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Nelle case, dove ancora
si ragiona coi vicini
presso al fuoco, e già la nuora
porta a nanna i suoi bambini,
uno in collo e due per mano;
pel camino nero il vento,
tra lo scoppiettar dei ciocchi,
porta un suono lungo e lento,
tre, poi cinque, sette tocchi,
da un paese assai lontano:
tre, poi cinque e sette voci,
lente e languide, di gente:
voci dal borgo alle croci,
gente che non ha più niente:
- Fate piano! Piano! Piano!
Non vogliamo saper nulla:
notte? Giorno? Verno? State?
Piano, voi, con quella culla!
Che non pianga il *****... Fate
piano! Piano! Piano! Piano!
Non vogliamo ricordare
vino e grano, monte e piano,
la capanna, il focolare,
mamma, bimbi... Fate piano!
Piano! Piano! Piano! Piano!
anna  Mar 2019
the rain
anna Mar 2019
Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”
Short story!!
Mateuš Conrad Feb 2017
when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo
on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...
Gram had an old piano
It sat in the front room
There was a scorch mark on the top
Made by a cigar from the past
It always sat there silent
I never ever saw it played
But, I heard of all the parties
And the music from gram
She told us kids "don't touch it"
"Just leave it all alone"
So, we left it like she told us
We did as we were told
Even though we'd heard the stories
Of the music and the parties
And the fun that used to be
We watched as Gram would sit
Close her eyes, and fade out
To the parties and the music
And the good times of the past
She'd leave us to our own devices
Of which one, was not the piano
She told us it had been there
Since about nineteen sixty four
And to me, that's a long time
Especially for a piano to not be played
It had to be out of tune by now
But, we'd neve know
She'd tell us of the parties
How the neighbors would drop by
How the music would be lively
Then, she'd fade off once again
Back to the parties and the past
There were mice living in the piano
At least if not now, there once were
You could see droppings in the corner
And the scratches by the pedals
But, we never saw the mice
I guess they knew the piano was out of bounds too
As we got older and time passed by
We wouldn't go to Grams place as much
And she never moved the piano
We would still hear the stories
Either on the phone or during the visits
Both were more infrequent as we all aged
We knew she'd fade off
Sometimes during our chats on the phone
Sometimes during our visits
Back to the past
To the parties and the music
Gram passed last year
While she was sitting in her chair
She went to the past
And stayed there while I was making tea
I ended up with the piano
I can't play, not that I ever would
None of the other could either
But, I was the oldest
Now, every so often, I'll fade out
Back to the stories of the parties
That I never went to
And I think about the music
That I never heard
But, I remember how she said it was
How it must have sounded
The fun they had
The fun she was reliving
Grams piano sits in my house now
In the hall never played
It sits with its memories
Announcing what we all had missed
It sits, silent, and it's me who shares the tales
To all who will listen when they visit
I got Grams piano and I didn't get the mice
Brandon Conway Sep 2018
Mr. Piano Man how your
fingers rain down on the keys
dancing a somber ballet
capturing the feeling of being empty
like those bottles underneath

Here Mr. Piano Man
the next drink is on me
while we sift through debris
of our melancholy

Every note stings
every chord bleeds
woe is you
and
woe is me
play
Mr. Piano Man
a song to our ennui

Let it rain Mr. Piano Man
let the storm hammer the strings
lets swim in the puddle
of whats spilt underneath

Oh Mr. Piano Man
What is that I hear?
That note that was just hit
it sounded rather queer
there is no room for happiness
at the bottom of this beer

No! NO! Mr. Piano Man
I don't want the sun
go back to stormy waters
to where you had begun

I thought you a friend
I thought we allies
I thought we understood
the sounds of demise

Mr. Piano Man how you so betrayed
with your songs of love and spring
every note my heart aches
every chord a bee sting

Mr. Piano Man this is my goodbye
I am leaving you now
please don't cry
I am going to my new friend
Mr. Bartender
How do you do?
Give me an endless bottle
and another drunk to talk to.
Nelle case, dove ancora
si ragiona coi vicini
presso al fuoco, e già la nuora
porta a nanna i suoi bambini,
uno in collo e due per mano;
pel camino nero il vento,
tra lo scoppiettar dei ciocchi,
porta un suono lungo e lento,
tre, poi cinque, sette tocchi,
da un paese assai lontano:
tre, poi cinque e sette voci,
lente e languide, di gente:
voci dal borgo alle croci,
gente che non ha più niente:
- Fate piano! Piano! Piano!
Non vogliamo saper nulla:
notte? Giorno? Verno? State?
Piano, voi, con quella culla!
Che non pianga il *****... Fate
piano! Piano! Piano! Piano!
Non vogliamo ricordare
vino e grano, monte e piano,
la capanna, il focolare,
mamma, bimbi... Fate piano!
Piano! Piano! Piano! Piano!
Nelle case, dove ancora
si ragiona coi vicini
presso al fuoco, e già la nuora
porta a nanna i suoi bambini,
uno in collo e due per mano;
pel camino nero il vento,
tra lo scoppiettar dei ciocchi,
porta un suono lungo e lento,
tre, poi cinque, sette tocchi,
da un paese assai lontano:
tre, poi cinque e sette voci,
lente e languide, di gente:
voci dal borgo alle croci,
gente che non ha più niente:
- Fate piano! Piano! Piano!
Non vogliamo saper nulla:
notte? Giorno? Verno? State?
Piano, voi, con quella culla!
Che non pianga il *****... Fate
piano! Piano! Piano! Piano!
Non vogliamo ricordare
vino e grano, monte e piano,
la capanna, il focolare,
mamma, bimbi... Fate piano!
Piano! Piano! Piano! Piano!
Piano llorón de Genoveva, doliente piano
que en tus teclas resumes de la vida el arcano;
piano llorón, tus teclas son blancas y son negras,
como mis días negros, como mis blancas horas;
piano de Genoveva que en la alta noche lloras,
que hace muchos inviernos crueles que no te alegras,
tu música es historia de poéticos males:
habla de encantamientos y de princesas reales,
de los pequeños novios que por robar los nidos
una tarde nublada se quedaron perdidos
en el bosque; y nos cuenta de la niña agraciada
que recibió regalos de sus once madrinas,
que no invitó a la otra a sus bodas divinas
y que sufrió por ello los enojos del hada.
Me pareces, oh piano, por tu voz lastimera,
una caja de lágrimas, y tu oscura madera
me evoca la visita del primer ataúd
que recibí en mi casa en plena juventud.
Piano de Genoveva, te amo por indiscreto;
de tu alma a todo el mundo revelas el secreto;
cuentas, uno por uno, todos tus desengaños.
Piano llorón, la hermosa más hermosa del valle
se nos ha vuelto triste por que tiene treinta años
y no hay por todo el pueblo quien ronde por su calle.
Genoveva, regálame tu amor crepuscular:
esos dulces treinta años yo los puedo adorar.
¡Ruégala tú que al menos, pobre piano llorón,
con sus plantas minúsculas me pise el corazón!
g  Apr 2014
The Piano Man
g Apr 2014
In 2005 The Piano Man was found wandering the streets of Sheerness in a soaking wet suit and tie
he didn't say a word.
When presented with pad and pen he simply drew a grand piano.
His nurses sat him in front of a beat up old upright
he played for four hours straight;
for four months his hands were the only things to break his silence.

Alexandre Dumas said "man will never be perfect until he learns to create and destroy."
Do you ever think about how Beethoven hacked the legs off his piano so he could feel the sounds he couldn't hear in his head, through his chest?
And Van Gogh heard the sounds his paintings made but kept going until his sanity
was just a memory floating on a distant river under a tired Milky Way.
And you see, like a Gaelic folk song blindness runs red through my family,
so I know it's not much but I'm here, still trying to mould my hands to say the right form of 'I love you'.

And did you know that the human heart beats over 30 million times a year, but we still have a hard time keeping our feet on the ground?
And did you know that the act of breaking in a horse is actually the act of breaking it's back?
Like we can't sit without sitting on broken things.
And did you know that every time a mobile phone sends out a GPS signal a bee loses it's way home, and every bee that doesn't reach it's hive dies?

So on nights when your pulse matches the beat of my favourite song
you don't have to wonder if it's me matching the syncopation of your silence --
and I wonder if you ever found what you were looking for.
And I wonder if you realise that on days you're not here I roll up my sleeves,
count the beats without you,
sit on the backseat and miss you.
And somewhere The Piano Man rolls up his sleeves
creates the Big Bang under his fingertips.
And in 2005 on an April morning in Sheerness, a suited piano man walks straight into the ocean,
begs the current to take him.

I send you a message
a bee loses it's way home.
I send you another
another bee dies.
My chest cavity is a bumble bee crypt,
my tongue a honeyed graveyard.

Another message.
The Big Bang.
The hive.
A suit.
That ocean.
Another back is broken.
Another message is sent.
I fear I am more honeycomb than heart.

To create is to destroy. To destroy is to succeed.
And would you just look at what these piano hands have finally done.
Grace beadle 2014
Jazzy Lake  Oct 2013
Untitled
Jazzy Lake Oct 2013
I sit here, gazing into my cup of finished coffee, the foam still at the bottom, slowly disappearing. I can't bring myself to look away from the foam. As I look closer, I seem to be falling right off my seat at Starbucks, and into the coffee cup before me. Falling through the foam feel really weird. I decide to check my phone. It's 4:59. This is the most unimportant fact in the book of life. Time is very interesting. Without time, I don't know. Finally, I land on my **** in the middle of a corn field that turns slowly into a very cold and stuffy room filled with pianos. I suddenly realize I am now a boy because I feel my ****. From the weight, I can approximate that it is about 9 inches. That's pretty big for a white boy of 12. I have been writing music my whole life and have always wanted to play piano.   I have never played before but I know how to write music. The room that I am in is filled with the sound of a grand piano playing. I have no idea how I know this since I have never played piano before. But I follow the sound to the back of the shop where I see an old woman with grey hair all down her back. She is hunched over a huge grand piano and she is playing is though her life depends on it. Her ***** stamp reads: "Where there is will, there is way". There is spelled "they're". I push my horn rim spectacles up the bridge of my nose, suddenly realizing I aspire to be Percy Wesley. The glasses I am wearing are totally fake and don't even have lenses. I look in front of me at the woman again. Her fingers move across the piano keys like spiders, her hair blows in the wind that is not there because we are inside. I can't stop thinking about two things. The first thing is that there is something important in the briefcase I am suddenly holding, and the other is the woman's ***** stamp. Deciding that my brief case in more important, I open it up. It is filled with countless sheets on music that I have written for piano. I wonder what they sound like because I have never played piano before. I reach out to tap the woman on the shoulder, and with baited breath due to nerves, I tap her. The music stops. The piano store suddenly smells increasingly like coffee. The old spider like woman begins to turn around until she is looking at my fully in the face. I finally see that she is not a woman but a man. She is actually me when I am 99, the year when my psychic told me I would pass on. I place the piano music before of my future self, feeling very nervous. He smiles at me like he knows my whole future. As the room begins to smell more and more like coffee, he begins to play the music sheet I wrote. It sounds like everything I have ever imagined. As I begin to float upwards, I ask,
"what does the ***** stamp even mean?" "I reply to myself, " stay in integrity." I am no longer a boy. I am looking deeply into my coffee cup, trying to figure out what to write, as I listen to the piano playing through the speakers above me.
Jackeline Chacon Feb 2015
He played me piano
       He played me a song
       He played me a note
          Quite a bit wrong

       He played me here
       He played me there
       He played my body
     Like notes everywhere  

     I can't look at a piano
      Without dying inside
       You did things to me
            I have to hide

        He played me piano
        He played me a game
        He played my heart
           Oh what a shame

        He played me here
        He played me there
        He played me good
        Then pulled my hair

       I can't look at a piano
        Without crying inside
         I was falling in love
             I had to hide

        He played me piano
        He played me a song
        We played an affair
          Oh so very wrong  

         He played me here
         He played me there
         We played piano
              Everywhere
Erika Castaldo Dec 2015
It started as nothing but a jumble of
white and black.
Just a big thing in the middle of our
living room that my mother would
make beautiful sounds on.

Soon I was on the bench next to her,
my hands on hers
helping her make the music that
used to fill my days and nights
with peace.

I remember when it was her sitting next
to me, watching my hands create
something beautiful.
I’d never seen her with more pride
than she had in that moment.

Before long I sat at the piano
with a beautiful girl,
watching the familiar wonder form
on her face while I played.

I let the music bleed from my fingers
as that same beautiful girl walked into
the house, oblivious to the ring in
my pocket.

I was not playing the piano
on that day full of romance and hope.
Instead, a stranger was,
I was waiting at the altar
for a glimpse of my love coming
down the aisle.


When we got to the house by the lake,
she asked me to play for her.
I had barely finished the song
When we became one for
the first time.

I hadn't touched my piano in months,
Overwhelmed by the perils of marriage;
Bills, work, arguments, more bills.
As miserable as things were,
Our love never faded.
It grew stronger with every
Uncertain moment.

When that uncertainty became stability
And the hard work paid off
She surprised me with my own piano,
Atop it sat a bright pink bow.
Next to it stood my wife,
Her hand resting on her stomach.

I composed a new piece for the
First time in three years with a
Small bundle the same color as
The bow sitting in my arms.
That was the last time I touched the keys.

When I heard about the accident the
Next day, I closed the doors
Leading to the living room and
Sat in the nursery, holding my tiny
Daughter tightly to my chest.

My brother and I moved
The piano into the attic while my
Mother went through her things.

The piano stayed in the attic,
Even when we moved.
The only thing left of it a
Bright pink bow hanging
In my daughter's bedroom.
Tried to write from a male POV.

— The End —