"supremes" poems
Let the bird of loudest lay
On the sole Arabian tree,
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou shrieking harbinger,
Foul precurrer of the fiend,
Augur of the fever’s end,
To this troop come thou not near.
From this session interdict
Every fowl of tyrant wing
Save the eagle, feather’d king:
Keep the obsequy so strict.
Let the priest in surplice white
That defunctive music can,
Be the death-divining swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak’st
With the breath thou giv’st and tak’st,
‘Mongst our mourners shalt thou go.
Here the anthem doth commence:—
Love and constancy is dead;
Phoenix and the turtle fled
In a mutual flame from hence.
So they loved, as love in twain
Had the essence but in one;
Two distincts, division none;
Number there in love was slain.
Hearts remote, yet not asunder;
Distance, and no space was seen
‘Twixt the turtle and his queen:
But in them it were a wonder.
So between them love did shine,
That the turtle saw his right
Flaming in the phoenix’ sight;
Either was the other’s mine.
Property was thus appall’d,
That the self was not the same;
Single nature’s double name
Neither two nor one was call’d.
Reason, in itself confounded,
Saw division grow together;
To themselves yet either neither;
Simple were so well compounded,
That it cried, ‘How true a twain
Seemeth this concordant one!
Love hath reason, reason none
If what parts can so remain.’
Whereupon it made this threne
To the phoenix and the dove,
Co-supremes and stars of love,
As chorus to their tragic scene.
THRENOS
Beauty, truth, and rarity,
Grace in all simplicity,
Here enclosed in cinders lie.
Death is now the phoenix’ nest;
And the turtle’s loyal breast
To eternity doth rest,
Leaving no posterity:
’Twas not their infirmity,
It was married chastity.
Truth may seem, but cannot be;
Beauty brag, but ’tis not she;
Truth and beauty buried be.
To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
7.1k
Black, Swiss cheese hulk on horizon
The James Longstreet
immobile old freighter of the bay
Towed to the ignominy
of its last commission
in the curled arm of The Cape
Tides flex their muscles against it
But The Longstreet is steadfast
in its dark purpose
Standing target for practice
A sortie if planes home in on its bulk
Honing their skills
on this “fish-in-a-barrel”
Thunderhead-etched pyrotechnics
Booming follows the miles over water
Against The Longstreet’s silhouette enduring
even God fixes sights
firing bolts across its bow
taking aim at our futures
Standing targets for practice
Vietnam? Cape Cod?
No difference to teens
before life’s ocean of conscription
Sand is cold beneath dunes
Beach grass rustles
to the pulsing surf
to the wind’s whispers
just below hearing
as if there’s a secret
that must be kept
We are targets for practice
We are meaningless din
Pulling our sweatshirts and blanket closer
The Supremes sing thinly
from transistor
“Stopped for a moment in the name of love—
Thinking it over”
Mar 3, 2017
Mar 3, 2017 at 2:14 PM UTC
...Sky Isa Love!!!!
THAT IS ALL!!!!!!!!!
BILL WITHERS - LEAN ON ME LYRICS
http://www.youtube.com/watch?NR=1&v;=JR0NZqu6igg
Lean On Me (Live) From a 1973 Concert
http://www.youtube.com/watch?v=2Wpof8s5ZTg
Love potion number 9, The Searchers
https://www.youtube.com/watch?v=7rXhXLsNJL8
White Wine In The Sun by Tim Minchin
http://www.youtube.com/watch?v=fCNvZqpa-7Q
MOTOWN MAGIC!!!!!!
Sa Sa Go Go Go
BEST OF MOTOWN....BREATHE...Sky Isa Love
I Can't Get Next To You, Psychedelic Shack (the Temptations),
Bernadette (The Four Tops),
Everyday People (Sly & The Family),
I just Called To Say I Love You (Stevie Wonder)
Ain't Too Proud To Beg (The Temptations),
Back In My Arms Again (The Supremes)
Build Me Up Buttercup (The Foundations)
https://www.youtube.com/watch?v=--jWPzNNdN4
Best Of Motown Part 2 Video Mix of;
My Cherie Amour (Stevie Wonder),
I'm Gonna Make You Love Me (Diana Ross & The Supremes with the Temptations),
What's Going On (Marvin Gaye)
Love Child (Diana Ross & The Supremes),
Runaway Child Running Wild (The Temptations),
For Once In My Life (Stevie Wonder},
I'm Losing You (The Temptations),
What Does It Takes (Jr Walker & The All Stars),
Stop In The Name Of Love (Diana Ross & The Supremes),
Reach Out I'll Be There (Four Tops),
I Can't Help Myself (Four Tops),
Get Ready (The Temptations),
Dancing In The Street (Martha & The Vandellas)
I Hear A Symphony (Diana Ross & The Supremes).
https://www.youtube.com/watch?NR=1&v;=VTe06PrXwo4
Top Tracks for Earth, Wind & Fire....
Starts with;
"Fantasy" (1977)
https://www.youtube.com/watch?v=kTQJ2QiK4QU&playnext;=1&list;=AL94UKMTqg-9AIdf-oDDL0ZRzIehPw5WY6
Top Tracks for Diana Ross & the Supremes
Starts with;
Love Child!!!!
Beautiful imagery!!!
https://www.youtube.com/watch?v=_IluVWcNtR8&list;=AL94UKMTqg-9BkdB7ckbcLpD9AIriJX-5P
**The Power of Music & Images
Used On One Of The Most Popular
& Most Loved Ballads Of All Time, Enjoy!!!**
***Top Tracks for Chicago
Starts with;***
Hard To Say I'm Sorry
https://www.youtube.com/watch?v=zqq3tW3iACw&playnext;=1&list;=AL94UKMTqg-9ABX4lv1Ast8ZktnOYg-vpB
Okay so double triple down on this!!!!!!!!
LOVE CHILD Diana Ross & The Supremes
***~Sky Isa Love~~
What can I say my first album;***
LOVE CHILD!!!!!!!!!!!!!!
Gets me every time!!!!!!!
More Beautiful Imagery!!!
Afu Ra Ka ALL!!!!! (see note)
https://www.youtube.com/watch?v=x2icqNPcNS4
EARTH WIND & FIRE-WOULD YOU MIND
...Sky Isa Love
very beautiful once again!!!!
https://www.youtube.com/watch?v=2rInQEQ-yUc
A Motown mega-mix mashup: Motor City's biggest hits combined with classic Christmas songs, sung by your favorite Motown stars.
Includes....
"I Saw My Girl Kissing Santa Claus"
"I Jingle That Emotion"
"I Heard It From The Red Nosed Reindeer"
"Claus Get Next To You"
"Santa Was a Rollin' Stone"
"Ain't No Silent First Noel"
...as performed by....
Stevie Wonder
Michael Jackson
Smokey Robinson
The Temptations
The Supremes
The Mormon Tabernacle Choir
...and, of course, the Funk Brothers.
https://www.youtube.com/watch?v=fNvoSf2389k
THAT IS ALL!!!
LOVE ALL!!!!
Sa Sa Ra!!!!
Dec 26, 2012
Dec 26, 2012 at 7:28 PM UTC
Woke up in a rush of light, piercing
my eyes today. Too bright to keep
them closed or open.
I can't find my slippers, eyes rubbed,
yesterdays mascara under eyes
like bruises from lack of sleep;
evidence of my lost mentality.
The Supremes sang Baby Love in the kitchen
on the radio- he never turned it off.
Three balloons;
Happy Birthday!
Eighteen!
Drink up!
Hot pinks and purples next to orange walls.
Cards in hues of turquoise and blushes of red;
none are from you,
my dearest friend.
Jun 26, 2018
Jun 26, 2018 at 7:32 PM UTC
“every one shall sit in safety under his own vine and fig tree and there shall be none to make him afraid.”
Letter from George Washington, 1790, to the Jewish community of Newport, Rhode Island
<•>
multiple motifs present poesy alternatives,
but one supremes
safety in your own chosen orchard,
supping on clear water, wine and figs
children of trees, nurtured by one’s own hands,
children of your children, running the grove,
shouting out in sweet safety
the wasps happy shameless pollinate,
dreaming of more generations,
ruefully smiling, thinking of
Adam and Eve, who ashamed of
their apple’d sexuality,
hid their nakedness of course beneath
the safety of
fig leaves
you do not pray for safety
you do not ask for anything,
nothing to fear says the father,
for you already live in our own
George’s garden of eden
Sep 22, 2018
Sep 22, 2018 at 1:37 PM UTC
Monkeys in cars
Strumming guitars
La la la la’s
We ain’t all that
Shaving our faces
Finding new places
Tying our laces
We ain’t all that
Appliance reliance
Making new science
Moral compliance
We ain’t all that
Leaving our instinct
Down at the precinct
Never be distinct
We ain’t all that
Barely evolved
Nothing resolved
Power absolved
We ain’t all that
Opposable thumbs
Beating our drums
Hating our mums
We ain’t all that
Intelligent beings
Believing is seeing
Rather be skiing
We ain’t all that
Monkeys in space
Saving our face
Playing the ace
We ain’t all that
Living the dream
Not what it seems
Chicken Supremes
We ain’t all that
Monkeys in cars
Smoking cigars
Staring at stars
We ain’t all that
Monkeys in cars
Counting their scars
Filling the bars
We ain’t all that
Monkeys in suits
All in cahoots
Playing their flutes
We ain’t all that
Where’s little Bo Peep
Cos we are just sheep
And this poem ain’t deep
I ain’t all that
Sep 5, 2010
Sep 5, 2010 at 11:09 AM UTC
The Elder Supremes are staggering
Under the Pillar of Superposition—
They who stream emotionless minds, streaming
Scripture as alcohol to tea-head Kneelers, praying
The elixir of Olympus isn’t turpentine; tarnishing
The great, drear light of child-minds like onions in the Sun
Molding through its layers; the taste extinguished—No poetry Survives!
They who crackle doom over whitened rooms
Filled with the white coats of Nature’s secret Heroes—
The best minds, sagging like iced-over limbs—
Made dim by a false Heavenly connection.
Oh! They deprived the gears of Grandfather Night,
And deemed Him wicked in his flickering sight.
They who are Hollow, yet still colossal; these spinning Hellions,
This Machinery of Older Skeletons;
That steams and heats and comes to life for an innocent
Bottom, with the name that lies in Sin of Archaic Text,
Vexed, hexed and expressed in all Prisons and War—
Prisons and War reverberate like bad music in the name of a doG;
A name the Sun once owned and cast below to a dimmer Star,
It billowed and screamed: Keep it in the ******* Church!
Now it comes to Damning the Beast:
“Get thee behind me Savior, for the Microscope is over Prayer.”
Jan 12, 2013
Jan 12, 2013 at 2:37 PM UTC
With the addition of one.
They seems to have so much fun.
Just by removing one.
With the addition of one.
They grew to be better.
Then they once was.
Mary got to sing a little more.
Notice her lead upon Touch, a simple additive song.
These are the ladies called, the Seventies Supremes.
Led by the voice of the sweet vocals of Jean Terrell.
A voice you can tell so different than Diana Ross.
Who recorded an album called boss?
And I'm not talking anything from her.
And sweet Cindy Birdsong.
Another member, who grew into her own.
And shared more vocalistic leads as a co-lead singer.
It Time To Break Down, with his bass beat.
Would have anyone dancing upon their feet.
Stone Love, taking them in areas that Holland, Dozier Holland never thought of.
These were the Supremes.
Which by this time only four membrs were upon hits.
We can't forget Flo.
Who were apart of the original hit trio?
Frank Wilson, accepted the challenge of the seventies unit.
And left them with an imprint that fans will remember.
Dec 19, 2012
Dec 19, 2012 at 10:12 AM UTC
We all have our taste.
We all are judgments.
And in music there's no different.
Except, people personal opinions.
Benny Goodman.
Duke Ellington.
Glenn Miller.
Doing their time, they were the music of soul to many.
When people probably dance a little different.
Frank Sinatra.
Vic Damone.
Nat King Cole.
Doing their era music had changed.
More was borrowed from the previous decade.
Elvis.
Little Richard.
Buddy Holly.
Fats Domino.
Gene Vincent.
Jackie Wilson and Sam Cooke.
And yes, Pat Boone too.
The music of the soul were beaingt to a different tone.
Then came the sixties.
And a various style came before us.
The Rascals.
The Beatles.
Donovan.
The Beach Boys.
The Temptations and the Supremes and the Miracles.
Was totally changed from Neal Sedaka early days.
James Taylor, Carole King, Elton John and the Eagles.
Marvin Gaye, Teddy Pendegrass and the O'jays.
Was the masters of the seventies decades
The the eighties came.
And again the music changed.
Rick James, Prince and Madonna too.
Don't we see all the above artists in the music of today.
Especially, in rap.
Where they take an old song and tries to create a new tune.
And questions, why they getting sued?
Jun 17, 2013
Jun 17, 2013 at 9:17 AM UTC
I grew up as a poor white kid
Soul stations were the best I heard!
I flipped my lid! I was 12 despised high school military nerds!
My friends laughed at my musical taste
Memphis east tupelo James Brown
Even Elvis above the waist?
The Supremes Arthur Connelly Wilson wicked picket made me wanna dance!
Old school radio 1960's still the best.
Back then before civil unrest...
Lets get drug dealers off our backs!
Jan 10, 2015
Jan 10, 2015 at 5:12 PM UTC
You dawn upon me as perfectly as you are
and your morning eyes see so many worlds
and your waking lips are hopes
and you whispering my name like a confident fire
was all it took for me to succumb to my desire
you are a constellation
you are the birthed child of perfection
you are a forever
and the sun will rise every morning just for you
and I keep falling in love with you
and the nature of this beast will enslave me to you
It's an imprint of pleasure
I want to learn you
I want to bend to you
I want you, impulsive
I want you, compulsive
you are larger than galaxies
nothing contains you
nothing out-supremes you
nothing
nothing but you
and everything but you
you... oh, you.
Nov 30, 2014
Nov 30, 2014 at 11:26 AM UTC
To write a Motown song requires dealing with hurt, pain, and love.
Listen to them and realize the majority of them deals with losing that love of your life.
Ain't too proud to beg, she's about to hit the door.
Back in my arms again, played the game to find out his return was the best thing.
The Supremes reign whenever singing HDH songs that mirrored hurt of losing more.
Stop in the name of love, listen to the lyrics and you can craft a Motown song.
One of the best slow dance tunes is by Smokey Robinson and the Miracles.
Ooo, Baby, Baby hit straight to the hurt with the first line "I did you wrong"-still folks slow dance to the tune.
The Four Tops seems able to avoid more hurt than others by stating how they need her loving.
Strange but true, except "Ask the lonely, one great song for hurt lovers.
Then the Temps turn to the truth I could never love another after loving you.
The love duets of Marvin and Tammi journey only a few times that way.
But when you hear If this world was mine sung. You realize why a true love remains so strong.
So it's not hard to write a Motown song.
Unless you simply want to be alone.
Aug 27, 2018
Aug 27, 2018 at 1:45 AM UTC
Fancying myself a sophisticated gentleman, I like to lobby sit.
I have favorite spots like the Palmer House Hotel lobby in Chicago
where I'd even light a cigar and smugly read the Chicago Tribune
in one of their leather chairs
or else when the Yankees
or other visiting pro sports teams
were in town buy a Milky Way
and the Sporting News at the newsstand
hoping to rub elbows
with some of the players
as they paused there
on the way to their rooms.
I can also remember sitting there
one time gaping at the Embassy Room marquise
when it advertised the Supremes singing there -
I also liked to lobby sit in the lobby of the Aster Hotel
near Times Square where our family would stay
on trips to New York
and maybe catch a glimpse of say a new phenomenon -
then a bag lady as she wandered in looking for a place to take a load off
or else I hoped to see some Band standers from Philadelphia come through
as they were there in New York spending the weekend
to appear on **** Clark's Live Saturday Night Show from New York.
Also I enjoy sitting in lobbies of the Desert Inn and Siam City in Fort Lauderdale
listening for the Yankees serve on the Clure Migas sports segment
on the late night news
or else sitting in the lobby of the Ordillone Hotel on Miami Posada
watching the McCarthy hearings.
One time when I was lobby sitting at the local Ramada Inn Hotel in Champaign
some Champaign police came in and ordered me out
and said something to the effect of "if you want to lobby sit, go up to Chicago and do it
but not here - this can barely be called a small city"
But yeah the satisfaction of lobby sitting in general.
Nov 22, 2017
Nov 22, 2017 at 3:54 PM UTC
When you think of all the classic Motown's songs.
You must ask yourself?
Does losing holds more weight in a song?
The Temps, holds the key to singing about all those hurt affairs.
I Could Never Love Another after losing you.
Ain't Too Proud To Beg and even I'm Losing you.
Down to Since I Lost My Baby.
But the sign of love is expressing why you be lost without her?
Or maybe him.
Cause the Supremes got into the losing theme with:
Back In Arms Again and Baby Love and Stop In The Name of Love.
Where it just seem the guys was doing all kinds of wrong?
And than , there were the Miracles too.
Singing, My Girl Is Gone and the song Ooo Baby, Baby that throw you into a twist.
Cause it's a cheating song and many closely dance to it.
So does losing hold more weight in a song?
Cause it seems all forms of happiness has moved on.
Apr 13, 2016
Apr 13, 2016 at 11:16 AM UTC
silence is sage
and no gold is betrothed
to the folly of words.
wizened of old. i can taste
the word's iteration as the pen sees
the dreamer, as the paper
dictates the fate.
bespectacled, sizing down
the most fortuitous of spectacles,
in the pantheon
belonging to the supremes
destroying frailest caryatids
and awakening the mortal flame.
how well you understood
the postulation of cold.
how vivid, how precise
is your concept of the void.
how seldom imposed
the crutch of loves,
how mystic is the enigma
of the wide-eyed wanderer
sifting through the word,
the will, and the way!
Oct 31, 2015
Oct 31, 2015 at 10:55 PM UTC
How?
It got started in surrounded by truth and myth.
But true lies in that Berry Gordy III started it.
William "Smokey" Robinson was the voice of hits from 1960 to around 1967 for others along with his fellow Miracles.
Mary Wells, Temptations, Brenda Holloway and more.
The changing of the composing guards of songwriters shined.
Holland-Dozier-Holland became the starts of the show of writing.
From 1964 until 1968 before departing.
Four Tops and Supremes hits reign on the charts making both acts major stars.
Sure hosts of others contributed Ashford/Simpson-Richard Morris-Sylvia Moy-Paul Riser-and Stevie Wonder.
Then raging roaring from the storm took over in the hands of Norman Whitfield/Barrett Strong from 1966 to 1974
But in between, we had Johnny Bristol-William Stevenson creating hits.
Jun 17, 2018
Jun 17, 2018 at 5:54 PM UTC
Eugene Reynold, wrote about love.
Curtis Mayfield, about social issues.
And Smokey Robinson addressed romance.
The best of the best knows how to reflect their truest feelings.
Dionne Warwick, sung about life.
Diane Ross, sung about that certain someone with the Supremes.
And Dust Springfield, level feelings on various themes.
When in love?
Sing it.
When protest's needed?
Go for it.
Life holds nothing more than being lived.
For joy exist within all of us.
Jan 29, 2017
Jan 29, 2017 at 12:24 AM UTC
The Justices are back to nine
According to the planned design.
It should have happened months before
But those in power slammed that door.
So now we’ll have to wait and see
For there is just no guarantee
When hearing from the nine Supremes
That what is real is what it seems.
Things may turn out as we believed
Or maybe we will be relieved.
In any case, the deal is done;
A brand-new era has begun.
Apr 10, 2017
Apr 10, 2017 at 11:52 AM UTC
We hear constantly about Berry Gordy.
Yes, constantly.
Next, probably be Smokey.
Except, let's be real.
Every recording group that hit higher height contributed to the success of the company.
We very aware of the great composers/lyricists and producers.
Every Supremes there have ever been.
Were vital to the label staying vibrant.
Whether it was Diana or Jean the hits kept coming.
Who?
Can't recall the voice?
A man name David Ruffin.
A shadow in the background that rose to the vocal call to lead.
Made the group more known but stay a member of strength with Eddie and Paul.
The group just can't escape them.
Got more magnified with Dennis Edwards on lead.
Somehow, many has regulated Mary Wells to a lower level.
But it was her that placed the label in the spotlight.
We edit down, what we don't want known?
But many contributed to Motown success.
Stevie Wonder, Sylvia Moy, Clarence Paul, William Stevenson, the brothers of the Funk sound.
Marvin Gaye, Ivy Jo Hunter, Harvey Fugua, Johnny Bristol and all those that came later.
We know the success of Ashford and Simpson.
And truth be known and never spoken.
The label didn't start out trying to appear to a boarder market.
Just a company trying to make it.
Feb 2, 2019
Feb 2, 2019 at 11:21 PM UTC