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"arabesque" poems
Never will I be covered in tattoos My legs and toes shall forever stay bruised. I’ll never paint or carry a tune Forever and ever, I’ll wear a tutu. I won’t dye my hair pink or blue My piercings will stay as the simple two Nails cut short and hair in a bun In ballet, this must be done. Pink tights by the mound Bobby pins all around Leotards on the floor Pointe shoes by the door. Toes taped so tightly Smiling big and brightly Red lipstick adding to her beauty The dancer moves so smoothly. Turned out from my hips No words coming from my lips I dance sweetly to the sound Ooh ballet, to you, I am bound. Full of grace, never haste Filling perfectly my costume of lace Ever so sweet, my dancing feet Step after step, I repeat and repeat. Obtaining perfection is my key It’s what I strive for, it’s all that defines me Pushing harder and harder to reach my goal It’s what I live for, ballet is my soul. My toes may bleed And my knees, grow weak But I’ll never stop dancing… Not until I reach my peak. Pirouette, Pirouette Dancer’s silhouette Practicing at dusk Dedication is a must. Stretching my limbs Choreographing on a whim Alway aiming to be stronger To hold my arabesque longer. When I do finally reach that triple pirouette and all is done and all is set I put myself back into class Aiming for a fourth, to be better than the last. This is the life of a dancer en point Risking the health of her feet, legs and joints Just for that one perfect moment on stage Where the ballerina stands tall and all are amazed.
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Feb 19, 2014
Feb 19, 2014 at 3:49 AM UTC
Ballerina
Never will I be covered in tattoos My legs and toes shall forever stay bruised. I’ll never paint or carry a tune Forever and ever, I’ll wear a tutu. I won’t dye my hair pink or blue My piercings will stay as the simple two Nails cut short and hair in a bun In ballet, this must be done. Pink tights by the mound Bobby pins all around Leotards on the floor Pointe shoes by the door. Toes taped so tightly Smiling big and brightly Red lipstick adding to her beauty The dancer moves so smoothly. Turned out from my hips No words coming from my lips I dance sweetly to the sound Ooh ballet, to you, I am bound. Full of grace, never haste Filling perfectly my costume of lace Ever so sweet, my dancing feet Step after step, I repeat and repeat. Obtaining perfection is my key It’s what I strive for, it’s all that defines me Pushing harder and harder to reach my goal It’s what I live for, ballet is my soul. My toes may bleed And my knees, grow weak But I’ll never stop dancing… Not until I reach my peak. Pirouette, Pirouette Dancer’s silhouette Practicing at dusk Dedication is a must. Stretching my limbs Choreographing on a whim Alway aiming to be stronger To hold my arabesque longer. When I do finally reach that triple pirouette and all is done and all is set I put myself back into class Aiming for a fourth, to be better than the last. This is the life of a dancer en point Risking the health of her feet, legs and joints Just for that one perfect moment on stage Where the ballerina stands tall and all are amazed.
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48
Goth Child nursed his mother's tattooed ***** Snapped **** with teeth Then grizzled grin at me and spit up I poked at my chile relleno Twisting hot cheesy sludge off prongs Tour jete with fork finishes in arabesque Between my own fangs I spit back scalding **** Goth Child points, says, "Pawpee, that man is scarewee" Pawpee turns his tattoo tears to see Flashes his gleaming grill I sink in my seat behind sightline of salsa squeeze bottle Chattering ivories
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Nov 23, 2015
Nov 23, 2015 at 2:19 PM UTC
Getting Toothy At The Taco House
♡><♡><♡ on bare boards the glit'ring gause graceful gesture found an arabesque an aching pause apropos to concert sound lithe lustrous girl scarce woman grown pours out her beating heart to stretch with every muscle owned in pain for love of art pure grace she is just as a swan soft white and deepest black she sways and lilts her own will gone on point with arch of back a strong male who leaps and soars stately carriage bounds to show his love unto his core and sweep her from the ground no person in the world knows the dancer's struggle, care they only see talent bestowed as he lifts her in the air the grueling practice hour on hour the hardship and the strain taxing body til it's empowered the tutelage of brain hour on hour same movement learned feet bound until deformed to ache, oh yes, to hurt and burn 'til she has perfect form but all this pain which we don't see is never all for naught for the roses she will be for the applause she's fraught for when this girl is on the stage she will, as a swan, fly and with great grace she'll turn the page and then, as woman die soulsurvivor (C) 8/1/2015
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Aug 1, 2015
Aug 1, 2015 at 12:26 PM UTC
ballet dancer
I once found my heart in Catawaba Where the blue cornflowers flourish between Arabesque petals floating from the snowy dogwood trees Encasing the air with the thick fragrance of innocence You took from me beneath the dying maple tree. The monotone cubicle in which you thrived Wouldn't suffice for the rose petals lingering Between your flushed lips drenched pale in the moonlight Breathing "You are beautiful" Smoking cigarettes with your mind.
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Jul 14, 2012
Jul 14, 2012 at 3:05 AM UTC
Piece of Pisces
Arabesque brown galaxies peer from behind rose tinted shades As your soft pink lips plant cashmere kisses that I crave And when you leave, my neck is haunted by the ghost of your teeth, body still trembling from the euphoria achieved
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Dec 2, 2014
Dec 2, 2014 at 10:24 AM UTC
Euphoria
I wear white I wear white I wear white and stare right back at the other end of the world The hems of the loosely fitting traditions Barely touch the ground anymore I wear white I wear white White like the chalk on the blackboard switched from right to left. Aimless and bereft of the desert I once called mine, I walk alone I wear white, I wear white As I have done for 14 hours and 14 years 7000 miles on the screen and 2 more up there to be precise. It faded for every mile Just as it has been doing since the day Darwish died I wear white, I wear white A different breed of Semite than they're used to Not walking but flowing almost as contradictory as "poutine Arabesque" The routine wears my jaw out as the vowels twist from right to left I wear white, I wear white Not just quite there yet Not even close Not even halfway to the surface but then again I suppose we've always been at ease at the depths of the sea Pearls and black gold abound I forget that sometimes in between intermittent bouts and doubts of "3arabiyun ana" As if that's what makes up the anatomy of an Arab As if that's enough for you, Khaled I wear white I wear white Or at least I tell myself I do Leave myself open to the prospect of life starting anew Forcing myself to see it through See life through your eyes Or are they my own **** you ? Tell me for the love of Christ Call me by name and don't bury me under the empty discarded photo frames that you stockpile I'm calling to you, Walid And will keep on calling And trying and burning and aching and failing and dreaming and irritating like a bad itch I sink under it all and push it all off step 3 repeat as necessary I scream in the tongue that you deafen your ears to and pull at the beard you've tried to shave off I pluck at the horizontal heartstrings you've tried to mute Above all, I wear white... And I fight.... I fight..... I FIGHT
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Apr 4, 2010
Apr 4, 2010 at 8:10 AM UTC
Poutine Arabesque
I wear white I wear white I wear white and stare right back at the other end of the world The hems of the loosely fitting traditions Barely touch the ground anymore I wear white I wear white White like the chalk on the blackboard switched from right to left. Aimless and bereft of the desert I once called mine, I walk alone I wear white, I wear white As I have done for 14 hours and 14 years 7000 miles on the screen and 2 more up there to be precise. It faded for every mile Just as it has been doing since the day Darwish died I wear white, I wear white A different breed of Semite than they're used to Not walking but flowing almost as contradictory as "poutine Arabesque" The routine wears my jaw out as the vowels twist from right to left I wear white, I wear white Not just quite there yet Not even close Not even halfway to the surface but then again I suppose we've always been at ease at the depths of the sea Pearls and black gold abound I forget that sometimes in between intermittent bouts and doubts of "3arabiyun ana" As if that's what makes up the anatomy of an Arab As if that's enough for you, Khaled I wear white I wear white Or at least I tell myself I do Leave myself open to the prospect of life starting anew Forcing myself to see it through See life through your eyes Or are they my own **** you ? Tell me for the love of Christ Call me by name and don't bury me under the empty discarded photo frames that you stockpile I'm calling to you, Walid And will keep on calling And trying and burning and aching and failing and dreaming and irritating like a bad itch I sink under it all and push it all off step 3 repeat as necessary I scream in the tongue that you deafen your ears to and pull at the beard you've tried to shave off I pluck at the horizontal heartstrings you've tried to mute Above all, I wear white... And I fight.... I fight..... I FIGHT
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56
Seduced by Debussy In music I lose me When notes float on staves Rolling in with the waves Of pure sound. The music around me surrounds me Enraptures and captures my heart. Arabesque,clair de lune take me off to the moon And again I'm in rapture Trapped in the capture of music.
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Mar 2, 2013
Mar 2, 2013 at 10:00 PM UTC
Key
Silken ribbons lacing dainty ankles toes snug within slippers in first position she nods her head for the music to begin  breathing a deep breath, ready to audition    Vibrations dance through out the floor her frail body flows with such grace with an arabesque she looks into the crowd hides her nervousness, with the smile upon her face   As pirouettes sync with the allegro tempo into a grande jete she soars through the air though her leg gives, she falls with broken pins an elegant bun lands as unraveled hair   Breathing deep breaths, her heart beat races while seeping into the floor she rests her head on are the tears of failure forming a lake  around the broken winged beauty, a fallen swan   Her shattered dreams unlace defeated slippers for she has cried out all of her ambition to be a prima ballerina, now never to curtsy with ankles chained in fear locked in first position.
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Dec 11, 2013
Dec 11, 2013 at 1:33 PM UTC
Locked In First Position
Piqué, piqué, piqué, pirouette. Arabesque. I stand there and you spin me around en pointe. You complete me. We dance and the music is like the background To our focal point. We are the centre stage. Echappé, échappé, relevé. Pas de chat ensemble. Repeat à l’autre côté. You take your hands from my waist now. We need to complete the choreography. And I feel lonely without you, Although you are just on the other side of the room, By the stereo. I miss you. Dancers fall for their partners all the time, So I will never tell you how I feel Because love will be the thing to tear us apart.
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Feb 3, 2013
Feb 3, 2013 at 12:53 PM UTC
Dance with Me
capricious arabesque undulate clientele juxtaposition visceral illuminati illustrious canticle piecewise chantry tealeaves evensong quixotic
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Oct 20, 2011
Oct 20, 2011 at 12:46 AM UTC
Words
Flowing voice- such a sweet aria! only such arabesque allegretto beauty could ameliorate shakespeare, mozart with only mere words. Andante ambiance azure bliss blossoms when gaze meets gaze. lovely cadence your dusty rose lips whisper dulcet promises of eternity Oh eternity!- how short it does sound! But yet eternity must efflux at some time we will hold eachother in the next eternity and the one after
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Apr 16, 2013
Apr 16, 2013 at 9:25 PM UTC
In the Gloaming
At it's ecstatic heights,  life is a splendid display of ballet moves. I watch you fly high precariously, stopping a  beat of my enamored heart with  an astounding move speaking beauty and dexterously land statuesque, in a graceful  arabesque stance. Defying gravity with amazing ease you create beauty none ever dreamed, so kaleidoscopic, appreciating it means touching the eternal with one's being in a fleeting moment, get transported. For that, one needs a mind as sharp as razor's edge and constantly pirouetting 360 degrees embracing  you at the speed of light, before you turn to a lightening flash,of different wavelength, all over again and begin the next cycle.
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Mar 25, 2016
Mar 25, 2016 at 9:18 PM UTC
Arabesque
I feed my appetite with your voice. Your fricatives pirouette on my tongue. Each sibilant hangs on my teeth, then slides off and leaves its wax to pile up in my throat. I cough it up and collect it in a jar. It sits on the shelf in my basement and becomes familiar with the musty cloak of yesterday’s wet laundry. On the shelf, there are jars of swollen strawberries and gritty half-skulls of pears, blackberries like bundles of balloons. But in your jar, suspended in their own sugary liquid, are ripened vowels that arabesque when I give the jar a shake. I wipe the damp film off the metal lid with my thumb. Now I’m sitting in bed at 2:00 a.m., scooping your words from their glass house with a sticky index finger, speckled with seeds, semicolons, ellipses. Each dig gets me closer to your older, sweeter language–closer to what I’ve been craving. The last drops cling to the jar’s lip until I tilt it to mine, and I’m full-bellied, staring at an empty jar. In the bathroom, I slide a finger in my mouth until it reaches my throat and the words come up and fill the toilet and overflow onto the floor, puddle around my crooked toes and stain the linoleum.
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Jul 29, 2013
Jul 29, 2013 at 4:44 PM UTC
Teeth Like Lloyd
Unfinished I am Left those ribbons flowing River Stream Adagio Fluid and slow Tipped across floor These cracked toes Unfinshed I am No water to reflect Face unshown The build up En L'air Made love to wind Touching cheeks The essence of air Inhaled Exhaled Whispering over ground For as i went up Strong A grand allegro Soft Slithering around hugging wood I came down Arabesque Leg heavy An ox I am Held perfectly Examined by man Unfinished I am Left those ribbons flowing By the river Stream Adagio Fluid and slow Tipped into pond A sensuous grand finale Of floating below...
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Nov 25, 2012
Nov 25, 2012 at 3:34 PM UTC
Ballet Dancer
In the light of your immaculate form I make the following declaration: I will be your jealous cellist-  (I.) And I will play you like a stringed instrument - then When you make delighted whisperings And finesse the fine music of the feminine, magnificent  Your heathen distemper Distributed,  woman-like, goddess-like Classic cello-shape  Draped in lilting silk Then I will fiddle and pluck Cast broad swathes near and about your single tingling place  Your attuned instrument  And it's spruce wooded frontispiece. (II.) You faux arabesque  (for faux is our shared domain)- Your hands moving gracefully - you pause -  Feigning flight  Feigning fancy Considering My rising fire  Weighty desire Shadows mingle with glimpses of My thickness and length- Veined skin and steel,  White - waiting, wanting - And there's an answer.  (III.) You are girl - such a girl  I am boy, only boy  My persistent mans eye view  Part pleased with the flashes of you -  Now in new  Near **** rhythm  This gilded exuberance,  Radiant Hypnotic Sets sparks flying  Tickling toward sky and stars I would have you  My dexterous digits upon your supple, warm- Fragrant fresh flesh fret board  I would squeeze you where Your mystery resides and Elsewhere besides. (IV.) Roughly - at first - needy Determined - I would play upon Your duet of juice creators Invoke the  Holiness of your  Secret sacred spaces Doublet, Triplet, Quintet  Play on! play on!  I would have you  With my plugging piece  There! There! Your open legs  Secretly seeking my carnival of thrusting  Inside your warm girls pearl Antidote for collective loneliness.  (V. ) I would hold you, your sides -  Firm in my greed Our lustful minuet in 3/4 time Play on, play on - I  Kiss your neck,  nibble your ******* It's you, it's you You arch yourself toward me Warmly Affectionate,  We hold hands, fingers between,  And dance.  (VI.) This some time Summertime Bright flame  We reach - how we reach-  Our mouths, our tongues -  The very words we speak- yearning for -  longing for - Connection Each to the other, and  Our connection to God  "Rightful sin -  Come to us again And again - and again  Satisfy our minds!"
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Sep 30, 2014
Sep 30, 2014 at 6:26 AM UTC
The Jealous Cellist
In the light of your immaculate form I make the following declaration: I will be your jealous cellist-  (I.) And I will play you like a stringed instrument - then When you make delighted whisperings And finesse the fine music of the feminine, magnificent  Your heathen distemper Distributed,  woman-like, goddess-like Classic cello-shape  Draped in lilting silk Then I will fiddle and pluck Cast broad swathes near and about your single tingling place  Your attuned instrument  And it's spruce wooded frontispiece. (II.) You faux arabesque  (for faux is our shared domain)- Your hands moving gracefully - you pause -  Feigning flight  Feigning fancy Considering My rising fire  Weighty desire Shadows mingle with glimpses of My thickness and length- Veined skin and steel,  White - waiting, wanting - And there's an answer.  (III.) You are girl - such a girl  I am boy, only boy  My persistent mans eye view  Part pleased with the flashes of you -  Now in new  Near **** rhythm  This gilded exuberance,  Radiant Hypnotic Sets sparks flying  Tickling toward sky and stars I would have you  My dexterous digits upon your supple, warm- Fragrant fresh flesh fret board  I would squeeze you where Your mystery resides and Elsewhere besides. (IV.) Roughly - at first - needy Determined - I would play upon Your duet of juice creators Invoke the  Holiness of your  Secret sacred spaces Doublet, Triplet, Quintet  Play on! play on!  I would have you  With my plugging piece  There! There! Your open legs  Secretly seeking my carnival of thrusting  Inside your warm girls pearl Antidote for collective loneliness.  (V. ) I would hold you, your sides -  Firm in my greed Our lustful minuet in 3/4 time Play on, play on - I  Kiss your neck,  nibble your ******* It's you, it's you You arch yourself toward me Warmly Affectionate,  We hold hands, fingers between,  And dance.  (VI.) This some time Summertime Bright flame  We reach - how we reach-  Our mouths, our tongues -  The very words we speak- yearning for -  longing for - Connection Each to the other, and  Our connection to God  "Rightful sin -  Come to us again And again - and again  Satisfy our minds!"
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93
Her arms so arabesque, choreographed by Balanchine, smoothly flow raise and lower in time to unheard melodies, A Flamingo when this lady dresses. Bees and birds stop fluttering, watch, as she pulls those stockings slow, so slowly up her silky leg to heaven.
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Oct 2, 2014
Oct 2, 2014 at 12:32 AM UTC
A poem dressing
I dissolve When I'm in the thick of nature It turns my brain off (for once) Smells cast spells Sounds surround I am finally in it I feel Sparse Whittled down To bone and breath Arabesque complexity nixed And I am OK with that My worries Go extinct
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Jun 9, 2014
Jun 9, 2014 at 5:43 PM UTC
nature's switch
Have you noticed how the music screams, How children in the mall confront, How anchormen are filled with glee When TV news disaster's front? Noticed how the colours fade When iridescent seas are fouled Or skies turn turgid grey from blue And football crowds scream hatred loud? And why is it that every time An ethnic immigrant complains, He points the finger square at us, The fools, whose benefits he claims? And Asiatic hatreds brew Between the Indian brother’s, brown, Over Kashmir’s shaky border fight And Pakistan’s deep, angry frown. There’s trouble in the Middle East Kalashnikovs shoot up the town, Somebody soon, should tell those boys When slugs go up, they must come down. And what about the filthy beasts Who scatter needles in the sand To leave the fickle fall of dice To innocents with tender hand. Have you noticed how the wealthy keep The good stuff for their selfish self? The rest of WE are left to fight Amongst ourselves for lowest shelf And how about Ghaddafi’s end So brutal at the sandy drain Where wild eyed Arabs shot him dead And TV watchers, fat, complained? And listen to the moaning Greeks Who’ve clearly lived beyond their means, Complain about austerity And pauperize their Europeans. And witness now the howling Yanks Who stand to point recession’s claws Directing blame at anyone, But themselves, whom problems cause. And finally an Arabesque, Macabre in its grotesque call, Of skeletal, Ethiopian forlorn Whose starving end, ignored by all. There’s beauty in this bounteous world, There’s Godly, good, and quiet serene, But just beneath the surface lies The human filth, deserved, obscene. Marshalg Observing my world in turmoil. Auckland N.Z. 22 October 2011
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Oct 21, 2011
Oct 21, 2011 at 3:48 PM UTC
Have You noticed How the Music Screams?
Have you noticed how the music screams, How children in the mall confront, How anchormen are filled with glee When TV news disaster's front? Noticed how the colours fade When iridescent seas are fouled Or skies turn turgid grey from blue And football crowds scream hatred loud? And why is it that every time An ethnic immigrant complains, He points the finger square at us, The fools, whose benefits he claims? And Asiatic hatreds brew Between the Indian brother’s, brown, Over Kashmir’s shaky border fight And Pakistan’s deep, angry frown. There’s trouble in the Middle East Kalashnikovs shoot up the town, Somebody soon, should tell those boys When slugs go up, they must come down. And what about the filthy beasts Who scatter needles in the sand To leave the fickle fall of dice To innocents with tender hand. Have you noticed how the wealthy keep The good stuff for their selfish self? The rest of WE are left to fight Amongst ourselves for lowest shelf And how about Ghaddafi’s end So brutal at the sandy drain Where wild eyed Arabs shot him dead And TV watchers, fat, complained? And listen to the moaning Greeks Who’ve clearly lived beyond their means, Complain about austerity And pauperize their Europeans. And witness now the howling Yanks Who stand to point recession’s claws Directing blame at anyone, But themselves, whom problems cause. And finally an Arabesque, Macabre in its grotesque call, Of skeletal, Ethiopian forlorn Whose starving end, ignored by all. There’s beauty in this bounteous world, There’s Godly, good, and quiet serene, But just beneath the surface lies The human filth, deserved, obscene. Marshalg Observing my world in turmoil. Auckland N.Z. 22 October 2011
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52
Grapefruit tree blooms lush Its proud fragrance dominates Stirs senses...in white... Redolence wakens..... Mind and nostrils, side by side Inspire and create... 'neath Sunday's twilight Branches mate....shadows connect, Entwine....entangle..... Curved silhouettes form An arabesque....of shapes And my own dance steps... Night impregnates mind, Scents, trees, starry nights..are turned To runes..........some, with tunes. ................................ (A cluster of haikus) Sally Copyright April 2, 2017 Rosalia Rosario A. Bayan
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Apr 1, 2017
Apr 1, 2017 at 11:37 PM UTC
Four AM Haikus
Anticipation is like a former actress who eagerly awaits a future prospect, where delicate wallflowers hang with certain fortitude. Similarly, our medieval ancestors played the harpsichord, whilst later English Baroque flaunted her chauvinistic flamboyance to those who fluttered their eyelashes in the name of socio-economic harlotry. I am pleased to meet your acquaintance, my friend of gallantry. However, the roots of Portugese expression are conveyed in the aristocracy of our heritage. As purity is the laughing stock of assumed independence, and pride is buried in lascivious presumption, we must remember that the classical piano shares an Arabesque flavour which stands in juxtaposition to our Saxony.
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Jan 22, 2015
Jan 22, 2015 at 10:35 PM UTC
The Period
A chimera ground of profound sadness enframes a deep field of arabesque red split in two, as Salomon would, by a thick bleeding bar of black 'n blue remorse.
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Dec 31, 2010
Dec 31, 2010 at 7:57 PM UTC
Rothko
The car runs rough today, labors over low hills that lay between me and the city. Clouds like enormous white feathers fan across the watery blue. The sun's warmth has lifted a rime of frost from the land. The farmer who owns this field has gone mad it seems, has taken his tractor on a joy ride leaving behind a rough arabesque of dark earth, an unintended and fugitive art. What moved him to this rash act? Was it a bitter phone call? Did he sell the land for enough cash to break even this year?
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Nov 6, 2012
Nov 6, 2012 at 4:19 PM UTC
Sunday Morning
The little girl slides into her slippers, supple leather gloves for her tiny feet. Her hair, though not the same copper shade, still shows tints of auburn in the light. I brush back a few stray hairs into place, back to the nape of her neck, where mine stayed for so many years. I gaze at my shoes in the corner, the ribbons limp with depression, the elastic dog-eared and sad. The satin is the dusty rose of evening. I fluff her tutu and twirl her around; Chaines come easily to her, Just as they do to me. And though even now I strike a picture-perfect arabesque, no audience is there to watch. I have passed the recital stage in life, meaning I am a shut-down factory, left to rust; no longer am I considered a ballerina. No longer am I entitled a dancer, but deep inside, past the mismatched legs and crooked knees and twisted pelvises, I still am. Her eyelashes blink up at me, and I grasp her hand as the piano begins. She sighs and ballet runs across the stage. I wish the magic came without the reprimanding. Her green eyes sparkle and her feet sing. In my little sister, I see myself.
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Dec 22, 2009
Dec 22, 2009 at 6:21 PM UTC
Reflections on The Hopeful
With ease the flower juggled Playing sweetly tenderly with the sun Outside the vent of my window Where I smelt the fragrance Of this pretty yellow flower Eavesdropping in my penal dream. Could this be the fruit Of billion trees veiled in vain Innocent voices drizzled And flooded patiently the weighted heart Weighted heart of sombre days Sombre days of beautiful injuries All the Arabesque of the eyes That foamed far then clad facades
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Jun 13, 2019
Jun 13, 2019 at 4:07 AM UTC
Arabasque
suspended vertical defying       human limitations bound in heaven's threads they perform an aerial arabesque        costumes torn, scattering sequins and halos on their ethereal descent as the crowd watches         breath harmonized, almost willing them to fall if air had been my mistress, I could have chosen to soar        the allure of existing only in this angels' abode where letting go relies on faith and testament of art evanescent         as we all prepare for this our final show
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Sep 9, 2014
Sep 9, 2014 at 8:14 AM UTC
The Final Show