[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

shot in the eye
shot in the brain
shot in the ***
shot like a flower in the dance

amazing how death wins hands down
amazing how much credence is given to idiot forms of life

amazing how laughter has been drowned out
amazing how viciousness is such a constant

I must soon declare my own war on their war
I must hold to my last piece of ground
I must protect the small space I have made that has allowed me life

my life not their death
my death not their death...

THE STORY OF SARA

CHAPTER 5: THE PARTY IS DESTROYED




The meeting ended and I walked out not knowing my fate.  
  I felt scared for the first time.
  Surely, Omar's people would be coming after me?
  And what about those others whom Omar had just expelled? They will be after my blood too!
  My God, I began to think all over again at his last speech. He demanded the expulsion of twenty five per cent of party members – and God knows what would happen to them, whilst I, Sara, was the chief of the Purification Programme.
Obviously, as the 'leader' of the programme and being 'found' to be a 'traitor', then I would meet the most brutal end?
  Maybe, I was being too paranoid.
  Maybe all this talk about killing was just idle threat used by Omar to intimidate us?
  But I was still scared and I needed to escape.
  I decided to leave my house; but where could I go?
  I knew that that there was no one better than Sanji, but since I did cut him off, where does that leave me?
  Will he accept me back?
  I went to his house and rang the bell.
  The sad fact as that I did not have one single 'friend' that I could depend on!


  Sure enough, there was Sanji.
  "Hi" I said shyly.
  "You're in trouble I assume?"
  As usual, he was right.
He motioned me with a pleasant smile to come inside.
  "I mean, what did you expect from Omar?" Sanji asked me; "Sara you knew perfectly well what Omar stood for: dictatorship and ******. So who's to blame here?"
    "I do?" I replied sarcastically.
  "With respect to Omar, are you seriously going to tell me that no one knew that he was a murderer?"
  I sat quiet.
  I didn't know what to say.
  "Well?" Sanji asked. "You knew Sara; you knew and yet there you were with him, and there you were carrying out his orders. So, who's pretending now Sara?"
  Again, I sat still.
  What could I say?
  To be honest, I didn't feel guilty about what I had done, rather, I was embarrassed because Sanji was right, and I couldn't admit it!
  "Look Sanji," I finally managed to paste some words together, "will you allow me to stay with you?"
  "Of course," the soft spoken Sanji replied. "My God, I know the dogs are out to get you, and I'm not going to leave you on the streets. You didn't have to ask."
  I was so utterly relieved, I broke all the rules, and now I was finding safety, and I couldn't help but hugging the somewhat startled Sanji!



With the declaration by Omar of 'Unrestricted Warfare', the government suddenly, under a newly elected leader, decided to go on the offensive against not only Omar's party but against any so-called 'illegal' party.
  The new Prime Minister was the most serious, straight-forward man that I had ever seen.
  He was determined to remove all the leftist parties and individual leaders based on the law, because, for him, the country had had enough of our ‘disruptions, illegal activities and chaotic actions.
He declared in a speech on the day of assuming office that a new era will now begin in our country.
  "No more of these shadowy, secretive, cult-like so-called 'political' parties, for we shall chase them out and put the guilty ones straight into jail, which is their real homes. I pledge to you, as I did, many times, during my campaign, that we shall not be meek in the face of these disruptive and criminal characters; force will be met with force, and by ‘force’, I mean the law. I solemnly declare to you, the law shall not be undermined by these dangerous, subversive elements within our society. The law shall be preserved, and more to the point, the law will go into action, because, if we do not seriously act, then the very edifice of our entire political and legal establishment will be at risk."
  So, the Pigs were now going to destroy all our parties – and all because Omar brought so much disrepute and disgrace to us. I felt scared from our new Prime Minister, just as I was scared from the gangs of Omar.
  And, yet, strangely enough, I couldn’t help but admire this new Prime Minister!
  How odd and paradoxical of me!
  I knew what attracted me to his character: his force of personality. He was a solemn, self assured man, who simply decided that our country needed bold, swift, decisive action against what he regarded as ‘irresponsible’ elements in our society.
  In that sense, he was completely different from the other Prime Ministers, who treated us, as nothing more than clowns and jesters.
  But, this Prime Minister was really right, when he ran his election campaign, based on his promise that he would get rid of us – and the people enthusiastically approved of his sincerity and seriousness in his determination, if elected, to wipe us out!


  The Prime Minister, continued:
  "And so, I say to you tonight that we too, shall initiate our legally based police action against these criminal gangs – yes, I deliberately call them ‘criminals’, because they are no different from any other gangs, such as, for example, narcotic gangs. For far too long, this nation has been far too patient in putting up with so-called 'freedom of expression' that these so-called parties espouse. Yes, but 'freedom of expression' does not mean inciting violence and destroying public property and randomly killing innocent men and women! I say, and thanks to you, the public, who voted for us to handle and solve this crises, I say to you all, that we shall no longer tolerate this state of utter chaos in our land," and his audience thunderously began to applaud and cheer, "we shall not stand one more minute for this sorry state of affairs. These so-called 'revolutionary' parties have only one principle and that is to create disturbances, mass chaos and ultimately violence. They are nothing but murderous thugs and clearly no civilized society and no self-respecting civilisation on this planet can possibly accept the existence of such criminal gangs and that is precisely why we shall use every legal method to completely eliminate these people.”
  It was obvious to me, that we were no longer ‘popular’ with the masses.
  Otherwise, how did this bold Prime Minister get elected by such an overwhelming majority of the voters?
  No, I had to face the new reality, and that was our movement, was no longer acceptable to the majority of our people.
  And, it was completely our fault, because we began to behave with unrestrained lunacy, by hurting and endlessly insulting, using the most derogatory words against practically every segment of society, and by raging against every type of worker, from the ******* collectors to the managers of factories, and to the owners of any business; by randomly damaging and destroying public and private property, especially what people most cared for, such as their homes, their cars and their businesses; by our endless chaotic riots and marches, that would disrupt and paralyze the business and every other activity – such as hospitals, for example - of an entire city.  And then there were the random murders of innocent people, that we somehow decided were not ‘pure’ enough for us – that really offended our society, as well.


  Then, I noticed, the Prime Minister was still speaking:
“And so, tonight, I appeal to you, the members of these ridiculous, criminal so-called parties. I calmly ask each and everyone one of you, men and women, to quietly leave your respective illegal parties, so as to save yourselves from further prosecution by our noble courts. I am giving you nothing less than twenty four hours to exit from these gangster parties. This will be your last chance to rehabilitate yourself back to decency and respectability. Now, this is my first day in office, and I am proud to be solemnly fulfilling my pledge, that I gave to my people, if elected - and I have been duly elected, and so to my pledge, I remain as faithful as ever. So, let this be my first and last warning to you members of these so-called 'parties': leave within 24 hours or else face the full might of our law, because, soon, all too soon, you shall soon see yourselves, and no doubt, your other comrades, in prison, and you will thereby be assigned to the dustbins of history. I tell you this much, and listen, for those of you who have ears: Your time is up! The murderous chaos that you have perpetrated is over! Resign or be bludgeoned by the forces of decency and morality; no more fear for all our law abiding men and women, who have been for far too long intimidated by the likes of you! Your insane, sick era is over, and I say to you members of these murderous gangsters, and to all you decent, law abiding citizens, goodnight; for, tomorrow you shall see a revitalized nation that is finally safe from fear! Tomorrow, you shall all see a country that abides by proper laws and not a country that seemed to be going down the path of mafia rule!"
  Well, what a speech indeed.
  The time for our chaotic mischief was over.
  
  Obviously, I wasn't a fool; I fully realized that this was the first Pig government that was going to deal with us in a deadly serious manner.  
  Or maybe I'm wrong.
  Maybe this Prime Minister is talking ******* – like all the other politicians.
  Once they get in office, they betray every word they said during the election campaign.
  Well, actually, who knows?
  I felt depressed.
  Was this really the end of our great movement?
  Was it really 'true' the masses no longer 'liked' us?
  And if so, then why would they turn against us?
  After all wasn't our entire epic struggle for the masses? Why would they betray us; we were and are their only saviours and their only salvation, so why would they vote for this avowedly hard line politician and put him in office?
  I was completely confused; what was going to happen to our great struggle?
  Wasn’t our great war for the liberation of the masses from the claws of the Pigs?
  Could it possibly be that all our sacrifices shall now be in vain?
  My God, didn’t the masses, the people realize that we were fighting for them?!
  We sacrificed our entire lives for them, and now they were going to betray us?
  What does that say about Humanity?

      

  Within a few days of the Prime Ministers' speech, it became quite evident that he meant exactly what he intended to do.
  Soon, the police were out in force, arresting anyone involved in the numerous anti-Pig parties.
  All over the country, the police came after every known party member; they were arrested and sent to the police station, to await court.
  The same went for individual known leaders of the party.
  The courts were, themselves, very swift in deciding the verdict, since, I can only assume, it wasn’t that difficult to see if a particular party member had committed a crime or not.
  Presumably, the police had kept numerous files on all of us and on all our individual activities?
  And, I must admit, that I was surprised at how lenient the courts were for the majority of those prosecuted were released as innocent from any crimes.
  Most were acquitted, but for those who participated in acts of public and private property damage, they were given a few months in jail.
  As for those who gave inflammatory, pro-violence, hate filled speeches, like Tony, were given up to one year in jail.

  However, Omar was in no mood to be conciliatory, which also surprised me.
  He went into hiding, rather than surrendering himself.
  He appeared in a televised appearance in front of about twenty of his followers.
  How different the scene was!
  For, hadn't we been used to seeing Omar in front of hundreds of thousands of screaming fans before?
  And now, he was speaking to a mere twenty or so of his followers!
  "Members of our party. Greetings to you all, ladies and gentlemen. Yes, I know that the people who are listening and watching, will be asking why I am not in front of thousand of our party members. You see, I'm aware of what you out there are thinking."
  My God, the leader is happily telling us that his 'knowledge' told him as to what we are thinking, as concerns why his audience is so small.
  And, he looked as if that was a great insight on his part!
  What *******!
  Any fool, would be thinking that!
  "Well, my followers, my true, faithful followers I shall speak the truth. Following our great, revolutionary self-cleansing programme, we discovered, as I, of course, had always predicted, that regrettably, amidst our own so-called 'party members', there existed a huge malignant and spreading cancer. A lethal type of cancer. It was there right in the hearts and minds of quite of few of our so-called 'members'. Once our doctors discovered this fact, which I knew about, I decided to act immediately, ruthlessly and without hesitation. I had to amputate every cancerous form within the party and, I can tell you it was done superbly and with absolute surgical precision! Yes, we removed the cancer successfully, and today, our party members are completely free from any Pig attributes!"
  The small crowd applauded and tried to scream their pleasure, but it was a far cry from his previous speeches when the roar of the audience was deafening.
  Of course, my question was, what was point in what he was saying?
  The fact was that his movement and his followers were now no more!
  Omar was finished; his party was dead, and he’s happily telling us about ‘removing the cancer’?!
  I then noticed, that Omar was still talking:
  "Having cleansed the party, I, Omar, ordered a new type of warfare against the criminal leaders that rule our nation. Of course, these criminals are ruling our nation to its death. That is why we must wage this great, humanistic and eternally just war. I ordered a new phase: the Unrestricted Warfare principle and that meant, in effect, that we shall use whatever means it was necessary to gain the supreme victory. The new government of Satanical vipers now decided to fight us with a new ferocity that was thus far unheard of. In other words, no Prime Minister, has so far used such savage methods in the war.”
  What ‘savagery was he talking about?!
  The Prime minister simply used the police forces to arrest party members, and they then had to face the courts.
  Where was this most unusually ‘savage’ form of warfare?


  I snapped out of my thoughts:
“But do not worry, because we soldiers are used to the most unimaginable viciousness on the part of the enemy, and their sick methods will not repulse us; on the contrary, these inhuman methods of war, will only strengthen our resolve, will and determination to exterminate this enemy no matter what it costs in blood and tears.”
  Again, he was just repeating the same, old slogans, that were completely empty of any worthy content.
  “And so, you ask me, tonight, where are we in this war? Who's winning? I am happy to report to you: that our pure soldiers have moved from battle to battle, from victory to victory; and, all this is thanks to the purity within their hearts and souls.”
  What was he talking about!?
  I felt like screaming and laughing at the same time; for the sheer incomparable idiocy of Omar’s words, made him sound like an absolute professional maniac!
  “You see, only the 'good' can succeed against evil. You cannot beat evil when you yourselves have an army of evil, impure people. No, you see, that is why we are winning the war. Goo

And indeedst, thou mourneth once more
When th' lover who is to thine become
Returneth not, in thy own brevities-of love and hate,
As t'is chiding ruthlessness might not be
thy just fate.

Cleopatra, Cleopatra
Shalt thy soul ever weepest for me?
Weep for t'ese chains of guilt and yet, adorable clarity
T'at within my heart are obstreperously burning
I thy secret lover; shrieks railing at my heart
Whenever thou lurchest forwards
and tearest t'is strumming passion apart.

And t'ere is one single convenience not
As I shalt sit more by northern winds; and whose gales
upon a pale, moonlit shore.
Cleopatra, play me a song at t'at hour
Before bedtime with thy violin once more
And let us look through th' vacant glasses;
at clouds t'at swirl and swear in dark blue masses.

Ah, my queen, t'ese lips are softly creaking
and swearing silently; emitting words
of which I presume thou wouldst not hear.
On my lonely days I sat dreamily
upon t'at hard-hearted wooden bench,
and wrote poems of thee
behind th' greedy palm trees;
They mocked me and swore
t'at my love for thee was a tragedy;
and my poem a menial elegy
For a soldier I was, whom thy wealth
and kingdom foundeth precisely intolerable.
How I hate-t'ose sickly words of 'em!
Ah, t'ose unknowing, cynical creatures!
I, who fell in love with thee
Amongst th' giggling bushes,
stomping merrily amongst each other
and shoving their heads prettily on my shoulder
As I walked pass 'em;
I strapped their doom to death,
and cursed their piously insatiable wrath
Until no more grief was left attached
To th' parable summer air; and rendered thou as plainly
as thou had been,
but bleak not; and ceremoniously unheeded
Only by thy most picturesque features, and breaths.
Thou who loved to wander behind th' red-coated shed,
and beautiful green pastures ahead
With tulips and white roses on thy hand,
And with floods of laughter thou wouldst dart ahead
like a summer nightingale;
'fore stretching thy body effortlessly
amongst th' chirping grass
Ah, Cleopatra, thou looketh but so lovely-
oh, indeedst thou did; but too lovely-too lovely to me!
A figure of a princess so comely,
thou wouldst but be th' one
who bringst th' light,
and fool all t'ose evils, and morbid abysses;
Thou shalt fill our future days with hopes,
and colourful promises.

And slithered I, like a naive snake
Throughout th' bushes; to swing myself into thee
Even only through thy shadow,
I didst, I didst-my love, procured my satisfaction
By seeing thee breathe, and thrive, and bloom.
I loveth her not, t'is village's outrageous,
but sweet-spirited maiden;
a dutiful soldier as I am,
my love for thee is still bountiful,
ah, even more plentiful t'an t'is cordial one
I may hath for my poor lover. Not t'at I despise
her poorness, but in my mind, thou art forever my baroness;
Thou art th' purest queen, amongst all th' virgins
Ah, Cleopatra!
To me, if rejection is indeedst misery,
thine is but a glorious mystery;
for whose preciousness, which is now vague,
by thy hand might come clear,
for within my sight of thee
All t'ese objections are still ingenious,
within thy perilous smile,
t'at oftentimes caresses me
With relief, whenst I am mad,
and corrupts my conscience-
whenst I am sad;
Even only for a second; and even only
for a while.
But if thy smile were all it seemeth,
and thy perfection all t'at I dreameth,
Then a nightmare could be mirth,
and a bitter smile could be so sweet.
Just like everything my eyes hath seen;
if thy innocence was what I needest,
and thy gentleness th' one I seekest,
then I'd needst just and ought, worry not;
for all thy lips couldst be so meek
and thy glistening cheeks
wouldst be so sleek.

Oh, sweet, sweet-like thee, Cleopatra!
Sweet mournful songs are trampling along my ears,
but again, t'ey project me into no harmony-
I curse t'em and corrupt t'em,
I gnaw at t'em and elbow t'em-
I stomp on t'em and jostle t'em-
th' one sung by my insidious lover,
I feel like a ghost as I perch myself beside her.
Whilst thou-thou art away from me!
Thou, thou for whom my breath shalt choke
with insanity,
thou who wert there and merrily laughed with me-
just like last Monday,
By yon purple prairie and amber oak trees
By my newest words and dearly loving poetry.
Oh, my poetry-t'at I hath always crafted so willingly,
o, so willingly, for thee!
For thee, for thee only, my love!
Ah, Cleopatra, as we rolled down th' hoarse alley t'at day,
and th' silky banks by rueful warm water-
I hoped t'at thou wouldst forever stay with me,
like th' green bushes and t'eir immortal thorns,
Thou wouldst lull me to sleep at nights,
and kiss me firmly every dewy morn.

Cleopatra, Cleopatra
Ah, and with thy cherry-like lips
Thou shalt again invite me into thy living gardens,
With thy childish jokes and ramblings and adventures
To th' dying sunflowers, thou wert a cure;
and thy crown is even brighter t'an their foliage,
For it is a resemblance of thy heart, but
thy vanity not;
Thou art th' song t'at t'ey shalt sing,
thou art th' joy t'at no other greatness canst bring.

Ah, Cleopatra, look-and t'is sun is shining on thee,
but not my bride;
My bride who is so impatiently to withdraw
her rights; her fatal rights-o, I insist!
And so t'is time I shall but despise her
for her gluttony and rebellious viciousness.
T'at savage, unholy greed of hers!
How unadmirable-and blind I was,
for I deemed all t'ose indecipherable!
How I shalt forever deprecate myself,
for which!
Ah, but whenst I see thee!
As how I shall twist my finger into hers,
(Oh! T'is precocious little harlot!)
Thou art th' one who is, in my mind, to become my lover,
and amongst tonight's all prudence and marriage mercy
I shall dreameth not of my wife but thee;
Whilst my wife is like a cloaked rain doll beneath,
and her ******* shall be rigid and awkward to me-
unlike thee, so indolent but warm and generous
with unhesitant integrity;
Ah, I wish she could die, die, and be dead-by my hands,
But no anger and fury could I wreak,
for she hath been, for all t'ese years,
my single best friend.
Or she was, at least.
Oh Cleopatra, thou art my girl;
please dance, dance again-dance for me in thy best pink frock,
and wear thy most desirous, fastidious perfume;
I shall turn thee once more, into a delicious nymphet,
and I standing on a rock, a writer-soldier husband to thee-
Loving thee from afar, but a nearest heart,
my soul shalt become tender; but passionately aggravated
With such blows of poetic genuinity in my hands-
by t'ese of thee-so powerful, and intuitive sonnets.

Oh, my dear! T'is is a ruin, ruin, and but a ruin to me-
A castle of utmost devastation and damage and fear,
for as I looketh into her eyes behindeth me,
and thine upon thy throne-
so elegant and fuller of joy and permanent delight
Than hers t'at are fraught with pernicious questions,
and flocks of virginal fright,
I am afraid, once more-t'at I am torn,
before thy eyes t'at pierce and stun me like a stone,
an unknown stone, made of graveyard gems, and gold
Thou smell like death, just as dead as I am
On my loveless marriage day
And as I gaze into th' dubious priest
And thee beside him, my master-o, but my dream woman!
Oh, sadly my only dream woman!
Th' stars of love are once more
encompassing thine eyes,
and with wonder-oh Cleopatra, thou art seemingly tainted
with sacrifice, but delightfully, lies-
As I stareth at thee once more,
I knoweth t'at I loveth thee even more
just like how thou hath loved me since ever before
And thy passion and lust rooted in mine
Strangling me like selfish stars;
and th' moon and saturated rainbows
hanging up t'ere in troubled, ye' peaceful skies, tonight.

I want her not, as thou hath always fiercely,
and truthfully known,
so t'at I wriggle free,
ignoring my bride's wise screams
and cries and sobs uttered heartbreakingly-
onto th' gravel-and gravely chiseled pavement outside,
'fore eventually I slippeth myself out of my brownish
soldier's uniforms.
Thou standeth in surprise, I taketh, as I riseth
from my seat-my fictitious seat, in my mind,
for all t'is, pertaining to my unreal love for her,
shalt never be, in any way, real-
All are but th' phantom and ghost
of my own stories; trivial stories
Skulking about me with unpardonable sorries
Which I hate, I hate out of my life, most!
As to anyone else aside from thee
I should and shalt not ever be-married,
and as I set my doleful eyes on thee once more,
curtained by sorrow and unanswered longings,
but sincere feelings-I canst, for th' first time,
admire thy silent, lipped confession
Which is so remarkably
painted and inked throughout
thy lavish; ye' decently translucent face;
t'at thou needst me and wouldst stick by me
in soul, though not in flesh;
but in heaven, in our dear heaven,
whenst I and thou art free,
from all t'ese ungodly barriers and misery,
to welcome th' fierceness of our fate,
and taste th' merriment of our delayed date.
Oh, my love!
My Cleopatra! My very own, my own,
and mine only-Cleopatra!
My dear secret lover, and wife; for whom
my crying soul was gently born, and cherished,
and nurtured; for whose grief my heart shall be ripped,
and only for whose pride-for whose pride only,
I shall allow mine to be disgraced.
Cleopatra! But in death we shall be reunited,
amongst th' birds t'at flow above and under,
To th' sparkling heavens we shall be invited,
above th' vividly sweet rainbows; about th' precious
rainy thunder.

Last week, among friends black and white,
among some discussion of protests in Ferguson
and the related looting of stores, I invoked
the word.  It was an admission, in a round
of confessions, of something about myself
that I didn't like:  that I had perceived Michael Brown
in that way based on his possible participation
in a strong-armed robbery.  

When Travon Martin was in the news,
I was inflamed like many others who wanted
George Zimmerman in jail for ******.
The outcome of that trial was an injustice,
I was utterly certain.  Why does this case
in Missouri feel different?  More importantly,
Who is inside me that still wants to rise
in defiance of 48 years of learning how
to be a better person, a person without prejudices,
stereotyping, labeling of others, hurtful language?

Where is the hippie girl now?  How does she live
with this other person?  Am I Sterling, Gibson,
a hater and spewer of viciousness, a lover
of separation and separateness, that I should
invite damage to my own relationships
with those I love and cherish and respect?

What is a **** but a bully, and what is a bully
but someone who pushes words around like
weapons, spits them out indiscriminately,
so that they land on the already bruised heart
and set it on fire.

Whose heart, besides mine, now sits in smoke
and ash, with that word like a brand
still sore and permanent, having been spoken
aloud?

Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The *******'s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet *** like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and *******, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a *****.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.

how sad to be misunderstood
to be evicted from life
to have the full tenure
of a torrid human existence
gesture horribly at you
in faultless reputation
like that of a rancid rage
over a lost trinket
or to be quarantined
while fingerless skin scolds
and noiseless voices are raised
in a donated generosity of savage ignorance
striving to make copious amends
in vain efforts to regrettable
slow acting poison that boils the mind
oh how sad to be misunderstood
such varicose viciousness
oh it’s sad quite sad to be misunderstood
to live through and inoculated hour glass
giving limitless time to a wildfire of idiocy
and when your breath speaks they laugh
black laughter that shatters wet umbilical truths
shudders
knowledge gestures to smoking nostrils
oh how sad, how sad it is to be misunderstood
to be drenched in the rain but not get wet
in which antiquity rests with its
mythologised stupendous ill effects
getting  vivid shadows massed all around
oh how sad it is to be misunderstood
until dactylic, hexameter, elegance
completes and slithering syllables
by their antiquity  focus a shuddering shriek
that sends an exploding heart through your chest

HOLI

On this day of Holi, today on  a full Moon night ;

Lost evil and celebrated victory truth and things right.

Hirankashyap and his proud sister were so confident about their might;

But lost the evil  Hirankashyap and  Holika to righteousness .

Won Prahlad's faith against his father's viciousness ;

As burnt Holika into flames, survived Prahlad because of God's graciousness.

Let us also, all our vices  burn, as burn will Holi, tonight

Along with  ire, jealousy,  suspicions,  ego and all that isn't  right

As arises morrow , spread may colurs of happiness, shining bright .

Armin Dutia Motashaw

we have been blessed with womanhood.
not in a biological sense, nor a societal one,
but a blessing, due to our values.

no man could ever make my blood so darkly crimson
make my heart race, beat
in places within me for which
i should be so condemned.

i live for the subtle pain
of lying down once
you've torn my back to shreds–

it's the ghost of you keeping me on my toes.

i want the wine to hit you like it hits me
like it makes me want you
what it makes me want
to do to you

the way the black and grey lines
make your face in my mind

and the screaming color which
you actually are

and on occasion–i am taken to
that place
where my clinical proudness
(and therefore, reserve)
is gone

and it doesn't matter except
that you are mine and
i simply want to make that
very ******* clear

every time i look at you
i want you to know
that i am thinking about

the most carnal viciousness
and how it might
feel to be wanted
by you
how it might feel to
have you screaming
my name into my neck

how it might feel
sweet god among women
in my bed

let me tear apart the stitches in
your skirt

my dream
is to not have to sacrifice
one for the other–

as in,
you wanting me
for me taking you.

My favorite sun is the one during sunrise because it looks like it's on fire.
it reminds me of the viciousness of the world,
the power of space,
the power of space

My favorite sun is the one during sunrise because it doesn't burn
as much to look at
and it doesn't burn as much when I step outside
and I can drive without sunglasses on and breathe in the air and hold my coffee and look at that rising sun and I can feel
as small and insignificant as I need to
It feels good
I feel better
I burn my tongue on my coffee and spill some on my sleeve
it gets on my fingers but I don't rush to the sink's cold water
I stand and stare at the sun and feel it's heat
and it's like we're holding hands

My favorite sun used to be the one during sunset
but that one is death and the end and sunrise is
beginning and reincarnation and the comfort that
there is always a second chance
and I know of course that that is not the case, that is not true
but I let myself feel it anyway because it's warm

Warm like my bathtub, which I turn too hot and burrow in
and sunrise makes me want to curl under the bubbles and never come out
I do that sometimes
Shut my eyes
cover my ears so everything's quiet and dry there
and drop until my lips and nose are the only things above the water

I lay there for minutes and they feel like hours
and I hear the quiet drum of my heartbeat and breathe with it
and just like watching the sunrise I feel small
and it's good

Sometimes it's different and dark
and I cling to the sides of the tub and push and pin myself as far down as I can
I curl my toes until they cramp
and squeeze my eyes so tight bright lights flicker behind the lids
And try to escape the cold between my shoulder blades, knurled and knotted at the base of my neck
and just like watching the sunset I feel like I'm dying
and it's good

Two silhouettes muttered through cigarette smoke next to the tall, black double doors at the head of the corridor
unfazed by the white rectangles flickering above us. The doors parted
next thing I knew, I was in
a black box of four tall black walls, and a clammy black floor
made of the same padded fabric as the entrance doors.
Riotous bass pummelled through the room like a tortured bull.
There were hundreds of people here; maybe more
but they were all lying docile, faceless and still
against each other.

They were all young. I picked up an inconsistent rhythm of chests rising and falling
like ripples ushered across the sea by a gentle breeze.
Yet it was the overwhelming sense of flesh here that
lit a snarling viciousness within me. How it excited me and how
I feared it.
I was a butcher, afraid of what he could do.

I saw someone I recognised – her brown hair was tied back, her eyelashes
twitched in her slumber. I stepped over and sat behind her. She pulled herself closer to me
and kissed my cheek. I buried my face in her neck and placed my palm on her bare stomach
took my index finger, and ran a circle around her navel.

I can’t remember what happened after that.  Images slip through like
water in cupped hands.
But I remember the raw beat, and the gentle ripple of chests
and how it reminded me of the sleeping new-borns in a maternal ward.

On a night like this, of full-moon bliss
Of the midnight winds and collecting mists
I remained, forevermore
Chained, to the floor
A victim of joy’s…goodbye kiss

In a dungeon I lie, hidden from the sky
A shadow untamed with vile red eyes
I waited, I hungered
Without proper slumber
In my mistress’ pit, awaiting time

It was from lust and desire to fuel and empower
For whom she wishes for me to devour
I restrained, she teased
I grew hard, to please
The widowed Countess: my dark sire.

Though my story may seem bleak
But not to those, whom morally weak
A tale, a fable
However which label
Entitles this to civilized freaks

I moved from town to town, home to home
In search of a life wherever I would roam.
At last, I came
To an estate of name
Belonging to a Countess of ancestral Rome

Countess Donatella, eyed my work and demeanor
From afar I could tell, I sensed, I smelled her
Her scent, so tempting
Was she attempting…
To allure my beastly form into something beneath her?

One night she called for me, alone in her quarters
She treated me to delicacies from rich exporters
She asked my name
I said none, I refrained
“Mysterious and Strong.” She said in order.

She walked over, to the silk on the bed
Colored in gold and shimmering red
Curling her finger
To me, and eager
“Remove your clothes” the Countess said

I did as I was told. I abide her command.
She seduced like a mistress of the eternally ******
Caressing my skin
Licking my chin
And instructed me to please her demands.

My strength increased as I ripped apart her dress
“Yes, my dear, rough and brute.” She stressed
My *** throbbing
Her head bobbing
She turned into an animal I could not resist

Through the night our lust ignited
Into a furious intoxication, organs united
A symphonic ******
Winds, rain and thunder
Matching the sweltering copulation benighted

In the glow of after, past the ****** she gathered
Breathing deeply she said, “You are mine. I am master”
For too long, I thought
I was ridden of what I sought
One to counter my thirst for lust, the tiring caster.

For many nights I swooned, I pleasured her in ways
No other human could fathom or reclaim
My art was of the flesh
And her succulent *******
Feasting like the dog of Hell’s fame

But in this time I feared
For my secret was severe
To show, to hide
My inner design
Of nocturnal savagery that is devilishly revered.

It was upon a warm night of *******
That the moon left me horrified and shaking.
I ran from the master
To evade disaster
Of displaying my transformational awakening.

I trampled in the woods and screamed into the night
The beast of the void howled under the moonlight
I ventured, I hungered
Awaken from slumber
A slave to Lycanthrope, a feral disease of might

The Countess’ workers hunted; “A monster!” they deemed
But I killed many before I was to be seen
Ripping, tearing, slashing, eating,
Guts, bones, skin, feeding
My viciousness, my curse, my bane and dream.

After my episode of moral slaughter
The workers found me curled in a fetal posture
I would have been killed
But the Countess, sealed
Me away in the cryptic tomb of her father.

I was left to suffer in the underbelly of my sins.
Shadows and demons moaning like the wind
My master kept me
Protected me
In her care I would no longer win

Now I lay, waiting for the my master to show
So the door above me will open and glow
The white orb
That will mourn
The lives I have taken, eaten and in my intestines flow

The tomb dungeon unlocks, creaking loudly with rust
The master, the beautiful Countess that I must
Please and satisfy
Penetrate, rectify
The punishment that was bestowed by the just.

“So you are known by many names.” She utters
I look up at her with eyes of thirst, my lover
“You are unique.
So much to keep
For myself, my beastly treasure and no other.”

She walks to the shadowed wall and pulls down a lever
And stands in front of me, **** and forever
A pale seductress
Her eyes focus
With mine, for I wait for the power that was severed

“Now I will be pleasure by that of a beast, that of a god.”
She says as she massages my erecting rod
“Now, my dear.”
As I hear.
“Enter me and leave me in pleasurably awe.”

With the chains around my wrists, ankles; my neck and waist
She mounts me in the moonlight space
Our sweat collects
Drips and specs
Glossing her pale skin and my ever changing face.

I stare into the moon as I ******, my moans of pain matching her voice
She yells from the seismic endurance, her dooming choice
To unleash my monster
With blood thirst conquered
No, it is not, it is her, growing with every other screaming voice

Moans of pleasure soon turn to moans of distress
The wolf of the night is coming, no less
My teeth protrude
My mind feuds
With reason and passion, where blood replaces the mess

My fur is black, my claws like steel
My fury is lustful, the deeper I feel
The Countess is in fear
I ignore her tears
And devour her, ravish her, take her skin and peel

Her lovely face is first to go, once flawless now disfigured
I tear her arms from her body, her liver in my teeth lingered
Blood, tears, flowing juices
Guts, gore, nail amuses
The laughing jackals and demons in a Hell for me that’s bigger

There is no more Countess. No more Donatella, nor master
The moon reflected in a red pool of suffering disaster
Of the ******* monster in our wake
Of the true one she had forsake
In the whims of lustful pursuit with death proceeding faster

Through the lubrication of excessive blood and ****** fluids
I slipped and broke from my chains and fled from the ruins
I remained the beast
Through the forest at least
And return to the woods, away from the her influence

I left the Countess estate as I arrived
Homeless wanderer who survived
Another full moon night
And devil’s sight
Of my life forevermore, the way of the morally derived

Where my nightmares are revived …

…Beyond my human disguise.

DARKEN HEART*

A gloomy heart can emit evil device,
A darken mind can shut  godly advice,
We can not rise above the boundaries of our hearts,
Our mindset becomes the reasons for our acts.

When our mind is bonded with viciousness,
We will lack peace and happiness,
We will walk our ways without brightness,
And our hearts will dealign from our consciousness.

In darkness our lives lacks resolution,
And it will wave our thoughts to suspension,
We may even traverse  to an anonymous destination,
Which can sink us into the pool of depression.

Our key to knowledge is in our brightness,
But how can we find it in darkness?
Our thoughts have darken our counsel,
We must come to light until we excel.

Darkness has created vacuum for suffering,
And it has left us behind without resolving,
Then we realized we reside in peril and destruction,
And the steps we have taken have caused so much confusion.

this is a poem about happiness.
this is also a poem about how great life is, see? here's a metaphor
comparing nature to the faultless
form of a pedastalized lover,
here's a description of the
effect of changes in air pressure
and localized temperature
fluctuations
on physical matter in a given area.
here's a bland truism that
anybody can relate to.
here's a couple rhyming stanzas
about the ethereal shifting of
connecting threads which
cause all life to dance upon
the cosmic stage like food poisoned marionettes.
here's an ode to the wrinkles of
my ******* and
the bits of fuzz that occasionally
find their home in my *****.
here's a sonette to the drop outs
doing better than me
here's a dirge for the businessman
that hangs himself
and a jubilee for his widow
who earns nothing off his death
because he left his entire estate
to his catamite.
I'm writing a symphony in color,
notes of fermenting wood
dogshit and coffin dust.
the violas swoop and drone
the piccolos trill fast enough
to excise your gastrointestinal system
the barotone sax wheezes
and the timpani drum rumbles
(the flutes sit motionless because
**** flutes)
the pianists fingers are bleeding
hes banging with stumps now
his face contorted in ecstatic glee
as if the face of god has parted
the clouds just to scrape his gums
clean with his dietous ****.
and lo faint is the whisper
which climbs and slithers
between the
false,
bash upon life with both hands.
here is life here is death
let me show your life
let me breathe your wretching
like squandered
like roots in the soil,
paint your everlasting cave drawing
in the face of your kitchen
and dance around a fire
let the embers lick your heels
til pagan viciousness overtakes
your quivering form.
gasp it in

“Sir, this mole seems to be growing and spreading”
Suhail stopped the scissor and comb, and said
“It’s a bit grown than last month and even then, I noticed it spreading”

Suhail is my hair stylist for the last about six years
I have seen him growing from a Hair Analyst to Specialist to Senior Hair Specialist
There is something more than the generous tip that connects us
May be my willingness to abide by his experiments with my hair
Or reciprocation of loyalty that bound us every month

Surprised, I asked him, “What mole are you talking about?”
“Don’t you know the black mole on the back side of your left ear” puzzled Suhail
“You go and check with Madam, may be its my feeling only”

“How would madam know about it Suhail, she doesn’t cut my hair!”
“Arre Sir, you too!” Suhail had a vicious smile on his face
“Come on tell me” I prodded him with the same viciousness
We got into wayward pastime …

“Arre, Sir, they get to see it…
When you lay down on her lap in those afternoons
And she combs your hair with her fingers
And when you fall into that muddle of sleepiness and excitement
Her eyes would lock it”

“Arre, Sir, they get to see it…
When she comes from the back as on paws of a cat
Hugs and hold you tight with her hands
And press her face on your shoulder
Her eyes would lock it”

“Arre, Sir, they get to see it…
When those drenched lips move away from your lips
And the craving teeth leave a hickey on that earlobe,
Her eyes would lock it”

Suhail finished the haircut and I left tipping him as usual
The drive back home searched through the labyrinths of memories
Of caressing fingers, tight hugs and hickeys
Why didn’t she mention that mole, ever?

“Honey, you never told about that Mole,
Come on, let me see and let’s go to a Dermatologist quickly
We can’t take these things lightly; the doctor may even suggest a biopsy
Biopsy is fully covered in your mediclaim, isn’t it?”

what is this love
for I have beheld it
cast in metamorphosis
a love that makes
transformations on the mind
permissible transformations
improvisations of the self
in ****** intensity
which emphasises the drama
of sometimes, dark, violent
and repressive potentials
vicious energies of hate and ambition
that propel the enactment
of intense and exhausting experience
of vigorous vertiginous chaos
indomitable in its desires
what is this love
is it a registered predicament
made memorable by vivid language
that would butcher in ritual
gratuitous memories and testify
to an urgency of unwisely relinquished emotion
what is this love
does it flourish in flawed
and unreasonable understandings
accumulated upon the mind
in vicarious thrill of sympathy
where traits are highly exaggerated
and eagerly anticipates
the oppressive weight of the past
that functions upon a common collapse
of distinctions
or does it manufacture artificial precepts
pretending in attractive collaboration
to associate fiction rather than fact
what is this love
is it that by treaty or inheritance
with loving ferocity would embalm all tears
and hide all those collaborations
in flared conflagrations of the heart
and yes create a turmoil in the mind
hotter than a thousand summers
and vividly stamp upon a twisted body
a moral viciousness of fathomless malice
that wouldst close its ears
to the admonitions of conscious
and thus through an improbable
incantatory verbal rite
touch the hidden order of all things
in disassembling nature
what is this love
if only it was known

Generation Information:
Running 'round, drugs in cases
Even if ya hate ya placement
Time moves faster with some patience
Seniles claim *conspiracy;
Wonder what kinda bombs we makin'
FOURTEEN MILLION DIVORCED PARENTS
Raising kids who feel forsaken
Walking round with Glocks, hoping they don't get blammed next,
No Christmas anymore;
Santa Claus is hooked on *Xanax
And once you get outta Hell
Get framed and put in jail
Its hard to crawl from the bottom back up to the place you fell
We say we work in retail
But shoes ain't what we sell,
So please cover your ears
Don't listen to what we tell.
Children taught to be pitiless
**** anybody with viciousness
Shot too high
Expecting adults
And that's where the militias went
Murdered by a lonely kid who got no Love
Trained to pull a weapon if push comes to shove
Look up in the sky
They made Ravens outta doves
*Sinned so much, afraid to ask forgiveness from above

( for my former cat, Charlie)

Bastet slits green eyes
ancient protector of women
& children
under the iron slither of a moon
The Nile dances in her veins
as she draws near
& the last rattlesnake
breath of a mouse dances
under her.
What philosopher
could paint her grace
& viciousness
at once
or apples bobbed
at Halloween
at which she
presides in all her
ebony & majesty

The moon is missing
Old stories oppress the scorned clock's hand
What is this interminable waiting?
Lost are the World's metaphors
Lost and fled to a dark place
Once beehives born in new orchards
They now dissolve in time's dead way
And die in the viciousness of niceness
Densely social and devoid of empty
Do I dare ask these forbidden questions
She is missing, missing to me
I know where she is but I can't find her
  but now I see the harvest corn
  and a bursting city of goldenrod
            
  (this can only mean good)

You will be a chapter in the Bible of my life
And you
Will not fade from me
Because this body is a temple
And I am the god to which it is devoted:
When I am old I will trace the scars on my hands
As proof that I reached for something.
You may try to erase me.
You may even try to unmake me
But love and hate
Look so similar as scars
And thanks to yours we carry matching ones.
I will tell my stories, because they are mine to keep.
I will write about
The girl who made me afraid to walk the hallways of my own school
Her loathing for herself so complete that it swallowed me as well,
And I will shout my words
Because it is my right as a creature with a heart and a voice
And my duty as a human being.
I have led a violent life
Battered by a sea of people
Whose cowardice is stronger than their goodness.
But if I am silent about them
They'll **** me and say I deserved it.
If I am silent
Your threats worked
And you will continue to meet the world with your fear and your viciousness
And leave it uglier than you found it.
So I am here to say that
Whether you hate me or not
I am as sacred as you are
And my life
Is my own.
It is not my job to make you comfortable.
It is not my job to disappear
If you dislike what you see in me.
You don't own me.
You don't own my art.
You don't own my feelings.
You don't own my stories,
And you don't own what I do with them.

So, just how ugly can you get,
stuck between your tongue and lip,
the rudeness you display,
and viciousness you let slip.

But I am no angel,
even if I harbor the name,
yet, I do not need to be rude to those who under me, remain.

Being the better person,
does not always mean walking away,
it means watching what you say,
and what you verbally ******* think!

If a person takes the time,
to lend what they have to say,
take a moment to listen,
give them the right of way.

But the kindness in my heart,
wants to beat your funking ***,
cause you lack solidarity,
and a single ounce of class.

Because all I see is rudeness,
that you relay your inner heart,
and this makes you the weaker...from the very start.


Rudeness is weakness.....and one day I hope you see,
that due to the way you act,
Love will never be given for free.

Like a leaf falling unknowingly towards a blade of grass…
I impacted at dawn with the sound of a faded smash…
Invaded by reality, my brain whipped up a list of tasks..
But I quickly yawned it off in favor of dreams from the past…

How nice is it to retire to a place of wonder and passion…
When your days are filled with pondering your squandered rations…
A place away from heartache in a land of exotic fashions…
Strange tales of horror mixed with ****** interactions..

What a world it is that our dreams create…
Even giving glimpses of a future face..
Or maybe a real story from a future place..
Of guts and glory from earth or space…

They open Pandora’s box of ideas and images..
But unlike life, the dream diminishes…
Like the feeling of love lost with sleepy grimaces..
And the attack on your foe that’s lost it’s viciousness..

The ability to be in one place then instantly in the next…
The thought of how you got there never leaves you perplexed…
It just is what it is like the characters in this text…
Images of prisoners that your subconscious collects…

Lined up next to each other, depicting events…
Comedies, dramas, love stories, and suspense…
The feeling of realism is just so intense…
The horror is horrifying and the fortunes are immense…

That’s why I love these stories my brain invents…
So now I’m off to catch tonight’s main events…

Who is this man of which you speak

A hallow man, with a set of theatrical masks

That project grotesque shadows upon the world

A monster of evil, a creature ,yes a creature

Whose moral viciousness is vividly stamped

On his twisted body who believes

He has been cruelly cheated by dissembling nature

Yet has with skill a fathomless malice fashioned

Aye and calls for the closing of ears

To the admonitions of conscience

And to vicious energies of hate and ambition

Yes and gives to the eyes coordinates locating an illusion

Whilst he would still the lips with distance

That evaporates in a poignant lament

Of shrouds and gaping graves

Of deformed and emaciated children

Forced to hide in the darkness

The darkness that shadows his words and actions

Gives to us the unbearable fear of abandonment

That would mutate and change places

With the frequent futility of human endeavor

Who is the man of which you speak

It is a man who tosses pebbles

Love is not a singularity
It is a whole
One cannot extract a part
Or worship only one piece
It must be accepted as a whole
One cannot only enjoy the soft warm places of love
The pleasent corners and pools
The weak seams that easily split
The lose threads that unravel with the slightest mistreatment
It takes great and delicate strength to walk its halls
Love is complex
And beautiful
It has hidden shadows and dark nights
It cries to the moon and begs for the sun
And it comforts them both in turn
Love is filled with dreams and hope
Longing and doubt
Wishes and tranquilty
Torment and viciousness
It resides in both angel and beast
Heaven and hell
And earth
In the tears of god
And the blood of the devil
One cannot claim it as there own
One cannot truely love any other person
Before loving them all
One cannot give love
Without giving themselves
First to love
Love is of our time
Our blood
Our soul
Treat it well
As you treat others well
Give your all to love
And give all your love
To those in need
Life and love
Though never perfect
Are always
Beautiful

When you make love to me, you unbutton
     The black jeans of the universe,
You discover worlds, paths, stars,
Dwarves and giants, the viciousness
     Of a blackhole, a machine,
          Swallowing everything.
Yes, you make love to me,
As though to pour milk on the full moon,
     You turn q into d, my love,
          A crochet to a demisemiquaver,
And you make rhapsodies and raptures,
     And records, as I make them envy,
          All the suns.*

© 2016 J.S.P.

the art of war has been written
in our skin since the first day
we tasted air.
our bodies knew what to do
without instruction, the manual
was ingrained in our systems
before history was even a term.
we knew what struggling was and
the viciousness we'd follow to
feel satisfied within this
paper-hungry, corrupt involving,
power revolving circle of
soil and H2O.
green paper values beyond
human experience, holding its
own wealth above the truths
and acts of kindness.
we are lost now.
our journey to create solutions
and deflate violence, pollution,
and terrorism is counterproductive
when we are only trying to gain
access to fossil fuels,
advanced technology and
easy living.
the art of war is unavoidable with
its nuclear power reaching new
heights and alarming increases
in neighboring countries with
alternative motives.
people are not perfect, but yet
it is hard to use intelligence
towards innovated, structured
education and trying to revitalize
our dying environment or restoring
it to the way our ancestors knew it.
we are too curious now.
the devices we use daily are
hand held miniature and superficial
to honest thoughts even if you may
have the universe at your fingertips.
the art of war is within ourselves, with
the growing population of overweight
eight year olds - instead of gaining
knowledge about life by learning how
to use the imagination, creative
engineers are mass producing game
consoles and virtual worlds for the young
to push past the reality.
we want to be lost now.
society takes tragedies and sensationalizes
so there is just another portal to dig up
the fresh and uncover something bigger
than ourselves.
the art of war has been finalized with
456,495 troops estimated stationed overseas,
leaving at home their families.
our state of mind is grasping, like the hardworking
fathers in search for american made products,
yet can only find poor industry made objects
for $5.00 on the shelf of the local monopolized
superstore.
the art of war was born in us
with airtight top secret plans to defeat
another continent, but we all
swallow the voice to bring back
compassion for starving children and
focusing on the here and now.
the art of war is all around us,
the art we will never escape.

New pain is always the worst.
The kind you never knew you could feel.
And I watch you stew in it as I did,
But my viciousness came later.
My stone walls,
My excuses.
I had to be kicked for a long time
Like a wounded puppy
Years
In order to gain the fangs I needed to survive
But what that saved me from was turning my bitterness upon others.
Since I learned only in self defense
My kindness remained.
I sacrificed other parts of me-
Oh, too many, I sometimes think,
To avoid giving it up.
But it remained, like a secret candle I held in the core of me
Its pure light peeking through the bars of my ribcage
When my skin stretched over it like bleached canvas.
You...
I am afraid you're not like me.
I'm afraid you will not give up your love
Like I didn't
But neither, perhaps, will you defend your kindness-
You may not have known cruelty for long enough to realize
You need to.
What you need to fight for is not your survival, not your freedom from the tyranny of feeling, not even your choice to love a girl who treats you so cruelly
What you need to be defending with every breath is your decency, and your empathy, and your innate kindness
Because the world does not love kind people.
The world soils them.
And if you are willing to suffer for love but not for kindness,
You will curdle inside like cream left in the sun.
I have been where you are.
I have been hurt by people like her
And by people like you
And what I have found hardest out of all the things I've survived
Was surviving with KINDNESS.

Survive with kindness,
I'm telling you,
Or your work will be
Wasted.

Am I being strong or weak?
Nobel or pathetic?
I can't trust my instinct anymore
Who will tell me?

Is it the temptress I turn to?
Or the savior?
Is it obvious deception?
Or subtle care?

Am I standing for what I feel,
Or caving to what was felt?
Now I ask the wolf
Will you eat me?

Yet the wolf does not reply
She simply circles
But all the while I want her closer
Tis a dangerous game I play

Will the wolf warm me as I sit in the cold?
Or devour me?
Only one thing can be sure,
Her teeth do glisten

The way out is barred
And she guards the exit
Wolf has long been mans greatest competitor
And his best friend

She shimmers in the twilight
Both inviting and terrifying
I am drawn by her viciousness
How could one not love something so fearsome

And still she circles closer
Close enough to touch
But as I try she skirts away
Playing or probing?

What good is a wolf without claws or fangs?
Absent, she becomes a rug to be trodden on
I want my wolf dangerous
A fearsome ally or foe

As I stare, her motives are unclear
Is that the gaze of care or blood-lust?
They say not to look wild creatures in the eye
I would not have it any other way

Nobel or pathetic?
Does the wolf know?
Or do wild things dot have such notions?
Solely passion and instinct?

I suppose only time will tell
Whether I'm to be a meal or mate
But the wolf knows
As she circles closer still

I was a piece more or less,
Unfit in the puzzle of society,
Framed and judged,
Broken and scraped,
Torn to the base.

I stood to be the thinker,
With thoughts as the mate,
As the wife is too a husband,
I kept courting with anxiety,
Maybe sometimes with fear,
Or with shame that world-acclaimed,
As the flaws of being me.

I stood there many times,
Neither to be oriented,
Nor to be included,
Just to be accepted with love,
As a poison is to nectar,
I was the toxin to them  
I was discarded and treated,
To purify the viciousness,
An be a part of the deprived fellowship.

I can't stand anymore there,
With the crime of resistance,
To not oblige with the rules,
As a cage is to the bird,
Statutes were the prison,
To my solivagant soul .

Shredded with the conclusions
I was qualified as an outcast,
Neither a human,
Nor a living being
All it was a prolonged-term
As a slave is to the master,
I was chained to the phrase.
To be always smashed,
Under the debts of acceptance.

let me tell you what i love about you
love to think of all the possibilities
my knife could so brazenly roam across
the surface of skin so glossy my own
gets tingles just thinking about it

let me tell you what i love about you
we love to make fun of the oceans, and how
boring life is without our own viciousness
our very blood is hedonistic, is it not?
swim away, edge closer to me while i edge closer to you

Miss Haversham has shaken
off the cobwebs and the deadly dust.
tore down the tattered curtains
moth-eaten and frayed
She’s flung open the windows
thrown away the detritus of decay
into the path of passing winds
napery tossed down to the garden.
Even the mice have run for cover
as she tears off the raggedy sheds
of stained satin and be-ribboned lace.

She stands naked in the barren room
Estella has prepared a soothing bath
perfumed rich with oils and fragrant attars
to steal the acris stench of unwashed years
coaxing the arid brittle crust away
saving the soft delicate skin beneath
viciousness, sloughed smooth
and vengeful purpose passes.

She is reborn a Botticelli Venus
standing in an open shell
long hair shining and wrapping around
her creamy skin, voluptuous
curvaceous, slippery with life
newborn yet wiser for the years
of reflection, ready to deflect
romantic nonsense and live
free and breathe again.

© M.L.Emmett

no pacifying
the hurricane's bane
she is a potent
destructive thrashing train
all before her
shall be flattened
as a tabletop
she'll damage
house and hearth
with her viciousness
Sandy
bears down
Sandy
is riled up
Sandy
will exact a toll
she is a pitiless
hurricane
well out of control

i have given hearing
to deaf ferocious monsters
with well meaning incompetence
i have disturbed the reality
and illusion of human identity
where i am enmeshed
in insoluble confusions of difficulties
where i find strange images
touching on the grotesque
and ask what is myself
what are the guarantees
of my identity
by what right is a name possessed
by what means is my individuality secured
these questions in my mind
have a curiously derivative quality
that pretend to govern themselves
where they collaborate in their own oppression
and make assumptions upon
ethical behaviour and social institutions
which represent fictions rather than fact
function in a world of collapsing distinctions
of artificial precepts
where these now hearing monsters
with vicious energies of hate and ambition
that propel the enactment of intense
exhausting experience of  a mind
spiraling vertiginously
toward an inner chaos that proclaims
I am myself alone without moral constraints
yet register vast predicaments
with the memorability of vivid language
but with an individual rapaciousness
that creates an amalgam of narratives
with the oppressive weight of the past
designed to induce this evaluative vertigo
with such ferocity to produce a turmoil of demons
monsters of evil, whose viciousness is vividly stamped
upon their bodies that declares
their fathomless malice sending my mind
into a cruelly disassembling nature
where i have given hearing
to deaf ferocious monsters

More more mere words linger rather obviously...
obviously what could one possibly be so obliviously...
Observational objectivity detects: Lurkers lurking to linger probably cling to love's fragile edge?

An arousal of viciousness or visage of immense beauty art performance presence...more relationships steam a shore.
Balancing hearts on the in deep starburst sapphire blue floating more.
More to be revealed for shore.
More...