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Kian 4d
Beneath the rotted floorboards, time pulses,  
an arterial thrum of root-veined clocks.  
They do not tick for kings, nor bow for breath,  
but coil their echoes deep into the loam,  
dragging splinters of once-wooded oaths  
into the mouths of worms.  

What is time here, but the taste of damp?  
But the drag of green shadows across unblinking stones?  
A language older than lungs,  
a song of split seeds whispering their secrets  
to the weight of a thousand buried steps.  

Above, the weightless still mvoe,  
mistaking hours for thresholds,  
grinding moments into calendars  
as if order were a thing the earth might honor.  
Their laughter carries, thin as copper wire,  
breaking against the stone’s unhurried shrug.  

Here is the truth:  
roots keep the time,  
counting each second by the shade of moss,  
each century by the rise of the hawthorn's spine.  
And we are nothing to it,  
fleeting as the rain on uncarved stone,  
as brittle as the leaves  
crushed under their own arrival.  

I laid my ear to the ground once,  
and the earth opened a crack of sound—  
not a scream, but a swallow,  
a voice neither cruel nor kind.  
It told me this:  

"Do not fret your passing.  
Even your dust will kneel  
and grow itself into shadows.  
The clock of roots will claim you too,  
a heartbeat winding down  
to something soft and green."
Kian Nov 21
The clock exhales a trembling breath,
its pulse a shiver in the spine of time.
I wait,
unmoored in the ebb of minutes,
where silence holds the marrow of the night
and shadows braid themselves with longing.

The moon hangs, not as a goddess,
but as a seamstress,
stitching the veil of night with frayed intentions.
Each star—a pinprick in the fabric,
leaking a light too distant to warm.

I have heard the hymn of the ivy,
creeping on stone,
its whisper a litany of slow conquests,
its green, a defiance of winter’s gray.
And I wonder—
who will sing for me when my roots no longer hold?

Beneath my skin, rivers stall.
What was once a tempest
is now the measured drip
of something no longer daring to spill.
There is a violence in stillness,
in the way silence sharpens itself against my thoughts.

But let me tell you—
in the shadow of this unraveling,
I have made my peace
with the slow decay of mirrors,
with the fracturing of names.
The sparrow need not call itself a sparrow
to fly.

And when the end comes—
(oh, it is coming)
it will not be the roar of oceans folding into themselves,
nor the shattering of celestial harps.
It will be the sound
of a match extinguished in water,
the faint hiss
of something small,
forgotten,
forever.
Kian Nov 20
This latter stage of life unfolds—  
so distant now from dreams once gold.  
Each sunset sinks, each storm is crossed,  
and whispers still of Loved and Lost.  

The days ahead, though yet unwritten,  
hold no warmth, no solace given.  
I stand beneath the waning sun,  
and find no comfort—  
there is none.
Reuben F Nov 13
Bed is a vehicle
Without steer or veering wheel,
No two wings or a keel
Make a bed typical.

Coitus, Dream and Day
Inside a bottomless trunk,
You drive it when you’re drunk
Or any other way.

An eye-opener
And a commuting teacher,
Your bed's not in Future
Nor is it Past’s inner.

On a one-way road
And a carpeted sanctum,
Your bed holds you welcome
'Til your eyes become sewed.
He rose early , before dawn .
Sleep shutters to a stop ,
frame by frame
white flaming ,
burning through the algebra of living celluloid .

Dreamwalk through columned portico ,
entwined of hibiscus and passion flower ,
the meadow beyond
pulsating in glowing golden light ,
beckoned him to look for signs .

                            2
Every now and every then ,
waves of information ,
pouring from divers celestial spheres ,
swept across the gardened landscape ,
causing timelines to excite
and visions to dance before
him .

One day he would leave the meadow ,
though only partially explored ,
and return to the Everything
and all the other things ,
not remembered or revealed ,
having been shown
the Light and the Dark ,
and blending courage with tears .
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