Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Oy!  Boy!  You there!  That's no way ta be tyin' a knot.  Do it like the one next ta ya.  Thats right.  Now pull that tail tight.  Thats got 'er.  Be yer first time ta sea boy?  Aye!  I can tell.  Yer a bit unsure of yerself.  But don't you go worryin' 'bout that.  That there feelin' won't be stayin' with ya fer long.  No.  Not fer long at all.

Come on over and sit by an ol' sailor fer a bit.  Whilst I mend these here sails.  I gots to be gettin' 'em done in time afore we set back ta sea.  Why you ask?  Why boy, don't ya be a knowin' where we be?  We'll be needin' full sail and not one yard less, to get through these waters tonight.

Well, I'll tell ya.  See this here port?  Where'n the Capt'in went off to be makin' deals?  Why, we be at the very bottom edge of a slice of water called the Devils Spit.  What's the Devils Spit ya be askin'?  Oy!  Your still wet behind the ears ya are.  Why, I can count on me nine fingers and what's left of me toes, the number of men what's not heard of the Devils Spit.  And I be all out of fingers and toes to be addin' ya to the list. So I best be a tellin' ya.

Here.  Have a seat and hold on to this here end of sail edage for me.  That's a good lad.  Comfy?  Good.

Ya see, the Devils Spit is a nasty bit o' sea.  Shaped like a triangle.  Connectin' three ports.  Why, it's no bigger'n this on the Capt'ins charts.  But out there...lad, it's vast.  Vast dark and frightenin'.  Course I see the sun a shinin'!  But I'm talkin' 'bout night.  Deep night.  When the moon is high and full.  Like it'll be when we sail tonight.  Cause, it be night that brings up the dead.  Now listen up whilst ol' Tips Slived here tells the tale.

Aye!  The tortured souls upon the waves, do dance and call from watery graves.
They call to other pirates that be, out livin' a life 'pon the sea.
When ya sail within the Devils Spit, you take yer chances with the rest.
Fer they rise up, as ya near their eternal tomb. Ta beckon and wail, out in the gloom.
They have eyeless sockets. Aye! Tis a gruesome sight.
Plucked out by the ocean scavengers bite.
To have those wraiths look t'wards yer ship, marks it fer death.
You'll not beat their grip.
Thier spectral forms of festering rot, once be pirates, one and the lot.
Each dead soul picks itself a victim.  Then SWOOPS down on the decks ta collect 'em.
They be dragged, kicking and screaming, beneath the depths.
But Davvy Jones, these souls he won't accept.
A pact was made 'tween the Devil and he, fer those taken here within this Devil sea.
For the pirates chosen by the dead, are taken deeper down, past the sea bed.
To wail and burn on the Devils spit.  To be fed to his minions and his pets.
Then their souls belong to he, that claims this triangle of the sea.
A pirates soul be the blackest kind.  A more murderous bunch, you'll never find.
So now, ther be a full ship more, of tortured souls to settle scores.
With their ship sunk past the bottom, there they stay til the Devil calls 'em.
Up to dance 'pon the waves, to take other pirates to thier graves.
So when you sail with the full moon lit.  Sail not into the Devils Spit.


Now Lad.  How's that for a bit of an old salts tale?  Good one ay lad?  Here, hold this bit of sail up while I thread this here bobbin.  Higher now.  That's a good lad.  Ha! Ha!  You'll not be feelin this way fer long.  No.  Not long at all.


Hey! Boy!  yes YOU!  Your the only boy here 'board ship be ya not?  What are ya doin' over there in them torn sails?  Don't I be givin' ya enough work ta do?
Talkin' ta who?  We have no hand 'board this ship by that name.  Besides, there be no one there but you.  Take a look a round.
Boy?  You alright?  Your as white as them sheets there.  Ha!  Port sick are ya?  But, don't be worrin' lad.  We set sail on the tide, to do us a bit 'o piratin' on our way to the next port.
Now go check on them skull and cross bones.  make sure she's ready ta hoist when Capt'in calls fer 'em.  Yes. sir, white as them there sheets he is.

MEN!  Make ready ta sail.  Tonight, we sail through the Spit!

Not a poem but in protest of flagging truth about racism in Traverse City, Michigan


Traverse City, Michigan: Racism is still alive and well in our area.

We weren't always welcoming
Cross burning's (City of Traverse City, MI)
I'm born and raised in Traverse City, Michigan and still living in the same neighborhood where I grew up. I can remember when blacks were not welcome in most parts of town and the one or two around were military visitors.

We had two known cross burning incidents. One back in the late 80's or early 90's the other was around 1924, ******* groups like Ku Klux **** was behind both cross burning incidents. I found old articles on the earlier one but someone is trying hard to white wash history of Traverse City by hiding evidence of the most resent one. Ones like me who were there remember those dark days like it was yesterday. It don't bode well for tourism or the Cherry Festival if there's a record of racism in our city.

Copy pasting one two different retelling of story reported by our sometimes biased Record Eagle articles regarding the first and and will continue to dig for the other one.

January 31, 2009
KKK was active in early '20s

The 1924 bombings and cross burnings in downtown Traverse City were not the first **** activity in northern Michigan.

The Record-Eagle reported flaming crosses in the Mancelona area on Aug. 1, 1923, a full year before. Six weeks later, Traverse City commissioners refused the **** permission to hold a Sept. 17 open-air meeting at the corner of Front and Cass.

About 300 people showed up anyway and marched to a vacant lot west of Front and Union after the unidentified property owner gave permission, carefully noting that it "did not commit him to any relationship with the organization," the newspaper said.

The Record-Eagle also passed on information from an identified **** source in its Sept. 17 report:

Two, maybe three organizers had worked for weeks in Traverse City. About 150 Traverse City men from "among the leading citizens" had joined. An open-air ritual with the traditional fiery cross burning on a hillside would be held "sometime but not yet" in or near Traverse City, and it would be "merely a part of the **** ceremonies and have no special significance."

People who expected to see hooded men in white robes performing rites at the Sept. 17 rally were bound to be disappointed, the paper said. A new state law banned wearing masks in public. It also would be difficult to tell how many in the audience were KKK members because "every person who has signed the Ku Klux card has pledged to keep his membership an absolute secret."


Traverse City, Michigan wasn't always welcoming to people of color.


Traverse City Record-Eagle

February 1, 2009
Ku Klux **** terrorizes TC in 1924

KKK cross burnings, explosions rock city

By LORAINE ANDERSON
Black History Month has special significance, since it begins fewer than two weeks after the nation's historic inauguration of its first black president, Barack Obama.

But there are parts of that history that Traverse City, like the rest of the nation, would rather forget. The city never had a large black population, but it did not escape a visit from the Ku Klux **** during a frightening night of downtown explosions and cross burnings on Aug. 9, 1924.

Traverse City has never seen anything like that night of terror. Buildings shook. Store windows cracked and shattered. Houses as far away as 16th Street quaked, the Record-Eagle reported.

And though outside agitators were blamed, some local people may have been involved.

It started about 8 p.m. after three explosions went off across the river from the Lyric Theatre, where the State is today.

The crowd at the Lyric all but stampeded toward the door as women and children screamed. Panicked shoppers spilled out of downtown stores. City police phones jangled with alarm.

A large cross burned on the north side of the Boardman River near Cass Street. About 50 smaller burning crosses appeared almost simultaneously at the centers of intersections across the city. Each was crudely nailed together and swathed in oil-soaked rags. Sparks flew when several cars struck them. A city fire truck raced through town to douse flames.

Then, a "touring car" with four men, robed and hooded, though not masked, slowly trolled down Front Street carrying a sign surrounded by red flares blazing three letters: KKK.

Copies of the Ku Klux **** newspaper, "The Fiery Cross," later were found downtown, and police determined that at least two cars were involved in planting and lighting the crosses.

**** leaders called the explosions and flaming crosses a recruiting gimmick, but it was more than that. The 1920s was a reactionary time in the United States. The **** had risen again, starting in 1915, widening its anti-black focus to Jews, Catholics and immigrants, particularly those from southeastern Europe. Its membership was strongest in Illinois, Indiana and Ohio.

The ****'s most powerful year was 1924, when it reached an all-time high of 5 million members nationwide and virtually controlled the government of Indiana. Its most popular slogan was "100 percent pure American."

The **** had a solid base of support in Michigan. The **** fielded two candidates in the Republican gubernatorial primary in 1924 and a ****-backed candidate was elected mayor of Flint. A write-in **** candidate even made a strong showing in a Detroit mayoral race.

In June 1924, 1,000 men joined the KKK in an Oakland County cross burning attended by about 8,000 people. Traverse City's demonstration took place just two months later. But who was really behind it?

"There is some doubt among the authorities as to whether the offenses were actually committed by local people or men from outside. They believe that local people were associated in the affair," the Record-Eagle reported.

An unidentified spokesman for the local **** denied responsibility, speculating that it was the work of **** enemies or rogue Klansmen. He told the Record-Eagle that the **** repudiated terror tactics and burning of "unwatched crosses."

Two weeks after the bombing, city police obtained felony and misdemeanor arrest warrants accusing Ku Klux **** organizer Basil Carleton of Richmond, Ind., of setting off explosives. Indiana police arrested him on Aug. 29.

Witnesses testified in two trials in December and January that Carleton had purchased 25 pounds of dynamite, fuses and three caps from Hannah & Lay Mercantile Co. about two hours before the explosions. A Park Place Hotel clerk said he saw Carleton hurrying away from the direction of the explosions about 10 minutes later. Two **** members testified that Carleton was not at the scene.

Yet he was never convicted. Juries acquitted him in both cases because the prosecutor could not prove to their satisfaction that he was at the scene of the explosion or that he personally set off the dynamite.

The bomber escaped justice. But the good news was that in Traverse City, no night of terror like that happened again.

It was this event that sparked the cross burning in Traverse City. We had only one black family in our city, when Betty Ponder and her family left Traverse City for the first time due to no one wanting to rent to them, population of blacks in our predominately white city drop to zero.


******* Movement Targets Northern Michigan

by Robert Downes

National Alliance advocates the creation of "two Americas"

Traverse City, Mich., noted primarily for its beaches, tourists and cherry pie values, appears to be erupting as a national battleground of opinion over the ******* movement, with forces on both sides of the issue coming out of the woodwork to vent their outrage over racial issues.
On Thursday, June 5, residents along stretches of Washington and Front streets in town came home to find a slick package of information from the National Alliance hanging from their doorknobs. An outgrowth of the American **** Party, the National Alliance is a ******* group which advocates the creation of "two Americas," one of which would be "White Space only with no Jews or blacks." The Alliance, advocates genocidal practices if need be to achieve its goals, and plans to distribute 1,000 information packets in Northern Michigan.

Protest organized to oppose July "NordicFest"
The incident arose only a day after more than 150 people from throughout Northern Michigan gathered at a "Hate-Free TC" meeting to oppose the NordicFest, a skinhead rock festival sponsored by the Ku Klux ****, to be held at a secret location 20 miles south of town, July 3-6.
The NordicFest is being advertised on the Internet and will feature at least six skinhead bands featured on Stormfront Records and Resistance Records -- both of which are purveyors of neo-**** hate music. It will also reportedly feature speakers from the Ku Klux **** and Aryan Nations.

Thus far, the NordicFest's location has been a closely-kept secret by David Neumann of Bloodbond Enterprizes, the concert organizer and a former director of the Michigan Knights of the Ku Klux ****. Neumann has told local media that 300 tickets have been sold for the concert -- about half the number he expects to sell. Reportedly, concertgoers will be provided with maps to the secret location at a checkpoint.

Bands expected to play at the NordicFest include Intimidation One, Aggravated Assault, Blue Eyed Devils, Max Resist and the Hooligans, and No Alibi.

Local churches offering seminars on the ******* movement and the importance of diversity
GATHERING STORM

Journalists have made inquiries on the NordicFest from as far away as London, New York and Colorado as a result of the Northern Express story circulating on the Internet. A segment for National Public Radio is expected to take the issue nationwide, possibly focusing the world's attention on Traverse City on the eve of the National Cherry Festival -- an event which draws more than half a million visitors, many of them from ethnic minorities.
"We're creating a rainbow ribbon that we hope everyone will wear in rejection of skinheads and the ****," said Rabbi Stacey Fine of Hate-Free TC. "We hope to have hundreds of ribbons during the time the **** is here, available from downtown merchants."

Fine says the group also hopes to march in the National Cherry Royale Parade with a three-by-eight-foot banner covered with thousands of signatures in a show of support for racial and cultural diversity. Thus far, Cherry Festival officials say they have received no applications from Hate-Free T.C., but will consider the request if approached.

Dottie Kye of Hate-Free TC says the group doesn't plan to try stopping the NordicFest despite their opposition ot the concert. "We're ignoring it," Kye says. "We celebrate anyone's right to organize and free speech. But our thing is unity and celebrating diversity." In addition to several church seminars on the ******* movement and the importance of diversity, Hate-Free TC is organizing a three-day "Unity Festival" which will feature dozens of musicians, artists, poets, actors and peace activists at the Traverse City Opera House, July 3-6.

Concert organizers Tim Hall and Tom Emmott say that more than 40 musical acts will send a pro-diversity message to area teens, with performers including Willie Kye, Alright Already, John Greilick, Samantha Moore, the Motor Town Juke Boys, Bentley Filmore, the Sisters Grimm, and Lack of Afro, among many others. A concert with Fishbone is planned for later in the month.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence"
THE TEEN CONNECTION

The Unity Fest counter-concert is seen as a vital tool in fighting the influence of the ******* movement on teens in the area. After the initial story broke, the buzz in local high schools was that the NordicFest would be offering free beer to minors. Although that notion is clearly erroneous, a small number of teens in the area still cling to the idea and have also been attracted by the rebellious nature of the skinhead rock scene.
Tim Hall believes that his Unity Fest concert will help turn that tide. The three-day concert will be located in the heart of Traverse City in the old City Opera House, with easy access for the hundreds of teens who hang out downtown, often with little to do. "Our message is going to be one that values racial and cultural diversity," Hall said. "And we've had a great response so far. We had to put a lid on the performers when we reached 40 acts, because everyone wants to play at this event."

The Unity Fest will also coincide with the Annual Reggie Box Memorial Blues Blast, which was created five years ago to bring the heritage of black music to Northern Michigan for the overwhelmingly white Cherry Festival. This year's Blues Blast will feature John Mayall, Marcia Ball and the Bihlman Bros. in a free concert downtown on July 6. The concert will also feature a strong message promoting diversity.

The law enforcement view Traverse City Police Chief Ralph Soffredine says members of the law enforcement community, including the State Police and sheriffs from Grand Traverse and Wexford counties, are taking a wait-and-see approach as to whether the NordicFest will even be held.

"People ask what we would do if the skinheads wanted to march, and it's our position that they have the same rights under the First Amendment as anyone as long as they're obeying the law," Soffredine said. "It's a neutral situation for us. We just want to maintain the peace."

He added that skinheads coming to Traverse City would be treated "no different than if longhairs come into town, or square dancers. We'd certainly observe them and respond if there's trouble."

The chief noted that a similar event occurred in the Buckley area several years ago when several motorcycle gangs gathered for a rally. While the event was monitored by local police agencies, few people in the area knew that it occurred.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence, which has become a serious problem in our community and our schools," he concluded. "The unfortunate thing is that it sometimes takes a ******* or a racial issue for people to get active."

"Sheriff Barr implies that people who have the courage to confront them will be put in jail."
ANGER FROM ACTIVISTS

Not everyone is happy with the neutral attitude of law enforcement. Judy Lowenzahn of Traverse City thinks that local police agencies should get tough on the **** concert, which has no legally-required bond or liquor license.
"These hateful groups are using skinhead music to recruit soldiers for their facist movement," Lowenzahn said. "If they are allowed to hold this event, in violation of local, state and federal laws and in violation of common decency, we will be capitve audience to their deranged homophobic, anti-semitic, racist, sexist ideology. Those who protest this message, along with those who are their scapegoats will be targets for hate crimes."

Lowenzahn upbraided Grand Traverse County Sheriff Barr after he made comments in a local paper that "I'd just as soon personally let them have their little event and be on their way." Barr added that if there was a confrontation between the skinheads and protestors, "there's going to be someone in jail."

"Does Sheriff Barr suggest that people of color and others who don't fit the aryan model hide inside their homes for the holiday weekend?" Lowenzhan responded. "Rather than offer a plan to protect the community from the violence that grows whenever white supremecists do outreach, Sheriff Barr implies that people who have the courage to confront them will be put in jail."

Northern Michigan targeted because of the predominantly white population
KLUELESS

Up to now, the vast majority of Northern Michigan residents have been klueless on the **** and the ******* movement. Many, for instance, had no idea that there even was a Ku Klux **** operating in the region until Neumann revealed that there are about 60 members operating mostly as "a fraternal organization" between ******* and the Mackinac Bridge.
Similarly, the existence and agenda of the National Alliance is all-ne

I have missed
out on the thrills
of being a soft place
between a rock
and a hard place
which is a bad boy

I was afraid
of becoming a toy
a welcome mat,
stepped on repeatedly
covered in dirt
and worthlessness

because of fear
I found myself
held hostage to boring love
with good guys
who in the end
only proved
to be ugly lies

which led
to my beautiful cries
in the end,
I should have taken my chances
with the handsome devils
who were at least good at dancing!

Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
a stab
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.

Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.

With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
above what
Furious spaces of fire do the distracting devils
**** and hosannah, under what wilderness
Of black silent waters weep.

High on'a farm,
make a needle biscuits
water-up sits creek
jostle potatoes,
pan-*** boiling
-with carrot cake.

Purple sky,
tractor runnin'
time of day,
sun low.

E'er body say,

"Why dou'a on'a farm?"

entered-dat du da future;
not Ford'ed fields.
Face it dou'a future,

"Dat future know it's place."

Sweet devils singin' to me,
sweetened tongue a' beautiful place. . .

"E'erthing set in place, ***** wit I say,
-dinner on-ma tray."

A Surreal Epic of Existence

Prelude to the Journey…

I smiled yesterday when I beheld the morning’s brilliant colors,
Etched with gold, across the canvas of the heavens, hanging…
High above all those mountains of the world, gigantic brothers,
A wilderness of clouds, where there can be no human taming.
I did not always smile when I looked up to that noble height…
For I have seen how terrible goodness can be, when untamed.
Once I thought my sojourn in this flesh was from a divine spite,
But now I know it was a gift, and for it I need not be ashamed.
God once walked as I do now, and suffered the same stress…
Betrayal, love, and passions too, though no Church shall admit,
The true nature of divinity, lest all their secret sins they confess!
You are told you are alone in the universe, by leaders so unfit,
That they themselves are fed a diet of lies and stories invented.
But we walked amongst you since the very dawn reincarnated,
Having lost our first flesh in conflicts long past and unlamented.
We guided the steps of ancients, as monuments demonstrated!
And yet we are born as children: your own, and live our span,
The better to remain hid, in plain sight, our faces clever masks.
I am the eldest, and I remember still my kindred’s lofty plan…
And though I wear the human face, I am beset with alien tasks.
Helping they who lack the knowledge to see what lies outside,
You have seen me in the darkness, blazing upon my own pyre.
Where I am waiting to lead the way, where the angels glide…
Anyone can follow, if they are dedicated enough never to tire.
Ironic, since I myself have known helplessness and still oft do,
It is only human after all, and in your form I was so re-forged!
The image of God, whose own blood is in all of us hither unto,
From the first to the last, alpha to omega, like a sharp sword.

Prologue: (My Mask is Slipping)

As a child: I was a servant at the altars of the heart so sacred,
Singing hymns of the immaculate: without seeing the depravity.
It was only when I myself wore the crown of thons, naked…
My spirit exposed through my pain, that I realized the gravity.
What man believes is sacred, is profanity disguised as graces,
And those who lead the sheep to slaughter are mere butchers!
Forcing innocents to wear porcelain masks to hide their faces,
They rob children of their childhood, bound with crude fetters.
As a teenager: I walked in nature, disgusted with all humanity,
My exodus was from those who had defiled all I cared about.
Finding faith in an angel fallen, I discovered my own sanctity,
And in her name I found the means to cleanse my feral doubt.
Then came marriage, and betrayal by a wife I gave up all for,
The dissolution of our union then loneliness without cessation!
A mortal had pierced my flesh, leaving me to bleed on a floor,
My heart was torn from its’ moorings without any elaboration.
But the angel remained to calm my anger and ease my agony,
My only light in the blackness that has overcome my waking!
Reminding me, that I was more than this flesh and mortality…
The angel tries to keep me from harsh trembling and quaking.
And then I see: I am more than my tears and life’s traumas…
I let slip, the mask behind which the scars of my tears etched.
Then I sense the heat of the night more intense than saunas…
As I long to dance with abandon, until time itself is stretched!
Mortals may betray one another with impunity, but never I…
I do not betray; rather I pour my heart and spirit forth whole.
Creating a phylactery, of all I am, and with an innocent eye…
I demand to be loved as I am: pearl white and black as coal!

Canto 1: Sacrifice of the Doll

Part the First: (The Bleeding Shores)

Do not call me, doll, for I have departed your ancient cavern,
You are lifeless, a mere toy, and not a real child in any form!
A boy’s red ruby lips I spy drinking in the dreariest tavern…
Whilst true children singing, frolic in the fields filled with corn.
I am going home, upon the wings of the great silver griffon…
Far from the shores now bleeding red from defiled memories.
There is no return, for me, to the glories of the first ignition…
When the mind eternal, was ignited all with pleasing ecstasies.
In the stars, there are words unheard that I do want to recall,
For I came down so very long ago, among the first to so fall!
Eldritch nightmares born of the stuff of the pure chaos of old,
Are waiting for signs at the threshold to be released by magic.
The forbidden incantations return to my spirit, aflame so bold,
That my spirit nearly forgets: the origins of this time, so tragic.
When children drink, and true children hide themselves apart,
Whilst the waters bleed and the corn withers upon the stalks!
That is a sign that change must come, and so I work my mind.
The face in the moon is a grimace of tormented fear, horror…
Whilst I stand upon the precipice with my hand over my heart,
And amongst the long rows of corn, my black shadow walk!
Watching over the innocents whose souls are of my own kind.
The summer heat turns orange, the moon: in celestial corridors.
My mournful cry can be heard in the sound of the lonely wolf,
And in the wild abandon of the lion when he is on the prowl…
I feel the pain of nature, I long to bring back paradise craved.
I have seen the terror of the land, as the blood ran in the gulf,
Black blood of the earth: which causes living things to howl…
As man has the foolishness, to say what is or is not depraved!

Part the Second: (The Crucified Souls)

The doll is laid lifeless atop the altar, prepared for a sacrifice,
In the cavern where the limestone shapes the wettest arches!
A thing un-living, but with living souls trapped still, as if in ice,
Within the cold porcelain shell that so never with feet marches.
Serpentine blade held high, it drops precise into a doll’s neck,
And it cannot call out, because a doll has not any voice to cry.
A boy walked out of a tavern then, looking like a vile wreck…
Whilst as a man I attend to higher things, my body full purified.
In the voids beneath the spaces, witnessed in the rugged rock,
Voices echo loud in the darkness, calling up names unspoken.
The ferryman brings the souls delivered to him, to a far dock,
Where each must pay the copper coin, the old desired token.
So they come to drink those waters that cure all of life’s ills…
Freed from their porcelain prison to feel death’s darker chills!
Whence came those souls into captivity, no mortal may speak,
But I freed them in an instant, removing the nails that pierce…
Every man is he that was put up on the cross of old Golgotha.
And every woman too, as all were made to feel such torture!
I was there when the primal sacrifice was implanted so weak,
And yet so strong that it endured in the psyche all these years.
That doom was sealed behind a wall of fire long ago in Terra,
So that the stigmata of it might endure, even in the vast future!
Mine was the hand that signaled that doom, mine to release…
Yet, still old illusions persist, and I cannot awaken a multitude.
I, who devised the iron web that enfolds much of what is real,
Cloaking it in unending trickery am, myself, longing for peace.
For I too was entrapped, until my liberation rough and crude!
An angel freed me, and now I strive to break each cruel seal.

Part the Third: (The Return of Light)

Risen from the slumber where colder, electric dreams reside,
The forgotten intelligence is invoked, the arcane spells cast…
The eldritch nightmares return to thence amongst man abide,
Reminding us of the things banished to Hell in some age past.
Mine the hand that raised them up, light in the dagger’s glow,
The stuff of my power left to flow, like blood run swiftly free.
Out of the abyss, rises the girl-child of a lost millennial flame,
She who is the angel reborn lets her illumination clearly show.
And all are blinded who have not the innermost eyes to see!
The unbelievers are, in a single instant put unto lasting shame.
From the star of six points, a goddess works her sacred will,
And as she crosses the scarlet threshold, she brings the light.
For a single instant, all in Heaven and all upon Earth are still,
As the long day ends, bowing before the coming eternal night.
In the darkness, radiance far fairer and so perfect descends,
Whilst those who gather in my name: have lost my true path.
The wrath of angels descend upon their minds, closed shut…
Entrapped in the iron web, they cannot flee of such a prison!
The light blinds them for they never truly saw it, and it rends,
Tearing away the churches built for naught but mortal wrath.
There, the unfaithful ******* themselves: like a wanton ****,
Inventing dogma to pass on, forgetful of logic and of reason!
Faith need not be a fearful thing, yet some have made it thus,
And look for an end to come before they seek their reward.
Whilst they should be creating the paradise they left behind…
But in an image of freedom: rather than of servitude and fuss.
Too much time had been wasted in converting by the sword!
Mankind looks to the light for salvation, their eyes long blind.

Interlude Alpha:
This age is one of barbarism cloaked as gentility to sell lies…
Did you purchase some today by design or mayhap chance?
You should know this era to be neither intelligent nor wise…
Else you would not march, when you would prefer to dance!
My nights are filled with nightmares; my days are too much…
I used to dance with one I loved, and bask in purple sunsets.
Now I am haunted, by so many memories I can never touch,
That it fills me with ****** anger, and countless cold regrets.
I recall how once in desperation, my wrist rode a razor edge,
If it were not for my family I’d not thence have lived beyond.
A man abused as I was, and used like cutters upon a hedge,
Must rise higher than it all in order to survive it all, my friend!
I survived, I transformed, I ascended and in the end became,
So much more than I was, until no more did my spirit erode.
But still I wait in loneliness for a maid to awaken my flame…
And I burn, oh gods I burn until I think that I might explode!
The skies darken more and more, and bright forks crashing,
I hear the drums of fury in the heavens, giants of old winters.
The gods grow angry and I behold trees uprooted smashing!
Angels are trampling the grapes of man; they, the vintners…
I am reminded of when the battleship that sailed all galaxies,
Descended one day amidst clouds boiling with its’ steam…
To lay waste to *****, and Gomorrah, for their indignities!
I was there, when the wicked did perish with a final scream.
And as people mock me, wishing me ill because I am good,
I ask God how long I must be forced to bear such suffering.
But I am not alone, and to many I am in fact misunderstood,
So God forgives, for now; but I have not, his understanding!

Canto 2: Sacrifice of the Spider

Part the First: (The First Smile)

Black skies boil with rage unrepentant, and in righteous fury!
A being made flesh I am, though not of mortal understanding.
In cavernous places I have walked, where demons oft scurry,
And worse places still: in search of a love not too demanding.
In the stucco halls wherein my unmoving throne was raised…
Upon a hill of sorrows where lost souls labor in mundane toil,
I wait and plan to transcend the bonds the faithful so praised.
To my right hand is the altar where fire and sulfur always boil!
I force a smile upon my face, for one will not come as willing,
As in the hours when I was a golden youth filled with ideals…
Which I have paid for dearly, beyond the price of any shilling!
Now I long to pay back those who know not how this feels…
The madness born of solitude, the anger born out of contempt,
For you who despise me without cause, provoking my wrath.
What impunity has man, to think that he might ever be exempt!
When wiser civilizations than yours did sink: in the fiery bath.
Do I speak of Hell, which the faithless do not realize is come?
Nay, for their eyes have been gouged out by their own nails…
I speak of torments, far beyond that which devils have done.
The first smile shall me mine, when every cruel wish so fails…
To save the flesh of those who spit upon me as I walked on,
Never realizing that my face was just a mask, hiding another.
Only the fool pays no any attention to the piper’s lonely song,
Thinking it only a melody passed from a sister unto a brother.
But in what celestial ****** has been born the thing alchemical?
It dwells within me, the secret sin of a bonding long forgotten.
Would that I could force the world to hear music whimsical…
Like unto that which guides my spirit in all that was begotten.

Part the Second: (Cold Revenge)

The blood roses bloom in gardens where desire plants seeds,
I, the hand that waters those hungry beasts whose thirst rises!
In my search for love, I have fed the beasts of desire’s needs,
And what would cause you to blush has, for me, no surprises.
Oh human, with what impunity did you dare to exclaim aloud,
That you believe love to be beyond my reach; and you smile!
Like a coward, you degrade me and run to hide in the crowd,
In your feigned superiority, you make yourself an animal vile.
Conjoining your words to your tongue, like a web to a ceiling,
You become a spider; then flee on eight legs to a filthy nest…
Having already become unworthy of any warm human feeling,
In thinking yourself better, you sink lower than all of the rest!
That means my life is worth, a thousand times, your very own.
I become a creature of the night, and wait for you, oh spider!
Think not that I cannot hear. the creaking of each leg bone…
Your odiousness goes before you, the horse before its’ rider.
And in your own web I catch you, my sharper claws immune,
To your toxic poisons, as cannot ever save your eight eyes…
Which I dash from their sockets, without a fear, and so soon,
That your own pain consumes you, like fire lighting the skies!
Forcing you to recant all that you say, lest pain overcome all,
The powers you thought did not exist do manifest ever visibly.
And I ascended still higher, all the more to relish of your fall…
You should never have resulted to any such childish mockery.
The clocks of your house all melted, for time is not your ally!
In abandonment of the chaos that is joy, your order is ended.
A new order rises in its’ place born of chaos none may deny,
Whilst you sink lower into perdition, for all that you offended.

Part the Third: (The Last Laugh)

An angel appears before me and so thinks herself a goddess,
But to call her an angel is to imply that she holds any beauties.
Those whose ego is larger than their grasp are oft the oddest,
For they fancy themselves perfect, ignorant of their cruelties!
You think love a prize and I a beggar for mere crusts so stale,
That lesser men than I have eaten heartier meals than yours…
But your kitchen is so bare: as your oven goes cold and pale,
Making you prize yourself beyond the worth of your chores!
Like a harlot who charges a fortune for her meager charms…
If you think love a prize, and I a beggar, you are so mistaken.
What you call love is a disease that shames one and harms…
Both mind and soul alike, making the body at last to weaken.
You saw only my mask, and would not dare look beneath…
Making me a phantom in the darkness, lurking in the shades.
Round your neck, your false esteem hangs as a dead wreath,
As I leave you to your barren world, awaiting my handmaids.
They rise from the ashes you leave in your wake, my kindred,
Their hands take me far from where your feet stumble about!
Lie in the cemetery that awaits those who live as though dead,
I cannot raise you incorruptible; you have far too much doubt.
Carried hither by the silent maidens who weep ****** tears…
To my castle, where I shall brood again upon mankind’s way!
I cannot feel regret for those who give in to their foolish fears,
Any more than I can transform a leaden night into golden day!
Such is the power of the alchemist who knows his true limit…
And in the dark arts I was schooled by beings from the abyss.
Thusly, am I set about to transform my creation as I see fit…
We are the demiurges of our realities wanton for any hot kiss!

Interlude Omega:
T

Donald Trump what a Chump
The name makes my blood Boil
His views remind me of
Those poor Jews when ******
Caused such Immortal coil

Trump claims to be against
Extremism yet it
Leaks through his core all the
Way to his Brittle bones
Brainwashing vulnerable;
Led to his Blood stained Throne

No blood shed yet; He speaks
Hell don't be so naive
Trump contemplated by
So many minds in this
Day and age shouldn't be

Building walls make them tall
Then what Is this the way?
Segregation, Racism
Shuts his eyes, Cover's ears
He'll not hear what we say

It's Devastating such
Man claims chance to taint our
Minds with his Bitter taste
A Catastrophe,
Shows no Diplomacy
With 'Morals' formed into
Very Strange Scary shapes

Yes, I agree Something
Needs to change but Believe
Me 'Trump' is not that Thing
Sheds empty promises
Causing controversy
With 'Peace' as the end goal
Trumps No way to begin

His Immaturity
Is so apparent that
He will ruin the world
As we know it today
I think Trump needs some help
Some Mental help to drive
All those Devils living
Within him Far away!


© Karen L Hamilton, January 2016

Orpheus, Orpheus
How you could charm the sun into rising,
How your father Apollo breathed fire into your divine mortal hands and watched with pride as you learned to make it sing,
They said that with a few strums of a lyre you could create life where there was only silence,
That you could move the trees to dance, the hills to laugh, the water to hum, the air itself to sway in sublime ecstasy,
I could forgive you then,
For thinking you could melt the frozen hearts of gods,
Pluck your love from the jaws of death,
And wake the dead to join you in song,

Eurydice, Eurydice
I know how you must have felt, swept up into something so glorious and beautiful,
To be entranced so completely you’re willing to ignore the warning signs, the prophesied doom and the hubris of men,
You lost yourself in those songs,
And they were all for you, every note he played bore your name and the whole world could only stand in envy
They said you were beautiful, a muse of the purest order,
And when you loved, you loved hard enough to shake the heavens and force them to pay attention,
I could forgive you, then,
For never seeing it coming,
The perfection shattered by the fangs of a snake,
Who has time, after all, to watch the ground,
When your heart has taken to the sky?

Orpheus, Orpheus,
How brave you must have felt, how romantic, strolling through the gates of the underworld with only your lyre and your heavy heart,
Confident that it was enough, that all the gods and monsters of this world could be bowed by the sheer force of your love and your melody,
And they were, Orpheus,
You drew tears from the burning gaze of Hades himself, as Persephone sighed in longing,
But you had a lesson to learn, Orpheus,
That the gods are cruel and men imperfect,
You were weak then, Orpheus, as we all must be weak,
Just steps from the light, you looked back to see your love ripped back into the world of shadows,
She had been your shadow all along, Orpheus
For all your beauty, all your power, you wavered in your faith, and doomed the both of you forever,
You, wandering the world eternal with your haunted heart and your mourning songs,
And she, trapped as a phantom too soon in the kingdom of the dead, always wondering why you couldn’t do it, why you couldn’t have just a little more faith,

Orpheus, Orpheus,
I know why you couldn’t do it,
I am just like you,
Held in the grip of fear, uncertain and desperate,
We’re all born that way, I think
Nervous energy faced with insurmountable odds,
Some of us ascend, overcome it all through supreme will and conviction,
Some of us descend, meet our devils where they live and lose the games they play,
But we all falter somewhere,
Even once, even one small mistake,
Sometimes that’s all it takes,
Orpheus, I can forgive you, then,
There’s not a soul alive who wouldn’t have looked back

Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets