Let the babble stop
Let the brain farts cease
Let pleasure be your guide
And the poet slip into their persona,
Like a performance uniform,
A slip dress
An existential throw up of thoughts like
Bad Chinese food.
The kind that climbs out of Tupperware,
slippers ready

Of Tupperware and ready slippers
***** out takeaway rice.
Performance uniforms sit up in bed,
Babbling about existential poets.
The bad Chinese food
Waltzes with its guide,
Brain dribbles out of nostrils.
Dear night-shoes,
This babble has ceased,
Pleasurely.

The day after my childhood self wouldn't leave the old house and cupboards, I sat in the dark with my boxes and these pretend grown-up versions of myself.
I'm losing my favourite memory, I cant find the right side of paper but I will always flip the page. I know I am stuck. Still seeing the image of your skirts disappearing around old pine door frames, try to run after the hem to ask you where I left the right box. Can't even find the words to ask.
Sometimes the last thing we ever get to say is “goodbye, old house”, we don't always get a chance to kiss it on the cheek before we leave.
That nothing we lost once was inside you the whole time.
I remember the private hospital rooms, we know that for that much money you have to switch of the part of you that won't stop dying.
You still visit.
You still visit in the form of robins following me home, of ghosts enclosed whispering in a space reserved,
breath suspended in mid air,
the very last one.
I made a room of ghosts for you.
And if I could have stopped time
I would have paused it in the middle of this room.

Open the yellow memory box one last time.

"There is a strange place between just about and not quite" she says and you imagine her jumping off that ledge again and shudder to yourself,
think "I can’t ******* do this anymore.
I feel like I’ve swallowed a dictionary of her words".
She used to say ‘I love you’ and you’d think "from the inside out"
'Fiberscope:
a fibre-optic device for viewing inaccessible internal structures,
especially in the human body.'
She tells you definitions can be beautiful.
Swallowing a fish eye lens to try and meet you
on the same page, looking
over and over into your own insides
knowing you can’t get any further into yourself.
Interruption
"but for ****’s sake I wish you were here",
we expose ourselves to the sound of Pink Floyd and laugh our gilded throats slit like we’re going mad around the same carousel.
'Endoscopy:
a surgical procedure
used to look inside the body to examine the interior of a hollow ***** or cavity.
Unlike most other medical imaging techniques,
endoscopes are inserted directly into the *****.'
She smells like soft skin on a postcard, like holding the thing from home closer
and trying to make it part of yourself.
You tighten the door hinges when she’s near them like trying to catch her in the inverted gap of the door,
expressing the art of a good catch.
She could never understand why you were so empty
and think "I am golden I am pure ******* gold,
when I die they’ll make a suit of my insides"
you're Zeus turned Midas, touching her she turns cold,
but at least now she's always radiant for you and
standing on a podium you made out of her bones when she told you
she was struggling with herself,
there is a strange place between just about and not quite and one day
I hope to find her there.

The child in the pushchair leans forwards.
Touches the wheels while they move, later this revolves to watching wheels of a bus
and wishing to be
underneath
them and maybe we're all just looking for a way out and a getaway driver,
maybe this room with a view we built to ruin is flooding
and we're pressing our
open lips
to the ceiling, grappling for a last breath
and pushing time for a second more
and maybe that escape route is waiting round the corner, a lamppost with flowers cellotaped to it, a
place away from the place
our parents kicked us out,
drove us to the middle of nowhere and made us walk ourselves home, telling us this is a metaphor of life, waiting for a place for us to rest our blistered ankles and bruised wrists,
a place where there's someone we lost waiting for us, holding our their hand to bring us home,
but I guess,
maybe, for now
we're gonna have to stare at buses and wish for those pushchair wheels and the days we stared at the pavement moving beneath us and wanted to be anything
but a painting on the road.

The day sits waiting in it's pear-shaped
room, one of the vacant eyed occupants of other, older,
occupied chairs.
The day crosses it's knees, one leg
over the other as a white flag,
resignation.
The day wants it's peace,
it fought the world wars, caught it's reflection aged,
tripped over itself
calling itself out, a
tripwire
unravelled.
This day knows it won't live tomorrow,
knows it's wanted blind and poor, so waits
           waits
in a waiting room,
wasting the room's air in an exchange of
          silent
blows.
This day is counting down it's losses, putting
all of it's seconds in a jam jar.

And there are screams never externalised, legs never uncrossed,
paperweights weighing less than those they push to the floor, and
this day is
screaming,
this day is
flailing
from the inside out in the form of folded linen,
inconspicuous on a plastic chair.
This day holds
up the moon,
hears it's laughter and falls through the cracks
in the tide.
His knuckles aren't
connected to his fingertips and
shoulders feet apart
from the spine,
the spine crossing one leg over the other in a pear-shaped room
with fingertips tapping at themselves, writhing into an hourglass formation.
This day is holding
up the walls.
Count this day lost when your eyes skip it, miss it, dance past it
in a waiting room.
Count this day screaming
when you wake up tomorrow.

The dog is nine years
three months
six days old
and still counting,
the old man sits and counts up in
a chair rocking on an old porch,
creaking floorboards faded wooden again
from turquoise,
turning raw in their old age.
Parts of the floorboard have chipped away beneath
the chairs wasted slats
and yet the old man still sits, counting
down
time
like a train whistling at a
trespasser on the tracks
like a stray hair curling from
it's braid
get off those tracks
'cause you know it's not your place.
All we ever do is rot back down to
the floors we came from
and maybe
all we end up doing is completing a week
and then we're not counting anymore,
and maybe
the chair doesn't rock back to dust
and forth to
nine years
three months
and six days old
and we sit on our old porches
watching the train tracks and
maybe we know it's not the
time or the place
but a train whistles at the
trespasser
and we watch the young girl
and we count down, looking away
when it happens.
But we're not counting any more
and we sink into the porches we came from.