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Better the gorillas of Rwanda are given birth certificate
Within a brief while of their visiting the earth,
Their security is guaranteed by the state machinery
Basking in the full confidence of three meals a day,
Not wary of political repression based on suspicion,
They have a national day in their honour
Fully agitated for clean environment
By the political incumbentcy,
They are now the first class citizens
As the Rwandese citizens of human origin
Of varied political stand suffer under agony
In prisons and exiles, jails and hideouts
On the run for ever for fear of their lives.
Julian Jul 2016
Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam
John F McCullagh Mar 2012
A pretty blonde researcher
was observing, from a “blind”,
some Silverback Gorillas-
among the final of their kind.

The senior of the silverbacks,
his back turned towards the” blind”,
was communicating with his troop
with gestures much like sign.

“She who is observing us
is a member of that tribe
who fell from grace with Heaven
and was banished far and wide.”

“They were banished from this Eden,
and confounded in their speech.
They then made war upon each other
and have never once known peace”

“Observe, in them, their arrogance,
they think themselves evolved,
Yet they are apes that practice war
and ****** their own kind”

“A gorilla child knows not but love
and tenderness in kind.
Where there is many a human child
left neglected on the vine.”

From elsewhere in the Jungle came
the shouts of evil men.
Poachers of the coarsest sort
with Silverbacks in mind.

“Disperse my sons and daughters.
It’s time to flee and hide
from those who seek our hides and meat
to sanctuary, hie.”

The silverback then beat his chest
and, to buy the others time,
charged against those evil men
and, for his children, died.

Time passed before the searchers
came upon the blind
where the murdered Dian Fossey lay
where the Silverback had died.

Poachers want no witnesses
to their  theft of meat and hide
They left with her the severed hands
of one not kin but kind.
A poem about Dian Fossey, murdered by poachers while studying the culture of the great Apes. For poetic purposes I have imagined the Apes to possess a language based on sign language. This has happened in captivity and is not beyond the grasp of their considerable intelligence.
Gary Brocks Aug 2018
At four, you took my hand and pulled me to your bed,                                                            
your small form cuddling, curling, you urgently said,
"Tell me… tell me a story! Story, make it long",
I began to tell the story, the story of when you were born:

Drums and bugles, bubbles and balloons,
somersaulting clowns and calliope tunes,
you came out to meet them, on the day that you were born,
and they were there to greet you, through a January storm.

Lions and gorillas marched to military airs,
snowmen and snowwomen danced without a spring time care,
somewhere in the harbor, a tugboat played a note,
and all the while you smiled a smile, upon a birthday float.

Just like a circus troupe, we formed a great parade,
and sauntered to the birthing bed where your mother lay,
she picked you up, she held you, as close as close can be,
her hand in mine, she softly said, “Now... we are three.”

Copyright © 2003 Gary Brocks
180827F

Children always want to know who their parents are; their thoughts, hopes, dreams, fears and actions at stages in their lives.
This poem, a poem in several parts (only the first part here), portrays a father for his child, through the manner in which the story of the child's birth is retold at various stages in their life together.
Aaron LaLux Jul 2016
Warning Shots

Yo boy just chill,
I don’t give a fck I’m a muthafckn gangsta,
don’t be fooled by this smile on my face,
nothing funny around this way boy,

I’m from the streets,
don’t underestimate this cracka,
just because I’m white doesn’t mean ****t,
we’re all strapped and we don’t play either,

I’ve had guns in my face,
looked straight down the barrel,
told those jackers they had the wrong guy,
waited a few weeks to sic the bloodhounds on them,

look man,
everything I am is real,
24 karat gold on my neck,
passport full of stamps,
angel wings on my back,
represents my lil sister that passed,
she’s my Guardian Angel,
she watches over me,
I’m not scared of death,
actually I welcome such things,

in the City of Angels,
where you could become one any moment,
born and raised,
from Mulholland Dr. all the way to Crenshaw in Compton,

come on son,
no need to test,
do you know how many mouths I feed,
do you know how many families depend on me,
do you really think that all of these,
cats I know will let you take the food from their mouths?

Don’t be so naive,

please,

just chill,
I don’t give a fck I’m a muthafckn gangsta,
don’t be fooled by this smile on my face,
nothing funny around this way boy,

I’ve really been there,
crack smoke and 40’s,
crackheads suckin’ *****,
used to call them Five Dollar Shorties,

of course we,
now dress well and don’t be startin’ ****t,
when you’re from the streets and had to eat beef,
once you get out you don’t want any part of it,

I started with,
no money not even a dollar,
and the best part about becoming self made,
is now I don’t have to be bothered,
I don’t have to engage with losers,
I don’t have to waste time with broke fcks,
I don’t have to engage with haters,
I don’t have to quarrel with the hopeless,

I wrote this,
as a warning and as a lesson,
the warning is don’t fck with us,
unless you come offering blessings,

the lesson is you can make it to,
if you just stop hating dude,
and if you want to try and take it dude,
trust me I’ve got gorillas that would just love breaking you,

I know guys with monster hands,
they could lift you up by your face,
then crush you whole skull in,
what part of don’t fckn fck with us do you not understand?

Yo boy just chill,
I don’t give a fck I’m a muthafckn gangsta,
don’t be fooled by this smile on my face,
nothing funny around this way boy…

∆ Aaron La Lux ∆

Volume 1
The H Trilogy
The City of Angels
I just published a new book.
If you could take a moment to check it out,
and even write a review it'd be most appreciated.
All profits go to a charity that prevents child abuse and ****** assault.
So not only are you getting an epic book of poetry,
but you're also supporting a good cause.
Thank you SO much!

https://www.amazon.com/Trilogy-City-Angels-Aaron-Lux/dp/1535054328
Straight Up
Jackie Mead Apr 2018
Between me and you, the day the Monkeys went wild in the Zoo,
was the best day I can remember, let me recall what I saw, at the Zoo on my birthday when I had just turned Two.

My Mum and Dad had taken me for the day, I sat in my pram with the perfect view, for a small person who had just turned Two.

Then came a loud high pitch shriek, from the cage that the three striped Night Monkey lived within.

The Zoo went very quiet, as my Mum would say, you could hear someone drop a pin.

The three striped Night Monkey would sleep all day, come out at night, woke up with a sudden fright.

He began to shriek and began to call, then he rolled over and bashed the cage, he was suddenly in a terrible rage.

His shriek woke up others too, that would normally sleep by day, a Bat-eared Fox, Bandicoot and Badger all woke up about the same time as each other.

The Monkeys in the next cage in sympathy with their kind picked up their food dishes and banged their bars, they weren’t going to be left behind.

I started to laugh at the Monkeys in the Zoo, it all seemed very funny to a small person who was only just Two.

From what I remember of that day the Gorillas chimed in next, they picked the fruit up off the floor and started throwing it at people stood by their door.

The Gorillas too banged their chest and let out a loud roar, as if to say, three striped Night Monkey it’s okay, we’ve got you today.

I ducked my head as a banana flew by and nearly caught my Dad in the eye, he didn’t think it was quite as funny as I, I spat out my dummy and began to shout, “come on Monkeys what’s it all about”.

The Orangutan woke from his very deep sleep, in the middle of the day, he was older than the rest and liked a nap from time to time, to keep sprightly and sound of mind.

He rose up from the floor, standing seven-foot-tall, made his chest twenty feet wide, banged with his very huge paws and shouted with a very loud roarrrrrr
“alright everyone what’s the fuss, why have I been woken up from my mid-day nap, what’s the problem, what’s the mishap?”

The Gorilla turned to the Chimpanzee, shrugged his shoulder as if to say, “any idea what’s happening today?”

The Chimpanzee had no reply, turned to the Bandicoot, Badger and Bat-eared Fox, as if to say “I haven’t got a clue what’s happened here, what about you the Fox with Bat-Ears?”

The Badger, Bandicoot and Bat-eared Foxed all turned to the three striped Night Monkey and said, “what’s up Night Monkey, why the rage, why did you start bashing your cage?”

“mmmm,” said the Night Monkey slightly embarrassed, “it’s not like I was being harassed, it’s just I don’t like spiders and one was hanging from the ceiling, I woke up with a dreadful feeling, that it was going to fall – that’s why I started to call”

I began to laugh even more “fancy a Monkey being scared of a spider, I’m much younger and I’m not scared of a tiny creature”.

My Mum and Dad saw the funny side too and began to laugh at the antics of the Monkeys in the Zoo.

The Orangutan was feeling happier he could now go back to his nap and the three striped Night Monkey he did say, “he would try to be more considerate of smaller creatures, as long as they didn’t try to nest in his handsome features”.

The Zoo began to return to normal and people went on their way.
I will always treasure, and it will always remain, the best day ever, the day the Monkeys went wild in the Zoo.
as i write this i am reminded of a time a gorilla threw a banana out the bars at me, one visit.
Phil Lindsey May 2015
Where you going?
What d’ya see?
A hundred thousand polka dots
A comin’ after me
Polka dots and tater tots
And french fried onion skins
A priest in a confession booth
Forgivin’ all our sins
Two or three gorillas
And an elephant in the room
Someone tell the maitre’ d
He’d best be leavin’ soon
Cuz the waiter and the waitress
Have figured out the plot
And if he hangs around much longer
He’s liable to be shot
By a psychopathic mushroom
Or a ******* pizza pie
While the rabid rocket scientist
Wonders how he got that high
The ******* with bedroom eyes
Looks the other way, and
The specialist in pantomime
Does not know what to say.
A hundred thousand looks at love
Not a single one survives
Yet, with regret and toil and sweat
We go on with our lives.
pwl 5/20/15
Bunhead17  Nov 2013
All Me
Bunhead17 Nov 2013
[Verse 1: GREEKDAGOD]
You rocking with killers
Rocking with the realist
Rolling around gorillas
So how you going to get us
Yeah they call me greek
Yeah they call me greek
Riding around with hottest
I don't own no jeeps
Catch me up in that c05
Catch me up in that ride
Bad ***** on my side
Yall ****** wonder why
Man i rolling, man im rolling
Money man, im throwing
Dont catch me up in that stop
Yall ****** better know im on it
It don't need no intro
Make shawty go get low
Been real since 89
That shawty already know so
Started from the bottom
Now catch me up on that spot
Riding around with drizzy
We buying out those lots

[Hook: Drake]
Got everything, I got everything
I cannot complain, I cannot
I don't even know how much I really made, I forgot, it's a lot
**** that, never mind what I got, ***** don't watch that cause I
Came up, that's all me, stay true, that's all me
No help, that's all me, all me for real
Came up, that's all me, stay true, that's all me
No help, that's all me, all me for real

[Verse 1: 2 Chainz]
Money on my mind, you should think the same
J's on, pinky ring
******* these hoes, I need quarantine
In the same league, but we don't ball the same
(Ah) She want all the fame, I hear that **** all the time
She said she love me, I said, "Baby girl, fall in line"
Okay, made a million, off of denim, ****, watch me switch it up
Walked in, "Ill ***** alert! Ill ***** alert!"
You need that work, I got that work, got ******* in my condo
Just bought a shirt that cost a Mercedes-Benz car note
From the A to Toronto, we let the metal go off
And my **** so hard it make the metal detector go off
This that sauce, this that dressing, Givenchy, ***** God bless you
If having a bad ***** was a crime, I'd be arrested (True)

[Hook]

[Verse 2: Drake]
I touched down in '86
Knew I was a man by the age of 6
I even ****** the girl that used to babysit
But that was years later on some crazy ****
I heard your new ****, ***** hated it
Damon Wayans, homie don't play that ****
I get paid a lot, you get paid a bit
And my latest **** is like a greatest hits
*******, ain't no wishing over on this side
Y'all don't **** with us, then we don't **** with y'all
It's no different over on this side
*******, should I listen to everybody or myself?
Cause myself just told myself
"You're the ******* man, you don't need no help"
Cashing checks and I’m bigging up my chest
Y'all keep talking ‘bout who next
But I’m about as big as it gets
I swear y'all just wasting y'all breath
I’m the light skinned Keith Sweat
I'mma make it last forever
It’s not your turn ‘cause I ain't done yet
Look, just understand that I’m on a roll like Cottonelle
I was made for all of this ****
And I’m on the road box office sales
I’m getting paid for all of this ****
Ask you to please excuse my table manners
I was making room for the table dancers
‘Cause if we judging off your advances
I just got paid like eight advances
*******!

[Hook]

[Verse 3: Big Sean]
**, shut the **** up!
I got way too much on my mental, I learn from what I've been through
I'm finna do what I didn't do and still waking up like the rent's due
Not complicated, it's simple, I got **** ladies, a whole Benz-full
And to them hoes I'm everything -- everything but gentle
But I still take my time, man, I guess I'm just old fashioned
Wearing retro ****, that's old fashioned
*****, see what I'm saying, no closed caption
I paint pics, see the ****, good ***, need to hit
Keep a broad on the floor year 'round like season tickets
I plead the fifth, drink a fifth
Load the nine, leave you split, in the half, smoke a half, need a zip
My new girl is on Glee and ****, probably making more money than me and ****
I swear to God I got 99 problems but a ***** ain't one
I got 99 problems, getting rich ain't one
Like I got trust issues, I'm sorry for the people I've pushed out
I'm the type to have a bullet-proof ****** and still gotta pull out
But that's just me, and I ain't perfect, I ain't a saint but I am worth it
If it's one thing, I am worth it, ****** still hating but it ain't working
Lil' *****...

[Verse 4: Drake]
Oh me, oh me, oh my
I think I done ****** too many women from the 305
Before the end of this year, I'll do King of Diamonds three more times
Smoking on that kush all in our section like it's legalized
Girl, you can't always have your way, sometimes it be like that
They dont really **** with you like that, they ain't never did me like that
I just took my time, you got your shine, I let you eat like that
I've been taught to never loan somebody what you need right back
And I need that **** right back? (no more free Randy)
I’m blessed than a *******
****** been stressed than a *******
****** getting nervous, clutching they chests like a *******
**** that’s a *******
Tell the truth, I don’t listen to you
‘Cause I don’t like being lied to
And that ship won’t sail
And that wind won’t guide you
Daddy was in jail we was talking through the window like a ******* drive-thru
That was back then man, now my ****** rich enough to do whatever I do
I love this song..."All Me" by Drake ft. 2 Chainz ft. Big Sean ft. GREEKDAGOD...lol, i love Big Sean's part! :D
Trevon Haywood Dec 2016
This past year was a ******
Looking back, it kinda makes me wonder
How it came and went and **** near took everyone under
Its crazy out here and even though it was tough
I'ma run it back, this is 2016 Rap Up

Denver won the Super Bowl, Cam came up short
Leo got his Oscar and El Chapo got caught
They got mosquitoes with the Zika, so don't get bit
Peyton and Kobe Bryant both called it quits
I gotta admit, Fam, I get mad as ****
When I swipe my card and they say "No, You gotta use your chip"
**** Daniel, "Hamilton" was lit
Who let Kanye West get 53 million in debt?
And Rihanna went to work without taking a pause
ISIS popping and y'all worried about bathroom laws?!?
Come on, fam
How that sound?
So we out here standing up
Just so y'all can sit down?
Warriors went on a streak and then they got served
Panda was a hit and we couldn't understand the words
Huh, and Khaled kept snapping
These youngins keep mumbling
I guess y'all call that rapping
I've seen "Stranger Things", come on dude
Y'all out here shooting gorillas and punching kangaroos
Janet Jackson pregnant at 50, dog
So for you ol' broads, there might be some hope for y'all
I ain't throwing shade, it ain't that deep
**** I don't want nobody out here ******* with me in these streets
Then Birdman ran up on Charlamagne
And Lil' Wayne still not 'puttin' respect on his name'
Michael left Kelly trying to get paid
But the world stopped when Beyonce dropped Lemonade
She slayed, and over-shared
And ya'll still trying to find out about 'Becky with the good hair.'
As far as questions, I got one
"Hey Hov and B, is y'all finished or is y'all done?"
Son, I don't know if it was fake
I know KD did the running man challenge all the way to Golden State
The whole year made no sense
Dog, we live in a world without Muhammad Ali and no Prince
Then Gucci came home
And he looked so different y'all was like, "naw, that's got to be a clone"
Y'all was glued to y'all phones
And LeBron got it done for the Cavs and brought the chip back home
Snapchatting all over the place
I swear to God, if I see one more girl with a dog on her face
It was a sad year for sure
Instead of being woke though
Y'all wanted to play Pokemon Go!
And rap got weird, should we be concerned?
Young **** in a dress, Yung Joc got a perm
And everybody was in the Presidential race
Ryan Lochte, Oh he gets the Michael Phelps' face
Game and Meek beefing, Hillary and Trump
Kap took a knee, T.I., Brad Pitt got dumped
And Trump said he going to build a wall on the border
Ya'll will probably go to flip bottles water
The snow storm had the East underground
The kept shooting black men but wouldn't shoot killer clowns
They kept telling us to use our voices
Knowing **** well they ain't really give us no choices
Get an iPhone with no headphone cord
Or get a Galaxy and go and meet the Lord
See they go low, and we go high
You only got two friends. Why you trying to go Live?
I'ma miss the Obamas, I don't wanna see them go
My prayers to everyone that we lost in Orlando
The Oscars were so white they had to get Chris Rock
And the album of the year had to be Anderson.Paak
Cubs finally Won, Usain was on fire
Melania Trump hired the wrong ghostwriter
I'm petty with the manners
'Cuz I think Kim K. got robbed by Joanne the Scammer
Ooouuu
Biters keep testin' me
They making rappers, but they ain't got the recipe
Huh, Yeah that's facts
Shout to Young M.A. for bringing New York back
And I hear y'all talking about "Kanye is fine"
Well to us it look like Kanye done lost his mind
Cowboys kept ballin', them boys in the zone
Bryson Tiller came along, kept telling us "Don't"
I'm highly favored
I clap back on my haters
I be the beans, greens, potatoes, tomatoes
The mannequin challenge, oh, that's how y'all feel?
The World moving dog, we can't just stand still
Beyonce made sure y'all got in formation
One time for Phife Dawg from the Zulu Nation
Did Drake bag J.Lo? I say kinda
But y'all was all up in arms over Rob and Chyna
And that's a new level of female pimping
Biggest L of the year goes to Hillary Clinton
You ask me, man, I thought she had it made
You ask me now, ****, I think we all got played
Another sign of the times
And now the whole World laughing at us, sounding like ChewbaccaMom
2016 was a bully and a punk
On top of that, now we gotta deal with Donald Trump?
Pardon me, as I vent
Bro, we made a reality star the President
And that just makes me sick
Talking about, "We gotta give him a chance." Naw
I ain't got to give him ****
It's going to be hard to cope
Because you can't have progress, dog, if you don't have hope
More pros, less rookies
And if America's ours, how we let it get grabbed by the *****?
They say I sound mad, off the cuff
Oh, I sound mad? Y'all don't sound mad enough
So from here on out, we gotta set the tone
Y'all protect yourself and protect your own
And way too many people got called back home
2016 you can go, and I'm glad you're gone
Felt like a long bad dream
I'm wishing you love and life, Welcome to 2017.

Skillz 12/31/2016.
Robert Ronnow Jan 2020
"The question should not be in what ways writing and utterance trope each other, but how both are involved with number. Without relating the technology of writing to number (as opposed to sound or drawing), it is impossible to discuss it meaningfully as an aspect of versecraft."

          Courage to write and courage to not write. Read
          The great poets and highly accomplished letters
          Of leaders. Yet the war and the book have lives
          Of their own. Vacuum house, analyze mankind.
          His idea of himself. Ideas subsumed by
          Better ones unite people in melting pots.
          I watch from my little bowl of nuts. Watch
          The one red squirrel and the many gray.
          Watch the nuthatch pair, platoon of chickadees.
          Here is what I say: When we can go
          From planet to planet on nothing but air,
          Leaving behind a drop of water,
          No burger bags blowin’ in the sun,
          I’ll love my sons, and my dogs will be happy.

"What is needed is a way to pry apart the polar, mimetic fiction that undergirds discussions (even sympathetic ones) of writing and versification, and see how we can relate writing to measure. Roy Harris’ investigations into the origin of writing make this connection possible."

          Electronic millennium. A long silence
          Wouldn’t hurt. Not that the national debate
          Should cease, it should proceed, passionate
          And furious. Those who have studied the matter
          And have something to say should write cogent
          Opinion pieces on the totalitarian
          Tendencies of minaret Islamists,
          The terminal contradiction of advancing
          Democracy with the unitary military.
          George Washington would not have approved
          And even Lincoln vacillated between
          The practicalities of preserving union
          And the ideal of freeing slaves. The president
          Carries his burden of matter, the physics
          Of existence cannot change our aloneness
          Or the butterfly’s importance, the very
          Last insects at the screens of August.
          It is life we face and death we meet.

"He argues that the origin of writing did not lie in the drawing of figures, or attempts to imitate speech, but in the recording of number. According to Harris, the oldest ‘writing’ that we have, like that on the 11, 000-year-old Ishango bone, is in ‘lines.’ The surface is scored with rows of short, parallel strokes, which probably served a numerical function. We still use such scoring systems today on occasion."

          OK, different strokes. But reading North’s poems
          And his predecessors’ in which noun and verb
          Are so far separated by modifiers,
          Post-positioned prepositions, diversions
          Into ditches, gardens, heavens, I don’t know
          What to do laugh or put the book down and eat
          Several cookies. In other words, anything goes,
          There truth resides. 1/3 life in suburbs,
          1/3 on the subway, and the last third
          On the mountain. A fourth hallucinating
          In heaven. That’s how it goes. You get what you believe.
          Bones in mud. It’s always possible I suppose
          That for nine months analogous or symmetrical
          With gestation our souls wander call it limbo,
          Doing the limbo and harassing the living
          With unanswerable questions, finally accepting
          Free molecular rent in a cubic meter
          Of interstellar space, a rose hip.
         
"Harris speculates about counting by scoring:"
'What is relevant for our present purposes is the fact that counting is associated in many cultures with primitive forms of recording which have a graphically isomorphic basis... The iconic origin of such recording systems is hardly open to doubt: the notch or stroke corresponds to the human finger...'

          Partridgeberry, mugwort, mats of raspberry,
          Cranberry, bearberry, autumn eleagnus,
          Autumn Nocturne, Autumn Leaves, the changes
          To the tunes and the scientific names.
          When it doesn’t matter what you do
          You’re probably doing something new.
          That’s a woodpecker. That’s a moth. I’m bounded
          By my surroundings, I feel at home.
          Could be Schenectady. Could be Troy.
          One of many small cities in which to
          Await my anonymity. Be specific.
          Not asphalt but impermeable surface.
          Not trees but mature stems. Quercus rubrus—
          Quality veneer. Into such a garden
          Have a victor and a fool penetrated.

'In short, the rows of strokes are graphically isomorphic with just that subpart of the recorder’s oral language which comprises the corresponding words used for counting. It makes no difference whether we ‘read’ the sign pictorially as standing for so many fingers held up, or scriptorially as standing for a certain numeral.'

          In a crowded world every action results
          In an equal and overwrought reaction.
          Yet, all the energy recycles
          And there is not one thermal unit more or less
          When all is said and won. Even when the tribes
          Were isolated behind mountain ranges
          And rushing rivers, they sought each other out
          For trading and for taking. Humanity
          Is lonely. Humor is the only remedy
          And going to your daily discipline
          The only way past Monday. Join the torrential
          Flow of words, emotion, wit and erudition.
          It is embarrassing to see a good writer
          Work himself into a lather, having
          Something to say. A system of beliefs
          To illustrate, characters dressed accordingly.
          Gardens and wilderness in which to wander.
          A cave with a view. The plumbing problem never
          Resolves. But we will do what we can and
          Some things we shouldn't because that is human.

"Along with other evidence, this leads him to argue that the invention of writing–or the division of writing and drawing into separate functions–occurred when the graphic representation of number shifted from the token-iterative system that appears on the Ishango bone, to type-slotting."

          Electricity is occult enough for me.
          Excessive classifying could be fascist!
          Yet how else can one organize people
          Into contexts. By their associations.
          Family, work, habits, each assigned
          A day of the week, moon of the month.
          Poets rhyme, jazz musicians count time.
          There is more than one way to make war. By
          Declaration, by punishing offenses
          Against the law of nations, by granting letters
          Of mark and reprisal, by making rules
          Concerning captures on land and water, by
          Suppressing insurrections and repelling invasions,
          Erecting forts, magazines, arsenals,
          Dock yards and other needful buildings. Today
          I face the blank page between the finished pages.

"Harris gives the following example of what he means:"
'The progression from recording sixty sheep by means of one ‘sheep’ sign followed by sixty strokes to recording the same information by means of one ‘sheep’ sign followed by a second sign indicating ‘sixty’ is a progression which has already crossed the boundary between pictorial and scriptorial signs.'

          When my grandmother considered it favorable
          That I would be a writer, she had in mind
          Clear commentary from which many people
          Would derive meaning. No such luck. My writings
          Are like the flicking tail of that flycatcher,
          And I am the flycatcher, weighing but an ounce.
          My grandfather’s rough-hewn peasant chairs
          Are well known by my sons though they never knew him
          And the chairs were not hewn, just owned by him.
          One is in a corner of the room and two
          Are scrimmaged around a computer screen.
          Computers post-date him and cars post-date
          His father and so on. If the grid collapses,
          The crops fail and the roads close, some will be forced
          Across boundaries among boulders, naming snakes
          And stars according to memory.
          They will be hungry, mortal and strong.

'A token-iterative sign-system is in effect equivalent to a verbal sublanguage which is restricted to messages of the form ‘sheep, sheep, sheep, sheep...’, or ‘sheep, another, another, another...’, whereas an emblem-slotting system is equivalent to a sublanguage which can handle messages of the form ‘sheep, sixty’.Token-iterative lists are, in principle, lists as long as the number of individual items recorded. With a slot list, on the other hand, we get no information simply by counting the number of marks it contains.'
"When this change occurred it opened ‘a gap between the pictorial and scriptorial function of the emblematic sign’, which had been previously inseparable in the counting represented by rows of slashes."

          No book I know tells if blue cohosh
          Caulophyllum thalictroides—a barberry—
          Is edible. Other barberries are
          But that blue berry looks risky to me.
          And May-apple—Podophyllum—other
          Than the fruit itself which is definitely
          Sweet. So I read, not sure of myself.
          There is a patience with which to wait out anger,
          And a patience with which to endure ignorance.
          The job is everything. It is freedom
          And purpose and religion. It is acceptance
          And shelter and sustenance. Last night
          We were watching Tweet’s show: groveling before
          The rich pharisee’s judgements. I said no
          Amount of money could make me grovel
          Before that guy. His toupe’s gayer than his lisp.
          But who am I? You think bullets won’t ****?
          I’m the guy they put before a wall and shoot
          Then eat lunch. But that feeling passed quickly.

"This semiological gap, made writing possible because it meant that signs could be manipulated to ‘slot’, or identify, anything whatsoever. The open-ended quality of the scriptorial sign was a necessary precondition for the development of writing systems."

          Lately I’ve been copying wholesale
          From the great poems, lines and ideas not my own
          Or owned by all? It’s ok, I can be ignored
          Or appreciated in a future city,
          By a future shore. The honest man can
          Only recognize what he loves and point to it.
          That Borges poem called In Praise of Darkness.
          Emerson and snow. A meditation
          That bumps serenely, with acceptance,
          Between things and thoughts. It is said one should
          Know for whom, to whom one is writing.
          These are letters to those who love letter writing.

"As Harris points out, no writing system is accurately phonetic. Even the alphabet only highlights certain phenomena in the speech stream. The reason for this is that alphabetic writing did not begin as a simpler or more accurate way to record speech than other writing systems, but as an easier way to write."

          A possible cancer had taken me
          To the edge of my endurance. Pokeweed,
          Poisonous, became attractive. Red stems
          And juicy black berries. I had packed warm clothes
          And pain killers. Why the warm clothes if this
          Was to be my last walk? To die in comfort
          Without a fly’s buzz. Overlooking a ravine,
          Sea of mountains, dawn. But it proved a false alarm.
          Now Sunday will be a holy day of plant
          Identification. Nothing better
          Than lying in leaf litter, skin drying
          To a taut drum. Ravens stay away!
          Until cougar’s had his fill! Instead
          I showed the boys pokeweed growing among blackberries
          And taught them the differences and uses.

"Through a radical reduction in the number of signs, the alphabet simplified the scriptorial system in and of itself. The evolution of writing therefore may look like this: simple forms of counting preceded the complications of pictorial representation, which in turn led to simplification of the writing system in cultures that adopted the alphabet."

          I was running uphill, parallel to
          The Taconics extending northward into
          Vermont (I find Vermonters in their jalopies
          Annoying but admire them for planning
          To arrest the president for war crimes) when
          I happened upon a flock of cedar waxwings—
          Said to be a gentle and politic bird—
          Sharing—very orderly—dried frozen grapes
          On the vine. (Rose hips, buckthorn, ash, pokeweed.)
          I tried one, too, the two seeds in my mouth
          Keeping me company down the mountain.
          I see no downside whatsoever
          To compensating for global warming,
          Constructing the green energy economy.
          New inventions may facilitate
          Our transportation to other planets.
          Yesterday a young man, Barack Obama,
          Won Iowa. I’m hopeful he will
          Articulate an international vision,
          A world order in which each neighborhood’s
          Good as another. I have no particular
          Love for writers; they’re a dime a dozen.
          But so are chickadees and I love them!

"Discussing the power of inscriptions of number, Harris points out:"
'Counting is in its very essence magical, if any human practice at all is. For numbers are things no one has ever seen or heard or touched. Yet somehow they exist, and their existence can be confirmed in quite everyday terms by all kinds of humdrum procedures which allow mere mortals to agree beyond any shadow of a doubt as to ‘how many’ eggs there are in a basket or ‘how many’ loaves of bread on the table.'

          True, nature would be a stern, unforgiving
          Mistress too, and man is but her right hand
          Acting on her command. How cold! How hot!
          The individual doing what he loves or not.
          Trees and cities. Herons, hawks. What we fail
          To govern in ourselves, nature will.
          We caught the killer and his gorillas,
          Now let’s go home, let the “innocent” choose
          Up sides. A good thing was done but the tyrant
          Should’ve been undone through global governance.
          Writing is divination using rhymes
          And estimations. Words like mammals
          Come near your sleeping head. Last night I emerged
          From the hum of our refrigerator
          Under a hazy, phaseless moon. The peepers
          Were an exact expression of my happiness.

"Or, one might add, for how many stanzas there are in a poem, or lines in a stanza, or stresses, feet, or syllables in a line, or occurrences of particular syntactical or grammatical patterns, and so on. As every serious student of versification has always understood, versification is about counting language."

          5:30-6 write poetry,
          6-7 ****, shave and shower, stretch
          Then get dressed, 7-7:30
          Clean house, 7:30-8 drive to work
          8-6 work (except Monday and Friday
          Work 8-4, basketball 4-6)
          6-7 drive home, shop, help make dinner
          7-8 eat dinner, read paper,
          Watch McNeil-Lehrer News Hour,
          8-9 play trumpet, study plants, type poems
          9-10 watch TV Mon: Murphy, Cybil,
          Tues: Frazier, Grace, Wed: Roseanne, Ellen,
          Thurs: Seinfeld, Friends, Fri: go out to dinner,
          10-11 read, except Tues watch
          NYPD Blue, Fri: Friday Night Lights,
          11 sleep. I could send this to the networks,
          Get a gizmo in my box. I hope my
          Schedule won't be interrupted for war.
          My dentist asked had I seen this morning’s
          Press conference, didn’t it just scare the ****
          Out of you. I said your bill is what scares
          The **** out of me. But here I am, writing
          And the sphere’s still turning. Or should I say
          Burning. As long as you write one poem per day
          You’ve left a little litter in the world.

"The reason to write verse is less to score the voice than to imbue words with the magical quality of counting. That is why meter, or measure, is at the heart of debates over all verse forms, including free verse."

          Vigorous wind, voracious ocean,
          Many merciless hard frosts, hurricanes.
          The bed of a human, its smell and warmth
          36 teeth, 46 chromosomes, 2 feet, a loose dime,
          61 summers, some soot, some sand,
          Thunderstorms. I wake up to a lightning strike
          And my dream incinerates. When they say
          Life is but a dream, that’s what they mean.
          The writer working hard, telling the story
          Of what happened yesterday or yesteryear,
          A man’s born to a country not his choosing,
          Let labor flow like capital, of mere being!
          Pomegranate juice, broccoli, arugula,
          Brussel sprouts, cabbage, cauliflower,
          Collard greens, kale, radishes, turnips,
          Garlic, leeks, scallions, onions, 2 lbs
          Swordfish, tomatoes (8 medium),
          3 cups almonds, carrots, a sweet potato,
          Winter squash, cantaloupe, mangoes, watermelon.
          2 daily writing exercises,
          50 words on any subject: complaint, headache.
          The imagination applies a
          Countervailing pressure to reality.
          Writing badly is the best revenge.

"Number is one of the creative grounds of poetry, and the idea that writing grew out of counting is the missing link in studies of the graphic in versification. It is almost uncanny that lines of verse look exactly like the most primitive ways of counting–parallel scorings that can be numbered."

          What you do to one side of the equation
          You gotta do to the other. Isolate
          The variable. Combine like terms. Metaphors
          And analogs are reduced to least common
          Denominators. Multiply through (parentheses).
          Write a new equation after each operation.
          Inscribe neatly. Check your work. Imagine
          That if you’re wrong, the astronauts burn.
          Change the signs which will avoid going
          The wrong way down the number line. Zero
          Is the middle of your universe.
          There it is, calm, comfortable as an egg
          On a spoon. That is, before possibilities
          Become probabilities. This is just
          Another equation manipulated
          With opposable digits. For at the ends
          Of your guns is the earliest calculator
          A magical machine which converts
          Numbers to words and words to numbers,
          Measures the mists, frequency and wavelength,
          Of the material penumbra.

"Verses are countable in exactly the way that token-iterative digits are countable, from either end of the sequence. Each one indicates only its singularity, not a number. Every poem in lines effaces, or predates, the distinction between writing and drawing in the same way as the lines on the Ishango bone."
www.ronnowpoetry.com

--Rothman, David, "Verse, Prose, Speech, Counting, and the Problem of Graphic Order," Versification, Vol. 1, No. 1, March 21, 1997
--Harris, Roy, The Origin of Writing, Open Court Publishing Co., 1986.

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