Find me tearing violets, my love,
in a manic daze; I am running out of softness and daylight,
like winter’s cruel hours


“but I will crown your hair with these torn violet tiaras
and your soft throat, twine with woven garlands”


and I will dig into my tongue for the remaining metaphors
beneath the bourbon, until odes drench my lips,
I will stitch my wounds shut and ready for your apricot kisses —
I ache to be kissed away,
to waste away before your sun-speckled eyes
like a tiny fae in your flower basket, I ache to settle
in your dainty hands,
in lithe fingers lost in my wind-blown hair.


My November, my gentlest love,
how I breathe you in like my grandmother’s letters —
how you consume me
in curious ways
and for the first time, I am not afraid of the softness
buried and warm inside my bone marrows.


Tell me, darling, will you stay?
Will we stay
this time
for more than a kiss?
Will we linger longer
than silhouettes in a dream?

Her eyes are sinkholes in a quiet, sleeping state
and I was a girl, lost and misplaced at twenty-one,
looking for love in infinitesimal spaces:

on her palm creases and chipped, ruby nails,
and in the blown-out ends of her lotus tattoo
I find myself tracing a secret,
at the spiked tips of her hair tamed by fairy lights
and on the slits of her skin — a rabbit hole of wonders,
I always fall like Alice in sworn careful tiptoes
and crash headfirst; a broken wishbone, a tainted wish
some habits you just can't quit.
like —
October and her obsidian eyes, and the sunless ways we kissed —
being lost and misplaced made sense for a while in the detached comfort
of her cold bed, colder hands,
warmth has become an oppression.

But this dalliance has always been a disaster waiting to happen
and I am a paramour, a memory, a face in the crowd
swallowed in a seismic fall —

and losing October has always been a disaster waiting to happen —
this bed, always a site of a losing battle
and I find myself in a soiled, torn dress,
lying helpless on the other side of her war.

Tonight, I light myself a candle;
maybe one day, I'll finally learn to run away from a girl made of disasters

and not towards her.

You still eat away at my chest
like a mole finding its way out of my body.


God, it’s been ten years now since you last wrote me a letter
sealed with a pressed, dead daisy
and a ghostly kiss mark,
yet they’re still dying under my thumb.


These days slip by and I can no longer write you poems,
my dearest, sweet September —
but still, I hope that you have in your chest
all my papercuts from unbridled letters,
all my quiet midnights,
and all of my unwritten words;
they are yours for missing.


Must you leave a girl then, darling,
whose only fault was being one?

My throat is heavy with August’s sorrows
I sit by the shore and wait for the weakest waves
to drown my little feet — I  stagger over them like a clumsy giant.
But it’s seaborne sadness wraps, a constant, unrelenting embrace
like a mother’s grief,
a gentle creature’s death,
a rabid dog feasting on a poor, meatless bone.
I am alive — so cruelly alive for it all
as it falls

down my throat, down my chest like a child’s pained whisper.
My body is heavy with August’s weight as I retire to my filthy bed
and hold myself.

Cold are the nights in their quiet,
lackadaisical, taunting hours.

Come now, September. Come, kindly, if you please;
sweep me away into a million, invisible dust particles
suspended

under clueless, flickering lights.

I name all of my lovers after months now
and all roads lead to August and
the Roman cities we’ve burned —
how she walked on crumbling streets as I held the matches —
this poem is a page for burning at its tip:
a lone match, scalding — a firelit kiss
but the flames have always been a hypnotic sight
like a woman perched in your sunlit bed —
her hair, red as flames licking my neck,
red as love that bleeds on itself;
it leaves a stain on pretty things.

Now her skin has silk sheets burning away
like banners in a Roman cathedral,
her half-breath kisses, dying — now embers,
tainting my dress black where her lips had staked a claim.
Now her touch is wildfire crawling on my skin
and I am a wounded doe — waiting. waiting.
waiting.


The only world I know burns to the ground
before my very eyes
and we are no phoenixes, darling; all we do is burn.

"Pleasure sleeps in the same bed as pain"
So I'm told, but to tell the truth
I don't know if that's a world
Worth living through.

We poets are bad role models.
Burn all your love poems before you fall in love again.
Don't go around taking advice from the dead.

Honey Girl,
There are already too many bruises in your soul
Maybe it's time to give up control and just drift.
The current is always kind to rose blossoms.
Besides, the world is ending,
So we might as well try to find some happiness
In this mess.

We're far too young to care about the past
And far too old to care about the future

I'll gift you my Shakespeare plays,
So you can cut them into pieces.
I'll keep my cane, though.
I'm not ready to break it yet.

The land of the living might be beautiful,
But beauty never meant much to me.

I stick my fingers in my throat
and throw up a basket of swallowed suns;
under it, my tongue is parched and pinned in place
like a dried house moth on an entomologist’s hand
that nurses it back to life

and demands devotion in return,
a poem in return.

But I have purged the feeling being out of me
like a cold, cold man now averse to the ways of his younger lover
who is alive for all of it — the lust and the starving kisses
and the quiet deaths in the morning only to haunt at night.

I leave letters for my bitten nails without meaning a single word,
and go to lie with the superficiality, the hypocrisy nesting under my tongue.

I have started writing poems again — see where they take me this time
and find myself here, once more
where a fool unpacks her baggage and out I come rolling
like a dead body with a foaming mouth, a brown moth burning under the sun,
a leech that scurries under salt and needles,
slowly eroding like sanity.

She thinks, therefore, she is, they say,
but at what cost? She looks on and pens this poem
with a tiny smile on her lips.

my father pours his beer on my mother’s wounds.

i bet she rues the moment
god fashioned her out of his hollow ribs
and him, out of the twigs breaking
under her careless, tiny feet when she was fourteen.

hollow and broken, the walls fall
all over me like ancient, perishing twin cities
and lot’s wife never looks back; the angels never look back —
i crack like a lightless dawn that wants to disappear
but my brother has started to look like me —
wearing an all too familiar silence, an all too familiar sadness
wrapped around his neck like a cursed talisman.
my sister’s wrists are exposed; i check
for bitterness, and cigarettes, and boys —
maybe i hid them better and held them tighter away
until i was pale and white as a ghost i longed to be,

hollow and broken, the walls fall; the door flings open.

i no longer have to hide my wrists,
but i crouch to a cluttered corner of my room.
every sudden movement, every unchanging voice,
and i bow my head low for my father to pour his beer,
like a baptism of the heathen who accepts the words of god.

my mother’s wounds shine like biblical relics
kept in my body — too fragile and small
but i was not made for the word of god
who calls himself by my father’s name.

It all starts with an idea, that you can
Feelings come between now and then
Thoughts come running through your head
All the time is ripened for what could be said
Then it takes what was yours
It just breaks all your core
And you'll never know why
You gave in just for more
All the sights and the sores
Painful cries as they court
And you'll never know why
You take in, lust yet torn

Sometimes I fear the feeling of contentment
Of completion and accomplishment
Because afterwards I'll never know
If the passion dies, or if I'll still grow
Then it stops what you start
It just drops from the heart
And you'll never take back
What you gave just for art
All the lies and the lores
Faithful eyes now they tore
And you'll never know why
As you come back for more

And it starts as it the ends
The idea that you can't
As you say one goodnight
The last of all goodbyes
To the brush, to your pen
To all books that you've read
To the lovers that come
To the letters you've read
As you'll never come back
To create, you just can't
One last time, one last sigh
Close your eyes, one last breath
All the doors closing in
Right where we all begin

Our dreams come pure with uncertainty
When all doors are closed as answers can be
When everyone has turned their back on you
While the chance is null and you have no clue
That dream you have is yours alone
It only comes once, yet with you it's grown
It all starts with an idea, that you can
You were passionate once, embrace dreams once again