|PART TWO|
D’YOU KNOW
THAT FEATHER
TOOK 23 ½ DAYS
TO LAND
Courtesy is not making fuss
Swallowing the disatisfaction
That grows as you
Realise this is the end
Quickly think up some wise words
To sign off with
ENTERING NOW, like
A man marching in honey:
A birdwatcher with a foot-long prime
on his single-reflex camera,
Also, enter with pages stuffed in your pockets,
On which are shown pictures of birds to identify,
Explaining where they nest and
The altitude at which they fly with
A detailed history of their forest-call-cry
He left in a rush,
A cup of tea (milk, no sugar, weak, hard water)
Was left untouched cooling,
But not at the speed that he sped down the road,
Spotting a thrush and releasing the wheel,
Fumbling for binoculars with excited hands,
Faith until death or heaven!
Even when he’s identified the bird, still
No one is steering his burgundy rover, still,
His hands are busied
By the focus wheel,
Won’t look away,
In focus, out again,
In once more,
Look at him! Show off!
His shutter snaps shut and alarm spreads
Amongst the birds and they dart away in groups
Fast as watercolour, laboured
And blurring in mid-flight
It takes a second or two for the echoe to die
Echoes find places to rest
Amongst the blades of grass
Humming in wait of a second coming
A matchstick structure, sublime
In its intricacy and *******
Of classical architectural traditions
Starts to collapse, later,
In good time, wait, and see
The matchsticks hit the surface,
Almost in reverse, it rattles
The table with fine-rain
Levels of cymbal crashes and violence,
If an ear was to listen
It would register the tinnitus that
We hear in our denial of pure silence.
Our denial of mortality
In its entirety, we laugh at those who
See ghosts on the west country coasts,
Those who dare catch a glimpse
Of long-departed lovers
On the boats that return from
Here or there,
Or solemnly sink
With conviction, miles from land
And there will be those who will
Want to understand
This woman we now see,
Was once married to a captain of ships
That sailed in the formation
Of an arrow, long and narrow,
He sank them all, bequeathed
His fleet to the icy grips of
That body of water famous
For having strong arms and
Snatching hands. She will never
Know if it was part of his plan.
He wrote her once to explain,
But the postman was caught
In the rain of springtime,
That time which is known to be
The season of showers,
And, attached to the grim mornings
Are the cruellest of hours
That postmen share with no one else,
But the letters, have so much life sealed inside,
Sealed by a human tongue
With traces of every kiss
In his pride, the postman did not give the
Soggy letter to the captain’s bride,
It ended up floating from here to there
Unintelligible for sure, the ink
Ran carelessly into puddles and drains,
When the ships all sank
They said nothing remained
The envelope was sealed by a kiss
By now it has found its way back to the sea
By way of rivers, tributaries,
Carried by wind and leaves,
On the feet of hikers that rest
On their backs under a canopy of trees,
It ran down the hills and salted
Ever so slightly more the sea
Where her captain’s body is found
And if he opens his eyes he’ll
See how his letter was returned.
If he opens his eyes.
She is running towards the house
Love, restless as the wind that determinedly
Keeps us all awake, it makes dull noises in its
Late night reflections on an unfulfilled existence,
It rubs its snout on rocks and stretches
Itself around their base to release frustrated energy,
They start to come loose and tumble into the sea,
Splashing the coastline with the tears of
Shipwreck tragedies,
The fallout of her uncertainty
In the ways of love,
Feeling so high up above her captain and unable to touch
His memories
That in fact never set foot on land
Her skirt is up above her knees,
Both feet off the ground,
The jangling sound of her keys are
Like thunder in this slowed down world
Where the worm is still journeying
To his hole and the bird
Is like a badly tuned channel
Where you can’t make out a single word
She runs towards the front door
Her moist eyes, familiar with
These skies that describe ominous clouds
And rain that hammers the floor
Again and once more and soon
She feels she will be buried in ice
With both of her husbands,
She sees him doubled over by the window
Panic in slow motion is like
A ship slowly upturning
In the drama of desolate sea stretches
That have swallowed so many
She moves, fast as a fastened shadow
Stretching.
Like life, reflected on the back of a spoon,
And the sun, finally, swallowed the moon
Part Nine (2) of The Man Who Longed to be an Oyster
