Butterflies turn to moths in the drapery of your stomach.
They spread,
And the feast begins on the fabric lining the masonry of your summit.

Your satin sheets,
The place you come to cradle dreams.
Who knew,
Were vulnerable to these wing'd beasts.

Balcony perch,
Romeo's known role reversed,
Juliet below in harmonious search,
What's a name really worth?

That boyish heart rescinds,
Others call it growth,
What of worth has he,
If not the love he's known?

Now here stands the man,
Or that is what's supposed,
Whatever happened to,
His storybook betrothed?

The way we touch no longer lingers,
With butterfly tipped and desperate fingers.
We kiss here on the dotted line,
Rent will pay in full on time.
This is not what he has read of love.
So simple to refuse,
The art of growing up.

If we're talking taking risks and ignored advice.
When falling to your lips heard,
"Boy, better think twice,"
I asked if stars hurt the sky.
To grant a wish this longing kid;
In making yours and making mine,
Slipped and closed the distance between,
You and I.

This isn't him,
This can't be the face he's left here,
This isn't the face he's used to seeing,
Solidified in the mirror.
It can't be the current one,
Or even close,
It's not at all how he recalls from the ponds he's known.
Not the one admired,
On crystal clear days,
Or the one sang with,
Through some humming nights.
Maybe his memory is just fogged up,
Maybe this reflection is just blurry from the showers,
They'd have burned others skin.
Still this can't be the face.
Not with the potholes for eyes,
Waning moons for lips,
And cliches for brains.
Or maybe things,
Maybe they do just change,
Maybe sometimes somethings sink in the earthquakes,
And are never swam in again.
Maybe sometimes there's no hope for reversal, redemption,
Or some rectifying light to right what's left,
Only hope in surviving the new.
I guess that's all there ever was.
If only he had it sooner,
He would have thrived in the old world,
Found melodies in the days and more mirror-less memories for the nights.
Only then could things be better off,
Different.

A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, thankful to receive the momentary peace.

A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade.
Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.

Our only closure, a black screen, with bright white letters, slowly scrolling up.


The end.