she awakes.
her ballerina toes are poised, her nose is scrunched -
she is – what’s the word – alive.
her powder fingertips crease mechanically like a hydraulic press.
she has a beating chest with the calibration of cast iron.
her feet can climb Mount Olympus and higher.
she is limber.
she is – what’s the word – living.
her name is –
her skin has the swirl of a gleaming cantilever.
her head teeters.
she is speechless.
her lips are soft, her hands touch her face like it is a monument,
like she is a strawman.
is she a –
her spine has a curve, she can bend into geometric shapes, her arms are straight
but they encircle her.
galatea.
he whispers her name to her.
or maybe he names her.
she can choose a name herself, maybe.
she is – what’s the word – a woman.
her hair can swim through the air, her curls have strands that brush her cheeks
and her cheeks can color in the blank space left behind
by words.
galatea, she whispers.
her tongue clambers in her mouth, for some purchase,
for some worthy noise.
she searches herself for a – what’s the word – idea.
you are mine, galatea, he says. i made you.
do not be afraid. i will bathe you, dress you, anoint you.
i will worship you, and i will save you.
he caresses her hand.
her palms are dry as sandpaper.
she is – what’s the word –
her eyes have the shutter frequency of a lens.
she bends.
she is awake.
she does not remember a before.
she does not remember a maker.
she hasn’t yet made any mistakes.
her name is galatea
but she is no longer milk-white.
he says, you are my wife.
she says, i am alive.
he says, i gave you life.
she says, yes, you are right.
you gave me life,
and i won’t return it
because you gave it,
because it’s mine.
