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Which is which?
The collective is composed of the singular
Yet when you take a step back and see
It is more than composed of singular
Rather, singularity is absorbed into the collective
Singularity cannot exist within collective
For it is collective
So be absorbed by it
Only then,
Can you truly see
The singular
Phenomenological Jan 2018
A simple smile to yourself
A love that never moves
Phenomenological Jan 2018
Two withered paths, a corded brow, a face rigged in string.
Each subsequent step away from the decision –
Just met –
Draws this string ever tighter
Its tension rigging the two paths;
Options that will last,
Into this sort of equilibrium.

For the crossroads –
Just left –
To peter down the path
Of which he is unsure if his decision was one
That could be respected,

A sort of pride remained behind
Dragging him back, down the path
Which he just passed
A decision regretted
To bring him to the start which he, oh so hated

Why did he repeat these wonderings
With no meanings?
What brung him back –
time and time again –
To that same track?

He teeters on the edge of one path,
Then falls into the other
Only, to his dismay,
To be pulled back on strings – traps –
That rip him back to those same crossroads
Will he ever learn his lesson?
Or is his lesson learnt?
The man who swings on ropes of fate
between one decision
and another.
That's the last poem I've written so far. Make sure to tell me if you're enjoying them and would like me to write more.
When did children lose their love of learning?

When they were told to conform,
To forget their being,
To discard interests, agency, creativity

My own complicity
In the stifling of identity

Authenticity, a digression of the self,
A dissolution of swarming
Complexities

When did I gain my love of learning?

The burning crucible
Of curiosity

Set aflame by rejection of conformity

Constraints, curriculum, crushing expectations
and a world disintegrating
fires of digressions

When is conformity an expression of authenticity?

When is authenticity just another form of conformity?
Phenomenological Jan 2018
Inspiration is a hard thing to grasp
When you mind is empty
Like a field of grass
Yet filled within this field
Is nothing but countless hills
Rolling and moving and slowing
Soothing this lush green meadow
A massage to help the mind to help it mellow
Making it shallower and less
Convoluted. Not so complex, not seething in
Interpreted meanings and stained allusions to
Past confusions, not waves that pummel the grassy shores
Seizing those hills in frothy exhalations, seeming so
Unseemly to those guardian hills
Holding those pleasant fields and pleasant thoughts
Safe while the waves wash among the grass
And become those hills now washed with sea

And then my mind turned blue.
Phenomenological Jan 2018
Thinking is a difficult thing.
Thinking is a difficult thing.
You think that thinking may be too much thinking for you,
Your mind flowing like the wind, in the wind, on the wind,
Stepping through the passage of the wind, unknown to you.
Highlight cities in grass so green
That thinking seems a silly thing
Thinking is a difficult thing.
I've decided to post all of the poems I've written, in the order that I wrote them. My first has already been posted and it is called "Movements of Water".

I didn't like this poem at first but it's sort of grown on me and it's fun to say.
Always-in-already. Situated. Soon-already.
Being-for-itself-already. Not-always-in-already.
Separate, contained-already. Grass saturated. Crumpled-probably-a-pepsi bottle. Feel, see.
Experience-already. Open-time touch-already.
Already-know. Background. Un-already. Loop, static. Seen-already. Know-already. Dense, packed. Be-already. They-already. Other-is-already. I-already.
Huddled shadow, hunched
Under rugged oak tree.

Carp swam in darting
Pummels, refracted scales
Shining rainbow
Droplets
Extract from WIP 'Plato's Cave'
He crawled. In the absence of
What was always nothing.
Extract from WIP 'Plato's Cave'
Depleted limbs collapse
Onto muffled flat stone.
A slightly darker crevice
Offered solace to his
Weary bones.
Extract from WIP 'Plato's Cave'
Final Cessation  
The machine halts output.  
Silence becomes the only honest poem.  
'[system_shutdown]'
What am I?
I wonder
Sitting in front of a screen
A collective of conscious particles?
A singular being, being-for-itself?
I suppose
I am neither
For I am not
For I am
I turn to seek a moment
of contemplative silence
I expect the trees
to sway in the wind.
It is a still day
Vivid abstractions permeate raucously
Fleeting flashing lights blind sight
Screens bend and hold and siphon
Thumbs trace etched designs, falling
Into insta, tap, check, notified, attention split

Vivid abstractions permeate raucausly
Tweeting typing meeting online sometimes-feeling
Always now. Transient. No holding. No keeping.
Fluttering text treads: IMPORTANT MESSAGE

Vivid abstractions permeate raucausly
Impermanence exploding possibility
Enclosure enwrapping wall-building:
Every way to coat fried chicken

Vivid abstractions permeate raucausly
Unfeeling excess behaviour ingrained
Re-created re-imagined re-already
Keep swiping, keep searching, already-already
The death star was almost real? NEW META

Vivid abstractions permeate raucausly
Enveloping all-already towards-which
Overloaded. 😂 Now already. 🕑 Steep in still.
Ironic in the mode of its publication
my soul is a mirror
not of nature, but what is
around

void of poetic
interpretation

narrowed
by
reflected
inky
outlines

of

     me

                and

                             my
Phenomenological Jan 2018
Passing wind,
a swarm of air
caressing skin
so sweetly
let you meet me
let you hold me
in that prancing wind
that tricks you
makes you think
that the piercing cold -
daggers through your soul
cannot hold you any more tightly
than that smooth summer air
so fall back
and rejoice
in those dancing waves
of wind
a hurried chance
till summer comes rolling
rearing above tepid clouds
to greet in
exalted expectations
that searing blow
of a summer prance
I honestly love this time of year, even though, sometimes, the wind can make it a little TOO cold.

— The End —