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PK Wakefield Sep 2012
i could (outside hear  )

            "clip

                     clop


                     clip


                                  clop

                                      clip"

                                                  outside

                                                     i
                                                    could
                                                   hear
                                                  (smell)
                                                 steam
                                                expelled
                                               rapidly
                                              night
                                             children
                                            laughter
                                           and
                                                  "clip

                                                clop
                                             clipclop
                                    clip

                                           clop


                                clip"

ears pricked

                       eyes

                                 bloodshot


                                            and

                                                  "clop
                                                           clip

                                                         clop
                                                             clip

                                                             clop
                                                                 clip"

                                                             gentler
                                                               farther
                                                                 gentler
                                                                    farther

                                     and


                         "clop
                                clip
                              clop
                                clip
                               clipclop
                              clopclip
                             clicclop



                                

                                         clip

                                                      "
st64 Sep 2013
collector of iron and all things metal
carried without slightest lament
by
beautiful brown-and-white nag with overflowing mane
clip-clops up and down
every road there is
and even beyond



1.
little doubt exists
of fine ingenuity
of said collector
who wastes no moment nor chance
to scour every luck’s platform
with sharp intuition and assiduous eyes
          an old stove with absent racks
          a precious copper geyser gutted with no fittings
          pine-planks discarded due to skew-cuts
          aluminium pipes abandoned with twisted ends
          old screws with rusty whorls from an recently bucket-kicked geezer’s garage
          parts of a car . . . an ****** gearbox and ancient exhausts
heaps of junk and piles of crap clang on cart
a veritable dump in some eyes but those of
the cool collector who takes all the sweepings in gracious stride
cast-off penalties and chaffs of society’s unwanted

2.
once a week on Saturdays
these wares are parked near the parking lot
for all to approach
to see
a fine spread of legend and lore
     bric-à-brac and books to browse
so many things of interest
     magazines and manuals with miscellany-topics under the sun
     hipflasks of silver and clear-cut carafes
     unused greeting-cards with dressed-up paper-dolls
     rare literature well-thumbed with care
and things you’d sure chuck out
mechanical entrails and shiny things
yet
quite a spectacle to behold
costing a joke but for you
a fraction of today's ha'penny

3.
nobody knows why the quiet collector takes the time of day
to re-inforce that fixture-presence
a kindly soul with half-smile always flirting round the lips
and greets with old-century warmth o'er book-edge, markedly a poem-spine
walking closer to peep curiosity around
relaxed eyes let one be
          no compulsive sales-talk
          no eager-****** hopping
just sitting back in deep hiker’s green fold-up chair
easy posture and half-drooped eyes with soft drink close at hand

4.
the collector really watches all who pass
     who go by on their daily trails with rituals oft unchanged
     who fuss ever-plaintive over facetious deets like school-tasks
as they return their books long overdue while whistling smasher-hit tunes (never to be heard)
     who rush to catch an ever-noisy taxi with their own raucous guards
     who help heaving housewives cursing under breath climb on board
as their groceries groan and nearly drop from overladen plastic bags
     who ignore for now with studious intent the hobos on the pavement there
     who beg lost coins for empty-belly from the tattered purses in bosoms
while others cry out impatient at peripheral nuisances
     who act as indiscreet ‘car-guards’ ostensibly guarding cars, even with folk in it

yes, he watches
and observes with keen eyes yet never obvious
even those who saunter by
with pondering glance and walking stick
even as years have graciously touched their brow
he sees them *tut-tut
the ******* on the wall
like stray-dogs in a pound

5.
once in an often while
this collector who loves a rediscovered hypothesis
to explore the myriad facets of humanity
does an odd turn now and then
when walking to the toilet at the local library
which has parked itself adjacent to this lot
drops a twenty-buck note near the side
and soon joyful sees the utter surprise
when tired high-school kids with sullen backpacks
do a double-take
espy their luck . . . whoo-hoo, look!
their gloomy cloaks of learning plain melts
they take off sure-footed and lighter of heart
and repair to the fish-and-chips shop
they share their vinegary ***** in a finger-licking circle
and amity strong-cemented in a cool memory
that they’d recall with fondness many years later
at their 20th school-reunion
and as grand-dads visiting a dying pal

pangs of hunger satisfied
and
not only by them


next time
that note will be dropped in the park nearby
where effete winos sleep their lives away
     who ken much and give not a care
     a kind long not recognised
educated derelicts debate on war-merits and erstwhile musicians play melodic arpeggios
sitting in the gentle arbour-shade of mutual acceptance
with chess-mad players
working out strategy in rapt blade-moves
which belie and scorn the forgotten titles to their name
along with Ph.D to boot

6.
when night-time hails - all grows still again
and settles, though just for a nibble of time
it’s pack-up time
the listening collector hears the owl-hoot’s call
and knows the time has come to rest a bit
     for when the morrow dawns
     all neatly packaged in a brand-new gift called day
it’s back on the road again
to observe once more
with trusted nag in tow
clip-clop . . . clip-CLOP

7.
and the collector is the one
the housewives invite with alacrity to Xmas-lunch
the taxi-drivers offer gifts of goodwill
the school-kids give their chips and last treats
the vagrants seek out to share a ciggie and sympa-chat
the grown men visit for esoteric slim-tomes and philosophical advice
the shopkeepers welcome reassuring presence of

yes, this quiet collector
is the inadvertent guest
to shores of the lonely
the too-busy and life-ridden folk
who seek a sweet smile
just once in a while
in a world
where compassion is not justified by its deep-touches of poverty





no fruitless labour
in one who sees little detriment
but senses the full value of
every item’s moment in vanilla-time
while trying always
to catch
the finest one can be



supreme harvest, indeed
yes :)
love . . . love . . . love . . .





S T, 1 September
Happy Spring Day!
And . . . er . . . catch some sun-rays . . . while ye can :)



Sub – entry : 'empty chairs'

Songwriter: Don McLean


I feel the trembling tingle of a sleepless night
Creep through my fingers and the moon is bright
Beams of blue come flickering through my window pane
Like gypsy moths that dance around a candle flame

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Moonlight used to bathe the contours of your face
While chestnut hair fell all around the pillow case
And the fragrance of your flowers rest beneath my head
A sympathy bouquet left with the love that's dead

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would

Never thought the words you said were true
Never thought you said just what you meant
Never knew how much I needed you
Never thought you'd leave, until you went

Morning comes and morning goes with no regret
And evening brings the memories I can't forget
Empty rooms that echo as I climb the stairs
And empty clothes that drape and fall on empty chairs

And I wonder if you know
That I never understood
That although you said you'd go
Until you did I never thought you would



http://www.youtube.com/watch?v=AwzHlyVRc9o
Carrie Ross Nov 2011
I used to enjoy the sound that the hooves of horses made
When traveling across cobble stone streets,
so it's a shame,
that the majority of the time it doesn't come from a horse at all
but from some idiot
hitting the two halves
of a hollowed out coconut together.
Some idiot who has the pleasure of walking around on two legs and doesn't have
to stand when sleeping
and doesn't have to worry about “strangles”
because “strangles” doesn't mean anything to this idiot
but then again “strangles” probably wouldn't mean much to a horse
If you were to talk to a horse about “strangles”.
Clip clop, clip clop, clip clop
*******,  
you're not fooling me.
shayla ennis Oct 2016
(Narrator):
Upon a sunny day you see a girl leading a horse up a beach in the heated sun of the Roman Empire. She is a princess to a great roman king. This king’s name be Alexander the Great who in our history died young. The king dressed in white with red sashes covered over it is in the mist of trying to find his daughter a husband, one who will be fit to be king when he no longer can. The beach being sunny and warm princess Auria has chosen to take her horse for a ride while her father speaks to his men of the council.
Princess Auria: [riding her horse down the beach in a gentle stride] [clip clop………]

(Narrator):
Suddenly the horse rears up into the air throwing the princess from its back!

Princess Auria: [haa… … screaming [smacking into the ground] thump!]

Enters: Tibius [walking up to the horse who threw the princess tibius calls for it to calm itself and then walks up to Princess Auria asking… …]

Tibius: dear lady do you need some assistance?

Princess Auria: no but I thank you for retrieving my horse. Asking herself under her breath… What could have scared you so…?

Tibius: I believe it may have been that serpent over there near the sands edge.

Princess Auria: oh that must be the reason, Thank you again. What be your name young man.

Tibius: my name lady be Tibius and you are most welcome.
Princess Auria: Tibius you say. Would you be willing to come with me to see my father and gain his thanks as well for he would be most grateful to you for what you have done this day.

Tibius: I know not why this is needed but I will follow lead the way my lady.

Princess Auria: please call me Auria.

(Narrator):
Princess Auria leading the way takes Tibius to the king her father who sits in the throne room talking to friends and family. Walking up to her father she tells him what tibius has done. Tibius stands there after being shocked that the lady he helped was actually the princess. Not knowing what to say to the king tibius stands before him in silence.
King Alexander: you a man so young and by the looks of it having little coin save my daughter! This cannot be…

Tibius: if I may speak great king.

King Alexander: you may do so.

Tibius: I was walking along the beach when I saw a horse running in my direction but without rider. I choosing to find said owner came upon your daughter the princess Auria and thus I am now before you.

King Alexander: if this be true what my daughter says than you must in some way be rewarded. But how is the question…

(Narrator):
Enters Princess Auria’s mother Dayanara, coming from tending the gardens within the palace walls dressed in a blue dress trimmed in silver she walks towards her husband the king.

Dayanara: my husband may I say a word or two for I have heard what was said and have an idea.

King Alexander: what idea would you have dear wife.

Dayanara: I speak this let him guard Auria from this time forward both within the walls and without them so as we her parents need not fret so when she goes off alone. I know it may be much for so small a thing. Let him be her personal protector. My other words spoken, I have word of someone who wishes marriage to our daughter.

King Alexander: this is a wondrous idea about Tibius being a protector, let as my wife speaks be done. Do you agree daughter? What about this marriage you speak of Dayanara? Who?

Princess Auria: yes father it is a pleasing reward.

King Alexander: and you Tibius. What do you say to this?

Tibius: I can do nothing else but agree for not too would be a dishonor to both you and your family king Alexander. So yes I say to what has been spoken.

(Narrator):
Scene changes to a battle on the high mountains behind the palace near the ocean. Hundreds of men from Rome and far off Greece that comes by ship battle on the damp sands and grasses of roman earth to take what is not theirs the Greeks wish. Blood and life be spilled at all ends and innocent’s being slaughtered without care. The roman princess waiting in the palace by her mother’s side wondering what is to become of them because no word has yet come about how the battle fares.
[On the battle field]

King Alexander: men raise your blades, your shields, do not yield! Do not I say!
[Clashing, banging of armor and weapons]

King Alexander: men forward March, lances and horses ready. [Forward……!]

(Narrator):

Enters: solder sadeen

Sadeen: my king the battle falls not to us but our enemy we lose men to fast.

King Alexander: we must find a way to get them into the water and then hit them with fire and oil that will burn greatly.

Sadeen: we could place oil along the hills and light it aflame this may drive them back if we make it strong and high.

King Alexander: see it done sadeen; see it done fast for I fear we will lose as you spoke before if you do not.

Sadeen: [riding away from the king at full gallop towards his men to carry out the orders given]
[Gallop… gallop…]

(Narrator): Sadeen follows the Kings orders by lighting aflame ***** of hay covered in oil his soldiers pushing them down the green grass hills where battle takes place to weaken the Greeks ground and might. [Greeks screaming]
[Outcry…… Shrieking…… Men dying]

King Alexander: [praying to himself that what he has asked of his men does not fail] you boy over their go to my family and give them this letter see to it that it is only to them you give it.
[Yes my lord]

(Narrator):
The boy with the letter runs as fast as his legs can carry him back threw the roman streets to the palace and gives the letter to the queen. The queen opens it and read the news of how the battle fares and the instructions given if the king falls.

Dayanara: [calling her daughter] auria… auria…

Princess Auria: what is it mother? Why do you yell so?

Dayanara: your father has written of the battle he pleads with us to leave and go to the villa where you grew as a child for the battle does not fare well and he fears that they will lose. He speaks to us that he will send someone to find us if they win. Come we must go.

Princess Auria: I will find Tibius he can see us to safety out of Rome and to the villa.

Dayanara: go to him in silence speak to no one else only him.

Princess Auria: yes mother [off she runs with her footed sandals slapping on the marble floors as she does].

(Narrator):
Princess Auria runs to the solders corridor and finds Tibius telling him in hurried breath that they must leave fathers words for they are in danger. Tibius gathers up his things and follows the princess back to the royal halls and they silently leave threw the gardens heading to were the villa rests dressed in peasants clothing they be. The king back in the battle hopes that the letter he wrote as found them in time. [He once more prays]

Tibius: come my ladies this way but be careful and quite

Dayanara: we walk silent but you must call us by our names not by title Tibius

Auria: mother is right do as she says for doing so will make others think we are peasants and family. It be less likely they will look our way with suspicion.

(Narrator):
[Suddenly Greek soldiers come of darkened shadows intending to strike and **** the ladies Tibius raises his blade to stop them].

Tibius: [Crash…… his blade smashing into another]

Soldier: his blade striking back [Clashing……]

Tibius: striking the soldier down leaving blood pooling upon the marble path [rushing away]

(Scene):
Days later the three peasants make it to a quite villa outside of Rome and begin a new life as mere workers for those who live there. Any who ask about the owners the peasants simple tell them that they are away due to the battle. They being servants were made to stay behind to keep the place clean for when the owners returned, when that is they do not know. Weeks and more months pass with no word from the king they begin to fear that all is lost when one day a man wearing roman armor rides up asking for the lady Dayanara. Tibius stepping forward asks why? They must return this man says for the king calls them to him.

Tibius: who is the king?

Stanger:  King Alexander of course

Tibius: wait here go nowhere else

Dayanara: what is it?

Tibius: there is a roman outside he says the king calls for us

Dayanara: then we go; this is the sign, find my daughter and gather our things.

Tibius: yes lady right away

(Narrator): They return home going back the way they had left, but through the city rather than the village.

(Scene change): they are home at the royal palace before the king once more, but he was not alone.

King Alexander: you have returned safe, this makes me happy, and rushing to them he smiles [giving them fierce hugs]

Dayanara/ Auria: we are glad to be with you once more, it was worrisome and lonely without your presence being with us.

Dayanara/ Auria: who is this man that stands before us with Greek Armor?  Why is he not dead or imprisoned like the others?

King alexander: he is the prince of the Greek people and the son of King Simentos. Please be polite let me explain what has come about from the great battle on Mount Tear. [He explains]

(Narrator): alexander tells both his wife and daughter that the battle was won due to the son calling up a white flag of truce and asking that no more blood of their people be shed. (Enters Brontes).

Brontes: I am the son and prince of Greek and I wish to come up with a way to unite our lands and people. Your father mentioned that he was looking to finding you Auria a husband; I know that me being Greek may not seem a pleasant thing but I hope for a chance to prove my worth to you.

Auria: I know you be Greek but what does that have to do with the man you have become I see not. The place we are born and live helps us to grow but does not make us who we are.

Dayanara: husband I believe that Auria likes him and they seem to be getting along well [she whispers to him].

King alexander: do you think then that the idea of marriage to Brontes will suit her well, that she will love and or care for him as he will to her.

Dayanara: I do, but let them decide what their choice will be.

(Scene):  the princess and prince wonder into the garden that is covered with the roman flower called the Gladiolus which means sword lily. Speaking of many things that have happened in their lives they continue walking. She tells him that she would hope to see both her homes often if she were to say yes to this peace proposal.

Alexander/Dayanara:  we must speak with the two of you. Have you come to a decision about what this marriage may mean?

Auria/Brontes:  we have come to a final choice after our long talk. We believe that this marriage would be well placed for both of us to accept. We have chosen to wed here and stay till the spring then to travel to Brontes’s home and have a smaller wedding there to please his father. Though this set of weddings we will sign a truce treaty combining our to lands and people.

Dayanara/ Alexander: that is well thought of from both of you. Well done, I believe that this is going to be a very happy time for all of us. Let the wedding be within a months’ time.

(Narrator): the wedding takes place upon the hill where the battle was once fought this is where they will make peace and sign the treaty. The wedding is beautiful and the flowers that are thrown around them show their unity. Both are dressed in the colors of the ocean and their prospective homes. {This is the end of their tale and perhaps a new beginning for us all on earth}.

THE END
playwrite
horns squawk
   rainforest avenues
  
  exoskeleton
of cars
   arteries clogged
with unlovely   taxi cabs

fat  green  fruit
for sale
     five languages
merge into a knot
hisses    kiss    vowels
   kiwis apples pears

   black guys   basketball
debt rises like      blood pressure
stocks tumble
    but we walk
brogues clop on concrete

count  brick after  brick
sun cascades
   over roof slates
mind cracks in slabs

   (you say
Monroe      stood here)

   heat quivers
men are dominoes
suits    for the office
   a funeral

designer sneakers
   daddy paid for
pigtails   cheap thrills
  violet octagons
  on a stranger’s neck
(behind the closed doors)

today
I drink purple water
     aubergine lips
remind me
of a Tuscany Superb

   list the names
Houston   Charlton
Leroy   Sullivan
Perry   Cornelia
Dominick and Jane

(ladders lead
                away from me
                close to
you)

and back again
Written: June 2014.
Explanation: A poem written in my own time that sort of accompanies previous piece, 'Fresh.' While I am continuing with the beach/sea series, I am also taking more of a look into the 'city' side of things too. This poem, like 'Fresh', is not about any specific person, but was partially inspired by someone.
A 'Tuscany Superb' is the name of a type of dark purple rose, while the names listed towards the end all refer to streets in New York City.
William A Poppen Nov 2013
Royal Road slopes

enough so that your toes know

which way you are going.

     Kudzu and ragweed accent the driveway

pitted with bushel basket size

holes amid roaming plastic grocery bags.

     A 1960’s version mobile home

fights Mimosa and blackberry bush

to remain visible.

     As I ascend the creaking steps

a neighbor cracks the quiet

to announce that, “Jesse is on the way.”

     I hear the clop, swish, clop

as Jesse corners onto Royal Road

and chugs toward me.

     Sweat rivers from his beard.

He greets me with,

“Thanks for the groceries.”

     I said, "I need you to sign

to show I brought food."

I didn’t ask, “How did you lose your leg?”
Terry Collett Dec 2013
Alice walks with
the thin maid
to the stables, holding
the thin hand with

red knuckles, the
mild limp crossing
the narrow path like
a wounded ship. Do

you like the horses,
then? the maid asks,
bringing the eyes
upon the child,

holding tight the
pale pink hand.
Alice nods, yes,
I like the black one,

like its dark eyes
and coat. The maid
eyes the pinafore,
the hair tidy and neat,

the shiny shoes, the
tiny hand in hers.
Have you ridden
any yet? the maid

asks. No, not allowed
as yet, Alice says,
feeling the red thumb
rub the back of her

hand. Shame, the maid
says, perhaps soon.
Alice doesn't think so,
neither her father nor

the new nanny will
permit that; her mother
says she may, but that
amounts to little, in

the motions of things.
She can smell the
horses, hay and dung.
The red hand lets her

loose. The stable master
stares at her, his thick
brows bordering his
dark brown eyes,

conker like in their
hardness and colour.
Have you come to
look at the horses?

he says, holding a
horse near to her.
She nods, stares
at the horse, brown,

tall, sweating,
loudly snorting.
The maid stares
at the horse, stands

next to the child,
hand on the arm.
You're not to ride
them yet, he says,

but you can view,
I'm told. Alice runs
her small palm down
the horse's leg and

belly, warm, smooth,
the horse indifferent,
snorting, moving the
groom master aside.

The maid holds the
child close to her.
Be all right, he won't
harm, he says, smiling.

He leads the horse away,
the horse swaying to
a secret music, clip-
clop-clip-clop. Alice

watches the departing
horse. Come on, the
maid says, let's see
the others and lifts

the child up to view
the other horse in the
stable over the half
open door, then along

to see others in other
half doors. Alice smiles
at the sight and smells
and sounds. She senses

the red hands holding
her up, strong yet thin,
the fingers around her
waist. Having seen them

all, the maid puts her
down gently. Ain't that
good? the maid says.
Alice smiles, yes, love

them, she  says. She
feels the thin hand, hold
her pale pink one again,
as they make their way

back to the house, the
slow trot of the limping
gait, the maid's thumb
rubbing her hand, smiling

through eyes and lips,
the morning sun blessing
their heads through the
trees and branches above.

if only, Alice thinks, looking
sidelong on at the thin
maid's smile, her father
did this, and showed such love.
I sit and watch a camel train go by and as it limps across the pale blue sky,shrouded in the clouds,I wonder if I could get upon a camels back and track along,could I learn the camel drover’s song?
A ditty,not so pretty,more a humpalong than any song I’ve ever heard with words that I can’t understand,though familiar in the camels land up in the sky,
Where I watch them going by.

Hip ,hop, clop, clump being a camel gives me the ****,how I wish to be a fish deep in the sea,like a whale.
I like a scale,a doh, ray, me,as far as I can see I’ll be a camel all my days and wander through a desert haze but my gaze is fixed as I roam free, on a cool and clear deep ocean sea.

Once,
I was a little thing until I grew and learnt to sing and now I don’t know anything,except
I want to be free,a fish in the sea,won’t some kind body please untie me,slip the noose and then un-sky me,set me on the coastal road,with my ****,without my load and let me smell the ocean breeze and slip into those lovely seas.
I want to be free and this you can see,before the clouds all break apart and with them goes my breaking heart and you could at least pretend to start to set me free.
click klack click klack click klack click klack
klippity clop klippity clop klippity clop
slap slip slap slip slap slip.
 
hello and welcome to the machine age
where pink floyd your tour guide
where human beings the laughing stock
on the supposed creature comforts
but in truth dependent on those big and little gadgets
designed by the brainchildren of past and present.
 
civilization at the mercy of those trappings
envisioned by wunderkinds
that propelled the masses from labor
yet now shackled to technology
far removed from simple existence of yore
when people used horse power

as their chief form of locomotion in the bustling towns
that inexorably spawned metropolises
that birthed towering skyscrapers
leading to potential fiascos by making civilization incumbent on
factories generating gewgaws in tandem with industrial waste.
 
survival of numerous species
(including that of man/womankind) hangs in the balance
as population explodes beyond
the capacity of planet earth to support
such a burgeoning billions fold burst of **** sapiens
filling every nook and cranny on this third rock from the sun
foisting an inconvenient gory truth
that catastrophe looms ever closer
perching all living organisms ever closer to the brink
of disaster and eventual extinction
unless dramatic measures taken to manage reproduction.
Terry Collett Jun 2013
Martha was shown
into a parlour
inside the front door
of the mother house

by a plump nun
in black and white
who looked like a penguin
out for a stroll

wait in there
she said
someone
will fetch you

in time
so Martha looked around
the room at the plain
white walls

the heavy curtains
at the windows
the huge crucifix
on the wall opposite

whose plaster Christ
seemed battered
an aged
the plaster had lines

and cracks
on the legs
and arms
and the hands

were contorted
like a crab
on its back
with rusty nails

holding them in place
she moved nearer
and reached up a hand
so that her fingers

could touch the feet
of Christ and run
them over the toes
and feel the nail

going through the feet
she rubbed her fingers there
she used to rub the crucifix
in her grandmother's house

the big one over
the double bed
and if she stood
on the bed

she could reach right up
to touch the face
and beard
and see if she could

hear Him breathe
or if she reached
really high
she could feel His nose

which on her grandmother's
Christ the nose seemed broken
and her grandmother said
that was where

her grandfather
had thrown a shoe in temper
and crack the plaster nose
will he go to Hell?

she recalled asking
her grandmother
O no
her grandmother said

not just for that
and she was pleased
because she liked her grandfather
and his simple ways

and hard toffees
she felt each toe in turn
moving a finger
over the plaster

and remembered
her school friend Mary
who had pressed
chewing gum

into the bellybutton
of the plaster Christ
in the cloister
of the convent school

back in the 1960s
and when Sister Bede
saw it she had to gently
chiselled it out

with a screwdriver
threatening severe punishment
to the girl responsible
but no one told

and even when she left years
after the bellybutton
of the Christ still had
the scar where Sister Bede

had chiselled too hard
there was a cough behind her
and Martha turned
and there was a nun

standing by the door
her eyes dark like berries
and her thin mouth
slowly opened

and she said
are you the girl
who wants to be a nun?
Martha nodded her head

and the nun told her
to follow her and she
went down a dim lit
passageway

the nun in front
pacing slow
each footstep measured
her hands tucked

out of sight
with only the sound
of her heels going
clip clop clip clop

on the flagstones
and the black habit
swaying very gracefully
as she walked

no more words
no questions
no answers
because no one talked.
Salmabanu Hatim Mar 2019
Horses clop,
Rabbits hop.
Frogs jump,
Caterpillar ****.
Worms wiggle,
Bugs jiggle.
Snakes slide,
Seagulls glide.
Lion stalk,
I walk.
Come on all lets dance,
Let's take a chance.
Clippity clop, hop  hop,
Jump and ****,
Now bump your ****.
One,two jiggle and wiggle,
Please don't giggle.
Slide and glide,
Don't hide,
The room is wide,
You can even ride.
Dear Mr Lion don't stalk,
Sit on a rock,
So I can do moon walk.
27/3/2019.
I loved writing this poem
Whoa
Hal Loyd Denton Jan 2012
Mysterious Night
Come look on vistas ever sweeping the hills a maiden walks in white she seems to create
Greater light follow her into the night where fire flies is her crown and lights up her curvaceous gown
And the gentle dawn she breaks by her sleepy eyes that causes the heart to be the only sound that is
Heard as it thumps with approval add a touch of dew to her hair if you dare a swaying week kneed man
Isn’t the most attractive sight but what can be when you’re caught in the awe of such loveliness like the
Current of the Seine just turn on the Paris lights stroll the west end the glow from the shop windows
Adds to the flow mix it with jasmine and here the slow expressive violin drift along the empty street
Its heaven coursing stop the carriage driver it is the perfect night for a carriage ride in the park
Somewhere as you listen to the clip clop of the horse’s hooves you are transported to the sea coast
Of ole Monterey out at the point of the peninsula the mighty waves crash over the rocks in the
Moonlight the night does speak with wondrous overtures love is the thrill that covers all the land
Mermaids sing from the hidden mysterious places that they alone know and then all the picturesque
Vivid images end alas it was just a lovely dream if so why do I still smell the Jasmine and a perfume that
is only sold in Paris
WARNER BAXTER May 2015
Owls say who
cows go moo
ghosts say boo
nothing new
horse goes neigh
but what does the turtle say?

bird wings go flip flap
fish fins go splish splash
horse hooves go clip clop
snake belly goes slither
Santa Clause says ** ** **
but what's the sound of the *******?

What day is it?
Everyday Is **** Day
ravendave Sep 2016
Horsey, horsey, don't you stop,
Make your feet go clippetty-clop
And make your tail go swish
And your wheels go 'round-
Giddyup! We're homeward bound!

I like to travel through the country,
I like to travel through the town.
I like to hear old Dobbin's clippetty-clop,
I like to see the wheels go 'round.
A song from childhood long ago.
Paige Apr 2015
I forgot my headphones.
  Taking the 6AM bus.....and no headphones...
       Brilliant!

I look out the window with a cold hard stare.
The bus accelerates from the station.
Vroom glug glug glug Vroom! glug glug
           Vvvrrrrrrmmmmmm
    It leaves and makes a sharp right turn at the corner.
The passengers make no effort to stay still in their seats.
      They are asleep.
  Chomp....chomp..gulp....chomp
The passenger two seat across from me eats a bag of chips.
     Sssssssstttttttt
   We stop.
        Ssssttt. KER-SQUEAK!
The door slowly opens.
   Clip clop Clip Clop Clip
A business woman walks consistent steps similar to a metronome click.
   Behind that make-up is a woman who is still half asleep.
  Ssssstttttttttttttt      Vrrrrmmmmmmm
                 SNAP...SNAP.....POP!
  Her gum clicks to her tongue as she flips out a magazine from her large Coach Bag.
         scrit     scrat      scrit     scrat    scrit    scrat
As an old man rubs to nickels together;
staring down at the platform with his hand rested on his leg.

     Bump....Bump..DING
  My stop is up.
Where has the time gone?
I fell in love with these sounds.
  My ears didn't even have to make love to music.
Why should anyone ever want to drown sounds out?
That's our problem.
We drown this world out.
     But the world is beautiful when it wakes up.
Aubry Oct 2021
Oh darling,
How truly pleasing you are
Your gaze shifts to mine unknowing
If only you knew the power you're holding
Oh how I adore those helpless eyes
It's truly a shame they do no real looking
Clip, clop you walk steadily off
No! Don't go!
Oh darling,
Don't you understand I adore you.
Or have I not made it clear?
Well allow me to demonstrate my dear
How hopelessly, helpless i've become
Please won't you let me have you
Oh for heaven's sake!
You can not just ignore me,
Love me I beg you
Oh darling,
It appears you truly are blind
Or is it just that I've stolen your eyes?
You would not return my gaze
So I forced it
What a horrible mistake I've made
But no remorse do I have for it
Smick! Smack! You try to crawl away
No! You mustn't go!
Oh darling,
I've captured you once more
Not just in my gaze, of that I am sure
It appears my ropes are too tight.
You are turning blue like the brightest of skies.
Let me tell you the sweetest of lies.
Slithering, slipping, sliding through my grasp,
Your breath is drawing fewer.
Oh darling,
What have I done?
You were my one true love,
Why did you have to fade to grey?
Should I have just admired you and stayed away?
How I miss those helpless, sightless eyes
I am the monster who destroyed you
Oh darling,
I wish I had never known you.
My boyfriend's neighbor is a monster, this is completely unrelated
Lotte Jan 2014
Sat upon the stone steps of my nanny's house,
Reggae playing loudly in the street,
The heartbeat of the people,
The heart beat in my chest,
Children with braided hair skipping in rhythm,
The trundling bakery van drives up the hill selling loaves and rolls for a few cents,
Aunties warm husky voice calling them for ices and mango,
The clip clop of flip flops and the jingle of beads mixed with laughter,
Brilliant white teeth,
Wide dark eyes,
A sea of noise, constant noise,
In a city, in London, this would be infuriating,
And yet all I feel here is happiness.
st64 May 2013
1.
to give a chance, to an attending unsophisticate
await proof of whatever revered worth wanted
seeming to have little or no life experience
means not there's nothing to give

time-trenches furrowed in mire too deep . . .


2.
assume nothing so easy of another
chickety-choo, just see it through
fine particles of gray comet's tail ricochet in the eye
friction desired, yet not always

there is some pluck, you know . . .



3.
you see, as many a soul-straggler roams
some may not shine as bright as desirous fit
but (amongst other things)
actually, they do have something others crave

still unconverted, slow-releasing grit . . .



4.
no crisis here, only eager groom-in-waiting
cheerful chevy, too bright on wooden words
zigzagging to capture all-elusive allure
banish each espiegled scab

clip-clop, tear not off old wounds.



5.
So, even as half-regarded not good enough (yet?)
nails screech on board, turbulent cadence
tips dig deep into sinking blades
grant that chance not only to let make, but to make a mark . . .


for strangely, I already know.



S T, 16 May 2013
ever applied for a position, only to be told... not experienced enough....?

gimme a chance!

must graciously accept, never say never....might get that call again...


.... good enough!
(or only, cos someone else no longer can or .... got the boot...lol)

must one conform so??




'need'

why, you could never own
even if I gave you what I want
I may not have what you want or seek
but what you need

ere facile discard of life-slice
mark well thwarted spot
in event of fire . . . knock out glass /
of water
knock on wood.

grant it
do grant it.

:)
travelin north on rumblin boxcar trains
soft iron rails confess syncopated pains
slow rhythmic rush of spinning paddlewheels
full immersion baptism in Big Muddy swales
feint clip clop thoughts of ol Bess fade fast
hum a hue of delta blues to hard times past
I lift a quiet prayer to my Lord’s willowy ear
to quell the ugly whispers of yonder city fears

Jacob Lawrence
Panel 23
Migration Series

Duke Ellington:
Daybreak Express

Orlando
9/24/17
jbm
a snippit from a long essay The Path of Totality Part 2, "The Fire Next Time"
L B Sep 2012
hidden from human sight
whilst glowing like a candle in the night
a ghostly wolf floats through the woods
staying to the shadows
as rays of light dance round her
a wolf white as frost pauses by the water
she lowers her head and sees a burning sky mirror
in the distance bells toll from a church
the clip clop of hooves on a bridge spanning the lake
as white wolf pauses... lifts her head
water drips golden ripples
the night settles soft as a raven's wing
as the cart sounds drift slowly away
leaving the sweetly singing woods
crickets loud in the gloom
as wolf waits sniffing the breeze
her spirit calling from a secluded glade
she walks alone her family now gone
all souls lost in a hunt
now she trots slowly in gathering dusk
each step brings her closer to her heart
a lone gray wolf pup in a hidden den
...awaits her

by l. b.
sept 3 2012
Oh pasta wig!
My angel hair pasta hair blows in the wig.
Olay.


Sorbet.
Touch the slop.
With a drop.
Don't stop.
Clip clop.
Pitter patter tip top.
Goes the batter of all matter.

Toe mater
Cars 2, see it in theatres.
I have bronzen blazen brazen.
All amazen.
In the amazon.
White Lightning.
natalie Nov 2013
Each flick of your strong forefinger
unleashes another surge—
BANGBANGBANGBANG!—
and the explosive percussion is mirrored
by the rapid battering of your heart,
the backbeat of a silent jihad.
The air is thick with the echoing
screams of the shoppers as they
scatter between tall, unsteady racks
of clothing, hair dye and toothpaste,
hiding beneath circular tables in cafés,
sliding flat on their traitorous stomachs
to cower under dusty old cars.
The fear in this place is tangible—
You can smell it, taste it, see it all about you—
it causes your blood to sing.

You enter a market with your comrades,
and as you have done in every other store,
you fire your weapon into the air—
BANGBANGBANGBANG!—
sure to clip the quickly dispersing mass of
people shrinking behind a dusty
cigarette display, and you are pleased
by the sight of two men hitting
the ground with a dull thud. Their
blood pools as a warning, a tribute.
Then you announce loudly, confidently
that you are only here for the non-Muslims—
the Americans and the Kenyans—
that everybody else need only be a hostage,
not a martyr for a cause that does not
concern them; children will be spared.
You disband to interrogate the fearful
and to root out the traitors,
to determine who will live and
and who is doomed to perish—
you have become a ruler of this shopping
mall, reduced to its shivering bones.
You can see the cowed lies etched into
the lines of their faithless faces,
and with another flick of your finger,
you send them to face Allah without
even the slightest hint of hesitation.

In a far corner of the market sits a
meat counter, where locals buy their
****** flesh, both clean and unclean,
You sneak behind and discover
a woman dressed in black,
her milky face a thin veil of calm,
hands clasping those of her two young
children, a small boy and a willowy girl.
The boy’s green shirt professes
his love for New York City.
All three stare at you in petrified silence,
and for a few moments, you just gaze
straight into the woman’s wide eyes.
“You said children would not be
harmed?” the mother asks softly,
each word flowing sharply through her
accent which cannot be American,
and she stands suddenly. This action
is quite startling, you remember later—
you are already on edge, your
finger still on the trigger, and
somehow a bullet lands in her thigh.
The mother is screaming, pulling her
daughter close as the blood pours forth,
an accidental fountain, but her fingers
cannot reach the boy, who is standing,
walking over to you, so close you could
tear him to shreds, his body would
be Swiss cheese—unidentifiable.
“You are a bad man,” the boy says,
narrowing his tiny green eyes into
excruciating slivers and pointing at you,
“let us go.”

Her screams ring in your ears,
a cacophony of terror,
and your heartbeat slows to a clop
as the boy’s finger remains pointed at
your heaving chest, an honest accusation.
“Come!” you screech, waving
your rifle in the air like a toy.
At the front of the market, the mother
can barely walk, so she loads her children
into a cold, shining metal trolley.
You see an array of candies, and grab
two chocolate bars, handing one to each.
“Please forgive me,” you hear yourself
saying, “we are not monsters.”
The girl is crying, clutching her candy,
but the boy just stares through you.
“You must convert to Islam,”
you tell the desperate mother, who is
loading an injured boy into the cart.
“We are not monsters. We are not monsters.”
She does not speak, she only pushes the
trolley, limping slowly.
“You must convert to Islam. You must convert.”
You help the woman maneuver the
cart through the bodies strewn across
the pale tiles of the shopping mall,
and with every repetition of gunfire—
BANGBANGBANGBANG!—
you reassure yourself, and the woman,
“We are not monsters. Please forgive me.”
She stops again to pick up a different child,
though this one is screaming in French
for her mother and must be forced.
“You must convert to Islam.
Please forgive me.”
As you reach tall, glass double doors,
you pause, knowing you must stay behind.
The brilliance of the sun blots their
figures out of your vision, so you simply yell,
“Please forgive me!”
I went on a walk in the woods,
With sillohetted trees and painted skies,
Out of the stillness came a Tick Tick Tock
A flutter of wings and a who?

A creak in the silence,
Tick Tick Tock,
The slow clop of hooves in the dark,

When the sun sets and the moon begins to rise,
Ask not the sounds that follow,
The tired clop of hooves,
The lingering tick of a clock,
The creak of a coffin,
The shrill who of an owl

Unexpected, slowly creeping,
The dark begins to grow,
Creatures haunt your shadows,
An owl with age in his eyes and a clock on his face,
As it's hands whisper the time,
A deer with a coffin on his back and tired, aching legs,
As he lays upon the ground

These creatures accompany you,
As you lay in your wooden carriage,
Through life and through death
They are there counting down,

When the top shuts,
And your bed sinks beneath the ground,
Your clock stops ticking and a tree begins to grow,
Where you take your eternal nap,
The owl shuts his eyes and fades to dust,
Nurtures the tree

Embrace the stillness and setting of the sun,
When the moon rises,
And the dark grows,
Ask not the sounds that follow
I actually drew art for this poem, I am very proud of this one the concept was great I thought. Its based on a dream I had that really made me want to beautify death
it was over. finished and requiring further complicity for another onslaught of banal narrative to be revealed before my to half opened windows when i sought a habit that, as a friend warns me, is most deadly.
12:15 AM
me
**** it im out. but wait everyone is asleep. so take a flashlight with you dummy. no. the click makes too much noise. a lighter? NO! even worse. grab a phone in the remote chance that while im alone, aside the ever-greening pool, she might call.
12:17 AM
me
that stupid ******* glow-in-the-dark rosary! it ruins me every time and so does the 14th 16th, and 9th step from the bottom with their relentless creak. i should have learned by now their pattern but, then again, i only need it when nefarious action is in play. shame on me. my phone served as an appropriate guide (as long as it shone away from my parents door, of course). tip-toeing over the debris that still remains from a "successful" marriage i arrived at the back door.
it has a trick though.
12:21 AM
me
it depends on which way you are going, but to eek out of it properly you have to pull in and then turn the handle. NO SCRATCH THAT REVERSE IT and vice versa. the out of doors is only slightly more liberating than being cloistered in a room bound by roddenberry. on this night, however, the night provided what might be considered, by people in towns whose greatest income centers around cattle feeding and slaughter, as breezy and cool.
12:24 AM
me
where ARE those cigarettes?? **** it. a **** will do. clip clop around the green until you realize you know where ever piece of debris is. you are stepping over the things that you cannot see. surreal. ****. look up to ascertain your spatial coordinates.
earth.
figures.
12:26 AM
me
**** it. again. some more. if you keep looking up looking at the flaming ***** of helium trillions of light years away and someone comes out they will probably think that you are just contemplating your own existence as opposed to the other...thing. something that really has no name. the place between dream and reality. this place, though, has a certain specificity. a clarity. so i consider what i am privy to.
12:30 AM
me
small dots above me. white dots in a globular dispersion above me. what im told is that they are steadily--NO--rapidly retreating from me. i am told that all of these dots have more dots, that i cant see, that move around them. on /those/ dots sentient things might exist. might. what i know for myself is that I DO. as well as i am able to ascertain, other people like myself exist too. and, if they are anything like me they must experience something similar to my experiences.
12:33 AM
me
well ****. these dots. these ******* white dots, as they flee with their potential other lives, make realize [yet again mind you[ that i have things that might be unique to me and only a handful of other things like me on this sphere.
12:35 AM
me
if i were to ignore those statistically remote similarities here, near me, i would be as foolish as the pin ball that thinks it belongs among the bumpers. i belong in a hole.at least one that fits my shape.
i am no pinball.
but i live amongst those things that tell me what i know. what i have known. what continues to reveal to me the nature of nature.
12:38 AM
me
startled i ***** my cigarette on the bench my father and i once made for an easter get-together with my family and withdraw my phone again to return to roddenberrys lair. over the pile of old coats near the back door. beyond the 52" plasma still playing a re-run of diners, drive-ins and whatever the **** and, shining the light away from my parents door i climbed the stairs. making sure to hit 9, 14, and 16 on the way up, cursing myself at the top."you mind if i pseudo-rant for a bit while," i smashed on the remote keys.
no edit
alavandala Dec 2015
queen of sulfur
of action
of always going somewhere that isn't here
king of manipulation
i've got it
we're here
it's done
let's make up a story
queen sulfur and king manipulation are lovers
bad ones
king manipulation stole sulfur's heart
with no effort
before she even knew it was happening
and then boom
she knows it
i have been manipulated she describes
and here's the thing about sulfur
she's a little reactive
clippy clop don't stop
yeah that kind of thing
so she's doing and he's trying
without doing anything at all
finally sulfur decides to flip the script on him
he knows it, of course, tries to stop it
doesn't understand, acts like it anyway
he knows a lot of things but he doesn't know everything
king you must know best she replies
and king agrees
Lara Lewis Mar 2014
Lunar rays, the moon's array,
Through window screens and windy dreams,
Piercing minds like I pierce my face,
Without a trace, the human race
Chases time, charts out time, every time.
When no child is left behind,
The malformed mooncalf gets to shine,
On carpets; wine,
Matching glasses carry moonshine,

A rabbit one day, a man the next,
Kitty-cat smile, auntie knows best.
Bind Oceans and blood, marine ebb and flow,

Oh! You drive me mad;
Colour fades from visions that I had.
Tell-tale clip-clop of a modest kitten heel,
Starry-eyes, cruise the dark side,
Hell behind a wheel.
The moon as the master
John Mar 2013
Skeletons walk the streets
By night
Gripping lit candles found
In a fire fight
Holes in ripped rags hang
From their bones
As they tread (clip, clip, clip, clop)
On wet streets shining in the grey moonlight
Tom Dawe Oct 2016
Caligula, wise man of course,
Sought due promotion for his horse:
With no prerequisite debate,
The beast became a magistrate.

And then one day, without a groom,
He clopped into the Senate Room,
Followed beastly intuition,
Became an instant politician.

Without regard for poll or slate,
He soon demolished all debate.
And senators called out for more
When he did wonders on the floor.

With misdemeanor as the rule
He was a true unbridled fool,
Guided by a brute suspicion,
Stamping out all opposition.

He was reviled by common folk,
Democracy was deemed a joke;
To quote the ancient anecdotes,
He once said, "Let them all eat oats!"

Now that he's passed beyond declension
His legacy deserves attention:
Some politicians to this day
Still emulate the equine way:

They clop and neigh, they snort and roar,
There's always something on the floor;
They pound their desks, they're downright corny
Making all the issues thorny.

Don't wonder when they clown around
And seem so shockingly unsound;
Just trace the madness to its source:
Caligula adored his horse.
Francie Lynch Aug 2015
Emerging from a distant dust-up,
A lone rider approaches on horse.
The clip-clop gallop grows,
The panting animal is alarming,
Sweat paints and streaks down
The dark hide.
The rider wears a bandana
Over mouth and nose,
Beneath a once white hat.
His clothes are covered with the trail.

Next, he's in the leather tub
With suds from chest to hair,
Shaving cream covering his face,
Mirror in one hand,
Probably a gun on the floor of the tub.
Eyes and nose poking through the foam.

Later, we see the clean, pressed black shirt
From the back, outlining shoulders we know
Have been busy righting wrongs.
He puts a cockey tilt to his hat and pivots
With a Parodi between his clean, straight teeth.
The champion. The underdog vanguard.
Clint.
A part of me has hated you from the moment we met
Because all the other parts of me were instantly
Pathetically
In love with you
I hate how I stare at my computer screen every night
Hoping to see that green circle next to your name
But you and I both know I’ll never do a **** thing about it
I loathe those little things that remind me of you
I pour coffee
I see you brushing your teeth
I drive down highway 105
Pass the Biscuitville sign
Instantly in my mind
I see you walking around in your cowboy hat
Hear brown boots making their familiar clip clop sound
Your footsteps sound like symphonies
And I hate that hat
You may be the cowboy of Roanoke
But to me you’ll always be that ******* from Alamance  
Who I could never get over
May never get over
Usually nothing sticks with me
I’ve only been addicted to two things in my life
Self-destruction and you
And I’ve spent my entire life trying to find a replacement
Cigarettes are expensive
Coke has a bad comedown
Other people
They’re just not the same
I detest you
You’re pompous
Selfish
And the best human being I’ve ever met
I hate how I can’t forget you
I hate!
I hate…
Because it’s easier for me to hate than to love
I choose loathe over like
Obsession over rejection
Loneliness over loss
To love you would be to lose you
Hate it's my armor
The weight
It’s pulled me underwater
And even there you’re still swimming circles ‘round my head
You can’t help the way the current flows
But baby
No.
Not baby
Not darling
Not mine
I caught you once and threw you back
Cause I didn't know how to love
I still don't
But I know very well how to hate
And my God do I hate you
Lyzi Diamond Aug 2013
It's good until it's bad and when it's bad it gets worse. I noticed the car, butterfly, car, butterfly, caught in the engine. Curling fumes and smoke and drip drip clip clop clipping of the pipe outside the window. It's all just sounds.

I transfer the days and the seasons, Winter as Summer and Summer as Fall. The seasons all come late, after all. And the days get shorter and the nights get longer and the air grows colder but our teeth get stronger. These are the months, this is the decade. This will be my year.

But as the seconds tick and the nines get closer, I wonder about the holes in the floor. Where will we go if it collapses? What does the center of the Earth hold for us? I don't buy all that heat. It's just friction, all the tension. The hand-wringing and the nerves. The butterflies. The awkward sidestep. The silence.

In my head, it all made sense. I would do what I wanted to do now, let the reflections continue digitally until the next time I had the opportunity. But my ego is large and I trip over it on the daily. And I confuse with my circles and expect and inspect and continue, move forward into a tangled mess of dubstep and electro and Tom Waits. Breath sweet like ecstasy and Ritalin framed by clouds and clouds of *** smoke. So uh, we need to get going now, right?

Carve me a square in that floor, carpet and curtain me up. Send me to the dance floor deep in the fog. Maybe that will quiet the butterflies.
softcomponent Nov 2013
briefly cancer dead before it knows
me well enough make judgement
but i to blame fluorescent cigarette
smoking exhaust walk street-side
no matter what i do choice mine to
serve-vive imperial clip-clop mingle
with the disease on the dr's clipboard
such is life in disgust and days are zero
-point finance game to lingering carbon
monoxide monotony monotone marriage
syndrome granted a free pass to imax un
to death do we partially consider one another
in
**luv
txt it

— The End —