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If she is not beautiful,
Nothing is,

If her eyes are not deep,
Than the ocean is a puddle,

If her kiss is not a blessing,
There is no magic in anything else,

If her taste is no wine,
Than no drug will entrance me.
She is
irinia 1d
light lingers on stones
I love to be a spectator
women's hair hallucinates sunflowers
time is hitting the walls
today our ribs/smiles don't hurt
these pavements are the custodians
of wind's secrets
our eyes see without effort
a strange divination possesses this journey
from egg to coffin

light travel through us as if through
an ocean of bones
a poem dreams its exile into words
the trees let us see the seeds of time
we confuse happiness
with the boutique of dreams
and that's alright
some magic was saved on Noah's ark

springtime smells of women's hands
a young man conjures an intact eden
silence is grinding the air
at the end of things, the root of water
No soul paid witness,
To the burst of light,
At the beginning of time.

No soul saw the magic,
As it grew, forming the light,
Forming the dark.

No soul heard the heavenly spirits call,
From the risers of the stars,
Down to earth to raise the first dawn.

So all we have is faith,
A lone tie to what we failed to see.
Whether or not there was magic or God, there was something amazing, and that is what faith holds on to.
Before you left,
I was a paradise,
A magical land of prosper and beauty.
When you left,
The rains stopped coming,
All the magic dried up to sandstone.
Then you came back,
With a river running wide,
Eroding the armored stone of my heart.
I prefer the sequel
Maryann I Mar 3
Click your heels, darling—
red as fresh-spilled secrets,
lacquered in the longing
of a girl caught between worlds.

The shoes gleam under studio lights,
a crimson promise, a whispered lie.
Tread lightly—the yellow bricks burn,
hot as stage-lamp sunbursts.

Magic is a contract signed in dust—
not fairy dust, but the kind that coats lungs,
turns breath to wheezing lullabies,
fills dreams with silver-flecked scars.

The witch shrieks, fire swallows her whole—
the flames don’t wait for cut.
She vanishes, but the burns stay,
seeping beneath the green of her skin.

The Tin Man rattles, hollow but breathing,
lungs stiff with powdered metal.
His tears are made of oil now,
his smile a polished afterthought.

Toto limps off set, paw trembling—
no curtain call for the crushed.
The monkeys drop like fallen stars,
wires snapping mid-flight.

And Judy—oh, Judy—
her laughter is stitched together,
a patchwork of amphetamines and exhaustion,
eyes wide as if searching for Kansas
but only finding the next scene.

Still, the shoes sparkle.
Still, they tell you to click.
Because every girl wants to go home—
even when home is a fairytale
built on broken bones.

Click, click—
but the magic is only real if you believe.
This poem was inspired by the tragedies underlying The Wizard of Oz—because there is a very hidden suffering beneath that magic. From disastrous injuries on set to the exploitation of Judy Garland, the film’s glamour was built on real-life suffering. The red heels transform into a haunting symbol — not only of escape, but of the price of illusion.
A world, hidden in a lover's eye—
Outsiders ought not to oversee.
It's where anything can come by,
Where ordinary would be a beauty.

Yes, dear reader,
It's the lover's eyes,
A realm much deeper,
Where all the magic lies.

Don't turn away,
Don't shun the flame
Let it softly stay—
It's love, not shame.
It's love, not shame
A whisper of jade, the night descends,
Upon the eastern sky, it lends
A blush, a stain, a crimson hue,
The moon, a pearl, reborn anew.

Not silver bright, but painted red,
As if the heavens themselves had bled.
A carp leaps high, to touch its face,
And finds within, a lonely space.

Chang'e's cold palace, crystal bright,
Reflects the sanguine, eerie light.
No rabbit grinds the jade elixir there,
But shadows dance, and chilling air.

The willow weeps, a spectral green,
Where once a lovers' tryst was seen.
Now only ghosts, with sighs so deep,
Their mournful vigil softly keep.

The Weaver Girl, her loom unbound,
No longer weaves, on sacred ground.
The Milky Way, a river wide,
Keeps her from her love's embrace, denied.

The Magpies fly, a restless flock,
Their cries unheard, upon the rock
Where once they formed a bridge so grand,
Now scattered far, across the land.

The Dragon King, in slumber deep,
Dreams of the pearls, the oceans keep.
He stirs, and clouds begin to swirl,
A crimson tide, the world to whirl.

The Fox spirit, with eyes so sly,
Watches the moon, as moments fly.
She dreams of power, beauty's grace,
And human hearts, she longs to chase.

The Mountain spirits, old and wise,
Observe the scene, with knowing eyes.
They've seen the moon in shades of white,
And crimson red, in darkest night.

They've seen the rise and fall of kings,
The joys and sorrows, time it brings.
They've seen the love that knows no end,
And broken hearts, that cannot mend.

The Crimson Moon, a silent guide,
Across the heavens, it does ride.
A witness to the tales untold,
Of heroes brave, and spirits bold.

The wind it sighs, a mournful tune,
Beneath the gaze of Crimson Moon.
A lonely beauty, stark and grand,
Across this mystical, ancient land.

The stars they dim, before its might,
Lost in the crimson, eerie light.
A painted scroll, across the sky,
Where legends live, and stories lie.

The moon hangs heavy, low and red,
As if the very heavens bled.
A potent symbol, dark and deep,
While mortals dream, and secrets sleep.

The night grows old, the moon descends,
Its crimson glow, at last, it lends
To dawn's embrace, a fading hue,
Until it rises, once anew.

And in its light, we see again,
The magic, myth, and lore of men.
The Crimson Moon, a timeless tale,
Of love and loss, that will not fail.
I weave you a tale of sorrow and forlorn, of love and loss. across the vast emptiness of the Gobi.  Of Chinese folklore, myth, and legend.
A whole world at my fingertips
Mine to create and explore
To fill with people and cultures
To bloom from nothingness

Mine to take care of
Mine to destroy
Mine to avenge
Mine to protect
Mine to adore

I have sought love and found it a million times
Lived happily-ever-afters for millennium
I have crafted worlds where everything is perfect
And worlds where it doesn't matter that it's not

Boredom and loneliness are things of the past
For in this place I have all that I need:

A
Home
A dimension
A grand adventure
A sanctuary for my soul
A place where I can finally belong

I live two lives:
My life there
And my life here
Here, in reality
Dull, plain reality
Where I am Cursed
And love skillfully evades me
Where my happily-ever-after taunts me just out of reach
Where there is pain and danger
But without the promise of love and adventure
Sometimes I wish I could stay
Stay in my world
But I could never pick just one
One Para or character to become
Because I love them all
One world to inhabit
Because they are all so wonderful
And good things wait for me
On the other side of the Metamorphosis

One day, everything will be great
We will always Triumph
Alii Semper Vincemus!

And my worlds will always be there for me
I will always have my power: to go wherever I please outside the realm of reality

Someday, I'll share my power with the world
But for now it is my sanctuary
My one reprieve
Nothing
Can ever make me give it up
As a Maladaptive Daydreamer, I have a sort of real life superpower: to enter fantasy worlds in my head. Too bad they're so good I wish I could stay there. Even if it's the literal zombie apocalypse, I still find myself longing to live there for real, at least for a little while. Every blessing comes with a curse I guess.

The world I'm writing about is Lindsavadia, a fantasy world of my own design. I drew it, and am world-building and culture-building right now. I actually created it for a book I'm writing! Writing a novel is HARD, but really fun. This is the first daydream that I introduced Lindsavadia to. I decided to use my daydreams as a technique for world-building, because it needed a lot of work. So I threw some of my favorite Paras in there and took them on a grand tour of Lindsavadia. Best idea I've ever had! The world-building is going GREAT! Way better than if I'd stuck to writing only.

I never thought I'd get this far. Truly amazing. I don't know what I'd do without my Paras and worlds. I hope that someday, I'll be able to share this magic with everyone

Sorry for the ESSAY haha!
A monk taught me the,
Magic of words, how even,
In short form they are.
Haikus are fun
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