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Brent Kincaid Jul 2018
It ain’t like ahm a teacher ner nuthin.
Ahm jess a regular person, nothin spayshul
Ah ain’t no docterr of rocket science
Ahm jess a working guy, and kinda playful.
Ah half tah admit, ah do get things wrong
And sometahms ah can make a big mess
But ah do have minny, minny good points
And ahm a rilly good person, irregardless.

But things like writin’ readin’ and
Readin’ writin’ and sech lack that stuff
Ah stopped carin’ ‘bout at twelve
‘Cause ah found it more than kinda tuff.
Ah mean, it ain’t lack ah ain’t never
Gunna need to know reedickaluss stuff lie cat.
Ahm jess gunna graduate and then
Ah’ll go to work with Dad and drahve a bobcat.

Ain’t nobuddy needs algebra for that
Er fer workin’ at the factory line ever day either.
And it sher ain’t like ahm a teacher ner nuthin.
Ahm jess a regular person, nothin spayshul
Ah ain’t no docterr of rocket science
Ahm jess a working guy, and kinda playful.
Ah half tah admit, ah do get things wrong
And sometahms ah can make a big mess
But ah do have minny, minny good points
And ahm a rilly good person, irregardless.

But things like writin’ readin’ and
Grammer and other sech borin’ stuff
Ah stopped carin’ ‘bout at twelve
‘Cause ah found it more than kinda tuff.
Ah mean, it ain’t lack ah ain’t never
Gunna need to know reedickaluss stuff lie cat.
Ahm jess gunna graduate and then
Ah’ll go to work with Dad and drahve a bobcat.

Ain’t nobuddy needs algebra for that
Er fer workin’ on a factory line ever day either.
Ah sherr don’t need it to work digging
Er runnin’ sewer lahns er plummin’ pipes neither.
So, folks can jess give up on tryin’
To turn me into some kinda egghead scholar.
After all, it was good enough for my dad
To go to work, and work hard to earn a dollar.
Svetoslav Nov 2021
Let the night in, for I'll be writin' the letters of light in the air.
Our bodies pulsate by the notes of gentle symphonies, and we adhere.
Two elements shakin' and mergin' into one.

We are makin' it and cravin' for more of this addictive fun.
The moonlight rays reach the shapes of the furniture, movin' along with the temperature, increasin' with each movement.

Like desert diamonds, we will reflect in the pearly sun.
You will be the meadow that I will prefer and the lover within my arms to cover. Until amusement, let my cries give you inducement.

From the color of sulfate, this night is glowin' with universal sparks.
We both have bewitchin' feels for each other.
I am tastin' honey on the curves of her skin, and we embark on the hill.

The darkness is sailin' on the waves of our unity.
We stomp on a bed full of cherries, and the night stays still.
She feeds me with her tempting body, and I see her lucid thrills.

I climb on her high balconies, and I am one with the moon,
drinkin' from the passion of her milky skin.
Our hearts entwined. I attune from the voice of the raccoon.

Her body is femininity incarnated into a guitar. I play on her strings, listenin' to the music from noon until dawn, bound to our emotional devotion. Our irresistible pleasure is bowing to our connection.
Excerpt from my novel ''Last Occurrence''
Read it here: https://www.amazon.com/dp/B09KF4DYMJ
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
jeffrey robin Sep 2010
walkin on water

walkin on air

LAND WILL DO

walkin down streets
the mouths of alleys
spittin up ex-soldiers
and children

i

arm in arm with
the *******
--
-

we are such "commodity"

comic book characters
in ridiculous stories
we accept as truth

walkin in quick sand

on oily gulf coast beaches

WHEN ONLY THE TRUTH
WILL DO
-
--

take the dirt from your mouths
the chains from your legs

the "lover" from your side

forget the
"lame excuse"

walk down streets
enter the alleyways

where the ex-soldiers
are dyin

children are starvin

prostitutes are cryin

and i

sittin there

writin poetry

--
-

walkin on water

walkin on air

LAND WILL DO
WILL DO

will certainly
do

many a thing i have on my mind
when writin' the moment decides
the floatin' words there are to find

driven by main 'n' carried besides
a flowin' of all feelings expressed
for it the occassion itself provides

tho might it seem as dispossessed
consciousness to which it depends
'n' to whatever it may be addressed

the more it takes the more it bends
tho no block delays on to the move
thereby thinkin' too much extends

rather it's not 'till i myself approve
forever perfectin' tryin' to improve


*..love always...


عرفان بن يوسف © AH 25/03/1437


'a (freestyle meter) Sonnet'
princessninann Jun 2015
I don't feel like doin' anything
I don't feel like writin' a poem
I miss my bed, I want to go home
I don't want to move, I can't lift my bone.

I'm too lazy to think of words
My fingers cannot even write this verse
Not moving an inch would be worse
Oh I want to eat something, where's my purse?

I don't feel like goin' outside
I don't want to eat my meal tonight
I don't want to think and decode this byte
I'll sleep, watch movies, eat popcorn... bye.
I really feel lazy while listening to Bruno Mars' lazy song.

don't we all look up the skies as we start to wonder
aren't all of them writers up at night just to ponder
might be out of many a thing bein' stumbled upon
or like breezes of winds that are blowin' into mind

tho most of those times feelings bein' put asunder
by emotions as much as the rain, storm 'n' thunder
although aswell as the sun, moon 'n' stars beyond
just seems as if many don't manage nor get to find

so ye can contemplate but never thyselves deprive
to define these nature's bonds 'n' the beauties of life
for be it lessons by foremost the hard ways learned
or of one of those lovers onto which ye have burned

thus whether ye're writin' accordin' rules to follow
acknowledge thy messagin' by thy heart's wavin' flow


*..love always...


عرفان بن يوسف © AH 22/04/1437

'a (freestyle meter) Sonnet'

as i do not rhyme in metrics any more
i do not care as i used to write jambes
all i want is just to express the words
in ways by tellin' ye how i exactly feel

waves might be there aswell a melody
tho to ponder upon ye'll have to dive in
the stanzas may seem made purposely
if love is the drive the answer is within

a heart ever rhythmic as its beat plays
to emerge a writin' of a sonnet kind of
by the inner burnin' that never decays

tho no words known ever to be enough
witness me sayin' as forever 'n' always
lo my love is for love 'n' love is my love


*..love always...


عرفان بن يوسف © AH 27/06/1436
'a (freestyle meter) Sonnet'
TyRon Straughter Oct 2010
You put your pencil down when I thought you were writin
Well that must mean you wanna get a little more exciting
Put that pad down make feel a little more invited
If you make me put away this phone I'll get a more enlightened
I see your eyes must mean you serious bout this metaphor
Well we can exchange verbs until we leave the pages letters torn
You always find a way to make it known that you feelin me
You said you had a new trick with your pen.I always like a new soliloquy
And as the page turns like our sheets the composition gets deeper
I can tell by the introduction that this one is a keeper.
Extreme with the pen but I keep it in the lining
This work of art is worth fallin asleep during writing
I want this to be so great that you tell your friends about my writing
Even though your friends tell me that you always tell about my writing
But I kno you got a bad girls mouth
Now come and let me see what them adverbs bout
We pressed for time but I'm sure we can handle it
And you kno I never need help with my adjectives
By the way..will you perform my favorite adjective
Even though last time I could barely handle it
You are my pens favorite tablet
So now my pen is happy and my pen wants you to have it
The way your notebook looks I just want to grab it
So I can rip the cover and we can write some majic
Now put the paper to the pen like a nail to a hammer
Until we reach the writing ****** cuz that's my favorite stanza
Our subject-verb agreement gets tired of fighting
So let's just write until we tired of writing
We crossin T's and dotting I's no mistakes are being made
We should publish our craft it would leave others basically amazed
And after placing my last period you couldn't be more close to me
Girl you the best I'm happy that you helped me create this poetry!
Nathan Squiers Dec 2014
Let's break all the tension with the pretense of my presence.
Yes, I'm insensitive--but there's no other incentive others can give--
And while I'm not sure I could prevent it, I swear to no god I'm inventive!

Yes,
My hatred is incessant--ever present--and it's what I hold most sacred.
I'm a naughty narcissist with a nasty list of wasted kisses,
And I won't say that I'll miss 'em, 'cuz I'm the type who never misses.

I'm a hopeless romantic with a new sense of Tantric hope,
It's the antics of a frantic mind, but I'm too calm to cope.
They say I'm a raving, violent--rarely silent--tyrant with a craving
for the obscene,
Though, while I'm mean, I'm rarely seen within a mob or in a scene.

I'll admit I've got a streak, but--if you'd stop to take a peek--
You'd see a Buddhist, not a nudist, who's less a demon than a geek.
I'm oblique and I'm obtuse (do these math puns work for you?) yet I'm rarely never right;
Get my angle? Catch my drift? I might thrash, but, man, I'm thrift!
Hold on shift: I'M SCREAMING NOW!!
Don't know why; don't have a cow!
Remember that? That 90's rap? Look at me then; that piece of crap!
Shot down! Torn up! Shut in! Turned out!
Lips are sealed; inside I'd shout,
'Bout just how bad I wanted out!
Enraged and crazed; cravin' razors; a victim hiding from all saviors!
Turned to the pen to brace for the knife,
Started writin' and saved my life.
It's funny to say my life got better the day I started a suicide letter...

But letters turned to words and those words became whole worlds,
And before my very eyes a whole legacy unfurled!
I was GOD--not just a slob--but a shaper of all things,
And the schemes that I'd been dreaming shifted into scribing,
And I never stopped since then; it's why I'm still alive!

So my insanity became vanity as calamity turned to amity.
Sheer pessimism became untamed narcissism,
But if the mind's a prison then consider me jail broken.
Outspoken, re-awoken; take a moment to let that soak in.
That a boy doubtful of tomorrow could ditch the sorrow,
And become an immortal--though immoral, not totally amoral.

So yea, I've got my faults; I'm a sensory assault,
And while I don't mean to offend I'm just a product of the ends.
Played with fire; I got burned.
Dared to aspire; I was turned.
So I inquire to you sires as I march out of the fires:
You've seen my darkness and know my story--beginning, middle, end--
My name is Nathan Squiers, do you wanna be my friend?

this poetess known as Elizabeth Squires
with ways of writin' by waves to admire
the one i read here caught my attention
managin' all styles of apprehensions

for i love all of her works she gets penned
i say readin' her poems i find well spent
by her, learnin' beauties of Rosarians
i dared attemptin' to the rotarian

this writin' to her, for she to inspire
seein' as one of my inspirations
it's hers becomin' as musin' impends
bein' it against or pro-contrarian

i am a fan of this amazin' ma'am
hopin' she'll keep blessin' us with her slams


*
..love always...




عرفان بن يوسف © AH 24/04/1437

'a (pentameter) Sonnet'

— The End —