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"barrio" poems
Wussup, professional Latina? Diversity been good 2 U? Water warm enough 4 U? Shaking down enuf rich gringos to fund your Non-Profit? (*speak against capitalismo here*) Got time for la Revolución after your pedicure today? (mention the border here) still watching Oprah, Abuela? heard from your third ex-husband recently? Wussup consummate professional. (*turn on NPR here*) Got nail polish? Got car waxed? Got investments? (take a networking business lunch here) Have you streaked your hair enuf? (mention indigenismo here) I hope you are caring well for all the nietos and still have time to be a tiburona (insert italicized Spanish word here) How are all your gente ? (*mention mujeres fuertes here*) Hey Latina - when did you move out of the barrio ? (*mention La Raza here*) Mujer Latina—wussup. how is Gringolandia workin' out 4 U ? (turn off Univision here) 'cause if the oppression gets too bad you could always move back to Venezuela or Chihuahua or San Juan,  or... (*mention Trump here*) ...Miami?
0
Apr 22, 2017
Apr 22, 2017 at 7:01 PM UTC
Latina en la tina
*Halina kayong lahat at makinig! Magdikit-dikit at magkapit-bisig! At sabay pakiramdaman ang tahimik na unos ng isang dakilang puting kandilang upos.* Dito sa ating liblib na barrio Nakatago ang isang kandilang puti Labis na mahaba; ang pasensya na tila kayang hintayin ang walang hanggan. Ngunit labis na manipis; na kaybilis tablan at lapitan ng hinagpis. Dumating ang araw na kinailangang sindihan ang dakilang puting kandila sapagkat nawala at napundi na ang ilaw ng tahanan. Nang idinikit ang posporo sa kanyang mitsa ay hindi sadyang nakapaso ang kandila subalit ang nagsindi ay 'di napigilang magalit, pilit na pinutol ang kandilang puti sa gitna at ito'y nangalahati. Walang nagawa ang kandilang mayumi kundi iiyak ang mainit nitong pagkit ngunit ang tanglaw nito ay kayliwanag buong barrio'y mararamdaman ang kanyang sinag. Ilang araw nangyaring muli ang pagpasong hindi minimithi ang kandilang puti'y patuloy pa ring nangangalahati ngunit ang liwanag sa barrio'y sa kanya pa rin nanggagaling. Dumating ang araw ng kandila na hindi na maaring kalahatiin. Unti-unting sumuko na rin ang mahaba nitong mitsa. Sa huling sandali, ay hindi na nakapagpigil ang mapanghimok na nagsindi. Buong lakas na nag-ipon nang hangin Buong pwersang sumigaw sa kandila. Ang kandila'y 'di na nanlaban at nagtuloy nang manghina. At sa huling bulong ng nagsindi, ang liwanag ng kandilang puti ay napundi. *Halina kayong lahat at makinig Magdikit-dikit at magkapit-bisig sabay pakiramdaman sa walang kibong katahimikan ang umaalulong na hagulgol ng dakilang kandila.*
0
Sep 16, 2016
Sep 16, 2016 at 1:12 PM UTC
Hagulgol ng Kandila
*Halina kayong lahat at makinig! Magdikit-dikit at magkapit-bisig! At sabay pakiramdaman ang tahimik na unos ng isang dakilang puting kandilang upos.* Dito sa ating liblib na barrio Nakatago ang isang kandilang puti Labis na mahaba; ang pasensya na tila kayang hintayin ang walang hanggan. Ngunit labis na manipis; na kaybilis tablan at lapitan ng hinagpis. Dumating ang araw na kinailangang sindihan ang dakilang puting kandila sapagkat nawala at napundi na ang ilaw ng tahanan. Nang idinikit ang posporo sa kanyang mitsa ay hindi sadyang nakapaso ang kandila subalit ang nagsindi ay 'di napigilang magalit, pilit na pinutol ang kandilang puti sa gitna at ito'y nangalahati. Walang nagawa ang kandilang mayumi kundi iiyak ang mainit nitong pagkit ngunit ang tanglaw nito ay kayliwanag buong barrio'y mararamdaman ang kanyang sinag. Ilang araw nangyaring muli ang pagpasong hindi minimithi ang kandilang puti'y patuloy pa ring nangangalahati ngunit ang liwanag sa barrio'y sa kanya pa rin nanggagaling. Dumating ang araw ng kandila na hindi na maaring kalahatiin. Unti-unting sumuko na rin ang mahaba nitong mitsa. Sa huling sandali, ay hindi na nakapagpigil ang mapanghimok na nagsindi. Buong lakas na nag-ipon nang hangin Buong pwersang sumigaw sa kandila. Ang kandila'y 'di na nanlaban at nagtuloy nang manghina. At sa huling bulong ng nagsindi, ang liwanag ng kandilang puti ay napundi. *Halina kayong lahat at makinig Magdikit-dikit at magkapit-bisig sabay pakiramdaman sa walang kibong katahimikan ang umaalulong na hagulgol ng dakilang kandila.*
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49
I am bound to her by blood, this madwoman of a city with eyes that see a comatose heart, with no feeling. One, two, three hundred, a thousand — we are all carbon copies of her silicone ******* collagen cheeks teeth bleached whiter than the pearls we adorn ourselves with. I was a child when I left this madwoman, mother of my younger years. I left her drinking cuba libres, stirring ice with her finger, her nails crimson red. I said, “Goodbye, I am leaving you.” She turned her face back to the barrio and said, “Adios, Muchacha.” Years later, I look back on my youth. I remember her as the mother I lost the sister I never had the woman I was afraid to become. If only she knew how easy she was to leave how difficult she was to forget.
0
Jul 19, 2016
Jul 19, 2016 at 9:09 AM UTC
Caracas
it was suggested that there be no nexus between texas and your pal- omino - tagging the alamo, ** en el barrio, yo(u)- and your gringa  homecoming queen in tight-assed jeans -running with ms-13? -playing twister with your hipster sisters misters smith & wesson oiled up and and ready to go - new mexico? i found you in tres piedras at a place called ortega's eating huevos rancheros - shooting jose cuervo? -muthafucka mara salvatruchas in a red camaro and two bruthas on a burro with bow and arrows -stole your palomino? *-they shoot horses don't they?* riding the black el camino -on the blue mesa. r ~ 9/30/14
0
Sep 30, 2014
Sep 30, 2014 at 6:08 PM UTC
black el camino on the blue mesa
It was named after the bodies that lay below, whose tombs stood close by, whose families still cry. It was for those that had nowhere to go, those who let out a sigh, those who wouldn't cry. It was where the days felt the most slow, but still we all said hi and still we all gave it a try. It is called Home, for those who got to grow, for those who didn't die and those who made it by.
0
Feb 19, 2017
Feb 19, 2017 at 1:45 AM UTC
For "Barrio Calavera"
once we were one, so close now turncoat in lakes of oleander, creeks run poison we two betrayed what stolen ideal cast in stone against her? my anima still wants love from me, yet twists on proverbial dime coats were rejected colors negated, unflown prisoner of tumble town chained like a queen a shanty wish disregard so no wings, air of nonesuch grace barrio color to fly in my mind, sleeping mariachis playing loud, my anima rescued me real,  such desert here just my shivering id skinned seal, bad memory still hopeful still here surely mi anima mi alma will grant my dying wish I am the traitor of my anima
0
Aug 25, 2018
Aug 25, 2018 at 8:36 PM UTC
my anima calls me traitor
I was born in a cold land, The leaves bright orange like the sun And a dusting of icy dew on wilted grass; I was born in sanitary white and surgical blues, Incubated, saved, isolated; Mamá cried: In the motherland, mi Apá would’ve had to choose. I was born into exile. I was born to immigrants, Brown like the dirt Mis abuelos grow caña in, Like the leaves, glorious colors past; I was born foreign. I was born in Español, Accented with indigenous words, Bastardized like our foods and dance; I was born and placed At the care of a deer’s eye, Tied red around my wrist, A wooden cross, A brown ****** A blue-eyed Niño Dios. I lived in dust for 2 years. I ran free, in fields of milpa, In fields of caña, In zocalos with Colorful waving paper flags And statues of generals. I played with cousins, Sharing bolis and nieve, The hot clay burning our feet, Racing to cool down at the spring. And then I was brought back for school: Los gringos van a estudiar, They whispered, a bit mocking, about me, 4 years old, a girl, In a place where girls were good for marriage, University for the rich, snobby folks Of faraway cities. I came back to the cold land in spring. A small barrio of tall broken down buildings, Tiny apartments that became havens At the sound of guns at night. There was no more running around freely, No more campos, no more town squares. School was foreign, There was English to learn, A struggle to lose the accent, To make the thick words Comfortable in my tongue.
0
Jan 8, 2013
Jan 8, 2013 at 1:22 AM UTC
autobiotry- incomplete
I was born in a cold land, The leaves bright orange like the sun And a dusting of icy dew on wilted grass; I was born in sanitary white and surgical blues, Incubated, saved, isolated; Mamá cried: In the motherland, mi Apá would’ve had to choose. I was born into exile. I was born to immigrants, Brown like the dirt Mis abuelos grow caña in, Like the leaves, glorious colors past; I was born foreign. I was born in Español, Accented with indigenous words, Bastardized like our foods and dance; I was born and placed At the care of a deer’s eye, Tied red around my wrist, A wooden cross, A brown ****** A blue-eyed Niño Dios. I lived in dust for 2 years. I ran free, in fields of milpa, In fields of caña, In zocalos with Colorful waving paper flags And statues of generals. I played with cousins, Sharing bolis and nieve, The hot clay burning our feet, Racing to cool down at the spring. And then I was brought back for school: Los gringos van a estudiar, They whispered, a bit mocking, about me, 4 years old, a girl, In a place where girls were good for marriage, University for the rich, snobby folks Of faraway cities. I came back to the cold land in spring. A small barrio of tall broken down buildings, Tiny apartments that became havens At the sound of guns at night. There was no more running around freely, No more campos, no more town squares. School was foreign, There was English to learn, A struggle to lose the accent, To make the thick words Comfortable in my tongue.
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51
Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... the neighbors voices climbing out of windows left and right. Is that you Tito? Put down those pots and pans. Make better use of those hands. Don't you know those hands were made for working? Follow your father to his factory grave shift, Make razorblades to sell. We'll always have hair on our faces. Is that you Tito? Knock off that racket. Here I am trying to sleep And you've got my feet to moving. The night was made for dancing Tito, And dancing was made for Harlem, But that's bastante on a Wednesday mijo. The young king packs up his studio, Whistling dixie like she's never been whistled before. Twirling the melody from royal lips, Showing her how to use those God given hips. Where did you find that groove you in your neck? And do the words Puerto Rico still give you the chills? You have walked on too many streets in New York City And the Afro-beat is shacking up with the Cuban. You can hear their children playing in the barrio allá, And aquí they're blowing horns of imagination. Make those wooden sticks tap your telegram, Tito. Let the world know about this message brewing inside you. They hate. They yell. They love to see you dancing, But your ankles told you that wasn't right for you. Your hands never have been able to keep still. Maybe it's because they feel the future. Do you realize where your bridge will lead? You are the future Tito. Do what you got to do to be where you got to be. Play in Uncle Sam's band but don't you go to Normandy. Follow your hands back to the big apple, Take a bite out of this place they call Juliard. When you sleep at night are they still screaming… Go Tito, Go Tito Go Tito, Go Tito Go somewhere where the floor is on fire With the fusion of jazz and samba. Make it bigger Tito until it looks like it did in your dreams. Pick up those sticks and mata los timbales. Have the decency to wink when they name you king. What is it that you mixed in that *** Your alchemy giving birth to new species. Have mercy Tito. Your music is feasting on the ears of the public, Your hands are drumming on the ecosystem. They call it salsa, and you laugh Because they can't taste the carne. Shine those pots and pans. Tip your hat to Spanish Harlem, Where windows stay open to let the dreamers dream big And the red brick walls are soaked with memories. Babarabatiri Tito, Teach the world how to dance. Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... a legend.
0
Apr 19, 2013
Apr 19, 2013 at 1:40 AM UTC
Tito 18/30
Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... the neighbors voices climbing out of windows left and right. Is that you Tito? Put down those pots and pans. Make better use of those hands. Don't you know those hands were made for working? Follow your father to his factory grave shift, Make razorblades to sell. We'll always have hair on our faces. Is that you Tito? Knock off that racket. Here I am trying to sleep And you've got my feet to moving. The night was made for dancing Tito, And dancing was made for Harlem, But that's bastante on a Wednesday mijo. The young king packs up his studio, Whistling dixie like she's never been whistled before. Twirling the melody from royal lips, Showing her how to use those God given hips. Where did you find that groove you in your neck? And do the words Puerto Rico still give you the chills? You have walked on too many streets in New York City And the Afro-beat is shacking up with the Cuban. You can hear their children playing in the barrio allá, And aquí they're blowing horns of imagination. Make those wooden sticks tap your telegram, Tito. Let the world know about this message brewing inside you. They hate. They yell. They love to see you dancing, But your ankles told you that wasn't right for you. Your hands never have been able to keep still. Maybe it's because they feel the future. Do you realize where your bridge will lead? You are the future Tito. Do what you got to do to be where you got to be. Play in Uncle Sam's band but don't you go to Normandy. Follow your hands back to the big apple, Take a bite out of this place they call Juliard. When you sleep at night are they still screaming… Go Tito, Go Tito Go Tito, Go Tito Go somewhere where the floor is on fire With the fusion of jazz and samba. Make it bigger Tito until it looks like it did in your dreams. Pick up those sticks and mata los timbales. Have the decency to wink when they name you king. What is it that you mixed in that *** Your alchemy giving birth to new species. Have mercy Tito. Your music is feasting on the ears of the public, Your hands are drumming on the ecosystem. They call it salsa, and you laugh Because they can't taste the carne. Shine those pots and pans. Tip your hat to Spanish Harlem, Where windows stay open to let the dreamers dream big And the red brick walls are soaked with memories. Babarabatiri Tito, Teach the world how to dance. Go Tito, Go Tito Go Tito, Go Tito Go Tito, Go Tito Mata los timbales Go Tito Oye como va... a legend.
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78
This is for the residents who remember And for the transplants who Have yet to be informed But have got an inkling Burque has gone from Bustling to busted And back again Growing up in the 80’s I learned about the Varying degrees of “sick” As my dad pointed out The pekid pachucos perusing Pharmacy isles Attempting to purchase Cough syrup with codeine In the evenings Driving home down Central I would ceremoniously Count hookers My parents would Precariously pack heat In the trunk of our car Or even in my mom’s special ***** pack With the hidden compartment For her .38 snub nose Because you never know Who will be in your home When you arrive That’s a given When flop houses are Interwoven with prime real estate And barrio boundaries Border the bourgeois’ bungalows And Huning’s Castles And residents rarely recognize Or realize That aside from the locals The European Jews Was the only group gutsy enough To settle here And create commerce Despite risks of being raided By Apaches And they reaped the benefits Off Roma and Marquette Because the rewards Turned out to be greater than The risks And up North Where Sephardic turned Crypto Conversions to Catholicism Kept the Messiah’s spirit alive But in basements They still did Chi fives! I was saddened in middle school When I realized That many of our parents Were too ashamed of our roots To teach us Spanish And our Schools ****** so severely That most of us Didn’t learn English either But hey – All you need to Communicate while cruising Are cat calls And the thumping boom Of the bass in the tubes And the hydraulic drop When they hit The hot spots From Tingley, Kit Carson and Central to Copper Each kid dreams that His ride Will be the show stopper I could rant and rave And rattle off for days But bottom line – We have the most Curious state With mysterious qualities And in-depth histories But most of us are More concerned with Bud Light And Biscochitos Con Manteca Because it just tastes great!
0
Nov 23, 2012
Nov 23, 2012 at 2:39 AM UTC
Ode to Downtown Burque – and New Mexico too
This is for the residents who remember And for the transplants who Have yet to be informed But have got an inkling Burque has gone from Bustling to busted And back again Growing up in the 80’s I learned about the Varying degrees of “sick” As my dad pointed out The pekid pachucos perusing Pharmacy isles Attempting to purchase Cough syrup with codeine In the evenings Driving home down Central I would ceremoniously Count hookers My parents would Precariously pack heat In the trunk of our car Or even in my mom’s special ***** pack With the hidden compartment For her .38 snub nose Because you never know Who will be in your home When you arrive That’s a given When flop houses are Interwoven with prime real estate And barrio boundaries Border the bourgeois’ bungalows And Huning’s Castles And residents rarely recognize Or realize That aside from the locals The European Jews Was the only group gutsy enough To settle here And create commerce Despite risks of being raided By Apaches And they reaped the benefits Off Roma and Marquette Because the rewards Turned out to be greater than The risks And up North Where Sephardic turned Crypto Conversions to Catholicism Kept the Messiah’s spirit alive But in basements They still did Chi fives! I was saddened in middle school When I realized That many of our parents Were too ashamed of our roots To teach us Spanish And our Schools ****** so severely That most of us Didn’t learn English either But hey – All you need to Communicate while cruising Are cat calls And the thumping boom Of the bass in the tubes And the hydraulic drop When they hit The hot spots From Tingley, Kit Carson and Central to Copper Each kid dreams that His ride Will be the show stopper I could rant and rave And rattle off for days But bottom line – We have the most Curious state With mysterious qualities And in-depth histories But most of us are More concerned with Bud Light And Biscochitos Con Manteca Because it just tastes great!
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90
En la grana de un prado sanguíneo o en un bosque de cabezas cercenadas, la viuda reclama la carne de un párvulo ******** Allí donde entonan sus voces un coro de lamentos disonantes. Reniega de su apetito la matriarca del barrio francés Pues los gritos de Joliet no inquietan su consciencia, cosechan en cambio, un jardín de culposos deleites Placeres como solo admite, la maquiavelia de una gioconda que envuelta en lujosos atavíos extiende sus garras al inocente . Ni hablar del perjurio voraz, que oculta a la fantasía la marea virgen del infortunio y el propio siniestro. La desesperación de una madre que devora a sus hijos con el don de Saturno. Para la que no hay erotismo sino aquel que evoca el rigor cadavérico. Vapores que ascienden desde el lecho en descomposición, y alimentan su magia. Celebran el cruento dolor del infante, con la mirada de espanto apenas visible en el carmesí de sus finas pestañas Porque es claro como la luna y tan cierto como la muerte que en la viuda no hay gozo, sin el grito que desgarra la noche. Sin la brea que desciende sobre el horizonte, y la angustia que acompaña la pasión de la masacre.
0
Aug 23, 2015
Aug 23, 2015 at 11:38 AM UTC
La Viuda de París
His first love should've been basketball and his second, girls because his name was Juan and he represented the white, red and blue bandera, *Dominicano puro cien porciento del capital entiendes compai?* understand homie? and that label meant that he threw empty beer bottles at abandoned houses and smoked second hand **** because he was too broke to buy from the good dealers and he hollered at girls with wide hips and short skirts that walked by (oye mama tu si eres linda ven aquí!) they would giggle and roll their eyes at him but of course because he was one of those light skinned boys, the type with light eyes and smooth brown hair that every girl dreamed about, they would holler at him back the very next day // His first love was basketball and his second, was not girls, his second love was words; it was the craziest ******* thing in the world, to be a boy and not be crazy over women is one thing, but to be Dominican and not in love with every muchacha en el Barrio es una cosa de los maricones! as his best friend would say as he shook his head disappointedly, muthafucka had the finest beauties the Caribbean had to offer swooning as he spoke, and he was in love with palabras de los gringos? but it didn’t matter, he loved words like the junkies loved drugs and like his best friend loved women, and while every other sin verguenza on his block would dance to the hypnotizing beat of merengue and bachata, he would watch by on the roof of the abandoned building nearby and he would write it all down: how the lights of the neighborhood had never seen more alive and how old man Victor looked youthful dancing next to the neighborhood ***** and how his mother looked happier than she had in a long time, swaying her body to the calming voice of the old music she hadn't head in a while and yes he was still the boy that threw beer bottles at abandoned windows and smoked second hand **** because he was too broke to afford the real stuff and he still hollered at girls who wore shirts too low but in the shadow of all the happiness up on the roof, he was not Juan, best basketball player on the team, Dominicano cien porciento y no te lo olvides, repping the white, red and blue bandera instead he was Juan, the light skinned boy who liked the palabras de los gringos because of the way they rolled off his tongue and he had decided that he liked it better that way (h.l.)
0
Sep 18, 2015
Sep 18, 2015 at 6:28 PM UTC
amor de pendejo (foolish love)
His first love should've been basketball and his second, girls because his name was Juan and he represented the white, red and blue bandera, *Dominicano puro cien porciento del capital entiendes compai?* understand homie? and that label meant that he threw empty beer bottles at abandoned houses and smoked second hand **** because he was too broke to buy from the good dealers and he hollered at girls with wide hips and short skirts that walked by (oye mama tu si eres linda ven aquí!) they would giggle and roll their eyes at him but of course because he was one of those light skinned boys, the type with light eyes and smooth brown hair that every girl dreamed about, they would holler at him back the very next day // His first love was basketball and his second, was not girls, his second love was words; it was the craziest ******* thing in the world, to be a boy and not be crazy over women is one thing, but to be Dominican and not in love with every muchacha en el Barrio es una cosa de los maricones! as his best friend would say as he shook his head disappointedly, muthafucka had the finest beauties the Caribbean had to offer swooning as he spoke, and he was in love with palabras de los gringos? but it didn’t matter, he loved words like the junkies loved drugs and like his best friend loved women, and while every other sin verguenza on his block would dance to the hypnotizing beat of merengue and bachata, he would watch by on the roof of the abandoned building nearby and he would write it all down: how the lights of the neighborhood had never seen more alive and how old man Victor looked youthful dancing next to the neighborhood ***** and how his mother looked happier than she had in a long time, swaying her body to the calming voice of the old music she hadn't head in a while and yes he was still the boy that threw beer bottles at abandoned windows and smoked second hand **** because he was too broke to afford the real stuff and he still hollered at girls who wore shirts too low but in the shadow of all the happiness up on the roof, he was not Juan, best basketball player on the team, Dominicano cien porciento y no te lo olvides, repping the white, red and blue bandera instead he was Juan, the light skinned boy who liked the palabras de los gringos because of the way they rolled off his tongue and he had decided that he liked it better that way (h.l.)
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42
Its timeto yoke the joker yo to the emcees that think they could get with me i wet em like an ocean tide personality like jekyll and hide which means im a killa slash for short drama no comma imma brutal emcee eatin' 'em up the best of em im the lyrical cannibal flesh rent devil sent no need for repent comin' with wickedness born with 8 flows if ya only knew ******* come in the sets of three im givin' wishes for free the rap genie aint' comin' to be a hero the black zorro thorrough shoot up the barrio dead eye hawkin' assassin' blastin' with the greatest tech mouth shots or physical shots it don't matter whatever it takes to get the job done my posse cocked d slapped you ******* you can smoke all the spinach you want and you leave like popeyes get it naw forget sensitive ******* i knit it write in graffiti love hoes shape like Nefertiti queen b goddess never a ***** **** in my encore **** with me and ill bring the war along with gore ******** never been a softie daddy had to be a gangsta **** hustler drug dealer all summed in one so i had no choice but to pack a gun but meanwhile im onto bigger and better things like rappin' on the mic i cling flows tighter rhan pliers leave emcees wrapped up like cable wires the sire embraced higher learning spurning over obstacles turn complexity into miracles how could i ever fall if i never fall failure not an acceptation id rather sells drugs and extortion and get caught wit 25 big ones fed time **** the state time im on the grind one time always wanna see me fall black man finna rise planet of the apes style hot and wild j ceasar with these skills i spills sendin' chills its an ice age all over just say its over when big yosef grab the mic prepare for fright when i ignite blast through hearts like a cannon i just smoke ya ya mediocre its time to yoke these jokers yea
0
Dec 16, 2014
Dec 16, 2014 at 9:18 AM UTC
Yoke the Joker
Its timeto yoke the joker yo to the emcees that think they could get with me i wet em like an ocean tide personality like jekyll and hide which means im a killa slash for short drama no comma imma brutal emcee eatin' 'em up the best of em im the lyrical cannibal flesh rent devil sent no need for repent comin' with wickedness born with 8 flows if ya only knew ******* come in the sets of three im givin' wishes for free the rap genie aint' comin' to be a hero the black zorro thorrough shoot up the barrio dead eye hawkin' assassin' blastin' with the greatest tech mouth shots or physical shots it don't matter whatever it takes to get the job done my posse cocked d slapped you ******* you can smoke all the spinach you want and you leave like popeyes get it naw forget sensitive ******* i knit it write in graffiti love hoes shape like Nefertiti queen b goddess never a ***** **** in my encore **** with me and ill bring the war along with gore ******** never been a softie daddy had to be a gangsta **** hustler drug dealer all summed in one so i had no choice but to pack a gun but meanwhile im onto bigger and better things like rappin' on the mic i cling flows tighter rhan pliers leave emcees wrapped up like cable wires the sire embraced higher learning spurning over obstacles turn complexity into miracles how could i ever fall if i never fall failure not an acceptation id rather sells drugs and extortion and get caught wit 25 big ones fed time **** the state time im on the grind one time always wanna see me fall black man finna rise planet of the apes style hot and wild j ceasar with these skills i spills sendin' chills its an ice age all over just say its over when big yosef grab the mic prepare for fright when i ignite blast through hearts like a cannon i just smoke ya ya mediocre its time to yoke these jokers yea
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33
I know I am not really lying on the beach Eyes facing up towards the sky Where I really am is in Vienna In a small classroom filled with fourth graders Sitting in a circle in a room That was decorated in glow in the dark stars And a fake camp fire next to a cardboard cutout of a wolf I remember learning about the Oregon Trail And how cowboys would campout underneath stars Guns close by so other dangerous creators wouldn’t be And looking at the fake stars in that room I was in another world, a realer world Where the cosmos didn’t make stars Bullets did Silver bullets meant to hit werewolves Who were so compelled to howl at the moon They forwent the odds of being gunned down And so easily they could be when the moon Lit perfectly their silhouette Naked in plain view All the stars were silver bullets One that never met their target and flew Past the wolfs and up into the black sky Where they pierced the world’s barrio The bullet holes became not stars But un-mendable scars From men who wanting to mutilate The sky’s beauty with weapons There to remind me When the lights turned on in that classroom The glowing little stars melted into the white popcorn ceiling And as we, the fourth graders, disconnected our circle on the floor The reality of the origin of stars I had just come to know Never left me and the stars I see at night now Are not as real as the ones I saw that day.
0
Nov 5, 2013
Nov 5, 2013 at 4:07 PM UTC
Star Bullets.
Beauty wears the cold breath of death the way a ********* wears a smile. Is this casual brutality a sign of the times? Or have you watched the news in the last 24 hours? The mirror sung a thousand prayers to the God; now felt forsaken with 31 flavours to his love. They pierced your body with their spears of love and hung you up by the hair to dry. You recite your green finch song to the deafness of those above, and they still hold your lace burdened hand to quiet your sorrowful heart. Lay your head upon the pillow as tiredness takes us both as the morning rears its ugly head and the day becomes yours again. Then raise your golden brow to the freedom of Night Angels who know your secret kiss where all desires roam amiss, watch yourself seek for home in the city's barrio's and filth down *** sodden alleys where happiness is spilled. The Centurions of hunger who's empty bellies predict this shift of power. By these shadows of delight you don the mantle of delirium It stretches down to your wrists and grows taut by this slip of Fate your barrier of Morpheus a tattoo by Bacchus a scar tissue kiss of Eros. Your beauty burned like an ember that puckered my skin My love wrote a sonnet in invisible ink. "Goodbye" a silver bullet that is tasteless unlike your kisses. And your finger slipped upon the trigger.
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Jul 21, 2013
Jul 21, 2013 at 7:02 AM UTC
Beauty wears the cold breath of death the way a ********* wears a smile
This imperfect me a pleasure machine a bait for chameleons liars and a thief waiting by the phone waiting by the door the boy with the skatebooard like salmon race against the slant Pass by a black woman with her plastic bags full of empty bottles plans her drunken feast the boy with the skateboard asks me "what are you waiting for?" and I have no answer She´s back now the bottles are full she smokes and shakes her *** like an old worn horse We will all get drunk and wash away another year
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Feb 1, 2010
Feb 1, 2010 at 2:11 AM UTC
Pleasure machine (Barrio Sur streets, Dec 24th, 2009)
Quiero escribirte un poema malescrito Lleno de errores ortograficos Un poema hereje a la metrica poetica Un poema irreverente a la gramatica Quiero volverme un rebelde asmatico Tu amante diabetico Amor antipatico Ateo y medio psiquico Lago en sequia Freemont street sin puteria Entre azul y buenos dias Barrio caliente sin policia Quiero que resientas todas y cada una de mis ausencias Como la biblia a la ciencia Opresor a la conciencia Ser tu desacato Tu rebelion Tu desobediencia Un beso roto en resistencia Lo contrario a la decensia Amor sin contrato Puta con licensiatura Medio malo y medio ingrato Inocente y hasta novato En eso de pasar el rato Sin que el corazon se enlode Igual que cuando pisas el fango Con tu zapato. No hay poemas simples Solo poetas nerviosos
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May 6, 2015
May 6, 2015 at 8:43 PM UTC
Poema Malescrito
Preguntaréis: Y dónde están las lilas? Y la metafísica cubierta de amapolas? Y la lluvia que a menudo golpeaba sus palabras llenándolas de agujeros y pájaros? Os voy a contar todo lo que me pasa. Yo vivía en un barrio de Madrid, con campanas, con relojes, con árboles. Desde allí se veía el rostro seco de Castilla como un océano de cuero.                                           Mi casa era llamada la casa de las flores, porque por todas partes estallaban geranios: era una bella casa con perros y chiquillos.                                   Raúl, te acuerdas? Te acuerdas, Rafael?                                 Federico, te acuerdas debajo de la tierra, te acuerdas de mi casa con balcones en donde la luz de junio ahogaba flores en tu boca?                                                                 Hermano, hermano! Todo eran grandes voces, sal de mercaderías, aglomeraciones de pan palpitante, mercados de mi barrio de Argüelles con su estatua como un tintero pálido entre las merluzas: el aceite llegaba a las cucharas, un profundo latido de pies y manos llenaba las calles, metros, litros, esencia aguda de la vida,                           pescados hacinados, contextura de techos con sol frío en el cual la flecha se fatiga, delirante marfil fino de las patatas, tomates repetidos hasta el mar. Y una mañana todo estaba ardiendo y una mañana las hogueras salían de la tierra devorando seres, y desde entonces fuego, pólvora desde entonces, y desde entonces sangre. Bandidos con aviones y con moros, bandidos con sortijas y duquesas, bandidos con frailes negros bendiciendo venían por el cielo a matar niños, y por las calles la sangre de los niños corría simplemente, como sangre de niños. Chacales que el chacal rechazaría, piedras que el cardo seco mordería escupiendo, víboras que las víboras odiaran! Frente a vosotros he visto la sangre de España levantarse para ahogaros en una sola ola de orgullo y de cuchillos! Generales traidores: mirad mi casa muerta, mirad España rota: pero de cada casa muerta sale metal ardiendo en vez de flores, pero de cada hueco de España sale España, pero de cada niño muerto sale un fusil con ojos, pero de cada crimen nacen balas que os hallarán un día el sitio del corazón. Preguntaréis por qué su poesía no nos habla del sueño, de las hojas, de los grandes volcanes de su país natal? Venid a ver la sangre por las calles venid a ver la sangré por las calles, venid a ver la sangre por las calles!
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1.6k
Explico algunas cosas
Preguntaréis: Y dónde están las lilas? Y la metafísica cubierta de amapolas? Y la lluvia que a menudo golpeaba sus palabras llenándolas de agujeros y pájaros? Os voy a contar todo lo que me pasa. Yo vivía en un barrio de Madrid, con campanas, con relojes, con árboles. Desde allí se veía el rostro seco de Castilla como un océano de cuero.                                           Mi casa era llamada la casa de las flores, porque por todas partes estallaban geranios: era una bella casa con perros y chiquillos.                                   Raúl, te acuerdas? Te acuerdas, Rafael?                                 Federico, te acuerdas debajo de la tierra, te acuerdas de mi casa con balcones en donde la luz de junio ahogaba flores en tu boca?                                                                 Hermano, hermano! Todo eran grandes voces, sal de mercaderías, aglomeraciones de pan palpitante, mercados de mi barrio de Argüelles con su estatua como un tintero pálido entre las merluzas: el aceite llegaba a las cucharas, un profundo latido de pies y manos llenaba las calles, metros, litros, esencia aguda de la vida,                           pescados hacinados, contextura de techos con sol frío en el cual la flecha se fatiga, delirante marfil fino de las patatas, tomates repetidos hasta el mar. Y una mañana todo estaba ardiendo y una mañana las hogueras salían de la tierra devorando seres, y desde entonces fuego, pólvora desde entonces, y desde entonces sangre. Bandidos con aviones y con moros, bandidos con sortijas y duquesas, bandidos con frailes negros bendiciendo venían por el cielo a matar niños, y por las calles la sangre de los niños corría simplemente, como sangre de niños. Chacales que el chacal rechazaría, piedras que el cardo seco mordería escupiendo, víboras que las víboras odiaran! Frente a vosotros he visto la sangre de España levantarse para ahogaros en una sola ola de orgullo y de cuchillos! Generales traidores: mirad mi casa muerta, mirad España rota: pero de cada casa muerta sale metal ardiendo en vez de flores, pero de cada hueco de España sale España, pero de cada niño muerto sale un fusil con ojos, pero de cada crimen nacen balas que os hallarán un día el sitio del corazón. Preguntaréis por qué su poesía no nos habla del sueño, de las hojas, de los grandes volcanes de su país natal? Venid a ver la sangre por las calles venid a ver la sangré por las calles, venid a ver la sangre por las calles!
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79
Kiriaki Olivia Eleni Mada-lozi from Piraeus Greece Billy ugly Marcia, Sherry Shriki, Darni, Judy Gim, Alb- tch, Jeff Albr.. Henry Robert W Impotent ejaculator precosē. Charles manson's advocates; Henry Robert narcissistic your sociopath psychopath nurse from hell in LA CA. You aren't above the law Poisoners sterile hainas   Susan WRat no. **** human predators human traficants to hell with you all- ratas inmundas! Emilia Velazquez thief IHSS should put you in jail And immigration take your green card stealing my savings and stimulus money cashed. Shame on you rata inmunda ladrona. Filthy rats Creeping animals **** of life Shoddy monstrosity. Subhuman Spectres of Hell **** vermins How much damaged you've done to me and my daughter's Poisoning them with hallucinogenic metamphetamins psychotropics without them knowing Then, blackmailing them to give up their parental rights to sterile haenas jealous medeas Add insult to injury to my family forcing psychiatric pill intake to hide your ancient crimes Your hate crime is now public susan ra-t-ano hell ***** You bought my grown daughter from the human predators I had escaped from 1982. Coward filthy **** ***** Vermin word raitano Poisonous serpent Waste of life I hate you and despise you. Two-legged rats I'm talking to you all because creeping creatures, even being the most cursed, compared to your evildoers vermin human predators, a creeping snake stands taller than you all. **** leeches **** cockraoches you who infects with bites, who hurts and who kills. Slanders trashing whoever is holy good and precious You Vermin Poisonous serpents Waste of life I hate you and despise you. I bind to you all my motherly pain I curse you in every life time. Two-legged filthy rats, I'm talking to you! because a creeping creature, even being the most cursed and ugly, in hell, on Earth unwelcome in heaven, compared to you **** brains. stands much taller. You're listening to me useless Hyena of Hell How much I hate you and despise you! **** leech **** cockraoch you who infects with bites, who hurts and who kills. Vermin Poisonous serpents In everyone's paradise. Waste of life I hate you and despise you. Two-legged my filthy rats I'm talking to you too ***** donors madalozi charms.bos henry welonek. because a creeping creature, even being the most cursed compared to you You stand even smaller. ~~~~~~~ Repost. By Paquita del Barrio And Karijinbba. 1976-present All Rights.
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Mar 8, 2021
Mar 8, 2021 at 9:35 PM UTC
Henry R W. ElizabethWG Susan W Rat no Arthur R
Kiriaki Olivia Eleni Mada-lozi from Piraeus Greece Billy ugly Marcia, Sherry Shriki, Darni, Judy Gim, Alb- tch, Jeff Albr.. Henry Robert W Impotent ejaculator precosē. Charles manson's advocates; Henry Robert narcissistic your sociopath psychopath nurse from hell in LA CA. You aren't above the law Poisoners sterile hainas   Susan WRat no. **** human predators human traficants to hell with you all- ratas inmundas! Emilia Velazquez thief IHSS should put you in jail And immigration take your green card stealing my savings and stimulus money cashed. Shame on you rata inmunda ladrona. Filthy rats Creeping animals **** of life Shoddy monstrosity. Subhuman Spectres of Hell **** vermins How much damaged you've done to me and my daughter's Poisoning them with hallucinogenic metamphetamins psychotropics without them knowing Then, blackmailing them to give up their parental rights to sterile haenas jealous medeas Add insult to injury to my family forcing psychiatric pill intake to hide your ancient crimes Your hate crime is now public susan ra-t-ano hell ***** You bought my grown daughter from the human predators I had escaped from 1982. Coward filthy **** ***** Vermin word raitano Poisonous serpent Waste of life I hate you and despise you. Two-legged rats I'm talking to you all because creeping creatures, even being the most cursed, compared to your evildoers vermin human predators, a creeping snake stands taller than you all. **** leeches **** cockraoches you who infects with bites, who hurts and who kills. Slanders trashing whoever is holy good and precious You Vermin Poisonous serpents Waste of life I hate you and despise you. I bind to you all my motherly pain I curse you in every life time. Two-legged filthy rats, I'm talking to you! because a creeping creature, even being the most cursed and ugly, in hell, on Earth unwelcome in heaven, compared to you **** brains. stands much taller. You're listening to me useless Hyena of Hell How much I hate you and despise you! **** leech **** cockraoch you who infects with bites, who hurts and who kills. Vermin Poisonous serpents In everyone's paradise. Waste of life I hate you and despise you. Two-legged my filthy rats I'm talking to you too ***** donors madalozi charms.bos henry welonek. because a creeping creature, even being the most cursed compared to you You stand even smaller. ~~~~~~~ Repost. By Paquita del Barrio And Karijinbba. 1976-present All Rights.
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78
I turned water into coffee this morning and sat by the four corner light box while reading a book that taught me not to judge it by its cover. The twisted crooks that the story entails the end trails of coke heads that still drop slowly down the walls of East Harlem. I turned water into coffee this morning and sat by the four corner light box and all of its massive holiness creating a halo around my entire body without fearing a bullet would come rushing in and **** me dead I sat and read of another universe where life and love still exist but in a way I could not bring myself to condone I turned water into coffee this morning and sat by the four corner light box with a dark shadow created by the backlit room safe and in place just wishing I was one of the twisted crooks the story entailed with my end trails in a little more danger than when I turned water into coffee this morning and sat with the purity of my whiteness, by the four corner light box while reading another universe and doing nothing about it.
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Jan 31, 2015
Jan 31, 2015 at 10:29 AM UTC
in the white man's barrio the sun always shines
A cocachos aprendí mi labor de colegial en el Colegio Fiscal del barrio donde nací. Tener primaria completa era raro en mi niñez (nos sentábamos de a tres en una sola carpeta). Yo creo que la palmeta la inventaron para mí, de la vez que una rompí me apodaron "mano 'e fierro", y por ser tan mataperro a cocachos aprendí. Juguetón de nacimiento, por dedicarme al recreo sacaba Diez en Aseo y Once en Aprovechamiento. De la Conducta ni cuento pues, para colmo de mal era mi voz general "¡chócala pa' la salida!" dejando a veces perdida mi labor de colegial. ¡Campeón en lingo y bolero! ¡Rey del trompo con huaraca! ¡Mago haciéndome "la vaca" y en bolitas, el primero...! En Aritmética, Cero. En Geografía, igual. Doce en examen oral, Trece en examen escrito. Si no me "soplan" repito en el Colegio Fiscal. Con esa nota mezquina terminé mi Quinto al tranco, tiré el guardapolvo blanco (de costalitos de harina). Y hoy, parado en una esquina lloro el tiempo que perdí: los otros niños de allí alcanzaron nombre egregio. Yo no aproveché el Colegio del barrio donde nací...
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La escuelita
Polished stone, bare ***** rafters loomed above silent owls swooped, black before the dawn red wood carved with sorrow's blood masks to hide behind - some never found So swift to pass upon the earth ashes, silence underground Diego painted the Santa Catalina's mountains now hung upon a wall have found him glorious in the lost barrio
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Feb 2, 2013
Feb 2, 2013 at 8:57 AM UTC
Lost Barrio
I would like to share with you my enduring Memory with guns, Never forgotten, a difficult story. In my home Summer of 93 was born From the dry sun and certain colors, Not the forsaken flowers, But the rags of gangsters, The survival of the unfittest like Certain carnivores on a plain, Tired of the slums from people whom Live unmajestic lives. For a summer Bullets had no names weekly, A repugnant visiting crisis and I lost My bed to fear, One longs for a night with no bullets Flying by, And a dream without the oppressive Gunshot just above my head board, A consolation in the morning's sorrow. Everyday a new hole discovered, Everyday thinking "I'm lucky to be alive" No. All my heart aches Because one night a bullet had a name, And the bullet came for Mother Never to return to the earth, In the blossoming summer All I knew was death, Death with a barrage of gunfire From the breast of destiny, Full in my heart was vengeance, 12 years old and lost in the womb Of the Barrio. Like a madman, For I was no longer a child, The bullrush of thoughts come clean. Memories without veils, Like an angry widow resting In indifference, with an evening That arrives with an eruption . A penetrating glare from my eyes, Between youth and death, I will tell you about my enduring sorrow, And a 12 year old carries a gun.
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Jun 16, 2016
Jun 16, 2016 at 3:46 PM UTC
A Semi-automatic Poem
La ciudad imita en cartón, una ciudad de pórfido.Caravanas de montañas acampan en los alrededores.El "Pan de Azúcar" basta para almibarar toda la bahía... El "Pan de Azúcar" y su alambre carril, que perderá el equilibrio por no usar una sombrilla de papel. Con sus caras pintarrajeadas, los edificios saltan unos encima de otros y cuando están arriba, ponen el lomo, para que las palmeras les den un golpe de plumero en la azotea.El sol ablanda el asfalto y las nalgas de las mujeres, madura las peras de la electricidad, sufre un crepúsculo, en los botones de ópalo que los hombres usan hasta para abrocharse la bragueta.¡Siete veces al día, se riegan las calles con agua de jazmín! Hay viejos árboles pederastas, florecidos en rosas té; y viejos árboles que se tragan los chicos que juegan al arco en los paseos. Frutas que al caer hacen un huraco enorme en la vereda; negros que tienen cutis de tabaco, las palmas de las manos hechas de coral, y sonrisas desfachatadas de sandía.Sólo por cuatrocientos mil reis se toma un café, que perfuma todo un barrio de la ciudad durante diez minutos.
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1.4k
Río de janeiro
¿Se va la poesía de las cosas o no la puede condensar mi vida? Ayer -mirando el último crepúsculo- yo era un manchón de musgo entre unas ruinas. Las ciudades -hollines y venganzas-, la cochinada gris de los suburbios, la oficina que encorva las espaldas, el jefe de ojos turbios. Sangre de un arrebol sobre los cerros, sangre sobre las calles y las plazas, dolor de corazones rotos, podre de hastíos y de lágrimas. Un río abraza el arrabal como una mano helada que tienta en las tinieblas: sobre sus aguas se avergüenzan de verse las estrellas. Y las casas que esconden los deseos detrás de las ventanas luminosas, mientras afuera el viento lleva un poco de barro a cada rosa. Lejos... la bruma de las olvidanzas -humos espesos, tajamares rotos-, y el campo, ¡el campo verde!, en que jadean los bueyes y los hombres sudorosos. Y aquí estoy yo, brotado entre las ruinas, mordiendo solo todas las tristezas, como si el llanto fuera una semilla y yo el único surco de la tierra.
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Barrio sin luz
Acomoda tus miradas de sirena en el orden que quieras Golondrina de mi barrio. Sacudes al pueblo con tu ausencia, y a mí me desesperas. Destello de luz. Luciérnaga mentirosa que me abandona de noche. Se esconden tus besos tras tu vuelo ebrio Y te mientes para creer que sigo estando ciego Arrójame el silencio entre nuestras bocas si tu quieres Mujer de los labios bonitos El adoquín bajo tus piernas se fragmenta sin el Sol Te robas la luz para brillar como estrella que se quema Y te vuelves cenizas.
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Feb 16, 2013
Feb 16, 2013 at 4:00 PM UTC
Poema II