Submit your work, meet writers and drop the ads. Become a member
Joe Workman Aug 2014
The radio alarm is a bit too strong
for his afternoon hangover taste.
He goes downstairs, sets the coffee to brewing,
rubs his hands through the hair on his face.
As he sits and he smokes, he can't quite think of the joke
she once told him about wooden eyes.

The coffee is ready, his hands are unsteady
as he pours his first cup of cure.
He tries to be happy he woke up today,
but whether being awake's good, he's not sure.
Outside it's raining, but he's gallantly straining
to keep his head and his spirits held high.

As soft as the flower bending out in its shower,
fiercer than hornets defending their hives,
the memories of sharing her secrets and sheets
run him through like sharp rusty knives.
He decides that his cup isn't quite strong enough,
takes the ***** from the shelf, gives a sigh.

He goes to the porch to put words to the torch
he still carries and knows whiskey just fuels.
Thunder puts a voice to his hammering heart.
Through ink, his knotted mind unspools,
writing of butterflies and of how his love lies
cocooned under unreachable skies.

From teardrops to streams to winter moonbeams
to a peach, firm and sweet, in the spring,
he writes of pilgrims and language and soft dew-damp grass
and how he sees her in everything.
He rambles and grieves, and he just can't believe
how much he has bottled inside.

He writes how the leaves, when they whisper in the breeze,
bring to mind her warm breath in his mouth,
how when walking through woods he loves the birdsong
when they fly back in the summer from the south
because she would sing too and he always knew
he wanted that sound in his ears when he died.

He writes even the streetlights, fluorescent and bright,
make him miss the diamond chips in her eyes,
how the fountain in the park plays watersongs in the dark
when he goes to make wishes on pennies
and while he's there he gets hoping
there will be some spare wishes
but so far there haven't been any.

He writes that the cold makes him think of the old
hotel where they spent most of a week,
lazing and gazing quite lovingly,
and how he brushed an eyelash off her cheek.
The crickets and frogs and all of the dogs
sound as mournful as he feels each night.

He writes about chocolate and fun in arcades,
he writes about stairwells and butchers' blades,
and closed-casket funerals, and Christmas parades,
then sad flightless birds and tiny brigades
of ants taking crumbs from the toast he had made,
and political goons with their soulless tirades,
old-timey duels and terrible grades,
strangers on  buses, harp music, maids,
the weird afterimages when all the light fades,
the pleasure of dinnertime serenades,
sidewalk chalk, wine, and hand grenades.

He writes of how much fun it would be to fly,
and saltwater taffy and ferryboat rides,

sitting on couches, scratched CD's,
pets gone too soon and overdraft fees,

the beach, the lake, the mountains, the fog,
David Bowie's funny, ill-smelling bog,

jewelry, perfume, sushi, and swans,
the smell of the pavement when the rain's come and gone,

and shots and opera, and Oprah and ***,
and tiny bikinis with yellow dots,

stained glass lamps, and gum and stamps,
her dancing shoes on wheelchair ramps,
that overstrange feeling of déjà vu,
filet mignon and cordon bleu,

bad haircuts at county fairs,
honey and clover, stockmarket shares,
the comfort of nestling in overstuffed chairs,
and her poking fun at the clothes that he wears,
and giraffes and hippos and polar bears,
cumbersome car consoles, monsters' lairs,
singing in public and ignoring the stares,
botching it badly while making éclairs,
misspelled tattoos, socks not in pairs,
people who take something that isn't theirs,
the future of man, and man's future cares,

why people so frequently lie
and bury themselves so deep in the mire
of monetary profits when money won't buy
a single next second because time's not for hire,
and that he sees her in everything.

Then unexpectedly, unbidden from where it was hidden
comes the punchline to the joke she had told him.
He laughs -- it's too much and his heart finally tears
as a blackness rolls in to enfold him.
The last thing he hears is birdsong in his ears --
the sound brings hope and is sweet as he dies.
Jonathan Witte Oct 2016
The morning walk
along our stretch
of shore suspended,
my daughter, alight
with curiosity,
holds the hard husk
out to me in her palm.
Obsidian black
and desiccated,
flecked with sand,
the skate egg case is open
at one end, a nascent tear:
a modest aperture to briny,
underwater amplitudes.

I explain that somewhere
out in the Atlantic—today
tinged cerulean blue and green—
a skate is swimming.
Its diamond shape
soars in subaquatic space,
wings through water like a kite.
And from its body
the color of sand
an invisible thread
unspools for miles,
rising eventually
out of the waves,
enchanted fishing line
into my daughter’s hand.
Terry O'Leary Jun 2021
The noblemen control the pen, indeed they own the farm,
but nonetheless exude finesse (and need I mention charm?)
with revenue to sate the few, exulting arm in arm;
for all the rest, they wish the best and certainly mean no harm.

The fourth estate stands proud and straight, emplaced upon a peak,
beside a birch where parrots perch and claim the truth to speak;
while hatching schemes, they’re hawking dreams to keep us mild and meek,
promoted by the gods on high, that clever reigning clique.

They spread their lies throughout the sties to keep the truth at bay
and horoscopes are filled with hopes for those with faith to pray;
the other few wait in the queue, with faces made of clay,
collecting crumbs which have become their dreams of yesterday.

The tube embeds the talking heads (you know the ones, the tools)
who on the screens won’t spill the beans, lest mighty might unspools,
so bend the news reflecting views of those who set the rules
to obfuscate and fabricate their pabulum for fools.

With pyrite smiles and other wiles, they thrive concocting tales
that lead to wars on foreign shores, which help improve the sales
of missile tips and battleships, discounting death that pales
and broken hearts for body parts a graveled grave regales.

You wouldn’t guess, the yellow press, when out to make a ****,
will sell their soul (to dodge the dole) and feed the swine some swill –
a trenchant trope with inside dope that gives the crowds a thrill
(when mixed with tripe, they call it hype) and masks a bitter pill.

The tabloids reek of doublespeak – when did the stench begin?
In olden times, with paradigms, no doubt with but a grin;
but nowadays, in subtle ways, there’s far more discipline:
they scrawl their screeds neath headline ledes that give the tales a spin.

A clever dunce tried hard just once to read between the lies
and thereby found that facts are drowned within a newspeak guise.
Yeah, all that stuff reflects the slough they hide behind their eyes,
although absurd it fuels the herd like  sustaining flies.

Within the fort a special court is hidden from our view
where sits a judge who’ll never budge, called Captain Kangaroo;
as justice bleeds, those evil deeds (like leaking what is true)
will be convicted as pre-scripted by the hangman’s crew.

A blue-eyed wight uncloaks the night and when (by chance, perhaps)
his whistle blows, the airwaves close, high crime stays under wraps,
and those that sin prevail again with feathers in their caps;
the price instead’s the leaker’s head, precluding a relapse.
Chris Saitta May 2020
Mothers come gently to our rooms, the sunset kiss on the forehead,
Woven homilies from their baskets of forgiveness and spools of yarn.

But for the grave, this heart its coiled sunset unspools, so long entwined
In woods and seas that redden now into the soul of all sunsets combined.
Vernon Waring Jul 2015
I. The Assassin

    Smoke and dust
    **** oxygen
    from his puny lungs
    as he rises on an
    ancient freight elevator

    At the warehouse window,
    he assumes a darker mask,
    his bony finger
    tracing the trigger's curve,
    his beady eyes narrowing in
    on the slow moving target:
    that famous sculpted
    head of state
    so perfect
    in the plaza light

    Finally he will plummet -
    a bruised puppet
    slipping through
    a surreal night,
    a phantom of smoke and dust
    blinking in the glare
    of a Dallas lineup

II. The First Lady

    Her deep whispery voice
    unspools a reel of film:
    crowds, blinding sun,
    a promise of shade
    in the distance,
    then a sudden odd quizzical look
    on her husband's face

    She recalls that moment
    of slow motion shock:
    that serrated piece of his skull
    floating lazily
    in a blur
    toward
    her
    bright
    pink
    lap
Jayne E Jun 2019
Night binds me blue in blackened silk
elemental sleep stolen by deadest dark
needing rest, comfort, kindness's milk
sifted tears & sobs do leave their mark

still
cold
black
quiet
feels so solitary stark

no escape hatch though I crave release
as wants pull me unto vapoured arms
no succour here I will feel no peace
only bitter pills and swallowed harms

crested light brings harsher days
tattered remnants of coppered dreams
reminds me its the psyche that pays
as fragile silk tears joy at its seams

harsh
bright
bitter
light
of winters mourn

dawns bring the bitten blinded sighs
a glassed in cage for wing clipped birds
oblivion obscura in the masses eyes
ears deadened to my silence unheard

oceans full of childs supple soft bones
his hunters blade glistens the breaks
the wind whispers tortured moans
the sliced knife tip just takes and takes

endless
deep
black
water
the sea swallows me down

Its serene to the point of painful, pretty
this forest where sprites could be at play
no lighter folly for this game is too gritty
secret lair to lead his new lambs to slay

as these vignettes proxy via my dreams
projector unspools reels sickly unsweet
his breath putrefies unpeals my screams
his scent petrifies my heart shale & sleet

hurt
broken
hollow
husk
brittle
a once fierce heart lays flayed.

J.C. littlebird 07/06/2019.
Savannah Grace Nov 2014
It's been two weeks
four days and
seven hours since you left
It's cold in the bed. I can see the fog unfurling on the floor around the bed posts. The morning sun burns through the blinds and unspools like liquid metal in patches on the quilt.
"You're acting crazy" You told me
"I am crazy" I said

I threw a glass at the door after you shut it. I heard you laugh as you walked down the sidewalk. I heard you laugh as it shattered across the tile.
I fed the cat. Sat down on the floor next to her while she ate. Watched the steam from the teapot tumble through the air. She doesn't purr like she used to.
It's been two weeks
four days and
nine hours since you left.
I'm still picking up pieces of glass.
Mike Hulstrom Jun 2017
Assemble the gang speaking retro slang
Name itself rang future fame and acclaim,
Heard a siren sang, and came to do their thang.
Surpassed and contained,
Unmasked with disdain.
Complaining the gangs to blame,
restraining, not having shame.
Solve a case with a great appetite,
And dang, an even greater Great Dane

Ancient tombs; the disturbed, unearthed, unbound.
Patience. Soon, absurd will be served by a hound

Unlacing the case til it’s off base; the crisis unspools
They’ll finally find the place where the ghouls stashed the priceless jewels

Unresting meddling kids testing theories like litmus,
Caught a ghost reveling amid queries for the witness
Get this;

A jealous menace,
Who thought he could fight the team
With a few fake screams
Some fog and a light screen
Once again, dream team hops in the mystery machine
Off to get soda pops and raspberry ice cream
February bites down—
wind with a switchblade edge,
sky like the underbelly of something dead,
clawing at a season that turns its back,
half-winter, half-wishbone,
stuck in the throat of the year.

Sidewalks crack like dry lips.
Trees wear loneliness like a borrowed skin—
bare, brittle, bracing for something
that never arrives.

The sky stays gray,
an unanswered text.
Days sink like forgotten receipts in my tote,
asking things I can’t answer,
whispering, Didn’t you think you’d feel different by now?
Didn’t I?

The cold is a debt I keep paying in shivers,
in chapped hands, in mornings that taste like spoiled perfume
and dreams of other cities, where I wake up panting,
where I breathe out his name like an epiphany,
and let my eyes sigh closed like a prayer.

I walk through the days like a half-lit hallway,
never sure what I’m looking for,
never sure I’ll find it.

I forget what my hands were made for.
I press my palm against the frost-bitten glass,
just to prove I’m still warm-blooded.

February unspools, soft and slow,
a ribbon of time that never quite ties into a bow,
a breath held too long in a house too small.

And I—
I stand at the edge of the month like a skipped stone,
almost ready to sink, almost ready to fly,
caught in the soft ache of almost,
in the half-light of wanting.

March will come like an answer
to a question I don’t remember,
but tonight, February lingers—
a ghost-limbed thing,
a name I still chase in the dark,
leaving me unfinished,
half-written,
half-here.
Jack P May 2018
a bag of sand
a dead man's hand
withered but alive on the fractured land

what's a hand to do
without the arm its due
or the muscle and the bone from which the hand took cue

hand wanders the plains
hoping somehand deigns
to interlock its fingers and alleviate his pains

hand curls into fist
weak without its wrist
shaking for the company which it has sorely missed

then fist unspools to wave
for across the sandy grave
another hand is looking for the warmth of hands they crave

one hand makes a sign
then fingers intertwine
if these hands keep holding their bruised knuckles shall be fine
ay girl lemme get ur digits
ha ha
jess p Aug 2016
every story has a beginning, a middle, and an end; and yours begins with her: the girl with steel spine and sunshine smile and a hurricane heart. it begins when she says your name and it sounds like it was always meant for you. it unravels and unspools and suddenly the mark burns on the back of your hands: best friends.

a couple of weeks pass and you make a home out of a bay window. a couple of months pass and you make a home out of each other. a couple of years pass and she is every crevice, every corner of home you keep coming back to. a couple of years pass and her name and her soul and the soft lilt of her voice are stamped like a map on the back of your hand: sister.

they say it ends in middle school. they say that a friendship such as yours isn’t built to last. but the girl carved on the back of your hand never really knew how to listen to what other people say. so she stays.

every story has a beginning, a middle, and an end. and this story is ours, she says, her fingers tracing the lines stretched across your knuckles, finding their way home. ours, ours, ours.

*and it begins and ends with us.
Emma Dec 2024
he presses (deliberate) each button,
soft as a whisper, sharp as a pin,
a smile that cuts, (the blade of him)
& she, unravels / unspools /
into noise.

you always, he says.
you never, he sighs.
his words,
a clever parade,
a firework bloom
of gaslighted skies.

her patience,
a thread—pulled taut, then frayed,
then gone.
and when she speaks (oh, the daring of it),
he shapes her syllables into storms,
ties her anger to the wind—
“see how you are?”
he grins.

she becomes the thunder (his storm, his proof).
her breath, a chaos of no escape,
her voice,
a house he burned down
but still blames
her for the flame.

until she folds her wings
into the cage he built—
silent. quiet. small.
not for lack of fight
but for lack of air.

and still,
his lies bloom sharp (oh, his garden of blame).
his hands, gentle knives,
carve her into someone she doesn’t know.
& he names her crazy,
wraps her in words like straightjackets
until she forgets
her name.

but even now,
her silence waits,
a seed beneath the ash.
her roots will remember—
one day,
she will grow back.
Can't sleep again tonight, so upset by memories of what he'd done to me.
badwords Jan 26
#1:

Beneath the blackened vault of sky,
A rope descends—its fibers cry.
Through smoke and ash, it threads its way,
To acid pools where shadows lay.

Each rung, a tale of trembling lives,
Of toil that neither rests nor thrives.
The rope, alight with fire’s tongue,
Consumes the weak, ignites the young.

Above, the hands that built this plight,
Grip tight the wheel that feeds the night.
Their laughter stokes the burning air,
While voices plead through foul despair.

Yet down we go, the tether spins,
A vertical descent of sins.
The acid waits, a hungry maw,
To swallow hope, to feed its law.

And all who cling with trembling hand,
Fall rung by rung to molten land.
The rope unspools, a fatal thread—
A path to suffering, brightly fed.


#2:

They sit in towers, their hands adorned
With golden rings and hearts of scorn.
Beneath their feet, the world does churn—
Their fire, fed by all who burn.

The wheels they turn are made of steel,
But in their eyes, there’s none who feel.
For every spark, they claim it true,
A gift, a choice, for me, for you.

Their cries of justice mask the snare—
The rope descends; they’re unaware.
Or so they claim, their hearts made cold,
In search of more, and yet more gold.

They stoke the fire with lies so sweet,
Each word a chain beneath our feet.
Their words, like venom, fill the air—
Their wars, their work, their cruel affair.

From every ring and every crown,
They’ve forged the ropes that drag us down.
In sacred halls, they make their claim,
To build the world and stake their fame.

But in their eyes, the flicker dies—
The fire’s fed by endless lies.
Yet still, they turn the wheel of fate,
And laugh at all who beg for weight.


#3:

We stand in silence, eyes aglow,
Watching the rope as it twists low.
We pray, we hope, it stops its fall—
That this, at least, will not be all.

Each life, a thread upon the line,
Each breath, a dollar, a choice divine.
The rope, it burns—but we still wait,
Hoping the fire will slow its fate.

But deep inside, we know the truth—
The rope, the flame, the endless proof:
That those above, with hearts of stone,
Will never stop the fire’s throne.

Yet still we stand, as shadows grow,
Our voices hushed, our hearts all low.
We watch the rope, we feel the heat,
But never move our willing feet.

The acid rises, slow and sure—
We’re bound to burn, but still, we’re pure.
We’re innocent in mind and hand—
But broken souls will burn the land.

We sit, we wait, we dream and pray,
Hoping that the rope will fray.
But in the end, it’s not for us—
For none will care, and none will trust.


#4:

But in the flames, a voice did rise,
A crack, a scream, a sudden prize!
No longer bound by ropes of ash,
The burning souls began to lash.

The fire bites, the heat does sear,
But through the pain, they see the clear:
The rope, it does not need to burn—
The fire’s in our hands to turn.

The world is wrought with weight and woe,
But still, we fight, we fight to know
That we can break the ropes that bind,
We need not bow, we need not find.

In flames, the truth becomes our song—
The suffering’s never been so long.
But in the depths of fear and pain,
The rage emerges once again.

They’ve dragged us low, they’ve set the fire—
But now we rise, we rise—entire!
The rope may burn, the fire’s fed,
But not until we stand instead.

With burning eyes, we look below,
The fire’s rage, the endless woe.
Yet we stand firm, our hearts of steel,
To break the chain, to break the seal.

The fire does not cleanse—it burns,
But we, the flame, will twist and turn.
We light the dark with fire’s breath—
We fight the rope, we fight through death.


#5:

And then it came, the final blow,
The tipping point, the fire’s glow.
The rope, once taut, now snaps apart—
A breaking point, a beating heart.

We’ve seen the flames, we’ve felt the burn,
We’ve watched the world around us churn.
But now we stand, unbowed, unchained,
The years of suffering, unrestrained.

The fire’s thirst is never quenched,
The rope’s descent, forever clenched.
But in our hearts, a fire grows—
A flame that rises, fierce, it shows.

We tear the chains, we break the seal,
We know the fire’s rage is real.
But we are more, we are the flame—
We are the ones who will reclaim.

No longer bound by rope or flame,
No longer trapped in this cruel game.
We rise above, we tear the sky—
The ropes will burn, but we will fly.

In every tear, in every scream,
We carve the path to a new dream.
The rope may burn, the fire may rage,
But we are free, we’ve left the cage.


#6:

The rope, now burning, twists and snaps,
Its final thread begins to collapse.
No more a tether, no more a chain,
Its ash falls down like cleansing rain.

The acid pools, once hungry deep,
Now burn away the wounds we keep.
The flame, once fierce, now choked and still—
A hollow shell, a broken will.

We watch the wreck, the falling flame,
And know that all has been reclaimed.
No longer bound by fire’s grip,
No longer pulled by tyrants’ whip.

The operators fade from sight,
Their laughter gone, their grip of might.
For now we stand, the ropes undone—
A world remade beneath the sun.

The fire that scorched us into dust
Is quenched by courage, hope, and trust.
The rope has burned, but from the ash,
We rise—no more to bow or crash.

The future calls, its voice is clear,
A world reborn, a life sincere.
We break the chains, we free the sky—
The burning rope has passed us by.
*The Rope O Fire* is a long-form poem exploring the themes of systemic exploitation, the consequences of complacency, and the eventual rise of collective resistance. Drawing inspiration from William Blake’s rhythmic precision and striking imagery, the poem follows a metaphorical descent down a rope of suffering, a symbol of societal and economic oppression. The rope, burning and descending, represents the relentless cycle of exploitation, with each rung echoing the lives of those who toil at the bottom of the social and economic ladder.

The first section sets the stage, describing the rope’s descent into suffering, while the operators—those in power—are shown as detached, using their position to perpetuate harm. The poem moves through the stages of passive observation, followed by a call to action, culminating in a powerful moment of collective awakening where the oppressed recognize their agency and the potential to reshape their fate.

The final sections bring forth the breaking of the rope, symbolizing the destruction of systemic oppression and the reclamation of power by the people. Through vivid metaphors and relentless rhythm, the poem emphasizes the cyclical nature of exploitation and the possibility for transformation through collective will and unity.

At its core, *The Rope On Fire* is a call to action, a message of hope in the face of despair, urging the reader to break free from passivity and to actively dismantle the systems that seek to oppress and exploit.
Evan Stephens Jun 2019
Watch the wild swans
that glide the pool.
In the blooming dawn
watch the wild swans
spread wing until gone -
A white thread unspools.
Watch the wild swans
that glide the pool.
Dissident Oct 2024
My face reflected
in her scratched sunglasses.
Her crooked teeth,
floral scent tattooed
on my brain stem,
wrestling with the ripe
blush
pink skin stretched
over a naked clavicle.

I am calm
as she unspools,
   inching
     ever
       closer
through sun-warmed grasses,
asking—

Barefoot & electric,
ponytail tight,
blue eyes pinned to
Saffron lips tracing circuits,
playing damage control
with my structure-fire wiring.

She climbs naked through
My razor wired nervous system.
A deep soul cavern spark—
two embers flaring,
momentary,
through the darkened
dazzle,
leaping
Through the cinders
blooming in our ribcages.
Conrad Larson Jan 29
The heavens sprawl, a boundless, burning scroll,
scribed by the hand of the Eternal.
The sky stretches vast and aching,
a hollowed-out cathedral where light and dark entwine,
where the hush of dawn spills gold upon the earth
and the hush of night unspools its veiled infinities.

The sun rises, a sovereign in flame,
dragging the day from the belly of shadow,
spilling fire upon the fields,
setting the hills alight with something ancient,
something not yet spoken but known.
It moves westward, slow and certain,
a measured arc drawn by hands unseen,
hands that shaped the first dawn,
hands that will cradle the last.

Come dusk, the heavens burn,
bruised crimson and dying gold,
the last breath of day exhaled upon the world.
Night unfurls its black vestments,
a silent dominion where stars hang cold and distant,
their light born in a time before time,
their glow a whisper of something endless.

No voice speaks, yet the silence roars.
No words are written, yet the message stands eternal.
The heavens bear their witness, unerring, unbowed,
carved in fire and shadow, wind and stone.
What mind could dream such vastness?
What voice could call forth the stars?
They sing, though no ear may hear,
and their hymn will never end.
Geof Spavins Jan 24
Unbreaking the cycles that bind
Each day unfolds anew
No longer tethered by rewind
We dream, we rise, we pursue

The loop unspools, unravels clean
Untrapped in history’s snare
The path ahead, unseen, serene
To futures fresh and rare

Boundless days not chained to past
Each dawn a chance to start
No echoes of the shadows cast
Just hope within the heart

Unwinding the knot, unweaving the ties
The story freshly penned
In boundless skies, our spirit flies
To where the horizons extend
Geof Spavins Jan 23
Unbreaking the cycles that bind
Each day unfolds anew
No longer tethered by rewind
We dream, we rise, we pursue

The loop unspools, unravels clean
Untrapped in history’s snare
The path ahead, unseen, serene
To futures fresh and rare

Boundless days not chained to past
Each dawn a chance to start
No echoes of the shadows cast
Just hope within the heart

Unwinding the knot, unweaving the ties
The story freshly penned
In boundless skies, our spirit flies
To where the horizons extend

— The End —