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"wagons" poems
824 [first version] The Wind begun to knead the Grass— As Women do a Dough— He flung a Hand full at the Plain— A Hand full at the Sky— The Leaves unhooked themselves from Trees— And started all abroad— The Dust did scoop itself like Hands— And throw away the Road— The Wagons—quickened on the Street— The Thunders gossiped low— The Lightning showed a Yellow Head— And then a livid Toe— The Birds put up the Bars to Nests— The Cattle flung to Barns— Then came one drop of Giant Rain— And then, as if the Hands That held the Dams—had parted hold— The Waters Wrecked the Sky— But overlooked my Father’s House— Just Quartering a Tree— [second version] The Wind begun to rock the Grass With threatening Tunes and low— He threw a Menace at the Earth— A Menace at the Sky. The Leaves unhooked themselves from Trees— And started all abroad The Dust did scoop itself like Hands And threw away the Road. The Wagons quickened on the Streets The Thunder hurried slow— The Lightning showed a Yellow Beak And then a livid Claw. The Birds put up the Bars to Nests— The Cattle fled to Barns— There came one drop of Giant Rain And then as if the Hands That held the Dams had parted hold The Waters Wrecked the Sky, But overlooked my Father’s House— Just quartering a Tree—
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The Wind begun to knead the Grass
Eve of Holi A spring eve that’s all different from others Zephyrs blowing away the leaves Orange sky adding the flavours Blooming flowers nodding in a rhythm So Ironical is nature of this evening That all these beauties act as ornaments of Kali On a normal evening man would work They would work appraising weather They know it will not last long, they enjoy Today they as if ignore it, of morning celebrations Morning is gayest morning of the year Every reason to see every man Mankind being unanimous Evening on contrary balancing it to a usual day An unexplainable soundlessness, vacuum of thoughts A day depicting environment without men on work Streets still hold colours on their chest But this colour no more is a sign of happiness People meet each other, everyone has a smile But that doesn’t match with nature suit There smiles have scope within its sight Body of people walking on street enjoy zephyr Their mind stay startled of unusual quietness Standing on my entrance, I observe A swinging litchi tree, missing sound of saw mill Smiling flowers, orange cloudy sky Empty streets, parked wagons, and utterly silence
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Aug 8, 2014
Aug 8, 2014 at 4:09 PM UTC
Holi. The festival of colours?
Society has good intentions Bureaucracy is like a friend 5 years ago - other furies other losses - America's trying to control the uncontrollable Forest fires, Vice The essential smile In the essential sleep Of the children Of the essential mind I'm all thru playing the American Now I'm going to live a good quiet life The world should be built for foot walkers Oily rivers Of spiney Nevady I am Jake Cake Rake Write like Blake The horse is not pleased Sight of his gorgeous finery in the dust Its silken nostrils did disgust Cats arent kind Kiddies anent sweet April in Nevada - Investigating Dismal Cheyenne Where the war parties In fields of straw Aimed over oxen At Indian Chiefs In wild headdress Pouring thru the gap In Wyoming plain To make the settlers Eat more dust than dust was eaten In the States From East at Seacoast Where wagons made up To dreadful Plains Of clazer vup Saltry settlers Anxious to ********** The Mongol Sea (I'm too tired in Cheyenne - No sleep in 4 nights now, & 2 to go)
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Bus East
IN the night, when the sea-winds take the city in their arms, And cool the loud streets that kept their dust noon and afternoon; In the night, when the sea-birds call to the lights of the city, The lights that cut on the skyline their name of a city; In the night, when the trains and wagons start from a long way off For the city where the people ask bread and want letters; In the night the city lives too-the day is not all. In the night there are dancers dancing and singers singing, And the sailors and soldiers look for numbers on doors. In the night the sea-winds take the city in their arms.
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Night Movement-New York
Hope that you may understand! What can books of men that wive In a dragon-guarded land, Paintings of the dolphin-drawn Sea-nymphs in their pearly wagons Do, but awake a hope to live That had gone With the dragons?
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The Realists
They gathered by Williamson Road at sun-up       from neighboring spreads across the Tioga valley. They came with carts laden with lumber stacks -       with saws, adzes, hammers and sundry tools. They gathered with the homesteaders bond.       to co-build their neighbor's' dreams. Sweet music of community echoed off the hills.      Chisels clanged into rock, shaping the foundation, saws sang into boards to frame a timbered skeleton.      The staccato syncopation of hammers fastened walls that soon would shelter plowshares, stock and grain.       A smithy leaned over his fire and forge - chiming iron into sturdy latches and hinges.      Children scurried about mixing squeals and laughter with exuberant fetching and lifting whenever called.      In two short passings of the sun the deed was done       and a handsome new barn, decked out in a wash of red was silhouetted tall and proud against the fading light. Homesteaders gathered at a celebration table       to share a hearty meal adorned by the music of fiddles, grateful smiles and easy laughter.    Then one by one they steered their wagons home       gazing back at what their labors had wrought - knowing to the depth of their communal souls       that we are more together than we are apart Listen up, America!  This is the music of community.       We are more together than we are apart. © 2016 by Robert Charles Howard
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Jul 31, 2016
Jul 31, 2016 at 10:16 AM UTC
Pennsylvania Barn Raising
torn jeans dimples station wagons shifting eyebrows eager hands wry smiles chapped lips cheap beer deep-set eyes pirated music hates his birthday stoplight-kisses star-gazing in cornfields ****** knuckles broken minds lanky limbs poetry books scruffy faces jet-black coffee calloused hands that still feel soft adventurer's heart jumping fences midnight tokes always gives you hickeys always opens your door worn sneakers chewed pen caps late for work old windbreakers dirt under his fingernails omniscient smirks expensive cologne good intentions - but is bad with goodbyes hates himself for making you cry broken cigarettes aviator shades at night a perpetually furrowed brow and a laugh that sounds like autumn leaves as they crunch beneath your feet m.f.
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Oct 11, 2013
Oct 11, 2013 at 12:16 AM UTC
types of boys
Round the wagons, and call on the dogs! For there is fury in that mist, there is malice in that fog! Arm yourselves wisely. Shoulder steady, breath slow, give in to eye’s end. Shower sky with shot, And do so with fatal intent. Line, volley and rising smoke Un-surreptitious spending of saltpeter, leaves quiet rise to billowing choke. Loosen formation Send scouts up ahead “How many the count?” “Report: none dead.” “How can this be we took distance, aimed well, aimed true And still count you no heads?” “Sir, machinations of the mind …maybe it was instead?” Pleated-dress-pants barks back his threat, "Court martial, you!" "March, forward, ahead!".
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Sep 28, 2025
Sep 28, 2025 at 3:12 AM UTC
Onward, Despite
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the ****** starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the **** on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
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Fern Hill
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the ****** starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the **** on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
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Our snowmen, they're not made of white, they're tumbleweeds, rolled up tight. No top hat upon his head, a cowboy hat sits there instead. His face and buttons, tree ornaments, boots and lariat, his accoutrements. Saguaro cacti with lights wrapped round, illuminate the landscaped grounds. Old horse drawn wagons get the festive touch. With lighted garlands, packages and such. Porch rails glow with colored lights, Christmas trees in windows, warm the nights. Our little town gets all decked out. Then we gather along the old parade route. Folks on horseback with ribbons and bells. The horses know the parade route well. Marching school bands play Christmas songs, trucks and tractors carry carolers along. Floats abound from businesses and groups. Braving the cold, the Christmas Cowboy Troops. We all stand up to clap and cheer, as Santa, as usual, brings up the rear. Waving his red cowboy hat, in a horse drawn sleigh, Welcoming Christmas, the Wickenburg way.
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Dec 10, 2010
Dec 10, 2010 at 11:42 AM UTC
Christmas In The Desert
They huddle in the cold damp darkness grateful for the sheltering sandstone shuddering at each echoing blast a remorseless dull ache like their meagre rations eyelids shutting wrinkling between attacks seeking peace and inner sleepless solace. 'Them docks is taking a pasting.' 'Me Dad works there.' Another attack, tunnels rumble evoking century old echoes of rusty trundling drum-line wagons bearing sandstone blocks to build the docks now being blitzed blighting the night sky. The morning brings a dusty disquiet. Merseyside emerges curses soldiers on.
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Nov 1, 2015
Nov 1, 2015 at 10:42 AM UTC
The Tunnels of Runcorn Hill
There's this air in South France So alive you can almost touch it Soft enough, it blows away the candles Numbered seats, train wagons, I wish I had taken with you Warm hands on my frozen nose a memory in red burning Your arms, your hair, my cheeks There's this air they call it Mistral So loud and you can almost hold it Light enough, it carries the grains of sand Kaleidoscope films, sad endings, I wish you'd wipes away my tears A stolen kiss in a forgotten dream A wheel in Marseille, spinning My scarf, my gloves, your lips
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Jan 20, 2015
Jan 20, 2015 at 2:07 PM UTC
Mistral
NEW neighbors came to the corner house at Congress and Green streets. The look of their clean white curtains was the same as the rim of a nun's bonnet. One way was an oyster pail factory, one way they made candy, one way paper boxes, strawboard cartons. The warehouse trucks shook the dust of the ways loose and the wheels whirled dust-there was dust of hoof and wagon wheel and rubber tire-dust of police and fire wagons-dust of the winds that circled at midnights and noon listening to no prayers. "O mother, I know the heart of you," I sang passing the rim of a nun's bonnet-O white curtains-and people clean as the prayers of Jesus here in the faded ramshackle at Congress and Green. Dust and the thundering trucks won-the barrages of the street wheels and the lawless wind took their way-was it five weeks or six the little mother, the new neighbors, battled and then took away the white prayers in the windows?
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Clean Curtains
The Pumpkin  fest The night of Halloween, We went to the pumpkin fest We were all in costumes and dressed our best thousands of pumpkins were on the ground Wagons hooked up by horses were all around Filled with excitement And filled with cheer As we load up on the wagon for another year Oh how I love Halloween Carameled apples with sticks in between horses pulling the hay ride   yelling trick or treat out side They fill our bags with lots of candy Reese 's peanut 's and m&ms; snickers and kit kats and three Musketeers Oh how I love Halloween this year. The grown ups are sitting and drinking hot cider I'm dressed as a witch sitting by a tiger Ghost and goblins their there too a Cinderella and bear bear boo The night's coming to a end and the hay ride is over It won't happen again til next October.
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Oct 28, 2013
Oct 28, 2013 at 12:38 PM UTC
The pumpkin fest
Arthur Burning Arrow had a lot of talent. He could capture the salient parts of the story. He painted a picture of a red  river and the first White settlers crossing the plains. He took a lot of pains with clouds you could feel. Dust you could sneeze. Tall grass up to a horse's knees. Our teacher said That's a horrific painting! I thought it was terrific. Just sayin. I swear, all I could see were burning wagons for a thousand miles.
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Feb 18, 2016
Feb 18, 2016 at 9:04 AM UTC
Art
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob. The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all. Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob. Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob. The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan. Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now. Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow. The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons. The mob? A jag of lightning, a geyser, a gravel mass loosening... The mob ... kills or builds ... the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln. I am born in the mob-I die in the mob-the same goes for you-I don't care who you are. I cross the sheets of fire in No Man's land for you, my brother-I slip a steel tooth into your throat, you my brother-I die for you and I **** you-It is a twisted and gnarled thing, a crimson wool: One more arch of stars, In the night of our mist, In the night of our tears.
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Always the Mob
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob. The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all. Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob. Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob. The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan. Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now. Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow. The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons. The mob? A jag of lightning, a geyser, a gravel mass loosening... The mob ... kills or builds ... the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln. I am born in the mob-I die in the mob-the same goes for you-I don't care who you are. I cross the sheets of fire in No Man's land for you, my brother-I slip a steel tooth into your throat, you my brother-I die for you and I **** you-It is a twisted and gnarled thing, a crimson wool: One more arch of stars, In the night of our mist, In the night of our tears.
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its funny a flower called impatient still has to root down and tangle with grass you too never to be caught dead in the same social circle as a window planter or aluminum pinwheels the same instruments that brought you radio flyer wagons and torn-knees in your jeans innocence **** you window-shop with a brick in your handbag and a white patterned dress
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May 28, 2013
May 28, 2013 at 10:38 PM UTC
Window-Shopping With A Brick.
SOMEBODY'S little girl-how easy to make a sob story over who she was once and who she is now. Somebody's little girl-she played once under a crab-apple tree in June and the blossoms fell on the dark hair. It was somewhere on the Erie line and the town was Salamanca or Painted Post or Horse's Head. And out of her hair she shook the blossoms and went into the house and her mother washed her face and her mother had an ache in her heart at a rebel voice, "I don't want to." Somebody's little girl-forty little girls of somebodies splashed in red tights forming horseshoes, arches, pyramids-forty little show girls, ponies, squabs. How easy a sob story over who she once was and who she is now-and how the crabapple blossoms fell on her dark hair in June. Let the lights of Broadway spangle and splatter-and the taxis hustle the crowds away when the show is over and the street goes dark. Let the girls wash off the paint and go for their midnight sandwiches-let 'em dream in the morning sun, late in the morning, long after the morning papers and the milk wagons- Let 'em dream long as they want to ... of June somewhere on the Erie line ... and crabapple blossoms.
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Crabapple Blossoms
(Plaster cast at Pompeii)                                     [THE TOUR GUIDE]                 *“Ladies and gentlemen, here we are at Pompeii's                 fabled Thermal Baths where heated water was                 passed through duct work in the walls.  One can                           imagine Nero himself stopping here on one of                             his visits.”* [BONITO] Bonito stepped out of the bathhouse and looked up. Vesuvius rumbled - shaking ash and fire skyward. Breaking into a run he sought the south road, glancing back anxiously at the vast dark cloud billowing down the mountain.                 *"The principal city roads were recessed                 and wagons were required to have standardized                 wheelbases and clearances to fit in channels cut                 into the stone.  Follow me please to the residential                 area.”* He gained the road and his feet pounded the stones of the “via stabiana.” The cloud multiplied and fell on the city. Ever deepening layers of ash clogged Benito’s path. Heart pounding in his chest he lengthened his strides.                 *“Leaving the opulent villas with their spacious                 atria, we now enter the market area where we                 shall see a display of remarkable interest.  During                 excavations, empty spaces were discovered in                 the ash deposits.”* The rising ash captured his left leg. Bonito inhaled the fiery air and ****** forward into a burst of falling soot but was unable to finish his stride.                 *“Archaeologists poured plaster into the voids                 revealing the outlined bodies of Pompeiins                 trapped in their final moments.  Take, for example,                 this man caught in mid-step with no time                 to escape the life choking dust.”* June, 2006
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Jul 30, 2013
Jul 30, 2013 at 1:32 PM UTC
Vesuvius (Bonito and the Tour Guide)
(Plaster cast at Pompeii)                                     [THE TOUR GUIDE]                 *“Ladies and gentlemen, here we are at Pompeii's                 fabled Thermal Baths where heated water was                 passed through duct work in the walls.  One can                           imagine Nero himself stopping here on one of                             his visits.”* [BONITO] Bonito stepped out of the bathhouse and looked up. Vesuvius rumbled - shaking ash and fire skyward. Breaking into a run he sought the south road, glancing back anxiously at the vast dark cloud billowing down the mountain.                 *"The principal city roads were recessed                 and wagons were required to have standardized                 wheelbases and clearances to fit in channels cut                 into the stone.  Follow me please to the residential                 area.”* He gained the road and his feet pounded the stones of the “via stabiana.” The cloud multiplied and fell on the city. Ever deepening layers of ash clogged Benito’s path. Heart pounding in his chest he lengthened his strides.                 *“Leaving the opulent villas with their spacious                 atria, we now enter the market area where we                 shall see a display of remarkable interest.  During                 excavations, empty spaces were discovered in                 the ash deposits.”* The rising ash captured his left leg. Bonito inhaled the fiery air and ****** forward into a burst of falling soot but was unable to finish his stride.                 *“Archaeologists poured plaster into the voids                 revealing the outlined bodies of Pompeiins                 trapped in their final moments.  Take, for example,                 this man caught in mid-step with no time                 to escape the life choking dust.”* June, 2006
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she spoke to me, on the daffodil sweetness of the pasture while the grasses, waving, muttered their moist message on the wind of rot, and renewal, (but hold your lips, be still for an explosion of intimacy, for a moment) 'Are those a constellation?' she asks. "The Pleiades." 'You don't know that.' she doesn't care where the car begins, exhaling gently, to stop and she commends its forward motion (the keening love of a sodium light and forgetfulness in every bone of my body) I love the thrum of it, below my feet, murmuring vibrato in the pedals. They have a Huck Finn cave display at Disneyworld. In Adventure Island, or somewhere, or one of us, deep in the vastness of spines and fingers. Its fiberglass walls are a portrait of America - the glean of dew a reflection of that spirit that drove us over the borders, the rivers, to Oregon, so we could love under a naked moon, and renounce our lives of glee, and security for the bright unsettled plantation of the starless fields. 'You don't know a constellation from a cloud of dandelion seeds.' But oh, my relentless pioneer love, I do - I know a constellation is made of stars, and rough determination, and I know that, love is a today thing, and we are yesterday people that pain is tomorrow, and we will always be children of the dusk preceding destined, dear, to find our love receding Are you prepared, or will the wilderness this time swallow you?
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Feb 23, 2010
Feb 23, 2010 at 10:46 AM UTC
Perennial Wagons and the Softest Stars
Fifteen uniform clouds Roll across the prairie In a neat little line on the horizon Kicking up dust storms as they go Hurrying along Silently The settlers driving their wagons Keeping their lips tight And their eyes sharp Because there are Indians Lurking behind every rock Bandits and thieves Waiting in the hills Snakes Scorpions Buffalo Guns Disease Separation Heartache Might surprise them at any moment Might make them victims and this moment their last The settler’s hearts are racing At 120 beats per minute Pounding out a rhythm Unlike anything they’ve ever known Their hands are working at nothing In the thin dry air Twirling, twisting, pirouetting frantically Their jaws are clenching tightly Spasming, biting, drawing blood from their tongues Their eyes are wide, unblinking, terrified Seeing it all as it really is, Really should be And secretly, perhaps subconsciously, Unrealizing, They hope life will always feel this alive But then, In a few weeks When they’ve made it to the city To the town To the shelter and comfort of ease Civilization opens up her greedy maw Swallows them whole And licks her ****** fingers clean So as not to stain her tidy white frock And the settlers do nothing Complacently allowing themselves to be digested But they are thinking “This is what I wanted?” The voices in their heads have reached fever pitch, disgusted, screaming, “This is what I wanted??” And still they do nothing
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Mar 19, 2012
Mar 19, 2012 at 4:05 PM UTC
The Settlers
I AM an ancient reluctant conscript. On the soup wagons of Xerxes I was a cleaner of pans. On the march of Miltiades' phalanx I had a haft and head; I had a bristling gleaming spear-handle. Red-headed Caesar picked me for a teamster. He said, "Go to work, you Tuscan ******* Rome calls for a man who can drive horses." The units of conquest led by Charles the Twelfth, The whirling whimsical Napoleonic columns: They saw me one of the horseshoers. I trimmed the feet of a white horse Bonaparte swept the night stars with. Lincoln said, "Get into the game; your nation takes you." And I drove a wagon and team and I had my arm shot off At Spottsylvania Court House. I am an ancient reluctant conscript.
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Old Timers
964 “Unto Me?” I do not know you— Where may be your House? “I am Jesus—Late of Judea— Now—of Paradise”— Wagons—have you—to convey me? This is far from Thence— “Arms of Mine—sufficient Phaeton— Trust Omnipotence”— I am spotted—”I am Pardon”— I am small—”The Least Is esteemed in Heaven the Chiefest— Occupy my House”—
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Unto Me? I do not know you
Sunshine, spice and spades. Butterfly's, beards and bread. Yellow, yearbooks and yodeling. Paint, pizza and platinum. Music, melons and magic. Zoos, zippers and zillions. Apples, analysis and art. Waiting, wagons and wafflers. Give me a beer with friends any day. Life's more fun that way.
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Mar 7, 2013
Mar 7, 2013 at 8:40 PM UTC
The Things I Do Not Need.
Last night I watched in silence At the end of the road in forest deep I hid amongst the trees watching in awe As gypsies dance while others sleep Under the violet hue of evening sky Haloed by evening's golden moon I watched gypsies dance and sing As flames from bonfires leaped high in the air Dark haired women in shawls and beads Happily dancing and twirling without care Casting their spells of magic and enchantment Performing their honeyed seductions Blended with aphrodisiacs of scent and sound Gypsy men with kerchiefs around their necks Hoops of silver adorning their ears, singing joyful songs Children laughing, dogs barking As if they’re singing right along Oh, I so wanted to join them as I stood watching in awe Envious was I of their freedom and joy Caravans painted in bright images and colors Tambourines jingling as velvet shadows danced in the night Skirts swirling, gold and silver bangles on their arms Dancing 'round the bonfire's fiery light Accordions singing, with happy notes from a fiddler's bow As they sang and danced barefoot under evening moon In the coming dawn once again... It will be time for them to pack and move on With a last meal served... The caravans are readied to make another journey long "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on Time to find another home You must have gypsy blood In order to survive" As their wagons move along dusty trails They'll be looking for a place to camp A place to call home... at least for awhile A place to hang their colored paper lamps Until... Suddenly- a cry rings out "Stop the wagons, ring the bells We've found the perfect place The perfect place for magic spells Tomorrow brings a brand new day! Let's feast, dance and make merry Come on let's get things underway" And so... The journey goes on And never ends! "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on, time to leave Time to find another home You must have gypsy blood In order to survive"
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Apr 10, 2013
Apr 10, 2013 at 6:17 PM UTC
The Gypsy Dance Of Life
Last night I watched in silence At the end of the road in forest deep I hid amongst the trees watching in awe As gypsies dance while others sleep Under the violet hue of evening sky Haloed by evening's golden moon I watched gypsies dance and sing As flames from bonfires leaped high in the air Dark haired women in shawls and beads Happily dancing and twirling without care Casting their spells of magic and enchantment Performing their honeyed seductions Blended with aphrodisiacs of scent and sound Gypsy men with kerchiefs around their necks Hoops of silver adorning their ears, singing joyful songs Children laughing, dogs barking As if they’re singing right along Oh, I so wanted to join them as I stood watching in awe Envious was I of their freedom and joy Caravans painted in bright images and colors Tambourines jingling as velvet shadows danced in the night Skirts swirling, gold and silver bangles on their arms Dancing 'round the bonfire's fiery light Accordions singing, with happy notes from a fiddler's bow As they sang and danced barefoot under evening moon In the coming dawn once again... It will be time for them to pack and move on With a last meal served... The caravans are readied to make another journey long "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on Time to find another home You must have gypsy blood In order to survive" As their wagons move along dusty trails They'll be looking for a place to camp A place to call home... at least for awhile A place to hang their colored paper lamps Until... Suddenly- a cry rings out "Stop the wagons, ring the bells We've found the perfect place The perfect place for magic spells Tomorrow brings a brand new day! Let's feast, dance and make merry Come on let's get things underway" And so... The journey goes on And never ends! "Gather yourself up gypsy girls Wonderful as it may seem… A gypsies’ life is never their own Time to move on, time to leave Time to find another home You must have gypsy blood In order to survive"
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