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It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
John Cena Jun 2015
Two memes diverged in a dank montage,
And sorry I could not watch both
And be one memer, long I stood
And looked down one as far as I could
To where it memed in the undergrowth;

Then took the other, as just as dank,
And having perhaps the better meme,
Because it was dank and wanted memes;
Though as for that the meming there
Had danked them really about the same,

And both that montage equally lay
In leaves no step had trodden african american.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back to 9gag.

I shall be telling this with a sigh
Somewhere ages and ages hence: ******* kiddies
Two memes diverged in a montage, and I—
I took the one less memed by,
And that has made all the dankness.
O'er the midnight moorlands crying,
Thro' the cypress forests sighing,
In the night-wind madly flying,
Hellish forms with streaming hair;
In the barren branches creaking,
By the stagnant swamp-pools speaking,
Past the shore-cliffs ever shrieking,
****'d demons of despair.

Once, I think I half remember,
Ere the grey skies of November
Quench'd my youth's aspiring ember,
Liv'd there such a thing as bliss;
Skies that now are dark were beaming,
Bold and azure, splendid seeming
Till I learn'd it all was dreaming —
Deadly drowsiness of Dis.

But the stream of Time, swift flowing,
Brings the torment of half-knowing —
Dimly rushing, blindly going
Past the never-trodden lea;
And the voyager, repining,
Sees the wicked death-fires shining,
Hears the wicked petrel's whining
As he helpless drifts to sea.

Evil wings in ether beating;
Vultures at the spirit eating;
Things unseen forever fleeting
Black against the leering sky.
Ghastly shades of bygone gladness,
Clawing fiends of future sadness,
Mingle in a cloud of madness
Ever on the soul to lie.

Thus the living, lone and sobbing,
In the throes of anguish throbbing,
With the loathsome Furies robbing
Night and noon of peace and rest.
But beyond the groans and grating
Of abhorrent Life, is waiting
Sweet Oblivion, culminating
All the years of fruitless quest.
ryn Feb 2015
Blue clouds gaze the wrapped sun
frozen kisses in my blood
travelling a thousand miles
to meet up with you.

There is none else walking
down this path where memories
wake up and dance
inside my armored heart.

I peeled off each kisses embrace
out of my parched lips.
I shook off the tree,
where your scent had blossomed.

Every step down this scarcely trodden path saw...
Each peel fall with helpless, damsel-like grace.
Brown leaves shone amber touched by fingers of the sun
Invasion of warmth through my greyed bony carapace.

Gentle tremors reverberate within with subtle anguish.
Sweet scented portal that took me back,
To the illusion of time where we once were...
In drunken stupor...laying under a star strewn canvas of black.

Senses that spoke of a great fantastical tale.
You are still here... In this cloying void with no one around...
Only that scent...your scent tugging on my core
Invisible tendrils berthing my feet back on ground.


Alone and wanting don't want to be anymore.
I want to feast my lungs on your skin once more.
I want to vibrate under your touch again,
In anguished anticipation and sweet pain.

I hurl your name to the echoing wind,
Blowing ferociously over the closed passage.
Only to find that I'm but elongating
the distance between our fading wishful stars.

Fading far only to find that I'm lost yet again,
Still harvesting a basket full of ripened hope.
Traversing planes with warped, slanted doorways,
Frantically seeking purchase on knobs with fevered gropes.

Heavy layered breaths inhaled too shallow...
Tracing missteps to decipher what it all meant.
When all is moot...weary, weathered and futile,
Forever I'll be bathing in the familiarity of your soothing, nectarous scent...



Dajena M
**ryn
My first collab with the incredible Dajena M. She had deleted her account and the collaborative pieces she had posted went away as well. But... I found them!!! Yay!

I'm so glad we had the chance to collaborate on such an amazing piece together.
Bees build around red liver,
Ants build around black bone.
It has begun: the tearing, the trampling on silks,
It has begun: the breaking of glass, wood, copper, nickel, silver, foam
Of gypsum, iron sheets, violin strings, trumpets, leaves, *****, crystals.
****! Phosphorescent fire from yellow walls
Engulfs animal and human hair.


Bees build around the honeycomb of lungs,
Ants build around white bone.
Torn is paper, rubber, linen, leather, flax,
Fiber, fabrics, cellulose, snakeskin, wire.
The roof and the wall collapse in flame and heat seizes the foundations.
Now there is only the earth, sandy, trodden down,
With one leafless tree.


Slowly, boring a tunnel, a guardian mole makes his way,
With a small red lamp fastened to his forehead.
He touches buried bodies, counts them, pushes on,
He distinguishes human ashes by their luminous vapor,
The ashes of each man by a different part of the spectrum.
Bees build around a red trace.
Ants build around the place left by my body.


I am afraid, so afraid of the guardian mole.
He has swollen eyelids, like a Patriarch
Who has sat much in the light of candles
Reading the great book of the species.


What will I tell him, I, a Jew of the New Testament,
Waiting two thousand years for the second coming of Jesus?
My broken body will deliver me to his sight
And he will count me among the helpers of death:
The uncircumcised.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
ryn Sep 2014
Life throws at us the worst practical pranks
Some call them challenges... I call them sick ironies
With challenges you might emerge victorious, and slide up the ranks
Ironies are just mean, bad jokes; locks with no keys

Call me godless, sad and trodden, bitter man
Call me a cynic, call me all including jaded
I've arranged it all in various permutations, much as I can
But my view at this point cannot be compensated

Allow me to illustrate...

•It's funny how you feel very certain or strongly
About the bog of sadness and depression you wade in deepest
You know it's real, you fan it with strength your mind could carry
When it could be better used to rise from when you're weakest

•What's this about having to crash to your fiery death
Into the realm of darkness; into the belly of hell
You'd have to almost die and lose your last breath
Before granted an epiphany, a slim chance that you could turn out well

•When life throws you in the deepest end
Fills your lungs with copius amounts of bad water
Tries to **** you before allowing time to mend
When if we were first taught to swim, it would've been much easier

•Sure... A treasure trove of splendours, life does offer
But like a spin of the lottery, you mightn't get even if you deserve
No matter how far you reach into it's elusive coffers
No matter how hard you worked to get ahead of the curve

•Life is like Christmas at times when it feels like giving
Like the gift of love much coveted by most individuals
Gives us all these fanciful things that need extensive assembling
But mischievously hoarding all the instruction manuals

•Fraught with grey areas and blind spots to fight
Presents ample opportunities to find the place that you'd belong
You go through shitloads of wrongs to get a right
And finally you think you're right, in actuality, you're dead wrong!

"More", you say?

•Friends during good times but not the bad
•The perfect red apple hosting a worm inside
•Faking a happy smile when you're deep down sad
•Putting our blind faiths in politicians we know who've lied

•Achieving superstardom only after death had ensnared
•Using heavy machinery to rid the Earth of impurity
•Shooting your mean motor mouth and wonder why no one cared
•Starlets dying for attention but crumble under scrutiny

•Health warnings on cigarettes but still sold for revenue
•Acquiring your sought after sports car but drive within the limit
•Promotions to idiots in suits who haven't got a clue
•Stretching up for the stars even when you know you'll never reach it

Well...

I could give more examples but I've typed enough
Life is but a game we're all playing; a circus we're all living
We can't help being helpless when unable to read and call its bluff
All we can afford is to keep siphoning water out of our boat that's sinking
I know I have been whiny in my recent writes. I also know that living a hard life makes you stronger... When life gives you lemons, make lemonade... Blah blah, yada yada... YAWN... SNORE... Zzzzzz. I know these already and I'm sure they're true to a certain degree. Just want to rant and complain. Please forgive my whining.
Rob Rutledge May 2012
Take only what you can carry,
Only what you need.
Just enough to feed and water
You and a faithful steed.

Forget the path well trodden,
That will not help you on your way.
Instead forge your own trail
For others to follow one day.

Never shy from an opportunity
Throw yourself through every door.
For this life is an adventure,
Now go,
Explore!
KA Mar 2014
This poem is not pretty...

It's real black and white
no one wants to listen to them
few want them
families in shambles
mom was gone long ago
the *****, drug addicted, unlucky
children, adults, black , white, chinese
you name it they are there
no work
no hope
hungry and *****
few notice them
blending into the sidewalks
400 a night fill just one shelter
one shelter of thousands
crazy and sane
the forgotten and the down trodden
it could be you
you just don't want to admit it
Terry O'Leary Jul 2015
As dawn unfolds today beyond my fractured windowpane,
a breeze beguiles the ashen drapes. Like snakes they slip aside,
revealing wanton worlds that race and run aground, insane,
immersed in scenes obscene that savants strive to mask and hide.

Outside, the twisted streets retreat. Last night they seemed so cruel.
While lamps illumed lithe demons dancing neath the gallows tree,
their lurking shadows shuddered as they breached the vestibule.
Within the gloom strange things abound, I sense and sometimes see.

Perdu in darkened doorways (those which soothe the ones who weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave, it’s soon their time to sleep!
The alleyways are silent now but taste of untold grief.

Distraught nomadic drifters (dregs who stray from street to street)
abandon bedtime benches, squat on curbs they call a home,
appeal to passing strangers for a coin or bite to eat.
Rebuffed, they gaze with icy eyes that chill the morning gloam.

Observe with me once more, beyond my fractured windowpane,
the broken boy with crooked smile, the one who's seen the beast.
With tears, he kneels and clasps the cross to exorcise the stain.
The abbey door along the lane enshrouds a pious priest.

At nearby mall, Mike needs a cig, and stealth'ly steals a pack.
The Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling six times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

The shanty town has hunkered down engaged in mortal sports
while shattered bodies' broken bones at last repose supine,
and mama (now bereft of child) in anguished pain contorts,
her eyes drip drops of bitter wrath which wither on a vine.

Fatigued and bored, some kids harass the crowded alley now.
To pass the time, Joe smokes a joint and Lizzy snorts a line.
The NRA (which deals with doom) can sometimes help somehow,
though Eric died with Dylan in ‘The Curse of Columbine’.

Marauders scam the marketplace (with billions guaranteed)  
while babes with bloated bellies beg with barren sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel confronts us all, though few can ring the prize.

Yes, Mr Madoff, private bankster (cruising down the road,
with other Ponzi pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed),
and jests with all the junkies, while they’re bilking us with bonds.

A timeworn washerwoman totters, stumbling from a tram -
she shuffles to her hovel on a dismal distant hill,
despondent, shuts the shutters, prays then downs her final dram -
a raven quickly picks at crumbs forsaken on her sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God adores the faithful side, the heathen sides He hates),
with saintly satisfaction reaped begetting pagan ache.

All day the watchers skulk around our fractured windowpanes
inspecting all our secret thoughts, our realms of privacy,
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Our rulers (kings and other things) have often made demands
of populations breathing air on near or distant shores
and when they didn’t yield and kneel, we conquered all their lands
with sticks and stones, then bullets, bombs and battleships in wars.

Come, cast just once a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways with freedom’s dying breath.

But closer lies an island, where the keepers grill their wards.
Impartial trials? A travesty, indeed quite Kafkaesque.
The guiltless gush confessions, born and bred on waterboards.
No sense, no charges nor defense. A verdict? Yes, grotesque!

Now dusk is drawing near outside my fractured windowpane
while mankind wanes like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within a corpse, the fruit of human blight.
ottaross Aug 2013
Choosing a series a words for a ditty,
Those we first pluck a few at a time.
For readers it will, at first, seem so pretty
When they detect that rhythm and rhyme.

But soon, I suggest, it becomes such a chore,
When words strung together do pose
An oft-trodden pattern or insipid score
That bounces and sings as it goes.

The message conveyed in this rigid frame,
Is lesser I fear than than when we escape
From words chosen for just ending the same
Or some fortuitous fit to that shape.

So I tend to lean towards using blank form,
For verses I build by the letter,
And chose the words that I feel will conform
To that which my heart says are better.
Poking fun at myself, in critique of my oft-penned rhyming stuff. :)
Universal Thrum Sep 2013
Oh, But what does it all mean Hidalgo?
Are we to fly in the face of the North Wind forever?

My mind has gone blank at the question.
Stranger still, the story perceived in prescient anticipation of the exact mentioned query once expounded upon spanning millions of miles of eloquent esoteric linguini, wit and charm with a dash of philosophic consequence, to fool you (the eager) into belief.

What is belief Hidalgo, but the suspension of reality, for an adept deeper world of unseen truth?

Do we see reality at all my friend? It is already shaped by our perceptions, responds to our expectations, nay we have not a clue, perhaps the arcane texts written by the hobo scholars of old hold the answer, so yet we settle on the material and fixate it as the lone clear star in an otherwise dark and cloudy sky. Mysteries abound behind the cosmos. Even when we look, do we really see, or are we as an insect upon the written page, crawling over the plain meaning? Is our capacity to hear underwhelmed by our propensity to listen? All these senses must count for something, for God is in a blade of grass, is he not, felt by the trodden hoof of the foot.

You’re a clever mad man Hidalgo.

Ay, the penultimate creator, singing in a sea of song, shining in a wave of light, lost in a dance of fractals, we are all the same rascal, blind though we are to the portrait of man, always creating, same as my neighbor, weaving dreams into Technicolor realities to beam into a future unknown. Our descendants watching us as reality television, mocking our fallibility, or perhaps empathizing and learning through telescopes strong enough to win a foot race with the sun; flying around the bend of space time and back.

The birds of the island are calm today; think they favor a slumbering respite from the noonday heat?

Mayhaps we’ll take a stroll across the columnous muddy bed, risking grey clay mummified suffocation; I dreamt as such. Yesterday’s storms make the journey perilous. My own thoughts leak from the grandiose ether and compel me to genius, the condition of the interminably insane or divine.

My bare feet tread the good earth, the 3rd density, in a daily attempt to stay grounded, however my mind is always floating, receiving transmitted whispers. Sanctified secret musings of the muse. Scribbled poetry of another dimension, meaningless to the materially minded, yet wholesome for the moment. Like a thunderstorm whose power is plain, yet unheard and unseen as the forest falling with a tree. Where do the tree and the forest begin? Are they the same root? Like my thoughts from a universal mind, the zeitgeist of an all-encompassing mood, a social memory complex.

The sophists will claim you are dodging responsibility. These tangents serve only to feed your egoic mind, but put no food in your belly nor rent in another’s hand.

Ay, but its creation all the same.
A tirade of compulsions. The ringing of the hill grows, the natural chorus of bugly unison screaming its existence into the manifold, manifesting itself to the initiate.

For what are they asking, could it be peace?

Ha Ha! Those shrill like cries wound the ears of the prideful dog, but are contained in the silences of the infinite potential all the same.

A man may change one hundred lives in a day, and earn no material currency for his unasked effort. Therefore, who is trivial? I change the wind by simply being, its current flows over me and the endless blades alike.

Vibratory love, what is that feeling, the realest phenomena of all?

Bliss in its own awareness, reveling in self-revelation, actualization, the knowingness of the child who still sees the spirit existing in each of the physical realm’s shadows. The taste of the foul and pure passing without judgment to the innocent tongue. A simple being secure with the wisdom of the wise. Does the power come from you or the hill, inspiring motions, accounting on the page symbolically. Break it down further. Dissolve. ******* into nothingness.

What is cheating Hidalgo?

Is the ant called to my arm by its own volition, how did it find me here on this patch of earth formed into mound by ancestors buried below.

Opening up all channels now.

Death locks the door with life’s key.

Should I let him crawl over me repeatedly?

Ten words to speak before the coming of the night.

Creative Destruction
Awake from the trance
Guns and Bullets
Shoot from our hands
Teller of Tales
Faint whisperer
Of sordid man’s
Hallucinatory waking
Follow the Beam
Follow the beam
The world before this world
Secrets unseen
My best thoughts come
As I lie suspended awake in sleep
Before sleep
No troubles
The curse runs blood deep
He closes the book but still speaks in rhyme
The riddle draws madness
The tongue laps up the fire
Drawn from self same wells
Will and Desire
Pruning and Preening
Political Beasts are we
Lost in our notions
I find, I keep
Braggadocioc Players
Upon the Worldly stage
Every person has the story
Only what is real?
What is fate?
So I lift my hat
To another year born true
A quarter century passed
Play the tune


Am I awaken by words from another man’s sleep?
What is the source of the tetradactyl nature?
My hexagonal heap
Of flesh and bones
Earth and dust
Brought together again by unending sound vibrating ceaselessly
I sleep but am not rested
Eat but am never full
The piper plays among the sand
Whirling in the heart of the caged word
If I keep my eyes fixated on a point, in actuality my vision expands and visualizes all

Reputationally speaking,
I am an ant, with male pattern baldness
We forget to chuckle at life’s absurdities, just as we pass by flowers without engaging the fragrance.


Rest your head with the hillside now
Restless wanderer of fantastical dreams

Treading water silently until our legs melt
Just as the weary albatross cries its last song over the harbor or the butterfly ***** its freckled wings, so too will we see the setting of the sun and a coming of the new dawn. If the chalk works carved in the abandoned sidewalk are to be believed, so must we girdle ourselves for the coming tides and lift our spirits once more for the ebb and flow of circumstance. The bike rides in the gutter all the same, and the forgotten cemetery stone stands as testament to the age gone by.
See how this Trodden Commoner invites
With his Self cheers the Hero on the Board
As he predicts his proven Time and Sights
Another Inscrutable Win absorb
So much so it becomes the Nation's Theme
With Married Saints you dear Prince do us Proud
Even if your Light condenses to meme
At least those close to you will share your Cloud
I would only wish for your Halo's Morn
That a Wee Signature you could offer,
Poking your eyes from Dimensions and Form
And just see the Heart which knows no other.
Yes, I know. Seven-by-Ten Digits speak same
Most by Tradition. By nature are Dames.
#tomdaleytv #tomdaley1994
Kody dibble Mar 2015
Racing, blind nights gone weary,
Missing like cold wind, blowin'
Trees, objects of nature caught ruthlessly divine,
Simple cognition or possible chasing lights drowning tears mark moons and mansions alike, in the presence of fire,
The great blind rat lifting it's tail, in disgrace showing motionless mass,
Get the blackness on the Jordan river death urge silently moving like herds of sheep in the hills of Holy

Thousands of nation men, trodden down with sand and mud just to get the right passage of mind and thought
A small Vietnamese girl,
About the size of a...
Nevermind the voices you hear they all come awake and slowly disappear

Droughts of ether alike in tunes I might just do without the rest of doubts hedges lawns and patios
Glazed in passionate flowers
Paradoxical a nebula unhidden,
Slow chasing the candle lit masks
Yeash
Gleb Zavlanov Oct 2013
Young athlete who just joined the game
Keep your hopes high while running low
Towards success must be your aim
For you to wend, for you to go

E’en if you lose, e’en if you drop
Trodden by feet of rivalry
Get right back up and never stop
And win this race with chivalry

Ne’er seclude yourself, ne’er be coy
Don’t take in vain each accolade
Don’t be too scared, don’t over joy
And don’t let worthy honor fade

Never go blind with dark distress
Nor deaf with roars of losing so
Young athlete, don’t apply duress
But keep dreams high while running low

And even if you go too deep
Down the path you should not have set
Your worthy honor always keep
With bravery, ne’er with regret

Keep running on, keep running still
At the far end, light you will see
Keep running with force, if you will
You will soon grasp bright victory

And don’t let such grand rewards go
But don’t keep them so you may boast
Keep your dreams high while running low
And keep on trying if you lost
Copyright Gleb Zavlanov 2013
Build in a very humble way
Its architecture redolent of Europe,
Plain and honest in structure,
The vestibule at the entrance
Replete with old hardbound books
Dust covering the jackets
In their agony of human oblivion,
Every section has shelves under lock
Only to be open on permitted access.

Located in the desert like an oases,
But the desert of readers not waters,
But like any other oasis, it is useful,
At most to the genuine users.

There are books and books all over,
Windows only open after adjustment,
You start at the door step with classics,
Indian, European, American and global classics,
I pumped into Leo Tolstoy at the first glance,
Finely juxtaposed; Anne Karenina after War and peace.

I opened war and peace and I chanced on Napoleon
Then thrill of intellect and bliss of art
Began flowing into my guts like a river
I kept on wandering why Leo Tolstoy
Never became a Christian sub religion,
To be added to the two testaments,
For it to begat the post-modern holy Bible.

My physical peregrination of the hand
Led me to a vase of rosy wine
Its intellectual whiff surpassing all,
The psalms of David and songs of songs
This was nothing but precious discovery;
A thousand Rubiyats of Omar Khayyam
The shoulder of wisdom and love of God
The hero of Sufism and demystifier of heaven,
When in fact I came unto his 69th Rubiyat;
I have heard people say
that those who love wine are ******.
That can't be true, that clearly is a lie.
For if lovers of wine and love are bound for hell,
heaven would be quite empty!

I chewed and chewed fortune out of Rubiyats,
I went through all the thousand Rubiyats,
Only hot Sun and desert sand storms of Lodwar
Are my witnesses among the myriads of bystanders
As life of a reader is similar to the life a writer,
They both derive energy from solitude’s power.

I moved on again to Alfred Jarren
The son of France, the father of mystery;
Pataphysics the science of fantasy
It has the realm beyond metaphysics,
His survey of pataphorical world
Has remained witchcraft
Beyond my simple soul’s grasp.

Paradox is one other worldwide wonder
As I look at an illiterate Turkana Man,
Guarding the library, club in his hand,
His ever week from stubborn hunger,
His sires never go to school, perhaps culture
I looked at him often in my pause for muse,
Why guard knowledge that you can’t use?

I again came upon the Quran
I read it voraciously over and again,
In expectation of great knowledge
Always making Muslims to be noisy,
I have found nothing great in the Quran,
Only regular subversions of Biblical grammar,
Let Muslims sober up to respect Jesus Christ,
His sermon on the Mountain is perfectly enough
as an impeachment to crazed pataphoricals
That Muslims often dare the world with.

I read the Bible again in repetition
Of what I had did ten years ago,
I read psalms, Job and Isaiah,
Gospels and epistles are more nice,
Chronicles and Habakkuk are so dull,
Lamentations are somber poems,
Revelations are esoteric lies,
Kings and Samuel full of chauvinism,
Proverbs and Ecclesiastes are mere clichés
My idea is; mankind can fear God
Minus Jewish intervention.

Now I chanced upon The synagogue of Satan,
A book written by one other crazy American,
His name is Andrew Hitchcock Crichton,
The book is long and spellbinding,
Having historical facts from early centuries,
Chronicling mysterious growth of Jewish empire,
Arranging facts one after another
Dismissing Bush’s anger against Arabs,
Over the bombing of the twin towers
When they are the Jews who Bombed America
As a decoy to induce American wrath,
Thus twin towers bombing was Jewish war ploy
To put Arabs into a rat’s corner.

I came across one funny book
Written by a Indian sage
Its title was Secrets of ***
From male perspective,
I don’t liked the book
For its prurient content,
But to my sad chagrin it was the most read
Its leaves were dog eared and use worn
I spied into the rumour about its tearing,
T it was a hot cake among nuns and priests
Presently living at Lodwar cathedral.

You could also wonder my dear brother
Why a Christian library has works of Marx?
This was my muse as I read Karl Marx,
I mean everything written by Karl Marx,
From Das Kapita to Germany Philosophy,
Selected works to Poverty of philosophy,
18th Brumaire to Integral calculus,
The Manifesto to the letters,
I read Karl Marx as if I was in Russia,
I wondered why Catholics are Liberal
They fear not those who contradict them.

The Holy Grail is visibly placed
In fact at right hand corner,
At the far end on your entrance
I chose to read it
Because of its voluminousity,
The book is about ****** life
Of Jesus Christ and Mary Magdalene,
This book shares out that;
One time Jesus was found hiding,
Kissing Mary Magdalene, the Grail
In the most affectionate manner ever.

The catholic Library at Lodwar is bad news
It swallowed me like waters of Indian Ocean,
It is located at place called Lokiriama,
It was established by Bishop Mahoni
One other man deserving my respect
He was humble and catholically wise,
Very intelligent and consciously bookish,
His mission was to make the Turkana people
A modern community, but he failed,
He was so disappointed to his hilt
He transferred to the Archdioceses of New-York
Where he began facing problems of the law
On allegations of him being a *******,
I curse the devil for such temptations.

I did meet Yan Martel in this dome of books
His famous book; Life of Mr. Pi
It was my eye opener?
It transformed me from a village bumpkin
To a modern reader of global literature,
I read this book amid my fear of Tigre
But I was thrilled, to my bone marrow
When the main character drunk the blood,
Warm salty blood of the sea turtle.

I got another book with folded pages,
At its mid was the red book marker
Baring the name of the respected priest,
The book was entitled; How to excel as
A ****-******, chapter one focused on gays
Chapter two  focused on lesbians,
But the rest of the book was all homosexuality,
In nothing else, but rosiest terms.

On such encounters I once again went back,
To re-read 89th Rubiyat of Omar Khayyam
It has the following quatrain to echo;
Looking for peace on earth? Foolishness.
Believing in eternal calm? Foolishness.
Once dead your sleep will be short. You may
be reborn as a clump of weeds that will be
trodden underfoot, or as a flower that
will wither in the sun's heat.

African writers were stuffed on one shelve
Labeled African books of English expressions,
But on my request to the project manager,
His name was Peter Kebo, he was Flamboyant
And physically indifferent to Turkana poverty,
We agreed with him to rename the shelves
As; African literature in English Language,
Nobel Laureates are in this section;
Soyinka, Lessing, Coatze and Gordimer
Not forgetting the Egyptian literary tiger
In the name of Mahfouz or Maguiz
I clearly don’t know,
Sembene Ousmane is also here
I read him again for the fourth time,
It’s when I found out the simple truth,
That God’s bits of wood, translates as;
The wretched of the earth,
I read Lessing’s Grass is singing,
She likes ***,
I read Gordimer’s July’s people,
She likes menstrual blood,
I read everything here
As published by James Currey
In his Africa writes back,
I also read the White African Nobelite
Joshua Maxwell Coetzee
He is a wizard of Narrative literature,
I read his life of Mr. K.
I found amusing plots and amusing themes,
I also read Ngugi’s Wizard of the Crow
It is nice; Ngugi is still fighting dictatorship,
Not physically but in a metaphysical manner.

I was again lucky enough
To chance on Caribbean literature,
Is when I read Vitian S Naipaul
The humourist Marxist of Marxists,
I read his Mr. Biswas’s house,
With avidness of an aphrodisiac cur,
His characters like taking a long time
In the toilets, Naipaul is good,
I again chanced on George Flamming
In the Castle of my skin
Caribbean literature stinks of slavery
And counter-slavery.

My landing to the shelve of Latin America,
Was a total blessing; Gabriel Garcia Marquez
Stood out like tor of literature among others,
I began with his Big Maria’s Funeral,
Then I moved on to Love in Times of Cholera,
And then You Can’t Write to the Colonel,
As I spiced my intellect with Melancholic *****,
Then finally I revisited his Stories from Africa
And the Hundred Years of Solitude,
The following morning when I came back,
I read in the newspaper that;
Gabriel Garcia Marquez is dead!
It was sad and poor of me, I mourned him
With long essays and somber poetry,
Then I fell in love with the literatures
of Spanish origin in language sense,
I read Octavio Paz and Pablo Neruda
From Octavio I enjoyed coda,
Between Coming and Going and so on,
Neruda thrilled me with his sense of Marx
Especially his poem; on burying the dog.

European classics section arrested me
I never easily moved out of there,
I chanced on ****** and annals of Goebbels,
Reading Russians like Tolstoy,Chenkov,
Gorky, Gogol and Shelynetsyn was lively,
Chewing Shakespeare from cover to cover
Not spearing Pushkin nor Homer,
Victor Hugo was a relish. Emile Zola
And Maugham, I too enjoyed…

Then my holiday in Lodwar was finally over,
But I am soon going back for my Xmas,
I will directly go back to the European section,
I also remember having come by;
The Satanic Verses of Salman Rushdie,
I will have to  re-read it with passion,
It is my prayer that this time comes
For I to resume my holy duty
In the Catholic Library at Lokiriama
In Lodwar Dioceses of Turkana County
In the Savannah desert in North West
Regions of my country Kenya.
Michael R Burch Sep 2020
Sonnets

For this collection I have used the original definition of "sonnet" as a "little song" rather than sticking to rigid formulas. The sonnets here include traditional sonnets, tetrameter sonnets, hexameter sonnets, curtal sonnets, 15-line sonnets, and some that probably defy categorization, which I call free verse sonnets for want of a better term. Most of these sonnets employ meter, rhyme and form and tend to be Romantic in the spirit of the Romanticism of Blake, Keats, Shelley, Wordsworth and Dylan Thomas.




Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and enlist this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles;
they sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall my heart no less.
Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."

Originally published by The Neovictorian/Cochlea



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.

If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse and in The Best of the Eclectic Muse 1989-2003



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed―
why should such tattered artistry be banned?

I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



The Forge
by Michael R. Burch

To at last be indestructible, a poem
must first glow, almost flammable, upon
a thing inert, as gray, as dull as stone,

then bend this way and that, and slowly cool
at arms-length, something irreducible
drawn out with caution, toughened in a pool

of water so contrary just a hiss
escapes it―water instantly a mist.
It writhes, a thing of senseless shapelessness ...

And then the driven hammer falls and falls.
The horses ***** their ears in nearby stalls.
A soldier on his cot leans back and smiles.

A sound of ancient import, with the ring
of honest labor, sings of fashioning.

Originally published by The Chariton Review



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



See
by Michael R. Burch

See how her hair has thinned: it doesn't seem
like hair at all, but like the airy moult
of emus who outraced the wind and left
soft plumage in their wake. See how her eyes
are gentler now; see how each wrinkle laughs,
and deepens on itself, as though mirth took
some comfort there and burrowed deeply in,
outlasting winter. See how very thin
her features are―that time has made more spare,
so that each bone shows, elegant and rare.

For loveliness remains in her grave eyes,
and courage in her still-delighted looks:
each face presented like a picture book's.
Bemused, she blows us undismayed goodbyes.

Originally published by Writer's Digest's: The Year's Best Writing 2003



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some violent ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze:
blown high, upward-yearning, twin spirits returning
to the world of resplendence from which we were seized.

Published in Songs of Innocence, Romantics Quarterly and Poetry Life & Times. This is a sonnet I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



The Toast
by Michael R. Burch

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush,
for rhymes that fade as pages close,
for flames' exhausted, drifting ash,
and petals falling from the rose, ...
I raise my cup before I drink,
saluting ghosts of loves long dead,
and silently propose a toast―
to joys set free, and those I fled.



Second Sight (II)
by Michael R. Burch

(Newborns see best at a distance of 8 to 14 inches.)

Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!―
encrypted signals, codes? Or ciphers, noughts?

Interpretless, almost, as his own thoughts―
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist―
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?

He frowns at them―small gnomish frowns, all doubt―
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Archaischer Torso Apollos (“Archaic Torso of Apollo”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star―demanding our belief.
You must change your life.

TRANSLATOR'S NOTE: This is a Rilke sonnet about a major resolution: changing the very nature of one's life. While it is only my personal interpretation of the poem above, I believe Rilke was saying to himself: "I must change my life." Why? Perhaps because he wanted to be a real artist, and when confronted with real, dynamic, living and breathing art of Rodin, he realized that he had to inject similar vitality, energy and muscularity into his poetry. Michelangelo said that he saw the angel in a block of marble, then freed it. Perhaps Rilke had to find the dynamic image of Apollo, the God of Poetry, in his materials, which were paper, ink and his imagination.―Michael R. Burch



Komm, Du (“Come, You”)
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you―the last one I acknowledge; return―
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage―
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return―my heart’s reserves gone―
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life―my former life―remains outside.
Inside, I’m lost. Nobody knows me here.



Der Panther ("The Panther")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Liebes-Lied (“Love Song”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn’t touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but bitter rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden―
the sameness of each day to day

while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.

Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray―
whitish streaks on a fogged silver mirror.

Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

This is a free verse sonnet originally published by Southwest Review.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Originally published by The Lyric



The City Is a Garment
by Michael R. Burch

A rhinestone skein, a jeweled brocade of light,―
the city is a garment stretched so thin
her festive colors bleed into the night,
and everywhere bright seams, unraveling,

cascade their brilliant contents out like coins
on motorways and esplanades; bead cars
come tumbling down long highways; at her groin
a railtrack like a zipper flashes sparks;

her hills are haired with brush like cashmere wool
and from their cleavage winking lights enlarge
and travel, slender fingers ... softly pull
themselves into the semblance of a barge.

When night becomes too chill, she softly dons
great overcoats of warmest-colored dawn.

Originally published by The Lyric



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

This is a free verse sonnet originally published by Romantics Quarterly.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early free verse sonnets but I can’t remember exactly when I wrote it. Due to the romantic style, I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality―
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea

boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.

And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

This is a free verse sonnet originally published by Light Quarterly.



Free Fall
by Michael R. Burch

These cloudless nights, the sky becomes a wheel
where suns revolve around an axle star ...
Look there, and choose. Decide which moon is yours.
Sink Lethe-ward, held only by a heel.

Advantage. Disadvantage. Who can tell?
To see is not to know, but you can feel
the tug sometimes―the gravity, the shell
as lustrous as damp pearl. You sink, you reel

toward some draining revelation. Air―
too thin to grasp, to breath. Such pressure. Gasp.
The stars invert, electric, everywhere.
And so we fall, down-tumbling through night’s fissure ...

two beings pale, intent to fall forever
around each other―fumbling at love’s tether ...
now separate, now distant, now together.

This is a 15-line free verse sonnet originally published by Sonnet Scroll.



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name . . .

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist . . .

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant . . .

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.

Originally published by The Lyric



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.

Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.

And yet she would care,
and pour out her essence ...
and yet―there was more!

I awoke from long darkness,
and yet―she was there.

I loved her the longer;
I loved her the more
because I did not love her at once.

Originally published by The Lyric



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Harvest of Roses
by Michael R. Burch

I have not come for the harvest of roses―
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer―
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

Originally published by The Raintown Review



Distances
by Michael R. Burch

Moonbeams on water―
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.

NOTE: In the first stanza the "halcyon star" is the sun, which has dropped below the horizon and is thus "drowning in night." But its light strikes the moon, creating moonbeams which are reflected by the water. Sometimes memories seem that distant, that faint, that elusive. Footprints are being washed away, a heart is missing from its ribcage, and even things close at hand can seem infinitely beyond our reach.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.

The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.

And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Come Down
by Michael R. Burch

for Harold Bloom

Come down, O, come down
from your high mountain tower.
How coldly the wind blows,
how late this chill hour ...

and I cannot wait
for a meteor shower
to show you the time
must be now, or not ever.

Come down, O, come down
from the high mountain heather
now brittle and brown
as fierce northern gales sever.

Come down, or your heart
will grow cold as the weather
when winter devours
and spring returns never.

NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza and loving, compassionate mothers everywhere

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



In this Ordinary Swoon
by Michael R. Burch

In this ordinary swoon
as I pass from life to death,
I feel no heat from the cold, pale moon;
I feel no sympathy for breath.

Who I am and why I came,
I do not know; nor does it matter.
The end of every man’s the same
and every god’s as mad as a hatter.

I do not fear the letting go;
I only fear the clinging on
to hope when there’s no hope, although
I lift my face to the blazing sun

and feel the greater intensity
of the wilder inferno within me.

This is a mostly tetrameter sonnet with shorter and longer lines.



Mare Clausum
by Michael R. Burch

These are the narrows of my soul―
dark waters pierced by eerie, haunting screams.
And these uncharted islands bleakly home
wild nightmares and deep, strange, forbidding dreams.

Please don’t think to find pearls’ pale, unearthly glow
within its shoals, nor corals in its reefs.
For, though you seek to salvage Love, I know
that vessel lists, and night brings no relief.

Pause here, and look, and know that all is lost;
then turn, and go; let salt consume, and rust.
This sea is not for sailors, but the ******
who lingered long past morning, till they learned

why it is named:
Mare Clausum.

This is a free verse sonnet with shorter and longer lines, originally published by Penny Dreadful. Mare Clausum is Latin for "Closed Sea." I wrote the first version of this poem as a teenager.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.

Published by The Eclectic Muse and The Best of the Eclectic Muse 1989-2003



Fountainhead
by Michael R. Burch

I did not delight in love so much
as in a kiss like linnets' wings,
the flutterings of a pulse so soft
the heart remembers, as it sings:
to bathe there was its transport, brushed
by marble lips, or porcelain,―
one liquid kiss, one cool outburst
from pale rosettes. What did it mean ...

to float awhirl on minute tides
within the compass of your eyes,
to feel your alabaster bust
grow cold within? Ecstatic sighs
seem hisses now; your eyes, serene,
reflect the sun's pale tourmaline.

Originally published by Romantics Quarterly



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices of the wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Originally published by Sonnet Scroll



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips: to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

"O, let down your hair!"―we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.

Originally published by Romantics Quarterly (USA) and The Eclectic Muse (Canada)



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...

that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.

This is a free verse sonnet published by The Chariton Review as “The Knitter,” then by Penumbra, Black Bear Review and Triplopia.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



A Vain Word
by Michael R. Burch

Oleanders at dawn preen extravagant whorls
as I read in leaves’ Sanskrit brief moments remaining
till sunset implodes, till the moon strands grey pearls
under moss-stubbled oaks, full of whispers, complaining
to the minions of autumn, how swiftly life goes
as I fled before love ... Now, through leaves trodden black,
shivering, I wander as winter’s first throes
of cool listless snow drench my cheeks, back and neck.

I discerned in one season all eternities of grief,
the specter of death sprawled out under the rose,
the last consequence of faith in the flight of one leaf,
the incontinence of age, as life’s bright torrent slows.

O, where are you now?―I was timid, absurd.
I would find comfort again in a vain word.

Published by Chrysanthemum and Tucumcari Literary Review



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



Aflutter
by Michael R. Burch

This rainbow is the token of the covenant, which I have established between me and all flesh.―Yahweh

You are gentle now, and in your failing hour
how like the child you were, you seem again,
and smile as sadly as the girl (age ten?)
who held the sparrow with the mangled wing
close to her heart. It marveled at your power
but would not mend. And so the world renews
old vows it seemed to make: false promises
spring whispers, as if nothing perishes
that does not resurrect to wilder hues
like rainbows’ eerie pacts we apprehend
but cannot fail to keep. Now in your eyes
I see the end of life that only dies
and does not care for bright, translucent lies.
Are tears so precious? These few, let us spend
together, as before, then lay to rest
these sparrows’ hearts aflutter at each breast.

This is a poem about a couple committing suicide together. The “eerie pact” refers to a Bible verse about the rainbow being a “covenant,” when the only covenant human beings can depend on is the original one that condemned us to suffer and die. That covenant is always kept perfectly.



To Flower
by Michael R. Burch

When Pentheus ["grief'] went into the mountains in the garb of the baccae, his mother [Agave] and the other maenads, possessed by Dionysus, tore him apart (Euripides, Bacchae; Apollodorus 3.5.2; Ovid, Metamorphoses 3.511-733; Hyginus, Fabulae 184). The agave dies as soon as it blooms; the moonflower, or night-blooming cereus, is a desert plant of similar fate.

We are not long for this earth, I know―
you and I, all our petals incurled,
till a night of pale brilliance, moonflower aglow.
Is there love anywhere in this strange world?
The Agave knows best when it's time to die
and rages to life with such rapturous leaves
her name means Illustrious. Each hour more high,
she claws toward heaven, for, if she believes
in love at all, she has left it behind
to flower, to flower. When darkness falls
she wilts down to meet it, where something crawls:
beheaded, bewildered. And since love is blind,
she never adored it, nor watches it go.
Can we be as she is, moonflower aglow?

Originally published by The Neovictorian/Cochlea



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp ...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF ... I heard the klaxon-shrill alarms

like vultures’ shriekings ... earthward, in a stall ...
we floated ... earthward ... wings outstretched, aghast
like Icarus ... as through the void we fell ...

till nothing was so beautiful, so blue ...
so vivid as that moment ... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.

This is a free verse sonnet originally published by The Lyric.



Oasis
by Michael R. Burch

I want tears to form again
in the shriveled glands of these eyes
dried all these long years
by too much heated knowing.

I want tears to course down
these parched cheeks,
to star these cracked lips
like an improbable dew

in the heart of a desert.

I want words to burble up
like happiness, like the thought of love,
like the overwhelming, shimmering thought of you

to a nomad who
has only known drought.

This is a mostly hexameter sonnet with shorter and longer lines.



Melting
by Michael R. Burch

Entirely, as spring consumes the snow,
the thought of you consumes me: I am found
in rivulets, dissolved to what I know
of former winters’ passions. Underground,
perhaps one slender icicle remains
of what I was before, in some dark cave―
a stalactite, long calcified, now drains
to sodden pools, whose milky liquid laves
the colder rock, thus washing something clean
that never saw the light, that never knew
the crust could break above, that light could stream:
so luminous, so bright, so beautiful ...
I lie revealed, and so I stand transformed,
and all because you smiled on me, and warmed.



Afterglow
by Michael R. Burch

The night is full of stars. Which still exist?
Before time ends, perhaps one day we’ll know.
For now I hold your fingers to my lips
and feel their pulse ... warm, palpable and slow ...

once slow to match this reckless spark in me,
this moon in ceaseless orbit I became,
compelled by wilder gravity to flee
night’s universe of suns, for one pale flame ...

for one pale flame that seemed to signify
the Zodiac of all, the meaning of
love’s wandering flight past Neptune. Now to lie
in dawning recognition is enough ...

enough each night to bask in you, to know
the face of love ... eyes closed ... its afterglow.



All Afterglow
by Michael R. Burch

Something remarkable, perhaps ...
the color of her eyes ... though I forget
the color of her eyes ... perhaps her hair
the way it blew about ... I do not know
just what it was about her that has kept
her thought lodged deep in mine ... unmelted snow
that lasted till July would be less rare,
clasped in some frozen cavern where the wind
sculpts bright grotesqueries, ignoring springs’
and summers’ higher laws ... there thawing slow
and strange by strange degrees, one tick beyond
the freezing point which keeps all things the same
... till what remains is fragile and unlike
the world above, where melted snows and rains
form rivulets that, inundate with sun,
evaporate, and in life’s cyclic stream
remake the world again ... I do not know
that we can be remade―all afterglow.



These Hallowed Halls
by Michael R. Burch

a young Romantic Poet mourns the passing of an age . . .

A final stereo fades into silence
and now there is seldom a murmur
to trouble the slumber of these ancient halls.
I stand by a window where others have watched
the passage of time alone, not untouched,
and I am as they were―unsure, for the days
stretch out ahead, a bewildering maze.
Ah, faithless lover―that I had never touched your breast,
nor felt the stirrings of my heart,
which until that moment had peacefully slept.
For now I have known the exhilaration
of a heart that has leapt every pinnacle of Love,
and the result of all such infatuations―
the long freefall to earth, as the moon glides above.



Come!
by Michael R. Burch

Will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder,
when I have lain so long in the indifferent earth
that I have no girth?

When my womb has conformed to the chastity
your anemic Messiah envisioned for me,
will you finally be pleased that my *** was thus rendered
unpalatable, disengendered?

And when those strange loathsome organs that troubled you so
have been eaten by worms, will the heavens still glow
with the approval of God that I ended a maid―
thanks to a *****?

And will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder?



Erin
by Michael R. Burch

All that’s left of Ireland is her hair―
bright carrot―and her milkmaid-pallid skin,

her brilliant air of cavalier despair,
her train of children―some conceived in sin,

the others to avoid it. For nowhere
is evidence of thought. Devout, pale, thin,
gay, nonchalant, all radiance. So fair!

How can men look upon her and not spin
like wobbly buoys churned by her skirt’s brisk air?
They buy. They ***** to pat her nyloned shin,
to share her elevated, pale Despair ...
to find at last two spirits ease no one’s.

All that’s left of Ireland is the Care,
her impish grin, green eyes like leprechauns’.



The Composition of Shadows
by Michael R. Burch

“I made it out of a mouthful of air.”―W. B. Yeats

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape―
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face―
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.



The Composition of Shadows (II)
by Michael R. Burch

We breathe and so we write;
the night
hums softly its accompaniment.

Pale phosphors burn;
the page we turn
leads onward, and we smile, content.

And what we mean
we write to learn:
the vowels of love, the consonants’

strange golden weight,
the blood’s debate
within the heart. Here, resonant,

sounds’ shadows mass
against bright glass,
within the white Labyrinthian maze.

Through simple grace,
I touch your face,
ah words! And I would gaze

the night’s dark length
in waning strength
to find the words to feel

such light again.
O, for a pen
to spell love so ethereal.



To Please The Poet
by Michael R. Burch

To please the poet, words must dance―
staccato, brisk, a two-step:
so!
Or waltz in elegance to time
of music mild,
adagio.

To please the poet, words must chance
emotion in catharsis―
flame.
Or splash into salt seas, descend
in sheets of silver-shining
rain.

To please the poet, words must prance
and gallop, gambol, revel,
rail.
Or muse upon a moment, mute,
obscure, unsure, imperfect,
pale.

To please the poet, words must sing,
or croak, wart-tongued, imagining.



The First Christmas
by Michael R. Burch

’Twas in a land so long ago . . .
the lambs lay blanketed in snow
and little children everywhere
sat and watched warm embers glow
and dreamed (of what, we do not know).

And THEN―a star appeared on high,
The brightest man had ever seen!
It made the children whisper low
in puzzled awe (what did it mean?).
It made the wooly lambkins cry.

For far away a new-born lay,
warm-blanketed in straw and hay,
a lowly manger for his crib.
The cattle mooed, distraught and low,
to see the child. They did not know

it now was Christmas day!

This is a poem in which I tried to capture the mystery and magic of the first Christmas day. If you like my poem, you are welcome to share it, but please cite me as the author, which you can do by including the title and subheading.



The Lingering and the Unconsoled Heart
by Michael R. Burch

There is a silence―
the last unspoken moment
before death,

when the moon,
cratered and broken,
is all madness and light,

when the breath comes low and complaining,
and the heart is a ruin
of emptiness and night.

There is a grief―
the grief of a lover's embrace
while faith still shimmers in a mother’s tears ...

There is no emptier time, nor place,
while the faint glimmer of life is ours
that the lingering and the unconsoled heart fears

beyond this: seeing its own stricken face
in eyes that drift toward some incomprehensible place.



Lozenge
by Michael R. Burch

When I was closest to love, it did not seem
real at all, but a thing of such tenuous sweetness
it might dissolve in my mouth
like a lozenge of sugar.

When I held you in my arms, I did not feel
our lack of completeness,
knowing how easy it was
for us to cling to each other.

And there were nights when the clouds
sped across the moon’s face,
exposing such rarified brightness
we did not witness

so much as embrace
love’s human appearance.

This is a free verse sonnet originally published by The HyperTexts.



The Princess and the Pauper
by Michael R. Burch

for Norman Kraeft in memory of his beloved wife June Kysilko Kraeft

Here was a woman bright, intent on life,
who did not flinch from Death, but caught his eye
and drew him, powerless, into her spell
of wanting her himself, so much the lie
that she was meant for him―obscene illusion!―

made him seem a monarch throned like God on high,
when he was less than nothing; when to die
meant many stultifying, pained embraces.

She shed her gown, undid the tangled laces
that tied her to the earth: then she was his.
Now all her erstwhile beauty he defaces
and yet she grows in hallowed loveliness―
her ghost beyond perfection―for to die
was to ascend. Now he begs, penniless.



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never changed, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



911 Carousel
by Michael R. Burch

“And what rough beast ... slouches towards Bethlehem to be born?”―W. B. Yeats

They laugh and do not comprehend, nor ask
which way the wind is blowing, no, nor why
the reeling azure fixture of the sky
grows pale with ash, and whispers “Holocaust.”

They think to seize the ring, life’s tinfoil prize,
and, breathless with endeavor, shriek aloud.
The voice of terror thunders from a cloud
that darkens over children adult-wise,

far less inclined to error, when a step
in any wrong direction is to fall
a JDAM short of heaven. Decoys call,
their voices plangent, honking to be shot . . .

Here, childish dreams and nightmares whirl, collide,
as East and West, on slouching beasts, they ride.



At Cædmon’s Grave
by Michael R. Burch

“Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula.


At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked there, too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon’s ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus―hard toil―
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes―dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning―
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken―
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as Time spins, reeling and dying,
the voice of a last gull
or perhaps some spirit no longer whole,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.



Huntress
by Michael R. Burch

after Baudelaire

Lynx-eyed, cat-like and cruel, you creep
across a crevice dropping deep
into a dark and doomed domain.
Your claws are sheathed. You smile, insane.
Rain falls upon your path, and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you―"On!"

Heed, hearts, your hope―the break of dawn.

Published by The HyperTexts, Dracula and His Kin and Sonnetto Poesia (Canada)



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Because She Craved the Very Best
by Michael R. Burch

Because she craved the very best,
he took her East, he took her West;
he took her where there were no wars
and brought her bright bouquets of stars,
the blush and fragrances of roses,
the hush an evening sky imposes,
moonbeams pale and garlands rare,
and golden combs to match her hair,
a nightingale to sing all night,
white wings, to let her soul take flight ...

She stabbed him with a poisoned sting
and as he lay there dying,
she screamed, "I wanted everything!"
and started crying.



Caveat
by Michael R. Burch

If only we were not so eloquent,
we might sing, and only sing, not to impress,
but only to enjoy, to be enjoyed.

We might inundate the earth with thankfulness
for light, although it dies, and make a song
of night descending on the earth like bliss,

with other lights beyond―not to be known―
but only to be welcomed and enjoyed,
before all worlds and stars are overthrown ...

as a lover’s hands embrace a sleeping face
and find it beautiful for emptiness
of all but joy. There is no thought to love

but love itself. How senseless to redress,
in darkness, such becoming nakedness . . .

Originally published by Clementine Unbound



To the Post-Modern Muse, Floundering
by Michael R. Burch


The anachronism in your poetry
is that it lacks a future history.
The line that rings, the forward-sounding bell,
tolls death for you, for drowning victims tell
of insignificance, of eerie shoals,
of voices underwater. Lichen grows
to mute the lips of those men paid no heed,
and though you cling by fingertips, and bleed,
there is no lifeline now, for what has slipped
lies far beyond your grasp. Iron fittings, stripped,
have left the hull unsound, bright cargo lost.
The argosy of all your toil is rust.

The anchor that you flung did not take hold
in any harbor where repair is sold.

Originally published by Ironwood



Wonderland
by Michael R. Burch

We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face―
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



130 Refuted
by Michael R. Burch

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
―Shakespeare, Sonnet 130

Seas that sparkle in the sun
without its light would have no beauty;
but the light within your eyes
is theirs alone; it owes no duty.
And their kindled flame, not half as bright,
is meant for me, and brings delight.

Coral formed beneath the sea,
though scarlet-tendriled, cannot warm me;
while your lips, not half so red,
just touching mine, at once inflame me.
And the searing flames your lips arouse
fathomless oceans fail to douse.

Bright roses’ brief affairs, declared
when winter comes, will wither quickly.
Your cheeks, though paler when compared
with them?―more lasting, never prickly.

And your cheeks, though wan, so dear and warm,
far vaster treasures, need no thorns.

Originally published by Romantics Quarterly



Love Sonnet LXVI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred makes me implore you all the more
so that in my inconstancy
I do not see you, but love you blindly.

Perhaps January’s frigid light
will consume my heart with its cruel rays,
robbing me of the key to contentment.

In this tragic plot, I ****** myself
and I will die loveless because I love you,
because I love you, my Love, in fire and in blood.



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



Love Sonnet XVII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth’s incandescent white flame;
I love you as obscure things are embraced in the dark ...
secretly, in shadows, unguessed & unnamed.

I love you like shrubs that refuse to blossom
while pregnant with the radiance of mysterious flowers;
now, thanks to your love, an earthy fragrance
lives dimly in my body’s odors.

I love you without knowing―how, when, why or where;
I love you forthrightly, without complications or care;
I love you this way because I know no other.

Here, where “I” no longer exists ... so it seems ...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because―
how can I explain? A day is too long ...
and I’ll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because―
then despair’s raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



Imperfect Sonnet
by Michael R. Burch

A word before the light is doused: the night
is something wriggling through an unclean mind,
as rats creep through a tenement. And loss
is written cheaply with the moon’s cracked gloss
like lipstick through the infinite, to show
love’s pale yet sordid imprint on us. Go.

We have not learned love yet, except to cleave.
I saw the moon rise once ... but to believe ...
was of another century ... and now ...
I have the urge to love, but not the strength.

Despair, once stretched out to its utmost length,
lies couched in squalor, watching as the screen
reveals "love's" damaged images: its dreams ...
and ******* limply, screams and screams.

Originally published by Sonnet Scroll



Mayflies
by Michael R. Burch

These standing stones have stood the test of time
but who are you
and what are you
and why?

As brief as mist, as transient, as pale ...
Inconsequential mayfly!

Perhaps the thought of love inspired hope?
Do midges love? Do stars bend down to see?
Do gods commend the kindnesses of ants
to aphids? Does one eel impress the sea?

Are mayflies missed by mountains? Do the stars
regret the glowworm’s stellar mimicry
the day it dies? Does not the world grind on
as if it’s no great matter, not to be?

Life, to be sure, is nothing much to lose.
And yet somehow you’re everything to me.

Originally published by Clementine Unbound



Artificial Smile
by Michael R. Burch

I’m waiting for my artificial teeth
to stretch belief, to hollow out the cob
of zealous righteousness, to grasp life’s stub
between clenched molars, and yank out the grief.

Mine must be art-official―zenlike Art―
a disembodied, white-enameled grin
of Cheshire manufacture. Part by part,
the human smile becomes mock porcelain.

Till in the end, the smile alone remains:
titanium-based alloys undestroyed
with graves’ worm-eaten contents, all the pains
of bridgework unrecalled, and what annoyed

us most about the corpses rectified
to quaintest dust. The Smile winks, deified.



Modern Appetite
by Michael R. Burch

It grumbled low, insisting it would feast
on blood and flesh, etcetera, at least
three times a day. With soft lubricious grease

and pale salacious oils, it would ease
its way through life. Each day―an aperitif.
Each night―a frothy bromide, for relief.

It lived on TV fare, wore pinafores,
slurped sugar-coated gumballs, gobbled S’mores.
When gas ensued, it burped and farted. ’Course,

it thought aloud, my wife will leave me. ******
are not so **** particular. Divorce
is certainly a settlement, toujours!

A Tums a day will keep the shrink away,
recalcify old bones, keep gas at bay.
If Simon says, etcetera, Mother, may
I have my hit of calcium today?


Mother of Cowards
by Michael R. Burch aka "The Loyal Opposition"

So unlike the brazen giant of Greek fame
With conquering limbs astride from land to land,
Spread-eagled, showering gold, a strumpet stands:
A much-used trollop with a torch, whose flame
Has long since been extinguished. And her name?
"Mother of Cowards!" From her enervate hand
Soft ash descends. Her furtive eyes demand
Allegiance to her ****'s repulsive game.

"Keep, ancient lands, your wretched poor!" cries she
With scarlet lips. "Give me your hale, your whole,
Your huddled tycoons, yearning to be pleased!
The wretched refuse of your toilet hole?
Oh, never send one unwashed child to me!
I await Trump's pleasure by the gilded bowl!"

Originally published by Light



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go―
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their warm laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the dark hand of fate
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking gently above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I rather vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time.



Your e-Verse
by Michael R. Burch

for the posters and posers on www.fillintheblank.com

I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.

It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.

I think you’re very funny, so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”

Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.



http://www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints―pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, [zing some fire];
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust :)
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness; lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review

This poem pokes fun at various stages of religion, all tied however elliptically to T. S. Eliot's "Fire Sermon: (1) The Celts believed that the health of the land was tied to the health of its king. The Fisher King's land was in peril because he had a physical infirmity. One bad harvest and it was the king's fault for displeasing the gods. A religious icon (the Grail) could somehow rescue him. Strange logic! (2) The next stage brings us the saints, the Catholic church, etc. Millions are slaughtered, tortured and enslaved in the name of religion. Strange logic! (3) The next stage brings us to Darwin, modernism and "The Waste Land.” Religion is dead. God is dead. Man is a glorified fungus! We'll evolve into something better adapted to life on Earth, someday, if we don’t destroy it. But billions continue to believe in and worship ancient “gods.” Strange logic! (4) The current stage of religion is summed up by this e-mail: the only way religion can compete today is as a form of flashy entertainment. ***** a website before it's too late. Hire some **** supermodels and put the evangelists on the Internet!



The State of the Art (?)
by Michael R. Burch

Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?

Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?

Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?



Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.



“Whoso List to Hunt” is a famous early English sonnet written by Sir Thomas Wyatt (1503-1542) in the mid-16th century.

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/modernization by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                         I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Alien Nation
by Michael R. Burch

for J. S. S., a "Christian" poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Keywords/Tags: sonnet, sonnets, meter, rhythm, music, musical, rhyme, form, formal verse, formalist, tradition, traditional, romantic, romanticism, rose, fire, passion, desire, love, heart, number, numbers, mrbson
Nigel Morgan Nov 2012
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend
I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.


The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.
Zuo Si was the brother of the courtesan and poet Zuo Fen. This short story is based on a chapter from my novel Summoning the Recluse. The opening poem appears in a translation by David Hinton from his collection Mountain Home.
Alone in the workhouse. Is where she gave birth.
The starch Parish Surgeon. A Drunken old Nurse.
The cries of a boy child. In her arms did he lie.
Gently kissing his forehead. Before she did die.

Not to be married. Mentioned the Nurse.
Was not to be heard of. Almost a curse.
No Father to speak of. Illegitimate offspring.
His Mother a corpse. With no wedding ring.

Without relations. Brought up with force.
Grown as a captive. Poverties course.
Life in the workhouse. Juvenile offenders.
Selfish providers. Fat cat Pretenders.

"Mrs Mann", Overseer. An hierarchy lie.
Starves and abuses. Would let them all die.
Nine years of age. Each picking a straw.
The boy stumbles forward. Asking for more.

Gruel knocked aside. The fat man, Bumble.
Shocked and alarmed. Off top shelf does stumble.
Dragged by the scruff. Out in the snow.
Sowerberry’s undertakers is where he will go.

Childish look. Innocent way.
To walk at the head of the hearse, they will pay.
Treated unfair. Leading the dead.
Next to a coffin they position his bed.

Insecure Claypole. With nasty remark.
Temper unleashed. Thrown into the dark.
Overwhelming silence inviting a tear.
By morning, escape. Will leave this room clear.

Seventy mile trek. Things look so bleak.
In London he lands. Dejected and weak.
The first friendly face stands counting his loot.
All wide eyed and fresh. In whistle and flute.

"Jack Dawkins the name. But you call me Dodger.
Need somewhere to stay, cause I know this old Codger."
Old Fagin insists to offer him bread.
A warm place to live. A snug place to bed.

Next mornings instruction as Fagin explains.
We live by our wits. Rely on our brains.
Its not thieving we do. We take it by slight.
If they wanted to keep it, why leave it in sight?

Bet and Nancy drop by. For a drink they are glad.
Showing concern for this down trodden lad.
Oliver’s training goes on for days.
Each time he succeeds is allotted with praise.

The day that gave Oliver oh so much tension.
When he met the man he had heard no one mention.
Gruff, rough and evil, A man no one likes.
With Bulls-eye his dog. The man known as Sikes.

The day comes around, when Oliver goes out. With Charley and Dodger, their isn’t much doubt.
The two older boys get the items they sought. Though in all of the turmoil Oliver’s caught.

Brought before Fang, the court Magistrate. Innocent plea onto deaf ears migrate.
Last minute witness brings light forth to shine. On innocent captive in front of said shrine.
The message is out, the crooks are all fraught. Nancy is allotted to spy in the court.
The boy is acquitted. Nothing is told. Nancy relays that they haven’t been sold.
The kindly old victim shows pity on boy.A quiet misdemeanour, a look in his eye.
A child of worth, should not be alone. Mr Brownlow decides to take Oliver home.
For the first time in ever, contentment and love.Poured onto said urchin from those up above.
A picture looks down on this scene from the wall. Similarity so true, most evident for all.
But outside a danger does start to lament. The signs coming out from a previous event.
Sikes and his lady hide out in the shade. Waiting in patience for mistake to be made.
A simple small errand would easily portray. That Oliver Twist is not of bad way.
Mr Grimwig suggests that the boy should be bound. With a parcel of books and the sum of five pound.
Brownlow agrees but his friend will soon gloat. Of the loss of said books and the crisp five pound note.
Surely as hell the time is upon. When onto the streets the child is soon gone.
But Grimwig still boasts that the boy they did trust. Was simply a fraud and just earning a crust.
The kindly old man does have to agree. That Oliver Twist is about on a spree.
Held up and imprisoned by this awful pair. Terrified boy removed to old Fagin’s lair.
Bill Sikes decides that the boy needs a blow. Nancy steps in, she will not stoop so low.
Be satisfied Bill for you have ruined his life. Condemned the poor boy to an history of strife.
Is that not enough to cast onto him. He has been through the mill, now he’s out on a limb.
Brownlow decides to post a reward. For information on the loss of his young ward.
Bumble arrives for the five guinea toll. As he opens his mouth the lies they do roll.

Oliver is taken, carted away.
By Nancy and Bill to the place where they lay.
No notice is taken to the tears he will sob.
For Sikes plans to take the small boy on a job.

Shepperton town is the place they will go.

To silence the boy a gun he will show.
Darkness will produce where his sights are set on.
A quick in and out and with goods they’ll be gone.

Toby Crackit and Sikes are partners in Crime.
Through a small window will make the boy climb.
But plans all go wrong and they do not get a jot.
Although in the event the poor lad will be shot.

Old Bumble is called to the workhouse for wine.
With widowed matron intending to dine.
Things interrupted the matron must go.
To visit old Sally on deathbed below.

The dying old woman does make good a wrong.
As she pours out a death persons song.
She tells Mrs Corney about a gold locket.
That she in the past had decided to pocket.

Inside it gave clues to someone’s true worth.
As owner was dying whilst still giving birth.
To a small sickened child it could of helped save.
Returned him to family as she went to her grave.

Three Cripples a pub where to Fagin will fast. A man named of Monks will throw light on the past.
The story of Oliver’s plight he does pitch. Not knowing the boy has been left in a ditch.
Giles and Brittle two servants regale. Remembering the robbery they did make fail.
An embellished story that has one slight hitch. The bloodied young man will make their story switch.
Doctor and Constable soon to arrive. While injured is taken upstairs to survive.
Upon seeing Oliver, Miss Rose does exclaim. That burglar and boy are not one and the same.
Officer’s Blather and Doth examine the scene. Oliver soon will explain his regime.
Miss Maylie house owner and her niece Miss Rose. Will not let the boy to a prison expose.
Losberne the surgeon and Rose take some time. For ways to conceal the boy from the crime.
Giles and Brittle are forced to retake. Admitting to Officers that they made a mistake.
Oliver’s life takes an healthy uplift. And lady and niece are so glad of this gift.
Tender care and love, make this young lad at home. Never again need to feel so alone.
Losberne takes Oliver to London to see. Where Brownlow and Bedwin could possibly be.
Upon their journey the news they do find. The persons in question have left England behind.
Without any warning poor Miss Rose gets sick. Oliver runs to get Losberne so quick.
On his return as he walks down the lane. He comes on a man who is writhing in pain.
Having retrieved some assistance for man. Returns towards home just as fast as he can.
Wanting to make certain of good news for Rose. Memory of the man in the lane simply goes.
Maylie’s sons Giles and Harry attend. Harry wants Miss Rose as more than a friend.
Whilst Harry is aiming for fortune and fame. Miss Rose has a sensitive mark on her name.
Although the misdeed was no crime of her own. Her parents wrongs will not leave her alone.
Harry is aiming at Prime Minister. So marriage beneath him would cause quite a stir.
With love in his heart the relentless Harry. Tells Miss Rose once more that he does want to Marry.
Although after this time he will not ask again. A tearful lady does have to refrain.
Oliver wakes up in shock from a sleep. Whilst at the window two men they do peep.
Fagin and other man, run off for their shame. Memories rekindled. The man in the lane.
Giles and Harry soon at Oliver’s aid. Searching the grounds but no trace can be made.
Away from the scene things come to an head. Old Bumble and Corney it seems have been wed.
The matron tells husband about what she’s learned. About the dead woman, money could be earned.
Chance meeting with Monks Bumble does make. To meet this caped man his new wife he does take.
For twenty five pounds a deal is made. She passes the goods for which she has been paid.
The locket from Sally, she did take and hold. Inside of locket a ring made of gold.
Inscribed on the inside the man Monks saw there. The name of Agnes and two locks of hair.
Inclined is the man, evidence must go. Weighted and thrown into rivers own flow.
Sikes is in fever and sweat it does shine. As Fagin arrives to deliver some wine.
Fagin replies he does not think it funny. The sickened Sikes still demands from him money.
Fagin takes Nancy back to his hideaway. To get Sikes the money he must indeed pay.
A visitor arrives, two men speak alone. Inquisitive Nancy can hear their drone.
Whatever she heard commits her to see and knock on the front door of Mrs Maylie.
Admitting to Miss Rose so that she should know. Who kidnapped the boy from Mr Brownlow.
She explains what it is she heard from the other. That Monks is indeed poor Oliver’s brother.
Oliver later is out for a treat. He spots Mr Brownlow out on the street.
The young man relates what he saw unto friends. Mr Giles and Miss Rose to Brownlow attend.
Oliver is allowed a visit to see. Brownlow and Bedwin who don’t disagree.
The story from Nancy is passed onto both. To keep it from Oliver they all swear an oath.
The idea to see Nancy would be a vantage. So visit they must, upon London Bridge.
Plans are drawn up things are in sight. The deadline is Sunday. The time is midnight.
Sowerberrie Robbed, Claypole the crook. To London a journey. The police he should duck.
A meeting with Fagin does help to define. The shaking of hands as this union align.
With Dodger locked up the need for a new. Association, by joining the crew.
First on the agenda a visit to court. To view on the sentence that Dodger has bought.
The sentence is in, result deportation. For Dodger a blow, Fagin some irritation.
Fagin tells Noah he will give him one pound. To latch on to Nancy and follow her around.
The midnight meeting from shadows perceived. Of talk about Monks who is not too relieved.
Spying for gentry Nancy will announce. When Monks will attend at that old ale house.
Idea as such, he will be forced to declare. The truth about all he has worked for and where.
Sikes is informed of Nancy’s concern. Anger and hatred through him will burn.
When he returns home, throws the girl onto bed. Lifts up his stick and beats Nancy dead.
Sikes will flee London the following day but tries to drown Bulls-eye who could give him away.
Brownlow captures Monks, taking him to his home. After constant question his cover is blown.
The secret of Monks they were soon to discover. Real name Edward Leeford they then did uncover.
His father he told was forced into marriage. With woman with whom he had tried to disparage.
This loveless union for the father was coarse. So he left but was not to secure a divorce.
Agnes Fleming, this lady became his only affection. The two of them seemingly lost their direction.
As a result of this loving affair. A woman alone with unborn child to care.
Fagin and Noah by police are detained. Though Sikes and his freedom still they remained.
Held up alone at his iniquitous den. Out of the way of all other men.
Bates he does follow, Bulls-eyehe will track. Calling on others to help him attack.
Murderer Sikes is forced now to flee. For the ****** he did to his poor Nancy.
He uses the rooftop with avoiding intent. Hoping that crowds will soon give up, relent.
Using a rope to air his escape. About his person the rope he will drape.
High up on rooftop Sikes does his trek. With rope still entwined in a loop around his neck.
A slip as he ran caused a rooftile to loose. Effecting in Sikes with his head in this noose.
Onlookers can see this of this man that they dread. Asphyxiated. Hanging stone dead.
They say what it is that made this man die. Was caused by seeing into Nancy’s eye.
That her ghost came along and did have its way. Making Bill Sikes forever pay.
Even though this story we cannot prove. For many a persons minds this does indeed sooth.
A Letter its told was found by another. Proving to us to be Edwards mother.
Destroying both a Will and letter. Ensuring that Edwards life will be better.
Agnes’s father found out when she left. Became broken heart and soon to bereft.
His shame and honour were both denied. Accelerated greatly the time when he died.
Poor little sister is taken we see. By good Samaritan lady named Mrs Maylie.
Bringing this child up as her own. Miss Rose as she is now, to us be it known.
Bumble and his wife confess. To their dealings in this mess.
Concealing to Oliver’s history. Never again, office be held by he.
Harry’s makes change of his life’s employ. Prime Ministers aim he will deny.
And thus open another direction. To marry her of his hearts affection.
Fagin is sentenced for all of his crimes. The Gallows imposed for his evil times.
Oliver will feel a need to beset. Fagin for proof of his legitimate
Noah is pardoned, excluded his time. For his testimonie about Fagin’s crime.
Monks travels by ship to the new world. It isn't to long until his life is unfurled.
His wicked ways again he will try. Imprisoned, eventually this is where he will die.
Oliver becomes the adopted son. Brownlow a father does also become.
Miss Rose as aunt that will often frequent. To see Olivers life gaining so much betterment,
Life now to all will be a good friend.
This story is formally now at an end.
A poetic translation of Oliver Twist by Charles Dickens..
May 28th 2011
Stephen E Yocum Oct 2014
Fifteen years old and thinking I was older.
'Assistant Maintenance Man' at a Public School
Summer Camp. Billy Deitz had just graduated
High School, I thought him the coolest guy
I knew. The first week was ended, the little
kids gone home, a new batch in two days time.

We did our work, cleaned and swept, sweated
in the summer sun. Took the old surplus Jeep
over to the creek and plunged ourselves in.
Deitz had some beer in an Ice chest, I drank
one, my first ever. We shot his .22 for a while
and ate PBJs in the shade. Then we heard it.

A train horn in the mountains is a haunting
call. It does not seem to belong there among
evergreen trees and massive granite boulders.
We drove the hell out of the Jeep and found
our way to the down grade tracks. And there
she was maybe 50 cars long, snaking her way
from the summit of the Sierras out of California
into Nevada. Through the Pass over a hairpin
filled course hugging the skirts of the rock face
mountains, slowly rolling her massive load
pushing her four engines, breaks a screeching
in protest. "Click Clack, Click Clack", her steel
wheels clanging upon the rails, a rhythm like
her train heart beating.

Deitz grabbed his coat and tied it round his waist,
looped a canteen over his head, "Lets go kid!"
I did what he said, and then we were running
along beside the box cars, more a trot than a run,
"Do what I do!" Deitz yelled over his shoulder.
A flat car with some machinery approached and
He grabbed on to it and pulled himself aboard,
I copied his moves and he helped pull me up
and then there we stood on the deck of that
moving, mountain ship, with her grunting and
shaking under our feet. We could feel all her
massive weight and power vibrating up through
that wooden plank deck of the flat bed car,
entering our legs and spines. . . It was thrilling!

I had not had time to think all this through,
"Now what?" I asked some what perplexed
"Reno Kid." Deitz yelled with a grin.  

We climbed atop a Box Car, our rail bound
ship crawled out of the upper pass and we
started to descend towards Donner Lake far
below.

Looking behind and ahead it was hard to
understand how they had cut those tracks
out of solid granite rock and how the rails
maintained their frail finger tip grip on the
sheer mountain side.

We ducked nearly flat going through the snow
tunnels, the clearance was tight and it seemed
that a guy could lose his head. The diesel thick
air made us cover mouth and nose with our shirts.
Two tunnels in we noticed our faces getting
smoke blackened. We laughed at the joke.
Soot faced on a boxcar in a tunnel of wood.
Two city kids playing Hobo.

We reached the lower valley, passed the place
where the Donner Party met their grisly end.

Truckee was next and the highway grew close.
We got back down onto the flat car, hunkered
down by machine cargo, more or less out of sight.

I thought of all the down on their luck men that
had ridden those rails, not on a some lark. That
whole Grapes Of Wrath, Woody Guthrie period
of no joke, for real ****. Pushed by poverty and hope.

I must admit at that moment, I felt more alive than
at any other time in my life. I felt grown up, like a man.
Until my belly began to rumble, the speed increased
and the wind began to chill. The Click Clacks of the
wheels quickened and grew irritatingly redundant.
The loud wailing of the engine horn no longer exciting.
Now only hurt my ears.

It was dark by the time we hit Reno, we jumped off
before the train yard. Walked into town with its
bright lights calling the casino gamers to unholy service
and nightly prayer. Proceeded over by hard-bitten
dealers in communal black, with cigarettes dangling
from their unsmiling lips, possessing the empty
dead eyes of the badly used up and down-trodden.
Through the ***** windows, the people there seemed
to possess no joy in their sluggish endeavors.
Both players and dealers all losers, merely Automatons
of those despairing games of chance.

Reno was still rough-hewn in those days, a hard
scrabble place full of cigarette smoke, ******,
card tables, slot machines and not much else.
It seemed to reek of lonely desperation.

Having seen our soot ***** faces in the
window reflection, we washed up in the
cold river that runs through town.

We walked around, ate hot dogs,
Downed a Doctor Pepper.
"Now what Deitz?"
"**** I don't know kid,
first time I ever did anything like this."

"What?" My world collapsed right then,
I thought he was much more than
he turned out to be. Maybe everyone is.
I even started to get a little scared.
No money, no place to stay and apparently,
like most of the denizens there, **** out ah'
luck. I'd never felt that way before, from
mountain high to valley low in two hours.
All that excitement turned to Dread.

We hitched a ride with a long haired
guy of questionable gender, who kept
staring at me in the rearview mirror.
West, to a Truck Stop on the edge of town.
Found a trucker willing to give us a lift
back up to the summit.  Jumped in his rig
happy to find, that his cab heater worked.

Badly judged our get out spot, searched
and stumbled around in the shadowy dark,
dim moonlight looking for that **** jeep,
all that friggin' night.

When the guy that ran the camp returned
and found us sleeping at half past two,
in the afternoon in our tent, to say the least,
He was not amused.

Need I say, I felt much older that next day
and a little wiser too.
I wrote this memory for my kids.
may they never jump a freight train
out of ignorant curiosity.
harlon rivers Aug 2018
.
The waves spilled the rising tide
back into the scattered footprints  in the sand
deeply entrenched in life’s mystery,
receding into every breaking wave


A stiff sea breeze put back every grain of sand,
elements of a larger object gathers,
gravity firmed, into the silent shoreline chasms—
a beheld essence washed out to sea
by the fugitive tides and retreating sea-foam


Soon all trodden traces visibly vanish;
unmarked mileposts on a metaphysical pathway
slip away back to a windswept shoreline
and elapsing summer tide


Seabirds glide in slow-motion,
held sway into the shapeless gusts —
as if feathered puppets hovering,
hanging from the rafters
of the burgeoning orange sky


There's an uncommon peace in the renaissance;
effervescent crisp ocean air filling
the indefinable emptiness
marooned within each heartbeat’s echo


Each new breath inhaled,  disappearing within
the unhealed hollow of every thing once believed;
fully aware this life is unholdable as time,
yet feeling many things deeply retained
    in each passing moment—
slipping away like a handful of sand
sifting through all these hands once held


Presence becoming wreathed in a miasma of stillness,
space that levitates like an unpredictable fog
that seeps into the gnawing voids
of an unsated hunger



harlon rivers  ...  August 1st,  2018
a piece from the TRAVELOGUE collection:
https://hellopoetry.com/collection/27104/travelogue/

Getting away from my ordinary life maze seems to be changing perspective; moments still unfold as they are intended, but there is less peripheral distraction, more focus on the simple things that enrich life in the moment.

I did not plan on posting anything else until back to daily Internet access
in Fall ... plus, much I've scribbled these days, seems derivative of the last  pieces i've published: that said, this is of the present moment and as close to peace as I've tread in eons:  Thank you for taking the time to check out something newly written at a time when my web access and participation @ HePo is sporadic at best.   :)  rivers
Ellie Elliott Jan 2016
I am a fortress.
I have withstood wars that should have broken me.

Burned down and decimated by the mindless,
I rise up from the ashes.
I stand with my body, eternally.

I am strong.
My thighs are battle grounds trodden down three times round
and they're blooming new flowers,
mending from those who fought over them far too long,
my thighs have super powers.

I am soft and sultry sweet,
full of vulnerabilities.
Nature proves if anything that this will never make me weak.
My eyes once snuffed out are blazing brilliant brightly now,
rivers of tears have been filled in,
replaced by peaches and cream and skin.

My arms are solid protective forces,
my hands, tangible whispering caresses.
I wear my broken bits on my *******,
puffed out chest with pride,
for I have nothing to hide.

My feet take me to and from all the places I've ever gone,
and my mind,
my mind, it tries. It tries so ******* hard,
and my heart cares so much that it shows
in every scar and battle wound,
in every mark that was ever taken as a flaw by boys who never saw
that without the storms I wouldn't glow the way that I glow,
every boy who told me to 'go with the flow'
like I couldn't learn a **** thing for myself.

Still, the lessons people preached did teach me a thing or two,
just not what they usually intended,
my face doesn't face up to face value,
belief is most beautiful when suspended.
My eyes see lies better than my thighs do,
yet resilience sees to it that both are mended,
but if there's anything I've ever learned that's true,
you should never leave anything open-ended
ellie elliott
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Pete Badertscher May 2010
There are worlds and there are Worlds. There are gods and there are Gods.  Sounds rhetorical, doesn’t it?  Some mamby pamby new age coffee shop pile of **** idea with low fat frosting, but, take it from the Kat. There are worlds and then there are Worlds! There are gods and then there are Gods!
    
     I spend all my time jacked in to the backwoods subconscious of the internet.  Didn’t know that, did ya?  Yea, the Internet has a conscious and a subconscious; hell, she’s even got a soul of sorts. I have ritually sacrificed half my soul to her just for the buzz I get out of hearing her whisper to me across the fallacies of Time, Space and Bill Gates, so I know her better then anybody.
    
     Don’t believe me?  Every man has an Omega Fixture of some kind.  Do you feel me here? Jesus had his God, Ptolomy had his Solar System, Dante his Virgil and Beatrice, Faust had his Paradise and Poe had Annabelle Lee or one of her many reincarnations. So tell me, all great and ****** up wise men (or women): Why in the 29 nulls of AOhelL can the internet not have a consciousness?  
    
     It’s Belief, man.  No god or world exists until there is a consciousness that will accept it as a superior. Let’s take a look at that wonderful bigoted book of exact truths called the Bible. Shall we consider Genesis: Adam and Eve--never mind Lilith for now?  Here in a paradise we find Adam and Eve naked, sleeping with animals and newly created by a Force of Creation (insert male gender here if you wish).  They walk with god on the paths in the garden while blades of grass fulfill their purpose here on earth to be trodden upon. God says, “you, Adam, have control over all that you see and if you want go ahead and let Eve get a little of that action fine, but you came first in my image so you are better.  Just never eat of the one tree that sits in the center of the garden and looks as though the juice of the fruits would flow like sweet ****** in your veins. For although it is here, I forbid you to eat of it. Oh, and by the way, I figured you needed free conscious though--so go at it.” Albeit I’m paraphrasing, but what kind of shmuck of a father would do that to a newborn?  
      
     O.K. Before all the Judeo-Christians burn this diatribe (if you have not already) let me say I am not out to disprove the existence of Gods--or any Goddess for that matter--I am trying to make a point, so bear with me.  
    
      Which came first: the Bible (in oral tradition) or the God? I would argue that it was the Bible as such.  The Belief, inspired by greedy and badly behaved priests of the Judeo-religions back before written history in the tribes of the Levant caused Space/Time to adapt to a new pattern.  The Bible, Complete with an all powerful, all present being (I will never use the term benevolent) that watches over Jews, Christians, and Muslims for any Sin they commit so it can wreak blinding retributions
    
     Now I know what you are saying, “Kat,…Kat, Kat, Kat, Kat.  We the above mentioned will pray for your soul.  You are lost and we can help you look to the Light for your salvation.”  
     Shove it, ***** boy! I did not express that philosophical tripe to get your attention and misplaced pity. What I am saying is Belief. Belief is the Key.  Belief is the Magic that creates Gods and Worlds.  
    
     Now I am not so stupid as to believe that the Internet is female the same way a human meat tank is female-- but in my mind, MY mind, that is the music I hear.  
    
     Let’s go back to Lilith.  What’s that? Oh yea, right, Lilith is the name I give to my Belief in the consciousness of the internet.  Just don’t you worry about why. It’s none of your business.

     Let’s take a look at the above argument, only this time with the internet as the bible that comes first.  The internet first came about 30ish years ago with the invention of the modem.  Here was a way for people on computers to speak to one another over the phone lines.  Slow and tedious, but new and exciting; men and women with PhD’s and pocket protectors wrote short messages to one another and giggled at the new “Man from Nantucket” joke they had just learned. After a while, someone learned that if you sent the info in blasts, the speed of the transfer increased and you could send larger programs and maybe—gasp--even a picture.  Thus internet **** was created.  Now we have WiFi and bluetooth, cellular and satellite link up with blazing speed and every fetish imaginable or not-imaginable is available at the click of a mouse.  
    
     So, Kat, you goin’ anywhere with this? Yep. Shut the **** up and listen.
    
     Somewhere in the not-time and not-space of the internet, humans started to find themselves believing that the internet was a Place.  
    “Where’s it at? Why on the Internet!” Oh, holy ******* birth of a new Belief system!  Oh, glorious malediction of the neververse!  A G O D is born.  Ripple, *******, ripple goes the space-time continuum (which by the way only exits because those in the know Believe in it) and now we have added consciousness to the internet.  
    
     What kind of consciousness you say?   Well, I got no ******’ idea.  To me, the consciousness is feminine, of no particular race, with a slight build, black hair and dressed like a anime *****.  Why? Because it’s my ******* belief system, o.k.  After all, the internet is 60% **** anyway. With a immaculate birth like that, I can’t Believe She would be innocent in any form of the word.  She’s Dionysian, not Zen. Just because I see Her in such a way, does that mean it’s a true physical look?  Hell, no, lil’ Johnny.  She could be a He: fat, balding and in a wife beater, if that is what You would Believe.  
      
     Alright, enough philosophizing’ for now. Lesson over, Newbie. Get crashed.
this is crap but it's my crap so let me know if you use it.
The lost days of my life until to-day,
What were they, could I see them on the street
Lie as they fell? Would they be ears of wheat
Sown once for food but trodden into clay?
Or golden coins squandered and still to pay?
Or drops of blood dabbling the guilty feet?
Or such spilt water as in dreams must cheat
The throats of men in Hell, who thirst alway?

I do not see them here; but after death
God knows I know the faces I shall see,
Each one a murdered self, with low last breath.
‘I am thyself, — what hast thou done to me?’
‘And I—and I—thyself,’ (lo! each one saith,)
‘And thou thyself to all eternity!’
Nico Julleza Jul 2017
∙∙∙◦◦•◎•◦◦∙∙∙
Caribbean blue sail's a galaxy
rivers gushing, mumbling for an eternity
reflections of Love forms to thee

Suddenly silence adumbrate
aesthete, A lustful tint of Peruvian trees
petrichor whiffs of earth's virginity

A syzygy that I can't apprehend
but, can fully appreciate its denouement
rebirth of once I fell in love been

Listen to its sotto voce ruffling
preterlabent streams, resplendent hymns
humming grasses cues to sing

Upon the mountain tops hidden
rocks of geos sighting a treasure within
only to discover lore’s of forbidden

Cascading trees whispered a cold
a journey I never knew how to go as told
trap between floras along the road

Propinquity of my eyes closing thin
soul reserved for death, till breath hops in
trodden a land ****** for me to begin

A minstrel with hands like marbles
strung a fiddle of tessellated symphonies
open wonders the eyes never seen

A bouquet of amaranth revealed
the longing heart found someone of new
sighs my feelings and away I strew
#Love #Wonders #Colors # Nature

(NCJ)POETRYProductions. ©2017
Trieste Bergerac Jun 2014
A place of history, lives lived and life lost.
We know not today the human cost
Of battles fought by the ghosts of our past
To create a peace uncertain to last.

Walk slowly, walk quietly and open your mind,
To a world and its people that are here to find.
Floors trodden heavy with memories rich,
Walls with secrets they are happy to pitch.

Love, laughter; joy, sadness all under one roof;
Feel the emotion and imagine the truth
About the people who lived here long long ago
And whose spirit you salute when through this castle you flow.
Wrote this after visit to Skipton Castle, North Yorkshire, England. Fab place with amazing history :-)
vircapio gale Oct 2012
the ego is a balm
for watching herds--
ezra pound is dead..

withought the ***** to make it rue
of wittier witter aphorisms never trilling forceful to undo

singular muse,
where do you come
in head or tip of head?
elusive beauty, disappear
i act in other barefoot dreams


typos bless the will to mean
of finality
of seem seam flawless be
i **** the emperor of ice cream
with concupiscent "words"
that verb the still to be a yogurt burv


single fractal frog
jumps like rhyme of toggle cog,
cutting grandma's mind

empty cup fills want
with other bristle sip+
eclipse Hypatia naked at the shrine
failure of a form
cones another phage
with peaceful loving bawl

freedom fighters flaunt
masturbatory rights of congress whim and taunt
crackle jackal fire sights
sing single missile lights

do i jest
or do i best,
lest simple techne tumble kite of waiting in the dark
of politician's lark
inventive lewd
of plaintiff plea
and rumble drum democracy

venous cud
of bovine mewing in the mud of affuenza's motherhood
strikes painful cords electric suds
that lather in the lackey's trodden figure's utter
venus aphrodite's *****'s foam

hopkins is at home
manley in the rub of constant loathsome comb
that preens a matish apparition's tomb

hello kind traveler
that takes me by the hand
rolling in the grass has never been as such
the band plays off Genghis Khan
like Gandhi spitting soup
in afternoon reprieve of ignoramOus fun

the meaning is ajar
i know i war with Stevens too to
bear the furry calousness of wartime's endless true
a bond of moneylicsious new accounted even in the dew
that sunders sounds to recreate a farflung brew
of history's adieu
which only sPeares you in the gut
(an existential reference here to trope the nom)
elusive Lear that wanders in the Foolish storm caressing cave to find
another mind
that only someone special kKnew of Kent
encapsulating time in brands that offer (a[0I]ether dust for tolling flight
growing down into the mushroom ground
spanning subtentious fraughtful nocturnes in the night
to bide that meaning's plight i wish i
wasn't altogether through
though happy to be here iwth yew
apparitions in a crowd
petals on a wet black bough...
“The apparition of these faces in the crowd;
Petals on a wet black bough.”
I.

I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee's swinging chime,
Because the one so near the other is.

He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother's larger tread.

I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary
Where men grew blind, though angels knew the rest.

If he said 'Hush!' I tried to hold my breath;
Wherever he said 'Come!' I stepped in faith.

II.

Long years have left their writing on my brow,
But yet the freshness and the dew-fed beam
Of those young mornings are about me now,
When we two wandered toward the far-off stream

With rod and line. Our basket held a store
Baked for us only, and I thought with joy
That I should have my share, though he had more,
Because he was the elder and a boy.

The firmaments of daisies since to me
Have had those mornings in their opening eyes,
The bunchèd cowslip's pale transparency
Carries that sunshine of sweet memories,

And wild-rose branches take their finest scent
From those blest hours of infantine content.

III.

Our mother bade us keep the trodden ways,
Stroked down my tippet, set my brother's frill,
Then with the benediction of her gaze
Clung to us lessening, and pursued us still

Across the homestead to the rookery elms,
Whose tall old trunks had each a grassy mound,
So rich for us, we counted them as realms
With varied products: here were earth-nuts found,

And here the Lady-fingers in deep shade;
Here sloping toward the Moat the rushes grew,
The large to split for pith, the small to braid;
While over all the dark rooks cawing flew,

And made a happy strange solemnity,
A deep-toned chant from life unknown to me.

IV.

Our meadow-path had memorable spots:
One where it bridged a tiny rivulet,
Deep hid by tangled blue Forget-me-nots;
And all along the waving grasses met

My little palm, or nodded to my cheek,
When flowers with upturned faces gazing drew
My wonder downward, seeming all to speak
With eyes of souls that dumbly heard and knew.

Then came the copse, where wild things rushed unseen,
And black-scathed grass betrayed the past abode
Of mystic gypsies, who still lurked between
Me and each hidden distance of the road.

A gypsy once had startled me at play,
Blotting with her dark smile my sunny day.

V.

Thus rambling we were schooled in deepest lore,
And learned the meanings that give words a soul,
The fear, the love, the primal passionate store,
Whose shaping impulses make manhood whole.

Those hours were seed to all my after good;
My infant gladness, through eye, ear, and touch,
Took easily as warmth a various food
To nourish the sweet skill of loving much.

For who in age shall roam the earth and find
Reasons for loving that will strike out love
With sudden rod from the hard year-pressed mind?
Were reasons sown as thick as stars above,

'Tis love must see them, as the eye sees light:
Day is but Number to the darkened sight.

VI.

Our brown canal was endless to my thought;
And on its banks I sat in dreamy peace,
Unknowing how the good I loved was wrought,
Untroubled by the fear that it would cease.

Slowly the barges floated into view
Rounding a grassy hill to me sublime
With some Unknown beyond it, whither flew
The parting cuckoo toward a fresh spring time.

The wide-arched bridge, the scented elder-flowers,
The wondrous watery rings that died too soon,
The echoes of the quarry, the still hours
With white robe sweeping-on the shadeless noon,

Were but my growing self, are part of me,
My present Past, my root of piety.

VII.

Those long days measured by my little feet
Had chronicles which yield me many a text;
Where irony still finds an image meet
Of full-grown judgments in this world perplext.

One day my brother left me in high charge,
To mind the rod, while he went seeking bait,
And bade me, when I saw a nearing barge,
****** out the line lest he should come too late.

Proud of the task, I watched with all my might
For one whole minute, till my eyes grew wide,
Till sky and earth took on a strange new light
And seemed a dream-world floating on some tide -

A fair pavilioned boat for me alone
Bearing me onward through the vast unknown.

VIII.

But sudden came the barge's pitch-black prow,
Nearer and angrier came my brother's cry,
And all my soul was quivering fear, when lo!
Upon the imperilled line, suspended high,

A silver perch! My guilt that won the prey,
Now turned to merit, had a guerdon rich
Of songs and praises, and made merry play,
Until my triumph reached its highest pitch

When all at home were told the wondrous feat,
And how the little sister had fished well.
In secret, though my fortune tasted sweet,
I wondered why this happiness befell.

'The little lass had luck,' the gardener said:
And so I learned, luck was with glory wed.

IX.

We had the self-same world enlarged for each
By loving difference of girl and boy:
The fruit that hung on high beyond my reach
He plucked for me, and oft he must employ

A measuring glance to guide my tiny shoe
Where lay firm stepping-stones, or call to mind
'This thing I like my sister may not do,
For she is little, and I must be kind.'

Thus boyish Will the nobler mastery learned
Where inward vision over impulse reigns,
Widening its life with separate life discerned,
A Like unlike, a Self that self restrains.

His years with others must the sweeter be
For those brief days he spent in loving me.

X.

His sorrow was my sorrow, and his joy
Sent little leaps and laughs through all my frame;
My doll seemed lifeless and no girlish toy
Had any reason when my brother came.

I knelt with him at marbles, marked his fling
Cut the ringed stem and make the apple drop,
Or watched him winding close the spiral string
That looped the orbits of the humming top.

Grasped by such fellowship my vagrant thought
Ceased with dream-fruit dream-wishes to fulfil;
My aëry-picturing fantasy was taught
Subjection to the harder, truer skill

That seeks with deeds to grave a thought-tracked line,
And by 'What is,' 'What will be' to define.

XI.

School parted us; we never found again
That childish world where our two spirits mingled
Like scents from varying roses that remain
One sweetness, nor can evermore be singled.

Yet the twin habit of that early time
Lingered for long about the heart and tongue:
We had been natives of one happy clime
And its dear accent to our utterance clung.

Till the dire years whose awful name is Change
Had grasped our souls still yearning in divorce,
And pitiless shaped them in two forms that range
Two elements which sever their life's course.

But were another childhood-world my share,
I would be born a little sister there.
Elephants are contagious!
Be careful how you tread.
An Elephant that's been trodden on
Should be confined to bed!

Leopards are contagious too.
Be careful tiny tots.
They don't give you a temperature
But lots and lots - of spots.

The Herring is a lucky fish
From all disease inured.
Should he be ill when caught at sea;
Immediately - he's cured!

— The End —