My love is the shape of canine teeth and claw marks
I leave around your neck,
the way I leave poems decaying in an unforgiving landfill —
the gods have turned away in disgust
as I sit and lick, like a rabid dog,
the maggots chipping away from the inside —
the entrails of my grief, all pulled out without mercy,
without a deathbed confession,
without a god to listen.
I long for something else to unfold;
something sacred and beautiful
when you turn my body inside out, but lo.
This is as deep and far as we go.
Tell me, I beseech, does my filth look better inside out,
uncovered, on display,
penetrating your very skin?
Take what you need, love, they are all yours —
my sins, my wounds, my impiety
in exchange for your darkened heart — I’ll spit it out
and swallow it back
down to my underbelly where no one can ever take it —
not you, not the gods, not their fallen, forsaken angels.

Forgive me — forgive me, forgive me, forgive me.
Forgive my unforgiving hands, forgive my unforgiving poems
if our sick, twisted, defilement is all they ever know.

Such a classic mortal blunder to lay
my spine as it erodes, graceless, inelegant
on Galatea’s cold, ivory arms;
such delicate carvings can never be human, look human,
feel human under my lonesome bones.

I long to see you flinch and break
into fine, liquid, rain of dust blinding me,
covering the walls of this room
in a blameless shade of white: a new asylum ward
for my kind of insanity,
you say.
It envelopes like light around my awe
and my forlorn limbs,
tangled with Galatea’s unmoving ones.
I look for comfort within brittle carcasses
scraped of everything they could ever give.

The quiet persists eerily.
But here, Pygmalion’s gifts remain untainted:
the apex of auger shells, the beak of a songbird
the blunted ceriths, the rusty chisels
all impaling my spinal bones.
Yet the sculptor’s kisses, long erased,
the careful carvings, long defaced,
long reduced into a Grecian ruin.
I bury my body on your arms yet they find no rest
against the ghostly pleas of mammalian tusks.

How many for your fingers?
How many for your hair?


Tell me, Galatea, were you carved to bear the weight of
all the sea salt I swallowed as I drowned?
Soften under my meandering thoughts; I long
to see you flinch and break — like all the dead elephants —
any reminder that you yield pliantly to the voice
of the love goddess, that you were once turned human.
Break now, your solid arms, under my own collapse
over the sea foam caught on fire.

I am no longer bending and weeping to pick myself up.
Here it all goes down and ends:
my bones,
and yours,
burning,
snapping.
Nothing —
nothing less glorious will last after us.

— Fray Narte

Find me tearing violets, my love,
in a manic daze; I am running out of softness and daylight,
like winter’s cruel hours


“but I will crown your hair with these torn violet tiaras
and your soft throat, twine with woven garlands”


and I will dig into my tongue for the remaining metaphors
beneath the bourbon, until odes drench my lips,
I will stitch my wounds shut and ready for your apricot kisses —
I ache to be kissed away,
to waste away before your sun-speckled eyes
like a tiny fae in your flower basket, I ache to settle
in your dainty hands,
in lithe fingers lost in my wind-blown hair.


My November, my gentlest love,
how I breathe you in like my grandmother’s letters —
how you consume me
in curious ways
and for the first time, I am not afraid of the softness
buried and warm inside my bone marrows.


Tell me, darling, will you stay?
Will we stay
this time
for more than a kiss?
Will we linger longer
than silhouettes in a dream?

Her eyes are sinkholes in a quiet, sleeping state
and I was a girl, lost and misplaced at twenty-one,
looking for love in infinitesimal spaces:

on her palm creases and chipped, ruby nails,
and in the blown-out ends of her lotus tattoo
I find myself tracing a secret,
at the spiked tips of her hair tamed by fairy lights
and on the slits of her skin — a rabbit hole of wonders,
I always fall like Alice in sworn careful tiptoes
and crash headfirst; a broken wishbone, a tainted wish
some habits you just can't quit.
like —
October and her obsidian eyes, and the sunless ways we kissed —
being lost and misplaced made sense for a while in the detached comfort
of her cold bed, colder hands,
warmth has become an oppression.

But this dalliance has always been a disaster waiting to happen
and I am a paramour, a memory, a face in the crowd
swallowed in a seismic fall —

and losing October has always been a disaster waiting to happen —
this bed, always a site of a losing battle
and I find myself in a soiled, torn dress,
lying helpless on the other side of her war.

Tonight, I light myself a candle;
maybe one day, I'll finally learn to run away from a girl made of disasters

and not towards her.

You still eat away at my chest
like a mole finding its way out of my body.


God, it’s been ten years now since you last wrote me a letter
sealed with a pressed, dead daisy
and a ghostly kiss mark,
yet they’re still dying under my thumb.


These days slip by and I can no longer write you poems,
my dearest, sweet September —
but still, I hope that you have in your chest
all my papercuts from unbridled letters,
all my quiet midnights,
and all of my unwritten words;
they are yours for missing.


Must you leave a girl then, darling,
whose only fault was being one?

My throat is heavy with August’s sorrows
I sit by the shore and wait for the weakest waves
to drown my little feet — I  stagger over them like a clumsy giant.
But it’s seaborne sadness wraps, a constant, unrelenting embrace
like a mother’s grief,
a gentle creature’s death,
a rabid dog feasting on a poor, meatless bone.
I am alive — so cruelly alive for it all
as it falls

down my throat, down my chest like a child’s pained whisper.
My body is heavy with August’s weight as I retire to my filthy bed
and hold myself.

Cold are the nights in their quiet,
lackadaisical, taunting hours.

Come now, September. Come, kindly, if you please;
sweep me away into a million, invisible dust particles
suspended

under clueless, flickering lights.

I name all of my lovers after months now
and all roads lead to August and
the Roman cities we’ve burned —
how she walked on crumbling streets as I held the matches —
this poem is a page for burning at its tip:
a lone match, scalding — a firelit kiss
but the flames have always been a hypnotic sight
like a woman perched in your sunlit bed —
her hair, red as flames licking my neck,
red as love that bleeds on itself;
it leaves a stain on pretty things.

Now her skin has silk sheets burning away
like banners in a Roman cathedral,
her half-breath kisses, dying — now embers,
tainting my dress black where her lips had staked a claim.
Now her touch is wildfire crawling on my skin
and I am a wounded doe — waiting. waiting.
waiting.


The only world I know burns to the ground
before my very eyes
and we are no phoenixes, darling; all we do is burn.

I stick my fingers in my throat
and throw up a basket of swallowed suns;
under it, my tongue is parched and pinned in place
like a dried house moth on an entomologist’s hand
that nurses it back to life

and demands devotion in return,
a poem in return.

But I have purged the feeling being out of me
like a cold, cold man now averse to the ways of his younger lover
who is alive for all of it — the lust and the starving kisses
and the quiet deaths in the morning only to haunt at night.

I leave letters for my bitten nails without meaning a single word,
and go to lie with the superficiality, the hypocrisy nesting under my tongue.

I have started writing poems again — see where they take me this time
and find myself here, once more
where a fool unpacks her baggage and out I come rolling
like a dead body with a foaming mouth, a brown moth burning under the sun,
a leech that scurries under salt and needles,
slowly eroding like sanity.

She thinks, therefore, she is, they say,
but at what cost? She looks on and pens this poem
with a tiny smile on her lips.

my father pours his beer on my mother’s wounds.

i bet she rues the moment
god fashioned her out of his hollow ribs
and him, out of the twigs breaking
under her careless, tiny feet when she was fourteen.

hollow and broken, the walls fall
all over me like ancient, perishing twin cities
and lot’s wife never looks back; the angels never look back —
i crack like a lightless dawn that wants to disappear
but my brother has started to look like me —
wearing an all too familiar silence, an all too familiar sadness
wrapped around his neck like a cursed talisman.
my sister’s wrists are exposed; i check
for bitterness, and cigarettes, and boys —
maybe i hid them better and held them tighter away
until i was pale and white as a ghost i longed to be,

hollow and broken, the walls fall; the door flings open.

i no longer have to hide my wrists,
but i crouch to a cluttered corner of my room.
every sudden movement, every unchanging voice,
and i bow my head low for my father to pour his beer,
like a baptism of the heathen who accepts the words of god.

my mother’s wounds shine like biblical relics
kept in my body — too fragile and small
but i was not made for the word of god
who calls himself by my father’s name.

dearest stranger,

i am too abstract now for my own good. i feel and hold myself, in place, in my hands and i slip right through like sunlight, like tiny moth scales, like the delusions of a sauntering ghost, like all things unreal and untouchable, like a madwoman, laughing away in her free fall to an unsteady ground.

and all the flowers are cheering in their surreal, psychedelic scarlets, and all the rocks are breaking, and all the words are failing to capture what i truly feel.

am i still despairingly corporeal, like paper napkins and panes of glass? am i still in actual flesh, now that god doesn't exist? am i still as tangible as this last, frantic breath of a letter?

am i still actually here?

bidding my farewell now,
ginia

when will the world quiet down into a throbbing, feeble ***** that i can so easily crush?

i spend my days sighing away, digging away at each layer of disillusionment. when will i get to the bottom of this? when do i get to see my bones, all bleached out to a lifeless tan? when do i get to poke them around like live coals, desperately reviving a dying fire? when do i get to see myself, in my highest, truest, most foolish form, and have the closure — both underwhelmed and overwhelmed?

i've lived longer than my younger self would've allowed; tell me, did she know me much better? did she live just long enough for me to inherit her despair? have i gone dancing too much with illusive lights, only to get home heavy, burning, and blinded? did she know it all along? did i know it all along?

tell me, was it all for this? tell me, in the name of all my splendid highs and in the drawn-out silence thereafter  — is this it?

i tire myself out. i bite on my heart and spit it out — press my fingers on the dents, the teeth marks, the parts that are supposed to hurt. and i watch as it breaks into a thousand glasses. dreams. futile daylights. i watch, ever so quietly. i watch, unfeeling.

in bed, shrinking to the smallest space my skin and bones will allow. in bed, with my sorrows growing, sprawling out in every direction, all for the world to see.

how can i go and fade quietly when my hurting is a loud, lurid spectacle under flashy, purple lights?

february is inside me like a cursed fetus. it eats away at my ribs, making a gap big enough for me to sink into a quicksand of motionless hours and crumbling bones. i hate myself for having written these words, but february beckons with ghostly arms and i shrink to myself like a well-trained beast — step into my hollow chest and crawl farther and farther than before never to be seen again.

someplace else, icarus has taken one look at the sun and recoils like a banished angel. lo, the cheerless shadows befogging. lo, the waxen wings he clipped — swallowed by solid ground. lo, the skies melt above the sea, in horror, as he falls in place over his bones and sinks into his sunless chest.

how can i constantly forget something as innate, as natural as breathing — how do i stop holding it intimately and finally see self-transgression?

i can never love you the way i claim — delicately and without violence. i remember hating flowers and broken seashells, and my grandmother, hand-sewing pastel dresses. deep down, my bones are raised on stories of ancient wars and biblical battles carried from memory to memory, a string of generational blunders — i am made of my father's bitterness and my mother's denial. so i will love you with corruptions and apologies, with bled-out  veins, giving in like an emptied river, with all the poems i have read and forgotten, and with everything that makes me finitely human.

i am sorry but my bones will always love you like hell, like it was war, like the world needs to end in the process, like the hand of god, taking you out of my ribs and now he needs to return it back where it rightfully belong. i will always love you, in godless sacrilege. i am sorry if i don’t know any other way.

the quiet thinly films over these sheets;
i press my cheek on the pillow — soundless, it hears me.
i rest my dusk-dimmed mourning on quiescent tiles,
and the crickets cannot stand the
silence — it recognizes now the thoughts,
much better than poems can.

i have taken this wordless fall,
hands tied behind my back,
feet tied, tongue-tied
down these sweet, senseless,
daffodil deliriums

i have taken this wordless fall
away, unseen, i land in grace —
this is the last noise i will ever make.

the world ends: it looks like an empty bed,
sheets running under your body the night before,
a faux lace dress caught in aventurine nails —
it fits like a memory, clings like an emptiness worn well.

together, we turned our backs on the saints,
but i pray to them like i haven't
forgotten a word; surely,
a plea is bound to keep you here
just long enough for me to forget:

the world ends: it looks like the corner table
where i last saw you; i pocket
my dizzying daydreams from across the street
and walk past a wormhole.

the world ends: it looks like wounded lips — pink daffodils
drunk on the slight touch of our fingers;
nothing heals from this.
new lovers will zip my skin open so carefully, with their
untainted hands
and find you buried; i never loved you
is all i say.

the world ends: it looks like a forgotten year
and some souls are always the first ones to leave
but i empty my veins, dredge up relics of your presence —
it still leaves me
disconcerted, breathless;
i pour my love in a letter, in paper flowers
and my tainted hands still find you buried:
a secret i can never keep
so i let you go
is all i say.

pour sunlight down my throat, it burns
like a whiskey secret taken to grave: my chest

is a bed of incarnadine moss
where i retire and lie, not knowing — waiting for
death or life, for
words to be purified by fire
the size of my live-coal heart;

what is there to write
out of it anyway? after all,
i am now incomprehensible to myself.

here, i confess my sins, absurd in their triviality,
but the sky hears, declares a sentence, unforgiving.
i cannot hear, for

i am now incomprehensible to myself
as i **** my nails clean of dirt, of meaning,
like a poem; emptiness is just a blank slate
not knowing where it's headed.

here, sunsets lick my bones clean — its tongue has long stopped burning
from inside the numbing walls
of a coffin: my skin is the pall draped over —
aventurescent-white under the fevered sun.

the stars weep over all the terrible ways i have loved you —
dress you in their light caught
in my aprium kisses and cigarette daydreams.
empty my ametrine veins,
disembodied to hold your bones together —
kiss you, break me, leave me
burning and trapped in a lantern room; watch me
sink ships to come back to your arms; you've always waited.
and they all still weep and fall
over all the terrible ways i'll still love you

long after they die.

i have inherited pandora's careless melancholy, her tiny box of regrets, her white-washed, quiet horrors and terrible decisions — staining like a memory passed down from her reckless hands to my old, ***** claws, digging for something raw, something parasitic, something miserable, something always goes wrong beneath my ribs. it wants out, like a beast, a misplace fragment, an aphid. and these days turn their heads away — blur themselves blind before my many blunders.

before the wrath of a false god, will my bones ever learn the art of being unapologetic?

to love all of you within the noiseless half of a sigh is a time-swept fever dream stirring in my fists — part firework smoke, part lavenders, part quiet, cautious limerence. how you enchant and unsettle me — i run high and aimless, and free fall in seconds. i am smitten. desperate. love-sick. wordless now, for all i care, darling — i'll leave all of my poems strewn in your bed, like a girl shedding her mortality before a goddess in her truest form.


to disrupt this is a human blunder. to bask in it, divine. ♡

will my hands ever forget the habit of clawing my own wounds for warmth? i lay my vulnerably human skin on sun-dried poems written to breathe, breathe, breathe in — breathe through january's oppressive cold.


i breathe out a mouthful of asphyxiated flowers

Without so much as a burst of white light, without so much as a beclouded face, lingering — I want to go quietly now, like sawdust in a country road — like seafoam under a gray sunset.

My mind insists on leaving.

i am half of a sun-dried breath short of being sane. i sigh and my body bathes in a mouthful of bleeding, blue december — i can feel its colder, longer days stretching inside me.

i wish january comes here soon — in fresh, comforting, yellow warmth.

out there wafts jupiter's quiet grief as it loses its moons — does mine ever compare?

i toss my sighs into the thinnest air, like a brief lesson on how easy it is to vanish. how doable. how hard.

i.
i carve the sadness out of my ribs like well-soaked marrows;
they fall off like a drunken secret —
a poem within a poem within a night-long quietude

that i disturb
like a child's stomping feet among the prairie dusk.

ii.
i carve a poem,
whole and out of my tightened throat
like a reverse magic trick,
but my hands break in casual irony.
i carve a word out of my tongue
but all it does is bleed.

iii.
i carve a feeling out of a callus but
my paper-skin is left too long under a lavender storm
to still write letters like these.

iv.
the sky cries to a drunken oblivion
as i unwrite this poem in indifference.
i let myself go, like that

dead houseplant drooping in corner of my room

and cheerless, quiescent sheets
watch to pass time.

like fallen flowers, i am
weary under the subtle noise of a rushing, babbling brook;
a death, quietly scenic
as i go back to dust.
i left my body rotting in a prairie paradise,
here it decays to gray
under the bruised indigo sky.

a ghost writes her poem in silence, in small, made-up synapses,
and the wind sweeps it away.

Here we are as unclaimed lights fall into the room. Here we are with better names, old letters peeling after the other. Here we are, now made of changing lights and indigo dreams. In the very last month and for the first time, I claim the body of an Egyptian lad and you are the sun god, washing over me like a brand new day. For the first time, December doesn’t feel like choking on poppy blossoms. For the first time, December is freeing as scattered pastel lights.

For the first time, my love, December rests on my skin — and it doesn’t hurt.

Someone mourns and I am terrified: my skin, shrinking — closing in upon myself, for how can they break and not break at the same time?

— “I am sorry for watching you watch someone else die”

i am bone-tired and befogged with melancholia; i cannot wait to fall and bounce cheerlessly in a field of forlorn, arenaria flowers, all over the sunless forest floor. leave me be — a strange girl in a sleepy, run-down town. leave me be — a hopeless case in my own quiet apocalypse.

i mount my heart on a wall,
still and discolored
where my taxidermist hands had pressed.

it breathes life into dead walls:
a hanging irony made of
soft cyclamens
and the closed, white fist of a tormented girl.

i mount my teeth on a wooden wall,
write my letters,
pour salt on spaces where i used to stand;
may i not stand here
once again.

i mount my hands on a wooden wall;
they do not knock. i do not answer.

silent as a lamb — down to a pit,
i watch the sheer cliff of my back
from where i have jumped
and the sundry sorrows shrink
into black, blinking dots
like a hidden villain
exposed.
i fall over myself
like in a slow-moving dream —
lead-like it flows like the acheron river.
and here comes the ferryman.

i've always loved you one way or another. i break out of your ribs only to bury myself back in. i've always loved you one way after the other. everything else is a fleeting state — cruel, fluid transience leading me back to you.

some ghosts you just miss, darling — some ghosts, you'd die just to see again.

the weight of your breaths is burning its way inside my skin. this is a catastrophe we're in now, darling, and i resemble all of your crestfallen asters, dried and dusty in your altar — now caught in a forest fire. this is a catastrophe we're in now but heathens like me don't burn down, and i have loved you with such fatality i didn't once possess. i have loved you like stray dust in lilac vapors. i have loved you, like stray wind in a firestorm.

this is the calm we're in now darling — and i have loved you to the point of no return.

these days, emptiness is beginning to look more like a poem that writes itself. the irony is it is everything i can't be and everything i am

my wasting bones are unsettled by kisses. how your lips graze my paper skin and i am an origami crane — catching fire in waking sunlight. watch me love you terribly. kindly. fatally. watch all of my shadows burn bright for you, my darling, into the sweetest, sun-soaked surrender.

1
i am the space expanding non-stop at the risk of losing history
and what remains of its stardust.
my sorrows expand with it; my vastness grows wider,
deeper by the day to accommodate
an uninvited houseguest.

2
i fear the act of going through my bones
like a bundle of endless, wistful letters;
some for burning.
some for throwing away.
some for breaking through
my ashen skin.

how can i be both limited and boundless —
it is no magic — just mundanely human.
the thought descends like poison eating at my backbone
until i am no more than a bygone, spineless caryatid.

3
yet again i take down the cosmos,
pick it apart
and in my hands, manage to turn it
into something distastefully prosaic —
turn it into a disassembled being.

all this wordless sadness has made me ancient. alien. unidentified.

4
i am the space expanding non-stop at the risk of losing history;
i have long stopped trying to make any sense to myself and
there is no greater joy
than to be a perplexity.

amid it all, i tiptoe back and forth
between the ice-thin parts of celestine silence
and the static ringing of incomprehensible poetry.

the ground where i stand on breaks;
i float with no direction.

5
i am the space expanding endlessly; i grow wider and deeper
to make room for vaster sorrows —
if only a sigh is enough to hold me
as i tear it all down. tear it all quietly. inward. once and for all.
if only a sigh is enough to hold me
as i implode in tragic,
breath-taking cosmic colors.