The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane

When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?

We have walls that you can’t see and we bleed to keep them up

Some of these walls hold our pain back while others hold it in

My wall is a wall that you don’t even think about, obviously

I’ve been told too many times how I’m awesome and funny

Well where are you guys when I need a laugh and a friend

Where are these people that are my “friends”

I guess I have a wall that puts you all away

That makes me standalone even though I give you my soul

I tell you all what’s on the inside, but I still do not see what makes you

I do what I can, I’m involved in many things, but am left in darkness

A personality one of it’s own, one of strength, power,

Will, tranquility, but is left alone to Wallow

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Such slow road unwinds
Vast possibilities in mind
Fresh hatchling ashore

A standalone play, day today
Watchmakers in store
Hatch moonplay on display

Merrily a cascade, bitter
notes in rhyme
A head comes out, it's time

My eyes still burn from the tears of gasoline you poured down on me.

How could someone who have given you so much joy every day could suddenly make you want to withdraw them out of your life without any sort of sirens singing around? When our two worlds collided, they were comprised of a confetti of a hundred different things, some were vibrant reds and others atrocious yellows.

From an outrageous exchange of IM’s, being picky with certain kinds of food, talking about weird teachers, sharing an umbrella when the sun’s out and when the skies throw a fit at us, and you being gaga over your bizarre fantasies that I will never understand.

The things that should have been disturbing to me, didn’t even matter. Because it was you. You were the one who mattered.

Do you remember our first conversation?*

You probably don’t. But, I still do. I was the one who approached you first. But then again as time flew by, I’m always the one approaching you first. But I never minded. I never did because I’ve always thought that it was a thing so superficial and minor that it should not have even been a thing. ‘Cause who the ******* hell cares if I talked to you first? All I wanted was to talk with you anyway. I thought it wouldn’t matter to us in the coming years.

There were those days when all I wanted to do was snuggle up close to my laptop screen and talk to you nonstop about anything left on the shelves to pick at. I’d try to tell you things of my own but you’d always manage to twist it around making every thing else about you a little so suddenly. That never failed to leave me feeling all confused and dubious, though. But I forced myself to believe that I just didn’t know how to converse as riveting as you are.

A handful of people around would tell me that I deserved better. That being with you, changed how I spoke and acted in an unpleasant way. But I thought to myself, “Why would I think that? You are so important to me. I would never."

True. Because hey, you mattered to me. But, why did it seem like I never did, even at the faintest bit, to you? What was the matter with me? Was I completely ****** for being just so comfortable with you whenever we’re talking that I even cuss, call you names and point your flaws out? I never meant every offensive thing that got to my head, though. I just crave for your attention all the time. But you still liked me around. You never showed that you even cared about me acting “psychotically”. You probably even liked me being clingy and needy like the girlfriend you never had.

But, this time… I’ll have to do something for myself. I’d have to stop thinking about what is good for you or for the both of us. I have to let go. I have to give up on the future that we picture ourselves embracing together. You have to let yourself be, and in order to do that, you have to leave me out of it. You wouldn’t want me sticking around. I couldn't stand it too, trust me.

You care about yourself more than anyone. I’m not regarding this in a standalone paragraph because it is the perceivable truth. It is in fact a sad truth but, it isn’t sad for you. You should be happy that you are being well-taken cared of. By yourself. I’ll give you a pat on the back for that.

Giving up on someone does not solely entitle the fact that you are letting go of him or her—or for the best of times, in that matter. Giving up on someone also means that you are untying the chains that sulked the bond between the two of you, and finally, becoming free.

Let us dethrone this ***** little clone,
put him back in the barn where he belongs;
next to the other dozen standalone stepping
stones collectively gathering dust to the dome.
A collection of crazies chasing overblown
daisies in a field of belated paraphrases.
"Three lines should get you going, Homie!"
Bite down, giddy up, breathe out.
It's savior of the species eager to embrace
the future,but skyscrapers rise like an
oases just to fold like Fathertime's wrist piece.
Where's your patience? Check the back pages.
What's a death race without 1st place?

Crusading sapiens pound their chest
while the invading aliens blend in with the rest
and I'm too pills past drunk waiting
for the impending blimp on your radar
to changling into a Deathstar.

On the edge of the balcony,
The world teaches my head to rotate,
My spine surrenders its balance,
My hopeless body waits.

Fed up with human-crafted idealism,
Along with all human functions,
I bottle up all emotions,
And set this dim night to action.

The volt is raised,
The time, a haze,
The night, a home,
The cold, so warm.

The picture is now ruined,
Each shred its own standalone story,
All I feel is coursing adrenaline,
As I dig a deep hole to bury all my glory.

Standing in line with hollow light bulbs,
I wait like an addict for the dose,
Every last memory not convincing enough,
As the switch is finally being closed.

The volt is raised,
The time, a haze,
The night, a home,
The cold, so warm

And the metaphor become reality,
As I become addicted to the echoes,
The world shut out like an outage,
So the only thing alive is my voice.

Speed limits, all but a dream,
No remorse nor guilt to hit the breaks,
I'm alone with no ties,
Don't believe in friends or family's sakes.

I find more and more like me,
Vanity and selfishness put in a mixer,
Dim mutant stars living an eternity,
With only thirsty desires to be watered.

Birth date and place, the advocate night,
It spreads its arms till we prevail,
Humanity switch is now a temptation,
To more animals with 4 limbs and tails.

Now that scene on the balcony,
Such a long walk from there,
Comparing that volcano,
To this new software.

I am now a blank canvas,
With no pressure to spill colors,
I just exist to be,
Haven't got a nerve to suffer.

I see them pure people in my memories,
Now drinking the virulent night,
Two worlds being carbon-copied,
Death suits being worn alive.

The smoke colors the universe,
A place no longer suitable for life,
Who would abide to the rules?
When we've all lost humanity signs.

Hearts, now glazed,
Time, no longer a grace,
The cold, a curse,
A search for another earth.

This wall is here for a reason!
I built it strong
IMPENETRABLE.
Then why am I crying?
OH… yes because you make it crumble.
It won't budge if I standalone
but like water you seep through the cracks.
Your emotions mixed with mine melt the mortar,
and then I cry,
I NEVER cry.