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There was a time I loved a flower so much,
so much - instead of picking it, I left it alone.
I left it, I knew that if it felt my touch,
It would die. I wouldn't be able to let it grow,

I'm not good at watering it,
I forget why it's colourless,
and I watch it die, bit by bit,
and wonder if I'm the cause of this.

It dies, but I can't help but admire,
this beautiful flower, in all it's forms,
I don't care for it, the situation is dire,
I do nothing but watch as it deforms.

My darling flower, it bloomed in my direction,
I thought it happened to bloom, not for me.
I knew I wasn't able to show the affection,
The affection this flower wants, to be free,

It bloomed, showing me it's finest petals,
but my darling flower, didn't need me anymore.
It lives another way, and it settles,
My feet hit the floor, as I realise I'm rotten to the core.

Not my darling flower, never so,
but me, I'm the one with all the woe,
I killed my flower, after it did so much,
At the end, I knew it would've died to my touch.
I attempted to write something a little bit more emotionally layered than all my previous poems. So I tackled one of the hardest emotions to write about - love. It's no understatement to say that love is the hardest emotion to write about, and that's simply because it's such a complex emotion and it appears in so many different forms you can't capture it all in just one poem, no matter who the poet might be.
You protect this behaviour of his,
End up letting us suffer like this,
Tears streaming down my swollen cheeks,
I vow to not let the anger unleash.

I know this script by heart,
and it's tearing me apart.
"Don't cry, that's what babies do."
but at the end of the day, is that really true?

My fear of my own blood, it's rational,
Flinch when you attack, it's traditional.
I look into your eyes, see something new,
not the man I thought I knew, not a clue.

On the other hand, she's too kind,
To everyone, who she thinks is by her side,
I look down to the ground, observe every trace,
Not able to look up at her or even look at her face,

Years of bottled up emotions,
I finally lash out, it clashes like an ocean,
Everyone turns their heads to look at me,
The same way I did to you, I'm not the girl they see.

The pieces shattered, scattered apart,
I fit them all together again, just like one,
the picture looks bigger, not what you'd expect.
This is way bigger than my heart,
Some pieces weren't here.. there were none.
The extra pieces I selected,
are pieces from your end, I collected.
I really wanted this poem to perfectly (or my best..) reflect the abused becomes the abuser, the extra pieces at the end are meant to symbolise the "trauma responses" and habits they learnt from their abuser. The lashing out and people looking at them the same way the person looked at their abuser is a (supposed) parallel, and how no matter how hard they try, they'll never really escape their past.
I* will die your daughter,
I will eventually be gone,
you might laugh, or cry tears,
you will wake up at dawn,
and find that your worst fears,
have inevitably come to life.

I will die your daughter.
Convinced I'm destined to decease,
as your daughter, not my own lead,
you'll be glad to finally have your peace,
The tear-stained letter? That's all you need.

I will die your daughter,
I won't run from my problems,
I won't fight them back either,
I won't rise to stardom,
This is my last breather.

I will die your daughter,
You may love me as your family,
but you don't love me as a person.
Knowing that hurts much more frantically,
as you don't even notice when I worsen.

I will die your daughter,
I have your blood bestowed upon,
But you've never considered me as one,
I don't want you to care when I'm gone,
Just go out and forget about me, have fun.

At the end of the day, it's not beneath you,
and trust me, it hurts me too.
But please remember me anyway,
even though you're the reason I couldn't stay.
I feel like this poem will resonate with many, depending on how deep you look into it (; It's the same as real life, the deeper you look into a person the more you understand their actions, and why they do/did what they do/did. I particularly like the enfasis on "I will die your daughter." because it just.. wow. 😱
Deona Spiteri Sep 21
People used to say you can see someone's story,
Just by looking deep into their eyes, their soul.
I never understood what that meant, not really.
Until that one day, I ended up seeing it for myself.

That deep aura, in those gorgeous ocean eyes.
Orbs anyone would give anything just for a glimpse.
Nobody realised, or they didn't bother to see the reality,
That girl was drowning in her own gorgeous ocean eyes.

I saw the light in his eyes vanish,
that gentle curiosity I touched upon, banished.
Turning colder, distant, until ashen of a memory remained.
Until I was alone, trapped, and in this world, I was chained.

I finally looked deep, really deep.
Not just in others, in me too.
And oh, don't their eyes weep,
to be seen, and trying to pull through.

I understood now, I saw their stories, deep within.
I glanced deep into their eyes, memorising every piece of their souls.
I truly understood what the life in people's eyes meant.
They say what words can't.

I understood while his eyes brightened,
free at last, beyond this world.
But mine dimmed, bound to the silence he left,
Unable to live without the first light that found me.
This poem seriously took me 3 DAYS.. (which is a lot compared to my usual amount..) anyway, I'm actually really proud of how this came out!! I genuinely think I'm improving in my poetry and I'm proud of it :3
Deona Spiteri Sep 16
When death finds you,
May it find you alive.
Not hollow, or dead inside,
Burnt to ash all sad and blue.

"If it does, then I wouldn't want to die."
I was born dead, not knowing how to live.
Maybe I shall learn how not to cry,
appreciate life, learn to forgive.

Maybe sometimes it's okay,
so death can feel like a welcomed guest too,
We see it as the doorway to doomsday,
But perchance we grew with that darkened hue?

We aren't living, just merely existing,
Stagnating even like trees,
Stuck to the roots we grew from.
Things we enjoyed, now just drifting
away from. And I beg with "Please,"
"Oh, how I wish I weren't so glum."

People may die thrice in their lives,
Once literally, once in memory.
once in soul, living, but not alive.
Okay so, I'm actually REALLY proud of this one. Immediately when I wrote it I was like "wait *** I have to upload this!" I love the last stanza the most because it feels like the poem is "slowly dying" (nearing it's end) as well. I don't know I just found it really creative lol😭
A touch of time —
feels like marigold marmalade,
like spending slow summers together.
Syrup-dripping tears sting as they stick
to your face, attracting bees; and those
jarring truths of a dream unfulfilled.
It stays sealed in glass—sweetness
postponed, a closed jar never tasted.

You plant a flower of hope in the smallest
of gardens, and prove that even a drop
of nectar can fertilize your faith.
You want to rest in blessings, but
blessings move — so must you.

You pray for daily bread, but life
kneads your hands into making it.
You earn your piece, then spread it
like marigold marmalade on warm bread.

Because life isn’t so sweet; dreams only
taste a little once you finally get a bite.
And Lord, could we be forgiven for
craving the fruit of another’s labour?
As we mistake living for pleasing —
and forget to live for our destined reason.
Your world is eternally complete.
You don't need to change a thing.
Your existence is already gem concrete.
A divine white hole gives off rays and transmits an unfamiliar being.

A seed that blooms into a drop of water,
A destiny, ready to be changed by the sky god.
Sprouts gushing everywhere, born from the mud.
A mother has seen it all, asks for protection against this creation, odd.

Shadows dressed as sparkling beams float around,
Befooling the pure, hoping to capture the crown.
Words as soft as pongee, elevating the snake from its hole, deep down,
Spreading the decay, now it is dead on the lawn.

The outer layer finally cracks open after forever.
Has been thousands of years, now its job is to be the cycle breaker.
Such a miraculous blessing of nature, to be no wiser:
Oh to possess a soul too serene to comprehend the tempter.

A photon is destined to proceed forwards,
One's mission only to exist for creating radiance.
Scarcely, only for a moment, for a soul sky god has its eyes over, one particle jumps backwards,
Creating another realm where signs from the future comes down to past as divine messages.

Uneasy senses overflowing from the intuition,
For those who cannot see, it is just an illusion.
One must not question sky god's compassion,
Sending signs even for those blinded by realm of skeletons.
You live between the space
of my fingers,
the caress between my lips.

I only remember when I forget.

Like last night
I thought of you, and it felt like
you were there.

Suddenly, my hands felt like yours
Were there.

Creep is such a bad word,
But there is no other way
to describe it.
I swear I was not thinking about you
only to realize that I was.

And then, I felt the familiar weight of your presence.

You live between the space of my thoughts,
somewhere that's not a dream
but also not just a memory.

When I close my eyes,
you are there,
and I question if you're thinking of me.

Every time I think
and I realize it—
you disappear.

But the weight
the weight of you
I'll never forget.

I only remember when I forget
She walks in, her eyes like soft pencil lines.
She smiles when she looks at the waitress,
ordering a coffee.

I sip mine slow, looking out the diner window.

“You always draw this late?” she asks.

Only when I can’t sleep. Or when I’m hungry.
Just depends on which one happens first.

She rolls her eyes.

Falling feels like a good pen that suddenly runs out of ink.

Normally, when I draw, I’m in my own little world.
No conversation. Just my graphite and my sketchpad.
Of all the beautiful colors that life can arrange,
I admit—I’m intrigued by this woman.

I completely put my pencil down and let my coffee get cold.
But that’s how fast inspiration strikes.

This grayscale drawing, splashed with the rainbow that is her.

Although I’m listening, I keep my head down,
pretending I’m still drawing the picture I was working on
when she first walked in.

She sits two booths away, hesitating before asking,
“Can you draw me?”

I look up immediately.
“You’d have to come closer.”

I catch the reflection of the city in her eyes—
the blinking sign outside, the brake lights from the cars.

I flip the page and start tracing lines on my sketchpad.

She tilts her head, watching my progress.
I ask the waitress for a refill.

“Do you ever draw people you don’t know?”

I look at her, smile, and say, “No.”

At some point, we see everyone before we really meet them.

In a way, it wasn’t a lie.
I have seen her somewhere before.
Or at least, I’ve thought of meeting someone
who looks the way she looks.

But then again, art is subjective.

She watches me over the rim of her mug as she sips her coffee.

She leans forward.
“What do you see when you look at me?”

The most beautiful things happen at unexpected moments.

Normally, when someone asks a question like that,
if you answer too fast, it’s a lie.
If you take too long, it’s a lie.

Before I knew it, I told her:
“Someone that talks to strangers when she’s bored.”

She rolls her eyes.
“Let me see.”

I show her the sketch,
point at it, and imitate her voice.
“Can you draw me?”

It’s not exactly polished.

She studies the rough graphite,
scratched to life between the pores of the page.

She rests her elbows on the table.

Before she answers, I speak first.

“I think about what things can be, versus what’s presented to us.
If we tell each other something deep about ourselves—
a strong 7.5 out of 10—it’s going to be either forgettable
or full of ****. Either way, we’re both hoping
not to regret opening up
to someone who’s just going to nod and smile.”

She smirks.
“If I told you I love the progress on the picture so far, what then?”

I shrug.
“I’d still think you’re full of ****.
But you’re kind of cute.”

Falling feels like a good pen that suddenly runs out of ink.

To be honest, I don’t think it’s the uncertainty of where I’d land.
I haven’t exactly lived my life by the advice I give other people.

I never really think about the end of things.

Whatever I do, I just go with it and expect the best.
I think about it, of course.
But eventually, the ink runs out.

That’s just life.

Although I’m drawing her physically,
in my mind, I’ve drawn the curve of her neck twice over.

The thought of drawing someone else
doesn’t even come to mind
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