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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Poetic T Nov 2020
Well this has a deflating feeling but
                         a pumped upending.  

There was a little one, he was always
kicked around, but they were the best
of times, boot or hand he didn't mind.

Scuff marks marking his features,
   every now and then washed off
Mudd crusted between stitches.

If he felt a little deflated they'd
be positive pumping him up full
of air once again.

It was him and them for a time,
  but it moves on.
He went out less and less,
  it was summer and he went
           out once.
Sitting on the windowsill
wishing to between the blades
of grass. at the end of a foot and
                   a goal post.

Not being kicked and thrown
around, then it got real, he was
put in the shed empty not feeling
the air between his stitches anymore.

Then he heard voices in the back,
   don't worry you have friends,
Were all a little deflated in here?
I think some of us were mislaid.
Forgotten by mistake or we like
to think that. Hi, I'm seasonal, I'm beach.
Now I'm just missing the sunshine.

I got a puncture, I wasn't as floaty
anymore, I was their favorite  seaside
friend, you see they fixed my bobo.
I don't leak anymore, but they didn't
fill me up or throw me again.

I was put in here for another time,
but I only see them when they are
looking for lost things, but not me.

Meet tennis and his sister,
there a right pair, one always going
over the net, the other hoping that  
the other would hit so they could
feel the air bouncing between the
                            racket and them.

The racket was in here, but never talked
just time pulling at his strings,
sagging as if a smile hanging upside down.

We have been in here a while,
  don't know how long, we just
chat about the fun times before.

So they told each other stories wondering
what it would have been to be the other.
Laughing and joking at the possibility
of either hit by a boot or floating so high
in the air,  as if they'd never hit the ground.

Time passed and one day the family all
came to the shed, older than before.

Oh my gosh, I remember you guys..

Mum, I found the beachball, oh my gosh
he's still got his kitty plaster on...
They pumped him up and he went in to
the air, he could feel the heat of the sun,
and it felt right again.

They grabbed me I was a little shrunken,
  And the boy now a man, oh my gosh..
I thought I lost you, they pumped me up.
He did tricks with me, on knee head and
foot, wow he's got better as time passed.

Then racket came out with tennis and his
sister, what shall we do with these,
   Oh' no they thought are going to end up
in the trash.

But they saw racket tightened his strings,
and then the yellow siblings where smacked
against the wall, they smiled at the noise and
the feel of Racket upon them again.

The sun was beaming and everything felt
like before. But then they were put into
the car with other objects, a vase slightly
chipped, but beautiful anyway.
Books, with folded pages, what stories
they could tell us, another time anyway.

We traveled a while, hearing noises
outside, And handed to another,
don't worry we'll find them a new home.
We were put on shelves, price tags stuck
to us, we were left behind pieces that
others didn't want to throw away.
But finding us a new home, racket and the
twins were first to go,
                    at least they weren't separated.

A new face taking them home cuddling,
holding them tight, a home was found.
Then it was beaches turn, a little girl with
her mummy, she saw the kitty plaster and
was smitten. She threw him in the air
i could see him smile at the thought of
once again being thrown again.

Me I was the last, I was asleep didn't even
realise that I'd even been sold.
Rudley awoke to a foot in my face.
what the, and I could feel the air between
my fibers, I could see children and more
of me being kicked around.

I was among others as laughter and glee,
as we were kicked and thrown, it felt like
home again, not the one before but a new
one I was inflated and gliding between posts,
back of the net, and out again.

Home is where ever you feel needed,
and never let yourself feel deflated as
we are all useful in our own way.

I have to go as I have fourteen children
chasing after me, and there I go.
boot to me and in the air, I fly again.
Egeria Litha Aug 2018
Hello, Waitress in the sky
So long her fear to fly
She throws the world a smile
bats her eyes in a wink she's gone
hurling through the clouds
calming others through turbulence
**** the corporate scene
Type A personalities acting mean
humiliating her in a board meeting
so she trades blue for green

Goodbye Waitress in the sky
trade her wings for a diamond ring
So long her need for speed
racing on the runway


She was flying with the birds but now
she's swimming with the fishes

Deflated dreams of broadening horizons
a-popped balloon and a rolling stone
nowhere to go but everywhere
Oh Lord, she won't get the answer tonight
Oh sky, give her the strength to fly
Oh Queen, find her a smart place to run
and that's why she took US 66 for a drive
ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .

if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.

keep it coming like a miracle.

ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
*****. hell, all our hearts are drowning in *****,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.

and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free *****-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!

poets.

and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).

they were born with money and
they don't have to ***** their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling ***.

this gives them time to understand
Life.

they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.

you are drinking green beer which you
brought with you
because you have found out through the years
that rich ******* are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.

and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.

he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.

he thinks that poverty is a weakness of the
soul.

he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.

he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.

you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.

you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.

he even has x-wives in some of his
houses.

his main concern is to keep his x-wives away from
you. he doesn't want to give up a
**** thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.

and!: they
WRITE POETRY TOO. or
PAINT. or
****.

but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.

meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.

the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
***** and
ignorant. *****? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.

he or they or somebody was supposed to meet me at
the
train station.

of course, they weren't
there. "We'll be there to meet the great
Poet!"

well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.

he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.

he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.

my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.

he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.

"I'll buy you barrels of beer," he had
said.

I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.

the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.

anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.

scared too. sure, I imagined him peering
through the window-
he didn't want to give up a **** thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the *** first and
my poor brain
later.

"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."

I see him published in some of the magazines
now. not very good stuff.

a poem about me
too: the ******.

the ****** whines too much. the ****** whines about his
country, other countries, all countries, the ******
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the ****** drinks seas of green beer
full of acid. the ****** has an ulcerated
hemorrhoid. the ****** picks on ****
"fragile ****." the ****** hates his
wife, hates his daughter. his daughter will become
an alcoholic, a *******. the ****** has an
"obese burned out wife." the ****** has a
spastic gut. the ****** has a
"****** brain."

thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.

Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.

and guess what?
he writes
POETRY
too!
ryn  Mar 2015
Spectrum Violet
ryn Mar 2015
Hues of violet
As the azure meets the reddened sun
Sparse deflated clouds
Floated quiet as into each other, the colours run

Lavender streaks
Trail far into the horizon
Tracking the sunset
As the hour struck seven

Purple gladioluses
Bowed to the evening sea breeze
As if mourning the departure
Of the day's warmth with silent pleas

The orb finally sank
Beyond my sight could reach
Disappeared from here
But rising over someone else's beach

Last dregs of light
Slowly swallowed, giving birth to indigo
This night would last long
Before the first rays of tomorrow...
Oh no
it must be *****..

After we ******
a bit
and she
said
I ****** at it,
deflated
I wandered off home.

But I realised much later
she needed me to cater
to everything.

Shaft me side on
with a tuning fork
she's long gone,
destroying some
other
poor soul.
Francie Lynch  Jan 2017
Deflated
Francie Lynch Jan 2017
After the break-up,
I was
Grossly deflated;
Without the air to sigh,
I flatulated.
Olivia Ophelia Apr 2016
i hear you say
"i don't want to hurt you"
as i feel your words, like a knife
pierce through my chest
and go through my heart
and suddenly my passion
is deflated like a balloon
being pricked by a pin
-
"i don't want to hurt you"
but this feels like an elephant
is stepping on my chest
and i hurt.
despite your narrowing efforts
to keep me feeling safe
please stop making me feel like
i should just jump into the lake

o.o.
(i'm not really a fan of this piece but i'll put it out there)
erin  Apr 2016
my own deflategate
erin Apr 2016
I am deflated
like a balloon left in the corner for a few days
wrinkly and sad but still there
slightly full but not worth keeping

I am deflated
like an inner tube of a bike tire
rolled out of a garage after the winter
a hindrance on the path to felicity

I am deflated
like an air mattress
handled carelessly a few too many times
still useful but not overly enjoyed

I am deflated
because I am too exhausted to inflate myself
*again
Andre Baez  Aug 2013
Five
Andre Baez Aug 2013
Everyone Has a Story… Here’s Five.


Part I: Cousin

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was on the island,
At the very top,
Looking down from our mountain,
It was night time,
And the lights shined clearly,
Little holes from the bottom of heaven were penetrating the world,
As they did so I peered on,
Never truly understand what heaven was,
This was my element,
The curiosity which was placed in me,
Since the birth of my being,
Has never been one for being quenched,
Even if my parents tried to beat it out of me,
After a time they kind of hit a fork in the road and decided to go right,
But at the last second I side stepped and ran my behind to the left,
Because the right side isn't always the right way to go,
I felt that their minds died some time ago,
But I was a kid, in the hoods of Puerto Rico,
Only visiting, never witnessing,
The day to day realities,
That came from living so rapidly.

I met my cousin for the second time the days before that night,
He took me under his wing almost immediately and I was happy to follow,
He was a tall man, tattooed from head to toe,
I thought the second I laid eyes on him, that this was my role model
As a lover of Hip-Hop I thought this was how everyone should look,
He would cuss, and spit, and drink, and have several women on deck,
While rolling a couple of joints,
This was the MAN!

However, this view didn't last for very long,
Because on that night,
I witnessed the devil for the first time,
I crawled from beneath my covers,
That my mother had so carefully put into place,
As a safeguard against the realities of the world,
That would come true in my childish fantasies of the boogie man,
The only bad I knew was what was told to me by the news,
People falling left and right cause of wars and other endless fights,
But in my mind they could be brought back to life by the Dragon *****,
Unfortunately Goku wasn't here this night,
I snuck through the house silently,
As the noise would be drowned out by the singing of coquis,
My bare feet hit the humid pavement following the rush down the stairs,
I only wanted to see my view,
The view of heavens holes peering through the vast and dark sky,
It was located at the edge of a cliff that looked over a ravine and then the wilderness,
At the precise moment I stopped to realize my will,
My dream was disrupted by a voice,
Followed by a sound that sliced through my mind and deflated my childish intuition,
A sound that penetrates my adult mind and echoes in the silence to this day,
Muffled screams echoed out after I heard the gunshots ring,
Beneath the sounds of the forests singing,
My heart was pounding slowly,
I was strangely calm rather than panicky and fearful,
Not that I was a brave child, but I remained curious,
Until I saw the blood…
It was then that I saw the dimly lit lamp beneath the moon light,
Resulting in the two bodies casting elongated shadows against the dank Earth,
Followed by a larger body standing over them,
One body was completely still,
While the other one was rocking back and forth,
The terror that took me was shear and raw,
The only other time that I had witnessed such a fear,
Was through the appearance in a pig’s eye,
As my grandfather drove a machete through its heart,
I heard the second shot ring out,
In the same amount of time that it took me to blink,
The other man had been murdered just the same,
And before I knew it the gun was pointed at me,
I stared back and started shaking,
This had to be pure fiction,
But no, this was reality,
I turned to run, but stopped when I realized who it was,
Looking up at me as he exited the thicket and the shadows,
Was my cousin, my role model,
He cocked his head up and looked at me with concern,
But said nothing,
As I ran home breathlessly,
Under the holes into heaven,
That had been put there by bullets,
My childhood was finished…

And I'd never see him again.


Part II: Brother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

As a child,
I thoroughly enjoyed,
Playing around outside,
I enjoyed getting into play fights,
I loved feeling like I could overwhelm any opponent, but I couldn't.
My brother was way stronger than me,
He had the height advantage,
And best believe he had the weight advantage,
But still, I thought I could manage,
It never really crossed my mind that my brother was a bit off,
To me he was a big kid,
A quiet companion,
My best friend,
My heart.

That was more than enough,
Until one day I went too far,
See my brother had one toy that he loved,
It was string; he'd tear up clothes to make string,
He'd cry up storms at department stores if he didn't get his string,
He'd hit my mother and punch my father if he didn't get string,
I just always thought the exception was me,
I was his play mate, he smiled at me,
Something quite rare for my big brother to do as a result of his condition,
And the medication he was taking,
You see when a child has autism they kind of want to do their own thing,
They want to be on their own,
Enjoying whatever it is they enjoy doing on their time,
But I had a child's mind and a child's ego,
His toys were mine too,
Share with me,
Play with me,
Look at me,
ME, ME, ME!
So he punched me right across the face,
I went flying into a sliding paneled glass door and began crying,
When my mother entered the room,
She asked what was going on and tried to calm me down,
I wouldn't listen so she told me shut up before the neighbors called police,
And we were both taken away,
Being that my mother was a single parent, I believed her,
With that being the case, I closed my eyes and didn't look at my arm,
Nor the blood slowly dripping down it onto my fingertips,
Down to the floor below,
I didn't play much anymore after that,
I was too childish to blame myself,
So the fault was his.

The fault would end up being mine,
As this action being a culmination of things done by my brother,
Led my father and my mother to do what I thought was unthinkable,
They chose to let him go,
Giving him to a group home,
My young mind couldn't even begin to comprehend the pain they felt,
But to me all I could see was two adults giving up on their son,
I saw love and hope dissipate right in front of my eyes,
He was playing with his string in the back seat of the car,
While I sat beside him just watching him,
Saving every movement of his,
And his joy into my memory banks,
To be left to gather dust; because the pain was too much to harness,
But with respect I chose to re-open the chest,
And hold my brother in my arms once again,
Before he was ripped away from me,
And given away to the monstrous people,
That wouldn't let him hug his mother nor me,
I didn't care if this is what was needed to be,
I was losing my brother!
My blood!
My playmate!
My best friend!
My only friend!
My HEART!
It didn't matter that he hit me,
It don't matter if he hit my mother or father,
Because the beating my heart was taking was too much,
For my slim frame and still developing body to handle,
As such my growth was stunted and I gained heart problems,
On top of the asthma,
Autism meant nothing to me,
He was everything!

But it ended with me sleeping alone,
At home he was gone.


Part III: Father

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I never felt much towards you,
I was taught to love my mother solely,
As she was the one always there to heal my bumps and bruises,
The only memories I have of you from my childhood,
Are of you feeding me God awful food and teaching me to ride a bike,
But I forgot how to ride a bike,
And I could cook what you cooked on my own,
Burnt hotdogs, and pasta, and cereal never really fazed me,
Every other memory is a blur,
Your love was like a line or two painted upon a Mona Lisa of love,
That I had gathered from the various sources of inspiration in my life,
I could always gain appreciation for them,
But not for you.


As I entered my adult years,
You tried to make up for it,
I knew you had pent up guilt inside from not seeing me,
Yet you bought presents and rose up the seeds of another tree,
Seeds that I don't blame,
I only wanted to smell the same flowers that you gave them,
So you were trying to give them to me while I could still smell them,
But that sense was long gone along with my sense of sight,
Literally my vision was fading, but my mind was expanding,
As I was witnessing the world around me quite clearly, and the soul within me,
Just wouldn't release me, from the overwhelming feeling of needing you,
A father figure I could depend on,
A monument for what a man should be, and truly believe in,
As it comes to issues of morality, love, and loyalty,
Up until this point you had only taught me resentment,
Resentment leading to hate,
But I wanted to honor you in place,
So I hide the parts of me that you don't care to see,
I hide my relationships,
I hide my true feelings,
I hide my poetry,
Because if you found those things,
I would no longer be free,
And I refuse to submerge my soul into slavery,
Just for you to feel like you rose up the brightest son,
When truly the darkness is where I was brought up and where I belong,
Moonlight is the only thing I can touch with my pen,
As I compose the paintings residing in my head,
Of wordsmiths and demons battling,
Because words are my angels,
And they have always been there in every instance,
Whenever I've needed a piece of wisdom,
Or a calming presence that would come from the essence,
And recollections of stories of glory,
Stories that helped me forget you,
I love you, and hope our relationship can bloom,
But I no longer wish to speak on you.


Part IV: Mother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was taught to feel love towards you,
And it still remains as strong as ever,
From when I was a child,
Your sacrifice made my life exactly what it is,
Exactly what I needed it to be in order to grow and explore my soul,
To reach for my dreams,
You have always given to me,
Even on your last two cents,
Both would be for me,
You were my mother goose,
Even if I seemed like a young rooster,
Because we were always so different,
You always wanted to mold me into your vision of me,
While you instilled in me many things which cling tightly to me,
You've made someone completely different from what you expected,
I hold different views and truths that are separate from you,
Which is fine, but for a time it would keep me from being who I desired to be,
Because you could never cut the umbilical cord.

In fact, it was wrapped around my neck,
The death of me was coming slowly,
Due to the inhibitions of my creativity,
You loved that I would write, but you hated what I was writing,
Hip-Hop, home to me, was looked at as purgatory,
You couldn't see why I would want to listen to these stories,
Stories of struggling and hustling and juggling jobs, drugs, women, and friendships,
These ships were all sailing gallantly through my mind; the wordplay was so sublime,
And the fact that the words blended with their worlds were so unkind,
Appealed to me, but you were blind,
This changed my perspective,
However what really taught me to be a man,
Was when you began pushing opposing women out of my life,
I would be deep in love, buy-a-ring love,
But one thing would be enough to trigger a string of insults,
And a manikin-like regard for the person of whom I adored,
This was too much for me, you were systematically ending my dreams,
I thank you for your love and for everything that you continue to do for me,
But the cataclysm that was forming in this poets mind,
Was becoming too much to bridge,
If this feeling was to be ongoing,
So as a desperate act of love and care,
I left you behind,
But the love is forever there,
I'm a man because of you,
Your heart will forever reside with me on my journey,
You’ve no need to be frightened,
I’ve got you, I’ve got us,
My senses have been heightened.


Part V: Lover

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

We met after a string of accidents,
Accidents that nearly cost me my life,
These were love losses, blood losses,
Things I’d never thought I could recover from,
The experiences had me going numb,
Until you found me… or did I find you?
It's hard to tell it just seemed like we were two lost souls,
Looking to quell our young hunger for the opposite ***,
Each and every day was spent together,
First on the stoop in front of your sister’s house,
The place where I first kissed your mouth,
Second on the park benches,
This is where hours flourished from minutes,
Third was along the streets of the world,
You were my diamonds and my pearls,
Indestructible and irreplaceable,
Once you met the paper you were there forever,
With that ink blood that flows through your veins,
A fellow poet whose love would stain my mental,
Instrumental in gifting my simple world with a new understanding,
It wasn’t how I imagined, but God laughs at notions of planning,
I finally found out what it meant to be in love,
I never had two people show me what it was,
Honestly the many descriptions of hate,
Is what would be seen at the gate of my consciousness,
As such, I believed this same fate would await me,
It was once the singular feeling with which I could relate,
But the euphoric hands you laid on me,
Made me lose an awake thought process,
As I was in a lake filled with your waters,
That would flow to rivers,
Followed by seas of your loving,
Seas consummating your body,
As I laid on the beach,
Believing it to be a dream.

But it wasn't, and it shouldn’t have ended,
In reality, love has ways of being reprimanded,
I was so lucid, and the picture was candid,
It was the simplest of pleasures that I'd ever been handed,
I learned right away the right things to do,
To flow from my heart and work my way into you,
To take care of my lips,
A rough kiss can't ******,
Nor find proper pleasure,
Along a woman's surface,
You’d allow me to peruse your mind,
Sending shivers up your spine,
As I embarked on my conquest,
Explorations of lustful aspirations,
Symbolizing and synthesizing,
Each and every stroke,
Representing a new letter,
In the alphabet of love,
Allowing our tale to unwind,
To combine the breathlessness of our exploits,
With our hearts desire for choice,
Which declined to lend voice,
To the greater work to be done,
The acquisition of newer positions,
Are symptoms of the journey,
Keep going, never surrender,
Be tender and conquer,
Mental foreplay is stronger,
Than any physical touch.

Love of a poet both bold and stoic,
Is a simplistic view of unfolded vibes and rhythms from the inside,
This could never subside to anything less than genuine spirit of heart and signs,
Among the winds, trees, stars, because you are the art,
You are Moses parting the red sea of my subconscious,
You are the dark sphere which encircles me,
You are the light that penetrates me,
You are harmonic melodies and sweet remedies,
You are rude symmetries and cool symphonies,
You are a lesson learned and an angel untouched,
With exception of me,
Hushed whispers or high pitched screams,
Mean nothing, without the mind following the body to finality,
The fluidity of our ****** motion,
Is a reflection of our mental state,
I seek not to pass through you,
I seek to become one with you.

That's how I feel about poetry,
That's also how I feel about ***,
That's how I feel about you,
You showed me the way,
You are my soul mate,
One with the words I write,
And the memories that I seek the convey,
You are the sun pouring through with the rain,
You are my miracle, one year my junior,
Fifty years older under the skin,
Deep within, your soul, my solar,
Not an eclipse, but a shimmering glow,
Always for my love and never for show.

I fall in love with people's honesty.
Their smile.
Funny jokes.
Tears.
Scars.
Passions.
Eyes.
Dreams.
Their spirit.

Word to Marley Soul.

Five steps in my growth,
Five indispensable cogs of my sou
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.

— The End —