Given: you and me, represented by the variables Y and M. Y is subject to change, and M is a constant. We are equal to the sum of Y and M.

Given: our lips, represented by the variables L sub yours and L sub mine.  Electricity is equal to the sum of L sub y and L sub m. Electricity is equal to euphoria. By the transitive property, the sum of our lips is happiness. Kissing you is happiness.

How much I am attached to you is represented by the variable A. A is equal to the quantity of all the times you make me laugh, plus how many songs are on the playlist you made me, multiplied by how many times I couldn’t stop myself from kissing you in public.

My paranoia that you will leave, represented by P, steadily increases at the same rate as my attachment to you. The volume of the box I isolate myself within is equal to l times w times h. If my anxiety fills my body at the rate of 3 m2/second, how long will it take for me to have an emotional breakdown?

Heartache is equal to the difference of Y and M, and it is represented by H.  H increases when it is multiplied by how many days we spent together, multiplied by how many of my friends approved of you, multiplied by how many of your sweatshirts are still in my bedroom, multiplied by how many “text me when you get home safely”s we sent, multiplied by how many times you called me beautiful.

In conclusion, nostalgia markedly increases H.

H reduces when it is divided by the elapsed time in days since H occurred.  At some point, the total H reaches zero.  A new Y may take its predecessor’s place, and, the algorithm may be used again.  But maybe that’s too much math.  After all, M is a constant.  M is the only thing I need to exist.  After all the relentless calculation, maybe a Y doesn’t belong in the equation after all.

Dear Math,
I wrote this letter to let you know how I feel about you. The thing is much as you love me so much, we can never be an Item when all you do is torture my brain and break my heart.
You claim to be a linguist, yet you know none of my languages. You don't know Kiswahili neither do you know English and only speak Algebra and statistics...I loathe you for all you do is play on my mind with words like Sigma and Meu, factorial and co-factor.You claim you want to be the only one but still ask me to find your X without even telling me Y.Well, grow up and solve your own problems because I'm tired of solving them for you.Just walk out of my life forever and not temporarily like the dew. You have hurt me enough with razors of matrices, pinched me simultaneously and never asked me whether I believed in your ancient beliefs like those of Pythagoras or not. We were never meant to be. I found a new one, her name is literature and she loves me so much.I won't apologize for saying I hate you because It's unfair apologizing for saying the truth.
Yours with anger

A

Not No Logos, Klein.
What about anti-logo
Using the figure as the foci
But leaving the message in the medium
Both in the back and foreground

Then we yell fore and the foreground becomes the background

2

Always remembering hierarchy but always forgetting Plutarch

Is this is a disambiguation?

Did I confuse Parallel Lives with Plutarchy?

3

So we grid it out.
GOTO Vitruvio ...

4

Trying hard to balance can create imbalance this we rationalize through irrationality.

3.14159265359 ...

5

Symmetry ... .. . ~ . .. ... assymetrY

Stressing the *** in asymmetry

And what about the meeting of Apollo and Dionysus and the Apollonian/Dionysian duality?

6

Rhythm:

3:3 ; 4:4 ; 7:4 ; salt peanuts . .. ... windtalkers

7

White space is an access point for flow, Tao, source .... this is where my batteries recharge

8

Every element is mindfully placed; an element of gestalt ism "shape form", is this analogous to timespace?

Is the whole other than the sum of its parts? GOTO Miller-Urey II nested inside Babylon Falling

Both are self organizing, none the less. Such wholesome folk we are.

9

The patterns found in isolation parallel both linear and crossing elements and the instructions always coming from a double helix. GOTO The Dance of the Double Helix

... and always adding depth and motion ... kinematic to the statics. GOTO Introducing Happiness

10

Type faces are interfaces so be consistent ... you Paranoid Android!

J

Always K.I.S.S.ing

Q

And in motion means modularity is a must

K

Peaks and valleys can be better understood at the Red Onion or maybe just by peeling back the layers (of life)

Rhythms of Al Gore
Put us to sleep
So we can remember
Fortunately, Clinton was a jazz
Man

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