Festive morn, I crossed with thee
Embellished silk shines with whirling elegance—
Of translucent textures and fine fragrance
The royal formation— that anticipates a chance—
A romantic browse of catered acquaintance.

As I swipe to slant,— Thy arms braced my shoulders— and uplift me—
In awe of my still,
Slipped palms of thy distant longed—
In the halls of hide and seek—
Despite the fragments,— Thou aimed to break the lines,—
Chasing this harmony,
Unravelling the elflock sway;— to clutch the Orchid; Until she stays..

A conundrum that can't be tested, even how hard you try to exercise every specific. Just ail parts on a spinning axis with no conclusion! The conclusion to test the bewildered expression of pieces without there own thoughts. Feelings resort to compassion. Excluding the taste all together. It’s messy how something exists, which has no theme to what they are, and how one is tested. Tested to take your parts and find some commonality with more existing parts that urge the taste of compassion. A taste with its sense of propriety. Justification to mount moral terms with oneself. Oneself can’t tell itself apart. Only pieces trying to organize itself while spinning their connections down the rut! Permanent desire to fetch them out of the phase that’s established its original premise. Originality has no qualms with the likes of compassion. Setting up without any discernible corrections. Meant for outsiders within themselves to judge, plan, and exercise, without mercy to anything but oneself. Spinning axis burns desires upon urges that breakdown over time. The spinning pace doesn’t stop, until you stop and learn what truly is happening. Pieces remain in the rut. The rut full of many spread out phases too much to take in all at once. Plans don’t go to your agreement. Something outside oneself has yet to appreciate yourself, and what you have to offer. Except how does one do that when many pieces are too spread out for one to notice? Every specific is already radiating like a charged particle. Charging too much friction between one another. Trying not to lose one another in the constant spin of irony. Irony devoted without practice. Practice makes time for oneself to finally notice the originality of its premise isn’t truly spinning on its axis. It’s actually strolling for one’s interpretations to finally notice its static charge. The different pieces are holding on. Fetching the obvious back into circulation. Circulation outmatched not by itself. But by perception of a fully established sense of self.

Ecstasy mire in its own sorrow,
As if a ghost makes love to its shade.
The wooden door merely holds the knock;
Instead it punches out within the walls,
Dispersed as if a blow of clay.
There the sound hauls up a craft:
Foul of the wooden scent.
Just as it intertwines with cloisters,
The curves are lined into a  silhouette.
The mountainous fogs are sharpened,
The apex is buttoned and round.
The matter it is that shapes the core:
The mere marriage of soul and dust.
How a flesh can tease its craft,
As it gnaws on a clavicle(?)
The ghost sips on a river,
As if making love to its shade.

As if one  moving with an intent,
the flock of birds,of same feather,
with out any flight plan whatsoever,
or navigational chart,all approved,
change formations in lightning speed,
in to shapes none can ever imagine,
breathtaking to view, different each minute,
they do this in mid flight, reminding the quicksilver
dynamics of ocean waves,each minute day and night.