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Nightingale was a hunting lodge
At the time of Baron Blood,
He was holed up there for a month or so
While the Tamar was in flood,
His knights went after a suckling pig
That they brought back to the Hall,
‘We’d best be merry and feast, my Lord,
Or there’ll be no fun at all.’

The waters rose and it cut them off
By the monastery at Bede,
So they made to raid the Monk’s own stocks
And they carried back the mead,
The hounds lay panting around the hearth
And the knights caroused ‘til dawn,
But the waters of the Tamar lay
Close round them every morn.

A cottage lay on the old floodway
By the side of a river wharf,
The waters drove a yeoman out
And his wife, a pretty dwarf,
They made their way to the hunting lodge
And begged that they might come in,
‘I’m Olaf, you are my liege, my Lord
And my wife is Tamerlin.’

‘And what do you bring?’ said Baron Blood,
Who looked for a little sport,
‘We’re all entombed ‘til the waters fall,
‘So what do you bring to court?’
‘I’m simply a yeoman, with one hide
That’s drowned in the river mud,
Along with my only ploughshare…’
‘That’s a pity,’ said Baron Blood.

‘What of the geld you owe to me,
And how do you think you’ll pay?’
‘I throw myself on your mercy, Lord,
To pay you another day.
The river flooded the pasture, and
My crop lies under the mud,’
‘Perhaps your wife has a way to pay,’
Said the musing Baron Blood.

‘You’ll wait at table and serve the mead
And carve the suckling pig,
And feed the hounds at the hearth tonight
While your wife can show a leg,
We’ll have her dancing from dusk to dawn
Each knight can take his turn,
For Tamerlin pays your geld tonight
If she lasts from dusk ‘til dawn.’

Then Olaf looked at his Tamerlin
And he brushed away a tear,
But she looked bold at the Baron Blood,
‘I will stand the test, no fear!’
They helped to set up the feast that night
And they whispered soft and low,
‘If one should harm a hair of your head
I will ****, before I go!’

She put one finger up to her lips
And she whispered, ‘I’ll be true!
I’ll not be whirled off my feet by one
Who is half the man as you.’
She took a skewer and she stuck the pig
Right through to the other side,
‘I may be small but my heart is big
And I’m still your darling bride.’

The sun went down and the mead came out
As he went to feed the hounds,
The Baron called on a lute to play
From a doorway to the grounds,
Then Tamerlin had begun to dance
And sway as she said she would,
Her dress had swished on the earthen floor,
Out where the Baron stood.

The knights were steadily getting drunk
And the Baron stood and swayed,
‘Now hitch that dress to your waist,’ he said,
‘If you want your geld to be paid.’
She dropped her eyes and she blushed, and cried
But she lifted up her dress,
To show the legs that were short, deformed
And the Baron laughed, no less!

The Baron laughed and the knights had laughed
At the legs of Tamerlin,
She dropped the dress and she burst in tears
And she cried, ‘You’ve seen my sin!’
They didn’t ask her to dance again
But they drank until the morn,
Then fell about in a drunken swoon
As she lay apart, forlorn.

A silence fell as the sun came up
When she rose and took a skewer,
Walked to the sleeping Baron, and
She ****** it in his ear,
She ****** it in til it came on out
All blood on the other side,
‘You won’t be laughing again,’ she said,
‘Or shaming Olaf’s bride!’

They took a skewer to every knight
And they did the same to them,
In, and out at the other side,
A Hall of skewered men,
The waters, they were receding as
Her head, in pride upheld,
Remarked, ‘It’s time we were leaving,
We have truly paid the geld!’

Nightingale was a hunting lodge
That sank in a sea of mud,
You’d have to dig right down to find
The body of Baron Blood,
The woods grew up in the pasture fields
And covered the grisly tale,
Where lovers walk and will cease their talk
At the song of a Nightingale.

David Lewis Paget
Jaymisun Kearney Jan 2014
Blowing smoke into the night
inhaled from a mini pipe
twisted with colors
I did not choose

My wispy gaze into rain
summons from the gone past pains
the deepest red hurt
faded, cloudy

and grey

What lost I no longer remember in color doubles affect in its audible cracks
Following in footsteps wherever intuition leads. Happily? Misery? In madness and smiling
What lost no longer hangs over in color but lives always in minute hands

I chose
Creep Dec 2014
"Get over here, brat!" Levi hollered at me from across the room, with that permanent scowl and annoyed voice. I prance over to the table he stood over and studied the map he had laid out in front of him.

"What do you think of this?" he asked me. I continued staring at the map. it showed titans coming in, now closer to the walls than they ever had been before; the titans were getting braver.

"We have to scare them away. Look! I made this new potion that when thrown on a titan's face, will explode and make a fog over the titan's face, confusing the titan and making it easier for the scouts to **** the titan. Let's try it out when we go scare the titans away!" I exclaimed with fervor and grinned excitedly.

"Problem, four-eyes. Everyone is either dead or has left for vacation." Levi stared at me, matter of factly.

"Well, we'll get them all together! It's time to kick some titan-***!"

Levi snickered at me. But he always does that anyway.
What was I thinking attacking with only the two of us. I'm always prepared to die, but not today. Today will be different.

"Four-eyes, there's only twenty of them. We can do this with your new potion stuff. Your brain's inane like them. You probably knew them the best. I believe in you brat." Levi gave me that uplift despite the sarcasm.

We planned out our pattern strategically. Usually it'll be easy with eight men. But I need to uphold his trust. His beliefs.

The first explosion went perfectly, grazed the titan's face but his nose exploded. And we killed him in a second. We managed to skewer more than we expected. Explosions within seconds, titan growled in agony as they fell to their demise. Suddenly something flew up in the air.

"Run hanji!!! This ******* can fly!!!"

I lurch away just in time as the titan snapped his jaw right where I was at. I maneuver around, trying to get away, killing titans left and right. It still trails behind me and I run.

"Levi! What do I do?!?!" I holler to him.

"Figure it out, four eyes! I'm busy!" Levi hollers back as he kills a titan. I glance back at the flying titan, trying to think of a way to outmaneuver it. Hmm 15m class, wing span of maybe 20m, two capable legs and two arms, vulnerable neck, but wings help it fly... can we use its flying ability against it?

I throw a potion at the things head and maneuver my way into a building window. It follows me, right where I want it to, and the potion explodes in its face, so it blindly reaches forward. I maneuver out a nearby window and slice its throat as it stays face first into the side of the building, confused on where I went and what it's seeing. It roars, then slumps down, dead. I make a mental note to come back here and inspect this new titan later, but for now, I run towards the other titans, ready for the bloodshed to come.
first fanfic on attack on titan/shingeki no kyojin with the awesome erenn (jaeger) :D would love to write more, and thanks erenn so much for writing this with me and keeping up with my insanity :)

attack on titan
by hiroyuki sawano, mika kobayashi
In the meantime in the Állos kósmos or Ultramundi, Wonthelimar after hearing the speeches and paragraphs of the speakers saw from paradise how Calypso Lepidoptera appeared, approaching in great magnitudes on the dry land on the banks of the blue and golden stones of Skalá. In torrents of rushing from the water-sky with wind-water, by geomorphological hydraulics of the collapse of the irresistible capacity to harass each other in the ears of Seleuco's dialogues, after they piled up in the sneaking curds of him on the island of his speech. Right there it settled from the koelum or sky of the Lepidoptera from the Orofí or ceiling, on the natural arches of aeolian erosion and its devastating plumage, appearing in the subaerial splendor of Chauvet and its gloomy darkness, changing the morphology of the bank of Skalá turned into enchanted turquoise light also with Calypso nuances. From here Wonthelimar obscures the circumflex arc or circumflexes, which pierced and eroded the surface, piling up the ex-generals of Alexander the Great, to skewer them on the stump that was languidly seen supporting them, after the tides of Lepidoptera that avalanche in destined per capita towards the destined underworld of Wonthelimar.

Wonthelimar was separated from everyone by the moat that was separated from the gods of the surface, but now where the supporters of Seleucus were predestined by imbibing themselves in the bilocated kingdom of Chauvet and its darkness, where they were put into agreements of suitability and clarity of words discursive for the eagerness to persuade his major general. But they all fell into the middle of a dark Ultraworld, judging themselves to be dying in stockpiles of biosystems where no one helped them and gave them some indication or diagnosis of being separated from the canopy that drained them from spectral affairs, speaking as vivid visions of benefits and sovereignties that escaped from themselves without contemplation or quietism of the human race, which procreates xenophobia to kings without throne or nation. Under the Attic, calendar were the months here were only eighth, Anthesterion, received them with the name directly of the main festival celebrated in this month, Anthesteria. In goods of name contests in the semester of Pyanepsia, Thargelia, and Skira where they were relatively significant, in some of the greatest celebrations in the life of a Polis, which is not recognized in the name of the month. Some sparkled in the sound of the Great Dionysia celebrated in Elaphebolion (ninth month), and the Panathenaia in which they are only indirectly recognized in Hekatombaion (month one), named after the hecatomb, of the sacrifice of "one hundred oxen" celebrated at night. End of the Panathenaia. This is where the suspicious fondness of both families of Seleucus and Alexander the Great differed in the accent that marks the written line of the infra Polis, where the leaders of Haides or Hades are lost, for the purposes of Aïdes, as not indivisible, but with the presence of Wonthelimar, who is invisible but epically static on his balustrade in all the rings that chorally wore them for each patronage of the diádocos generals, even so he had betrayed the Hellenic legacy, by a Hellenic-Orthodox one in the disappearance of Alexander the Great in Babylon without knowing that it had been rescued by Wonthelimar, surpassing the limits of the rings of stefánes ibix, or Aros de íbiz, as nano kvantikoí daktýlioi, quantum nano-ring that augured to sensitize the dermis of its carpal phalanges, from the eighth, Anthesterion to Elaphebolion (ninth month), minus the one hundred and twenty days of gestation in a month of the attic of imníbiz, that it was of wise advice to receive him in the new engend rivers of Wonthelimar in the depths and bundles of marrow with gestation forms of an Ibex goat, with their embedded bases of stalagmites, filing the meaning of each life that was lodged in the depths of the caves and its opacity. The Eygues of Valdaine was the Acheron, but with half the deceased who sat in rows and unleashed their laurels that possessed poor aids tormented by mandrake root hands.

The underworld was a swamp that covered the heels of the diádocos in the immense blackness of the cavern that wounded them one and the other with its Kopis, by more than a hundred blows and slashes that covered them with mud and moans in their buried half bodies. That they had been intruded from linear entrances to the underworld of Wonthelimar. In the thick musts of the quagmire where objects with ornaments of fear and cavalier materiality lay, such mangrove deserts satiated with gloomy fibromyalgia and amnesia, refiguring in the wandering bones, that sinned in lights and destinies that were adopted in the sub-world with incorporeal needs., more than the exhaustion that tore the skeletal muscle of each one behind the meager compromise openings, in the strong ligaments of the host Wonthelimar that took them at forced steps towards paradises where there will never be consciousness from a Theseus typology, but from a sub taxonomy - Verthian mythological, for purposes and among others that unleash it by propelling self-infernos that are not those born by a Macedonian force or Satrap into puny kings turned into a servile, mute and decayed.

It is necessary, that solitude of all the entrances from the abyss into which they fell, was titanic and of ultraphobic acquiescent inspiration, and in the acid gestures of search of Persephone or Aerse that in random gestures fled from their persecutors, like females who ended fleeing from themselves falling into the back room where the end of souls is never exceeded or Psyché re emigrating from the punishments of a satire or a static that resulted in a ghostly wandering, or in tendentious spinners that tribulated in belated bundles of repentance. From primitive times, subjugations have been longed for in kings who would never think of leaving their cracks and washing their hands behind the backs of others who stood by, leaving the courage to lose themselves in the perversity of a body deposited in the Tartars, having to give them their prehistoric debts and meadows of carpeted debts and caged rooms.

The generals commanded by Seleucus walked barefoot along with the stump that wounded them in seams for their plantar areas, and in extreme distress, they did not dare to ask mercy from the cave host who transported them through the deep pit of perpetuity, where the frigid bullet of angina of Wothelimar, filled them with memories that protected their survival. In unworthy caprice and watery *****,… it ran frivolously down their legs, even after each impulse to recover the flashes of estimating being scared of oneself, after finding dead fruits subsisted halfway, feeling voices from the origin of the abyss that I quoted them.

Etréstles says: "Mashiach allow me to enter this grave, I do not know if I should go to rescue them, because I know what will happen..., I only ask that if I enter with courage, help me to find the same light of the exit, with the same memory of not to waste arrests, and not to lose myself in my entrustment by those who I know will not return”

Behind some Sabine poplars, it is seen how the elytra of the Lepidoptera were opened for those who crossed from the darkness without the appearance of their fruitful eyes that tickled praises of surrender, and not of ibid in the ibid that surrounded them, as if they were violated that heal at the moment when their faces departed from the miracle of privacy, and from the solitude decreed of non-existent company, companionship calming any dogmatic symptoms and hypoxia that the glimpse of the Eygues and the Acheron left them, further behind in which Saint John the Apostle and Vernarth, Reader and Petrobus to bring Etréstles back.

Saint John the Apostle says: “Vernarth go for your brother,… he wants to protect the souls of Seleucus and his comrades, go soon because there is little left to fill them with darkness which will even besiege in their reasoning and anti homelands that will not be from the din of the campanile, out of tune with joy that runs on the graces of the gift that frees you from the worst virus by not being anti-viral… ”.

Vernarth replies: “Etréstles is the slogan of Erebus, perhaps of Bumodos…, I have to stop him for his profession, since the comrades of Seleuco will not return, the effigies of Wonthelimar have made them of his children in Ultramundi, and what is Solstice of the underworld, it is only a small Sun that fits in the buttonhole of the orthogonal slot that confines it”.

At that time Raeder paraded where he before they reached the omega of the gully pit, running swiftly over the eyelets of Wonthelimar, leaving both completely naked, to tear them away from the contrived spell and bring Etrestles back all the way together and running., but both stripped of lightness and acceleration escaped from the centripetal bodies. After the tortured walls of the pit, they no longer supported themselves in their Skotos or Erebo of Wothelimar in such a primordial deity of this theogonic and fantastic event in the bilocated cavern of Chauvet in Skalá. Here all the densities and units of physical genres, from above and below surrounded them in the thick sulfur atmosphere, Ananké in such a goddess of inevitability ran after all who tried to reverse the situation of the diádocos, for the purpose of consenting their paragraphs Hellenics and to save their lives, but the mother of the Moiras went behind Etréstles and Vernarth along with Rader and Petrobus who were basking in the glow of Persephone that imbued them as they stagnated drinking mead with the Canephores who followed him. From this cryptic moment or from the bombastic insignia of Crete, Kanti's trotting from his Cretan figure was felt united with the Lepidoptera Calypso, redeeming Demeter from her crying on the edge of some Bern olive trees, emptier now that the last gradients of the agonic and venous voices in the hilarious of some diádocos that were completely absorbed by the benevolent illusion of Wonthelimar, snowy in the harrowing tenuity of his gestures and of the great Iberian that took them towards the heights of the hillocks and towards the Ultramundi that It turned them into proles of the mountainous areas, and into super aquatic monsters with thousands of loose eyes in the arches of the generals bleating, which transposed ****** subjugations of primal deities, and philastics of phantasmagorical genres of Hellas that is plucked from the peritoneum of their stomachs, and that guttural eradicated them from the blue adrenaline of Apollo.

This odyssey dispelled the orthogonal lines of the poetic affliction of those who could see the sunset and the Spyché ***** that antagonized Ananké's numinous efforts to extubate them, and perhaps exile them to the Theban plains to graze Achaeans of the first degree alongside Shamash. Lamenting of young afternoons and of the abysmal with beautiful hair of the generous of effects, swampy and of feverish Hadesian or Hade's rounds that crippled their districts, they emanated from some Marie Curie junk and vapors radiating this Parapsychological Quantum to them from their own holy final body., for a virtuous and rout of the Ultramundis of Wonthelimar.
Wonthelimar Ultramundi
GyozaNeeko May 2013
The dull public ruckus of the afternoon train filled the gaps between us.
We could have been part of it,
Drowned so deep in a conversation we could gladly call our own.
But our past selves have already taken invisible
B
R
O
K
E
N
Steps away from each other.
And tucked ourselves in the tight pockets of this companionable silence
As dangerous as the trigger handled by my emotions,
A gift for your forehead.
I will shove all my pain into your being
And watch my reflection crumble to her knees with a familiar cry of agony.
Mauled into frayed flesh in a crimson rose bush
That we had woven friendship wraths from.
And yet, my rasp throat still delivered smoothly.
“How are you today?”

Your usually anticipative eyes
Watched the scenery outside,
Disappearing just as fast as it came.
Did you think of the first day of school?
When we first approached with awkward greetings?
And from a wave and a smile
You start to attach them with questions
Questions that you should be asking me now
Things like
“Do you think we will end up in the same sec 3 class?”
“Do you want to go to ORA with me?”
“Can you save your game? We already hardly bond in class.”
“Are you even listening?”
I was.
I answered every last one,
From the beginning when we stepped into homeroom.
Even the ones you’ve never even asked me.
But now that I come running to you with my stained envelope
Are you still there at your seat?
To tell me
“You know what you need? A good cup of frozen yogurt.”


Now every glance that met
Will be snapped apart like a crisp twig.
Every walk down the corridor past each other,
Will be like two freshmen models on their first runway.
Every move, breath, laughter,
I will always be aware.
Perhaps because your voice
Will always make up for your height in the crowd,
Audible from the opposite side of the hall.
And its only until I let the quietness sink in,
When I have decided to treasure listening to the way you delivered my name,
Leaving your loud mouth like some exotic font.
That till today I still cannot decipher.

What was my height in your crowd?
164cm tall with probably less than half an inch, I guess.
You never noticed how my eyes would wander unconsciously.
Just to wonder
If you still remember I existed,
Somewhere in the pages of your scrapbook,
In the crowd,
Still searching, listening attentively.

Do you understand now?
We are standing at the extreme ends of Newton’s pendulum
Spiked from the illness of our broken bonds.
And I would swing an end so hard I would skewer you
And then the pain will come
Flying back
Stabbing me just as gruesomely.
But it’s so much better
Than disobeying the laws of reciprocation.
My friend, its unfair to be the only one.
Why not requite this one heaven of a pain?

People have pet the conflicted pain like dust off me,
And ignore the bruises that I have willingly punched myself upon.
They taught me
That the heart is a 2-room residence.
Happiness
Sadness
And if you are too happy
Don’t celebrate too loudly
Because you’ll wake the neighbor.

But could it really be helped?
This 1-year worth of what you have given me
You have left 2 party animals as clueless tenants.
Did you understand?
The fact that no matter what silly things we’ve done,
You will always be welcomed home.
And we would continue to drink
Till we are tipsy enough
To walk on the edge of the bridge we have built,
And fall into the hungry rivers
Into the places darker than black
Drowning the air out of our lungs.
But what reason should I be scared,
When you have always been the best swimmer I’ve ever known?
Forever a winner to me,
No matter how many competitions you have paddled out of the pool in disappointment.
It has always been you,
Who would slip over a note to my table,
My hair spilling over its surface in defeat.
Telling me that everything’s ok.
It’s you
Who understood that I was more of a listening person.
Your missing piece to fit your outspoken personality.
You,
The one who could even challenge me to a dance-off just to have the loser ask for the ketchup.
You,
Who could go on forever about a guy you obviously like,
But only say you ‘don’t stand a chance’.
I
The diplomatic one who would arrange you,
Like files in an office drawer.
You
The one who tried to hold us together till the end.
I,
Who failed to treasure your efforts, and share this burden.

And now that you’ve turned down the volume,
And walked out of the door without a goodbye
How am I supposed to handle the next morning, when being sober is an absolute nightmare?
Left alone to wonder what I have done
While we’re drunk, carefree and
Crumbling at the seams.

My dearest friend,
Have I ever told you,
How the number 1
Has always been our own funny little number?
Now if you just take ONE step closer…
Yes, I promise this time I’ll keep my earphones away.
I would point at the signboard above the door
And muse over how your stop,
Is ONE stop before mine.
How your birthday,
ONE day after mine.
Yeah… just like how we are ONE world apart in personality.
Isn’t that why we became like this?
SHUT UP I KNOW I’M A TERRIBLE CONVERSATION HOLDER.
I CAN NEVER PUT MY WORDS INTO THE APPROPRIATE CONTEXT.
BUT YOU KNEW THAT.
You knew.
Now go ahead.
Laugh.
Like how you always do, with that wide grin that reflected nothing but forgiveness,
Stripped down to reveal absolutely no grudges.
Because I deserve it, don’t I?
Because it was my fault,
I was the one, who willingly caused this silent war,
Fraying this thread that I mistook for a hiker’s rope.
There can only be ONE survivor in this meaningless game.
Scold me,
Because there was never such a rule.
I have decided who would be standing alone,
Long ago.
The loser,
The flower that will never find its way back from its ashes.
A.
B
R
O
K
E
N.

M
E.


(hi there. Look I tried ;w;)
Robert C Howard Mar 2014
homage to Wallace Stevens

I - My Focus pistoned up the rise
      and all at once, the Rockies -
            silhouettes against the western skies.

II - On the road to Boulder
      a pleated ridge crawls north
            like a blue whale bound for the open sea.

III -  Appalachia's intoxicating verdure
      never fails to induce in us
            a certain mellowing of the spirit.

IV - You 'conquered' my North Face, did you?
      Why, I should skewer your arrogant ***
            like a holiday lamb culled for the sacrifice.

V - Lewis and Clark looked west
      surveying the Bitterroots' frigid expanse.
            Farewell Northwest Passage!  

VI - Pueblos stranded on Enchanted Mesa -
      their rock stairs crumbled to the valley floor.
            Should they dive to their death or starve?

VII –Touristas at Big Bend Park
      wonder at its pastel window -
            its romantic haze a toxic gift
      from stacks across the Rio Grande.

VIII – The once mighty Ozarks humbled by age,          
      dwarfed by the youthful Rockies.
            Listen up, youngsters, your time will come!

IX – We de-bussed to seize the dolomites
      with our hyper-kinetic shutters.
            Pausing for a draught of Italian air,
      I felt the whack of an Alpine snowball.

X - Before Oregon's crater had its lake,
      the mountain scorched the village below.
            Today its azure waters preach only serenity.

XI – Looking down from Shissler peak
      to the golden meadow below
            where the elk herd calmly grazes.

XII – Do mists veil the Blue Ridge Mountains
      or are there really no mountains at all -
            only clouds decked out in mountain attire?

XIII – They say that peaks more steep than Everest
      soar up from the ocean floor.
            Who will scale their sunken heights?

May 28,  2010 – Boulder Colorado
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
Cielo Gebilaguin Jun 2011
I shook you gently, wake up, I was hungry again.
I said I was eating for two, you obliged and got
up from your side of the bed.
We had slept early that night, the neighborhood
was still up when we woke. We walked, the air
whiffed of the usual street fare over hot coals.

I asked, if it was alright to eat at this time of the night.
Thinking you’d object, I pointed out,
I was eating for two and you smiled a bit.

I was eating for a child you said we couldn’t keep.
David J Byars Feb 2012
I closed that door.
Barred and barricaded it,
Left a bomb inside,
I didn’t wait to know it had
Set off.

I haven’t stopped stopping,
Staring through the small windows,
Everything blinded; myself folded.

A tornado streaming through my past,
This gush sets me free, flying uncontrollably
Somewhere else.

The more I fall, the more I find
the shards of that broken world.
I let them skewer my mind,
imagining them mended back together.

I closed that door.
Yet here I stand its way,
a silhouette.
Neither here nor there.
cassie sky Sep 2012
My thoughts are askew
When I sent you away
I went with you
But my body stayed

Every time our eyes meet
I begin to remember
What makes me, me
You blaze my embers

Extract the human
That I now lack
Show me who I am
Please, bring me back
Between the din of dusk and dawn
Runs Sleepy Pillow Lane,
Where gators guard the Gates of Thorn
And cryptid creatures reign.

They glide across the midnight sky
Like grime in sanguine sewers;
White canines long and talons drawn
Spike rodents on a skewer.

Gray giants glare from full-moon eyes,
A ghastly ghoulish spell;
Sweet sleepers swell the wells of Nile
While centaurs swing the bell.

Horned vipers writhe into your fears
Like scythes through strangled weeds;
And severed heads of angel hair
From shouldered stumps relieved.

A putrid pile of newly-deads
Awaits the devil's scorn;
And legless maggots gorge in beds
From which the fly is born.

Hungry hyenas howl in packs
While circling carrions crow;
And chunks of flesh are torn from backs
Cracking bones bare below.

Scavengers feast on man and beast,
No rotting limb is spared;
From hanging tongues to napping feet
Blood splatters everywhere.

Brimstone and thunder fill the air
With hail presaging doom;
Ten toothless witches shriek and cheer
As zombies creep from tombs.

Masked mummies stalk with stakes and stones
In search of sleeping heads;
They crave the skulls and living bones
Of bodies slumped in bed.

Through R.E.M. you toss and turn
And roll on restless wheels;
Alas Red Rooster blows his horn
To end your grim ordeal....

~ P
(January, 2013)
REVIEW:
"This poem by James Gregory Paul Sr. reminds me of two people at once: Coleridge and Blake. I guess that is perhaps a more than sufficient reason of including it in the online magazine. I wanted to provide a succinct critique but honestly I just can't manage to write anything. It's best that the reader read it aloud and enjoy the best of what is called as poetry."
~ Impulse Magazine (www.impulse.org)
Fat people canes
  They buckle and break
Fat people canes
  They smell faintly of steak
Fat people canes
  Always arched
Fat people canes
  Holding up the heavily starched
Fat people canes
  Struggle down the street
Fat people canes
  An aid for battered feet
Fat people canes  
  Support poorly distributed weight
Fat people canes
  Caught within a sewer grate
Fat people canes
  Can't handle the load
Fat people canes
  Easing movements slowed
Fat people canes
  Used to skewer crumbs
Fat people canes
  Used to butter buns
Fat people canes
  Prop for a hefty handicap
Fat people canes
  Can't fit within a taxi-cab
Fat people canes
  Deserve a wage
Fat people canes
  Traded in for a Rascal with age
ZWS Jul 2014
Clean off your slate, that messy desk is just a ruin of all your memories
Dust every corner of your room, make room for contemporary
Throw all your old toys in the garbage, they're just personality accessories
Destroy yourself if all means point to necessary

Talk to the conch before you throw it back into the sea
Or into that lake broken of glass bottles that gave you ****** feet
Dress yourself up, make yourself look neat
Only return to that lake if you want to see where your heart still beats
Strip your bed, clean your sheets
Forget those games in the corner they distract you from the elite

Travel into an empty cave, forget the friends you once knew
Trade out your old sneakers for some nice shoes
Forget the swing sets, and the bicycles, they're way past due
Forget the silly pop music, it's time you outgrew
Cast away that personality, trade it for a tie and a monochrome hue

Try on your high heels and your perfume
Lose some weight and your hostility too
Skewer you, skewer you into a new geometrical suit
You jump now, you're a frog now, not a newt
Learn how to love, learn how to reproduce
Learn about narcissism, try to pursue
Learn about love, try not to lose
Learn about depth, try to precept
Learn about religion, try faith too
Learn about yourself, try to hold on to that, it's more important than you ever knew
Become one of the many, one of the many of the few
Take everything out of that trash can, begin anew
SøułSurvivør Feb 2015
-


There's a form of rodent
In Latin form "quill pig".
He isn't very fast.
He isn't very big.

But be very cautious
If you encounter one of these.
They are very nasty,
Mean, to say the least.

They bristle up and like cacti,
They have a vicious will...
You don't need to touch to be
Nailed with a quill.

They will flick their tail
To let their venom fly,
So give this beast some room
When you see him going by.

People who are insecure
Will be like them.
Watch for signs.
You don't want to be around
The subtle porcupine.

The pen will rend and skewer.
The pen will have its art.
It will send a poison quill

Straight into the heart.


SoulSurvivor
(C) 2/12/2015
"Porkies" is a British euphemism
For LIES.

I'm sick and tired of poets
Who use their pens to
Subtly skewer other artists.

I have recieved this in the past.
Not here. On my first site.
Now, I have a thick skin.
But others may not be so blessed.
I've been writing a poet friend
On the site message system
Who has been hurt.
JUST STOP IT !!!
You are an adult. Act like one.

To all being bullied,
Just remember this.

YOU REAP WHAT YOU SOW.
The backstabber has a big problem.

He always has to
Look over HIS SHOULDER.

-
Pearson Bolt Sep 2015
the invisible hand is in my pocket
pilfering everything
and there's nothing i can do
to stop it from robbing me blind

it does not guide it only destroys
personal expression under the
whims of an outmoded model of economics
capitalism
a philosophy that subscribes
to the metaphysical conclusion
that a spiritual malady
plagues every human heart
a harsh chorus that rings like a melody
of triumph in the multi-million dollar
mansions of the 1%

convinced we're born selfish
it seeks to reward us for our own malpractice
an edict predicated on social darwinism
that forestalls the possibility of future charity
as it drowns in the throes
of misanthropy and butchers any hope
of philanthropic community or basic humanity
to vanquish our more maleficent impulses

relegated to paying taxes
to ensure the illusion of security
while our money finances endless
war and police brutality rather than
healthcare or education
they know if they keep us sick and dumb
they can get away with ******

if the population shirks in horror
from the looming specter of terrorism
they can justify ubiquitous surveillance
that robs us of our right to
self-determination but
people should not be afraid of their governments
governments should be afraid of their people

they say we can't be trusted
that this is for our own good
but i'll call their bluff that
bull on Wall St. is full of ****
and like a matador i'll entice it to
lower its horns and charge
when itsjust a hairsbreadth away
i'll turn to one side and let it skewer
the slave-driver raising his whip behind me
that same skulking shadow that turns
veterans into homeless wanderers begging
for loose change in Central Park
a pale horse haunting the aspirations
of college students it
leaves the poor and
oppressed shivering after dark and
overburdens broken backs
god doesn't hold up the world
like Atlas we shoulder the globe

now watch us shift the weight

brought down by the people you tried to suppress
this is not some petty expression of vengeance
but the rallying cry of a dream deferred
exploding out to meet your injustice
mark my words

we're taking over the world
In honor of the brave men and women who protested, demonstrated, and resisted in order to ensure that future generations of workers could rely on a minimum wage, a 40-hr. work week, and benefits. We still have a long way to go. May we follow their example.
Slur pee Jun 2016
My words come out all slurred, blurred, and censored. My heart has a faulty bad juju sensor. My nerves are practicing voodoo, got me all wrapped up in hoodoo. Always asking 'how do you do?' As if you'd ask me too. My world is red, my world is blue. My vision is all kinds of skewed. Skewer me, skewer you. Skewered life 'cause it leaves us *******. Who needs to hear another boohoo? I'll kiss my own **** boo boos. Satan's calling me like 'yoohoo' I'll ignore him like you do me, all passionless and angry. I'm a dead fish in a dead sea just practicing my moaning, for when I'm see-through and lonely. Haunting the world as it's revolving, and it's kind of revolting- knowing life goes on, as you're decomposing. I'm shedding, I'm molting; these feelings of chicken skin and insects. It was really salmonella and pests, and I guess, what the point I'm really trying to get to is nothing, oh and *******.
Joe Cole Sep 2015
He calls himself Dr Swalik

Take a long sharp skewer
Pierce the body in numerous places
But please, please do not pierce any vital organs
Place said scammer in a pre heated oven
100 degrees or gas Mark 4
When the agonized screams have reached their loudest
Reduce the heat
Baste liberally with honey and olive oil
Add chopped herbs of your choice
Re baste the scammer and turn up the heat
Gas Mark 7 would be about right
When the skin is crisp and golden brown
Serve up the scammer on a wooden platter
Serve with buttered new potatoes
And **** apple sauce
ceara Mar 2011
She was as crazy as a Norse horse
with a wild bleached mane and madeyes,
always willin to do anythin for ya
with a ''come on then''
her moods would drive you insane,
wrenching compassion and anger from your heart in equal parts,
spewing venom when talking of her ma,
it would hurt to listen,  yet it was easy to see this sulphuric froth
as just rage being rage.
In her kitchen she concocted over spilling potions
banana and coconut breads, her time was your time,
her table always spread, with baskets and jars,
Valerian by the bottle she sculled to help sleep,
baskets with moss and golf *****, Scottish tat in a heap
and beliefs, worn and threadbare like the carpets
in her tiny,  orange doored flat
with a gerbil called ***** and a hamster called pat,
and dear wee Jamie who spouted that Halloween mantra ''crap bat''
we filled and hung balloons with sweets and let the kids skewer
the hell out of them, it rained chocolate in the corridor for weeks,
and that is what I loved about her madness,
is that it dived and it did, and it speaked
blaise Jun 2017
hi! my name is DEADNAME
i hear it resonate through my dysphoria, i recoil from my body. i desperately want to hold a match stick up to my birth certificate and watch every letter blacken into ash, when i grow up to be a tombstone i want you to burn me too. ignite all the dresses i wore to church.

my name is WOMAN and
no matter how many times i insist that it is not, i will be categorized with a quaking punch in my stomach and i will throw up SHE. no matter how many times i jam this hoodie into a washing machine it will reek of MISS. i am cloaked with words of caution to the public (WARNING: PROBABLY JUST A PHASE) in attempts to subdue the truth because if it unraveled i would be myself, and myself will shatter minds and destroy virtue because my psyche is a crime scene, my humanity is a dangerous opinion, and my identity is a car crash. it is a siren wailing magenta; it wraps around my chest like police tape- i wish i could use it as a binder. those knuckles feel infinitely more therapeutic than the aftershock of FEMALE. i would much rather be bruised and downtrodden and battered and beaten from every centimeter of my body than to submit to the declarations of GIRL. i want you to punch me again please punch me again please punch me again please punch me again please punch me again please

my name is DELUSIONAL and
i heal paper cuts with bow ties because it’s as close as i can get to a suit when me and my wardrobe are confined within the same nine square feet of wooden floor. i still come close to weeping when i get my flu shot, but fill that syringe with testosterone and by god you can slay me like a beast, skewer that needle through my skin like a katana and i will embrace it. i will live for the torment, pretty hurts and, by god, i am a *******, to mask the sting by god i will sing like a gospel, a gospel who gets called handsome by strangers and owns a voice deep as a ******* ravine.

my name is SNOWFLAKE and
i hope i give you hypothermia, *******.

my name is YOUNG LADY and
while filling out my passport application i flooded the box with an M beside it with ink and never told my mother and i smiled to myself for the first time that week and i still don’t regret it, i will never regret it because no matter how many times i hear edicts of DAUGHTER she can never take that precious M away from me.

my name is SINNER and
i am a disgrace to faith. a mutant, a freak, an abomination, a monstrosity, not a man- just a girl who aspires to mutilate herself into an excuse for one. i am a shapeshifting sorcerer, you see LESS THAN HUMAN. little do you know i am a ******* DEMIGOD and i may be the owner of weeping willow twigs for arms and i may be left on the brink of passing out when i climb up the stairs but i will grip you by the collar of your shirt and haul you into hell with me on the other side of this mirror, by god.

my name is BLAISE.
i found this out at age eleven. i deciphered myself at age eleven. it’s just one syllable. it is a firecracker mistaken for a gunshot and i will leave cisnormativity riddled with bullets and the pistol’s name will be BLAISE. a kid from middle school will run into me on the street and tell me they can’t quite remember what my name is and i’ll shamelessly rewrite history and remind them, it’s BLAISE; a lady at starbucks will ask what to write on my cup and i will say BLAISE and she’ll spell it 'blaze', but i don't give a ****, it’s good enough, i will scream my revelation from my fire escape at four in the morning in triumph MY NAME IS BLAISE and someone will yell back from their car HEY BLAISE, SHUT THE **** UP and i’ll take it as a tribute, BLAISE is a MAN and HE sliced his body open and poured ecstasy inside when a cashier called him SIR that one time at walgreens. BLAISE is yet another piece of proof that the assignment received by some ****** in a lab coat doesn’t have to be a prison and you don’t fully understand these boxes we’re crammed in until you break them yourself. BLAISE'S individuality is authentic, HIS love is authentic, HIS reflection in the mirror is authentic, and its name is BLAISE. BLAISE found out the life expectancy of a transgender person is around thirty-two years old and you better believe that BLAISE will live to be thirty-three and HE will give a little bit of hope to trans youth who don’t even think they’ll be able to wake up to sixteen and HE will give a big ol’ ******* to everyone who doesn’t think HE deserves to breathe in their world for that long, by god, you better believe that BLAISE will live to be thirty-three, you better believe that BLAISE will make it to thirty-three, you better believe that HE will make it to thirty-three, you better believe that I will make it to thirty-three.
Olivia Kent Aug 2013
The Cataclysmic Frog!

Knows he wants to die.
Slip from his lily pad.
No-one knows why.
All he seeks is misery.
He’d sooner end up dead.
A frog of many colours with toxins in his skin.
To tell the truth in this sorry tale
Which is maybe merely a superficial jest.
Secrets told and secrets sold.
Only shows an honoured few.
He is gifted.
Blessed with awesome style.
Offers trips,
Accompany him on his lily pad,
The cataclysmic frog, he’s not bad.
Subtlety strokes.
Most of his gifts he keeps hidden away.
Denies he has them.
He’s crying inside.
Cowering in fears’ depths.
All love concealed.
The frog, he knows these feelings exists.
Finds them hidden under well- worn pebbles.
Eroded by the tide.
Pebbles round and shiny.
Clear and bright, occasionally catch sunlight.
Provoking memories, still fresh.

A fear of fingers snatching him, causing searing pain inside.
In his heart feels wickedness as stabbing needles burn again.
The sky drips with vermilion blood tears.
As in sadness, he denies.
Believes he can’t see her in front of his eyes.
Dries out while he dies.
Just as he expires before he flies.
Such a shame.
He knows this vision was predicted.
Together they shall beat a retreat.
Poor dying frog stuck upon a skewer.
Finding excuses to give to his muses.
The sad cataclysmic frog, once again he’s blinded.
As his true love he denied.
Just see what he loses!
Olivia Kent 2013
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Sophie Herzing Apr 2015
She told my dad he was “kind of an *******”
the first time we had dinner with him,
at this place called The Pear Room
but she was disappointed that there were not only
no pear decorations, but that there was not a single dish
with a pear included. She ordered a dry martini
with three olives on a skewer,
but she never took one sip. She gulped.

She came at me like an avalanche in jean mini skirt.
I tried to run ahead of her, but she picked up speed
and tossed me right into her path with scratch marks
on my back to prove it. You’d never know it
by the way she twirls her hair into a bun at the top of her head
just to take her make-up off, how she laughs
instead of getting ******, or how she sometimes
orders her dessert before her meal, but she’s just a girl
who puts on her toughness in the morning like a slip.
She folds

her dollar bills into fourths before she puts them in her wallet,
and she strings herself like paper chains
against the sun every day as she drives to a job she hates.
She listens to Miles Davis on her record player,
asks me to dance at half past eleven on nights I need to sleep,
but I get up anyway. I pour us both a glass of Coke
and try to capture the reflection she doesn’t see of herself,
mirror it in my eyes, just so she knows that she
is not just another item on the menu.
As the cobra falters before it doth strike I recoil away from thee, awaiting my moment to ricochet forward and make my ****. Such false security aids my real course and weakens my adversary’s resolve and as you happily take full advantage of this ill advised programme you can rely that your mistake is now my gain. As you plunge, I parry and as your momentum fades mine increases in velocity until my blade doth find its target.

This sword of mine, made of finest worked, metal, slides easily through your personage. Flesh, muscle, even bone presents a none problem for this well forged tool. Sharpened point now immersed so deeply through your core that it conveys me too close to this pierced torso. I am spattered by such spurts of blood and sickened by another’s foul breath.

We gaze for a moment, you in the horror and pain of defeat and myself in the satisfaction of victory. You remain upright only through the skewer I have delivered and it is at my decree that you do so. As I withdraw my being the blade extracts itself and it is only then that you are allowed to descend to your indubitable destination.

As crumpled legs can no longer hold the weight of thee I use the momentum of this blades removal to pirouette my body. The spin that culminates with such a strike, a laceration so immense that the removal of your skull is no more than a mere triviality. Your destination is now complete. This is the legitimate place for a lesser man and the norm for a superior warrior than thee.

Come take this gift dear Lucifer, I make a present to you of death's cadaver, it lies here before me at this very moment and it is yours. A donation from one great warrior to another. It seems that I fill such a bottomless pit with unworthy adversary. They suppose honour holds them to stand before such a skilled combatant but their is no morality for lesser men to try. There is no such thing as a honourable fool.

I seek he that will try my skills, he that will take me to the brink of death with more than a single strike. For this person I will gladly redeem as a worthy opponent, for he, I will present my respect in more than a just a mere bow. Such adversary should he become victorious will possess a legacy that will draw him to the status of majesty. I would gladly fall to this superior being and as such, this would be a most fitting and virtuous death.
10th August  2013 Posted Aug 26th 2014 © Copyright Christopher K Bayliss 2014.
sobroquet Oct 2013
Poets make lousy friends because  eventually they’ll  skewer you with their poison pen; their  insulting  writ of relentless invective and opprobrious apoplectic venom. The naked foist of un-allayed aggression as art-form whereby  the vitriol of familiarity slices like a knife and digs in like a dagger.  The very nature of chumminess turns adversarial.  Like  acid in the eyes the sneering contemptible retch could cobble out words with a disgustingly exquisite though execrable precision. A quirk, an idiosyncrasy, a malevolent adherence so committed to  unmitigated truth that it is as a fist to the face,  a shocking starkness of  incivility justified by a requisite expedience hastened by the anxious need to blow one  off forthwith.  He was a veritable torrent  of abject invectives.
A cynical definition of the impertinent   misanthropic  poet and their love of harsh realism.  The sort of codswallup only a master of erudition could stomach.  Metaphoric overkill.   A portrayal of an insufferable contemptible "artist" who believes that talent is license to have bad manners.  The classic snotty prissy- pants with an inferiority complex masked by over compensation.
sobroquet Jun 2013
Some poets   make lousy friends
they'll eventually skewer you with their poison pen
their  insulting  writ of relentless nasty venom
like some  twisted performance-art-form
naked foist of un-allayed aggression
the dilettante's vitriol of familiarity slices like a knife
the very nature of chumminess segues into   adversity
a quirk, an idiosyncrasy, a malevolent adherence
so affixed are poets to the unmitigated truth that it is as a fist to the face
a  horrendous starkness of  civility
justified by a requisite needy urgency of  expedience
contemptuousness brought on  by an  anxious desire to blow you off -ASAP
they'll turn on you like a feral cat
Trevor Morse Apr 2010
As stars reflect the knowledge of the sacred,
The boiling seas of the cosmos churn acrid.
Upon the nurturance of Venus' passionate quivering calls exclaimed,
The essence of God's wrath so lovingly made tame.
As the chariots of love, upon the courtships of epic virtue, possess,
Our goddess sisters, import the specialty of rule, for which the governs obsess.
As Boreas' trumpet sounds a euphoric ecstatic bliss,
Rosicrucian passion bells hither, to a faint swaying and hiss.
As the murmuring embers of the divine, left receded,
Hour of humanities past, no time of present, so subtley defeated.
As upon death, a mummy spreads its rein,
Crucibles of knowledge, all for not, in vain.
The seduction of fertility and the mysteries left to relish,
Though made bitter upon showers of mourn, to embellish.
The disillusionment of our fathers’ petty immortal opportunity made solemn,
The wisest of men, why, amongst the true, made golem.
Take precedence, then and now, when upon your throne of pride,
As the winds of wrath call upon, our savior’s passion tried.
In due notion a precedence of time, without respect,
A fulfillment of God's love, our souls to resurrect.
As dragons drew the chariots of night with profound duration,
A coward’s sword in hand, his skewer's elation.
As stars reflect the knowledge  of the sacred,
Humanities, why… derision for dole, left shaken.
As prophets emit, as seen thus…
When stars do let fall the Sun,
Pray thee, a heavenly Venus.
JM Jun 2013
Right now I want to cut myself,
deep.
I'd like to drop lit,
wooden kitchen matches
onto my willing abdomen
and watch
my flesh melt
away.

Something has to give.

Bind me to an iron cross
and flay my skin.
Strike my joints
with a metal rod
until I am
completely broken.

This cannot last.

I'd like to grab
hold of the flesh
under my jaw
and rip my ugly face
off of my ugly head.
I want to pound nails
into my knees,
chew on thumb tacks,
skewer my eyes
with toothpicks.

I spent an hour
scraping calloused feet
and toes when I could
have cut them off
with a pruner
and saved some time.

I'd like to do these
things, but I am
not a *******
I am no victim.
I am no martyr.
I am not so deep
in The Nothing.

I would rather
perform these acts
upon you.
Mateuš Conrad Oct 2015
i’ve learned all my trickling tricks of puppeteering from philip augustus of france early on in my schooling, richard the lionheart never came close, i was in similitude with philip augustus, that i even bought jim bradbury’s book to read and essay with.*

never become the alcoholic that denies his alcoholism,
you can’t hide an addiction, better embrace it,
when addiction enters the stage as the acted upon acting
there’s no point hiding it,
enter the realm of the full embrace, hiding it will only make it worse
than it actually is, i embraced it, and i think
the piggish commons are getting their tax payers’ money’s worth
with my poems, if you think otherwise... you stand
happy-idle at the supermarket check-out and tell me
the football scores from the big weekend
when a northern monkey team took a thrashing
from a southern fairy team.
the question is different thought - forget the beginning and end
planned - we already have the diapers and the coffin,
make what the middle ought to be, clueless narration, spontaneity,
off the streak of the river currents not expecting change
but having to accept change...
michael greilsammer’s la ville blanche
cream’s white room
or cat stevens’ into white?
none of them... moody blues’ nights in white satin...
but a funny emerged from trying to sing greilsammer’s la ville blanche,
i speak no french,
and in my mumble i managed to see the other imagination,
the skeletal one, not the technicolor one of images and walt
and the housewives sleeping beauty and snow white
(although i appreciate the other walt, the whitman),
i mean, through my “un-imaginative” mumbles i tried
to skewer the words of the song, i couldn’t,
i could usher in a single perfect word
but beyond this i was trying to imagine the god awful spelling excesses
of the french tongue... i mean bordeaux when you only say bore’s door /
boarded up door - no x oh... xylophone, yes, no? no...
oh no wonder dyslexia and spelling mistakes...
these letterings are phonetic approximates,
anyone can make the visuals complicated
and retain power... but few to own up and say:
1 + 1 = 2, but the priestly order said: e + ' = é
as jumpstart ready on the trampoline... but e + ' = è
means you get a sudden attack of the mute & mime.
that’s what happens with a missing diacritic that’s blatant in english,
you get to spell a french word like bordeaux with a zed and look at it and qualify
the tongue to say: yep, bored door... needs oiling... oil up oil up!
then spontaneously play a harp of unconscious snorkelling
(also known as snoring... boor hiccup shush... bore hiccup sheen):
it’s the last stronghold of the imagination, this invested in english
from mother tongue slavic... it’s like trying to sing to a song
without spelling glaring at you...
so you start imagining this blessed primitivity...snakes and matchsticks
to flare up... turn it all into a 1970s disco...
it makes sense to mumble then... for ****’s sake... bordeaux?!
who adds so many letters in between definite lettered sounds
to make it look more uglier than the pretty riviera? huh?!
monaco? oh... well that explains it: why vaduz (capital of liechtenstein)
doesn’t have a grand prix.
Josef Wilhelm Nov 2013
The shadows of the distant past
skewer across the expression of her face.
Scars of passionate darkness
are reminded every turn she makes towards the light.
As small as she feels she calls out for help
silently hoping faith can over come the fear.
But the fear is strong and deep inside her bones
sinking ever deeper beyond comprehension.
Char coals and the fires of hate for oneself
are burning inside her sanctuary.
There are holes in her safety net
and no one speaks her language,
so the calls will never be heard.
And now as she feared in the end she drowned
in her own hatred left breathless
to die inside her own self worth.
OnlyEggy Jan 2011
I was running full speed
with hands a-blur
Legs moved at warp speed
but I couldn't be sure
That my mind kept the same speed
as initially procured
Subtle hints in their voiced word speed
that my lungs endure
At the pace of vocal cords and their speed
to a heart that's pure
While I raced at the pace in the fast lane at full speed
I was ignorant for sure
To the signs of the fissures that form when spirits break at this speed
too small to see in this blur
So I raced for the carrot hung at the end of this rope, where we move at break neck speed
Like a pawn on a skewer
Where I was lead to believe, but it's hard to be certain when you're moving at this speed
Where's the truth on the lure
On the line of lies that they casted out of the reel of hope where the victims speed
As my face shows the fissure
From the hits I have taken by the promise of the shelter of a slower speed
Realized faith in the sewer
I slow enough to read the signs missed at my blistering speed
A shock to be sure
Led by misguided voice that speaks at light speed
from the mouths of the cur
NO U-Turn, maintain current speed
but there is no future
And as I started to lower the speed
their words were fewer
Traveling at old fool speed
I was now sure
That life's speed
was nothing but manure
Another Insomniac Poem
depraVed Sep 2015
Skewer my body over the open flame. Rub the coals on my skin.
I will let you.
I will let you to prove that I am human too.
Rake the charred flesh from my bones to reveal that they are broken.
I told you so.
I told you so many times that the hypocrisy is natural. Flowing in our human hearts. Not the spirit. Not the loom. Not the quest of which was given to whom?
You may ask me.
You may ask me who; and I would tell you, "Me and You".
And the quest of which is spoken is to be human too.
Cry Sebastian Mar 2010
St Paddy is a devil
with a cruel taste for beer,
last night he beat me on my head
until my vision disappeared.

My eyes are feeling blurry
and my head is a balloon,
I dont know if I'll make it
until this afternoon.

My mouth tastes like a harbour *****
and my breath smells like a sewer
my brain cells are on strike
and my throat is like a skewer.
I.
I contemplate nom de plume (a).
The nomenclator (b) pax (c) kiss of peace (d) .
Coddle (e) the dowry (f) , the dowsables (g) pas de deux (h) .
Fill the kyack (i) with tidytips (j) from California , that land lease (k) .
No irrational number (l) , reality two (m) .

Definitions:
(a) non de plume - pen name.

(b) nomenclator - a book containing a ciollection of lists of words or names .

(c) pax - from Latin pax vobis (peace to you) or pax vobiscum (peace with you). A pax is a liturgical object used in the Middle Ages and Renaissance for the Kiss of Peace in the Catholic mass . It began to replace the actual Kiss of Peace in the 13th century .

(d) Kiss of Peace - An ancient traditional Christian greeting.

(e) coddle - treat in an indulgent or overprotective way .

(f) dowry - property or money brought by a bride to her husband on their marriage .

(g) dowsables - obsolete word for sweetheart or lady love .

(h) pas de deux - a dance for two people , typically a man and woman . A duet in ballet.

(i) Kyack - a packsack to be swung on either side of a packsaddle . Two connecting sacks .

(j) tidytips - an annual wildflower native to western North America .

(k) land lease - leasing the land upon which a tenant may own the home but not the land .

(l) irrational number - is a real number that cannot be expressed as a ratio of two integers . A number with an infinite number of digits .

(m) reality two - Jen Oliver Meiert - two realities . One is the physical reality . And the other is psychical reality .


II.
Fatten on krass (a) and farina (b) , fanfaronade (c) , mordancy (d) , honey and beurre noir (e) on toast .
Nothing to ambsace (f) !
The guidon (g) carried by a guidon betraying the one ,
"one's fancy" only to be crushed by a juggernaut (h) . . . promace (i) .


(a) Krass - German for gross or coarse .

(b) Farina - name in the U.S. for milled wheat .

(c) fanfaronade - arrogant or boastful talk .

(d) mordancy - a biting or caustic criticism .

(e) beurre noir - French for black butter .

(f) ambsace - the lowest throw of the dice .
Something worthless or unlucky .

(g) guidon - a pennant typically attached a pole that narrows to a point or fork at the end . A standard for light calvary .

(h) juggernaut - huge and overpowering force .

(i) promace - animal tranquilizer .


III.
Could I quintuplicate (a) the subdebutante (b) becoming tag end (c) ?
Would I cozen (d) the bulblet (e) from the branch Circe (f) ?
The Elaine (g) of long ago evanescent (h) my Hesperus (i) friend .
To Hesperides (j) especially , the Jinni (k), lowball comedy (l) .


(a) quintuplicate - fivefold . To multiply by five .

(b) subdebutante - a girl in her mid teens about to become a debutante .

(c) tag end - the last remaining part of something .

(d) cozen - to trick or deceive . Obtain by deception .

(e) bulblet - small bulb produced on a larger bulb .

(f) Circe - Goddess , nymph , enchantress or sorceress of magic . Daughter of Helios and either Oceania or Hecate . Able to change people into animals with potions or incantations .

(g) Elaine - the women of Arthurian legend who died of unrequited love for Lancelot . From Greek , a girls name meaning "sun's rays or shining light" .

(h) evanescent - soon passing out of sight , memory , or existence . Quickly fading or disappearing .

(i) Hesperus - the planet Venus . Evening star .

(j) Hesperides - legendary garden found at the western extremity of the world that produces golden apples . The nymphs that with the aid of a dragon guard the garden that grows the golden apples .


(k) - Jinni - also Genni . In Arabian and Muslim mythology the intelligent spirit with less ranking than an Angel that can appear in human or animal form for the purpose of possessing humans .

(l) lowball comedy - a deceptively crude comedy with underlying meanings .


IV.
My Maginot Line (a) , my Magen David (b) . . . before you board mae west (c) .
The squirting sea cucumber .
The Sammum Bonum (d) goes .
It's Watch Night (e) like a watch pocket (f) .
Zombism (g) we have digressed (h)
The incunable (i) mickle (j) , the  micawberish (k) pentagram (l)
exposed .


(a) Maginot Line - weaponized concrete fortifications built by France in the 1930's to keep Germany out .

(b) Magan David - originating from Medieval
Arabic literature . A hexagram (overlapping equivalent triangles) that was used as a talisman on protective amulets and was known as the Seal of Solomon . In the 18th century it was adopted by Jewish interest as the Star of David .

(c) Mae West - Personal flotation device (PFD) , life preserver . First inflatable life preserver created by Peter Markas in 1928 .

(d) sammum bonum - Latin . From Rome's greatest orator meaning 'The highest good' . Virtue .

(e) Watchnight - a service also called Watchnight Mass is a late night Christian church service . Held on late New Year's Eve . Also called Freedom's Eve service , a celebration and remembrance of the Emancipation Proclamation (enacted January 1 , 1863) which freed the slaves in the Confederate States during the American Civil War .

(e) watch pocket - extra fifth pocket on the right side of blue jeans made for a size 16 pocket watch .

(f) Zombism - the Kongo and Kimbundu system of religious rites . Characterized by worship of a snake diety during Voodoo rites .

(g) digressed - leave the main subject temporaryly in speech or writing .

(h) incunable - a book , pamphlet , or broadside ( a critical response) printed in Europe before the year 1501 .

(i) mickle - a very large amount .

(j) Micawberish - resembling the character of Wilkins Micawber in the Charles Dickens novel
David Copperfield . Especially optimistic to the point of being irrisponsible .

(k) Pentagram - five pointed star used in ancient Greece  and Bablyonia . Which is used today as a symbol of faith by many Wicans and said to have magical powers and associations .


V.
While the rabalo (a) swims the tropical seas
succes de scandale (b) .
While the Exmoor (c) ponies exert , ****** (d) in-and-out (e) .
And the Langur (f) from Laos
lies lethargic , drinking meadowsweet (g) ale .
The Nereids (h) tease and pase (i) in polyrthym (j) .


(a) Rabalo - common snook or sergeant fish .

(b) succès de scandale - a success due to notoriety or things of a scandalous nature . Public controversy .

(c) Exmoor - an area of hilly open moorland in west Somerset and north Devon in South Wales England named after the river Exe . Ancient royal hunting grounds .

(d) ****** -  Queen of Asgard and wife of Odin . Stepmother of Thor and adoptive mother of Loki .

(e) in-and-out - copulation

(f) Langur - long tailed aboreal monkey with a characteristicly loud call .

(g) meadowsweet - or mead wort is a perennial herb that grows  in damp meadows in Europe used to make medicine .

(h) Nereids - In Greek mythology the Nereids are sea nymphs , daughters of Nercus and Doris and known to be friendly and helpful to sailors .

(i) pase - a maneuver with a cape used in bullfighting meant to get the attention of the bull .

(j) polyrthym - a rthym which makes use of two or more different rthyms simultaneously .



VI .
The enchantress in a jaded jodhpur (a) .
So kitsch (b) with the live stream (c) mouth .
A menu (d) with folded mantis hands , a Nazarene (e) .
An à outrance (f) , an abstraction (g) .
***** envy (h) , reach-me-down (i) , rest house (j) south .
The simoon's (k) coming , simon pure (l) in simony (m) .


(a) Jodhpur - also called riding breeches . Tight fitting trousers that reach the ankles ending in a snug cuff worn primarily for horse riding .

(b) kitsch - German meaning ****** art . Excessively garish or sentimemental art usually considered in bad taste or lowbrow .

(c) live stream - to stream digital data . Data that is delivered continuously and is usually intended for immediate processing or playback .

(d) manu - (Sanskrit) is a term found in Hinduism . In early texts it refers to the first men , (progenitor of humanity) .

(e) Nazarene - native of Nazareth . A member of a group of German painters
working mainly in Rome who from 1809 sought to revive the art of Medieval Germany and early Renaissance Italy .

(f) à outrance - exorbitance .To the limit .

(g) abstraction - freedom from representational art . Dealing with ideas rather than events .

(h) - ***** envy - the supposed coveting  of the male ***** by a young female according to Sigmund Freud .

(i) reach-me-down - second hand clothing

(j) rest house - shelter for travelers especially when there are no hotels available .

(k) simoon - a hot dry dust-laden wind blowing in the desert , especially in Arabia .

(l) simon pure - untainted purity or integrity . Absolute pure , genuine or authentic . Also used negatively as pretentiously or hypocritically pure .

(m) simony - the buying or selling of ecclesiastical privileges . Such as something spiritual . Taken from Simon Magus
(Act 8:18) who endeavored to buy from the Apostles the power of conferring the gifts of the Holy Spirit .



VII .
Come Nisus (a), Lord of misuse.
With your Ibizan (b) hounds
and ewer (c) .
Your ebulient (d) ectomorphic (e)
mentality .
Board a carrack (f) to Chad breastbeating (g).
Put your thoughts on skewer (h) .
While seeking an essoin (i) , flannel-mouthed (j) idyllic (k) .


(a) Nisus - Greek mythology , King of Megara , son of Pandion of Athens . When King Minos of Crete beseiged Megara , Nisus's daughter Scylla fell in love with Minos . She betrayed her city by cutting off her father's purple lock . The purple lock of hair held magical powers if preserved . Nisus was killed and became a sea eagle . Scylla later drowned , said by the hands of Minos and was changed into a sea bird pursued by the sea eagle .

(b) Ibizan hound - named for an island off the coast of Spain . Ancient breed of hounds once kept by the Pharoahs around 3400 B.C.

(c) ewer - a large jug or pitcher with a wide mouth used for carrying water for someone to wash in .

(d) ebulient - cheerful and full of energy . Archaic - of liquid or matter boiling or agitated as if boiling . From Latin ebullire - to bubble out which is the stem of the word Bullire which is the ancestor of the word boil .

(e) ectomorphic - body having a build with little fat or muscle and long limbs .

(f) - Chad - a landlocked country in north central Africa . One of the poorest and most corrupt nations in the world .

(g) breastbeating - a loud emotional expression of remorse , grief , anger , or self recrimination .

(h) Skewer - stick or metal pin used to hold meat .

(i) essoin - old English . An excuse for nonappearance in court .

(j) flannel-mouthed - smooth and persuasive in speech in order to deceive or manipulate .

(k) idyllic - extremely happy , peaceful , or picturesque .



VIII .
Through the eyes of yashmak (a) ,
below the eyes of  yarmulke (b) .
Whey-faced (c) tunneled half-caste (d)  in a white haik (e) .
Genuflection (f) to Baal (g) , Jehovah (h) .
A docudrama (i) , carbunckled (j) .
As the cross hair sweeps
across professed
liturgist (k) .


(a) yashmak - veil concealing all of the face except the eyes . Worn by some Muslim women in public .

(b) yarmulke - a skull cap worn by orthodox Jewish men or during prayer by other Jewish men .

(c) whey-faced - pale , especially as a result of ill health , shock , or fear .

(d) half-caste - a person whose parents are of different races in particular a European father and an Indian mother .

(e) Haik - a large outer garment or wrap typically white and worn by people from North Africa's Maghreb region .


(f) genuflection - lowering of one's body briefly by bending one knee to the ground . Typically in worship or as as sign of respect .

(g) Baal - was a title honorific meaning "owner" , "Lord" in the Northwest Semitic languages spoken in the Levant during antiquity . From its use among people it became to be applied to Gods of fertility , weather , rain , wind , lightning , seasons , war , and patron of sailors .

(h) Jehovah - a form of the Hebrew name  of God . Means  "I am that I am" or "I am the one who is".

(i) docudrama - a dramatized TV movie based on real life events .

(j) carbunckled - to make painful , sore , or irritated .

(k) liturgist - one who practices liturgy . A form to which public religious worship is conducted . In ancient Greece a public office or duty performed voluntaryly by a rich Athenian .
martin challis Nov 2014
...and going to state...action.

The jade edge of the writing compartment showed luminescent in the venetian-split rays of an afternoon sun.

Pillar Vas-Gurta gestured a heavy mop like hand towards the cigar case.

Take as many as you like, he mouthed. But everything suspicious
caused in me an urgent decline.  You are always too generous Pillar,
I uttered with feigned diplomacy; the dense undertow carrying off the forfeit.

Why are the Arm-ericans not displaying a greater sense of co-operation,
Pillar questioned the telephone in thick Polish, and to me the single nod of a telephone rung off, his reply was as good as a grunt.

As he finished the call; Ah now, come sit young Valentin, if you’ll none of my Cubans come sit and sip Cognac with me at least, spend a moment with an excellent mint.

Untroubled by the American question, Pillar, eyes like hurricanes, hair curled on his forhead with the oil of a whistle, teeth forged, as if by a village blacksmith, patient and keen to devour conversation, was not a man to be declined twice in one afternoon.

Pillar was a man who’s stubble grew as he considered each of his thoughts: and the skewer fed silence that connected fear with steel.

I sense Valentin you are withholding something, are you troubled, rumbled the Polish border, is the Cuban smoke a little too dense for your sensibilities, My friend, my friend you are troubled, so tell me.

Please. I answered for the cognac. And for the writing compartment.
I see it is from Gabriella.  His flash, dense and swift as a school of minnows turning their escape into silver, caught me unaware; the weight in my question.

He loves this woman. Here it is then. Even Pillar is vulnerable.

You do not answer Valentin. No I’m sorry, I mumbled. Something troubles me. Please tell me Pillar, why am I here, why have you called me.

Ah the question that cuts to chase the rabbit. As you say. Or something like that, no. You are here Valentin because I like you. You may think, there is nothing I like, and that also may be true. But the cigar must be smoked to appreciate its fullness.

And it that moment, Pillar reached for the razor in his sleeve. Before he was aware, I had seen the gesture. The heel of my shoe captured his nose. The cognac glass filled slowly; a distortion of colour. Pillar sat motionless at his desk. Draining with the final swill. The jade edge of the writing compartment offering a seal of approval; Gabriella's last kiss.
The cigar case remained open and untouched.

I had taken as many as I'd liked.

...and Cut..
This was an attempt at a 'thriller' poem written a while back.
A Poem on Zugzwang :  


Before your life ends up in Zugzwang
Learn to pin, Devoid of sins!
Skewer your thoughts,
Hope against odds.
Manoeuvre your troops and forces
Plant outposts and seal victories
Remember-
Numbered are your moments,
To post your deserving achievements!
Plan, Work Sail and Prevail
This is the way you must trail.
Chess is timing, so Is Life!
Move with a purpose,  Have High aims!
Face the gale when
Defence is the demand
Hold on! Take charge and command.
Do the best and Leave the Rest
   To God!
And he will save your position from the Critical Zugzwang!
Note : Zugzwang is a situation in which the obligation to make a move in one's turn is a serious, often decisive, disadvantage.
Anna Lo Nov 2011
In the month that I popped a pharmaceutical drug to feel better,


I smiled for the first time in months
at a lame joke,

I stopped worrying
about where I was going to be
if the zombie apocalypse was to happen,

I ceased feeling terrified
of waking up to the voice of Joey Ramone
to not want to be or feel anymore,

I wondered how Hemingway felt
as he stared at the glittering city lights of the Rive Gauche,
typing down his dark thoughts,

I walked to the blinking white silhouette of a tiny person across the street,
without hoping that the cars would magically skewer to the side
and consequentially crush my skull in,

I felt my heart enlarging like a balloon, while I stared into
his magnetic eyes,
that remind me of the glistening candlelit lights of Paris
after the war,

I craved the chocolate ice cream
my imaginary little brother bought me
while annoying me,

I listened to the world
and heard it's rambles and jangles
and knew that "every little thing is gonna be alright",

and I watch myself in the mirror
to realize that I
this person staring back at me is a shell
enveloping in the shock at my utter disbelief
that I don't know who I am anymore.

Perhaps somewhere out there,
in a parallel universe,
wherein lies reality or fantasy,
I have already given up
and is watching me here
to mock me.
I've decided to make this poem not flow in tone and rhythm. Unwise choice, I know, but I'm experimental and hopefully get some muse off this in a future date?
Kim Keith Sep 2010
Skewer a bleak piece of meat, bruising
rhythmic hips bumped up
against Formica while stirring
slow, marinating salty—still angry
about yesterday and lemons.

It’s morning
and you’re sorry, subtly flavored
savory with a Worcestershire bite.
Nibbling juicy,
like lime flesh lolling open

to peel my onion layers
one by one to the floor;
petaled out until
just the rawness remains.
Teasing taste buds
into taut lines, forgiven rows
rolled over

tongue.  Delicious.
Peppered red and seedy-sore now,
but satisfied
that we won’t forget our manners
at the dinner table.  Folded

tee *** napkins,
folded hands and don’t
touch the silverware.  Yet.

Eat it bare or not at all.
Swallow.  Whole.
Ask for seconds,
maybe thirds
if you’re vulnerable.

And I think
from the throb in your throat,
(a tender, exposed *****)
that you’re stirring to be.
First Published By: Gutter Eloquence Magazine--http://www.guttereloquence.com/issue11/kkeith11.html

— The End —