All, thanks for the many years of continuous support from Hello Poetry, comments (both praise and constructive criticism), and continuing to share our mutual love of poetry.

I am pleased to announce the release of my new book, Poems of Ancient Rome and Greece (of course, what else), in both paperback and Kindle formats with many of the poems on Hello Poetry revised and several new poems as well.  These copies are available on Amazon so please visit my author page for the paperback and Kindle versions:

https://www.amazon.com/stores/Christopher-Saitta/author/B0DRTSZSZH?ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true

Anyway, much thanks, and here is one of the new poems.

To the Sky

Once more, comb your skiey streaks of hair,
Backbrush to sombrous chamber,
While the vanity mirror flares its celestial impulse.

The corner of the room is a privation like monastic air,
Its angularity, the ascetic to your fleshened curves,  
More fitting for a candle fasting itself bare,
Relinquishing shine to that spare resurrection in the panes.

So too your summers have flamed upon the windows,  
And autumn has fizzled in spurts of leaves,
So too the failed days are sublimely worshipping  
To a soul that is the glass between.

Love is this placelessness of sunlight,
Earth, the memento of where we touched once:
  Her haystack-gold of hair, his shy, straw whisper,  
  And the footpath that still dwindles there to sunlight's pebbles.
  So warm is the insubstantial, substance of love.

From these paths, the world wanders old,
Upon its crooked staff of trees, its absent-mind dozed into hollows:
  No more sipping at Christ's wound,
  Like a glass soul filled with wine,
  Or tasting his body's amaranth
  In bee-breads fabled to divide.

Where lovers meet, death comes to adore.
Every kiss should prove monument to the world that wastes in air,
Every love should spurn its centuries to that steeped exile of elsewhere,
And break time like shells upon the shore.


II


Shut the blinds to the duller desuetudes of sun,
Because evening itself is a falling in love,
Because moods are the seasons homespun,
And death's great measure, if it comes,
Will be padded upon hand-woven rugs.

So begins the conceit,
Spring its slippered caprice,
Subdued to the stairs, the down-turnings and creaks,
Until table-spread as the meadowed indulgence of the dining room,
Where mornings have had their honeys,
And the berries and creams were guilty pleasures past noon.  

From the china closet and its glass goblet fruit,
Pluck the pome of a teacup
And pour the brook of brews:  
  Within the china pattern of leaves,
  The forest-dark shades of tea
  Are wheeling with subtle complexion
  Of black-currant and grey and darjeeling,
  As if the world could sway so wholly under the thumb,
  As if the woods were a coercion of vapors sapient
  Over their fire-flared stratums.

In mute, cupboarded moments,
To learn the only sound of the soul,
Is rain along the glassings of bay windows,
Is April too lightfelt to hold, only to lose.

Like a nightjar, startle through the storm whorls and raindrop leaves,
Fluster from the ragged brink of Spring,
To presage the distance in shady inklings.
And so then sail to Summering,
Dry until vaporous wings leave cooled tatters like clouded light:
  To dry the sodden absence of a lover,
  Feel your frayed fingers through his sky-blue sleeves.
  Loop the tassel of hair through the collar,
  As before the looms with an armful of yarns to weave.
  Once more the windfall of hair,
  Like smothered lightnings to the static mass of air,
  In strike-soundings, a confession to the cloth,    
  For man to adorn what woman must bare.

Click the lampshade light, the yellowed Autumn of album leaves,
Thinking back is your lying down to sleep.
Fall is the seduction of the sky,
An innuendo of slight denudings,
To lure the human sun from its fleshened prime,
Into leering lusters and willowy fingers to writhe.

Make your skyward sleep,
Past the kitchen that keeps its silence of floors,
A bare reminder of what the snows are for:
Sleep is the only snowfall of the mind, heavy-worlded and pieced,  
Outlying the hushing deep of pines.    

To the sky, great remnant of Greece,
Which has of human lips their redness,
But of love, still its thought to speak,
Mouthing hollow as the wide-open world.

i used to write in barren singed meadows in the summertime.

i used to write about the moon
        hanging shadows on and around my neck;
the cacti shriveling blisters in death valley;
      
imaginary summer superstorms
& neurotransmitters:
        pulses and a lack thereof.

i wrote about punctuation
and the ghosts i’d talk to in circles;
     sepia-stained,

i inked over them in ugly neons and called it art
and wouldn’t rest until they danced:
       sparks against the tips of my fingers like
                   shocks against warm sheets in winter
as i wrapped myself up,
      invisible and silent.

you’re not a poem
and that’s why i love you--

you make language lost
and paragraphs to abandoned sudoku puzzles

now my saccades pivot only to the blank spaces between
your words and your eyes and the cool komorebi(those leaves
bordering the sky of ghosts i disappeared so impossibly easily)

after you leave i sit and let my hands go numb
let my hands melt the iced latte you bought me
     when my throat was shut and shivering
     when i was quiet and charred and gaping at the window
           & still waiting for icicles long sublimated to strike

but now i go to bed with the room cold
because i know it’s the only way you can fall asleep

and i’m silent on purpose so i don’t wake us up

Under the bardo of the sheltering sky
mist and fog cleave earth from heaven.
The green  liminal land  abscission’s itself-
shivering swallows from boughs,
causing the wiltering river reed
to bend away from the first frazil ice—
and the grazing horse to return to hay by
following the frosting road back to the barn.

The fifth season has arrived,
sneaking in between summer and fall,
changing everything green to yellow,
then to fire and ash—
suspending earth and air until
nature decides the next breath.


bardo:  (in Tibetan Buddhism) a state of existence between death and rebirth, varying in length according to a person's conduct in life and manner of, or age at, death.

Liminal:  Liminal space is the uncertain transition between where you've been and where you're going physically, emotionally, or metaphorically.

abscission:   the natural detachment of parts of a plant, typically dead leaves and ripe fruit.

Frazil:  soft or amorphous ice formed by the accumulation of ice crystals in water that is too turbulent to freeze solid.

Winter has decorum
unlike his sister Spring,
he is slow and ponderous
but she's a giddy thing

There is no schism,
no gulf between the winter, fall, and spring
there is a reason for every season,
each takes the best
then adds to what the others bring

We sipped our fill from this years beer
until at last we came to winters snowy dregs
with whetted lips and foam still fresh upon the tongue
knowing that in time spring’s ale will surely come,
for now we mourn the empty ailing year
what once was fine and foaming full is done

Dear reader, let me with you share
how we must loosen winter’s snare.

I remember my last summer
when lazy clouds would puff the sky
and the river’d laugh and murmur
while the wind wandered gently by.

The trees all waved in greeting
with their maple green hand leaves
while air with nectar dripping
wafted past my senses’ eaves.

All around were people glowing,
each filled to the rim with gold sunlight,
each face a brimming chalice flowing
with the fruit of grapes of delight.

But now the sun’s departed
behind the bleak clouds’ winter coat
while leafless trees look guarded —
no more waving, just remote.

I turn my collar stiffly upwards,
wrap my scarf around my face,
become one more of masked hundreds —
of our hearts’ warming hearths no trace.

Where voices once were warm and clear,
they languish, muffled in a space
that tightens in a chilling fear
locked in the creeping frost’s embrace.

The slice of ice into my bones
snaps me awake to think again
and free myself from aches and groans
that winter’s biting shadow sends.

Under winter’s bitter blanket grey,
my mind wills back to summer’s upland hills
that shimmer in sunlit summer days
to cast off winter’s hoary chills.

And so, my friend, do we choose the dark
or do we light the solstice spark?