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William Schenck Mar 2017
I buzz down Bourbon St.,
bar-hopping to and fro in pursuit of some
sought-after nerve.

I’ll pass street entertainers performing
various tricks and trades
and I’ll envy not their boater hats
filled with cash, but rather the
attention they command from mothers
and fathers alike, on-looking and inebriated.
                              Maybe father would’ve looked at me
                              with the same awe, had I donned
                              a pair of stilts or covered my body in
                              tinman silver, for his
                              failure to pay me mind
                              certainly wasn’t a result of
                              under-intoxication.

I digress. The thirteen blocks that stretch between
Canal & Esplanade Avenue host
a distinct pattern of storefronts:
                    Bar, *******, bar, gift shop,
                    bar, *******, bar, gift shop,

and so on.
I’ll stop in nearly every other one,
and the taste in my mouth
will start to remind me of the street’s namesake.

With a scant blouse on and
a batting of my bedroom eyes,
a man will inevitably strike up a
“conversation” with me.
While I unconsciously engage
in repartee, I’ll wonder to myself
what must be wrong with him
that he would hone in on some
despondent fool like me.

He’ll continue to ply me with drinks
until a taxi cab takes me away,
and through a backseat window
cracked open, I’ll hear
New Orleans sing
while I sigh.


W.M.S.
2017
The cold wind blows, the tree tops sigh
Crows upon a bough, loose their cry
And he can't hear nothing --
Nothin' at all.

Prayers of the pastor are the only sound
A cradle of blood, falls to the ground
They don't see nothing --
Nothing at all.

A single black crow flies overhead
Eyes stare out of branches
He nods a sleepy head
We cry and you cry, repent too late . . .

But the screams they start in the hollow of our lungs
And something wicked this way comes
And you can't see a thing for all the faces
And blackness fills the skies.

He tries to run away but they make a screeching sound
Louder than a train wreck leaving blood upon the ground
Thousands of crows swarm --
Slowly, pecking out his eyes.

//

But the screams they start in the hollow of our lungs
And something wicked this way comes
And you can't see a thing for all the faces
And blackness fills the skies.

You try to run away but we make a screeching sound
Louder than a train wreck leaving blood upon the ground
Thousands of crows swarm --
Slowly, we peck out your eyes.

A single black crow flies overhead
Eyes stare out of branches
You nod a sleepy head
We cry and you cry, repent too late . . .
Joshua Haines Jan 2017
FADE IN.

Mama, come try to deliver me;
I've been a rubber baby
since nineteen-ninety-three.
Father, come try to educate me;
I've been your no-good
since I turned thirteen.

Please, Lord, find the redemption in me --
I've grown weary of the way worry
boils, brews, and eats me slow.
See, friend, I can feel, too;
I used to let you down because
that's all I thought I knew
what to do.

Dah-Dah-Dah-Dah-dadada
Dah-Dah-Dah-Dah-dadada

Sister, angel, become bloodshot
at the way I hang; swaying
from the bedroom tree.
Sometimes I mistake my
bad brains for rotting fruit;
mushy peaches, doused in
fishbowl alcohol and
worries I can't shoo.

Good God, Lord,
what am I to do?
Good Lover,
what am I to say?
Good Brother,
I've failed you so.
Good Father,
I'm sorry I'm made this way.

I'm just a young boy unaware
of the stretcher
I think is a bed;
Bad brains make the
star-kid in my head.

Dah-Dah-Dah-Dah-dadada
Dah-Dah-Dah-Dah-dadada

FADE OUT.
A B Perales Jan 2017
They kept the inner city high
and the suburbs well
protected.

The cops all called  the
kids by their street name.
The kids called all the
cops Officer Bacon.


Runaways gravitate toward
the center of the city.
It was passing through the outskirts that
often got them killed.
Brent Kincaid Oct 2016
See the Nigra boy statue
On a White front lawn
It is all that is left now
The Old South is gone.
It’s beloved in those towns
With proper church steeples
From the good old days
When people owned people.

It is a symbol of when
Blacks stayed in at night
And all public offices
Were held by the Whites.
When all human rights
Applied to only Caucasians,
And not to Blacks, Hispanics,
American Indians or Asians.

Those were the days when
It was easy to quickly see
Which were the good people
And which ones were guilty.
In those much better times
We didn’t stoop to harrangue them.
If they shot off their mouths
We would  simply hang them.

Two hundred years of tradition
Was rudely taken away
No matter how we fought it
No matter what we had to say.
Those were the best times
And we liked it that way.
And our friendly Congressmen
Should make that way today.

The little Lawn Jockey remains
Almost by himself to carry on
Now that the massas and mistresses
In the Sainted South are gone.
He signifies a better time
Like Stephen Foster songs:
We never found owning darkies
So very evil or all that wrong.
I have known FAR too many people in my life who feel this way, so I decided I needed to share this so you can be on the lookout to avoid such creeps as talk like this.
Maw Maw Sez Jul 2016
Long summer nights
the sky is filled with stars
humid breezes across the grass
back porch sitting is required
along with a glass of tea
crickets chirping at the moon
an old hound dog scratching
lightning bugs dancing in the air
the smell of BBQ lingers
Brandy C Zoch Jun 2016
Covers off and on
The heat of her December
Southern Discomfort
Dec. 5, 2014
You've got me
going to the river to pray
gotta wash these sins away
but ain't no water gonna wash your hands off me

Yeah, you've got me
down on my knees
begging, begging, begging please
for mercy
take your hands off me

And they can call me a sinner
I've only got one heart
and you ate my soul for dinner
devoured me from the start

Yes, I'm going down
down to the river to pray
but no water gonna take this hold off me

Oh you've got me down on my knees
begging, begging, begging please
someone help me
get your devil out of me

I hear the willows whispering
telling lies all in the wind
and I'm drifting with the current
just let the water take me in

Because this desire
ain't no fire
on my funeral pyre
ain't no water gonna take your hands off me
Lyrics for a song
Kurt Carman Jun 2016
Memaw & Pepaw ..Mason Dixon Saturday night,
Just sippin' muscadine wine by the Tennessee moonlight
Rockin' chairs...Zenith Black and White
Roy, Buck, Minnie Pearl a Hee Haw delight.

Crickets a chirpin' and a Frogs a croakin'
Toe tapin' rhythm's got em all in motion.
Corn fields swaying like a metronome
Watching those two dance to cotton eye Joe!

Sunday mornings best at the Church of Christ,
Me, I'm Thinkin' bout Memaws country gravy, my fav-o-rite!
Fried Chicken, taters, eggs sunny side right,
These are the memories I like to recite.
I sure do miss you both. Hoeing okra and and mustered greens on Sunday afternoon. That **** rooster Ichabod having his way with those Rhode Island Red hens as Cecil and I laughed our ***** off. Making a sign for your hen house that read "Martins Chicken Hilton" and the day you died doing what you loved. I know your out there Cecil and Drewetta. I'll see you someday soon!
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