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 Oct 2017 Sid
Lora Lee
(explicit)

**** my soul
        with poetry
           scream out my gracious name
             slay me with words
               that peel my layers
                and simultaneously
                                   drive me
                                           insane

finger me slowly, hotly
with just the right rhythm and rhyme
    push me past my
                 tender limits
                       into tongues of syntax,
                                                      sublime

a­lliterate my senses
   (in swift stac
                    c-at
                           o)
until my mind is but blank verse
    mess up my stressed
              and unstressed syllables
in unsung language, versed

I will speak to you in vowels
(the only sound
       I will be able to make)
as you stroke
   my iambic pentameter
             in the heat of frothed-up
                                                     ache

we are this heroic couplet, you see
        even if the meaning seems veiled
           no need for simile or metaphor
               as I feel your chest rise
                              in deep inhale

we are a natural paradox
       so many ironies abound
         discordant harmony
is our synaesthesia
     in visible darkness found

and I love this delicious enjambment
as your aura invisibly slips
                               into mine
our lines have no beginning,
                                 no end
    as we undo
          the boundaries
                      of time
Explicit!
synaesthesia-The production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body.

en·jamb·ment
inˈjambmənt,enˈjam(b)mənt/שלח
noun
(in verse) the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
 Oct 2017 Sid
FormlessMars
Writing creates a paradigm.

Much like a camera, it is a paradigm that we can look through in order to see the world, or create one, from a different perspective.

I decided to step away from my art and look at the lens itself instead of looking through it.

What I found is that we are able to paint pictures with words, pictures that don’t exist and we can create artworks with those pictures that allow you to see them in the most magical way possible while knowing that each artwork is different and unique depending on the person that composes it.

It is being able to travel the world as we know it through symbols and letters while not moving an inch from where we are in time and lead ourselves to a beautiful yet twisted sense of duality.

Maybe it’s the feeling of godhood in creating life, worlds or even stories yet I am still human but I become a god outside of time.

I take my imagination and make it tangible.

They say actions speak louder than words but I am a writer and words are all I have. So, maybe one day, as these words drip from my fingertips they will find you and they will drown your thoughts with beautiful pictures and hopefully, you might just understand,

Why we write.

They say actions speak louder than words,

But there’s still a reason why the pen is mightier than the sword.
Trying to express a passionate love with words is harder than it looks...
 Oct 2017 Sid
Anna Blake
it's you.

i would have never known
unless i saw
the light meet your face
that morning.

neither of us are early risers,
but i couldn't waste
a second.

above me,
at 6:40 in the morning,
a perfect blend of
blue, gray, and sincerity,
which was born
on the rising sun,
peered through an ivory curtain,
and landed on a gentle face.

infinity soaked gaze,
honey coated touch,

your color was
the crisp mountain air
through a rolled down
Jeep window.

your color was
a John Prine record
and local barbeque

your color was serene.
it was the light's reflection of
a summer enveloped
by two people
in love with
right now.

-Anna Blake
 Oct 2017 Sid
girl diffused
Ambedo
 Oct 2017 Sid
girl diffused
We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our bodies
Submerged in a bed that smelled of our discarded childhoods
Tasted of our desperation and craving for love
Devoid of anything saccharine, bitter in the aftertaste

In the early morning I laid there, on top of you
Warmth trailing from your body,
Snaking across the smooth planes of my stomach
You cradling me like I wished my father could have
Fingers threading through my hair
Untangling the knots from my childhood

You spoke into my hairline,
Christened yourself repeatedly on my skin
Your voice was a Freudian call
Above the dirge of angry tidal water
Echoing from the corpses of our past

We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our faces
Verdant green of your eyes hypnotizing me
I splayed my fingers against your chest
Felt your ****** harden against the soft pad

I remembered the taste of sweet tomatoes, plump, ripe
Bursting juice onto my tongue
Coffee-soaked ladyfingers
Dappled sunlight streaming through leaves
Blue cloudless sky
Peals of youthful laughter
The smell of your mother's car—Pine Air Freshener
Her rosary swaying back and forth
A religious sacred pendulum

We felt the wistfulness and urging
Somewhere in the duller light
Slanting across our skin
Our contrasting polarizing canvases
We mourned each other in our brokenness
And in the pale evening,
Tried to assemble our skeletons back together
ambedo
n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—briefly soaking in the experience of being alive, an act that is done purely for its own sake.

{taken from "The Dictionary of Obscure Words."}
 Oct 2017 Sid
Allison
This vertigo
 Oct 2017 Sid
Allison
We were drinking coffee when
depression showed up at the door of the home we built, pounding.
Eviction notice in hand,
your soul parceled out into donation bins.
Foreclosure sign,
caution tape around the chest that I slept on for a year.

I sit out in the sun
to bleach the tan line from my ring finger.
I hold cold cups and shake strangers’ hands
to erase the mould of your grasp from mine.
I want to sear off my palms.

I miss even those nights when you looked at my fire and laughed.
So I make you coffee (but I know I make it wrong);
your ghost in this house still criticizes.

I made you coffee every day because it was all I could do;
my only way of getting into you, a vector.
As the hot brew flowed past your heart, I watched,
like a child at Christmas, hoping you’d feel my love.
Hoping the glaze would clear up from your eyes.

I only wish this were a bond that stayed,
that stayed when your mind put plugs in your ears:
when I screamed and screamed that I loved you,
that I’d rock every little thing you regret to sleep.

I went to the doctor about this dizziness.
He checked my ears, he asked why my eyes were red.
This vertigo--a hurricane made by the page turning in my life.
I am a bag in your wind.

The day you left I wrote you a recipe for how you like your coffee,
because you don’t know, but I have it memorized.
My handwriting changes halfway down the page, as I change,
as you drive farther and farther away.

Our love is a child I’ve carried,
now I’m bent over, sick.
Loss took your place in our home,
but it’s unsteady on its feet;
I have to walk it from room to room.

My name has been yours, possessive.
And although these days I correct myself and say ‘I’ during speech,
My thoughts are still ‘we.’
I still think about your lungs when I cough.

So I still make us coffee every day (but I know I make it wrong).
 Oct 2017 Sid
Samuel
And, best of all
                 neither you
                        nor I
        have the slightest
    desire to move
 Oct 2017 Sid
Charles Bukowski
"--you know, I've either had a family, a job, something
has always been in the
way
but now
I've sold my house, I've found this
place, a large studio, you should see the space and
the light.
for the first time in my life I'm going to have a place and
the time to
create."
no baby, if you're going to create
you're going to create whether you work
16 hours a day in a coal mine
or
you're going to create in a small room with 3 children
while you're on
welfare,
you're going to create with part of your mind and your
body blown
away,
you're going to create blind
crippled
demented,
you're going to create with a cat crawling up your
back while
the whole city trembles in earthquakes, bombardment,
flood and fire.
baby, air and light and time and space
have nothing to do with it
and don't create anything
except maybe a longer life to find
new excuses
for.
 Oct 2017 Sid
Alison K
It's the color of her eyes; the color of the sea. In both you could drown, or find God himself. It's the space between cities. Road signs & right turns, and the quiet determination to unravel in her arms. The sheets on her bed at 3am, where she whispers "I love you" and you've never been so sure of anything. The breath you exhale after you kiss her; it's the color of the blood pumping through your heart. The heart that she keeps beating. The heart that has her name written all over it. It's the heaviness in anticipation. The insatiable desire for a minute, just one minute. It is not the opposite of passion, like once suggested. It is passion itself. It is the sound of whispers. Her breath on your neck, and shivers down your spine. The color that fills in the weeks until you see her again. But most importantly, it will always be the color of her eyes. And it is no coincidence they are the color of the sea.
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