could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh

why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.

.perhaps in my company we wouldn't be... opening a bottle of red wine... to let it breathe... or pouring it into a bowl to give it more air to breathe with: otherwise on life-support machine through the bottle-neck... right here, right now, we have... a glass bottle of beer (13, guinness hop lager) and 4 cans of stella artois (the wife beater's lager, so they say)... yes... beer in cans... for all intesive purposes - a good way to transport beer... in aluminium cans... but we're not bums... we don't drink beer straight from cans... we pour our beer into a tall glass and wait... so the beer can exfoliate like aladdin's jinn in the glass... away from the confines of the can... we don't drink beer from a can... we can drink it straight from a bottle... but if it comes in a can... we pour it into a tall glass... just so... so there's some head on top... we're not english in that respect either... of cutting the head (of foam) off the beer... which is probably why i always order a stout in a pub... you can't pull one without the creme de la creme on top... a head on a beer is what makes it look less like carbonated **** or concentrated lemonade... we're not bums... we drink beer from glasses... never directly from cans - the metal gets in the way... a beer like a wine needs to breathe too.

i found that there are only two types of music styles
that are suitable for drinking -
that's... drinking and not going out -
playing a cat with an imaginary fireplace...
the less imaginary fireplace being:
a stare confined to... watching a pillow...
and the general schematic of a bed...
and sitting hunched in imitation: all crow because
no crow doesn't get you far
on golgotha of daydreams: if only i...
humble servant of dusty feet - the tourist,
the pilgrim - would set off...
         on an amphetamine riddled skew into
a messiah complex adventure...

                     but not me...
                once upon a time the only music
worth drinking to was the blues...
            a long, long time ago...
                hell: once upon a time any music
would do if we all decided to go dancing...
or at least waited for the dance to come of its own
volition and not mine: i.e. the me in i would
just be dragged under the teasing waves
and slurped out to sea...

                   a thousand waves are all but the single
tongue of some swindling kraken...
drinking and random shamanic interludes in
the youth of the night-club...
when there wasn't a tally for score or...
the ones shot down by manfred...
good thing he was called manfred...
   and not some swabian helmut! oi oi!
                                             von Richthofen!
and that was when...
           until came the five beers and on
the 4th it became apparent...
                                  the red garland quintet...
soul junction...

   and it's not... a gerry mulligan's night lights...
piano sentimentality and the ode
to all things urban, cosmopolitan...
                        yes... it's not grenadine in that
sulk of yours... it's cranberry juice...
the city and... the sewers and...
                                 jazz for the urban scenes
of: anywhere but the park...
the graveyard... a choo-choo slowing into
a station... and billy joel come:
mid-life crisis and a new york state of mind...
while over 'ere we have...
     teasing the woods: where concrete ends
and mud begins... thus we can have our Adam...
and...

only today i was walking past his bride...
doing my odd citizen duty of recycling glass...
and buying the amber sedatives (carbonated)
for an evening with some cannonball adderley
or some donnie byrd... or a horace silver...
that's the beauty of jazz...
the music is all there is... the names come and go...
sonny rollins and the story behind
the bridge... and how he would pretend to
but not pretend to... retire and go off and practice
on the bridge so as to not disturb his neighbours...
all the details are there: on the vinyl sleeve
from 1963...

now that's jazz... i don't even want to mind
how pretentious this might sound...
but... it doesn't in that: jazz is jazz in that there
might come some great improv. -
after all: it's all somewhat improv. -
   but you can't really make such basic
generalißations...
        speedy-shoom-of-a-choo-choo whizzing past...
schematic!
   classical music is all a priori...
                              jazz... it's all a posteriori...
how? when people phone in between
1pm and 5pm to classic.fm and they make requests...
they sometimes ask for something specific...
but usually... they vaguely allude to... a feeling...
something "uplifting" - play something "uplifting"...
ergo... there's this... a priori "item"(?)
in the music that's... an expectation...

          i do know what jazz sounds like
a quintent: drums, bass, piano, trumpet, sax...
yes... the guitar... asking the algorithm:
a quintet is five - what is six?
        sixtet - d'uh... sextet... well that's the basic
"i know what jazz sounds like"...
but with jazz there's always this lag...
it's this lagging behind:
    i don't exactly know what i'll feel until
only after i've heard it and in the meantime too...
jazz is all a posteriori -

while classical music for me is all a priori...
given that... it's not exactly improvised:
there's the orchestra, the movie, the script...
   and it's such a music that doesn't worship
itchy fingers of improv. - the stale or rather:
the head-about-to-explode of scoring the music like
a dissected **** of beef...
the cuts for the violins the cuts for the woodwinds...
more so: the almost shy drumming...
the wet-drumming... like rain playing
rattle fingers on tin (roofs)... or what rain would
sound like... if it was made from sand...
either way... jazz is a baggage...

hardly any sort of envisioning a journey from
(a) priori through to (b) posteriori -
and at least with jazz... you never have to really
cite who's playing... in a passing gesture
for all necessary bookmark purposes
of: where i am in the library of jazz...
unlike in classical music... where...
it's either Mozart, Beethoven or then again...
some obscure composer... perhaps ola glejlo...
but it's less about the music per se:
it's about the music of THE composer...
bonus marks for keeping to a rigid diet of one
and completing the herculean task of digesting
his entire oeuvre...

-       so i was walking past the most usual scene...
a car stopped... and she got out...
she must have been no more than 16 pushing 18...
the heavy make-up hid her otherwise boyish
contorts... a short black dress...
and as she got out of the cab...
she had her high-heel shoes in her hands...
   she was walking the cement barefoot...
i peered into her eyes... the lights were out...
perhaps her soul was screaming - perhaps this was
her first disappointment - and it was only... what...
not even 10pm on a saturday night...
my nights of youthful regret usually came after 3am
having to wrestle a berserker...
or how a dog looks like when it takes
to beer with a fond heart and only three legs...
god forbid but "they" would also cut my tail off
to further throw me off balance...
the walked passed and i looked into the cab...
a very, very nervous asian was looking at me
and then her... this didn't exactly look like...
she was ***** or was fighting to escape...
           aren't those scenarios usually stage in and around
woods - without any pedestrians walking past?
call it a trainwreck a carwreck...
                      or just running mascara...
that bad, eh?
at this point... society is a cruise ship...
and i'm stuck with ottis and none of that sentimentality
of the dock: running away with a bag of
chips wrapped in newspaper away from
seagulls... who... are apparently prone
to kleptoparasitism - a real thing... i swear to god...
the animals that want to eat in the realm
of trans-species... dogs have had their
kleptoparasistism repressed: crumbs from the table...
the chicken bones with hopes for
cartilege and someone who... is bad at
cleaning the flesh off the bone: pucker up...
move aside leech... watch this slurp...
ol' hank mobley and wayne shorter...
        one cascade after another...
5th beer in and...

yeah... so that's what a carwreck looks like...
for a girl in her late teens...
the cute black dress...
   getting out of the cab holding her high heels...
walking home barefoot...
she wasn't crying just yet...
but i could see puffy tender demon baron
of the soft cheeks readying to turn into
medussa's stare-grip... but not there yet...
this must have been her first time at "life"
and the night life and saturday...
         the cab driver looked scared shitless...
as if frozen in time... about to have his photograph
taken by a more sensible shadow of his...
i did think she just escaped a bad
session of prostitution...
but not even prostitutes look so ******* gloomy
as she did...

the ******* ***** it up -
the pundit ***** it up - the show goes on...
stage or no stage... an audience or no audience...
those eyes though... not yet crying...
but they felt... like wheeping oysters nonetheless...
you know when eyes are like that...
teasing bulging out... they appear dimmed
at first... but that's a dimming before
the sparkle of tears...
it's the 29th of febuary - yes...
mr. zodiac wasn't kind to those who still believe
in the horoscope but never tried
gambling on a winning team or horse...
it's still winter and those poor feet of hers...
she must have told the cab driver to stop...
hell... half a mile before she would get home...
a 6ft2 115kg sore thumb up with a beard
up ahead: stop! let me walk past him...
that's why i gave an inquisitive stare at the cab driver...
the cab driver was looking at me...
aren't the **** victims the ones jumping
out of the cab as it speeds off or whatnot?
so this was... staged?
              i read the "situation" wrong...
well no... i didn't find a lancelot in me...
there was no door to be held open...
           not tonight...
                                           i was in a mood for
beer and jazz... and luckily for me...
marvel of all marvels...
     haig club (1627) was sold at a bargain...
                        down from 25 quid to 16 quid...
goodbye excessive drinking the cheap *****...
hello: clubman haig... is it whiskey...
is it ms. amber... or is it chanel no. 5 -
                   is it whiskey or is it a perfume?
a snapper of a dinner standing-up...
   the scent of the last bite still on my moustache
even though i had washed my teeth...
the beer bottle opened - a drizzle on the hand
and then the hand smearing the liquid all over
the stinking hairs from an unwelcome scent...
i don't mind stinking like hops...
                  but hops is better than smelly food...

- regrets? ah yes... the "what if" universe at large...
that "whaf if" this and "what if" not...
"what if" yes and... when a man takes to walk
the street at night... he's only looking for empty
streets and... the hope of not seeing his reflection:
which is never about abruptly stopping
a cab and taking your shoes off
and walking in a tight-knit black dress
having met the world and...
                     was it heartbreak or just...
disappointment that... there are no unicorns
and she isn't daddy's precious?

any of the rudy van gelder editions...
                      "what if" i had more than just these
words... a barren wasteland of a flat
with no furnishings, not a book to call it a genesis
of a private library... not a single record
to play... no bed no curtains...
and she was the: honey-catch and snare and...
what if i were still in my late teens and
didn't have these invisible tattoos of historical
dates and the tattoos that riddle bones
that are... "habits of hygiene"...
      by hygiene i imply: ontological fixtures...
immoveable objects of accumulating my mortal
years for this formal circumstance of
the worst magic trick of all...
                   transient and... packaged elsewhere...
apparently going nowhere...

if this was a truly urban scenario...
but we're talking essex...
the outskirts of greater london...
if i bothered myself tonight i might go
to a place where i'd sit on a throne of a stump
of oak and listen to owls...
spot a rabbit, spot a badger... the foxes would
come of their own accord...
and perhaps even a deer or two... or three...
there's no glit of a picaddily circus romance:
when a girl decides to get out of a cab early
and put her porcelain toes on the wintry cement...
as if: supposing she be enticing me...
as i was thinking about the scared-shitless
cab driver...        

to have once upon a time believe in love:
the sort of love you'd see in movies...
but that's of course...
before you'd get a chance to see love...
in opera...
blue pill red pill... spiderweb of fiction...
blah blah...
watch the sort of love in movies...
then go and see an opera...
most notably verdi's la traviata...
  the movies fizzle out and you don't really
need to read this to begin with...
        i was in love once...
it was a love that was in love with itself...
          a mirage a carrot on a stick...
probably something akin to this sort of impromptu...
rescuing a girl walking barefoot home...
oh sure... happens almost every other saturday...

- the beer is for these musings, for the jazz
and for... cleaning the kidneys and a work-out
for the bladder... the shot-at-a-crescendo
will come with the haig club whiskey...
is 70cl really worth 25 quid?

- there's a difference between food with a USE BY date
and food with a BEST BEFORE date...
most notably goat's cheese...
once the best before date expires...
which is way way down the line from
the use by date... the cheese starts to taste
like... ash...

i should know since i know of the alternative
to doing shots of tequilla...
the salt is replaced with licking some cigarette
ash...
the tequilla is replaced with *****...
and the slice of lemon is replaced with
black peppercorns...

so i do know what ash tastes like...
piquant tastes: this omelette of an octopus and
of tongue...

- society is a cruise ship and i'm waving it goodbye...
welcoming a sunset of a sea as calm
as a mirror... telling my feet to take root
and stand... inaccessible...
otherwise... i am barren when it comes to having
some (h. p.) lovecraftian sensibilities from
maine... aloof and anemic... anemic with bloodshot
eyes...

- of course she isn't a mystery...
the narrative would run: the little match girl...
hans... hans! hans?! hans andersen is drilling
a hole into my head about... a woman walking
home barefoot...
yes... but she is walkig home...
unlike the little match girl...
and unlike the little match girl...
this girl was carrying a pair of shoes with her...
it's not my problem whether
i'm the sore thumb that "got in the way"...
a fork in the road: like any other fork...
like any other road...

do you have to reach being 34 to see these
teenage break-ups and regrets come and bump into
you after you've done...
that most spectacular feat of towing a backpack
full of glass for recycling?
where is one to recycle bones?!

- right not all the ***** in the world is...
something of an adhesive... a hitchhiker pollen...
a hard-on of: ****** yourself for a hard-on
just because even flapping a pancake will do right now...
to ease constipation whenever necessary...

- it's a torilla... but it's wrapped like a burrito...
well... it's a torilla... kultur shock -
sarajevo - the entry level shock-awe and
blitzkrieg of drinking from the fountain
of the Haig...

- second tier... to treat pornographic movies
like... early cinema... silent...
otherwise a return to the magazine form...
and the ripe imagination readied for:
improv... or... when was the last time
my left hand didn't feel like an oyster...
and an oyster didn't feel like a leash...
and a woman's ****** stopped being
an hour worth 120 quid? -

             - third tier... the haig club whiskey
is not worth 25 quid... it's over-rated...
you're basically paying for the bottle...
i'll stick to my guns...
only the irish know how to make whiskey
on these isles... bushmills: mellow, tame...
the picts have decided to lodge
a smoking salmon into their barrels to die...
i'm supposed to have an aftertaste of vanilla...
with all that smoke... i'd be happy to taste
hungary and smoked paprika! that would
be a bonus to boot! -

- i can appreciate the picts for trying...
but let's just leave brewing whiskey to the irish...
and let's keep the english away from hops...
they'll make an undrinkable ale from it...
never the lager...

   - armed with balkan rock... standing before
the h'american monolith of tongue and culture...
or... just before what's filtered for the export...

- no... of course i don't think h'americans are dumb...
i just think there's only a naive majority...
i'm going to find the vermin and huddle among
them...

- sooner or later we'll be calling the germans
come spring... for winter provisions...
"keeshond" or: hund... i much prefer the latter...
from under the iron curtain forged from
a broken jaw when biting the curb of:
under the silicon veil... nowhere else to go...
beside Ishrael...
                        
          remains of the ottoman - which is hardly
me put into an iron maiden of akimbo...
where's the geisha and the samurai?!

- is your beard long enough?
      like mine... i tease it... catch it with braille
cardinals: the thumb the index and middle fingers...
twirl it... wait for some thread to tie it together
into a hanging ******* of a bundle...
while at the same time:
          before you... a throng of vermin...
this beard... a magic flute!
the zenith of my thinking...
and ultimately: the nadir of any narrative
that might be inclined to escape and
not become 3D...

- i listen to songs in german...
i put on airs of pride - my chin starts to contort into
the moon's scythe and sickle...
even if the night is overcast with beard,
or cloud...

- then i put on a record that's 20 years old...
deftones' white pony...
and i remember being a teen...
hungry for hormonal diet...
a diet to stop the bones from aching
as they grew extra sprouts:
adverse to the skin and photosynthesis...
bones that were expected to grow
entombed... not in flesh...

- sketches from the gasoline additive when
it comes to a beer, starter...
otherwise: elite... gonna breed on top
of the general... pucker up the tremor for a vibrato
kiss and leech her lips off...
to expose her most pristine:
todlächeln -
                           not a chelsea grin...
the joker lapse... i mean... extending the shaving
lines and just, completely, forgetting there's
any botox involved to grow a peach
from a duck of the reinvention of
the deflating balloon...

   leave no selfie without it...
                   herr grinsen: die / das / die / das...
i keep forgetting the definite plural and
the definite singular... feelz... feels...
maximum impromptu: das bösartigwimmern...
anything in german at this point...
sounds better than...
wenigbruder englisch...
                       dies, mein krawatte beste...
alle schwarz alle weiß:
      say to me... nein pinguine willkommen...

anything to keep these mosquitos these
zeppelins away... alt vater großartig Schwab
from this... herd of minor dicta
of the children of the house of ßaß...
translated nomad from the high pressure
***** basin of:
later, trajectory... later... the yawn and canyon...
and the sky above...

- beer first... whiskey after...
shrapnel... and gasoline... no car... no speeding...
fast but otherwise still walking...

            - a hurrah and the cohort of a hum...
to match the echo of the centipede...
         the silence and otherwise the simplified
complications of a conversation...
the bed torn between *** and sleep...
between saturday sunday and monday through
to friday...
   and the need to drink with someone else...
"the need"...
          
the skulls breaks at the sight of sea-riddled-and-*****
cliffs... daggers persuaded to be forever sharpened...
the fiddly parts of ***** as accountants when
it came to the pennies, copper, and granules
of sand... seized: the rivers of time...
constipated shock value elevated...
                            
                                am i to find a lover when
the orchestra tells me...
these words will never find a dear sir / madam
or circle round for a yours sincerely...
                godzilla... the theme i remember from
the days when the japanese still had control over the beast...
otherwise... an overweight t-rex with...
arm extensions... the lotus feet of the chinese...
which also includes...
the savory diet of... tendering dog meat...
i.e. beating the dog to a plum softening...
which is: then again... not curing the already dead
curated meat...
life aware needs to be involved...
brick by brick brick on brick...
the status quo: made in china...

         cheap whiskey... although in an expensive bottle...
that is the haig club whiskey...
        so much for ezra pound admiring
the ******* ideograms...
what's to admire... when...
it ends up being a crude...
current latin emoji-infiltrated grafitti
equivalent to: CUL8R...
               chow-chuckle-mein-hong-shui-chew?
all that intricacy into the ideogram...
and all that remains is...
bat soup... and an advantage at playing
poker... omnivores...
you'd think that Islam would be...
more geared to break ranks among the omnivores...
like all the fickle gods... a good joke...
they abhor / are told to herd sheep
because: what sort of pig would survive the desert
and not become crispy bacon...
camels are fine too... as are their testicles...
never mind the pork leather shoes and pork
leather belts...
but the chinese omnivores are fine by
Allah: Muhammad & Co....

                               khadijah **** khuwaylid..
wrote the first surahs of the quran...
she was the literate:
the stephen vizinczey epitome:
                          in praise of older women...
last time i heard... muhammad was illiterate...
pray! that i've exhausted sympathy on
him being an orphan...
but not a ******* oliver twist thrown into
an orphanage! b'ooh h'oo...

                     the end... the whiskey isn't going
to drink itself;
as i have exhausted the patience of my bladder...
while there's the remaining concern
for a bewildering and a simultaneously
bewildered peacock... on the hunt for coy;
which is not exactly the darwinian daydream
of the short-hand greek alphabet...
the α-β male thermodynamic...
          the Σ-Δ female harem...
salmon swimming up-stream to spawn...
                             and... Ω-man / unicorn...
                     sha! schtil!

(Scene by the brook)*                                

He came seeking solace to Heiligenstadt
    and walked alone by its crystal stream
        welcomed by songs the nightingale taught.

Its cheerful waters made Vienna seem
    a distant, cool and forbidding stage
        where few would embrace a pastoral dream.

He dotted his sketchbooks on every page
    with earthen tones born of peasant heart -
        (though fare rich enough for any age) .                

He poured from the stream the fiddle part,
    and woodwinds sang with the birds in the dell -
        all "choired" together by his masterful art.

At Heiligenstadt Beethoven attended well
    and bequeathed us his golden 'Pastorale.'

*July, 2006

when God claps His hands
the sky plays woodwinds
while the clouds play
the percussions and
the ghost of
Athena plays
her golden harp
in the precession of
the blue-eyed storm

I am from too long grass
that left muted green stains on my knees
From rock gardens overrun with punny yellow snapdragons
which delivered into my care all sorts of fascinating creepy crawlers

I'm from ash grey two by fours
which were all together fun to climb on
but gave nasty splinter when they were mad

I'm from the woodchips and sand
that provided me an elaborate landscape
in which to house my boundless imagination

I'm from the tail of sulfur smoke
that burned white hot through the crisp October Sky
and propelled my rocket to high heaven
or so it seemed to my eger eyes

I am from Thursdays
from green and red rhubarb leaves
and dirt under every fingernail
I'm from hurling half-rotten tomatoes
at the fence accross the ally
and running haphazardly from angry neighbors

I'm from lasagna and jell-o
candels on Christmas eve
and the squirt bottle of water
my only defense against ants

I am from obscure old families
who came over like so many others
and played the ***** in the secret choir loft above the church
I'm from woodwinds and piano strings
and never a silent moment
From reading aloud and reading alone
and from those who did the reading

I'm from the future and the present and the past of a million different stories
And I've always been headed towards
Where I'm from.

you know that there's a weird
but omnipresent eye
wired in the igloo...
yeah... it encodes a message in
Morse... it asks for darting to & fro,
rather than blinking.

i'm waiting to leave the rhythm section
of pop music,
rhythm that was once a standard
soloist impressions in classical
music, and in classical music
solos that were just asking
for broken finger of piano,
while leaving the brass and woodwinds
worrying about schnittlippe smiles,
Chelsea a mile away:
how about... a todgrinsen...
your lips cut off and forever grinning
like an enclosure for a hyena laugh:
teeth to rattle to cages to bars...
make a big O... a big rat tat tat ha ha...
i pray i'm not you once you
entertained me for a while in silence
and in thinking to equate to my inactivity...
they remembered me as a party animal,
ready for the next friday...
sure, i used to be like that,
but i settled down: ready bodied
with weak thought against
a thought strengthened because the body
weaker, once readied for the look,
the applause... the perfected grammar of
changeable fashion appealing...
that's gone, and so the self that once was,
now standing outside the collective...
peering in, because they never attributed
depression to cancer victims...
apparently cancer just affect the body
and not the thinking,
now they realised cancer affects both body and thought...
you can't think of a friday three weeks away
in soberness dubbed sanity when you have
a physical ailment... so why create physical
ailments from simply having the odd thought:
the ancients dug a fetish for immortal creatures
and lived and slaughtered...
the modern congregation of supposed immortal
beings is a ridiculous thought... but so the antidote...
immortal beings disappeared,
but mortal beings turned to a quickened heed
for immortality with a thought rather than activity...
no heroism in the aisles of hospital beds...
no heroism there...
immunity for ideas also lost, immunised
by gaming and shooting blanks into duke nuke 'em
geography of the labyrinths...
by disengaging from immortal beings
where all suffering took place: let's face it,
mortality understands immortal psychology the best
it's simply unendurable -
we invoked a loss of immortal beings
by becoming twice mortal,
by dwelling among animals for a synchronised
systematisation of understanding we lost
many individuations of the unit, the self,
with too much darwinistic interpretations
we claimed some strange mirror,
a multi-diadem mirror of man: a minute a swan,
a minute a monkey, a minute an ant,
a minute a larvae of flies when naked...
no one said the theory is wrong,
but someone said: but that's how i feel about it...
overly objectifying does not look cool,
it limits emotions ready for individuation...
apathy breeds no pathology,
love embraces apathy: the apathy of
someone selling a newspaper while you
commute, the baker, the butcher, the medic...
hatred doesn't appreciate such an apathy,
it embraces pathology, and because of this,
becomes caged.
i just want one stab at it...
to feel a finite resolve of estimation,
to have camouflaged as a mammal among
other mammals, but thinking more complex
more different...
rather than resort to the simplest of simplicities
for a resolve on the matter of ontology...
a pre-dating reasoning...
but you see... it's not darwinism that governs
humanity... it's a plagiarism...
humanity adapts via plagiarism...
all the poor dream of making it big...
the only thing that keeps us moving
is a stress on plagiarism... you see a homeless
guy you get the defence mechanism usher message
telling you: DO NOT PLAGIARISE...
you see a guy with a harem in a black limo
you get a striving mechanism usher message:
PLAGIARISE! it's idiotic to think of /
utilise darwinism in terms of defining origin...
me? monkey over man any day...
simpler diet... plus endless swings and branches...
parasites no much of a problem...
plus moral killers like tigers not too eager
into sadism and mutilation, because just hungry...
not fetishes with carnivores... quick kosher kills.
the only adaptability we have is plagiarism,
because we have a self to worry about
as a. in a collective assertion of it whether
existent or non-existent... and b. in a singular
event asserted by abstracting it, notably
via existential notation, of a "self";
as someone once said:
animals do not commit to genocide...
yes, that's true,
they don't commit to passive genocide
of enforced laws of differentiation
to look cooler or smoother or just plain
caught up in a cultural grooves and edges;
and from the tree of knowledge
of good and evil you will not eat,
because you'll enforce plagiarism,
a consciousness of plagiarism
a consciousness stressing that no self be attached,
with only attachment being via a "self",
the continuum of misunderstanding,
reaching a potential of understanding
once the continuum reaches a twilight peak
at *ad infinitum, where a randomised
narrator steps in, and deviates from the
orthodoxy of constants and subsequent remnants
of how man de-glorifies god, and glorifies nature,
but doesn't dare to engage nature as nature
engages with itself, apprehensive of nature per se
man defiles a god to abstract nature,
by calling to question the role of nocturnal beings,
insects and parasites... choosing to believe
in god in order to exact due noun to his fellow
creature... for man defiles god and glorifies nature,
but by glorifying nature he ought to despise,
he creates insects parasites and murderers
he eventually lacks the power to despise...
personally? it's hard to write a coherent opinion
in english, too much prepositional / conjunction
shrapnel... poetry is overly elitist, my lamentation...
in an age where overt use of images
numbs a sense of entertainment using words...
and dialectics just lost a disputing partner...
in an age when each to his own, a free-reigning-free-fall...
where non-engagement with one strand of opinions,
leads to another, even more extreme than the one prior.

SUMMER MARCHES IN
(Movement no. 1)

It comes crashing down
like doom.
A martial fanfare
begins a long conversation
questioning fate,
arguing for the human condition,
and for death's open invitation,
which we dare not deny.

WHAT THE MEADOW FLOWERS TELL ME
(Movement no. 2)

Their blooming voices
are oboes and lush violins.
The sun is surely brassy bright
in the sky above.
Radiant alpine flowers
and woodwinds
from deep within their burrows
make the case
for a music well tended
and serenely fed
by sweet springs emerging from the depths
here below.

WHAT THE CREATURES OF THE FOREST TELL ME
(Movement no. 3)

The life force
tends to run amok.
Yet things do not fall apart,
the center still holds.

And though it is mundane -
pedestrian, at times -
we cannot deny the joy in this life,
nor do we wish to.

But know, traveler,
that submerged in every caldron of joy
is a small *** of darkness.
And it will find you
or you will find it -
not only because it is fated,
but for the sake of your sanity.

WHAT MAN TELLS ME
(Movement no. 4)

Here darkness sings.
Again the plucked string.
O Mensch!
You tell the tale!
You take this story
back to the mountain.

A woeful tale you bring,
but it is gilded with joy.

A chorus exalts your condition.
Deep is its grief,
but joy is deeper still.

WHAT THE ANGELS TELL ME
(Movement no. 5)

Bimm Bamm
Bimm Bamm
the children's choir
sweetly intones.
And what, pray tell,
do Angels have to say to us?

I've heard about love
I've heard about emptiness
I've heard about absence
without presence,
about nothingness and the void.

But I have never heard such singing!

WHAT LOVE TELLS ME
(Movement no. 6)

Sweet the air we breathe.
Pleasant the sights before us.
Words are stilled,
anxious thoughts banished.

There is nothing on Earth
or in Heaven
that disputes this sweet resolution
all the parts made whole
Nothing that could possibly
speak against it
(though French Horns will have
their interests heard).

But here it is.
The end.

O Mensch
come to your last and best
resting place.

Also sprach Gustav Mahler.

Soup should be heralded with a mellow horn,
Blowing clear notes of gold against the stars;
Strange entrees with a jangle of glass bars
Fantastically alive with subtle scorn;
Fish, by a plopping, gurgling rush of waters,
Clear, vibrant waters, beautifully austere;
Roast, with a thunder of drums to stun the ear,
A screaming fife, a voice from ancient slaughters!

Over the salad let the woodwinds moan;
Then the green silence of many watercresses;
Dessert, a balalaika, strummed alone;
Coffee, a slow, low singing no passion stresses;
Such are my thoughts as -- clang! crash! bang! -- I brood
And gorge the sticky mess these fools call food!

the wind whispers to you in furious ways,
ominous notes, like a dusty violin
stenciling finality into the air.

the percussion
of foot-soldiers trembles the grass.

  you have grown, my war-child,
  from the days of ****** tea parties
  to a diva guerrilla,
  terrible and well-rehearsed,
  your bulleted libretto close to your chest--

and as trumpets sound in the offing,
the curtain draws back.

AK-47, pizzicato--
gasoline breeds fire, incinerates woodwinds,
the wine of the coloratura soprano
melts into blood.

  witch, *****, daughter of gunpowder,
  bella contralto, your
  deep and tremulous vibrato is a
  grenade,

and as death crashes to a crescendo,
mortality in the tin frequency of cymbals--

the only armistice
is annihilation.

steamed broccoli calls me
its scent a melodious accompaniment
to the dance of
nitrogen and oxygen we call air
next I will torch
the dead silent flesh
of some sinless bovine beast
a sacramental conflagration
whose rich vapors will
add strings and woodwinds
to the wafting symphony
tickling my snout  
my salivary will weep  
in effortless anticipation  
of jubilant mastication  
of the flora and fauna  
of my own culinary killing fields  
that allow me
a few more waltzes  
in this soundless song of air

.that moment, when you realiße... "it's not yet another garry glitter song"... because quiet frankly... you still haven't seen Joker... you're stuffing raw dough into biscuit shapes in a make-shift Tibet... as a raw-treat... and your body is tombstone stiff... but your eyes are on fire and your soul is dancing... synonym parade... because gary glitter can be excused in the same way that: rob halford... rob halford isn't gay... isn't gay the metalheads would otherwise say... but because the song can exist per se... since... a glaring gary is no... jimmy 'the kid-fiddling dj' savile... and he's... no ian watkins... because... if you asked me... rock & roll part II is a gary glitter song? och! ouch! pinch-punch 1st of April is upon us recoil... hell no! i still read marquis de sade... only because by my standards... he's quiet decent... all he ever did wrong was use the imagery of a crucifix as a ***** when asking a ******* to peform the sado-masochistic act of ******* before him... otherwise his phallus was lost in the niqab of the bastille... his uncle though? ah! that's another matter! although: much aggrieved but somehow agreed... you could still buy marquis de sade's novella ****** in London, once upon a time... perhaps you still can... but does that even matter? i am about to get a primer about the Iranian inherent hate for h'america anytime soon... about how h'americans manage to bundle the Persians into the rag-ah-muffin crowd of camel-jockeys and easily replaced arab donors... and those poor iraqis... doing their bit...  who is to forget the phrase: turbanator? i.e. not referring to sikhs... no one besides moi... welcome to l'inglese... the modern lingua franca... and i do feel so sorry so very so very much for the natives that were beither born in Bratford or the rustbelt fly-over states of h'america... if joe biden says: learn to code! guess what i was but wasn't told being ***** from a ******* that was poland come the drop of the iron curtain of the 1990s... coming to the 2020s... me conjuring up the Silicon Curtain?! really? adverse to learn to code... learn a new language! and globalißation will "win"... internationalism already works on a bilingual basis... there's the established language of commerce... which is english... i'm sorry... i'll be kind... "you" will have to move... if not cognitively... then otherwise... i learned yours... learn mine! that's the motto... this is where linguistic nativism comes in... not borrowed time from places like h'america... not some emblem worship... just ol' lil' england... i hope this doesn't reach a wide audience... i am having to consider learning romanian... du-te dracului! that's a starter...

i've found out that, the only way to truly enjoy
a glass of red wine is...
to have also rolled your own tobacco...
and since we're talking the highest quality rolling
tobacco: golden virginia...
after rolling it... you gentle bask it in a lighter's flame
from top to bottom... to warm it up...
so you don't have to finish it off as if *******
through a straw...

that's of course if you're drinking red wine on its own...
but there's a reason why i hanged around
with a few spaniards in the past...
why i went to paris and met this two catalonian
hot-takes... who i later visited in Barcelona...
drank kalimotxo for a while getting ready
to hit the party scene...
was given my first joint in my life...
and... hello lullaby...

next day we toured the sights...
we never made it to the gothic quarter...
or the el reval...
we went into one of those shops
in a shopping mall that sell everything...
that's when i discovered portishead's debut:
dummy all by myself...
and then onto camp nou...
to be honest... throughout all this time...
i felt like a glove...
no really... i felt my company was being...
tested as to whether it could be well worn
and: worn out at a much later date...
i was, what, 19 then?

what will leave me well versed in travel,
jumping continents?
i should really add prague along the line somewhere...
the days when i would solo for a weekend
and never bother with any if at all: precautions...
i can't imagine the sort of trips
my "highschool friends" took...
en masse... and always to a resort -
say, in greece...

the joker scenes are out...
the scene where he's dancing on the stairs...
sounds good... mhmm...
oh... this is gary glitter?
the art has absolutely nothing to do with the artist...
it's not like gary glitter can get away with it...
but... i'm pretty sure he can get away
whereas... ian watkins?
in that crushing defeat of musical genres...
when emo wasn't quiet a thing...
and nu-metal didn't die out...

i'm a cheap ***: all the people are raving /
were raving about a film...
and i'm waiting for the delayed spectacle...
only recently... avengers: end game?
what a major ******...
this "self-aware" introspection into movie
franchises that explore time-travel...
here's an alternative: study chemistry
and get a hippo's ***** ready on the wet
dip... i'm guessing this is a period of time
when: the genre of science fiction will
slowly die off...
i don't see how science fiction can sustain
itself...

- which is always beside the point...
moving on... english... this acquired tongue of
mine...
if only i were so adamant as a czesław miłosz:
had i a translator's worth of shadow,
and baggage running around after me...
like a sacred cow of the Raj...
how did i learn to mitigate?
i don't know... what i do know is...
drinking and habits of listening to music...

it starts off with: listening to some
music using english...
it sooner or later gravitates toward
something in german...
after i tire myself of german lyrics...
i'm heading toward scandinavia...
chances are: i will visit "mother russia"...
but i'll probably sink into
visiting byzantine chants...
once i figured out a way to move
from scandinavian paganism...
work my way past german folk
from the medieval period...
and finally arrive at: αγνη παρθενε...
obviously i will have to stop over
some quasi-folk germanic songs...
northern crusades:
teutonic songs... or the templar songs:

da pacem domine...
pristine times! the drunk carol singers
has sung their bit... there was no rest
for the wicked...
the carol: god rest ye merry, gentlemen
was sang...
reality of the everyday happened
no day shy away from the "celebration"...
i find more comfort in songs
of the templars...
perhaps the gregorians with their calender...
but most certainly the byzantine choir...

of ancient greece and what is known...
what can stand out from byzantine greece?
except from: byzantine bureaucracy?
counting knots in the fish-net stocking
on a centipede crawling out of a harem?

my musical diet: when i drink...
i can't listen to music when english is involved:
for too long a "passing" of: enjoying it...
i grow a beard and satan mount
a throne of wood and amber...
fiddling with it like a mad maestro that
has been given 100 violins and no...
woodwinds... and this is my "orchestra"...
a beard... crux of central europe:
with the zenith on the border of the river
Oder...

i do wonder what this scenario would look like;
if the girl gambled otherwise...
the pretty-****-pick sent by my offspring...
or my full-crop of hair...
and a beard... ***** envy can hardly be
a social events on the pedestrian stage...
but cranium envy?

the diet for a session begins...
it has to begin in english...
but who knows where i'm otherwise willing
to lend an ear to?
i can't be stuck with music i can understand
lyrically...
if i can't understand how to compose music...
well i did once know how to play
the ***-ar... and worked a nightclub
for a mandolin: just to serenade a Fiona
from a window a maggie may by:
rod-it stuart in edinburgh... once...

how romantic of anyone...
hell... this is still in english?
why aren't i pulling the strings of a czesław miłosz
and not retaining my nativspreschen?
why? i love to tickle german...
i love to tickle deutsche more than i care
for speaking english, or... rather...
writing in it...
but unlike a czesław miłosz... i didn't bring
a linguistic ghetto with me...
i don't have a ****** ghetto to go to...
perhaps... if i mingled with enough
of my "fellow", "countrymen"...
much easier said than done: if you're Irish...
and the only THing you have to worry
about is... diacritical nuance...
the THing, the Θing... is an english:
what the irish consider to be a surd affair...
T'h'ING... it's a t'ing... not ******* F even
if you looked at it with a bollocking of
a microscope, either!

- and this once high-school "fwend" once suggested...
'maybe you should go and find your own
fellow countrymen'...
who the **** do i look like? paddy?
an arab, an iranian, an italian...
or some *****-cheeky-cheese-brigade of sorts?!
my, "fellow" and "countrymen"...
on foreign soil? em... allegience to who?
i have severed my ties with Poland...
i keep my ties with Poland on the basis that:
my grandfather and grandmother are still
alive... when i visit them...
i don't expect them to be into this whole:
post-nationalism: internationalism non-nationalism
globalisation gimmick of: at least,
at least the modern lingua franca:
which is the l'inglese....
because... quiet frankly? i have a stash of:
mutterzunge bubbling beneath what's being written,
with some mongrel-german and mongrel-russia
auxilliary...

ah... the natives of the english tongue...
well... it's quiet expansive...
it can go beyond encompassing merely england...
it can go so far as to tread over scottish gaelic...
somewhat irish gaelic too...
only zee Velsh... seem to be... W: whistling free
in their linguistic stand-off...
who the hell even bothers to hear
about any scottish gaelic?
there's only gaelic gaelic: irish gaelic...
and there's welsh...
scotch gaelic? huh? apart from: a wee this
and a wee that?
*******... tartan and god's **** *******
of beer and the side-trash-dish of the savior
of whiskey in a gulp of ms. amber's **** juices
from a...
one of those distilleries...
that served up a whiskey tokaj whiskey...
i still remember the picture...
a girl i was dating took the picture...
in front of her a belarusian jew cosmo...
to her left... a russian looking into the glass
of whiskey with some philosiphical insight
begging to come out...
to her right... a dog ****** with his nose
in the matter...

figures... the ****** will sniff **** out...
the russian will: peer into the glass
for some "magical" insight...
philosophy or what not...

as if insuating: concerning the "little" people
of europe...
unlike the portugese, the spanish,
the italians or the greeks: acronym: PIGS...
but i least i'm no czesław miłosz:
i don't need to move to cam'cam'h'america
with a language in tow:
for some sort of lesson of: preserving roots
for a tree...
my version is apparently:
the bad integration strategy...
esp. on paper...
why would i still retain my tongue...
on paper... in this medium...
citizen ist citizen:
bürger ist bürger ist mir!

heaven behold i have to use alt sächsisch vaterzunge
to speak to the grünschnabel...
i fear for the natives of this tongue:
esp. since hiding behind the stipend of:
the empire upon which the sun never sets...
to have to hide behind a cultural import
from h'america...
or australia... is what gives rise to these
pseudo-communist grey areas of Bratford...
or Islam-came-ah-knocking in
Rotherham...

even i have to escape this...
this l'inglese... this new frontier of...
no frontier at all: except for the skull moon...
and baggage of frohlicht!

is priti patel a civic nationalist?
well i'd be ******* sterile if i didn't say:
a babe with class any loser in
my vicinity said: a banger...
if priti patel is not a civic nationalist...
then i'm not in england...
i'm nowhere...
******* banging bunny... anyways...
and the first time i managed to ******
a black girl for a quickie...
it took just the right amount of cocktails and...
enough coccyx banging into my pelvis that...
i... almost wished for a 12" ****
and the "proper *****"...
no... really... imagine a black girl mixed with...
a stick insect... and you just so happen
to have served her up...
a genuis concoction of cocktails...
the coccyx is bound to appear...
alligned to your poor-pelvis plum-sore...
one time or another:
no ***** envy in sight...

hence my "wish"... give me the 12" cod...
and enough plump *** as that will allow...
otherwise: no...
i would still like to imagine being
circumcised via the orthodox methods:
of a rabbi... not via some over-*******...

why am i writing about this with such fondness?
em... 21... nearing 34...
i can count... how many times i've had ***...
using only my fingers...
that's beside counting the prostitutes...
which... when you forget to trim your ***** hair
and you just end up kissing for an hour...
kissing prostitutes: what a noble affair...
bumble, trumble, tumble, twitter, bitter...
grinder... tinder... don't know:
i can't remember having owned a smartphone...
or a mobile...
that ambition died when:
i was left with calls 10 minutes from a meeting
for a pint... on a bus...

that's... 34 - 21... 13 years with sporadic
casual *** patterns...
oh and that thai bisexual girl... woman...
boy... i picked up from a park bench...
we listened to some jazz... drank some beers...
"weaped"... then had a cigarette in the garden
and ****** while i was kept in suspence...
honestly: i didn't know what i was getting myself
into... it was a thai surprise moment...
sports bra... and... until i reached into
the nadir of the zenith did i find out...
phew... no pronoun debauchery...

13 years and the sort of *** life that could
be celebrated by a *******
harriet turtles of the islands of galapagos...
while, around me, in the vicinity:
kama surtras left right and center!
why would i drift toward...
scandinavian pagan songs...
byzantine chants... crusader anthems?
i don't know: it's hard to punctuate
ridicule into that sentence... ridicule and irony...
self-depreciating humor...

- 'music was terrible in the 2010s'...
perhaps... except of a ****** band: LAO CHE...
i will still be punching myself over
my sentiments...
and "they" can come and speak english
like it's "theirs"...
but at the same time... not be "english" at
the same time...
perhaps it's the north h'american conundrum
of patriotism with the old continent
sentiment "for" nationalism...
perhaps if we all speak this one
magical language...
we can still find ourselves
with unboxing cues in a bazar in Tehran...

and they were Persians before
the Arab camel-jockeys came...
and that spirit of poetry died
and the old antagonism with the Greeks:
too died...
arab camel-jockeys with their... sole book...
and enough time...
enough time to see them sitting on
an iceberg of dinosaur crude fuel...
that truly was and is a miracle...
i still don't see why the Ottomans wouldn't
want to treat the camel-jockeys as they
should have to have prospered:
since no Lawrence would ever come from
ottoman Istambul...

but oh oh: tuba büyüküstün the god-smacker
and the slow death of martyrs' promised: harems...
even a slow-to-understand man
can find his solomon and his queen of sheba...
somehow, "somewhere"...

so much for drinking some wine...
and: it's not like speaking the truth, drunk,
managed to get anyone into trouble...
perhaps the "kind" alternative?
nietzsche on barbiturates?

i sometimes wish i could be alligned
to a female sort of companionship...
without the immediate awe-struck beauty parallel
with: what's actually beneath being
awe-struck... but no...
i will have to do my best with dogs,
cats, the odd fox... and pyramids and pyramids
of stacked ms. amber bottles...

wine and the gods' anemia... or haemophilia...
i never which one it is...
i almost wish i could sentence myself
to the banal grey-ish merger of:
the everyday with a woman...
but... alas... i still have a mother...
and i'm still unsure about the times
when she's lying or telling the truth...
but, given, she's my mother...
i allow her the benefit of the doubt...
having a mother is enough to:

going down the river of keeping a woman
company: in company that precludes
having *** with her...
bad grammar or just the unnecessary word:
precludes...

it's enough to be in a company of a woman
you can't have *** with...
and quiet another...
to be in a company... you can have *** with...
this "can" will probably never
arrive at the sober conclusion of:
you "might" or... that you even "will"...
i guess the antithesis of gambling came
when prostitution wasn't allowed...
a man sought alternatives...
50p bet and all the thrills....
that... yep... 110 quid an hour would never give...
gambling and *******...
the siamese child of desolation of
Moloch and his bride: Ursula (usury)...

what's that "motto"? when the fun stops: stop?
here's a way to figure it out:
see a ***** before you start gambling...
and when you gamble...
bet for a quarter... less than but equal to / no more
than a pound...
i've started to bet on football results:
a win... and the other team also scores...
i managed to find a bet accumulator...
that would leave me off...
over 200K richer... from having bet a pound...

like i once mentioned...
the 3Ps of today's clinical "advice"...
there's the priest... n'ah...
there's the psychiatrist (you'll want to see him
first, seeing a psychologist is pointless...
he has no prescriptive authority...
he's no big pharma loved-up yuppy sort of...
gwy)...
or there's the *******...
priest, psychiatrist... *******...
i did the priestly bit when i visited
a monestary in France, Taize...
i was young and the hormones weren't kicking in,
just yet, and i would have stayed...
but i wasn't rich enough to buy myself
a place at that, kind of, prestigious "university"...

psychologists and psychiatrists...
what the tongue can't lick or taste:
a tongue can't heal...
talk talk talk... but no: suma summarum:
no oeuvre momentum...

prostitutes and betting habbits it was...
settled...
this one maroccan colt with his one maxim:
there's no water in a desert...
ever see more water than that in a puddle
in a concrete jungle?
and that's hoping for: evian...
tapeworm free water... ever?!

so much for tinder...
and so much for... ahem... adverts: ok cupid...
claustrophobic dating advice with no
spares...
if you can't pick them up fresh
from a park bench of uncertainty waiting
for that, that thai surprise?
so much for being a h'american...
and a *** tourist... in Odessa...
of Kiev... or getting milked for the bogus
*****-****-thrill of it:
to genesis the whole model escapade of:
dosh stashed in a porky inch-by-inch
leather itch of: spend spend spend!

symphony arrangement for poetry - personae distinctions of hidden violins and woodwinds, somewhere along the way brass - leaving Cabaret Voltaire (Zurich), moving to the Beat Hotel (9 Rue Gît-le-Cœur, Paris), ending up on the Cowgate (Edinburgh).

when you read newspapers you realise that dinosaurs roam
the land, the fortress of printing press, unlike the printing press
(which was taken seriously from the word go!)
the internet has been largely squandered; you read these
things in newspapers, the evolutionary reaction - ensuring that
among these dinosaurs are also opinion pieces, dinosaurs write accounts of what's happening, batrachotoxin amphibians write
opinions: i.e. what isn't happening: opinions go forward unchecked
and undisputed, added that there are many potions in the cauldron
it's hard to pick one out and dig deeper until both parties are in no position to hold such and such opinion, given the missing
muscle of implementing change or the skeleton to keep
the status quo - but this is a slight deviation from what i
was intending to convey - the old guard of printing is worried
sick that it might be usurped in the long run - it prints damaging
reports about the existence of the internet, looking at it as not
a niche environment, which it technically is - but cats, ****, cats,
****, apparently we all log on to meow and moan -
as a tool of entertainment it's the least thrilling source of
the desired "entertainment", the unscripted nature of this niche environment is what's actually good about it, in that a single
person can become both writer, editor and publisher -
but indeed, the internet has been squandered,
although it improved from what used to be a wholly anonymous
environment peppered with dangers of random encounters -
the infamous chat rooms changed even more to infamous
phone-books: you heard it, stories of cyber bullying - the internet
has been squandered, by all means, trying to save it is a bit like
trying to save the world, or as one Tao principle suggested to me
early on forged in me: the best way you can aid the world
is to forget the world, and let the world forget you.
a film director would say, well, i'm stuck in the house,
i'm thinking of shooting a biopic of Lawrence of Arabia...
i see a desert, a man riding a camel through it...
but you have to then start muling over the facts: you'll have to get funding, get the casting right,  but no one likes shooting in
the desert, you have to get  the catering sorted, you start shooting,
but the camera track ruins the desert, so you have to move
to another part of the desert that's pristine with wind parallel
ridges in the sand, then the studio calls you and says you're
spending too much money, then peter o'toole stumbles
out from the trailer hungover almost everyday; sure, you need inspiration and ideas, but that's only 1% or the whole,
99% is working with people - as a director you're not actually
playing god, you're helping other people, De Niro preferred
mumbling something prior to a scene, but Seymour Hoffman
went into a scene like a crocodile quickly snapping
to the shout of cut! and the clapperboard.
i suppose poetry could be like that too,
99% being the audience and the necessary oration,
that would work - unless of course you'd do the same with
painting - but whereas with painting you're invited to critical
thinking, see an artist next to his painting elaborating on
the themes and use of colours? i don't want to assert common sense
wisdom from one profession and apply the same wisdom
                                      to another with a trans-occupational
relativism: that red           is relative to               crimson -
              but we'll have to do away with lighting,
              darkening and what not, so yes,
red is relative to crimson insofar as we forget lighting
and Edward Hopper. anyone can appreciate the
lazy approach, but i took to some mammoths without the help
of audio books, a reasoning man, not a mob gob emotive conjurer worth a tonne of heckles and haggles - but i guess the dream
through this gamble would be the monetary reward...
you know... after so many years writing for peanuts i have lost
all appetite for spending money beyond what i consider
to be a workable cure for insomnia - i don't have to buy music
any more since i can stream it, i have more privacy without
a mobile phone, all i have is this little brick wall that's stationary
in this virtual jungle on which i scribble - with the radius from
this point being anything ranging from 1 to 6 sensible miles,
beyond 6 and we're talking blisters on feet; can you imagine what
our predecessors could endure in terms of walking? they had hoofs
instead of feet, while we have skin as smooth as a baby's buttock
cheeks on the soles of our feet. the strangeness of modernity:
1. a man drives a car with with a bicycle on the roof, just so he can    
    peddle down a scenic route...
2. the volume of skimmed milk bottle is the same as full fat milk,
    but if you bought full fat milk and added water to it the volume
    would triple (via semi, so yes, triple)...
3. healthy diets - 350% increase in vegan population
   in Britain over the past 10 years - the protein problem
   (once it was the fat problem, low fat yoghurt came about,
    turned everything into a sugar problem), i.e. women aged
    between 19 & 24 requiring to hit the 58 gram daily
    recommendation of protein would have to eat:

everyday foods
chicken breast (251g = 276Kcal)
eggs x4 (460g = 658Kcal)
salmon fillet (291g = 533Kcal)                                 v.

clean-eating foods
quinoa (1,318g = 1,582Kcal)
chia seeds (371g = 1,818Kcal)
                              goji berries (405g = 1,504Kcal)
                              kimchi (3,222g = 863Kcal)
                              tofu (707g = 70Kcal)
                              ******* (384g = 632Kcal)
                              coconut yoghurt (3,422g = 6,844Kcal)
almond milk (14,500ml = 3,625Kcal)
avocado (2,900g = 4,843Kcal)

  as healthy as stuffing turkeys for Thanksgiving, can you imagine
  drinking fourteen, fourteen litres of almond milk?! i don't even
  have to imagine drinking 700ml of whiskey to get the point
  and reach the threshold of the effectiveness of sleeping pills...
  no alcohol, no sleeping pills, better sit it out than take so near  
  ineffective buggers; although as a warning: you might end up
  sleeping for *12 hours - variations on the BMI and previous habits
  of drinking - socially? not so much, medically? primarily -
  not in favour of the anti-alcohol lobby being part of the "safety"  
  guidelines given to the public...
4. charities' costs eat up 78% of donations,
    another 21st century anomaly, effectively dismissed
    by the church's alms giving history depicted in Sistine opulence,
    so no wonder whether in cardinal robes or suited and booted for
    the near-invisible secular religiosity, such poverty of symbolism
    compared with the predecessors, at least back then you'd
    know who to send to the guillotine - and this is how Louis XIV
    treated his courtesans, he made a certain type of clothing
    mandatory, a Versailles school uniform as it were,
    most the the courtesans went bankrupt having to buy the
    clothes, some pieces would be equivalent of a sports car,
    they went bankrupt to remain in the club,
    so they borrowed monkey from Louis, and so Louis kept
    them in his pocket: poor rich people, or necessary
    leeches (as once used in medicine, Louis' absolutism
    being the sole malady, abuse of power necessitates
    paranoia); or to quote Lisolette about the royal *******
    'mouse droppings in pepper.' Philippe (Duc d'Orléans)
    was the transvestite who charged into battle
    and conquered the Dutch, much to his brother's
    shame at having only made conquests in the bed - well
money here, money there, shoving a piano into a concert hall accompanied by an orchestra, something Chopin would never
do not wishing to leave the comforts of salons - although
Metallica dared to.
                                                             ­           welcome to
the age of silica and chameleons (cha cha cha champ a camcorder anyone? well, imagine what scrutiny Narcissus would pay a photograph, imagine giving a photograph to Narcissus and
wonder would he change his behaviour), get fooled by
the adverts once, second time you'll eventually see needing to feed
a charity's bureaucracy rather than an African, hence the migrant
                                                                                                    crisis...
sometimes there are no surprises as to where certain things
originate, Marxism and England, zenith of the empire,
or as historians claim, the decadence of the Romans was their fascination with food prior to the end: ready-meals and
microwaves among cooking shows, currently the daily program
of channels, esp. that of 4 is culinary and horse racing,
all the interesting programs are broadcast when everyone
is about to fall asleep... Saville bankrupted the B.B.C.
posthumously: a game show, "jackpot" of one grand.
- advertisement didn't expect live T.V., the mute button,
the pause button and the fast forward button...
but in a 100 years time if not more they'll look back at us as
having finally exhausted Groundhog Day (starring Bill Murray) -
sure, the technological breakthroughs were great, magical,
but the content? 20th century most probably,
the ideal time of fluid and at ease plagiarism - obviously
exceptions were made, but this walking nightmare
of the exhausted second half of the 20th century caught up
in the 21st century - dialogue replaced by visuals,
clash of the titans (1981) v. clash of the titans (2010) -
the only good bit of the latter is the inclusion of Hades -
it's beautiful, i'm nostalgic to a history i was born in and
belonged to, i'm not a nostalgic Nietzsche or Hölderlin
bumming about singing praises of the Ancient Greeks -
you see, it's close-at-heart nostalgia because i belonged to it,
the infant of it - a peculiar circumstance to be in; or coming
to terms with the first signs of decay: cartoon network's
cow & chicken with i r baboon - have you seen the horrors
of modern cartoons compared with computer graphics?
readies them to  pick up gaming soon after,
given gaming graphics. in summary - some say sitting behind
a computer screen is a sign of a lack of self-assurance,
or confidence, self- anything you want to suffix with, well,
that could be true, but you have a photograph included,
and the days of the typewriter are over - but i could also say
the same about certain brands or shops, are they too lacking
self-confidence to stop their existence on  the high street?
the royal mail delivers junk, you might get 100 junk envelopes
and a christmas  card... o.k. make that 1000 to 10,000 envelopes
of junk and one letter directly addressing you that hasn't been
written using an analogue like

dear mr. / mrs. xxxxxxxxxxxxxxxx

we would like to inform you that your insurance
claim has expired.            etc.

the infancy of this century is what's deceptive, the greatest
deception i can think of - the great health scares and subsequent
over-usage of antibiotics breeding super-bugs in hospitals
anything and everything under the sun - including
that damnable idea that the planet Mars employs people whom
it's attracting into its orbit - earthly geologists must be bewildered
that the only subject of learning from all of man's
capacity to send into space is geology: and on the return flight
home we realised that we'd only be bringing back some arenite
(sandstone); that quote about about painting being 50 years
ahead of writing, the same is true with science fiction and
actual science.

there's something 'bout jazz music, fills the eye
with thoughts of woodwinds brass and smoky dives
where clubs and streets meet moonlight in the sky

the music notes, arpeggio, they fly
with drinks around, the smoky mood arrives
there's something 'bout jazz music, fills the eye

the New York nightlife entertains the eye
past midnight, sewer smoke floats up alive
where clubs and streets meet moonlight in the sky

with Songs From the Night Before, Sanborn is high
and carries all, along with him they jive
there's something 'bout jazz music, fills the eye

the room is dark but for a stage so nigh
spotlight exposes New York's heartbeat live
where clubs and streets meet moonlight in the sky

where jazz songs live forever, never die
the spirit of New York at night it thrives
there's something 'bout jazz music, fills the eye
where clubs and streets meet moonlight in the sky

(C)2009, Christos Rigakos

Medicine induced hallucinations,
body quivering with ache,
and I'm hearing the sweet chime of bells
In this hour of pain my mind orchestrates.

The next drop from the IV,
helps even greater than the last,
a constant drumming in my head
a beat which was not meant for dance.

The others around me dressed in white
say I'm doing fine and that I should rest,
but when there's music pouring into the room
Sleep is what I must detest.

Can they not hear the wondrous sounds?
The vibrations that reflects my pain?
Those invisible waveforms move visibly
or have I just gone entirely insane?

There is no music, they tell me.
It must be a side-affect to the medication.
The ambiguous tune that rattles my brain,
is death knocking, it is by my orchestration.

But who is to say what I hear
is not real?
The tune in my head I wish to transcribe
but I'm weak,
and barely clinging to life.
So no one will hear this stirring melody.
This is the song I hear towards the end of my life.

In these last precious moments
laying in my seemingly sterile bed,
the tune haunts me 'till I shut my eyes.
but the tune is my comfort, I do not dread.

So take me with you, oh humble melody.
I welcome your amplitude with open ears
Let's take a listen to what you're telling me,
I dare you to move me to tears…..

The warm blanket of the strings comforts me,
the brass section: a foundation, a rock.
Oh, but hear the timpani? It taps to the beat of my near-ending biological clock.
The woodwinds, a sympathetic harmony that aides my despair.
Their aloofness like the machine by my side, filling me with air.

The main theme speaks to me directly, and I've been worn thin
but I swear the main line is "I've fought valiantly, but this battle I could not win."

I do not have to open my eyes to see,
that the director of this symphony is myself.
I've created this music on my death bed,
and it was not meant for anyone else.

When I close my eyes this final night,
take a somber breath and leave.
I'll have my tune in my head,
and nobody for me to grieve.

Goodbye to this world around me,
now the nurse come to medicate.
One last final wave of my arms.
This song I hear, mine alone, I orchestrate.

.it turns out German, is a language worthy of opera... but, my god... to my surprised liking, who would have thought that Peter O'Toole could play a baddy, in the **** fetish TCM film from 1967... the night of the Generals... great... but i still think movies were better in Technicolor... i haste CGI... give me a Technicolor film and i'm like: agape... someone telling me to shut my mouth, so that a passing seagull cannot drop a dump into it... yeah yeah, Jack Lemon, Shirley MacLaine (god, she was hot... those dreamy eyes, akin to Claire Forlani) in the Apartment... but the ultimate Technicolor classic has to be Bell, Book and Candle... James Stewart, Kim Novak... sure, sure, the coloring seems excessive, but it's the excessive aspect of Technicolor that's so... comic book... eh... modern films... like the Artist or Schindler's List attempting to revive black & white... how about... reviving Technicolor?!

a recurring theme of internet usage...
lately i've been having
a problem taking a **** in one
sessions...
    oh god, i tried playing video games,
listening to music
while reading some Heidegger...
but it's like... i need to go back,
and sit on the throne of thrones...
and expect some inverted **** ***...
mind you...
i really admire the homosexuals...
i wouldn't have the ***** to ****
****, or there lack of...
kudos gents, kudos...
         but the whole drama ends while
i massage my **** while sitting
on my heel on a windowsill...
ha ha! that rhymes!
        and i obviously need to do the following...
preliminary drinking...
a beer, two shots of ms. amber,
another beer...
   and some alt. media political
commentary videos...
       and when i'm done... the menu comes
to my attention...
  and that sweet, sweet grand release
of not giving a **** about freedoms like
the freedom of speech...
crescendo cascada...
   cascade of sounds, ambivalences...
music becomes water...
   ars musica, est aqua repraesentatio...
you'd think of ventus...
how European music could be
described as representing the winds...
well... prior to the African-import
revision and incorporation of the drums...
you could see it as such...
but...
    when you counter the H'american
freedom of speech...
                 argumentation...
        and listen to some of the internet
commentaries...
  have enough drink in you...
and abruptly put on some Beethoven?
the ******* dam bursts...
   aqua, anti claudo...
                    so while the Africans are
all smug about their melatonin
concentration, their perfected skin
not riddle by acne...
           who's who in the lactose race?
you can contain almost all other elements...
but water?
    compared to these internet
commentaries, with a shy intake of drinks
in me... i put on Beethoven and
explode into a fury of joviality and hope...
music is the representation of water...
oddly enough...
with all the brass and woodwinds it
ought to be wind...
               but come the crescendo...
what do i see?
  or a preliminary crescendo teaser
without the choir, in Beethoven?
                    the bursting Hoover dam...
oddly enough... the addition
of the African accent of excessive drumming?
i think loop, i think tornado,
i think...
           there story of the reel...
repeat, repeat, repeat, repeat...
the end sounds just like the beginning...
with some sort of variant in the middle...
well...
   here's to that second beer.

My heart aches
Yearning, burning
To find beauty in the mundane
To find meaning in the stirring of the strings
The secrets that hide behind the
Swell of the harmony
Why do our souls
Cling so desperately
To the mountainous musings of the melody
Riding over the hills
Of a despairing land.
The horns scream out the
Pain of the peasants
While the clarinets take up
The whispers of the voiceless
And the flutes cry with the motherless child
But all of that quiets as the black notes sail away
The strings adopt the voice of the man pleading to his star crossed love
To run away
And the woodwinds soon join the chase
Of this dreamy eyed couple from that ****** place
Music moves
It soars it sinks
It carries and spellbinds the wandering soul.
It promises a divine love that will heal
Music is truthful
It tells us that there is something bigger than us
How else could these vibrations
Rip our souls apart and just as quickly sew them back
Every soaring note carrying our dreams to the one that formed us
No other medium could as purely
Convey the true beauty
Of Gods unfailing love for humanity

The fear has subsided,
Uncertainty melts into endless kisses,
The second movement begins
On a hopeful note,
The violins build with a confidence
And unity, powerful and harmonious.
The unstructured first movement
Simply a search for a theme
A leitmotif to progress from darkness
To light.
The woodwinds laugh,
The horns announce the news,
The drums are strength and power
Driving the rhythm of our love.
Writing the notes together
We flow like rain
Blow together like leaves
In a breeze so brisk and strong.
We are conducting this movement
In gentle caresses and playful interchanges.
A melody only the heart can hear,
Silently envelops our waking hours,
And urging us to surrender.
The orchestra plays as one
We float upon the ocean of sound,
Wondering if the symphony will ever end.
Let the musicians play on
We can dance till dawn.

The rich woody sound of the saxophones steady the sharp, yet smooth timing of the trumpet’s muted horn. A tapping blues rhythm sinks the whole sound through a connection to corresponding beats. Over all the solemn chaos rapping through the eternal war of brass and woodwinds came a godly sound pointing out the direction of the whole bickering band. The top Trombone leads the solo of the blues piece and soars through it as though he was reminiscing of the bright times as a young boy, and you can see tears come to the point of being exposed and fade away as the solo and dream slowly dissipate from the strong, passionate phrases. The barry sax stands up for his gritty solo to talk back, he sets himself in the song and drifts away only to come back by the strong powerful boom of the bass drum. As you stand by the judges, you notice they have put all the judging behind and started to slowly tap with the band’s appealing rhythm; no notes are put down; no intimidating growl, just the tap of the foot and the swift but slow recognition of what was here today. Ladies and gentlemen this is the Nevada Union Jazz Band.

Note to you: The rythymn-in-strument strums in stone geo-time.
To the drummers,
dis-passio ey okeh,
woodwinds dim-
inuendo
oboe join in mit piccolo on the hummingbird whistles
simulating
Breezes, in the shade of a great rock,

real life rock, granite composed of not so tiny grains
of ground up uther utter star-stuff, side-
real asif intended for goodness
sake.

otherwise, how petrified I'd be come imagining the forming
of the
very
foundation of my life, as I know it,

it is un-believable, therefore
no lie,
if
the riddle arrives after ever begins

and, word has it, dear reader,
may
is your word now.
You may believe anything you wish,
with no
un-intended after math, after ever
began

Do you recall...
youth full quests completed alone?

Quests, Johnny Quest, Future Quest V.B.S.

believers, true believers being formed from childish hopes,
manifesting in grown liars stricken with

hidden child sym-drone
in the middle of booming thirty-something phase when
pressure
starts storing all the old stories,

building energy for the seventh decade fracture/crushing

blow
sh
soft blow breeze of free and easy musing re
songing a reason to belief
in
even in
a realm where lies never die.

Recall the old days, balance
bubbles and crossed hairs and roads
...
Balance factors, bubble balancing lead weight,
deligate
the Whole Earth Catalogue
as
tipping-point
balanced by the weight of the roof on Notre Dame being
melted along with the rest of the Greenland Ice sheet,

so superman eyes in our skies can see to the bedrock on
which the

Principle Thing
spins
---
The root of evil has reached this point

this is after all that. Time-wise, in the arrow scenario.

Fair tales always win, sh'eros live for your examined life'sake

--- ranting old men come running down stairs
--- the hidden child has arrived

The golden headed child, meek and cold
locked
in buried treasure

chests opened one last time for quadrupal by-pass

--- He's a donor
--- givem awish foundation
--- make this sacred

Mi-da's, well, he wished again,

he wished he lived in inter-sting times entertainment-wise

inward touching times imagined
in the addled golden child
Adler
brought to life in a virtual, al-most verifiable asnot art,
but not

very-fi-able, semper-fi-wise, if you

swore the oath. (It's a game, right, now game vows link for
in of by logic gated
Jungian
mazes, do they? Amazing.  ) See,

from above, as below, pretend you know

all things, you can imagine

in my bubble, in the absolute absense of your
at-most-fear

let. that act do. let us, the objective aspect of we,
the people who hold those famed

troothz, verities of any examind re-ality-ifity-isms

self-evidence for we

be letting be, believe me, that's no lie, you can doit, you can, you can
I imagine

and I accept we may mean more to me than thee,
however now
hapt, in qualia quantumical if-I-ability
entangled meanings
link us through
my-silly-um,

Disney-fictionation endo-crenalation, --||T|>>>--->
times half
formed
Crea-nullated castle
wall
link that sparked the aitia ifiabe
first caused
fall from the well
on the mountain

jack fell downbroke his crown
jillcame
tumbling after bling bling bling

--- the sorcerors's apprentice was fired
--- they found errors in his
--- sin-tax

We can forgive such over-sight.
Blame the mycelum clan

or,
better yet,
blame the clay eaters, no,
the clay wearers?

the clay bher-ers?
Ah, the clay bakers, fersher? Nae?

The clay, perse?
The dust we shuffle as we dance atop the stone?
The way of the rolling stone,
grinding, rolling-downhill-stone,
the stone rolled away,

the stone of the sysiphus-seen-hap-iuna
cult?

Blowing in the wind, lifted higher

Ax d'maji-yo, he know. 'Zeke 17, seven with a caballero v,
y'know,
callit Macaronic be-bop

dodat, yankee doodle morph t' resound,
like poetry
slams

at the gates
no enemey ever breached. The key truth, is that,

believe it, if you think you may.

i find looking at my library that reaches the ceiling
more entertaining that watching television,
to be honest i prefer watching inanimate things
more than those caught up in animation,
my memory becomes the film's director,
and my imagination the producer,
while many personae come on stage with my thought.*

woke up lazy, usual me, unusual me
when i think about it,
going to a catholic school we had to adorn
catholic school uniform,
blazer, tie, polished shoes, trousers,
white shirt...
i liked it back then: i have one specific sunrise
in winter to remember, having just
discovered jethro tull's aqualung album
when the mojo music magazine was still
in print and they listed the top 50 prog rock albums,
obviously the no. 1 spot was reserved for
pink floyd's dark side of the moon,
don't know why king crimson didn't win,
i guess the complexity of the matter didn't have the appeal,
but it was good, wearing school uniform,
having two / three days of your own clothes days
once you coughed up a quid or two for charity,
the point being... you can't tell rich from poor
if there's a specified attire... plus there's less clingy
exceptions to be made, less imagination involved,
less care for having to pick your next attire the previous
day to impress someone, less discrimination altogether,
as those non-uniform days proved:
a maths teacher said i looked like a lumberjack once,
mr. crickmore, ex-trader on the f.t.s.e. floor,
turned maths teacher, supporter of manchester city,
so i was wearing a three coloured chequered shirt
(blue, red and white), jeans (obviously blue)
and red converse... lumberjack he said... fair enough,
but the dim truth of it all is that reality is dull
off the catwalk, less creativity of cloth, it's more about
comfort, as i found when i decided to do a fox fur trick:
become like those inanimate things just a little,
be more peculiar and attentive when something changes,
starting from the digit 1, and then expanding into
a sequence we call phenomena - so i liked wearing
school uniform, i was, after all, enlisted into an army of
jesuit youth... although i rebelled having read a book
about heresy (mainly the gnostics) and didn't want to be
confirmed, and wasn't; but there's less discriminatory
behaviour if everyone wears the same all year round
and there's no peacock days involved -
and subsequently the days of my prime schooling
are remembered with less regret, and less adults
exploiting a semi-fact of how **** it was and moaning
and moaning about it just in order to sell it to gullible youth.
but today?
woke up, lazy as hell, the c.d. i put on to fall asleep to
was obviously finished, turned the radio on,
classic f.m., had to hear something breezy and airy
without larynx that the violins are, not to mention
the woodwinds, and the news, had to hear that,
the toilet was too far away (not really),
two bottles of coca cola, one almost empty,
urinated into it, ******* the cap, fell back to bed,
lay there for about half an hour, news came, heard it,
got up... made cinnamon coffee smoked a few in between
my "tuberculosis" coughs (it's minus 4 degrees in the nights,
i drink a few bottle of beer on the trot, hence the coughing),
had about 3/4 of a bottle of whiskey left,
went back and turned on a few compact disks (
i know, i was born too late to collect black vinyl 12", oh well,
80s silver craze), poured 1/4 of the whiskey over ice,
and instead of pouring the other coca cola's bottle content,
i didn't realise i was pouring something in
that, upon opening didn't fizz... AH ****!
yep, mixed 1/4 of whiskey with my own ****...
had to pour it away... but what a waste!
after that it was all downhill... made a tikka masala curry,
adding sweet mango chutney to a list of ingredients
too long to remember...
and upon my usual walk for ***** a strange thing
happened in the supermarket...
a gorgeous late 40s woman cashier inquired about my hands,
the longbow man's V to the french bandaged,
and whether my hands were cold... something
about buying muttons...
you see, i once wrote that the most ****** part of a woman's
body are her hands... ... ...
she was ****** flirting with me!
in my head a few minutes after it sounded like:
put your cold cold hands onto the warmest parts of my body...
as i said also, once: when a woman becomes erotically
pulverised the temp. in her mouth drops,
and the temp. in her... ahem... increases; juices flowing.

it's like they're feeding themselves the line: things i should have said / thought about / cared about... me? bring on the woodwinds and saxes and violins... like the other day, they really wanted to make the classical music scene pretty by enforcing a weird post-colonial theory of how composers and musicians should be black once in the while, i dig that the japanese just love chopin, but come on: john coltrane, sonny clark, miles davis, cannonball adderley? who the hell wants it to look pretty, like a half-wit beauty of a woman: i want it mandible, not porcelain... next thing you'll be telling me is that a donkey can moo... jazz is an impromptu get-together, it's not an impromptu scribble scribble scribble readying a bunch of ponce ******* to sit it out stiff in a grand music hall - when i went to see swan lake by tchaikovsky the crowd clapped so frequently without a clear moment of aspiration to feel the music... plus i think ballet ruins the music, all that stomping, it's not an art-form, but an encircling stampede: plus i think it's also a sadism; rumba cha cha cha mambo cha cha cha tango cha cha cha foxtrot cha cha cha.*

after qualifying to be listening
to b.b.c. radio 4, after all the ponce
of classic f.m., i find that
people listening to radio 4
are craving a schizophrenic simulation,
they're the ones who never
cried listening to a piece of music,
they want company...
honest to god, schizophrenics (ego shrapnel)
complain about the symptom of
"hearing" voices (yes, the sense needs
ambiguity)... while those on
the b.b.c. radio 4 diet always want
company, they're not prone to liking
thinking... the world's weirdest simulator;
i'll admit it, even the cheesiest pop
music makes me feel like candy floss
in comparison to middle-age depth of talk.

The violin is sonorous
The cellos are in tune
The kettle drums
of thunder
Beat against the moon
Woodwinds through
the eaves
Make the nightbirds
swoon...

Coyotes are a clarinet
Such a lonely howl
As the night storm passes
You can hear the owl
Cougar makes his
entrance
With a roaring growl...

Crickets are ubiquitous
Rosening their bows
Sometimes in the
summer
Cicada's music flows
The nocturnal fragrance
Trickles through
the groves
It makes the
lovers giddy
Romances the nose...

The stars are
great musicians
At last, they appear
They play the piano
With the music
of the spheres
All the while, listening,
The cactus stands
and hears
God gave coyote
voices...

but Saguaro He gave

*EARS.

they say blind-solipsism is in the air, the radio speakers
keep announcing a return of a mozart,
they glorify the death of classical music
as if it were still alive and worthy a prodigy
to keep a lineage, and it is so, but only
in terms of imitation rather than composition,
like the philologist able to read ancient greek
or latin, these imitators merely revive from dead
script the breathable air from the cluster of fading ink,
than providing a revival from scripts not yet written.*

once the masters of woodwinds brass
and horse-mane hairs tightened
and scratched against violin and cello
strings: now masters of solely drums,
and how the beatified contrast resounds:
the former with music soothing
but the soul warring,
now the latter with music rousing
but the soul pacified,
once masters of orchestral arrangement,
now masters of their own destiny of
individuated chaos... once the music
of the element of air... now the music
of the element of earth - the heavy stomping
excess of drums.

with the internet the fictional characters rebelled, added to the  stealing of shadows by hollywood, now comes the true time of who the  narrators are... if no narrator relieve character studying and keeping  narration in a state of ~necessary placebo we’ll only get alien  invasions and bomb blasts to succor the anaemic characters... we need  charisma from narrators who are characters as if imbued by the  surrounding... we hardly need mythologies of ghosts that replaced  mythologies of gods... we need narrators ready to forget fictive  chronology and engage in the life of what their characters live; nothing  else, nothing more; show us a weak narrator overcome by a strong  character... stop shoving us so much imagery of contentment resembling  ~strength  of characters... when the narration is weakened by cloning  termed sequal / prequel / sequal no. 2 / no. 3 / 4 / 5 / 6 etc.  how can  a weakened narrator ever provide a strength of character? never mind,  the punctuation in philosophy is stressed by the question mark - meaning  a question will provide offshoot narrations in whatever arrangement the  comma, the full-stop semi and colon will allow... the question mark is  an entry point of punctuation, it’s the full-stop with something being  added in relation to another person... so if a poem is given alliance to  parallels, i always italicise in a method of anti p.s., although  strickly p.s. as pre scriptum: what made me think after i have written  something as easily disposable in comparison with tolstoy’s war &  peace on the basis of what denotes civilised people?*

when i do something that’s not too excessively adjectively biased
like the book of genesis: ‘ah ****... it’s good,’ said god
concerning the world that gave us
the infestation of diseases and statues of david...
good thing he didn’t say: it’s amazing! it’s psychedelic!
that would be untrue... he chose neutrality...
like me... i thought i lost a poem, i saved it with ctrl c...
and i get pavlov’s reward with a memory:
i’m buying beer in a turkish shop,
i start chatting to a boy ~10...
i tell him my childhood secret
about how i thought animals couldn’t see in the realm of 2d...
given that no cat or dog ever watches the t.v.,
mindful of sleep / mindful of the owner...
cat: i missed an hour in the sloths physiology, go away!
dog: i really need to ****! i really need to ****! get me
a tree quick or it’s going to be your leg getting soaked! soppy miu miu **.
god... adele’s hello single... if i had to mine for salt
i'd check the dog’s ******* first.
boy from the turkish shop - when you grow up
and are still interested in my game from youth:
about how animals don’t see in 2d -
i hope... i hope... i hope they still don’t.

poets’ ~sadness is what feeds people’s apathy,
people feel the lack of pathology in apathy
that they sense something must be wrong,
and poets provide this ~something-is-wrong
pathology - modern computers hibernate like bears -
it’s still very basic... we’ll need more than poets
to feel like ****...
i said once: apathy creates no pathologies...
but people desire pathology to craft drama...
they despair at the celestial ingenuity of orbits...
they despair at the leo’s strenght and cancer’s recycling
to endear their characters with zodiacs...
the west is too individualistic that it divides...
take the year of the tiger in the chinese shadow of belief...
it’s hardly specifying samuel tollbridge with a confirmation
name to gimmick the tetragrammaton as the catholics do...
i don’t feel like feeding people’s apathy...
i rather enjoy my own ~sadness than feed it...
if anything i want to oppose philosophy’s testimony
that scarceness of words in poetry... unsung...
unsung with guitars pianos and harps is sad...
and the simplicity of words in songs
sung with guitars pianos and harps is profitably ‘appy...
poetry is merely what the composer wrote
in silence in that complexity of
what poetry isn’t:
what the violin had to say,
what the piano had to say,
what the concerto d-minor sounded like
in the life of john smith disillusioned with living idealism
necessarily lived...
poetry the silent background...
fruitfull in automating the lives of others... the crackling wood
of the woodwinds necessarily lived to the score /
or off the pavement of dialogue expected...
poetry not sung is less akin to music it’s true cousin...
poetry not sung becomes philosophy.

yeah, buy art, what a weird concept in the 21st century; i'm waiting for pope Francis to become my patron and ask me to redo the Sistine chapel.

i can only remember buying four
singles disks in my day,
i bought *en vogue's don't let go (love)
when i was "supposed" to buy
the prodigy's music for the jilted generation
(indeed i'm part of the jaded crew),
i bought no doubt's cover it's my life
(original version by talk talk),
m.m.'s fight song, and indeed the Budweiser
advert song done by the wise guys
say ooh la la - the Graeae frogs you remember?
bud - weis - er... the shared eye actually
a brown glass bottle - peer in...
admit it, pop music is intended to make
your heart into a sponge, soak up **** up
all those emotions that you'll never get
as you might get from toasting bread
or making coffee or drinking a sharpshooter
of excess whiskey and little coke, a shandy
by comparison (shandy? ah,
beer topped up with lemonade, like you like me
i know the only slang is that of drunks)...
well the 5th was eagle eye cherry's save tonight,
but i don't know why i returned it
at the our price store (post-****** megastore
music cornershop outlet) with the cashier's bewilderment;
but admit it, pop music is intended to make
your heart into a sponge, **** it up and soak in it,
when the songs don't reveal you the love intended;
well, the music industry did combat the free music
policy (i still stream but don't keep),
they employed about 5 producers,
used algorithms to create an endless stream of
music without an original message
but a pattern by which you react emotionally to it
in the same way... and i'm not ashamed to admit
that justin bieber's love yourself is good,
i mean the sly and gentle guitar riff and the horns...
and i can relate to the message...
music for the bedroom, music not for arenas or
clubs... music you can think in rather than dance
or be a cheerleader of movie iconoclasm -
man, the lack of drums, where the vocals act
like drums, bring back the woodwinds of the vocals
and drop the excess bass and drums that
thump your eardrums deaf.

Play for me a melody
Something in a far off tune
One that brings the sounds together
The way it's meant to do

A symphony to fill the need
Of those who have lost sight
As woodwinds fill the air we breath
Setting music into flight

Play for me a rhapsody
One that takes me to cloud nine
Swoon me into ecstasy
As euphoria waits in line

With a hand held over my warming heart
As it flutters to the beat
Play for me a melody
That is ever so soft and sweet

souls
take
their
shapes
from
the
woodwinds clouds
and
the
crosswinds
that
sweep
through
the
Serengeti plains

Dance for me, dear minstrel of the moon,
Sing languidly, sweet flute of the lune.
Tressed in silver trains and sashed with gleaming stars,
Galaxies for your flowing mane, Princess of Mars.

White against red, like blood to linen cloth–
Such is your skin, as soft as a white moth:
A spot of whitewash, a drop of pure milk
That stains the heavy crimson sky with silk.

Descending from your ship of steel,
Your gaze in veils of iron concealed,
You step onto the sand of the Moon –
The first of foreigners in the land of Aün.

A grand procession seeps from the ships:
Brass, woodwinds, and pipes on their lips,
Maidens of braided coiffures and gowns,
Menservants bearing jewelry and crowns.

Lances, spears, percussion, and cheer,
The Universe revels in awe and fear.
Gonfalons, standards, colors, and banners:
Kings, lords, and men of all manners,

Gathered from every corner of this Realm,
With ships of all sizes, and captains at their helms,
To witness and celebrate a sacred union
Of two people, two nations, in a blessed fusion.

Aün and Imandi, two worlds made one,
A union, a tie, dare challenged by none.
The Moon and Mars now weaved with a loom
Of iron and silver–the bride and groom.

O Princess of Mars, allow me one last glance,
As the breeze whips your hair in a dance,
As your dress sways to a sweet lullaby,
As I whisper a final goodbye.

Though I’m unworthy, allow me this word,
I’ll dare to say it, though it sounds absurd:
I love you, o princess–a plain, simple love.
With my heart of hearts, like a tender dove.

Not a love of pain and lust,
Neither one of ashes and dust.
Though it’s rude, admit it I must,
Lest my strength be made to rust.

Go, dear princess. Take your prince’s hand;
Enter with his people, his heart, and his land.
For now is not the time to weep,
But to sing, twirl, dance, and leap.

A cheer erupts from the gathered crowd–
Ten thousand races, hands aloud;
Brass resound a hymn from Mars,
Pipes and drums echoing the stars.

With a forlorn gaze, I sigh and falter.
With quivering breath, I sadly whisper,
“Farewell, dear princess. May your years be prosperous,
And your love be stronger than a fortress.”

With one last look, I turn away,
Boarding my ship, the 'Evergray'.
Though I’ve no plans, I’ll return someday,
A visit to the Prince and Princess I will pay.

What if I had music coming from my tears would the speed they flowed increase my fears

Breaking out of the ritual & routine, what is to become, is yet to be seen

Some only know the ringing while others receive future symphonies into their ears

Is it going out or is it coming in ,receiving is pleasure while formation is pain

Tapping toes,passing time, routine melody's running around my mind melancholy muses hidden for years

A living link brought out in rhyme ,emotions are not a crime ones loss is anothers gain

whether the verse began as terse or left us enthralled,a vibe is delving into our souls

No language as a barrier when the music is the carrier,harmony as a role leaves little to explain

Simple vibrations outward gyrations making their way through our mind,inward bliss becoming one of our goals

Possibly imitating nature ,woodwinds finding their way back to the forest,birds

beckoning with their beaks new ,notes nice language for our brain

Sampling simplicity with a mellow tone,then all encompassing sounds making their rounds ,bringing beauty into our homes

Chants to chorus, raps to rhythms doling out the dirges that eventually encompass our souls. R.C.

I hear the Violins,
Vouching for each trivial,
But fair feature of yours that lies chaste.

I hear the Violas,
Bearing the melancholy,
Your heart conceals deep within.

I hear the Cellos,
Pouring the velvety essence of love,
In my sullen ears.

I hear the Woodwinds,
Singing for beauty, calling for love-
All in unison.

But then the Clarinet disagrees,
For the sheer taste of dissonance.
There,the Oboe tries to moderate,
As the Flute flares up,
Emphatically proposing the passion be mutual.
Then the Strings intervene,
And all play in unison-
The purest articulation of the desire,
For love - yet unmet.

I hear the Brass finally,
With Percussion on its side,
Sounding as though Zeus were to erase Mount Olympus,
Arising turmoil,
Provoking the Strings and the Winds,
Ousting the gentle harmonies,
And ousting the gentle melodies,
And alas! ousting the very notion of love.

Yet,I love the symphony.
And You - are the symphony.
The most beautiful I've heard.