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The veil is yellow. Flashes of teeth and skin and widened eyes. Nails dig into the skin when she turns. Jasmine lingers when her rotations warrant a new face, a new man. The tigers stretch their paws and extend their claws. No one reaches to pet them, even though they are hers. And she is the reason we are here. We watch her skin join our dreams, until the sharp "ting ting" of ankle bells disturb the sleep we try with eyes open and mouths gaping. One man belches and blows the perfume in her face, like a kiss when she bends to pick up the coins. They didn't see her. No one saw the moisture under welling eye sockets. They didn't see the scars on her arms and around her neck and wrists. Her own strength gone wrong.

We only see plump lips and hunger. And somehow we always think we brought enough to feed her.
Seán Mac Falls Mar 2016
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves he felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and
rain tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
.
Queen of Nothing Mar 2016
as a student I often imagine how it would be great if time could stop at certain point,
or at least if second lasted longer,
you know, when you have a lot of things to study but you’re short on time?
i bet you imagined that,
you had to.
of course, that is just our imagination playing with us, nothing else.

but what if it can be done?

sitting at class, listening teacher’s lecture can sure prolong the time,
we all know that,
but there is something more.

maybe some guy who sits in front of you
who runs his hands through his hair may prolong your seconds, even if you didn’t thought he could.
you see yourself stare for seconds, and stare for minutes at him and his hair.

your eyes put focus at him and blur everything else,
just like when we are taking a photo with our camera.
it focuses on things we want to be focused like it knows what we want
and it takes a photo and save it on memory forever.

and you ears cannot hear anything.
well, you hear everything but it all feels like you’re on concert and everyone else is yelling
but you are quiet because they are playing your favorite song
and you know it’s more beautiful if you feel it rather than jumping and yelling around.
it’s almost you could cry, but you’re too shy.
and all your other senses like smelling or pain except feeling starts to float in the room.
you start to feel his hands going through his softly, fluffy hair like it’s your own.
and he does it all over again.
and again,
and again.
and every time it’s like he does it
and you’re floating in the air of emotions and
it’s heaven.

--------------

he stops.

your eyes can see normally again and you hear professor lecturing again.
then you start to feel pain in your leg because it became numb.
you’re back, but you will always be able to feel that again, whenever you want
because you, just like camera, saved it in your little brain.
there will be days before you feel something like that again,
and there will be so many nights that you will dream about that again
and again.

do you believe me now?
do you believe that seconds can be prolonged?
I think you should.
Norman dePlume Jan 2016
Should it come to this, without remorse? Like that orange, feeble
and deciduous, while we waited with binoculars through that gray on gray
afternoon for the owl to spread its wings. Perhaps it did, past dusk,
behind the trees, under those vaguely baleen-formed clouds.

The clouds cast shadows on other clouds, as if holding them up against reality, even for our affirmation. Did you think of me this morning, over your Life cereal, and did you miss the fruit?  The “organic wholeness?” What is the determinant thing that dissolves?

The dissolution of the self-contradictory comes from the dissolution of the determinant thing. Arguments formed in apartments over a bowl of cherries or a bowl of ****, or some such. Loss of a determinate thing (under Article 1262, par. 1.) is the equivalent of impossibility of performance in obligations to do referred to in Article 1266. We are left with the form of a bowl, perhaps a ginger bowl, or some form of lost lacquer.

The distinct lack of skyscrapers from SoHo up through Chelsea was said to be a function of Manhattan bedrock. But modern materials seem to have overcome that problem. Getting on the subway, he heard someone say “…as if each word is born with another word, and spends its life on lines looking for the perfect rhyme". "You know they mate for life," he thought, "the swans. If one is killed, the other often dies of boredom.”
(c) 2016. This started as another Ashbery parody, but once Hegel wormed his way in, I took out all the line breaks and flarfed it up a bit.
flowerheart Dec 2015
And I don't know if I miss the time when love songs' "you" didn't have a name,
Or if I like it when every "him" conjures up an image of your face.
Will laird May 2015
Yet another year has passed in a blur of waste and want, resplendent in good intentions, and captive to the grievous mistakes and wonderous successes achieved in its wake, and I marvel that i am still present to witness times gentle touch get inexorably firmer as its slow breaths draw closer to my cheeks. Birthdays seem a childs delight, yet it was with barely veiled excitement that i awoke this morning, cataloguing the days tasks mentally as I devised preemptive counter measures for the growing list of demands that seemed intent on marauding the simple joy of celebrating my own existence with the people that found themselves, some to their discomfiture, in my life.
It was early this morning when the first notes of the birthday song, the song that every child knows, and every adult can sing effortlessly, erupted in my direction, and i wanted to hold time in my hand, and forbid its passing as my daughter Taylor sang to me, her soft, lilting voice taking care with each word, as if she bled her heart onto each syllable before it passed her lips, and they fell before me in a shower of soft sighs and silky, red regard. I listened, silent, as I heard her say the words, and they weresuddenly a foreign language to me, a magical language lost to common ears, that echoed with beauty unimaginable, and i stood, transfixed and defenseless against the innocent sincerity she placed on each word, as if she bent over them as they lay down to sleep, kissing each on the forehead, smiling as she went to the next.

“Happy Birthday to Daddy…….”

Since she had arrived in my life, i had taken this name, and with it, the promise to try, in the most assuredly imperfect way, to cultivate her brilliant, questing mind, and to attempt to be the example by which she would measure a man. It was an honor, that name, coming from the lips of an angel, whispering the love of God in a childs song, and i could barely hold the tears as they threatened to seek refuge at her feet, and revere her name in dripping splashes along the ground. Twice today, she sang that hymn to me, and twice i fell in love with her as her sweet little voice lifted in the refrain. “Happy Birthday to Daddy….”. She was, I thought, my sweet, beautiful little girl.  As she sang, the sun peered down upon the earth, its baleful eye softening with the rising beauty of her song, and the trees swayed with the words of her adoring communion.
Yasha Harkness Apr 2015
I do desire that we may be better strangers.
Your ill-bred humor disgusts me.
You take too many familiarities with my person.
No I am not your lady.
Nor am i, and never will be your 'darling.'
You are the wrong shape
The wrong size
The wrong class
The wrong gender.
I prefer the company of my own kind.
Leave me be.
inspired by all the Victorian novels I've been reading lately
Robin Marie Jan 2015
I think of you every time I go to the movies because you wanted to take me there so bad but I was scared because I thought you would force me to kiss you in the dark again and I think of you when I wear my red Doctor Who shirt because you and your mom said you loved it the first time we hung out and I think of you when I pass the kids in the hallway who used to tease us because I remember you losing your temper and I think of you when I watch Once Upon a Time on my couch because that's where we first held hands and I think of you when I pass by your house because you invited me there so many times but I didn't go because I knew I wouldn't be able to say no and I think of you when I call myself stupid because you'd always say there's a difference between acting careless and being dumb and that what I thought I was was wrong and I think of you when I pass the spot in the hallway where my tears were words but only I could understand them where I had my best friend say goodbye and we hugged for the very last time and I don't know if it was a mistake
but even though you're three months gone, *you still make me think in run-on's.
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
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