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Phia Dec 2024
I’ve collected many things in my life
But my favorite
Are the memories and stories
I share with you
Every woman I have met has a story,
A story that sickens me to my core.
The narrative unfolds,
Like an apple she was to the eyes of the venomous serpent,
The serpent that took its life before it was even ripe.
Though just a bite he took, his toxin wove in too deep.
As she seeks aid, a voice said the harm has been done and time always runs a little too late.
How many of these stories remain untold?
A world filled with serpents and serpents that unfold.

                                Laai
This poem, titled The Serpent’s Bite, powerfully evokes the trauma and resilience of women who have suffered exploitation and harm. The “serpent” metaphor conveys the lurking danger that preys on women, cutting short innocence and potential before it fully blooms. The imagery of the “toxin” sinking deeply into the victim’s life highlights the lingering impact of such betrayal, one that isn’t easily undone even when help is sought. The poem mourns the countless untold stories of women who endure this pain, urging readers to recognize a world where serpents—symbols of predatory figures and systemic harm—continue to hide. Through its somber tone, The Serpent’s Bite is a call to acknowledge and address the silent suffering woven through many women’s lives.
Trinkets Nov 2024
we have an understanding
you and I
carefully tiptoe around

no touch waltz game of mirrors
and pretending
we do not see
attempts to follow or to lead
all focus on to hide
enough to please believe

I am worthy of the dance
  

inner thoughts printing press
working overtime
writing stories variations
hundreds thousands
locked up overflowing
when any one would do

finding myself
grasping lighters
hiding in my pockets
desperately wanting
something real
a fire all consuming
destroying what is me
to burn all past beliefs

I would grab old stories
by the handful crumpled paper
dismiss all for just one truth
throw them all to fuel flames
for just one scribbled piece
of any story from you


answers in a conversation
surrendered for imagined somethings
the nature of human loneliness
reading only what there is to read

there never would be fires
or firework displays

no darkened smoke
no burning out
no disappointment

just endless inner libraries in decay
Zee Oct 2024
Sometimes you're a footnote.
Others can refer to.

Other times you're lucky enough.
To be a whole entire chapter.

Some people go.
So they turn into a page.

As they wonder why.
They're not mentioned,
Again by name.

Other people's stories.
Will stay estranged from you.

While others will weave,
Their way into your world.

We are all just living stories.
Wanting to be heard.
Needing to be seen.

Trying to find a home.
Among the margins.
Of life.

We are all just stories.
With something to say.

That we are here.
Even if it was just,
For a chapter or two.

We all become stories.
At the end of the day.
Garbage Mammal Oct 2024
There’s an ancient myth of immortality that inhabits the minds of tyrants and farmers alike. For the ultimate power – for the ability to avoid their ending. A river that never erodes its bank; a flame that never burns away its wick.
For the twisted, the demented, there’s something more. Mere elevation of life holds no appeal, but the fictional, the bread and circuses of the modern world – that, is something worthy of eternal continuation. The last word should never come, there must always be a new chapter, another episode, one more level.
Because there’s something primal in these fictions, these stories. From the first flames of bonfires, humanity has shared tales, the characters becoming legendary, and the audience holds them in their hearts for the rest of their lives.
We learn to love these fakes, in our own sick way. We learn what they desire, what they fear, what they love and what they hate. We learn about their background, their hopes, their struggles. And through it all, we empathize with them. We cheer for their success and feel remorse at their failure. They’re a one-way friend, one that speaks to you, but that you can never speak back to – but there’s no need to talk back. You just need to be with them, even from a distance. That’s enough.
And then, when the story ends? It elicits a pang in our hearts. It’s as if the characters we’ve loved have died, buried in their Happily Ever After. Our distorted minds, so illogical, take this metaphorical death with a weight. We grieve, perhaps not with the fervor of one who has truly lost a loved one, but we grieve, nonetheless. We are left then with an emptiness, a chasm that can never be filled in exactly the same way; a hole that gnaws at our very core for days, weeks, months – even years.
But why? These people are fake, they were contrived. These worlds are mere imagination, none of it is real. Why can we not, us ****** few, simply throw it away like a used consumable? Why the grief? This lingering pit in our stomachs, this hole in our hearts?
Why?
Why?
Why must it end at all? Why can’t we, hand on book and eyes on screen, make happy evermore? Why can’t we stay wrapped up in our little fantasies, surrounded by our paper friends, swept up in the dream? Why can’t blinking pixels become the north star to our joy; why can’t the credits, our lullaby? Does it really have to end?

Of course, it does. It always does. The book will have its final chapter; a movie, its final scene; a game, its final interaction. And left in its place will be the ending. The ending that it was all leading up to. The entire point of the story in the first place.
And us twisted, demented, distorted, sick, ****** few, will hate it. We’ll cover our eyes and ears like a petulant child. We’ll reject the ending, taking up pen and keyboard to make our own path, to extend the escape. Forsaking the creator, we know we can do better. We can, somehow, keep the flame lit, keep the wicker solid, keep the wax formed.
And in doing so, we can live forever, in a dream of our own design. We know it’s illogical: we’ll be stuck in the past, and everyone else will be marching towards the future. But the pain of this loss, however illogical, denies us any other recourse. All we want, all we need, is to float in an endless narrative, accompanied by the ones who were never real to begin with. To bask in their wonderful perfection, to find the comfort and companionship we know they can provide. We’ll never have to be alone again; nobody will have to die.
We’ll be deluded,

but we’ll be happy.
And for us, maybe that isn’t so bad.
This is a pretty long poem, but I like the way it turned out, so I'm not going to remove lines or anything.
Zywa Oct 2024
The children go play,

grandpa is drowsy, today --


No stories today.
Song "Opa", performance "Neerlands Hoop in Bange Dagen" (Song "Grandpa", performance "Hope of the Netherlands in Fearful Days", 1972, Freek de Jonge and Bram Vermeulen)

Collection "Mist-I"
Zywa Aug 2024
Myths are real, they are

stronger than facts, tradition --


creating stories.
Play "The Servants and the Snow" (1970, Iris Murdoch), Act Two

Iris Murdoch uses the myth of 'ius primae noctis' (right of the first night / droit du seigneur) in this play

Collection "Unspoken"
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