The Gods once sang hymns of Garland twined
Dancing nymphs steadily seducing Zeus’s mind
They sang about love, passion, and a woman scorned
For Hera, wife of Zeus, Hephaestus, his brother warned
“Aphrodite may be sweet, *****, and supple
But the two of you together will bring only trouble”
Brooding Zeus sulked, like the heroes of old
Alexander may be great but he will be BOLD

Ignoring the warning, to the glade he went
Sending a message with Mercury, his love he sent
Luna hung low over the trees that night
Fireflies flashing accenting the light
There she strode, Aphrodite the beautiful
Come here to meet Zeus, lord of the thunderbolt
“My king, with Mercury your words I read
Sweet nothings echo in my heart that bleeds
In wanting for you, I bellow the forge of my heart
My longing for you had me longing to depart”

Zeus rushed to his muse, his body filled with lust
Never stopping to consider he was betraying Hera’s trust
For the queen had played mighty Zeus, an illusion she wore
Aphrodite in image but in Hera her SCORN
Together they lay in lust passions raged
To feel his love again being all that she craved
Her moans turned to laughter, her plot complete
The nymphs turned to vines snaring his feet
“Hera, my love, do not be angered
My feelings for you were never endangered
I knew it was you from the very beginning
I was just simply curious to see the ending”

Hera wasn’t interested in any more of his lies
Like Uranus before him she would cut off his pride
Never again would he sire another *******
She would remain queen on Olympus from here on after
In celebration she cast the ******* down the mountain
Into a babbling spring where nymphs danced ’round a fountain
When suddenly an infant sprang from holy water deep
A boy was born immaculately complete
Raised by the dryad’s a man he grew
Through labors of love to prove his due

Ignorant of the boy, Hera jealously ruled Olympus
With Zeus crippled her power now limitless
Until a prophecy was issued by Apollo’s oracle
“A child born, he who is destined to wear the purple”
Worried, Hera sent Mercury down to Gaia’s shores
His mission to find the boy before he could wage his war
Too late he was, for once, he was too slow
The boy (now a man) was already in Olympus with his father in tow
“Hera, I’m here to claim my throne, father as my witness
From him I was born, a product of your sickness
Your husband you tricked, maimed, and usurped
That throne is mine and Olympus will never be yours
Then he called forth his first thunderbolt
Casting Hera into the void and ending her revolt

My pen slithers in poetic taboo
For as it writhes, you’d think it frail
Sliding along the garden’s morning dew
Polished diamond-shine upon each scale

Writing the lines as though I rhyme in schemes
Reptilian only within my dreams

To a Mouse
by Robert Burns
translation/modernization/interpretation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
Why’s such panic in your breast?
Why dash away, so quick, so rash,
In a frenzied flash
When I would be loath to run after you
With a murderous plowstaff!

I’m truly sorry Man’s dominion
Has broken Nature’s social union,
And justifies that bad opinion
Which makes you startle,
When I’m your poor, earth-bound companion
And fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
A small behest; it-
‘ll give me a blessing to know such a loss;
I’ll never miss it!

Your tiny house lies in a ruin,
Its fragile walls wind-rent and strewn!
Now nothing’s left to construct you a new one
Of mosses green
Since bleak December’s winds, ensuing,
Blow fast and keen!

You saw your fields laid bare and waste
With weary winter closing fast,
And cozy here, beneath the blast,
You thought to dwell,
Till crash! The cruel iron ploughshare passed
Straight through your cell!

That flimsy heap of leaves and stubble
Had cost you many a weary nibble!
Now you’re turned out, for all your trouble,
Less house and hold,
To endure the winter’s icy dribble
And hoarfrosts cold!

But mouse-friend, you are not alone
In proving foresight may be vain:
The best-laid schemes of Mice and Men
Go oft awry,
And leave us only grief and pain,
For promised joy!

Still, friend, you’re blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
Grim prospects drear!
While forward-looking seers, we
Humans guess and fear!

Published by the English department of St. John’s College High School. Excerpted in an essay by Galkina Karolina, Institute of Humanities, Borys Grinchenko Kyiv University, Ukraine, and published on the university’s website. Keywords/Tags: Robert Burns, mouse, translation, modernization, update, interpretation, schemes, mice, men, agley, awry, nature, field, plow, den, home, modern English



Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow.

The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain ...
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these more foolish hearts of men ...
and I think that maybe at last I ken
what your look meant then.

Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song