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Jacob Singer Apr 2010
I wear white
I wear white

I wear white and stare right back at
the other end of the world

The hems of the loosely fitting traditions
Barely touch the ground anymore

I wear white
I wear white
White like the chalk on the blackboard switched from
right to left.

Aimless and bereft of the desert I once called mine,
I walk alone

I wear white, I wear white
As I have done for 14 hours
and 14 years

7000 miles on the screen and 2 more up there
to be precise. It faded for every mile
Just as it has been doing since the day Darwish died

I wear white, I wear white
A different breed of Semite than they're used to

Not walking but flowing almost
as contradictory as "poutine Arabesque"
The routine wears my jaw out
as the vowels twist from right to left

I wear white, I wear white
Not just quite there yet
Not even close
Not even halfway to the surface but then again
I suppose we've always been at ease at the depths of the sea
Pearls and black gold abound

I forget that sometimes in between
intermittent bouts and doubts of "3arabiyun ana"
As if that's what makes up the anatomy of an Arab
As if that's enough for you, Khaled

I wear white
I wear white
Or at least I tell myself I do
Leave myself open to the prospect
of life starting anew
Forcing myself to see it through
See life through your eyes
Or are they my own **** you ?

Tell me for the love of Christ
Call me by name and don't
bury me under the empty discarded photo frames
that you stockpile

I'm calling to you, Walid
And will keep on calling
And trying and burning and aching and failing and dreaming and irritating
like a bad itch

I sink under it all and push it all off step 3 repeat as necessary

I scream in the tongue that you deafen your ears to and pull at the beard you've tried to shave off
I pluck at the horizontal heartstrings you've tried to mute

Above all, I wear white...
And I fight.... I fight.....

I FIGHT
K Balachandran Mar 2016
At it's ecstatic heights,  life is
a splendid display of ballet moves.
I watch you fly high precariously,
stopping a  beat of my enamored heart
with  an astounding move speaking beauty
and dexterously land statuesque,
in a graceful  arabesque stance.
Defying gravity with amazing ease
you create beauty none ever dreamed,
so kaleidoscopic, appreciating it means
touching the eternal with one's being
in a fleeting moment, get transported.
For that, one needs a mind as sharp as
razor's edge and constantly pirouetting
360 degrees embracing  you at the
speed of light, before you turn to a
lightening flash,of different wavelength,
all over again and begin the next cycle.
Arabesque is a ballet position, in which the dancer stands on one leg(the supporting leg) with the other leg(working leg)turned out and extended behind the body, with both legs held stright
faithfulpadfoot Jan 2016
Like Debussy's arabesque we danced,
your feet too slow, and mine too fast,
in different times, yet
intertwined,
we cascaded like the notes
brushed by gentle fingers;
Debussy's Première Arabesque - https://www.youtube.com/watch?v=KL1KbhztBGg
Ghazal Feb 2014
Never will I be covered in tattoos

My legs and toes shall forever stay bruised.

I’ll never paint or carry a tune

Forever and ever, I’ll wear a tutu.


I won’t dye my hair pink or blue

My piercings will stay as the simple two

Nails cut short and hair in a bun

In ballet, this must be done.


Pink tights by the mound

Bobby pins all around

Leotards on the floor

Pointe shoes by the door.


Toes taped so tightly

Smiling big and brightly

Red lipstick adding to her beauty

The dancer moves so smoothly.


Turned out from my hips

No words coming from my lips

I dance sweetly to the sound

Ooh ballet, to you, I am bound.


Full of grace, never haste

Filling perfectly my costume of lace

Ever so sweet, my dancing feet

Step after step, I repeat and repeat.


Obtaining perfection is my key

It’s what I strive for, it’s all that defines me

Pushing harder and harder to reach my goal

It’s what I live for, ballet is my soul.


My toes may bleed

And my knees, grow weak

But I’ll never stop dancing…

Not until I reach my peak.


Pirouette, Pirouette

Dancer’s silhouette

Practicing at dusk

Dedication is a must.


Stretching my limbs

Choreographing on a whim

Alway aiming to be stronger

To hold my arabesque longer.


When I do finally reach that triple pirouette

and all is done and all is set

I put myself back into class

Aiming for a fourth, to be better than the last.


This is the life of a dancer en point

Risking the health of her feet, legs and joints

Just for that one perfect moment on stage

Where the ballerina stands tall and all are amazed.
please please write a comment
PJ Poesy Nov 2015
Goth Child nursed his mother's tattooed *****

Snapped **** with teeth

Then grizzled grin at me and spit up

I poked at my chile relleno

Twisting hot cheesy sludge off prongs

Tour jete with fork finishes in arabesque

Between my own fangs

I spit back scalding ****

Goth Child points, says, "Pawpee, that man is scarewee"

Pawpee turns his tattoo tears to see

Flashes his gleaming grill

I sink in my seat behind sightline of salsa squeeze bottle

Chattering ivories
Life in the neighborhood.
SøułSurvivør Aug 2015
♡><♡><♡

on bare boards
the glit'ring gause
graceful gesture found
an arabesque
an aching pause
apropos to concert sound

lithe lustrous girl
scarce woman grown
pours out her beating heart
to stretch with every
muscle owned
in pain for love of art

pure grace she is
just as a swan
soft white and deepest black
she sways and lilts
her own will gone
on point with arch of back

a strong male
who leaps and soars
stately carriage bounds
to show his love
unto his core
and sweep her
from the ground

no person in
the world knows
the dancer's struggle, care
they only see talent bestowed
as he lifts her in the air

the grueling practice
hour on hour
the hardship and the strain
taxing body til it's empowered
the tutelage of brain

hour on hour
same movement learned
feet bound until deformed
to ache, oh yes, to hurt and burn
'til she has perfect form

but all this pain
which we don't see
is never all for naught
for the roses she will be
for the applause
she's fraught

for when this girl
is on the stage
she will, as a swan, fly
and with great grace
she'll turn the page
and then, as woman

die


soulsurvivor
(C) 8/1/2015
The swan Odette is under
An evil spell
For love of her Siegfried
tries to **** the magician Rothbart
with a crossbow. But the arrow
strikes Odette instead
She dies as a woman
In his arms.
Carrying her he drowns
himself in the lake

But all this tragedy is not for nothing
Odette's maidens are freed
from Rothbart's curse
and are forever changed.

♡><♡><♡
Faeri Shankar Jul 2012
I once found my heart in Catawaba
Where the blue cornflowers flourish between
Arabesque petals floating from the snowy dogwood trees
Encasing the air with the thick fragrance of innocence
You took from me beneath the dying maple tree.

The monotone cubicle in which you thrived
Wouldn't suffice for the rose petals lingering
Between your flushed lips drenched pale in the moonlight
Breathing "You are beautiful"
Smoking cigarettes with your mind.
Aly the Pear Dec 2014
Arabesque brown galaxies peer from behind rose tinted shades
As your soft pink lips plant
cashmere kisses that I crave
And when you leave, my neck is haunted
by the ghost of your teeth,
body still trembling from the
euphoria achieved
Free verse about my favorite person
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
Key
Seduced by Debussy
In music I lose me
When notes float on staves
Rolling in with the waves
Of pure sound.
The music around me surrounds me
Enraptures and captures my heart.

Arabesque,clair de lune take me off to the moon
And again I'm in rapture
Trapped in the capture of music.
Melissa June Dec 2013
Silken ribbons lacing dainty ankles
toes snug within slippers in first position
she nods her head for the music to begin 
breathing a deep breath, ready to audition 
 
Vibrations dance through out the floor
her frail body flows with such grace
with an arabesque she looks into the crowd
hides her nervousness, with the smile upon her face
 
As pirouettes sync with the allegro tempo
into a grande jete she soars through the air
though her leg gives, she falls with broken pins
an elegant bun lands as unraveled hair
 
Breathing deep breaths, her heart beat races
while seeping into the floor she rests her head on
are the tears of failure forming a lake 
around the broken winged beauty, a fallen swan
 
Her shattered dreams unlace defeated slippers
for she has cried out all of her ambition
to be a prima ballerina, now never to curtsy
with ankles chained in fear locked in first position.
A P Taylor Jan 2018
Upon stars orbits dust,
you circling too distant,
moons do reflect on,
stalled an iris.

By in rollicking hurdy,
tatty circus flows, the
sideshow vendors
hear my sigh.

Fragrant sweet pearls,
pink rose waters slide
Mars raining onto
snake skin.

Asian dwarf orchids,
burning in fragrance,
seen luminescent
ebon petals.

Till again beside me
waters sweep slate,
to a satyrs dance,
my arabesque.
Raeann Burkey Oct 2013
We love in reverse.
The way that doesn’t make sense.
Because the extensions of my body don’t reach toward you, but away. The lines bend back and not forward, twisting me into positions that I’m not supposed to be.
And when I walk the floor pushes me away heel, ball, toe
Instead of welcoming me comfortably toe, ball, heel.
And I know this isn’t the way this is supposed to feel.
But I still need you to correct me.
Place your hand underneath my chin and tell me the floor is not my audience. Close the curtains on the mirror and make me trust. This dance is just between the two of us.
Then focus in on my shoulders, push them down and make my collarbones appear stronger. Stroke my sternocleidomastoid as I épaulment and tell me that it’s the most beautiful muscle to see. Run your hands down my arms and create the energy that is supposed to flow from my fingers as they reach for arabesque.
Move next to my torso. Hold my abs together to keep my spine aligned.
Then move your hands in a soft semi-circle from the inside of my thighs and turn them out. Hold my knees over top my toes in the perfect plié.
And then straighten them to the most lengthened position they could be, leaving them with nowhere else to go but up.
Help my feet and heart to soar as they push off the floor and then you’ve set me free.
Lean your back against the barre and watch me dance your taunting choreography perfectly.
You have made me love what I do because every time I dance I do it for you. When I close my eyes I imagine you behind me guiding my soul and showing my body where it ought to be.
You hold me tight as I lay my head back against your invisible chest and I inhale, take one deep breath before you send me spinning back into the room.
I can feel you with me, but you’re never really there. So I push away the air with my hands knowing that with one more arabesque you won’t be able to resist this chance. Because my smile is always aimed in your direction when I practice your steps, your breath, your moves.
Only for you will I seek this perfection.
And the dance goes on and on; never ending. And I’ll keep feelings things that I know not to feel, keep walking toward you all heels
No toes
Because without you this is a dance I don’t know. The extensions are fake and the lines not real.
But that is love in reverse. The combination always looks ten times worse. So I’m hoping that you’ll step out of the shadows and take me back
To the dance we rehearsed.
Date Written: 3/1/2012
Janette Aug 2012
When the moon winks behind the bare branches of winter, reaching for snowflakes with its tongue,
Shadows smile in dark shatters, quietly invading the fluttering of dream;
A stain of crushed rose petals....a sigh, pure as baby skin…innocent as ivory, encircles,
And I feel his breeze, undress me as clouds reveal a waning moon, the red mantra of January, opens this rose to shadow,
My heart, an empty bell, hushes the pause that keeps my pulse caged to his eyes...





Dreams still heavy, flow upon ebon, a whisper-kiss breathing desire;
In the hush of shadows he stirs, ******* destiny, where the shine parts my lips, finger-touching the moon within my soul;
Seducing my skin with his whispered sigh, reaching out, caressing phantom songs, dancing skycircles, shaking midnight from my hair;
Eyes that sparkle-ache wildness in me, while I lay naked in his arms, wrapped around the warmth of kiss,
My crushed lips gasping softly...




  
Gentle breezes buffet bare flesh, wandering the lines of a smile, breathing silver-whispered pleas,
"Show me heaven tonight"
Bleeding my silk into a  whisper of rapture, stilled in hues of emerald hush;
As fingertips reach, tenderly into the palette of my soul, beyond the shadowed eclipse, where essence lingers in the perfume of delicate winds,
Swaying me gentle, slender into the deep of ache, trickling from that sacred place; quickening the shiver-burn.
The fire of his lips on mine, pink with full moon dilation...





Fingers like clouds, shroud my milky spires, wind-swept aches pound my soul, tantric rhythms, fly to destiny;
As breath is caught in arcs of awakening, where I fold, surrendered beneath inferno;
Errant whispers tattoo my heartbeat, under his skin;
And whimpers pare curves as yearning quakes the ground beneath us, and we dance a language; arabesque on tongues,
His lips trace my *******, my thighs teased, open, waiting for the touch of his kiss on swollen desire,
Where his mouth dances warm, moist...and my legs stretch; yielding...consumed, on fire, under fire....





I have crossed into him, merging the hot-melt of seam, woven on the threshold of silence,
Love transcending  flesh as it falls; tumbling , fluttering, beating the air to shift my sighs,
I whisper soft, twining his moan, tasting infinite sweetness, in his spill;
Lost in him, where I will always be.. never questioning why or how,
Just relishing the beauty, delighting in the mystery of US........
Touch me deep...feel the soft slick glide of my skin against your own...... press body to body in shadows of moan...reach for me with hands that leave soft ribbons of desire....your breath painting longing in swirls of need over the soft curves of my flesh...spinning me out of control....and watch me....... melt like golden-brown honey in the palm of your hand..... J
Natalie Clark Feb 2013
Piqué, piqué, piqué, pirouette.

Arabesque. I stand there and you spin me around en pointe.
You complete me. We dance and the music is like the background
To our focal point.
We are the centre stage.

Echappé, échappé, relevé.
Pas de chat ensemble.
Repeat à l’autre côté.

You take your hands from my waist now.
We need to complete the choreography.
And I feel lonely without you,
Although you are just on the other side of the room,
By the stereo.
I miss you.

Dancers fall for their partners all the time,
So I will never tell you how I feel
Because love will be the thing to tear us apart.
capricious
arabesque
undulate
clientele
juxtaposition
visceral
il­luminati
illustrious
canticle
piecewise
chantry
tealeaves
evenson­g
quixotic
Seeking the Enchanted Wood
beyond the Gate of Dreams
again another night
naked but for my Silver Key
that heavy antique carved
with undecipherable
arabesque
symbols
stolen from the Messenger
of the Faceless One
hung from a chain around my neck
the Key to the Dreaming
a comfortable weight against my chest

I descend those too-familiar
Seventy Steps of Light Slumber
ancient worn stone cold under my bare feet
climbing down through the dusky emptiness of Pre-Dreaming
one-by-one
until they suddenly end
at Nothing at all

Without hesitation
(I've been here so many many times before)
I take the leap
and step off into emptiness
and enter the hidden Cavern of Flame

In the far corner of that inky darkness I can almost see
the shadowed forms
of Nasht
and Kaman-Thah
the Gatekeepers
whose temple this is
those towering black figures
bare-chested with carved, curved beards
and elaborate head-dress
stand stone-still but all-aware
waiting to judge my worthiness
again
I perform for them
a different routine every night
to demonstrate my power
my understanding
my worthiness to traverse The Dreamlands beyond

Tonight
as most nights
I begin by conjuring myself a robe
a simple black thawb with cleric's collar
hemmed just below the knee
black linen gi pants
in the Thai style
and comfortable black tabi boots for my feet

Now dressed appropriately
I begin the ritual proper
so They may see
my mastery of The Dream

I rise myself up to float in the center of the cavern
in lotus-posture
and expand out from my center
a dodecahedral lattice-work of blue plasma
until it fills the space
and I float serenely in its center
From each pentagonal face of this construct
I then project white-hot jets of flame
offensive defense
effective ward against
the many horrors that await a Dreamer
But here in this realm of un-real
this is but simple hedge-magick
unimpressive
amateurish

They require better of me

I reach out
and project myself
to the far end of the cavern
and instantly I am there
And then again
and then again
teleporting myself around the cavern
disappearing and re-appearing at random points
to demonstrate my control of Self
and reality here

They continue to stare down at me
black and stone-faced

I draw my perception down into the center of my form
and push Out
against my flesh
against my skin
until I feel it begin to tear
down my back
and I keep pushing
Out
and Out
screaming
until it all comes free in one blood-soaked blur of agony
and I am left standing as
naked muscle sinew bone and nerve
From the scraps of my skin I fashion
a new robe to wear
to show them
my immunity to the horrors I will face beyond

Finally
they consent

From the center of the cavern erupts
the Pillar of Flame
floor to ceiling
I step into it
and my flesh-robe self-sacrifice burns away to ash in an instant
the price paid for passage
but I am left unsinged
and after a moment I step free from the flame
with a new skin
and again re-robed, as before
black thawb and gi and tabi
but now also something new
something never experienced before
(every night
something never experienced before)
something not of my own crafting
a blue turban
electric royal blue
adorned with an onyx jewel
I do not understand this gift
or who
or what
might be the giver
but I accept
with gratitude

An open door appears in the cavern wall in front of me
and I step through
and begin my descent
of the Seven Hundred Steps of Deeper Slumber
gleaming black stone staircase
descending into darkness
through an empty night
I know that at the bottom of these stairs lies
the Enchanted Wood
and further beyond the rest of The Dreamlands
Ulthar and Dylath-Leen
Oriab and Celephaïs
Leng and unknown Kadath
and as I descend further and further
and closer to the Dream
I can feel my Self coming apart
as if dissolving into mist
and I try to hold my Self together
and focus on those far-away lands
and their cities of Dreaming
and remember how much I long to see them
how every night I long to see them
and I try
and I try harder
and I take another step
and I am gone



And then I am awake

I will try again tonight
as I try every night
and I will make my way to the Cavern of Flame
and I will perform my tricks for the Gatekeepers
and I will begin my descent of the Seven Hundred Steps of Deeper Slumber
and one night
maybe tonight
I will make it all the way
to the bottom
to the Enchanted Wood
and to the Dream beyond
and I won't ever
have to return
brea Apr 2013
Flowing voice-
such a sweet aria!
only such arabesque
allegretto beauty
could ameliorate
shakespeare, mozart
with only mere words.

Andante ambiance
azure bliss blossoms
when gaze meets gaze.
lovely cadence
your dusty rose lips
whisper dulcet
promises of eternity
Oh eternity!-
how short it does sound!
But yet eternity
must efflux at some time

we will hold eachother
in the next eternity
and the one after
Connor May 2015
Lily on my crown,
My soul is rooted with sunflowers,
Love springs from my lungs.
Death is a garden.
Affection a coffin.

Hedge around ribs,
Holy light tightened on heart,
Beating carols only heard by dogs
Like a whistle, thistle on my knees cutting heaven real deep.

Tulips lace my tongue
Taste of angels, backwash of Lucifer.
Eyes pupiled amethyst. The healing stone. My world is healing while thorns and samsara hold my ankles to material and the edge of avarice.

World of loom hill parade ecstasy while weather ignites to 24° psychic readings being hosted in palace atrium & column walls where the archaic clock gongs upward to ****** addict ghosts and mental wards in lucid Babylons.

Lovers screaming against bombs, blister billow black clouds and smoke with marijuana haze in flats and compassion for grief cottoned years.
Rumble of music soaked into ratless insulation, long conversations with the insomniac self who hides from monsters inches over his head.

World of daysetting group understandings amidst orange moonlight. Coalmine haired bereaved droop nose man crawls from darkness for another cigarette on the balcony, 4th floor apartment complex in May. Depression hit like **** **** fogging out the brain.
Emptiness is the west.

Travelers who sway on driftwood face The Cascades acknowledging past times, revolving themes and bullet mouthed villains who seek away from starvation from ego lacking.
Their bile is sentences and the rest, anyways.  

Japanese instrumental rolls through closed eyelids in flashing Technicolor, rabbits watch the highways unaware of mortality.

World of bicycle rides on packed ** Chi Minh
City 2016 Winter where twenty-something North Americans go for pho while others go for broke. Palm trees polka dotting college campus in Afternoon, insects whine for the daydreamers. One is writing poetry in a small Vietnamese cafe sipping earl grey inspired by the Oriental clutter and a redheaded girl back home who paces frantically in the attic besides a crooked lamp scrawling flowers to the rotted whitewood panel work

The artist’s craft is a keepsake for eternity, as wells dry out and desert becomes ocean, poems will melt to matter zipping to outer space, satellite ink spots expanding by forever realms.

Pillow foot sole cracks shell casings on forgotten battlefields in later decades, wiping off grit shoeshine boy corpse particle reformation and fairy spit from brow, the last mad prophet sees visions of Christ as arachnid wretch black widow who venomed our bones with rapture,
doom wax peeling away after the damages had been committed.  

Now I check for spiders beneath my sheets.

Banshee howl symphonic sorrows leak in unison with all lanes of commuting traffic. Denial curse for positivity, mindset slate hiding
The weary souls radiance. On the 15x down Johnson! psychedelic chasm quakes through the wheels and my thoughts are spinning sunshine!
Washing machine dynamo recollections of whiskey spilt over carpet dark sand shade while La Vie En Rose resonates from playerless pianos topped with incense sticks in arabesque ashrams, imaginary shelters. We all have one!

Nick Cave is sleeping by back row while we approach final stop in front of bankrupt Chinese corner stores. He’s murmuring Oblivions and the bus keeps on going.

Death is a garden.
Tears are its rainwater and bucket flow.
Nectar pattern reveries honeybee the flowerpots.
Peoples sprout from them bloomed full.

Rosy reaper blasts past the solar system in a comet rocket since she saved the aliens, she hums Vivaldi and huffs a good huff from her cherry cigar.
She tightens her starlight hood and black holes be born.
Torn apart Pluto goes

B    A    N    G

Comet delirious ignores the decimation
And shouts the Lotus Sutra

“ALL GODS WERE TOO PASSIVE”
Reaper hollers back steering by the milky way and beyond on their hallucinogenic trip.

Lily on my crown.
Crown for the kingdom
wherein Reaper resides
and sings with galaxy ukulele to
the great empty.
Great as all can be.
Sydney Ranson Jul 2013
I feed my appetite with your voice. Your fricatives pirouette on my tongue. Each sibilant hangs on my teeth, then slides off and leaves its wax to pile up in my throat. I cough it up and collect it in a jar. It sits on the shelf in my basement and becomes familiar with the musty cloak of yesterday’s wet laundry. On the shelf, there are jars of swollen strawberries and gritty half-skulls of pears, blackberries like bundles of balloons. But in your jar, suspended in their own sugary liquid, are ripened vowels that arabesque when I give the jar a shake. I wipe the damp film off the metal lid with my thumb. Now I’m sitting in bed at 2:00 a.m., scooping your words from their glass house with a sticky index finger, speckled with seeds, semicolons, ellipses. Each dig gets me closer to your older, sweeter language–closer to what I’ve been craving. The last drops cling to the jar’s lip until I tilt it to mine, and I’m full-bellied, staring at an empty jar. In the bathroom, I slide a finger in my mouth until it reaches my throat and the words come up and fill the toilet and overflow onto the floor, puddle around my crooked toes and stain the linoleum.
Sometimes you have to try and explain love in weird ways. This is one way of doing just that.
wordvango Oct 2014
Her arms so arabesque,
choreographed by Balanchine,
smoothly flow
raise and lower
in time to unheard melodies,
A Flamingo when this lady
dresses.
Bees and birds stop fluttering,
watch, as
she pulls those stockings
slow, so slowly
up her silky leg
to heaven.
Nat Lipstadt May 2017
~~
The Trial of His Worthiness 2017

for betterdays, explorer of my complaints to the heavens,
and Patty, who asks,
who writes like this...answers from an old man




~~~
the 2017 baptism yesterday, by calendar dictate,
to my park, nature's commune, the poet wills himself to be
forcibly removed from city, greeted in solemn robes of blue/green,
by the triumvirate of bay, animals and flora & trees interlocking,
who stand in judgement of the humans interloping off-islanders
summer internees

to the double entendre dock removed,
so the bay, the Chief Justice, now a bit hard of hearing,
from the thunder and lighting of cymbal and drum crackling of the winter waves clashing, can hear my deposition clearer

the chief prosecutor, the tallest tree, wraps her branches,
around my legs, my feet, my heart, my head, not to restrain,
but to listen to my internals to adjudge the electrocardiogram
veracity of my words, a natural lie detector machine

the animals requested and sequestered to jury service,
large and small, from forest, the beneath-the-deck rabbits,
all learned in the human language, after 5 centuries of
less than social *******

put to me queries only I could answer

why have you returned?

humanity wearing me so, come to nature that knows only natural laws where existence is primary, good and evil are undefined and premeditation of ****** for no purpose of one's own kind is rare

will you write of us as in years as past?

will write of the commingling taffy of your
salt waters and my salt tears,
taking of your oxygen gifts, returning my dioxides,
both of us sharing the munificence of a warm sun goddess,
will plant my irises and kiss your cherry blossom leaves,
will step aside, over the ant mounds, harming nothing living,
for rightful life is not accorded by precedence or size
or your chosen version of a holy book


will you play for us your human music?

contrapuntal canons, adagios of Barber, Adele & Dudamel,
"a song for you"by the master Charles, some by the
poet Cohen, and even of a Rocky Raccoon, and for our kids,
a tale of a Yellow Submarine and the Dr.'s Mississippi Mud,
dash of Joni's pure voice, Eva Cassidy's unreal, none better,
rock to Elvis, Beethoven, Mozart and the Zombies,
**** deer demand Pavarotti (who knew)

all but  a chocolate sauce for a sundae of your own air strings,
waves baying, rabbits madly dashing, and birds texting,
the bellows of trombone honking of the
s-hit and run Canadian geese,
multi colored seagull's violin-like protestation squeaks of
'feed me human,
my survival share of the catch'


the tree limbs released, to now stroke my skin, pat my head,
the ants perform an arabesque, the gossipy fish come to the surface as
his Honor, Justice Bay, pronounces my sentencing term:

come,
stay with us warmed and welcomed,
shaded in our attentive embrace human
and of us
be a witness deposed, testified,
of our true nature

go,
to your unattended, impatiently waiting, Adrionack throne, go,
(once of us, a living tree departed)
observe and record, without distortion and human bias,
as you have so oft in years past,
tho mere eye-blinks to us,
life and death and preservation can coexist in a harmony

perhaps your infant species may learn from nature & beasts,
that bounty well fair shared is what humans call
the worthiness of living
~~~~
5/28/17 11:09
In the light of your immaculate form I make the following declaration:
I will be your jealous cellist- 
(I.)
And I will play you like a stringed instrument - then
When you make delighted whisperings
And finesse the fine music of the feminine, magnificent 
Your heathen distemper
Distributed, 
woman-like, goddess-like
Classic cello-shape 
Draped in lilting silk
Then
I will fiddle and pluck
Cast broad swathes near and about your single tingling place 
Your attuned instrument 
And it's spruce wooded
frontispiece.
(II.)
You faux arabesque 
(for faux is our shared domain)-
Your hands moving gracefully - you pause - 
Feigning flight 
Feigning fancy
Considering
My rising fire 
Weighty desire
Shadows mingle with glimpses of
My thickness and length-
Veined skin and steel, 
White - waiting, wanting -
And there's an answer. 
(III.)
You are girl - such a girl 
I am boy, only boy 
My persistent mans eye view 
Part pleased with the flashes of you - 
Now in new 
Near **** rhythm 
This gilded exuberance, 
Radiant
Hypnotic
Sets sparks flying 
Tickling toward sky and stars
I would have you 
My dexterous digits upon your supple, warm-
Fragrant fresh flesh fret board 
I would squeeze you where
Your mystery resides and
Elsewhere besides.
(IV.)
Roughly - at first - needy
Determined -
I would play upon
Your duet of juice creators
Invoke the 
Holiness of your 
Secret sacred spaces
Doublet, Triplet, Quintet 
Play on! play on! 
I would have you 
With my plugging piece 
There! There!
Your open legs 
Secretly seeking my carnival of thrusting 
Inside your warm girls pearl
Antidote for collective loneliness. 
(V. )
I would hold you, your sides - 
Firm in my greed
Our lustful minuet in 3/4 time
Play on, play on - I 
Kiss your neck, 
nibble your *******
It's you, it's you
You arch yourself toward me
Warmly
Affectionate, 
We hold hands, fingers between, 
And dance. 
(VI.)
This some time Summertime
Bright flame 
We reach - how we reach- 
Our mouths, our tongues - 
The very words we speak- yearning for - 
longing for -
Connection
Each to the other, and 
Our connection to God 
"Rightful sin - 
Come to us again
And again - and again 
Satisfy our minds!"
mike dm Jun 2014
I dissolve
When I'm in the thick of nature
It turns my brain off (for once)

Smells cast spells
Sounds surround
I am finally in it

I feel
Sparse

Whittled down
To bone and breath

Arabesque complexity nixed
And I am
OK with that

My worries
Go extinct
Marshal Gebbie Oct 2011
Have you noticed how the music screams,
How children in the mall confront,
How anchormen are filled with glee
When TV news disaster's front?

Noticed how the colours fade
When iridescent seas are fouled
Or skies turn turgid grey from blue
And football crowds scream hatred loud?

And why is it that every time
An ethnic immigrant complains,
He points the finger square at us,
The fools, whose benefits he claims?

And Asiatic hatreds brew
Between the Indian brother’s, brown,
Over Kashmir’s shaky border fight
And Pakistan’s deep, angry frown.

There’s trouble in the Middle East
Kalashnikovs shoot up the town,
Somebody soon, should tell those boys
When slugs go up, they must come down.

And what about the filthy beasts
Who scatter needles in the sand
To leave the fickle fall of dice
To innocents with tender hand.

Have you noticed how the wealthy keep
The good stuff for their selfish self?
The rest of WE are left to fight
Amongst ourselves for lowest shelf

And how about Ghaddafi’s end
So brutal at the sandy drain
Where wild eyed Arabs shot him dead
And TV watchers, fat, complained?

And listen to the moaning Greeks
Who’ve clearly lived beyond their means,
Complain about austerity
And pauperize their Europeans.

And witness now the howling Yanks
Who stand to point recession’s claws
Directing blame at anyone,
But themselves, whom problems cause.

And finally an Arabesque,
Macabre in its grotesque call,
Of skeletal, Ethiopian forlorn
Whose starving end, ignored by all.

There’s beauty in this bounteous world,
There’s Godly, good, and quiet serene,
But just beneath the surface lies
The human filth, deserved, obscene.

Marshalg
Observing my world in turmoil.
Auckland N.Z.
22 October 2011
Naomi Sa'Rai Nov 2012
Unfinished I am
Left those ribbons flowing
River
Stream
Adagio
Fluid and slow
Tipped across floor
These cracked toes
Unfinshed I am
No water to reflect
Face unshown
The build up
En L'air
Made love to wind
Touching cheeks
The essence of air
Inhaled
Exhaled
Whispering over ground
For as i went up
Strong
A grand allegro
Soft
Slithering around hugging wood
I came down
Arabesque
Leg heavy
An ox I am
Held perfectly
Examined by man
Unfinished I am
Left those ribbons flowing
By the river
Stream
Adagio
Fluid and slow
Tipped into pond
A sensuous grand finale
Of floating below...
midnight prague Mar 2011
1.
the black crimson of atmospheric and feminine smoke gloriously moves around
like tainted belly dancers in front of the pyramids
luring and incredibly terrifying
singing to me in the tongue of Orpheus, balancing
like dark ballerinas gathered in Arabesque stance
protruding brittle and shaking emotion with grace and
extracting all mind pollution
drenched in a feeble state
lurid/ashen/grim with transcending desire to fulfill itself beyond natural depth
I delicately move my fingers around, I want this to wrap around me
as slow as possible
I nestle my head into my shoulder, and rub my cheek against my warmth
I adorn the fumes
I kiss them  

ghosts and humble gatherings pursue me on this deadly night
of a deep fright and tender delight
crazed anonymous lovers kiss on their balcony somewhere in France
a fog dies out on some highway in mid Arizona
while a young woman smears red lip stick on her tainted mouth
she tries to gather her hair as it blows in the wind in her girlfriends
1975 convertible Chevrolet Caprice classic    
this desert is heavy she thinks to herself
as the thoughts of authority and being thrown into a jail cell
slowly slip away through her hallucinations
she casts the bottle of brandy to her drunken tongue
I am human she thinks, more human than I have ever been
a smile makes its way to her lips adjoined with tears
and childhood memories of lime aide on Saturday mornings
and the smell of chlorine from the old pool in the backyard that her mother
told her to never jump in

I trail my finger against the heat that has made its way to my shower door
and print some lewd drawing that brings a tiny bit of laughter to my gut

I remember the way you would analyze your face in the mirror
judging yourself so harshly, when orchids in spring would never compare to you

remember the feeling of having a butterfly rarely land on your hand as a child
nothing could have been more magical at that moment
when your heart explodes with mystical wonder
and then before you know it its set free again
things so ethereal are not meant for captivity
human hearts should learn how to relate
live freely

that is how I feel sometimes
when life brushes on my skin like  6 billion beating hearts
when I find ways to connect with those poor women in Kenya,
and tap into the rarity of their happiness
when I find ways to breathe in that same toxic air of the unfortunate civilians
of the city Chernobyl in Ukraine
when every child that has ever been given life breathes in my heart
when I connect and feel
alive.
Sally A Bayan Apr 2017
Grapefruit tree blooms lush
Its proud fragrance dominates
Stirs senses...in white...

Redolence wakens.....
Mind and nostrils, side by side
Inspire and create...

'neath Sunday's twilight
Branches mate....shadows connect,
Entwine....entangle.....

Curved silhouettes form
An arabesque....of shapes
And my own dance steps...

Night impregnates mind,
Scents, trees, starry nights..are turned
To runes..........some, with tunes.

................................
(A cluster of haikus)


Sally


Copyright April 2, 2017
Rosalia Rosario A. Bayan
...early morning haikus from March 26th, 2017
David Barr Jan 2015
Anticipation is like a former actress who eagerly awaits a future prospect, where delicate wallflowers hang with certain fortitude.
Similarly, our medieval ancestors played the harpsichord, whilst later English Baroque flaunted her chauvinistic flamboyance to those who fluttered their eyelashes in the name of socio-economic harlotry.
I am pleased to meet your acquaintance, my friend of gallantry.
However, the roots of Portugese expression are conveyed in the aristocracy of our heritage.
As purity is the laughing stock of assumed independence, and pride is buried in lascivious presumption, we must remember that the classical piano shares an Arabesque flavour which stands in juxtaposition to our Saxony.
Perig3e Jan 2011
A chimera ground
of profound sadness
enframes a deep field of arabesque red
split in two,
as Salomon would,
by a thick bleeding bar of black 'n blue remorse.
All rights reserved by the author

— The End —