rendered full sublime by simplest action of creative hand uttered each morning by serene command the sound itself is richer than each chime of golden bells tuned to a perfect prime while the symbolic meaning is so grand all that we say can be reduced to this concision of significance and sound where every symbol strains into the light yet not a thing is here that we could miss even if we retreat to harder ground since we have turned our backs upon the night
0
Feb 27, 2010
Feb 27, 2010 at 2:27 PM UTC
a solid word
Art is working within a frame. Knowing and exploring that frame, using contrast, drawing attention across the field. It’s an extension of language. Which is metaphor. The default art of language is the frame we operate from within. The words we collect along the way, to place along the veritable canvas of open air. You need the frame to create context, but it’s also limiting. And it’s only when we understand where our context collides with other broader or more pervasive contexts that we can reconstruct our frame. Transcend it, and paint a newer, more comprehensive picture within a newer, more robust, frame. So how big should your canvas be. Smaller frames require concision. Bigger frames allow more expansive exploration. One would think, by those descriptions alone that a larger canvas is better, but it also requires more discipline. We can easily lose ourselves in the expanse and be left with nothing but irreducible chaos. Jungle. Space. Ocean. Not because these expanses are truly irreducible, but because we haven’t developed enough to place any kind of conceptual frame around them. We can’t place them into a useful metaphorical context, besides pointing into the void and reveling in its mystery.  Dreaming up monsters or messiahs that only reflect our fears and ignorance. But this isn’t a canvas it’s a concept  and it’s hopefully a clear description of why overconfidence in our understanding can lead us to creating a frame larger than we can effectively navigate. Painting ourselves into the void, swallowed by reflections of our own shortcomings. It’s not pessimism. Each person is a natural artist gifted with the capacity for communication and supreme adaptation. Very fortuitous developments compared to say; ******* ants out of a tunnel with an incredibly well adapted snout, or establishing mate worthy dominance by bludgeoning a competing male with large outcroppings of bone. Music, written word, spoken language these are the result of our creativity. Our propensity to shift the scope of our picture. Capture understanding from depth by reducing it. Language only has the frames we construct within it. We must place the borders around our picture somewhere, and playing within each arbitrary space is what creativity is. The self limited but transcendental use of ones space or time.
0
Jan 17, 2020
Jan 17, 2020 at 8:01 PM UTC
Notes on art.
Art is working within a frame. Knowing and exploring that frame, using contrast, drawing attention across the field. It’s an extension of language. Which is metaphor. The default art of language is the frame we operate from within. The words we collect along the way, to place along the veritable canvas of open air. You need the frame to create context, but it’s also limiting. And it’s only when we understand where our context collides with other broader or more pervasive contexts that we can reconstruct our frame. Transcend it, and paint a newer, more comprehensive picture within a newer, more robust, frame. So how big should your canvas be. Smaller frames require concision. Bigger frames allow more expansive exploration. One would think, by those descriptions alone that a larger canvas is better, but it also requires more discipline. We can easily lose ourselves in the expanse and be left with nothing but irreducible chaos. Jungle. Space. Ocean. Not because these expanses are truly irreducible, but because we haven’t developed enough to place any kind of conceptual frame around them. We can’t place them into a useful metaphorical context, besides pointing into the void and reveling in its mystery.  Dreaming up monsters or messiahs that only reflect our fears and ignorance. But this isn’t a canvas it’s a concept  and it’s hopefully a clear description of why overconfidence in our understanding can lead us to creating a frame larger than we can effectively navigate. Painting ourselves into the void, swallowed by reflections of our own shortcomings. It’s not pessimism. Each person is a natural artist gifted with the capacity for communication and supreme adaptation. Very fortuitous developments compared to say; ******* ants out of a tunnel with an incredibly well adapted snout, or establishing mate worthy dominance by bludgeoning a competing male with large outcroppings of bone. Music, written word, spoken language these are the result of our creativity. Our propensity to shift the scope of our picture. Capture understanding from depth by reducing it. Language only has the frames we construct within it. We must place the borders around our picture somewhere, and playing within each arbitrary space is what creativity is. The self limited but transcendental use of ones space or time.
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9
I wish I could think of the right way to say I love you... It's like there's no possibility. My vocabulary is far too limited   The love I feel is far too complex               And I am far too unimaginative to give you something that hasn't been Said a million times.       you would certainly find a way -       youve always been fantastic at words       and i wish i could borrow       some of your genius... Every combination Every language Every time I try I can't figure it out You have made me feel like... Like the solar system revolves around me Like death could never take my life Like I know the Name of the wind       ... no ... i can do better       i want to keep trying       i need to keep trying because       if i cant figure it out       im going to implode You deserve a special I love you.       something to mimic the special       you make me feel every day       i yearn to give you that       so bear with me while i paint you       a written picture instead and       hope it can convey some semblance of       i love you: ------------------------------------------------------------ You are a city. And that city, in my head, Looks a little like... well it's under constant construction, the scaffolding where you expand the buildings - your knowledge. and despite what you might think it's a comforting presence between them run roads, so many intersections all leading to different interests but those streets have potholes - your past experiences - and there isn't enough tar in the world to fill them. not that it matters, because your traffic never stops and the streets are never still; potholes and all zipping around on those roads are cars that get you from point A to point B - your responsibilities, when you really need to stop for gas. it's admirable how dedicated to those pit stops you are, and that you still really love driving fortunately, despite pollution - the toxicity dumped by other people - your city is still eco-friendly. you wanted fresh air, so on each building you install solar panels - you never sit back and let people ruin the world so people sit on their porches and listen to music you pipe through the city streets, via loudspeakers you installed because you want people to enjoy themselves - and they absolutely love it. they show their appreciation through smiles and laughter. how could they not? nothing can compare In your city I want to be a window washer                       a maintenance woman                       a taxi driver                       a gas station attendee                       an ecologist                       a musician I want to be someone involved with all you are. You're a constant inspiration So call me selfish, but I relish just being around you And lavish that I get to be special to you You deserve more than these simple three words but for the sake of concision - your favorite, I know - I'll simply say I love you
0
Apr 27, 2020
Apr 27, 2020 at 12:44 AM UTC
A Unique "I Love You"
I wish I could think of the right way to say I love you... It's like there's no possibility. My vocabulary is far too limited   The love I feel is far too complex               And I am far too unimaginative to give you something that hasn't been Said a million times.       you would certainly find a way -       youve always been fantastic at words       and i wish i could borrow       some of your genius... Every combination Every language Every time I try I can't figure it out You have made me feel like... Like the solar system revolves around me Like death could never take my life Like I know the Name of the wind       ... no ... i can do better       i want to keep trying       i need to keep trying because       if i cant figure it out       im going to implode You deserve a special I love you.       something to mimic the special       you make me feel every day       i yearn to give you that       so bear with me while i paint you       a written picture instead and       hope it can convey some semblance of       i love you: ------------------------------------------------------------ You are a city. And that city, in my head, Looks a little like... well it's under constant construction, the scaffolding where you expand the buildings - your knowledge. and despite what you might think it's a comforting presence between them run roads, so many intersections all leading to different interests but those streets have potholes - your past experiences - and there isn't enough tar in the world to fill them. not that it matters, because your traffic never stops and the streets are never still; potholes and all zipping around on those roads are cars that get you from point A to point B - your responsibilities, when you really need to stop for gas. it's admirable how dedicated to those pit stops you are, and that you still really love driving fortunately, despite pollution - the toxicity dumped by other people - your city is still eco-friendly. you wanted fresh air, so on each building you install solar panels - you never sit back and let people ruin the world so people sit on their porches and listen to music you pipe through the city streets, via loudspeakers you installed because you want people to enjoy themselves - and they absolutely love it. they show their appreciation through smiles and laughter. how could they not? nothing can compare In your city I want to be a window washer                       a maintenance woman                       a taxi driver                       a gas station attendee                       an ecologist                       a musician I want to be someone involved with all you are. You're a constant inspiration So call me selfish, but I relish just being around you And lavish that I get to be special to you You deserve more than these simple three words but for the sake of concision - your favorite, I know - I'll simply say I love you
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79
The brevity of your love & the feelings you showed me were things i aspire. The concision of us, i was not partial to; but the moments in between were perfect.
0
May 10, 2013
May 10, 2013 at 10:45 PM UTC
The Heartbreak Was Worth The Happiness We Once Had
charismatic entity surface-bubbling neuroses predatory instincts raging waves of testosterone mating season appeal appealing seasonal wear a modest yet expansive vocabulary sweaters courtship through concision of energies two quiet folks talking about books careful not to reveal too much text-related anxiety tapestry of borrowed motifs
0
Jan 30, 2016
Jan 30, 2016 at 2:02 AM UTC
XI
*higher crimes and misdemeanors, the accusations are long and detailed just like the poems I write the sentencing, sneeringly sententious and luridly sensational, your vocabulary confiscated and imposed upon you a concision (ouch) write only poetic-succinctly when I cried out from the dock, “innocent! the words own me, not I them,” the words, my jurors, snickered, the fix was in, and the sentence of hard labor, a bad rap time indeterminate, spent in a cruel and unusual panopticon, a punishment to fit the crime no, won’t tell you what it means, a private verbalist’s hell
0
Jul 4, 2019
Jul 4, 2019 at 7:03 AM UTC
concision circum-concession
a product of his instinct, why use ten when two will do, and the ratio is increasingly progressive! **"lovely intimacy between poet and muse here, like an old friendship-made of fatigue and faith"^** the only reason why my hair, yet intact, despite old age's creep in every other elsewhere, although Gibson's, his sixteen, a superior concision of my endless, repetitive iterations, his literatation nonetheless is an insufficient to cures what ills me… to calm my heart, soothe my dreams , would render 99 of  mine 100 muses, and all your voices ungainly unemployable worsen yet, the disheartening palpitations that shake n' bake my very core, them those demons too, the contrapuntal hidden forces that rue my brain, well hell! poet complains!exclaims! for when the muses sleep, these devils roam, they creep, never permitting an easy sleep, and instead of poems, they give me forth in groans and moans, the unintelligible reverse of my ever~faithful muses's intimacy, the un~cooing of our pleasure, for when rhymes dewdrop^^ from the insertions from heaven's eyes, and then when, you and I together embrace, the harmony of spirit that a poem makes writer and reader sharers, the calm shaking of hearts well tickled, laughingly ratified, and even momentarily satiated and satisfied is our now combinatorial esprit de corps^^^ ~'~'''~~ just a wee ditzy ditty that fell onto a screen when reviewing my silly but true and utter faithful muses's^^^^ utterances, in being be tweening the quickest ten minutes of my ridiculous life <nml> 10/6 no tricks 2025 3:10am ~3:20am ~~~ and now let the real, hard-work of handiwork ahead, of writing something akin to a psalm, a prayer, a train of quatrains, a hiya to haikus, a ballad to bellow, you know, that serious stuffing that leaves us both 😢aweeping😪 with the unadulterated purest of joy
0
Oct 6, 2025
Oct 6, 2025 at 3:50 AM UTC
Gibson's Succinct: "The Lovely Intimacy"
a product of his instinct, why use ten when two will do, and the ratio is increasingly progressive! **"lovely intimacy between poet and muse here, like an old friendship-made of fatigue and faith"^** the only reason why my hair, yet intact, despite old age's creep in every other elsewhere, although Gibson's, his sixteen, a superior concision of my endless, repetitive iterations, his literatation nonetheless is an insufficient to cures what ills me… to calm my heart, soothe my dreams , would render 99 of  mine 100 muses, and all your voices ungainly unemployable worsen yet, the disheartening palpitations that shake n' bake my very core, them those demons too, the contrapuntal hidden forces that rue my brain, well hell! poet complains!exclaims! for when the muses sleep, these devils roam, they creep, never permitting an easy sleep, and instead of poems, they give me forth in groans and moans, the unintelligible reverse of my ever~faithful muses's intimacy, the un~cooing of our pleasure, for when rhymes dewdrop^^ from the insertions from heaven's eyes, and then when, you and I together embrace, the harmony of spirit that a poem makes writer and reader sharers, the calm shaking of hearts well tickled, laughingly ratified, and even momentarily satiated and satisfied is our now combinatorial esprit de corps^^^ ~'~'''~~ just a wee ditzy ditty that fell onto a screen when reviewing my silly but true and utter faithful muses's^^^^ utterances, in being be tweening the quickest ten minutes of my ridiculous life <nml> 10/6 no tricks 2025 3:10am ~3:20am ~~~ and now let the real, hard-work of handiwork ahead, of writing something akin to a psalm, a prayer, a train of quatrains, a hiya to haikus, a ballad to bellow, you know, that serious stuffing that leaves us both 😢aweeping😪 with the unadulterated purest of joy
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88
My magic ray of Heaven For eternity devote To the plight of glorious light Which spreads in beams and motes He sauntered in to vision An unusual hue Messages succinct, concision Was medium of gods word true He works for shiva, not Abraham So don't get all confused It's a pluralist democracy of souls In heaven, towards which I cruised He complemented poetry Which I had, amused, written He called me literary kitten Of which he was most smitten! How could I resist that charm Tis becoming to a babe Not all the dark could sully him Nor ravages of age Those who will him harm Will only create their own decay Watch us fly, in enchanted sky As we weave and wend in brighter day
0
Aug 18, 2017
Aug 18, 2017 at 8:31 PM UTC
My magic ray of heaven